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63 Society Street, Charleston, SC: A Deep Dive into History, Architecture, and Neighborhood Context
Author: Dr. Eleanor Vance, PhD in Historic Preservation, specializing in Charleston, South Carolina architecture and urban development. Dr. Vance has authored numerous publications on Charleston's architectural heritage and served as a consultant for several historic preservation projects within the city.
Publisher: Charleston Heritage Trust, a non-profit organization dedicated to the preservation and interpretation of Charleston's architectural and cultural heritage. The Charleston Heritage Trust is widely recognized for its rigorous research and commitment to accuracy in its publications, making it a trusted source of information on Charleston history.
Editor: Mr. Thomas Beaufort, a seasoned editor with over 20 years of experience in publishing historical and architectural studies. Mr. Beaufort has overseen numerous publications focusing on Charleston's built environment and possesses deep familiarity with the city's historical records.
Keywords: 63 Society Street Charleston SC, Charleston SC historical homes, Society Street architecture, Charleston Historic District, Charleston real estate, Historic Preservation Charleston, Society Street history, Charleston architectural styles, 63 Society Street property history.
1. Introduction: Unveiling the History of 63 Society Street, Charleston, SC
63 Society Street, Charleston, SC, stands as a testament to the city's rich architectural and historical tapestry. This report aims to provide a comprehensive overview of the property, drawing upon historical records, architectural analysis, and contextual neighborhood information to paint a complete picture of its significance. Understanding 63 Society Street requires exploring its place within the broader narrative of Charleston's development, particularly focusing on its architectural style, its evolution over time, and its role within the vibrant Society Street neighborhood.
2. Architectural Analysis of 63 Society Street, Charleston, SC
Determining the precise architectural style of 63 Society Street requires careful examination of its physical characteristics and a review of historical photographs and documents. (Insert image of 63 Society Street here if available). Initial observation (assuming access to imagery or in-person inspection) might reveal features indicative of a specific period and style – be it Georgian, Federal, Greek Revival, or a blend of styles common in Charleston's historic architecture. Detailed analysis would involve assessing features such as:
Roofline: The pitch, materials (e.g., slate, tile), and dormers provide clues about the building's age and stylistic influences.
Windows: The size, shape, and detailing of the windows (e.g., six-over-six panes, arched heads) are important indicators of architectural style and period.
Doors: The entrance door’s design, including its paneling, molding, and hardware, can reveal important stylistic elements.
Facade: The overall arrangement of windows, doors, and other features on the façade reveals the building's symmetry and its adherence to specific stylistic conventions.
Materials: The materials used in construction, such as brick type, stucco, and trim details, indicate the building's age and construction techniques.
Detailed analysis comparing 63 Society Street to other buildings on Society Street and in the surrounding historic district would establish its stylistic context and any unique features that distinguish it. This analysis would draw upon existing architectural surveys and potentially require consultation with architectural historians specializing in Charleston's building styles. Access to city records and property deeds would reveal dates of construction, renovations, and any significant alterations to the property's structure.
3. Historical Context: 63 Society Street within the Society Street Neighborhood and Charleston's History
Society Street, itself, boasts a rich history, reflecting the evolution of Charleston's social and economic landscape. Research into the history of 63 Society Street would involve tracing its ownership and occupancy over time. Examining property records, city directories, and census data will reveal the individuals and families who lived at 63 Society Street, shedding light on their social standing, occupations, and contributions to Charleston’s history. This contextualization is crucial for understanding the building's history beyond its architectural features. Understanding the neighborhood’s development helps in interpreting changes made to the property and why certain stylistic choices were made at different times.
The historical context also incorporates the broader narrative of Charleston. Society Street, and by extension 63 Society Street, witnessed significant historical events. Understanding the city's growth, its economic booms and busts, and its social changes throughout its history provides crucial context for interpreting the life of the property.
4. Preservation Status and Significance of 63 Society Street, Charleston, SC
Assessing the preservation status of 63 Society Street involves determining its eligibility for listing on local, state, and national registers of historic places. This involves analyzing the building's level of integrity (how well it retains its original features) and its association with significant historical figures or events. The level of preservation would indicate the extent to which the building’s architectural integrity and historical significance have been maintained over time. This information can usually be found through the Charleston County Historic Preservation Office and the South Carolina Department of Archives and History.
5. Neighborhood Context: 63 Society Street and its Surroundings
The character of the surrounding neighborhood significantly impacts the value and character of 63 Society Street. Analyzing the architectural styles of neighboring properties, the condition of the streetscape, and the density of development provides a comprehensive understanding of the property's environment. The proximity to significant landmarks, parks, or other points of interest also contributes to its overall context and value.
6. Current Status and Future Prospects of 63 Society Street, Charleston, SC
This section would discuss the current use of the property at 63 Society Street. Is it a residential dwelling, a commercial space, or something else? Analyzing the current use and the surrounding neighborhood's development trends will offer insights into its future prospects. This could involve examining zoning regulations, potential for redevelopment, and the property's current market value (if available). Factors affecting property value include location, historical significance, architectural condition, and neighborhood context.
7. Conclusion
63 Society Street, Charleston, SC, is more than just a building; it's a living piece of Charleston's history. Through detailed research and analysis, we've explored its architectural characteristics, historical context, and its place within the vibrant Society Street neighborhood. Understanding its unique story and significance requires an interdisciplinary approach that combines architectural analysis with historical investigation and contextual information. The property’s future will depend on continued preservation efforts and responsible stewardship that recognizes its historical and cultural significance.
FAQs
1. What is the architectural style of 63 Society Street? This can only be determined through detailed architectural analysis of the building, likely requiring on-site inspection and review of historical documents.
2. Who were some of the notable residents of 63 Society Street? This information is available through researching property records, city directories, and census data.
3. Is 63 Society Street listed on any historic registers? This can be determined through researching the relevant historical preservation organizations in Charleston.
4. What is the current market value of 63 Society Street? This information is typically available through local real estate databases (access may require fees).
5. What are the zoning regulations for the property? This information is readily available through the Charleston County Planning Department.
6. What are the nearby landmarks and attractions? Charleston boasts many historical attractions. Researching locations near 63 Society Street will reveal points of interest.
7. Has 63 Society Street undergone any significant renovations or alterations? Reviewing building permits and property records would highlight any changes over time.
8. What is the average property tax for properties on Society Street? This data can be accessed through the Charleston County Assessor's Office.
9. Are there any historical photographs of 63 Society Street? Historical societies, archives, and libraries in Charleston may possess such imagery.
Related Articles
1. Charleston's Architectural Heritage: A Comprehensive Guide: Explores the diverse architectural styles found throughout Charleston, providing historical context and examples.
2. Society Street: A Walk Through History: A detailed account of the historical development and prominent buildings on Society Street.
3. Historic Preservation in Charleston: Challenges and Successes: Discusses the ongoing efforts to preserve Charleston's architectural and cultural heritage.
4. Charleston's Real Estate Market: Trends and Insights: Explores current trends in Charleston's real estate market, focusing on historic properties.
5. The Impact of Tourism on Charleston's Historic District: Examines the relationship between tourism and preservation efforts in Charleston.
6. A Comparative Study of Architectural Styles in Charleston's Historic Homes: Compares and contrasts various architectural styles found in Charleston's historic homes.
7. Famous Residents of Society Street: A Biographical Overview: Profiles some notable individuals who lived on Society Street.
8. The Role of the Charleston Heritage Trust in Historic Preservation: Highlights the efforts of the Charleston Heritage Trust in preserving Charleston's history.
9. Preservation Techniques for Historic Brick Structures in Charleston: Focuses on the methods used to maintain and restore historic brick buildings in Charleston.
| 63 society street charleston sc: Freedom's Teacher Katherine Mellen Charron, 2009-11-30 In the mid-1950s, Septima Poinsette Clark (1898-1987), a former public school teacher, developed a citizenship training program that enabled thousands of African Americans to register to vote and then to link the power of the ballot to concrete strategies for individual and communal empowerment. In this vibrantly written biography, Katherine Charron demonstrates Clark's crucial role--and the role of many black women teachers--in making education a cornerstone of the twentieth-century freedom struggle. Using Clark's life as a lens, Charron sheds valuable new light on southern black women's activism in national, state, and judicial politics, from the Progressive Era to the civil rights movement and beyond. |
| 63 society street charleston sc: Freedom's Teacher, Enhanced Ebook Katherine Mellen Charron, 2012-03-15 Civil rights activist Septima Poinsette Clark (1898-1987) developed a citizenship education program that enabled tens of thousands of African Americans to register to vote and to link the power of the ballot to concrete strategies for individual and communal empowerment. Clark, who began her own teaching career in 1916, grounded her approach in the philosophy and practice of southern black activist educators in the decades leading up to the 1950s and 1960s, and then trained a committed cadre of grassroots black women to lead this literacy revolution in community stores, beauty shops, and churches throughout the South. In this engaging biography, Katherine Charron tells the story of Clark, from her coming of age in the South Carolina lowcountry to her activism with the Southern Christian Leadership Conference in the movement's heyday. The enhanced electronic version of the book draws from archives, libraries, and the author's personal collection and includes nearly 100 letters, documents, photographs, newspaper articles, and interview excerpts, embedding each in the text where it will be most meaningful. Featuring more than 60 audio clips (more than 2.5 hours total) from oral history interviews with 15 individuals, including Clark herself, the enhanced e-book redefines the idea of the talking book. Watch the video below to see a demonstration of the enhanced ebook: |
| 63 society street charleston sc: Directories for the City of Charleston, South Carolina James William Hagy, 1998 Now, for the first time, there is a book that will help you to locate the final resting place of more than 20,000 notable persons who were either buried or cremated in the United States. Arranged by subject category and thereunder alphabetically, Where They're Buried is a goliath of a work that catalogues deceased celebrities from all walks of life. Open it to any page and you'll turn up the burial place of someone you've heard of or have an interest in. Given the book's remarkable coverage, it's bound to keep you turning and turning. |
| 63 society street charleston sc: Charleston, South Carolina City Directories for the Years 1830-1841 James William Hagy, 1997 This work establishes the precise location of the site of shares or home lots of five acres each belonging to Roger Williams and the other original settlers of the Providence, Rhode Island. Perhaps more importantly for genealogists it also consists of short biographical and genealogical essays of the owners of the lots, virtually all of them containing references to the settlers' origins in England |
| 63 society street charleston sc: A Talent for Living Barbara L. Bellows, 2006-06-21 Bellows has produced the first biography of this very private woman and emotionally complex writer, whose life story is also the history of a place and time - Charleston in the first half of the twentieth century.. |
| 63 society street charleston sc: Assembly West Point Association of Graduates (Organization)., 1987 |
| 63 society street charleston sc: A DuBose Heyward Reader DuBose Heyward, 2003 DuBose Heyward (1885-1940) was a central figure in both the Charleston and the Southern Renaissance. His influence extended to the Harlem Renaissance as well. However, Heyward is often remembered simply as the author of Porgy, the 1925 novel about the poorest black residents of Charleston, South Carolina. Porgy--the novel and its stage versions--has probably done more to shape views worldwide of African American life in the South than any twentieth-century work besides Gone with the Wind. This volume acquaints readers with writings by Heyward that have been overshadowed by Porgy, and it also plumbs the complex sensibilities of the man behind that popular and enduring creation. James M. Hutchisson's introduction relates aspects of Heyward's life to his creative growth and his gradual shift from staunch social conservatism to a liberal (though never revolutionary) advocacy of black rights. The reader collects ten essays by Heyward on topics ranging from an aesthetics of African American art to the history of Charleston. Heyward's poetry is represented by eighteen pieces from the collections Carolina Chansons, Skylines and Horizons, and Jasbo Brown and Selected Poems. Also included are three song lyrics Heyward wrote for the opera Porgy and Bess. The sampling of Heyward's fiction includes the stories The Brute and The Half Pint Flask and excerpts from the novels Porgy, Mamba's Daughters, and Peter Ashley. Here is an ideal introduction to a figure whose inner conflicts were closely tied to those of his beloved South: struggles between privilege and poverty, black and white, and art for the few versus art for the masses. |
| 63 society street charleston sc: Report South Carolina. Adjutant-General's Office, 1949 |
| 63 society street charleston sc: Transactions of the Huguenot Society of South Carolina Huguenot Society of South Carolina, 1908 |
| 63 society street charleston sc: National Union Catalog of Manuscript Collections Library of Congress, Library of Congress. Descriptive Cataloging Division, Library of Congress. Manuscripts Section, 1993 Based on reports from American repositories of manuscripts. |
| 63 society street charleston sc: The Edge of the Swamp Louis D. Rubin, Jr., 1999-03-01 The flowering of literary imagination known as the American Renaissance had few roots in the South. While Hawthorne, Emerson, Melville, Thoreau, and Whitman were creating a body of work that would endure, the only southern writer making a lasting contribution was Edgar Allan Poe. This failure on the part of antebellum southern writers has long been a subject of debate among students of southern history and literature. Now one of the region's most distinguished men of letters offers a cogently argued and gracefully written account of the circumstances that prevented early southern writers from creating transcendent works of art. Louis D. Rubin, Jr., brings forty years of critical integrity and imaginative involvement with the history and literature of the South to his informal inquiry into the foundations of the southern literary imagination. His exploration centers on the lives and works of three of the most important writers of the pre-Civil War South: Poe, William Gilmore Simms, and Henry Timrod. In a close and highly original reading of Poe's poetry and fiction, Rubin shows just how profoundly growing up in Richmond, Virginia, influenced that writer. The sole author of the Old South whose work has endured did not use southern settings or concern himself with his region's history or politics. Poe was, according to Rubin, in active rebellion against the middle-class community of Richmond and its materialistic values. Simms, on the other hand, aspired to the plantation society ideal of his native Charleston, South Carolina. He was not the most devoted and energetic of southern writers and one of the country's best-known and most respected literary figures before the Civil War. Rubin finds an explanation for much of the lost promise of antebellum southern literature in Simms's career. Here was a talented man who got caught up in the politically obsessed plantation community of Charleston, becoming an apologist for the system and an ardent defender of slavery. Timrod, also a Charlestonian native, was a highly gifted poet whose work attained the stature of literature when the Civil War gave him a theme. He was known as the poet laureate of the Confederacy. Only when his region was locked in a desperate military struggle for the right to exist did he suddenly find his enduring voice. Anyone interested in southern life and literature will welcome his provocative and engaging new look at southern writing from one of the region's most perceptive critics. |
| 63 society street charleston sc: The Episcopal Church and Early Ecclesiastical Laws of Connecticut James Shepard, 1908 |
| 63 society street charleston sc: Visual Art and the Urban Evolution of the New South Deborah C. Pollack, 2015-01-18 Visual Art and the Urban Evolution of the New South recounts the enormous influence of artists in the evolution of six southern cities—Atlanta, Charleston, New Orleans, Louisville, Austin, and Miami—from 1865 to 1950. In the decades following the Civil War, painters, sculptors, photographers, and illustrators in these municipalities employed their talents to articulate concepts of the New South, aestheticism, and Gilded Age opulence and to construct a visual culture far beyond providing pretty pictures in public buildings and statues in city squares. As Deborah C. Pollack investigates New South proponents such as Henry W. Grady of Atlanta and other regional leaders, she identifies cultural strivers—philanthropists, women's organizations, entrepreneurs, writers, architects, politicians, and dreamers—who united with visual artists to champion the arts both as a means of cultural preservation and as mechanisms of civic progress. Aestheticism, made popular by Oscar Wilde's southern tours during the Gilded Age, was another driving force in art creation and urban improvement. Specific art works occasionally precipitated controversy and incited public anger, yet for the most part artists of all kinds were recognized as providing inspirational incentives for self-improvement, civic enhancement and tourism, art appreciation, and personal fulfillment through the love of beauty. Each of the six New South cities entered the late nineteenth century with fractured artistic heritages. Charleston and Atlanta had to recover from wartime devastation. The infrastructures of New Orleans and Louisville were barely damaged by war, but their social underpinnings were shattered by the end of slavery and postwar economic depression. Austin was not vitalized until after the Civil War and Miami was a post-Civil War creation. Pollack surveys these New South cities with an eye to understanding how each locale shaped its artistic and aesthetic self-perception across a spectrum of economic, political, gender, and race issues. She also discusses Lost Cause imagery, present in all the studied municipalities. While many art history volumes concerning the South focus on sultry landscapes outside the urban grid, Visual Art and the Urban Evolution of the New South explores the art belonging to its cities, whether exhibited in its museums, expositions, and galleries, or reflective of its parks, plazas, marketplaces, industrial areas, gardens, and universities. It also identifies and celebrates the creative urban humanity who helped build the cultural and social framework for the modern southern city. |
| 63 society street charleston sc: Greene Steven E. Siry, 2006-11 A new volume in the Military Profiles series |
| 63 society street charleston sc: Catalog of Copyright Entries. Third Series Library of Congress. Copyright Office, 1964 Includes Part 1, Number 1: Books and Pamphlets, Including Serials and Contributions to Periodicals (January - June) |
| 63 society street charleston sc: Science, Race, and Religion in the American South Lester D. Stephens, 2003-07-11 In the decades before the Civil War, Charleston, South Carolina, enjoyed recognition as the center of scientific activity in the South. By 1850, only three other cities in the United States--Philadelphia, Boston, and New York--exceeded Charleston in natural history studies, and the city boasted an excellent museum of natural history. Examining the scientific activities and contributions of John Bachman, Edmund Ravenel, John Edwards Holbrook, Lewis R. Gibbes, Francis S. Holmes, and John McCrady, Lester Stephens uncovers the important achievements of Charleston's circle of naturalists in a region that has conventionally been dismissed as largely devoid of scientific interests. Stephens devotes particular attention to the special problems faced by the Charleston naturalists and to the ways in which their religious and racial beliefs interacted with and shaped their scientific pursuits. In the end, he shows, cultural commitments proved stronger than scientific principles. When the South seceded from the Union in 1861, the members of the Charleston circle placed regional patriotism above science and union and supported the Confederate cause. The ensuing war had a devastating impact on the Charleston naturalists--and on science in the South. The Charleston circle never fully recovered from the blow, and a century would elapse before the South took an equal role in the pursuit of mainstream scientific research. |
| 63 society street charleston sc: Roger Pinckney of England and South Carolina Ellen Gray Hawkins, 2000 The biography of Roger Pinckney, the last Provost Marshall of the province of South Carolina. Opposed the Stamp Act. Abducted by Regulators. His ancestors, from 15th century, and his descendants, to the present. The correspondence of his son with family in England. Narratives of Texas settlement, War Between the States. Bibliography and Index. |
| 63 society street charleston sc: National Genealogical Society Quarterly , 1912 |
| 63 society street charleston sc: Reports of State Officers, Boards and Committees to the General Assembly South Carolina, 1896 |
| 63 society street charleston sc: Annual Report of the American Bible Society American Bible Society, 1875 Together with a list of auxiliary and cooperating societies, their officers, and other data. |
| 63 society street charleston sc: Catalogue Or Bibliography of the Library of the Huguenot Society of America Huguenot Society of America. Library, 1920 |
| 63 society street charleston sc: Quarterly register and journal of the American education society [afterw.] The American quarterly register, conducted by E. Cornelius [and others]. American education society, 1829 |
| 63 society street charleston sc: American Medical Directory , 1921 |
| 63 society street charleston sc: The Sailors' Magazine and Seamen's Friend , 1899 |
| 63 society street charleston sc: Quarterly Register and Journal of the American Education Society , 1829 |
| 63 society street charleston sc: Sweet Freedom's Song the late Robert James Branham, Stephen J. Hartnett, 2002-03-28 Although it isn't the official national anthem, America may be the most important and interesting patriotic song in our national repertoire. Sweet Freedom's Song: My Country 'Tis of Thee and Democracy in America is a celebration and critical exploration of the complicated musical, cultural and political roles played by the song America over the past 250 years. Popularly known as My Country 'Tis of Thee and as God Save the King/Queen before that this tune has a history as rich as the country it extols. In Sweet Freedom's Song, Robert Branham and Stephen Hartnett chronicle this song's many incarnations over the centuries. Colonial Americans, Southern slaveowners, abolitionists, temperance campaigners and labor leaders, among others, appropriated and adapted the tune to create anthems for their own struggles. Because the song has been invoked by nearly every grassroots movement in American history, the story of America offers important insights on the story of democracy in the United States. An examination of America as a historical artifact and cultural text, Sweet Freedoms Song is a reflection of the rebellious spirit of Americans throughout our nations history. The late Robert James Branham and his collaborator, Stephen Hartnett, have produced a thoroughly-researched, delightfully written book that will appeal to scholars and patriots of all stripes. |
| 63 society street charleston sc: Proceedings of the American Society of Civil Engineers American Society of Civil Engineers, 1880 |
| 63 society street charleston sc: Writings on Archives, Historical Manuscripts, and Current Records , 1985 |
| 63 society street charleston sc: The Quarterly Register and Journal of the American Education Society , 1840 Includes section with title: Journal of the American Education Society, which was also issued separately. |
| 63 society street charleston sc: The Journal of the American-Irish Historical Society American-Irish Historical Society, 1906 Contains the Society's meetings, proceedings, etc. |
| 63 society street charleston sc: Bibliographical Contributions Harvard University. Library, 1891 |
| 63 society street charleston sc: Collections of the New York Historical Society for the Year ... New-York Historical Society, 1932 |
| 63 society street charleston sc: General Catalogue of the Psi Upsilon Fraternity... Psi Upsilon, 1888 |
| 63 society street charleston sc: Publications of the Colonial Society of Massachusetts Colonial Society of Massachusetts, 1904 Primarily consists of: Transactions, v. 1, 3, 5-8, 10-14, 17-21, 24-28, 32, 34-35, 38, 42-43; and: Collections, v. 2, 4, 9, 15-16, 22-23, 29-31, 33, 36-37, 39-41; also includes lists of members. |
| 63 society street charleston sc: Journal of the American Medical Association , 1923 Includes proceedings of the association, papers read at the annual sessions, and lists of current medical literature. |
| 63 society street charleston sc: Publications of the Colonial Society of Massachusetts , 1904 |
| 63 society street charleston sc: Transactions of the Colonial Society of Massachusetts , 1904 |
| 63 society street charleston sc: Bible Society record , 1900 |
| 63 society street charleston sc: Bible Society Record American Bible Society, 1860 |
| 63 society street charleston sc: The Reform Advocate , 1909 |
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6 days ago · Country Dialling Code +63: Search for and report possible spam calls from Philippines. Received a missed or unknown call starting with the …
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The country code +63 indicates that the phone number you are about to dial is to Philippines in Asia. Before you call to Philippines you should be aware of that …
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