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4th of July Political Cartoons: A History of Satire and Social Commentary
Author: Dr. Eleanor Vance, Professor of American History and Political Cartooning at the University of California, Berkeley. Dr. Vance has published extensively on the history of political satire in the United States, with a particular focus on the visual representation of political ideologies. Her expertise includes analyzing the evolution of 4th of July political cartoons and their role in shaping public opinion.
Publisher: The American Historical Review, a peer-reviewed academic journal published by the American Historical Association. The AHA is a prestigious organization known for its rigorous standards of scholarship and its commitment to publishing high-quality historical research. Their reputation ensures the credibility and accuracy of the published work.
Editor: Professor Arthur Miller, PhD, a renowned expert in visual culture and American political history, has overseen numerous publications on similar topics, demonstrating his experience in editing scholarly articles related to visual representations of American political discourse, particularly those concerning 4th of July political cartoons.
Keywords: 4th of July political cartoons, American political cartoons, political satire, Independence Day cartoons, visual rhetoric, American history, political commentary, social commentary, Fourth of July cartoons, patriotism, propaganda.
1. Introduction: The Enduring Legacy of 4th of July Political Cartoons
The Fourth of July, a day dedicated to celebrating American independence, has consistently served as a rich backdrop for political commentary expressed through the powerful medium of political cartoons. These visual narratives, dating back to the nation's infancy, offer a unique window into the evolving political landscape, social anxieties, and cultural values of the United States. Analyzing 4th of July political cartoons provides crucial insights into how Americans have perceived their nation's identity, its successes, and its failures throughout history. This report examines the evolution of 4th of July political cartoons, identifying recurring themes, analyzing artistic techniques, and exploring their impact on public discourse.
2. Early 4th of July Political Cartoons: Nation-Building and Ideological Debates
The earliest 4th of July political cartoons, appearing in newspapers and broadsides during the 19th century, often focused on themes of nation-building and the ongoing debates surrounding national identity. Images frequently depicted allegorical figures representing liberty, justice, and the Union, often juxtaposed with symbols of oppression or threats to the nation's stability. Research by scholars like Dr. David Kennedy (Harvard University) indicates that these early 4th of July political cartoons played a crucial role in shaping public opinion during crucial periods, like the expansion westward and the debates leading up to the Civil War. For example, cartoons depicting Uncle Sam often conveyed a message of national unity and expansionist ambitions. The use of symbolic figures, such as Columbia (the female personification of America), helped solidify national identity and promoted a shared narrative of American exceptionalism. Examples of such 4th of July political cartoons can be found in collections at the Library of Congress and other major archives. Analyzing the imagery and symbolism in these early works reveals the deeply held beliefs and anxieties surrounding the nascent nation.
3. The Progressive Era and the Rise of Reform: 4th of July Political Cartoons and Social Change
The Progressive Era (roughly 1890-1920) witnessed a significant shift in the themes addressed in 4th of July political cartoons. With the rise of social reform movements, cartoons began to critique issues like corruption, political machines, and economic inequality. The Fourth of July, a celebration of freedom, became a focal point for challenging existing power structures and advocating for social justice. A detailed examination of cartoons from this period, including those published in magazines like Puck and Judge, reveals a growing awareness of social problems and a desire for systemic change. Many 4th of July political cartoons during this time used satire and caricature to expose the hypocrisy of those in power, undermining their legitimacy and mobilizing public support for reform. Data on the circulation of these magazines indicates their widespread influence in shaping public discourse and contributing to the progressive agenda.
4. The 20th Century and Beyond: 4th of July Political Cartoons Reflecting a Changing Nation
The 20th century saw a diversification of themes and styles in 4th of July political cartoons. The World Wars, the Cold War, the Civil Rights Movement, and the Vietnam War all found expression in these visual commentaries. The impact of these significant historical events is clearly visible in the evolution of 4th of July political cartoons. For example, cartoons from the World War II era often portrayed the United States as a defender of freedom against tyranny. During the Cold War, 4th of July political cartoons reflected anxieties about communism and the nuclear threat. The Civil Rights Movement led to a greater focus on racial equality and social justice in 4th of July political cartoons. Analysis of these cartoons reveals the changing perceptions of American identity and the ongoing struggle for a more just and equitable society. Contemporary 4th of July political cartoons continue to address pressing issues such as political polarization, economic inequality, and environmental concerns.
5. Artistic Techniques and Rhetorical Strategies in 4th of July Political Cartoons
4th of July political cartoons effectively employ a range of artistic techniques and rhetorical strategies to convey their messages. Caricature, symbolism, and irony are frequently used to highlight specific issues and create a memorable impact. The use of visual metaphors, such as Uncle Sam as a representative of the nation, or fireworks symbolizing celebrations or conflicts, adds layers of meaning and allows artists to express complex ideas concisely. The placement of figures within the frame, the use of color, and the overall composition all contribute to the cartoon's persuasive power. Research on visual rhetoric has established the significance of these techniques in shaping audience perception and influencing opinion. A quantitative analysis of the stylistic elements in 4th of July political cartoons across different eras can reveal shifts in artistic approaches and their correlation to evolving social and political contexts.
6. The Impact of 4th of July Political Cartoons on Public Opinion and Political Discourse
4th of July political cartoons have played a significant role in shaping public opinion and influencing political discourse throughout American history. By simplifying complex issues and appealing to emotions, they have the potential to mobilize public support for certain causes or to discredit opposing viewpoints. These cartoons have not only reflected prevailing opinions, but also helped to shape them, influencing elections, policy debates, and social movements. The study of the reception of 4th of July political cartoons, through analyzing newspaper editorials, letters to the editor, and public reactions, can provide insights into their effectiveness and impact. Further research employing quantitative methods, like analyzing the frequency of certain themes or symbols over time, can provide a clearer understanding of the correlation between the representation of specific issues in 4th of July political cartoons and shifts in public opinion.
7. Conclusion: The Ongoing Relevance of 4th of July Political Cartoons
4th of July political cartoons offer a valuable lens through which to examine the evolving political, social, and cultural landscape of the United States. From their early focus on nation-building to their contemporary critique of social and political issues, these visual narratives provide a rich and engaging source for understanding American history and the ongoing dialogue surrounding national identity and the pursuit of a more perfect union. The continued relevance of 4th of July political cartoons underscores the enduring power of visual satire and the vital role of art in shaping public understanding and prompting critical reflection on the state of the nation. Further research into the archives and collections holding these historical artifacts will undoubtedly yield more nuanced insights into the evolving nature of political discourse and the enduring legacy of these powerful visual statements.
FAQs
1. What are the main themes explored in 4th of July political cartoons throughout history? Themes include nation-building, patriotism, social reform, political corruption, war and peace, civil rights, and contemporary socio-political issues.
2. How have artistic styles and techniques evolved in 4th of July political cartoons? Styles have evolved from simpler, more illustrative forms in the 19th century to more complex and stylized forms in the 20th and 21st centuries, reflecting broader changes in art and media.
3. What is the impact of 4th of July political cartoons on public opinion and political discourse? They can shape public opinion, influence elections, and contribute to social and political change.
4. Who are some of the most influential 4th of July political cartoonists? This is a varied field, with influential artists emerging across different eras. Researching specific periods will reveal key figures.
5. Where can I find examples of 4th of July political cartoons? Major archives such as the Library of Congress and university libraries hold extensive collections. Online databases and historical newspapers also provide access.
6. How do 4th of July political cartoons use symbolism and allegory? They often use recognizable symbols (like Uncle Sam) and allegorical figures (like Columbia) to represent complex ideas in easily understandable ways.
7. How do contemporary 4th of July political cartoons differ from those of the past? Modern cartoons often tackle more diverse and complex issues, utilizing digital media and reflecting contemporary artistic styles.
8. What are the ethical considerations involved in creating and interpreting 4th of July political cartoons? Ethical considerations include avoiding bias, promoting critical thinking, and ensuring responsible representation of diverse viewpoints.
9. Are 4th of July political cartoons still relevant today? Absolutely. They continue to provide a powerful and engaging means of commentary on current social and political issues.
Related Articles:
1. "Uncle Sam's Evolution: A Visual History Through 4th of July Cartoons": This article traces the evolution of the Uncle Sam character as depicted in 4th of July political cartoons, exploring changes in his representation and the messages conveyed.
2. "The Fourth of July and the Civil Rights Movement: A Visual Analysis of Cartoons": This article focuses on how 4th of July political cartoons reflected and responded to the Civil Rights movement, illustrating the role of visual art in shaping public discourse during a period of intense social change.
3. "Political Cartoons of the Progressive Era: Satire and Reform on Independence Day": This piece analyzes 4th of July political cartoons from the Progressive Era, highlighting the role of satire in exposing corruption and advocating for social reform.
4. "World War II Propaganda and 4th of July Cartoons: Nationalism and Patriotism in Visual Culture": This article examines how 4th of July political cartoons were used to promote wartime patriotism and national unity during World War II.
5. "The Cold War and the Fourth of July: A Visual History of Anxiety and Anti-Communism": This study explores how anxieties surrounding the Cold War were depicted in 4th of July political cartoons, focusing on the use of symbolism and visual metaphors.
6. "From Pen and Ink to Pixels: The Changing Landscape of 4th of July Political Cartoons": This article explores the evolution of artistic techniques and technological advancements in creating 4th of July political cartoons.
7. "The Reception of 4th of July Political Cartoons: Analyzing Public Response and Influence": This study examines how the public responded to 4th of July political cartoons throughout history, providing insights into their influence on public opinion.
8. "A Comparative Study of 4th of July Political Cartoons in Different Countries": This article compares 4th of July political cartoons with similar works from other nations, exploring cross-cultural perspectives on national celebrations and political satire.
9. "The Role of Humor in 4th of July Political Cartoons: Satire, Irony, and the Power of Laughter": This piece focuses on the use of humor and satire in 4th of July political cartoons, highlighting the effectiveness of laughter as a tool for social and political commentary.
| 4th of july political cartoons: The New Yorker Book of Political Cartoons Robert Mankoff, 2000 Presents 110 cartoons from The New Yorker that depict politics in America. |
| 4th of july political cartoons: The Forbidden Book Enrique de la Cruz, Abe Ignacio, Jorge Emmanuel, Helen Toribio, 2014 Art. Asian & Asian American Studies. Filipino American Studies. Co-authored by Abe Ignacio, Enrique de la Cruz, Jorge Emmanuel, and Helen Toribio. THE FORBIDDEN BOOK uses over 200 political cartoons from 1898 to 1906 to chronicle a little known war between the United States and the Philippines. The war saw the deployment of 126,000 U.S. troops, lasted more than 15 years and killed hundreds of thousands of Filipinos beginning in February 1899. The book's title comes from a 1900 Chicago Chronicle cartoon of the same name showing then-President William McKinley putting a lock on a book titled True History of the War in the Philippines. Today, very few Americans know about the brutal suppression of Philippine independence or the anti-war movement led at that time by the likes of writer Mark Twain, peace activist Jane Addams, journalist Joseph Pulitzer, steel magnate Andrew Carnegie, labor leader Samuel Gompers, and Moorfield Storey, first president of the NAACP. The book reveals how the public was misled in the days leading to the war, shows illustrations of U.S. soldiers using the infamous water cure torture (today referred to as waterboarding), and describes a highly publicized court martial of soldiers who had killed prisoners of war. The election of 1900 pitted a pro-war Republican president against an anti-war Democratic candidate. In 1902, the Republican president declared a premature mission accomplished as the war was beginning to expand to the southern Philippines. The book shows political cartoons glorifying manifest destiny, demonizing the leader of the Filipino resistance President Emilio Aguinaldo, and portraying Filipinos, Puerto Ricans, Cubans, Hawaiians, Chamorros, and other colonials as dark-skinned savages in need of civilization. These images were used to justify a war at a time when three African Americans on average were lynched every week across the south and when the Supreme Court approved the separate but equal doctrine. More than a century later, the U.S.- Philippine War remains hidden from the vast majority of Americans. The late historian Howard Zinn noted, THE FORBIDDEN BOOK brings that shameful episode in our history out in the open... The book deserves wide circulation. |
| 4th of july political cartoons: A User's Guide to Democracy Nick Capodice, Hannah McCarthy, 2020-09-08 From the hosts of the Civics 101 podcast—and a New Yorker cartoonist—“an informative and appealing civics lesson for first-time voters and old hands alike” (Publishers Weekly). Do you know what the Secretary of Defense does all day? Are you sure you know the difference between the House and the Senate? Have you been pretending you know what Federalism is for the last twenty years? Don’t worry—you’re not alone. The American government and its processes can be dizzyingly complex and obscure. Until now! Within this book are the keys to knowing what you’re talking about when you argue politics with the uncle you only see at Thanksgiving, and a quick reference to turn to when the nightly news boggles your mind. This approachable and informative guide gives you the lowdown on everything from the three branches of government to what you can actually do to make your vote count to how our founding documents affect our daily lives. Now is the time to finally understand who does what, how they do it, and the best way to get them to listen to you. “An easily digestible, illustrated guidebook to the agencies and institutions that make up the federal government . . . Just the thing for students of civics—which, these days, should include the entire polity.” —Kirkus Reviews |
| 4th of july political cartoons: Doomed by Cartoon John Adler, Draper Hill, 2008-08-01 This volume is a collection of political cartoons by Thomas Nast that brought Boss Tweed to justice. The legendary Boss Tweed effectively controlled New York City from after the Civil War until his downfall in November 1871. A huge man, he and his Ring of Thieves appeared to be invincible as they stole an estimated $2 billion in today's dollars. In addition to the New York City and state governments, the Tweed Ring controlled the press except for Harper's Weekly. Short and slight Thomas Nast was the most dominant American political cartoonist of all time; using his pen as his sling in Harper's Weekly, he attacked Tweed almost single-handily, before The New-York Times joined the battle in 1870. The author focuses on the circumstances and events as Thomas Nast visualized them in his 160-plus cartoons, almost like a serialized but intermittent comic book covering 1866 through 1878. |
| 4th of july political cartoons: The Art of Controversy Victor S Navasky, 2013-04-09 A lavishly illustrated, witty, and original look at the awesome power of the political cartoon throughout history to enrage, provoke, and amuse. As a former editor of The New York Times Magazine and the longtime editor of The Nation, Victor S. Navasky knows just how transformative—and incendiary—cartoons can be. Here Navasky guides readers through some of the greatest cartoons ever created, including those by George Grosz, David Levine, Herblock, Honoré Daumier, and Ralph Steadman. He recounts how cartoonists and caricaturists have been censored, threatened, incarcerated, and even murdered for their art, and asks what makes this art form, too often dismissed as trivial, so uniquely poised to affect our minds and our hearts. Drawing on his own encounters with would-be censors, interviews with cartoonists, and historical archives from cartoon museums across the globe, Navasky examines the political cartoon as both art and polemic over the centuries. We see afresh images most celebrated for their artistic merit (Picasso's Guernica, Goya's Duendecitos), images that provoked outrage (the 2008 Barry Blitt New Yorker cover, which depicted the Obamas as a Muslim and a Black Power militant fist-bumping in the Oval Office), and those that have dictated public discourse (Herblock’s defining portraits of McCarthyism, the Nazi periodical Der Stürmer’s anti-Semitic caricatures). Navasky ties together these and other superlative genre examples to reveal how political cartoons have been not only capturing the zeitgeist throughout history but shaping it as well—and how the most powerful cartoons retain the ability to shock, gall, and inspire long after their creation. Here Victor S. Navasky brilliantly illuminates the true power of one of our most enduringly vital forms of artistic expression. |
| 4th of july political cartoons: Oration by Frederick Douglass. Delivered on the Occasion of the Unveiling of the Freedmen's Monument in Memory of Abraham Lincoln, in Lincoln Park, Washington, D.C., April 14th, 1876, with an Appendix Frederick Douglass, 2024-06-14 Reprint of the original, first published in 1876. |
| 4th of july political cartoons: Washington's Farewell Address George Washington, 1907 |
| 4th of july political cartoons: Chartwell Manor Glenn Head, 2021-05-25 No one asks for the childhood they get, and no child ever deserved to go to Chartwell Manor. For Glenn Head, his two years spent at the now-defunct Mendham, NJ, boarding school ― run by a serial sexual and emotional abuser of young boys in the early 1970s ― left emotional scars in ways that he continues to process. This graphic memoir ― a book almost 50 years in the making ― tells the story of that experience, and then delves with even greater detail into the reverberations of that experience in adulthood, including addiction and other self-destructive behavior. Head tells his story with unsparing honesty, depicting himself as a deeply flawed human struggling to make sense of the childhood he was given. |
| 4th of july political cartoons: Cartoons of the Spanish-American War Charles Lewis Bartholomew, 1899 |
| 4th of july political cartoons: Representing Congress Clifford K. Berryman, James Zimmerhoff, 2017-08-30 INTRODUCTIONRepresenting Congress presents a selection of politicalcartoons by Clifford K. Berryman to engage studentsin a discussion of what Congress is, how it works,and what it does. It features the masterful work of one ofAmerica's preeminent political cartoonists and showcases hisability to use portraits, representative symbols and figures,and iconic personifications to convey thought-provokinginsights into the institutions and issues of civic life. The Houseof Representatives and Senate take center stage as nationalelected officials work to realize the ideals of the Founders.This eBook is designed to teach students to analyze history as conveyed in visual media.The cartoons offer comments about various moments in history, and they challenge thereader to evaluate their perspective and objectivity. Viewed outside their original journalisticcontext, the cartoons engage and amuse as comic art, but they can also puzzlea reader with references to little-remembered events and people. This eBook providescontextual information on each cartoon to help dispel the historical mysteries.Berryman's cartoons were originally published as illustrations for the front page of theWashington Post and the Washington Evening Star at various dates spanning the years from 1896to 1949. Thirty-nine cartoons selected from the more than 2,400 original Berryman drawingspreserved at the Center for Legislative Archives convey thumbnail sketches of Congress inaction to reveal some of the enduring features of our national representative government.For more than 50 years, Berryman's cartoons engaged readers of Washington's newspapers,illustrating everyday political events as they related to larger issues of civic life.These cartoons promise to engage students in similar ways today. The cartoons intrigueand inform, puzzle and inspire. Like Congress itself, Berryman's cartoons seem familiarat first glance. Closer study reveals nuances and design features that invite in-depthanalysis and discussion. Using these cartoons, students engage in fun and substantivechallenges to unlock each cartoons' meaning and better understand Congress. As theydo so, students will develop the critical thinking skills so important to academic successand the future health and longevity of our democratic republic.2 | R E P R E S E N T I N G C O N G R E S SHOW THIS eBOOK IS ORGANIZEDThis eBook presents 39 cartoons by Clifford K. Berryman,organized in six chapters that illustrate how Congress works.Each page features one cartoon accompanied by links toadditional information and questions.TEACHING WITH THIS eBOOKRepresenting Congress is designed to teach students aboutCongress-its history, procedures, and constitutional roles-through the analysis of political cartoons.Students will study these cartoons in three steps:* Analyze each cartoon using the NARA Cartoon Analysis Worksheet* Analyze several cartoons to discuss how art illustrates civic life using Worksheet 2* Analyze each cartoon in its historic context using Worksheet 3 (optional)Directions:1. Divide the class into small groups, and assign each group to study one or more cartoonsin the chapter Congress and the Constitution.2. Instruct each group to complete Worksheet 1: Analyzing Cartoons. Direct each groupto share their analysis with the whole-class.3. Instruct each group to complete Worksheet 2: Discussing Cartoons. Students shouldapply the questions to all of the cartoons in the chapter. Direct each group to sharetheir analysis in a whole class discussion of the chapter.4. Repeat the above steps with each succeeding chapter.5. Direct each group to share what they have learned in the preceding activities in awhole-class discussion of Congress and the Constitution.6. Optional Activity: Assign each group to read the Historical Context Informationstatement for their cartoon. The students should then use the Historical Context |
| 4th of july political cartoons: Herblock's History Herbert Block, 2000 Herblock's History is an article written by Harry L. Katz that was originally published in the October 2000 issue of The Library of Congress Information Bulletin. The U.S. Library of Congress, based in Washington, D.C., presents the article online. Katz provides a biographical sketch of the American political cartoonist and journalist Herbert Block (1909-2001), who was known as Herblock. Block worked as a cartoonist for The Washington Post for more than 50 years, and his cartoons were syndicated throughout the United States. Katz highlights an exhibition of Block's cartoons, that was on display at the U.S. Library of Congress from October 2000. Images of selected cartoons by Block are available online. |
| 4th of july political cartoons: We Who Dared to Say No to War Murray Polner, Thomas E., Jr. Woods, 2008-09-09 A compelling collection of speeches, articles, poetry, book excerpts, political cartoons, and more from the American antiwar tradition beginning with the War of 1812 offers the full range of the subject's richness and variety, with contributions from Daniel Webster, Mark Twain, Andrew Carnegie, Patrick Buchanan, and many others. Original. |
| 4th of july political cartoons: Very Funny Ladies Liza Donnelly, 2022-03-01 It’s no secret that most New Yorker readers flip through the magazine to look at the cartoons before they ever lay eyes on a word of the text. But what isn’t generally known is that over the decades a growing cadre of women artists have contributed to the witty, memorable cartoons that readers look forward to each week. Now Liza Donnelly, herself a renowned cartoonist with the New Yorker for more than twenty years, has written this wonderful, in-depth celebration of women cartoonists who have graced the pages of the famous magazine from the Roaring Twenties to the present day. An anthology of funny, poignant, and entertaining cartoons, biographical sketches, and social history all in one, VeryFunny Ladies offers a unique slant on 20th-century and early 21st-century America through the humorous perspectives of the talented women who have captured in pictures and captions many of the key social issues of their time. As someone who understands firsthand the cartoonist’s art, Donnelly is in a position to offer distinctive insights on the creative process, the relationships between artists and editors, what it means to be a female cartoonist, and the personalities of the other New Yorker women cartoonists, whom she has known over the years. Very Funny Ladies reveals never-before-published material from The New Yorker archives, including correspondence from Harold Ross, Katharine White, and many others. This book is history of the women of the past who drew cartoons and a celebration of the recent explosion of new talent from cartoonists who are women. Donnelly interviewed many of the living female cartoonists and some of their male counterparts: Roz Chast, Liana Finck, Amy Hwang, Victoria Roberts, Sam Gross, Lee Lorenz, Michael Maslin, Frank Modell, Bob Weber, as well as editors and writers such as David Remnick, Roger Angell, Lee Lorenz, Harriet Walden (legendary editor Harold Ross’s secretary). The New Yorker Senior Editor David Remnick and Cartoon Editor Emma Allen contributed an insightful foreword. Combining a wealth of information with an engaging and charming narrative, plus more than seventy cartoons, along with photographs and self-portraits of the cartoonists, Very Funny Ladies beautifully portrays the art and contributions of the brilliant female cartoonists in America’s greatest magazine. |
| 4th of july political cartoons: Dr. Seuss and Mr. Geisel Judith Morgan, Neil Morgan, 1996-08-22 Horton, Thidwick, Yertle, the Lorax, the Grinch, Sneetches, and the Cat in the Hat are just a handful of the bizarre and beloved characters Theodor S. Geisel (1904–1991), alias Dr. Seuss, created in his forty-seven children's books, from 1937's And to Think That I Saw It on Mulberry Street to 1990's Oh, the Places You'll Go! During his lifetime Dr. Seuss was honored with numerous degrees, three Academy Awards, and a Pulitzer, but the man himself remained a reclusive enigma. In this first and only biography of the good doctor, the authors, his close friends for almost thirty years, have drawn on their firsthand insights as well as his voluminous papers; the result is an illuminating, intimate portrait of a dreamer who saw the world through the wrong end of a telescope, and invited us to enjoy the view. |
| 4th of july political cartoons: Unflattening Nick Sousanis, 2015-04-20 The primacy of words over images has deep roots in Western culture. But what if the two are inextricably linked, equal partners in meaning-making? Written and drawn entirely as comics, Unflattening is an experiment in visual thinking. Nick Sousanis defies conventional forms of scholarly discourse to offer readers both a stunning work of graphic art and a serious inquiry into the ways humans construct knowledge. Unflattening is an insurrection against the fixed viewpoint. Weaving together diverse ways of seeing drawn from science, philosophy, art, literature, and mythology, it uses the collage-like capacity of comics to show that perception is always an active process of incorporating and reevaluating different vantage points. While its vibrant, constantly morphing images occasionally serve as illustrations of text, they more often connect in nonlinear fashion to other visual references throughout the book. They become allusions, allegories, and motifs, pitting realism against abstraction and making us aware that more meets the eye than is presented on the page. In its graphic innovations and restless shape-shifting, Unflattening is meant to counteract the type of narrow, rigid thinking that Sousanis calls “flatness.” Just as the two-dimensional inhabitants of Edwin A. Abbott’s novella Flatland could not fathom the concept of “upwards,” Sousanis says, we are often unable to see past the boundaries of our current frame of mind. Fusing words and images to produce new forms of knowledge, Unflattening teaches us how to access modes of understanding beyond what we normally apprehend. |
| 4th of july political cartoons: The Stringer Ted Rall, Pablo Callejo, 2021-04-20 Suffering from budget cuts, layoffs, and a growing suspicion that his search for the truth has become obsolete, veteran war correspondent Mark Scribner is about to throw in the towel on journalism when he discovers that his hard-earned knowledge can save his career and make him wealthy and famous. All he has to do is pivot to social media and, with a few cynical twists, abandon everything he cares about most. |
| 4th of july political cartoons: Fourth of July Creek Smith Henderson, 2014-05-27 In this shattering and iconic American novel, PEN prize-winning writer, Smith Henderson explores the complexities of freedom, community, grace, suspicion and anarchy, brilliantly depicting our nation's disquieting and violent contradictions. After trying to help Benjamin Pearl, an undernourished, nearly feral eleven-year-old boy living in the Montana wilderness, social worker Pete Snow comes face to face with the boy's profoundly disturbed father, Jeremiah. With courage and caution, Pete slowly earns a measure of trust from this paranoid survivalist itching for a final conflict that will signal the coming End Times. But as Pete's own family spins out of control, Pearl's activities spark the full-blown interest of the F.B.I., putting Pete at the center of a massive manhunt from which no one will emerge unscathed. |
| 4th of july political cartoons: Roosevelt and Churchill Franklin Delano Roosevelt, Harold D. Loewenheim, 1975 |
| 4th of july political cartoons: The Emperor's New Clods Tony Namate, 2011 |
| 4th of july political cartoons: And to Think That I Saw It on Mulberry Street Dr. Seuss, 2013-10-22 Dr. Seuss’s very first book for children! From a mere horse and wagon, young Marco concocts a colorful cast of characters, making Mulberry Street the most interesting location in town. Dr. Seuss’s signature rhythmic text, combined with his unmistakable illustrations, will appeal to fans of all ages, who will cheer when our hero proves that a little imagination can go a very long way. (Who wouldn’t cheer when an elephant-pulled sleigh raced by?) Now over seventy-five years old, this story is as timeless as ever. And Marco’s singular kind of optimism is also evident in McElligot’s Pool. |
| 4th of july political cartoons: President Wilson's Policy United States. President (1913-1921 : Wilson), 1920 Contains geographical, political, and economic assessments for the British delegates to the 1919-1920 Paris Peace Conference. |
| 4th of july political cartoons: Lincoln & Churchill Lewis E Lehrman, 2023-06-14 “With penetrating insight, Lehrman unfolds the contrasts and similarities between these two leaders . . . I savored every page of this magnificent work.”—Doris Kearns Goodwin, #1 New York Times-bestselling author of Team of Rivals: The Political Genius of Abraham Lincoln Winner of the Abraham Lincoln Institute of Washington’s 2019 book prize Lewis E. Lehrman, a renowned historian and National Humanities Medal winner, gives new perspective on two of the greatest English-speaking statesmen—and their remarkable leadership in wars of national survival. Abraham Lincoln and Winston Churchill, as commanders in chief, led their nations to victory—Lincoln in the Civil War, Churchill in World War II. They became revered leaders—statesmen for all time. Yet these two world-famous war leaders have never been seriously compared at book length. Acclaimed historian Lewis Lehrman, in his pathbreaking comparison of both statesmen, finds that Lincoln and Churchill—with very different upbringings and contrasting personalities—led their war efforts, to some extent, in similar ways. As supreme war lords, they were guided not only by principles of honor, duty, and freedom, but also by the practical wisdom to know when, where, and how to apply these principles. Even their writings and speeches were swords in battle. Gifted literary stylists, both men relied on the written and spoken word to steel their citizens throughout desperate and prolonged wars. And both statesmen unexpectedly left office near the end of their wars—Lincoln by the bullet, Churchill by the ballot. They made mistakes, which Lehrman considers carefully. But the author emphasizes that, despite setbacks, they never gave up. “Deeply researched and elegantly written. . . . a valuable contribution to our knowledge of the past. By expertly conjoining two great leaders in a single volume, he has enhanced our understanding of both.” ―The Wall Street Journal Includes illustrations and photographs |
| 4th of july political cartoons: Zits Jerry Scott, Jim Borgman, 1998-09 Collection of black-and-white cartoon strips featuring the adventures of Zits, a fifteen-year old boy. |
| 4th of july political cartoons: Lucy and Danae Wiley Miller, Wiley, 2005-04 It is a rare cartoonist who can introduce new characters into a successful strip without upsetting readers. But since Wiley introduced Lucy, the lovable Pygmy-Clydesdale-with-an-attitude as the companion to Danae, Non Sequitur's cynical anti-heroine, fans have been clamoring for more of the pair. Now readers can enjoy the adventures of Lucy and Danae in the Non Sequitur collection dedicated to their exploits, Lucy and Danae: Something Silly This Way Comes. Lucy's lovable equine goofiness tempers Danae's overdeveloped cynicism as Danae struggles with school, her father, and her sunny little sister, Kate. World-weary beyond her years, Danae sports a skull-in-heart T-shirt and perpetual scowl, while Lucy embodies unbridled optimism with her horsey grin. From their first meeting at summer camp, to Danae's sneaky yet noble plot to train Lucy as a guide horse for the blind (they do exist!), to an unplanned expedition to Santa's Workshop (in Maine, not the North Pole), Danae and Lucy turn the cliche of a sentimental girl and her horse upside down and inside out. With Lucy and Danae, Wiley Miller has found a winning combination that readers can't resist. |
| 4th of july political cartoons: The Free World Louis Menand, 2021-04-20 An engrossing and impossibly wide-ranging project . . . In The Free World, every seat is a good one. —Carlos Lozada, The Washington Post The Free World sparkles. Fully original, beautifully written . . . One hopes Menand has a sequel in mind. The bar is set very high. —David Oshinsky, The New York Times Book Review | Editors' Choice One of The New York Times's 100 best books of 2021 | One of The Washington Post's 50 best nonfiction books of 2021 | A Mother Jones best book of 2021 In his follow-up to the Pulitzer Prize–winning The Metaphysical Club, Louis Menand offers a new intellectual and cultural history of the postwar years The Cold War was not just a contest of power. It was also about ideas, in the broadest sense—economic and political, artistic and personal. In The Free World, the acclaimed Pulitzer Prize–winning scholar and critic Louis Menand tells the story of American culture in the pivotal years from the end of World War II to Vietnam and shows how changing economic, technological, and social forces put their mark on creations of the mind. How did elitism and an anti-totalitarian skepticism of passion and ideology give way to a new sensibility defined by freewheeling experimentation and loving the Beatles? How was the ideal of “freedom” applied to causes that ranged from anti-communism and civil rights to radical acts of self-creation via art and even crime? With the wit and insight familiar to readers of The Metaphysical Club and his New Yorker essays, Menand takes us inside Hannah Arendt’s Manhattan, the Paris of Jean-Paul Sartre and Simone de Beauvoir, Merce Cunningham and John Cage’s residencies at North Carolina’s Black Mountain College, and the Memphis studio where Sam Phillips and Elvis Presley created a new music for the American teenager. He examines the post war vogue for French existentialism, structuralism and post-structuralism, the rise of abstract expressionism and pop art, Allen Ginsberg’s friendship with Lionel Trilling, James Baldwin’s transformation into a Civil Right spokesman, Susan Sontag’s challenges to the New York Intellectuals, the defeat of obscenity laws, and the rise of the New Hollywood. Stressing the rich flow of ideas across the Atlantic, he also shows how Europeans played a vital role in promoting and influencing American art and entertainment. By the end of the Vietnam era, the American government had lost the moral prestige it enjoyed at the end of the Second World War, but America’s once-despised culture had become respected and adored. With unprecedented verve and range, this book explains how that happened. |
| 4th of july political cartoons: Foolish Questions Rube Goldberg, 2009-06 Rube Goldberg's classic 'Foolish Questions' collection. |
| 4th of july political cartoons: The Joke Is on Us Julie A. Webber, 2018-12-11 This edited volume brings together scholars of comedy to assess how political comedy encounters neoliberal themes in contemporary media. Central to this task is the notion of genre; under neoliberal conditions (where market logics motivate most actions) genre becomes “mixed.” Once stable, discreet categories such as comedy, horror, drama and news and entertainment have become blurred so as to be indistinguishable. The classic modern paradigm of comedy/tragedy no longer holds, if it ever did. Moreover, as politics becomes more economic and less moral or normative under neoliberalism, we are able to see new resistance to comedic genres that support neoliberal strategies to hide racial and gender injustice such as unlaughter, ambiguity, and anti-comedy. There is also an increasing interest with comedy as a form of entertainment on the political right following both Brexit in the UK and the election of Trump in the U.S. Several essays confront this conservative comedy and place it in context of the larger humor history of these debates over free speech and political correctness. For comedians too, entry into popular media now follows the familiar neoliberal script of the celebration of self-help with the increasing admonishment of those who fail to win in market terms. Laughter plays an important role in shaming and valorizing (often at the same time!) the precarious subject in the aftermath of global recession. Doubling down on austerity, self-help policies and equivocation in the face of extremist challenges (right and left), politics foils the critical comedian’s attempt to satirize and parody its object. Characterized by ambiguity, mixed genre and the increasing use of anti-humor, political comedy mirrors the social and political world it mocks, parodies and celebrates often with lackluster results suggesting that the joke might be on us, as audiences. |
| 4th of july political cartoons: Reenvisioning Israel through Political Cartoons Matt Reingold, 2022-03-15 Reenvisioning Israel through Political Cartoons: Visual Discourses During the 2018–2021 Electoral Crisis examines the ways in which the work of Israeli political cartoonists broadens conversations about contemporary challenges in the country. Matt Reingold shows how 21 cartoonists across 10 different Israeli newspapers produced cartoons in response to the country’s social and political crises between December 2018–June 2021, a period where the country was mired in four national elections. Each chapter is structured around an issue that emerged during this period, with examples drawn from multiple cartoonists. This allows for fertile cross-cartoonist discussion and analysis, offering an opportunity to understand the different ways that an issue affects national discourse and what commentaries have been offered about it. By focusing on this difficult period in contemporary Israeli society, the volume highlights the ways that artists have responded to these national challenges and how they have fashioned creative reimaginings of their country. |
| 4th of july political cartoons: Born on the Fourth of July Ron Kovic, 1977 Optimize training, enhance recovery, and improve performance with Performance Nutrition: Applying the Science of Nutrient Timing. Based on the most current research in nutrient timing, Performance Nutrition blends theory with applied content and real-life examples to help nutritionists, athletes, and coaches design nutrition plans based on each athlete's individual needs and the specific demands of the sport. While other texts may provide a brief discussion of nutrient timing as a tool for improving sport performance, Performance Nutrition: Applying the Science of Nutrient Timing focuses solely on this newly developing facet of sport nutrition. Distinguished authors Krista Austin (a physiologist and nutritionist) and Bob Seebohar (a sport dietitian and USA Triathlon elite coach) share their extensive practical experience with athletes at all levels from recreational through professional. They provide specific nutrient timing recommendations for a wide range of sport types, including endurance, strength and power, combative (weight classified), and team sports. In particular, you will learn information on using nutrient timing theory to counteract altitude, heat and humidity, cold exposure, and air pollution. A chapter devoted to competition-day guidelines will help you keep your athletes hydrated, energized, and ready to perform. Plus, nutritional timelines, highlighted in special callout boxes and placed at the edge of the page for quick reference, offer visual plans of what athletes should eat in the hours leading up to and during competition. Practical and user friendly, this text also includes In Practice application exercises, mini-case studies, and four extended case studies to assist in translating the information to your own practice. Incorporating nutrient ingestion timing into your athlete's training program can promote enhanced recovery, create positive training adaptations, improve body composition, support immunity, and ultimately enhance performance. With Performance Nutrition: Applying the Science of Nutrient Timing, you will gain the foundational knowledge and practical techniques to develop individualized nutrition programs to improve training, performance, and recovery. |
| 4th of july political cartoons: Batman and Captain America John Byrne, Patricia Rose Mulvihill, Bob Kane, Joe Simon, Jack Kirby, 1997-01-01 /John Byrne As World War II rages on, Batman and Captain America, along with their teenaged sidekicks Robin and Bucky, must become allies to combat the villainy of their greatest foes, the Joker and the Red Skull. This fun, fast paced tale is co-published with Marvel Comics and is drawn in a style reminiscent of the 1940s Golden Age of |
| 4th of july political cartoons: Pitt's Union William Pitt, 1799 |
| 4th of july political cartoons: Hand of Fire Ed Greenwood, 2011-11-15 The final installment in Shandril’s Saga sees the fledgling spellfire-mage get one more chance to escape those who wish to claim her power All Shandril Shessair ever wanted was a taste of adventure—but she received much more than a mere taste. Now the wielder of a rare magic that could destroy the world, Shandril has enemies watching her every move, devising ways they can steal her power. Chased across the Realms by wizards, warriors, and priests more evil than she can imagine, Shandril’s last hope is to find refuge in the city of Silverymoon. The Gem of the North is known far and wide for its magic—and for being a sanctuary for those who use their power for good. If Shandril can just make it to the city's gates, will she finally be saved? |
| 4th of july political cartoons: Jackie Ormes Nancy Goldstein, 2008 In the United States at mid-century, in an era when there were few opportunities for women in general and even fewer for African American women, Jackie Ormes blazed a trail as a popular artist with the major black newspapers of the day. Jackie Ormes chronicles the life of this multiply talented, fascinating woman who became a successful commercial artist and cartoonist. Ormes's cartoon characters (including Torchy Brown, Candy, and Patty-Jo 'n' Ginger) delighted readers of newspapers such as the Pittsburgh Courier and Chicago Defender, and spawned other products, including fashionable paper dolls in the Sunday papers and a black doll with her own extensive and stylish wardrobe. Ormes was a member of Chicago's Black elite in the postwar era, and her social circle included the leading political figures and entertainers of the day. Her politics, which fell decidedly to the left and were apparent to even a casual reader of her cartoons and comic strips, eventually led to her investigation by the FBI. The book includes a generous selection of Ormes's cartoons and comic strips, which provide an invaluable glimpse into U.S. culture and history of the 1937-56 era as interpreted by Ormes. Her topics include racial segregation, cold war politics, educational equality, the atom bomb, and environmental pollution, among other pressing issues of the times. I am so delighted to see an entire book about the great Jackie Ormes! This is a book that will appeal to multiple audiences: comics scholars, feminists, African Americans, and doll collectors. . . . ---Trina Robbins, author of A Century of Women Cartoonists and The Great Women Cartoonists Nancy Goldstein became fascinated in the story of Jackie Ormes while doing research on the Patty-Jo Doll. She has published a number of articles on the history of dolls in the United States and is an avid collector. |
| 4th of july political cartoons: Official Master Register of Bicentennial Activities American Revolution Bicentennial Administration, 1975 |
| 4th of july political cartoons: The Bridge David Remnick, 2010 Through extensive on-the-record interviews with friends and teachers, mentors and disparagers, family members and Obama himself, David Remnick demonstrates how a rootless, unaccomplished, and confused young man created himself first as a community organizer in Chicago, then as a Harvard Law School graduate, and finally as President of the United States. By looking at Obama's political rise through the prism of our racial history, Remnick gives us the conflicting agendas of black politicians: the dilemmas of ... heroes of the civil rights movement who are forced to reassess old loyalties and understand the priorties of a new generation of African-American leaders. The Bridge revisits the American drama of race, from slavery to civil rights, and makes clear how Obama's quest is not just his own but is emblematic of a nation where destiny is defined by individuals keen to imagine a future that is different from the reality of their current lives. -- from publisher description. |
| 4th of july political cartoons: Seeing Comics through Art History Maggie Gray, Ian Horton, 2022-06-17 This book explores what the methodologies of Art History might offer Comics Studies, in terms of addressing overlooked aspects of aesthetics, form, materiality, perception and visual style. As well as considering what Art History proposes of comic scholarship, including the questioning of some of its deep-rooted categories and procedures, it also appraises what comics and Comics Studies afford and ask of Art History. This book draws together the work of international scholars applying art-historical methodologies to the study of a range of comic strips, books, cartoons, graphic novels and manga, who, as well as being researchers, are also educators, artists, designers, curators, producers, librarians, editors, and writers, with some undertaking practice-based research. Many are trained art historians, but others come from, have migrated into, or straddle other disciplines, such as Comparative Literature, American Literature, Cultural Studies, Visual Studies, and a range of subjects within Art & Design practice. |
| 4th of july political cartoons: Comic strips and consumer culture, 1890-1945 GORDON IAN, 1998-04-17 Drawing on comic strip characters such as Buster Brown, Winnie Winkle, and Superman, Ian Gordon shows how, in addition to embellishing a wide array of goods with personalities, comic strips themselves increasingly promoted consumerist values and upward mobility. |
| 4th of july political cartoons: Official Master Register of Bicentennial Activities. Jan. 1975 American Revolution Bicentennial Administration, 1975 |
| 4th of july political cartoons: I Am "Why Do I Need Venmo?" Years Old Janine Annett, 2021-07-20 Whether you're WTF is TikTok years old, seeing all teenagers as potential babysitters years old, or saw something you had as a child in an antique store years old, it's time to admit it. You're old. In I Am Why Do I Need Venmo? Years Old, Janine Annett and Ali Solomon chronicle the trials and tribulations of getting older, touching on themes from technology and pop-culture to fashion and body image with comics such as: I am super into dogs and clogs years old. I am excited about composting years old. I am texting about the carpool years old. I am wow, LL Bean has a lot of cool clothes now years old. I am can't digest cheese years old. I am hurt myself putting on pants years old. Endearing and relatable, hilarious and accurate, it's the perfect book to buy yourself, your friend, or your sister as a reminder that we're not alone in this journey toward ergonomic backpacks, getting excited about home renovations, and becoming our mothers. |
| 4th of july political cartoons: The War in the Philippines , 1985 |
“20th century” vs. “20ᵗʰ century” - English Language & Usage ...
To some extent, it depends on the font you are using and how accessible its special features are. If you can do full typesetting, then you probably want to make the th part look different from the …
etymology - What comes after (Primary,unary),(secondary,binary ...
Jan 11, 2018 · 4th = quaternary; 5th = quinary; 6th = senary; 7th = septenary; 8th = octonary; 9th = nonary; 10th = denary; 12th = duodenary; 20th = vigenary. These come from the Latin roots. …
abbreviations - When were st, nd, rd, and th, first used - English ...
In English, Wikipedia says these started out as superscripts: 1 st, 2 nd, 3 rd, 4 th, but during the 20 th century they migrated to the baseline: 1st, 2nd, 3rd, 4th. So the practice started during …
which one is correct I will be on leave starting on October 4th till ...
Oct 1, 2019 · In my opinion "starting on" and "till" don't really go together so I wouldn't use option 1. The phrasing "on leave from X till Y" can be misinterpreted to mean that Y will be your first …
"Three quarters" vs. "three fourths" - English Language & Usage …
Feb 6, 2013 · To express a fraction of 3 out of 4, how and when would you use three quarters, and when would you use three fourths?
What can I call 2nd and 3rd place finishes in a competition?
Nov 28, 2021 · "Place getter" means achieving first, second or third place, though that is a relatively informal term. Depending on the context, it might be better to use the verb "placed"; …
What is the correct term to describe 'primary', 'secondary', etc
Nov 28, 2012 · Its use may refer to size, importance, chronology, etc. ... They are different from the cardinal numbers (one, two, three, etc.) referring to the quantity. Ordinal numbers are …
meaning - How should "midnight on..." be interpreted? - English ...
Dec 9, 2010 · By most definitions, the date changes at midnight. That is, at the precise stroke of 12:00:00. That time, along with 12:00:00 noon, are technically neither AM or PM because AM …
prepositions - "Scheduled on" vs "scheduled for" - English …
What is the difference between the following two expressions: My interview is scheduled on the 27th of June at 8:00 AM. My interview is scheduled for the 27th of June at 8:00 AM.
Meaning of "by" when used with dates - inclusive or exclusive
Aug 28, 2014 · If, in a contract fr example, the text reads: "X has to finish the work by MM-DD-YYYY", does the "by" include the date or exclude it? In other words, will the work delivered on …
“20th century” vs. “20ᵗʰ century” - English Language & Usage ...
To some extent, it depends on the font you are using and how accessible its special features are. If you can do full typesetting, then you probably want to make the th part look different from the …
etymology - What comes after (Primary,unary),(secondary,binary ...
Jan 11, 2018 · 4th = quaternary; 5th = quinary; 6th = senary; 7th = septenary; 8th = octonary; 9th = nonary; 10th = denary; 12th = duodenary; 20th = vigenary. These come from the Latin roots. …
abbreviations - When were st, nd, rd, and th, first used - English ...
In English, Wikipedia says these started out as superscripts: 1 st, 2 nd, 3 rd, 4 th, but during the 20 th century they migrated to the baseline: 1st, 2nd, 3rd, 4th. So the practice started during …
which one is correct I will be on leave starting on October 4th till ...
Oct 1, 2019 · In my opinion "starting on" and "till" don't really go together so I wouldn't use option 1. The phrasing "on leave from X till Y" can be misinterpreted to mean that Y will be your first …
"Three quarters" vs. "three fourths" - English Language & Usage …
Feb 6, 2013 · To express a fraction of 3 out of 4, how and when would you use three quarters, and when would you use three fourths?
What can I call 2nd and 3rd place finishes in a competition?
Nov 28, 2021 · "Place getter" means achieving first, second or third place, though that is a relatively informal term. Depending on the context, it might be better to use the verb "placed"; …
What is the correct term to describe 'primary', 'secondary', etc
Nov 28, 2012 · Its use may refer to size, importance, chronology, etc. ... They are different from the cardinal numbers (one, two, three, etc.) referring to the quantity. Ordinal numbers are …
meaning - How should "midnight on..." be interpreted? - English ...
Dec 9, 2010 · By most definitions, the date changes at midnight. That is, at the precise stroke of 12:00:00. That time, along with 12:00:00 noon, are technically neither AM or PM because AM …
prepositions - "Scheduled on" vs "scheduled for" - English …
What is the difference between the following two expressions: My interview is scheduled on the 27th of June at 8:00 AM. My interview is scheduled for the 27th of June at 8:00 AM.
Meaning of "by" when used with dates - inclusive or exclusive
Aug 28, 2014 · If, in a contract fr example, the text reads: "X has to finish the work by MM-DD-YYYY", does the "by" include the date or exclude it? In other words, will the work delivered on …
