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A Hip Hop Jewelry History: From Street Style to Global Icon
Author: Dr. Aisha Jackson, Associate Professor of African American Studies and Material Culture at the University of California, Berkeley. Dr. Jackson is a renowned scholar specializing in the intersection of fashion, identity, and social movements, with a particular focus on the cultural significance of adornment within Black communities.
Keywords: a hip hop jewelry history, hip hop jewelry, hip hop fashion, jewelry history, rap jewelry, bling, gold chains, iced-out jewelry, hip hop culture, streetwear, cultural appropriation.
Abstract: This article explores the rich and complex history of hip hop jewelry, tracing its evolution from humble beginnings in the streets of New York City to its current status as a globally recognized symbol of status, wealth, and cultural identity. We examine the challenges and opportunities presented by this history, including discussions of cultural appropriation, the commodification of style, and the enduring power of self-expression through adornment within the context of a hip hop jewelry history.
I. The Genesis of a Hip Hop Jewelry History: Early Influences and Symbolism (1970s-1980s)
The story of a hip hop jewelry history begins not with diamonds and platinum, but with resourcefulness and self-expression. In the nascent years of hip hop culture in the Bronx, jewelry served as a powerful statement of identity and community affiliation. Simple gold chains, often repurposed or borrowed, symbolized resilience and a shared struggle against poverty and societal marginalization. These were not emblems of affluence, but rather badges of honor, reflecting a DIY aesthetic that mirrored the nascent music genre itself. Early hip hop jewelry was often personalized, with custom-made pendants featuring names, crew affiliations, or symbolic imagery that spoke to individual narratives within the broader context of a hip hop jewelry history. The use of bold, often oversized pieces, reflected a desire to be seen and heard, to command attention in a world that often overlooked the voices and experiences of marginalized communities.
II. The Rise of Bling: The 1990s and the Commercialization of Style within a Hip Hop Jewelry History
The 1990s witnessed a dramatic shift in a hip hop jewelry history. The burgeoning success of the hip hop industry translated into increased wealth, and this newfound affluence was reflected in the jewelry worn by artists. The era of "bling" – ostentatious displays of diamonds, gold, and platinum – arrived, propelled by artists like Run-DMC, LL Cool J, and later, Biggie Smalls and Puff Daddy. Massive gold chains, diamond-encrusted pendants, and lavish rings became status symbols, communicating success, power, and the attainment of the American Dream. This era also saw the rise of bespoke jewelry designers specifically catering to the hip hop community, further solidifying the link between music, wealth, and extravagant adornment within the timeline of a hip hop jewelry history. However, this era also marked the beginning of debates surrounding cultural appropriation and the commodification of a style intrinsically linked to Black culture.
III. The 21st Century and Beyond: Global Influence and Continued Evolution of a Hip Hop Jewelry History
The 21st century has witnessed the global dissemination of hip hop culture, and with it, its distinct aesthetic, including a hip hop jewelry history. Hip hop jewelry's influence extends far beyond the musical genre, permeating mainstream fashion and popular culture worldwide. While the original symbolism of resilience and self-expression remains, the meaning of hip hop jewelry has evolved to encompass a broader range of interpretations. It’s become a language of status, a marker of success, and a form of artistic expression both for artists and consumers. We see diverse forms of experimentation – from minimalist designs to futuristic aesthetics, reflecting the ever-evolving nature of hip hop culture itself. This period also marks a growing awareness of the ethical and social implications of luxury goods, leading to increased scrutiny of the sourcing of materials and the labor practices within the jewelry industry in the broader context of a hip hop jewelry history.
IV. Challenges and Opportunities: Authenticity, Appropriation, and Sustainability within a Hip Hop Jewelry History
The narrative of a hip hop jewelry history is not without its complexities. The commercialization of the style has led to significant challenges, including the issue of cultural appropriation. The adoption of hip hop aesthetics by individuals and brands outside of the culture has often been criticized for its lack of understanding, respect, and acknowledgment of its origins. This has spurred important conversations around authenticity, intellectual property, and the ethical implications of borrowing cultural symbols without proper context and compensation. Further challenges include the environmental impact of mining precious metals and the ethical concerns surrounding labor practices in the jewelry industry – issues that demand attention in the context of a hip hop jewelry history. However, these challenges also present opportunities. A growing awareness of sustainability and ethical sourcing is driving a shift toward responsible practices within the jewelry industry. This provides a chance to redefine the narrative of a hip hop jewelry history, fostering a more inclusive and equitable future. Supporting Black-owned businesses, promoting ethical sourcing, and honoring the cultural heritage of hip hop jewelry are vital steps towards achieving this goal.
V. Conclusion
A hip hop jewelry history is a vibrant tapestry woven from threads of struggle, resilience, creativity, and commercial success. It is a story of self-expression, cultural identity, and the power of adornment to communicate meaning across social and cultural boundaries. While challenges surrounding cultural appropriation and ethical production persist, the ongoing evolution of a hip hop jewelry history presents opportunities for positive change. By acknowledging its complex past, engaging in thoughtful conversations, and promoting responsible practices, we can ensure a future where a hip hop jewelry history is celebrated not only for its aesthetic impact but also for its cultural significance and ethical integrity.
FAQs
1. What are the key materials used in hip hop jewelry throughout history? Initially, cheaper materials were common. As hip hop gained prominence, gold, platinum, and diamonds became increasingly prevalent.
2. How has hip hop jewelry influenced mainstream fashion? Hip hop jewelry's influence on mainstream fashion is immense, introducing bold styles and materials into broader trends.
3. What are some ethical concerns surrounding hip hop jewelry production? Ethical sourcing of materials, fair labor practices, and the avoidance of conflict minerals are significant concerns.
4. How has technology impacted the design and production of hip hop jewelry? CAD design and 3D printing have revolutionized the creation of intricate and custom pieces.
5. Who are some influential designers in the history of hip hop jewelry? Many designers have catered to the hip hop community, though specific names are less prominent than the artists wearing the jewelry.
6. What is the significance of custom-made pieces in hip hop jewelry history? Custom pieces often reflect personal narratives and group affiliations, making them powerful symbols of identity.
7. How has hip hop jewelry been used to express social and political messages? Jewelry has been used to convey messages of resistance, solidarity, and social commentary.
8. What are some examples of cultural appropriation within hip hop jewelry? The adoption of hip hop styles by mainstream brands without acknowledgment or compensation represents a key example.
9. What is the future of hip hop jewelry? The future will likely see a blend of tradition and innovation, with a growing emphasis on sustainability and ethical practices.
Related Articles:
1. The Bling Era: A Deep Dive into 1990s Hip Hop Jewelry: Explores the stylistic shifts and cultural impact of the "bling" era.
2. Run-DMC and the Dawn of Hip Hop Jewelry: Analyzes Run-DMC’s influence on early hip hop fashion and jewelry choices.
3. Beyond Bling: Minimalist Trends in Contemporary Hip Hop Jewelry: Discusses the evolution towards simpler designs and sustainable materials.
4. Cultural Appropriation in Hip Hop Fashion: A Case Study of Jewelry: Examines specific instances of cultural appropriation and their impact on the hip hop community.
5. The Economics of Hip Hop Jewelry: From Street Style to Luxury Market: Analyzes the economic forces shaping the industry and its impact.
6. Ethical Sourcing in Hip Hop Jewelry: A Call for Transparency and Accountability: Focuses on promoting ethical practices within the industry.
7. Hip Hop Jewelry and Identity: A Semiotic Analysis: Investigates the symbolic meaning and cultural significance of hip hop jewelry.
8. The Evolution of Hip Hop Pendants: From Simple Chains to Intricate Designs: Traces the stylistic development of hip hop pendants over time.
9. Women in Hip Hop Jewelry: Breaking Barriers and Defining Style: Highlights female artists and designers who have shaped hip hop's jewelry aesthetic.
| a hip hop jewelry history: Ice Cold. A Hip-Hop Jewelry History Vikki Tobak, 2022-09 Ice Cold: A Hip-Hop Jewelry History presents the bling culture of rappers and their jewelry. Using 40 years of iconic imagery and compelling stories, this visual history shines a light on the world of hip-hop, where mega stars from Run-DMC to Tupac and Jay-Z to Migos and Cardi B flash brilliant custom pieces to show status and personal style. |
| a hip hop jewelry history: Bling Reggie Osse, Gabriel Tolliver, 2006-10-31 An illustrated collection of the wild and outlandish jewels associated with hip-hop music showcases the cultural phenomenon of bling with an assortment of gold-and-diamond-studded pistols, platinum teeth, jewel-encrusted goblets, and more, accompanied by entertaining sidebars and facts. |
| a hip hop jewelry history: Contact High Vikki Tobak, 2018-10-16 ONE OF AMAZON'S BEST ART & PHOTOGRAPHY BOOKS 0F 2018 AN NPR AND PITCHFORK BEST MUSIC BOOK OF 2018 PICK ONE OF TIME'S 25 BEST PHOTOBOOKS OF 2018 NEW YORK TIMES, ASSOCIATED PRESS, WALLSTREET JOURNAL, ROLLING STONE, AND CHICAGO SUN HOLIDAY GIFT GUIDE PICK The perfect gift for music and photography fans, an inside look at the work of hip-hop photographers told through their most intimate diaries—their contact sheets. Featuring rare outtakes from over 100 photoshoots alongside interviews and essays from industry legends, Contact High: A Visual History of Hip-Hop takes readers on a chronological journey from old-school to alternative hip-hop and from analog to digital photography. The ultimate companion for music and photography enthusiasts, Contact High is the definitive history of hip-hop’s early days, celebrating the artists that shaped the iconic album covers, t-shirts and posters beloved by hip-hop fans today. With essays from BILL ADLER, RHEA L. COMBS, FAB 5 FREDDY, MICHAEL GONZALES, YOUNG GURU, DJ PREMIER, and RZA |
| a hip hop jewelry history: The History of Hip Hop Eric Reese, 2018-07-28 From Streets to Stardom: A Rapid-Fire Tour of Hip-Hop Evolution Hip Hop's evolution offers a vivid voice and pictorial history of life on the streets of urban America, reaching back to the vibrant 1920s. Sprouting from the soil of struggle and determination, this cultural movement quickly unearthed a dynamic brigade of youthful African American musicians. Eager to weave their art into narratives, they brought forth a spirited, soulful style that resonated globally. From its birthplace in the South Bronx and Brooklyn of the 1970s, Rap has burgeoned to become one of the most powerful musical forces of the 21st century. In my rap history series, I decode the genre of hip hop for all audiences, from the curious beginner to the seasoned aficionado, kids, teens, and adults alike. Here's a snapshot of this volume's enlightening content: The Hip Hop vs. Rap Debate: Unravel the nuanced differences between these two often-confused terms. The Early Stirrings: Explore the formative influences that shaped Rap's history. Elements of Hip Hop Culture: Learn about the diverse components that comprise Hip Hop culture, including Breakdancing, Graffiti, Fashion, and beyond. Underground Rap's Role: Understand the critical part played by the Underground Hip Hop scene in the genre's development. Noteworthy Narratives: Revisit the greatest moments of Rap Music History that changed the course of music forever. Subgenre Spectra: Journey through a wide range of genres & subgenres like Gangsta Rap, Crunk, and more. Cultural Ripples: Witness the extensive cultural impact and societal transformations triggered by hip hop. And there's so much more! Embark on this rhythmic journey, discovering a treasure trove of history, culture, and impactful narratives. Get ready for a rapid-fire tour of hip-hop evolution! 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| a hip hop jewelry history: Bling Bling Minya Oh, 2005-08-10 When it comes to the world of hip-hop, nothing shines brighter than glorious bling. A fascinating look in words and pictures at the stars of hip-hop and their fabulous jewelry. elcome to the rarified world of hip-hop royalty, where mega-stars from Jay-Z to J. Lo flash brilliant rocks to signify status and express personal style. In Bling Bling, writer and radio show host Minya Oh takes readers deep inside this star-studded world, exploring the wild appetite for flashy adornment that typifies the contemporary rap scene. See how the other half sparkles in this fascinating photo-filled book devoted to the history and culture of rappers and their jewelry from the last 25 years. Run DMC, Slick Rick, Ludacris, and Puff Daddy are just some of the rap legends who show and tell, as the author travels from East Coast to West to discover the world's most fabulous accoutrements and the stories behind them. |
| a hip hop jewelry history: Can't Stop Won't Stop Jeff Chang, 2007-04-01 Can't Stop Won't Stop is a powerful cultural and social history of the end of the American century, and a provocative look into the new world that the hip-hop generation created. Forged in the fires of the Bronx and Kingston, Jamaica, hip-hop became the Esperanto of youth rebellion and a generation-defining movement. In a post-civil rights era defined by deindustrialization and globalization, hip-hop crystallized a multiracial, polycultural generation's worldview, and transformed American politics and culture. But that epic story has never been told with this kind of breadth, insight, and style. Based on original interviews with DJs, b-boys, rappers, graffiti writers, activists, and gang members, with unforgettable portraits of many of hip-hop's forebears, founders, and mavericks, including DJ Kool Herc, Afrika Bambaataa, Chuck D, and Ice Cube, Can't Stop Won't Stop chronicles the events, the ideas, the music, and the art that marked the hip-hop generation's rise from the ashes of the 60's into the new millennium. |
| a hip hop jewelry history: It's Bigger Than Hip Hop M. K. Asante, Jr., 2008-09-16 In It's Bigger Than Hip Hop, M. K. Asante, Jr. looks at the rise of a generation that sees beyond the smoke and mirrors of corporate-manufactured hip hop and is building a movement that will change not only the face of pop culture, but the world. Asante, a young firebrand poet, professor, filmmaker, and activist who represents this movement, uses hip hop as a springboard for a larger discussion about the urgent social and political issues affecting the post-hip-hop generation, a new wave of youth searching for an understanding of itself outside the self-destructive, corporate hip-hop monopoly. Through insightful anecdotes, scholarship, personal encounters, and conversations with youth across the globe as well as icons such as Chuck D and Maya Angelou, Asante illuminates a shift that can be felt in the crowded spoken-word joints in post-Katrina New Orleans, seen in the rise of youth-led organizations committed to social justice, and heard around the world chanting It's bigger than hip hop. |
| a hip hop jewelry history: Other People's Property Jason Tanz, 2007-02-06 Over the last quarter-century hip-hop has grown from an esoteric form of African-American expression to become the dominant form of American popular culture. This is not the first time that black music has been appreciated, adopted, and adapted by white a |
| a hip hop jewelry history: Hip Hop Jordan Sommers, Steven Chean, 2011 Leather-bound book - tribute to Hip-hop, that reveals the roots, birth, evolution, and global impact of Hip-hop culture over past four decades. |
| a hip hop jewelry history: Ego Trip's Book of Rap Lists Sacha Jenkins, Elliott Wilson, Jeff Mao, Gabe Alvarez, Brent Rollins, 2014-03-25 Ego Trip's Book of Rap Lists is more popular than racism! Hip hop is huge, and it's time someone wrote it all down. And got it all right. With over 25 aggregate years of interviews, and virtually every hip hop single, remix and album ever recorded at their disposal, the highly respected Ego Trip staff are the ones to do it. The Book of Rap Lists runs the gamut of hip hop information. This is an exhaustive, indispensable and completely irreverent bible of true hip hip knowledge. |
| a hip hop jewelry history: The Rap Year Book Shea Serrano, 2015-10-13 A New York Times–bestselling, in-depth exploration of the most pivotal moments in rap music from 1979 to 2014. Here’s what The Rap Year Book does: It takes readers from 1979, widely regarded as the moment rap became recognized as part of the cultural and musical landscape, and comes right up to the present, with Shea Serrano hilariously discussing, debating, and deconstructing the most important rap song year by year. Serrano also examines the most important moments that surround the history and culture of rap music—from artists’ backgrounds to issues of race, the rise of hip-hop, and the struggles among its major players—both personal and professional. Covering East Coast and West Coast, famous rapper feuds, chart toppers, and show stoppers, The Rap Year Book is an in-depth look at the most influential genre of music to come out of the last generation. Picked by Billboard as One of the 100 Greatest Music Books of All-Time Pitchfork Book Club’s first selection |
| a hip hop jewelry history: Hip-Hop (And Other Things) Shea Serrano, 2021-10-26 HIP-HOP (AND OTHER THINGS) is about, as it were, rap, but also some other things. It's a smart, fun, funny, insightful book that spends the entirety of its time celebrating what has become the most dominant form of music these past two and a half decades. Tupac is in there. Jay Z is in there. Missy Elliott is in there. Drake is in there. Pretty much all of the big names are in there, as are a bunch of the smaller names, too. There's art from acclaimed illustrator Arturo Torres, there are infographics and footnotes; there's all kinds of stuff in there. Some of the chapters are serious, and some of the chapters are silly, and some of the chapters are a combination of both things. All of them, though, are treated with the care and respect that they deserve. HIP-HOP (AND OTHER THINGS) is the third book in the (And Other Things) series. The first two—Basketball (And Other Things) and Movies (And Other Things)—were both #1 New York Times bestsellers. |
| a hip hop jewelry history: When the Beat Was Born Laban Carrick Hill, 2013-08-27 Before there was hip hop, there was DJ Kool Herc. On a hot day at the end of summer in 1973 Cindy Campbell threw a back-to-school party at a park in the South Bronx. Her brother, Clive Campbell, spun the records. He had a new way of playing the music to make the breaks—the musical interludes between verses—longer for dancing. He called himself DJ Kool Herc and this is When the Beat Was Born. From his childhood in Jamaica to his youth in the Bronx, Laban Carrick Hill's book tells how Kool Herc came to be a DJ, how kids in gangs stopped fighting in order to breakdance, and how the music he invented went on to define a culture and transform the world. |
| a hip hop jewelry history: Hip-Hop and Philosophy Derrick Darby, Tommie Shelby, 2011-09-30 Is there too much violence in hip-hop music? What’s the difference between Kimberly Jones and the artist Lil' Kim? Is hip-hop culture a black thing? Is it okay for N.W.A. to call themselves niggaz and for Dave Chappelle to call everybody bitches? These witty, provocative essays ponder these and other thorny questions, linking the searing cultural issues implicit — and often explicit — in hip-hop to the weighty matters examined by the great philosophers of the past. The book shows that rap classics by Lauryn Hill, OutKast, and the Notorious B.I.G. can help uncover the meanings of love articulated in Plato's Symposium; that Rakim, 2Pac, and Nas can shed light on the conception of God's essence expressed in St. Thomas Aquinas's Summa Theologica; and explores the connection between Run-D.M.C., Snoop Dogg, and Hegel. Hip-Hop and Philosophy proves that rhyme and reason, far from being incompatible, can be mixed and mastered to contemplate life's most profound mysteries. |
| a hip hop jewelry history: Hip Hop History For Kids A D Largie, 2019-11-28 Hip Hop B-Boy and his sister Hip Hop B-Girl have a problem, they are broke and it's not a joke. They know they can do so much more even though they are poor, they believe in themselves even if the world says no.The needed to express themselves so they dug deep into their soul to reveal a culture that the world would forever know. The name of this culture is called Hip Hop. Now Hip Hop B-boy and B-girl is on a mission to overcome poverty and change the world by harnessing the power of their art and culture.BOOK FEATURES: Beautiful illustrations-Swag-Hip Hop Hair-Breakdancing-RhymingBOOK BENEFITS: -How to overcome adversity-The power of believing in themselves-To be proud of their culture and history-How not to be discourage by disappointment-How to using ideas to solve problems-The concept that everything physical starts out being mental-How to realize their desires through creativity and persistence -The concept of creating value through their idea-The importance of understanding business-Hip Hop History-The evolution of Hip Hop-Black HistoryThis book is a great read as a family before bedtime.The kids will enjoy the characters visuals and cool Rhymes in the book and learned some valuable lessons at the same time.AUTHOR COMMENTS: As a member of the Hip Hop generation and as a parent, Hip Hop was a huge influence on my life in high school and college. Admittedly, I don't listen to much of the Rap Music today but it doesn't take away from the incredible way that Hip Hop affected the world in just a couple generations. This book is a wholesome way to introduce Hip Hop history and art of not just Rap but all the 5 elements of Hip Hop to children. The story explains the impact and art created by poor kids from the Bronx, New York in the late 1970's and how it became the Hip Hop business of today in a simple beautifully illustrated way that kids can understa |
| a hip hop jewelry history: Check the Technique Brian Coleman, 2009-03-12 A Tribe Called Quest • Beastie Boys • De La Soul • Eric B. & Rakim • The Fugees • KRS-One • Pete Rock & CL Smooth • Public Enemy • The Roots • Run-DMC • Wu-Tang Clan • and twenty-five more hip-hop immortals It’s a sad fact: hip-hop album liners have always been reduced to a list of producer and sample credits, a publicity photo or two, and some hastily composed shout-outs. That’s a damn shame, because few outside the game know about the true creative forces behind influential masterpieces like PE’s It Takes a Nation of Millions. . ., De La’s 3 Feet High and Rising, and Wu-Tang’s Enter the Wu-Tang (36 Chambers). A longtime scribe for the hip-hop nation, Brian Coleman fills this void, and delivers a thrilling, knockout oral history of the albums that define this dynamic and iconoclastic art form. The format: One chapter, one artist, one album, blow-by-blow and track-by-track, delivered straight from the original sources. Performers, producers, DJs, and b-boys–including Big Daddy Kane, Muggs and B-Real, Biz Markie, RZA, Ice-T, and Wyclef–step to the mic to talk about the influences, environment, equipment, samples, beats, beefs, and surprises that went into making each classic record. Studio craft and street smarts, sonic inspiration and skate ramps, triumph, tragedy, and take-out food–all played their part in creating these essential albums of the hip-hop canon. Insightful, raucous, and addictive, Check the Technique transports you back to hip-hop’s golden age with the greatest artists of the ’80s and ’90s. This is the book that belongs on the stacks next to your wax. “Brian Coleman’s writing is a lot like the albums he covers: direct, uproarious, and more than six-fifths genius.” –Jeff Chang, author of Can’t Stop Won’t Stop “All producers and hip-hop fans must read this book. It really shows how these albums were made and touches the music fiend in everyone.” –DJ Evil Dee of Black Moon and Da Beatminerz “A rarity in mainstream publishing: a truly essential rap history.” –Ronin Ro, author of Have Gun Will Travel |
| a hip hop jewelry history: God Save the Queens Kathy Iandoli, 2019-10-22 An NPR Best Book of the Year Without God Save the Queens, it is possible that the contributions of dozens of important female hip-hop artists who have sold tens of millions of albums, starred in monumental films, and influenced the direction of the culture would continue to go unrecognized. —AllHipHop.com Can’t Stop Won’t Stop meets Girls to the Front in this essential and long overdue history of hip-hop’s female pioneers and its enduring stars. Every history of hip-hop previously published, from Jeff Chang’s Can’t Stop Won’t Stop to Shea Serrano’s The Rap Yearbook, focuses primarily on men, glaringly omitting a thorough and respectful examination of the presence and contribution of the genre’s female artists. For far too long, women in hip-hop have been relegated to the shadows, viewed as the designated “First Lady” thrown a contract, a pawn in some beef, or even worse. But as Kathy Iandoli makes clear, the reality is very different. Today, hip-hop is dominated by successful women such as Cardi B and Nicki Minaj, yet there are scores of female artists whose influence continues to resonate. God Save the Queens pays tribute to the women of hip-hop—from the early work of Roxanne Shante, to hitmakers like Queen Latifah and Missy Elliot, to the superstars of today. Exploring issues of gender, money, sexuality, violence, body image, feuds, objectification and more, God Save the Queens is an important and monumental work of music journalism that at last gives these influential female artists the respect they have long deserved. |
| a hip hop jewelry history: Hip-Hop en Français Alain-Philippe Durand, 2020-09-22 Hip-Hop en Français charts the emergence and development of hip-hop culture in France, French Caribbean, Québec, and Senegal from its origins until today. With essays by renowned hip-hop scholars and a foreword by Marcyliena Morgan, executive director of the Harvard University Hiphop Archive and Research Institute, this edited volume addresses topics such as the history of rap music; hip-hop dance; the art of graffiti; hip-hop artists and their interactions with media arts, social media, literature, race, political and ideological landscapes; and hip-hop based education (HHBE). The contributors approach topics from a variety of different disciplines including African and African-American studies, anthropology, Caribbean studies, cultural studies, dance studies, education, ethnology, French and Francophone studies, history, linguistics, media studies, music and ethnomusicology, and sociology. As one of the most comprehensive books dedicated to hip-hop culture in France and the Francophone World written in the English language, this book is an essential resource for scholars and students of African, Caribbean, French, and French-Canadian popular culture as well as anthropology and ethnomusicology. |
| a hip hop jewelry history: Free Stylin' Elena Romero, 2012-04-06 This book sources interviews with scholars, urban designers, music experts, financial analysts, retailers, and hip hop celebrities to chronicle the compelling story of how hip hop transformed the fashion world and exploded into a $3 billion clothing industry. For years, designers and manufacturers took cues from the streets to enhance their clothing lines, but before the 1980s the urban consumer was never recognized as a viable demographic. In a push to appeal to young customers, the fashion industry began hiring and backing talented African American designers and entrepreneurs. This seemingly unconventional union made business sense: seasoned fashion executives brought proven track records, while aspiring designers provided street credibility and a fresh perspective on design. The end result: a multi-billion dollar industry. This book traces the fascinating unfolding of hip hop fashion from its roots to the present day. It explores how hip hop transitioned from the hood to the runway; how race, ethnicity, and culture played into commercialism; how celebrities impacted the fashion industry; and what ultimately led major department stores to jump on the urban bandwagon. Utilizing the author's journalistic lens and based upon interviews with urban fashion designers, entrepreneurs, fashion veterans, trend forecasters, and hip hop celebrities, each chapter is akin to an oral history that provides not just facts but also invaluable analysis and historical perspective. |
| a hip hop jewelry history: Making Beats Joseph G. Schloss, 2014-11-20 Winner of IASPM's 2005 International Book Award Based on ten years of research among hip-hop producers, Making Beats was the first work of scholarship to explore the goals, methods, and values of a surprisingly insular community. Focusing on a variety of subjects—from hip-hop artists' pedagogical methods to the Afrodiasporic roots of the sampling process to the social significance of digging for rare records—Joseph G. Schloss examines the way hip-hop artists have managed to create a form of expression that reflects their creative aspirations, moral beliefs, political values, and cultural realities. This second edition of the book includes a new foreword by Jeff Chang and a new afterword by the author. |
| a hip hop jewelry history: Hip Hop America Nelson George, 2005-04-26 From Nelson George, supervising producer and writer of the hit Netflix series, The Get Down, Hip Hop America is the definitive account of the society-altering collision between black youth culture and the mass media. |
| a hip hop jewelry history: Know What I Mean? Michael Eric Dyson, 2010-07 Whether along race, class or generational lines, hip-hop music has been a source of controversy since the beats got too big and the voices too loud for the block parties that spawned them. America has condemned and commended this music and the culture that inspires it. Dubbed ''the Hip-Hop Intellectual' by critics and fans for his pioneering explorations of rap music in the academy and beyond, Michael Eric Dyson is uniquely situated to probe the most compelling and controversial dimensions of hip-hop culture. Know What I Mean? addresses salient issues within hip hop: the creative expression of degraded youth that has garnered them global exposure; the vexed gender relations that have made rap music a lightning rod for pundits; the commercial explosion that has made an art form a victim of its success; the political elements that have been submerged in the most popular form of hip hop; and the intellectual engagement with some of hip hops most influential figures. In spite of changing trends, both in the music industry and among the intelligentsia, Dyson has always supported and interpreted this art that bloomed un watered, and in many cases, unwanted from our inner cities. For those who wondered what all the fuss is about in hip hop, Dysons bracing and brilliant book breaks it all down. |
| a hip hop jewelry history: Yes Yes Y'all Jim Fricke, Charlie Ahearn, 2002-10-24 An account of the origins of hip-hop music as presented by its founders and stars traces the work of such performers as DJ Kool Herc, Grandmaster Flash, and DMC. |
| a hip hop jewelry history: Communicating Hip-Hop Nick J. Sciullo, 2018-11-26 This insightful analysis of the broad impact of hip-hop on popular culture examines the circulation of hip-hop through media, academia, business, law, and consumer culture to explain how hip-hop influences thought and action through our societal institutions. How has hip-hop influenced our culture beyond the most obvious ways (music and fashion)? Examples of the substantial power of hip-hop culture include influence on consumer buying habits—for example, Dr. Dre's Beats headphones; politics, seen in Barack Obama's election as the first hip-hop president and increased black political participation; and social movements such as various stop-the-violence movements and mobilization against police brutality and racism. In Communicating Hip-Hop: How Hip-Hop Culture Shapes Popular Culture, author Nick Sciullo considers hip-hop's role in shaping a number of different aspects of modern culture ranging from law to communication and from business to English studies. Each chapter takes the reader on a behind-the-scenes tour of hip-hop's importance in various areas of culture with references to leading literature and music. Intended for scholars and students of hip-hop, race, music, and communication as well as a general audience, this appealing, accessible book will enable readers to understand why hip-hop is so important and see why hip-hop has such far-reaching influence. |
| a hip hop jewelry history: Hip Hop at the End of the World Ernest Paniccioli, 2018-09-25 Filled with more than 250 images of artists including Ice Cube, The Notorious B.I.G., LL Cool J, Naughty by Nature, Public Enemy, 50 Cent, N.W.A, Snoop Dogg, Lil' Kim, Flavor Flav, Lauren Hill, Queen Latifah, TLC, many that have never before been published, this book is set to become the new hip-hop photography bible With exclusive, behind-the-scenes access, preeminent photographer Brother Ernie captures the last four decades of the evolution of hip-hop--the styles that grew from it, and the artists who shaped it. Complete with Brother Ernie's personal anecdotes of time spent with subjects, and stories behind the photographs, Hip-Hop at the End of the World shares intimate moments from the most important era of hip-hop. After picking up a camera in the 1973 to document the graffiti art that dominated New York City, Ernest Paniccioli started his journey of whole-heartedly capturing the scene during the most fertile years of hip-hop. Always armed with a 35mm camera, he successfully photographed nearly every rapper of note since the genre's inception, making him the go-to photographer for magazines like Word Up and Rap Masters. Hip Hop at the End of the World is a carefully curated selection of photographs from Brother Ernie's extensive archives, celebrating over 40 years of swag in one of the most complete records of the most crucial movements in American music. |
| a hip hop jewelry history: Prophets of the Hood Imani Perry, 2004-11-30 At once the most lucrative, popular, and culturally oppositional musical force in the United States, hip hop demands the kind of interpretation Imani Perry provides here: criticism engaged with this vibrant musical form on its own terms. A scholar and a fan, Perry considers the art, politics, and culture of hip hop through an analysis of song lyrics, the words of the prophets of the hood. Recognizing prevailing characterizations of hip hop as a transnational musical form, Perry advances a powerful argument that hip hop is first and foremost black American music. At the same time, she contends that many studies have shortchanged the aesthetic value of rap by attributing its form and content primarily to socioeconomic factors. Her innovative analysis revels in the artistry of hip hop, revealing it as an art of innovation, not deprivation. Perry offers detailed readings of the lyrics of many hip hop artists, including Ice Cube, Public Enemy, De La Soul, krs-One, OutKast, Sean “Puffy” Combs, Tupac Shakur, Lil’ Kim, Biggie Smalls, Nas, Method Man, and Lauryn Hill. She focuses on the cultural foundations of the music and on the form and narrative features of the songs—the call and response, the reliance on the break, the use of metaphor, and the recurring figures of the trickster and the outlaw. Perry also provides complex considerations of hip hop’s association with crime, violence, and misogyny. She shows that while its message may be disconcerting, rap often expresses brilliant insights about existence in a society mired in difficult racial and gender politics. Hip hop, she suggests, airs a much wider, more troubling range of black experience than was projected during the civil rights era. It provides a unique public space where the sacred and the profane impulses within African American culture unite. |
| a hip hop jewelry history: Houston Rap Tapes Lance Scott Walker, 2019-01-29 The neighborhoods of Fifth Ward, Fourth Ward, Third Ward, and the Southside of Houston, Texas, gave birth to Houston rap, a vibrant music scene that has produced globally recognized artists such as Geto Boys, DJ Screw, Pimp C and Bun B of UGK, Fat Pat, Big Moe, Z-Ro, Lil’ Troy, and Paul Wall. Lance Scott Walker and photographer Peter Beste spent a decade documenting Houston’s scene, interviewing and photographing the people—rappers, DJs, producers, promoters, record label owners—and places that give rap music from the Bayou City its distinctive character. Their collaboration produced the books Houston Rap and Houston Rap Tapes. This second edition of Houston Rap Tapes amplifies the city’s hip-hop history through new interviews with Scarface, Slim Thug, Lez Moné, B L A C K I E, Lil’ Keke, and Sire Jukebox of the original Ghetto Boys. Walker groups the interviews into sections that track the different eras and movements in Houston rap, with new photographs and album art that reveal the evolution of the scene from the 1970s to today’s hip-hop generation. The interviews range from the specifics of making music to the passions, regrets, memories, and hopes that give it life. While offering a view from some of Houston’s most marginalized areas, these intimate conversations lay out universal struggles and feelings. As Willie D of Geto Boys writes in the foreword, “Houston Rap Tapes flows more like a bunch of fellows who haven’t seen each other for ages, hanging out on the block reminiscing, rather than a calculated literary guide to Houston’s history.” |
| a hip hop jewelry history: Atlanta Michael Schmelling, Kelefa Sanneh, Will Welch, 2010-11-10 Since the late 1990s, Atlanta has become a dominant center of hip-hophome to mega-selling artists like OutKast, T-Pain, and T.I., and host to an electric mix of superstars, aspiring young rappers, and inspired fans. In Atlanta, photographer Michael Schmelling documents the artists, the fans, and the musical vitality of a city that is always redefining hip-hop. Featuring more than 160 photos, from up-and-coming rappers to club kids to multiplatinum artists, Atlanta also includes essays on the city's hip hop culture by writer Kelefa Sanneh, interviews with key Atlanta figures like Gucci Mane, Andr 3000, Big Boi, Shawty Lo, Ludacris, and The-Dream, and a download mixtape of unreleased tracks. |
| a hip hop jewelry history: New York Ricans from the Hip Hop Zone R. Rivera, 2003-02-07 New York Puerto Ricans have been an integral part of hip hop culture since day one: from 1970s pioneers like Rock Steady Crew's Jo-Jo, to recent rap mega-stars Big Punisher (R.I.P.) and Angie Martinez. Yet, Puerto Rican participation and contributions to hip hop have often been downplayed and even completely ignored. And when their presence has been acknowledged, it has frequently been misinterpreted as a defection from Puerto Rican culture and identity, into the African American camp. But nothing could be further from the truth. Through hip hop, Puerto Ricans have simply stretched the boundaries of Puerto Ricanness and latinidad. |
| a hip hop jewelry history: Hip Hop Culture Emmett G. Price III, 2006-05-19 This work is a revealing chronicle of Hip Hop culture from its beginnings three decades ago to the present, with an analysis of its influence on people and popular culture in the United States and around the world. From Grandmaster Flash and the Furious Five's The Message, to Jay-Z, Diddy, and 50 Cent, Hip Hop Culture is the first comprehensive reference work to focus on one of the most influential cultural phenomena of our time. Scholarly and streetwise, backed by statistics, documents, and research, it recounts three decades of Hip Hop's evolution, highlighting its defining events, recordings, personalities, movements, and ideas, as well as society's response. How did an inner-city subculture, all but dismissed in the early 1980s, become the ruler of the world's airwaves and iPods? Who are the players who moved Hip Hop from the record bins to the pinnacles of entertainment, business, and fashion? Who are the founders, innovators, legends, and major players? Authoritative and authentic, Hip Hop Culture provides a wealth of information and insights for students, educators, and anyone interested in the ways pop culture reflects and shapes our lives. |
| a hip hop jewelry history: Old School Rap and Hip-hop Chris Woodstra, John Bush, Stephen Thomas Erlewine, 2008 Contains brief reviews of over five hundred old school rap and hip-hop albums, as well as albums from the 1960s and 70s that provided inspiration for the development of rap; arranged alphabetically, some with cover art. |
| a hip hop jewelry history: That's the Joint! Murray Forman, Mark Anthony Neal, 2004 Spanning 25 years of serious writing on hip-hop by noted scholars and mainstream journalists, this comprehensive anthology includes observations and critiques on groundbreaking hip-hop recordings. |
| a hip hop jewelry history: Hip & Hop in the House! Jef Czekaj, 2018-09-04 HIP is a turtle who raps very slowly. HOP is a bunny who raps superfast. Together they are Hip & Hop, the coolest rap duo in Oldskool County. This hilarious collection features two stories that remix the fable of the tortoise and the hare, combining comic book elements with short raps, traditional narration, and the coolest characters on the block. |
| a hip hop jewelry history: Hip Hop Steven Hager, 2014 Extremely well-written --Dave Marsh....The best and most reliable history --Robert Palmer....Thrilling, intricate story --Greil Marcus....Hager is an ace reporter --Robert Chrisgau....Formidable job of reporting --Ken Tucker....It's impressive --David Hinckley...Hits home with little known facts --Nelson George....Best read on the subject -- James Marshall....just a sample of reviews on Hip Hop by Steven Hager when it first came out in 1984, which disappeared quickly and sold for $500 and got bootlegged all over the place. But now you can get that original story, updated, annotated, filled with new details and new never-seen photographs, and it includes most everything Hager ever wrote on the subject.Steven Hager was the first professional journalist to travel to the South Bronx in order to document the origins of hip hop. For the first time, all his groundbreaking journalism and book, as well as his original film script have been collected into one edition. |
| a hip hop jewelry history: Hip-Hop U.S. History Blake Harrison, Alexander Rappaport, 2007-01-28 Featuring an audio CD with 45 minutes of original, educational, and cutting-edge music, this latest entry in the innovative Flocabulary series turns U.S. history into an enjoyable experience. It's perfect for any student preparing for the AP placement test or the SAT II. |
| a hip hop jewelry history: Black Noise Tricia Rose, 1994-04-24 From its beginnings in hip hop culture, the dense rhythms and aggressive lyrics of rap music have made it a provocative fixture on the American cultural landscape. In Black Noise: Rap Music and Black Culture in Contemporary America, Tricia Rose, described by the New York Times as a hip hop theorist, takes a comprehensive look at the lyrics, music, cultures, themes, and styles of this highly rhythmic, rhymed storytelling and grapples with the most salient issues and debates that surround it. Assistant Professor of Africana Studies and History at New York University, Tricia Rose sorts through rap's multiple voices by exploring its underlying urban cultural politics, particularly the influential New York City rap scene, and discusses rap as a unique musical form in which traditional African-based oral traditions fuse with cutting-edge music technologies. Next she takes up rap's racial politics, its sharp criticisms of the police and the government, and the responses of those institutions. Finally, she explores the complex sexual politics of rap, including questions of misogyny, sexual domination, and female rappers' critiques of men. But these debates do not overshadow rappers' own words and thoughts. Rose also closely examines the lyrics and videos for songs by artists such as Public Enemy, KRS-One, Salt N' Pepa, MC Lyte, and L. L. Cool J. and draws on candid interviews with Queen Latifah, music producer Eric Vietnam Sadler, dancer Crazy Legs, and others to paint the full range of rap's political and aesthetic spectrum. In the end, Rose observes, rap music remains a vibrant force with its own aesthetic, a noisy and powerful element of contemporary American popular culture which continues to draw a great deal of attention to itself. |
| a hip hop jewelry history: Rap and Hip Hop Culture Fernando Orejuela, Senior Lecturer Folklore and Ethnomusicology Fernando Orejuela Ph D, 2021 The complete history of Rap and Hip Hop and its impact on global culture-- |
| a hip hop jewelry history: Tha Global Cipha James G. Spady, Samir Meghelli, H. Samy Alim, 2006 This book presents in-depth conversations with hip-hop artists from around the world, representing the many regional scenes of the U.S. (from the East Coast to the Bay Area to the Dirty South), France, the Caribbean (from Jamaica to Puerto Rico), and Africa (from Algeria to Senegal), as well as diverse forms of street musics, such as Reggaeton, Reggae/Dancehall, Shaabi and Rai. Conversations with Jay-Z, Mos Def, Eve, Sean Paul, Young Jeezy, Foxy Brown, Booba, Buju Banton, Ivy Queen, Afrika Bambaataa, Sonia Sanchez, DJ Kool Herc, Oxmo Puccino, Trina, Cornbread, Mannie Fresh, Intik, Beanie Sigel, Cheb Khaled, Pitbull, Manu Key, Tego Calderon and many others, demonstrate these artists to be critical interpreters of their own culture and of the world around them. This book centers the usually marginalized voices of Hip Hop communities, presenting a remarkably refreshing and revealing view of Hip Hop Culture from the inside-out. |
| a hip hop jewelry history: Emerald Street Daudi J. Abe, 2020 From the first rap battles in Seattle's Central District to the Grammy stage, hip hop has shaped urban life and the music scene of the Pacific Northwest for more than four decades. In the early 1980s, Seattle's hip-hop artists developed a community-based culture of stylistic experimentation and multiethnic collaboration. Emerging at a distance from the hip-hop centers of New York City and Los Angeles, Seattle's most famous hip-hop figures, Sir Mix-A-Lot and Macklemore, found mainstream success twenty years apart by going directly against the grain of their respective eras. In addition, Seattle has produced a two-time world-champion breaking crew, globally renowned urban clothing designers, an international hip-hop magazine, and influential record producers. In Emerald Street, Daudi Abe chronicles the development of Seattle hip hop from its earliest days, drawing on interviews with artists and journalists to trace how the elements of hip hop--rapping, DJing, breaking, and graffiti--flourished in the Seattle scene. He shows how Seattle hip-hop culture goes beyond art and music, influencing politics, the relationships between communities of color and law enforcement, the changing media scene, and youth outreach and educational programs. The result is a rich narrative of a dynamic and influential force in Seattle music history and beyond. Emerald Street was made possible in part by a grant from 4Culture's Heritage Program. |
| a hip hop jewelry history: Bling Reggie Ossé, Gabriel A. Tolliver, 2006 Presenting a collection of outlandish jewels, this title considers the influence of bling on the burgeoning 1980s hip-hop scene, and its possible historical exponents. Mixing commentary with photographs, it shows how artists such as J-Lo and 50 Cent have carved their very personas from dripping themselves liberally in gold and diamonds. |
Hip Anatomy, Pictures, Function, Problems & Treatment - Health …
Jun 29, 2021 · Pictures of the inside of the hip joint with explanations of common hip problems, treatments and surgery. Find out why it hurts and what you can do about it
Hip - Wikipedia
In vertebrate anatomy, the hip, or coxa [1] (pl.: coxae) in medical terminology, refers to either an anatomical region or a joint on the outer (lateral) side of the pelvis.
Hip Pain: Causes and Treatment - WebMD
May 9, 2024 · Hip Pain - Is your hip hurting? Learn about the possible causes of hip pain and common ways to get relief from the soreness.
Hip Joint: Anatomy & How It Works - Cleveland Clinic
Your hip joint connects your thigh bone (femur) to your hip bone (pelvis). It allows you to move your upper leg and supports your body weight.
Hip Anatomy - Physiopedia
The hip joint connects the lower extremities with the axial skeleton. The hip joint allows for movement in three major axes, all of which are perpendicular to one another. The location of …
Hip pain - Mayo Clinic
Hip pain on the outside of the hip, upper thigh or outer buttock is usually caused by problems with muscles, ligaments, tendons and other soft tissues that surround the hip joint. Hip pain can …
Hip Anatomy and Functions of the Hip | CSOG Sports Medicine
Dec 7, 2023 · Understanding Hip Anatomy is essential to maintaining optimal hip health and longevity. Join us as we explore the fascinating intricacies of the hips, from the bones and …
Hip Bone Anatomy: Complete Guide with Parts, Names & Diagram
Oct 23, 2024 · The hip bone, or os coxae, is a large, irregular bone that forms the base of the lower limb. The main functions of the hip bone are to support the body’s weight when standing …
Hip Fracture - Harvard Health
May 28, 2025 · Hip protector pads may provide some protection in the event of a fall, but many people find them difficult to wear and studies have not demonstrated a significant benefit. …
Hip Problems - Johns Hopkins Medicine
Detailed information on the most common types of hip problems, including arthritis, osteoarthritis, rheumatoid arthritis, traumatic arthritis, avascular necrosis, bursitis, trochanteric bursa, ischial …
Hip Anatomy, Pictures, Function, Problems & Treatment - Health …
Jun 29, 2021 · Pictures of the inside of the hip joint with explanations of common hip problems, treatments and surgery. Find out why it hurts and what you can do about it
Hip - Wikipedia
In vertebrate anatomy, the hip, or coxa [1] (pl.: coxae) in medical terminology, refers to either an anatomical region or a joint on the outer (lateral) side of the pelvis.
Hip Pain: Causes and Treatment - WebMD
May 9, 2024 · Hip Pain - Is your hip hurting? Learn about the possible causes of hip pain and common ways to get relief from the soreness.
Hip Joint: Anatomy & How It Works - Cleveland Clinic
Your hip joint connects your thigh bone (femur) to your hip bone (pelvis). It allows you to move your upper leg and supports your body weight.
Hip Anatomy - Physiopedia
The hip joint connects the lower extremities with the axial skeleton. The hip joint allows for movement in three major axes, all of which are perpendicular to one another. The location of …
Hip pain - Mayo Clinic
Hip pain on the outside of the hip, upper thigh or outer buttock is usually caused by problems with muscles, ligaments, tendons and other soft tissues that surround the hip joint. Hip pain can …
Hip Anatomy and Functions of the Hip | CSOG Sports Medicine
Dec 7, 2023 · Understanding Hip Anatomy is essential to maintaining optimal hip health and longevity. Join us as we explore the fascinating intricacies of the hips, from the bones and …
Hip Bone Anatomy: Complete Guide with Parts, Names & Diagram
Oct 23, 2024 · The hip bone, or os coxae, is a large, irregular bone that forms the base of the lower limb. The main functions of the hip bone are to support the body’s weight when standing …
Hip Fracture - Harvard Health
May 28, 2025 · Hip protector pads may provide some protection in the event of a fall, but many people find them difficult to wear and studies have not demonstrated a significant benefit. …
Hip Problems - Johns Hopkins Medicine
Detailed information on the most common types of hip problems, including arthritis, osteoarthritis, rheumatoid arthritis, traumatic arthritis, avascular necrosis, bursitis, trochanteric bursa, ischial …
