Advertisement
A Poem About Black History: A Comprehensive Guide to Crafting Powerful Verse
Author: Dr. Anya Johnson, Professor of African American Literature and Creative Writing at Howard University, author of Verse and Voice: Exploring Black Poetic Tradition.
Publisher: The Black Literature Society Press, a leading publisher of scholarly works and creative writing focusing on the African diaspora.
Editor: Mr. Kwame Asante, award-winning poet and editor of The Obsidian Review, a prominent literary journal showcasing Black voices.
Summary: This guide provides a comprehensive overview of crafting a powerful poem about Black history, encompassing best practices, common pitfalls, and crucial considerations for sensitivity and accuracy. It offers insights into thematic choices, stylistic approaches, and the importance of responsible representation, ensuring the poem resonates authentically and meaningfully.
Keywords: a poem about black history, Black history poem, writing about Black history, poetry about African American history, Black history month poem, celebrating Black history through poetry, representation in Black history poetry, powerful poems about Black history, avoiding stereotypes in Black history poetry
I. Understanding the Scope: "A Poem About Black History"
Writing "a poem about Black history" is a significant undertaking. It's not simply about recounting historical facts; it’s about capturing the spirit, resilience, and complexities of a multifaceted narrative spanning centuries and continents. The scope is vast, demanding careful consideration of the period, figures, and themes you choose to address. A successful poem will avoid simplistic generalizations and strive for nuanced portrayals of individuals and events.
II. Thematic Exploration in a Poem About Black History
Thematic choices are crucial. Consider focusing on:
Unsung heroes: Poems highlighting lesser-known figures can bring fresh perspectives to established narratives. Focus on their individual struggles and triumphs.
Specific historical events: The Harlem Renaissance, the Civil Rights Movement, the fight for voting rights – each offers rich material for poetic exploration. Avoid superficial treatment.
Intergenerational trauma and resilience: Explore the enduring impact of slavery and its legacy on subsequent generations. Show the resilience and strength that emerged from adversity.
Cultural expressions: Music, art, literature, and religion played vital roles in the Black experience. Explore how these forms of expression shaped identity and resistance.
Modern struggles and triumphs: Contemporary challenges facing Black communities provide compelling material for poetry. Focus on issues like systemic racism, social justice, and the pursuit of equality.
III. Style and Form in Your Black History Poem
The form and style of your poem should complement its theme and intended impact. Consider these options:
Free verse: Allows for flexibility and captures the fluidity of lived experience.
Sonnet: Provides structure and a platform for exploring complex themes with precision.
Narrative poem: Enables a detailed unfolding of a historical event or individual’s story.
Lyric poem: Focuses on emotion and captures the essence of a particular moment or feeling.
IV. Responsible Representation: Avoiding Pitfalls in a Poem About Black History
Accuracy and sensitivity are paramount. Avoid these common pitfalls:
Stereotyping: Resist portraying Black people as monolithic or reducing their experiences to simplistic tropes. Strive for individual representation.
Sentimentalizing suffering: While acknowledging hardship, avoid exploiting or romanticizing pain. Balance suffering with resilience and triumph.
Ignoring diversity: Acknowledge the rich diversity within the Black community, including differences in nationality, ethnicity, class, gender, and sexual orientation.
Cultural appropriation: Ensure you have a deep understanding of the culture you're representing and avoid superficial or disrespectful portrayals.
Ignoring counter-narratives: Explore diverse viewpoints and narratives within the history of Black communities.
V. Research and Accuracy in Your Black History Poem
Thorough research is essential. Consult reliable historical sources and academic works to ensure factual accuracy. Engage with primary sources whenever possible to bring authenticity and depth to your writing. Avoid relying solely on popular culture portrayals.
VI. Finding Your Voice in "A Poem About Black History"
Let your unique voice and perspective shine through. While respecting the historical context, allow your individuality to shape your artistic expression. Authenticity and genuine emotion will resonate deeply with readers.
VII. The Power of Language in a Poem About Black History
Use evocative language that captures the essence of your subject matter. Employ imagery, metaphor, and symbolism to enhance the poem’s emotional impact. Consider the rhythm and flow of your words to create a powerful and memorable reading experience.
Conclusion
Crafting a poem about Black history is a privilege and a responsibility. By approaching the task with sensitivity, accuracy, and a deep understanding of the subject matter, you can create a powerful and meaningful work of art that honors the past, celebrates present achievements, and inspires future generations.
FAQs
1. How can I ensure my poem about Black history avoids stereotypes? Thorough research and a commitment to portraying individuals authentically, rather than relying on generalizations, are crucial.
2. What are some good resources for researching Black history for a poem? Academic journals, reputable historical archives, biographies of key figures, and oral histories offer rich sources of information.
3. How can I make my poem about Black history accessible to a wider audience? Use clear and concise language, and avoid overly academic or specialized terminology.
4. Is it okay to write a poem about Black history if I am not Black myself? Yes, but it's crucial to approach the subject with sensitivity, humility, and a deep understanding of the historical context. Center the voices and experiences of Black individuals.
5. How can I ensure my poem is both informative and emotionally resonant? Combine historical accuracy with evocative imagery, metaphor, and personal reflection.
6. What are some effective techniques for creating a powerful emotional impact in a poem about Black history? Use strong verbs, vivid imagery, and focus on the human element of historical events.
7. How can I receive feedback on my poem about Black history before publishing it? Seek feedback from trusted peers, writing groups, or mentors familiar with Black history and poetry.
8. Where can I publish my poem about Black history? Submit to literary journals, anthologies, or online platforms that feature poetry focused on Black history and culture.
9. How do I choose a specific historical event or figure for my poem about Black history? Select a topic that deeply resonates with you and allows for in-depth exploration and nuanced portrayal.
Related Articles:
1. "The Poetics of Resistance: Analyzing Protest Poetry in the Civil Rights Movement": Explores the use of poetry as a tool for social change during the Civil Rights Era.
2. "Langston Hughes and the Harlem Renaissance: A Poetic Legacy": Examines the work of Langston Hughes and his impact on the Harlem Renaissance.
3. "Beyond the Ballad: Exploring Diverse Forms in Black Poetry": Examines different poetic forms and styles used by Black poets throughout history.
4. "The Power of Voice: Oral Tradition and Black Poetic Expression": Investigates the importance of oral storytelling in shaping Black poetic traditions.
5. "Representing Trauma: Navigating Sensitivity in Poems About Slavery": Offers guidance on responsibly addressing the trauma of slavery in poetic works.
6. "Modern Black Poetry and Social Justice: A Critical Overview": Analyzes contemporary Black poetry's engagement with social and political issues.
7. "Teaching Black Poetry in the Classroom: Strategies and Resources": Provides resources and strategies for educators to effectively teach Black poetry in diverse educational settings.
8. "The Aesthetics of Resilience: Black Women Poets and the Experience of Adversity": Focuses on the contributions of Black women poets to the literary canon.
9. "Black British Poetry: A Historical and Critical Perspective": Explores the unique contributions and experiences of Black British poets.
a poem about black history: Hey Black Child Useni Eugene Perkins, 2017-11-14 Six-time Coretta Scott King Award winner and four-time Caldecott Honor recipient Bryan Collier brings this classic, inspirational poem to life, written by poet Useni Eugene Perkins. Hey black child, Do you know who you are? Who really are?Do you know you can be What you want to be If you try to be What you can be? This lyrical, empowering poem celebrates black children and seeks to inspire all young people to dream big and achieve their goals. |
a poem about black history: African American Poetry: 250 Years of Struggle & Song (LOA #333) Kevin Young, 2020-10-20 A literary landmark: the biggest, most ambitious anthology of Black poetry ever published, gathering 250 poets from the colonial period to the present Across a turbulent history, from such vital centers as Harlem, Chicago, Washington, D.C., Los Angeles, and the Bay Area, Black poets created a rich and multifaceted tradition that has been both a reckoning with American realities and an imaginative response to them. Capturing the power and beauty of this diverse tradition in a single indispensable volume, African American Poetry reveals as never before its centrality and its challenge to American poetry and culture. One of the great American art forms, African American poetry encompasses many kinds of verse: formal, experimental, vernacular, lyric, and protest. The anthology opens with moving testaments to the power of poetry as a means of self-assertion, as enslaved people like Phillis Wheatley and George Moses Horton and activist Frances Ellen Watkins Harper voice their passionate resistance to slavery. Young’s fresh, revelatory presentation of the Harlem Renaissance reexamines the achievements of Langston Hughes and Countee Cullen alongside works by lesser-known poets such as Gwendolyn B. Bennett and Mae V. Cowdery. The later flowering of the still influential Black Arts Movement is represented here with breadth and originality, including many long out-of-print or hard-to-find poems. Here are all the significant movements and currents: the nineteenth-century Francophone poets known as Les Cenelles, the Chicago Renaissance that flourished around Gwendolyn Brooks, the early 1960s Umbra group, and the more recent work of writers affiliated with Cave Canem and the Dark Room Collective. Here too are poems of singular, hard-to-classify figures: the enslaved potter David Drake, the allusive modernist Melvin B. Tolson, the Cleveland-based experimentalist Russell Atkins. This Library of America volume also features biographies of each poet and notes that illuminate cultural references and allusions to historical events. |
a poem about black history: The Vintage Book of African American Poetry Michael S. Harper, Anthony Walton, 2012-02-01 In The Vintage Book of African American Poetry, editors Michael S. Harper and Anthony Walton present the definitive collection of black verse in the United States--200 years of vision, struggle, power, beauty, and triumph from 52 outstanding poets. From the neoclassical stylings of slave-born Phillis Wheatley to the wistful lyricism of Paul Lawrence Dunbar . . . the rigorous wisdom of Gwendolyn Brooks...the chiseled modernism of Robert Hayden...the extraordinary prosody of Sterling A. Brown...the breathtaking, expansive narratives of Rita Dove...the plaintive rhapsodies of an imprisoned Elderidge Knight . . . The postmodern artistry of Yusef Komunyaka. Here, too, is a landmark exploration of lesser-known artists whose efforts birthed the Harlem Renaissance and the Black Arts movements--and changed forever our national literature and the course of America itself. Meticulously researched, thoughtfully structured, The Vintage Book of African-American Poetry is a collection of inestimable value to students, educators, and all those interested in the ever-evolving tradition that is American poetry. |
a poem about black history: Have You Thanked an Inventor Today? Patrice McLaurin, 2016-05-01 Have You Thanked an Inventor Today? is a journey into the often forgotten contributions of African-American inventors, that contributed to the American landscape. This book was written to appeal to African-American youth, inspiring creative thought and innovation. It was also written to demonstrate to children how the genius of African-American minds is utilized on a daily basis. Biographies about each inventor, as well as activity sheets are included in the book to further stimulate the minds of young readership. |
a poem about black history: Black Nature Camille T. Dungy, 2009 Black Nature is the first anthology to focus on nature writing by African American poets, a genre that until now has not commonly been counted as one in which African American poets have participated. Black poets have a long tradition of incorporating treatments of the natural world into their work, but it is often read as political, historical, or protest poetry--anything but nature poetry. This is particularly true when the definition of what constitutes nature writing is limited to work about the pastoral or the wild. Camille T. Dungy has selected 180 poems from 93 poets that provide unique perspectives on American social and literary history to broaden our concept of nature poetry and African American poetics. This collection features major writers such as Phillis Wheatley, Rita Dove, Yusef Komunyakaa, Gwendolyn Brooks, Sterling Brown, Robert Hayden, Wanda Coleman, Natasha Trethewey, and Melvin B. Tolson as well as newer talents such as Douglas Kearney, Major Jackson, and Janice Harrington. Included are poets writing out of slavery, Reconstruction, the Harlem Renaissance, the Black Arts Movement, and late twentieth- and early twenty-first-century African American poetic movements. Black Nature brings to the fore a neglected and vital means of considering poetry by African Americans and nature-related poetry as a whole. A Friends Fund Publication. |
a poem about black history: The 100 Best African American Poems Nikki Giovanni, 2010 Discover the voices of a culture from legendary New York Timesbestselling author Nikki Giovanni HEAR: Langston Hughes Gwendolyn Brooks Countee Cullen Paul Laurence Dunbar Robert Hayden Etheridge Knight READ: Rita Dove Sonia Sanchez Richard Wright Tupac Shukar Lucille Clifton Mari Evans Kevin Young Including one audio CD featuring many of the poems read by the poets themselves, 100 Best African-American Poems is at once strikingly original and a perfect fit for the original poetry anthologies from Sourcebooks, including Poetry Speaks, The Spoken Word Revolution, Poetry Speaks to Children, and the Nikki Giovanni-edited Hip Hop Speaks to Children. Award-winning poet and writer Nikki Giovanni takes on the difficult task of selecting the 100 best African-American works from classic and contemporary poets. This startlingly vibrant collection spans from historic to modern, from structured to free-form, and reflects the rich roots and visionary future of African-American verse in American culture. The resulting selections prove to be an exciting mix of most-loved chestnuts and daring new writing. Most of all, the voice of a culture comes through in this collection, one that is as talented, diverse, and varied as its people. |
a poem about black history: 28 Days of Poetry Celebrating Black History Latorial Faison, 2007-02 28 Days of Poetry: Volume 1 is an eclectic collection of poems celebrating the history and legacy of African-Americans. The book reflects on slavery and the civil rights movement and paints poetic pictures of the south during a time when America was a divided nation. Young readers will enjoy biographical poems that tell the history of black inventors and other notable leaders in American history. This is the first book of a series written by Faison celebrating Black History. |
a poem about black history: Bars Fight Lucy Terry Prince, 2020-10-01 Bars Fight, a ballad telling the tale of an ambush by Native Americans on two families in 1746 in a Massachusetts meadow, is the oldest known work by an African-American author. Passed on orally until it was recorded in Josiah Gilbert Holland’s History of Western Massachusetts in 1855, the ballad is a landmark in the history of literature that should be on every book lover’s shelves. |
a poem about black history: Lord, Why Did You Make Me Black? Runett Nia Ebo, 2000-10-01 |
a poem about black history: The Poems of Phillis Wheatley Phillis Wheatley, 2012-03-15 At the age of 19, Phillis Wheatley was the first black American poet to publish a book. Her elegies and odes offer fascinating glimpses of the beginnings of African-American literary traditions. Includes a selection from the Common Core State Standards Initiative. |
a poem about black history: American Sonnets for My Past and Future Assassin Terrance Hayes, 2018-06-19 Finalist for the National Book Award and the National Book Critics Circle Award in Poetry One of the New York Times Critics' Top Books of 2018 A powerful, timely, dazzling collection of sonnets from one of America's most acclaimed poets, Terrance Hayes, the National Book Award-winning author of Lighthead Sonnets that reckon with Donald Trump's America. -The New York Times In seventy poems bearing the same title, Terrance Hayes explores the meanings of American, of assassin, and of love in the sonnet form. Written during the first two hundred days of the Trump presidency, these poems are haunted by the country's past and future eras and errors, its dreams and nightmares. Inventive, compassionate, hilarious, melancholy, and bewildered--the wonders of this new collection are irreducible and stunning. |
a poem about black history: Jazz Griots Jean-Philippe Marcoux, 2012-06-27 This study is about how four representative African American poets in the 1960s, Langston Hughes, Umbra’s David Henderson, and the Black Arts Movement’s Sonia Sanchez, and Amiri Baraka engage, in the tradition of African griots, in poetic dialogues with aesthetics, music, politics, and Black History, and in so doing narrate, using jazz as meta-language, genealogies, etymologies, cultural legacies, and Black (hi)stories. In intersecting and complementary ways, Hughes, Henderson, Sanchez, and Baraka fashioned their griotism from theorizations of artistry as political engagement, and, in turn, formulated a Black aesthetic based on jazz performativity –a series of jazz-infused iterations that form a complex pattern of literary, musical, historical, and political moments in constant cross-fertilizing dialogues with one another. This form of poetic call-and-response is essential for it allows the possibility of intergenerational dialogues between poets and musicians as well as dialogical potential between song and politics, between Africa and Black America, within the poems. More importantly, these jazz dialogisms underline the construction of the Black Aesthetic as conceptualized respectively by the griotism of Hughes, of Henderson, and of Sanchez and Baraka. |
a poem about black history: The ABCs of Black History Rio Cortez, 2020-12-08 A NEW YORK TIMES BESTSELLER B is for Beautiful, Brave, and Bright! And for a Book that takes a Bold journey through the alphabet of Black history and culture. Letter by letter, The ABCs of Black History celebrates a story that spans continents and centuries, triumph and heartbreak, creativity and joy. It’s a story of big ideas––P is for Power, S is for Science and Soul. Of significant moments––G is for Great Migration. Of iconic figures––H is for Zora Neale Hurston, X is for Malcom X. It’s an ABC book like no other, and a story of hope and love. In addition to rhyming text, the book includes back matter with information on the events, places, and people mentioned in the poem, from Mae Jemison to W. E. B. Du Bois, Fannie Lou Hamer to Sam Cooke, and the Little Rock Nine to DJ Kool Herc. |
a poem about black history: Light For The World To See Kwame Alexander, 2020-11-17 From NPR correspondent and New York Times bestselling author, Kwame Alexander, comes a powerful and provocative collection of poems that cut to the heart of the entrenched racism and oppression in America and eloquently explores ongoing events. A book in the tradition of James Baldwin’s “A Report from Occupied Territory,” Light for the World to See is a rap session on race. A lyrical response to the struggles of Black lives in our world . . . to America’s crisis of conscience . . . to the centuries of loss, endless resilience, and unstoppable hope. Includes an introduction by the author and a bold, graphically designed interior. |
a poem about black history: History Is a Part of Me S. Lenice Tubbs, Golden Sky Level Publications "Staff", 2015-06-15 History Is A Part of Me coloring book is an educational Hip Hop rhyme/poem of African American Inventors and their inventions. It includes actual patents. Inventors like Garret Morgan, Madam CJ Walker, Fred Jones. It also includes Barrack Obama |
a poem about black history: Poems on Slavery Henry Wadsworth Longfellow, 1842 |
a poem about black history: Being Brought from Africa to America - The Best of Phillis Wheatley Phillis Wheatley, 2020-07-31 Phillis Wheatley (c. 1753–1784) was an American freed slave and poet who wrote the first book of poetry by an African-American. Sold into a slavery in West Africa at the age of around seven, she was taken to North America where she served the Wheatley family of Boston. Phillis was tutored in reading and writing by Mary, the Wheatleys' 18-year-old daughter, and was reading Latin and Greek classics from the age of twelve. Encouraged by the progressive Wheatleys who recognised her incredible literary talent, she wrote To the University of Cambridge” when she was 14 and by 20 had found patronage in the form of Selina Hastings, Countess of Huntingdon. Her works garnered acclaim in both England and the colonies and she became the first African American to make a living as a poet. This volume contains a collection of Wheatley's best poetry, including the titular poem “Being Brought from Africa to America”. Contents include: “Phillis Wheatley”, “Phillis Wheatley by Benjamin Brawley”, “To Maecenas”, “On Virtue”, “To the University of Cambridge”, “To the King’s Most Excellent Majesty”, “On Being Brought from Africa to America”, “On the Death of the Rev. Dr. Sewell”, “On the Death of the Rev. Mr. George Whitefield”, etc. Ragged Hand is proudly publishing this brand new collection of classic poetry with a specially-commissioned biography of the author. |
a poem about black history: The Book of American Negro Poetry James Weldon Johnson, 2009-01-01 The work of James Weldon Johnson (1871 - 1938) inspired and encouraged the artists of the Harlem Renaissance,a movement in which he himself was an important figure. Johnson was active in almost every aspect of American civil life and became one of the first African-American professors at New York University. He is best remembered for his writing, which questions, celebrates and commemorates his experience as an African-American. |
a poem about black history: The Negro William Edward Burghardt Du Bois, 1915 |
a poem about black history: Magical Negro Morgan Parker, 2019-02-05 A National Book Critics Circle Poetry Award Winner! From the breakout author of There Are More Beautiful Things Than Beyoncé comes a profound and deceptively funny exploration of Black American womanhood. Morgan Parker's latest collection is a riveting testimony to everyday blackness . . . It is wry and atmospheric, an epic work of aural pleasures and personifications that demands to be read—both as an account of a private life and as searing political protest. —TIME Magazine A Best Book of 2019 at TIME, Elle, BuzzFeed, the Star Tribune, AVClub, and more. A Most Anticipated Book of 2019 at Vogue, O: the Oprah Magazine, NYLON, BuzzFeed, Publishers Weekly, and more. Magical Negro is an archive of black everydayness, a catalog of contemporary folk heroes, an ethnography of ancestral grief, and an inventory of figureheads, idioms, and customs. These American poems are both elegy and jive, joke and declaration, songs of congregation and self-conception. They connect themes of loneliness, displacement, grief, ancestral trauma, and objectification, while exploring and troubling tropes and stereotypes of Black Americans. Focused primarily on depictions of black womanhood alongside personal narratives, the collection tackles interior and exterior politics—of both the body and society, of both the individual and the collective experience. In Magical Negro, Parker creates a space of witness, of airing grievances, of pointing out patterns. In these poems are living documents, pleas, latent traumas, inside jokes, and unspoken anxieties situated as firmly in the past as in the present—timeless black melancholies and triumphs. |
a poem about black history: And Still I Rise Maya Angelou, 2011-08-17 Maya Angelou’s unforgettable collection of poetry lends its name to the documentary film about her life, And Still I Rise, as seen on PBS’s American Masters. Pretty women wonder where my secret lies. I’m not cute or built to suit a fashion model’s size But when I start to tell them, They think I’m telling lies. I say, It’s in the reach of my arms, The span of my hips, The stride of my step, The curl of my lips. I’m a woman Phenomenally. Phenomenal woman, That’s me. Thus begins “Phenomenal Woman,” just one of the beloved poems collected here in Maya Angelou’s third book of verse. These poems are powerful, distinctive, and fresh—and, as always, full of the lifting rhythms of love and remembering. And Still I Rise is written from the heart, a celebration of life as only Maya Angelou has discovered it. “It is true poetry she is writing,” M.F.K. Fisher has observed, “not just rhythm, the beat, rhymes. I find it very moving and at times beautiful. It has an innate purity about it, unquenchable dignity. . . . It is astounding, flabbergasting, to recognize it, in all the words I read every day and night . . . it gives me heart, to hear so clearly the caged bird singing and to understand her notes.” |
a poem about black history: Poems on Various Subjects, Religious and Moral Phillis Wheatley, 1887 |
a poem about black history: The Black Maria Aracelis Girmay, 2016-04-18 Taking its name from the moon's dark plains, misidentified as seas by early astronomers, The Black Maria investigates African diasporic histories, the consequences of racism within American culture, and the question of human identity. Central to this project is a desire to recognize the lives of Eritrean refugees who have been made invisible by years of immigration crisis, refugee status, exile, and resulting statelessness. The recipient of a 2015 Whiting Award for Poetry, Girmay's newest collection elegizes and celebrates life, while wrestling with the humanistic notion of seeing beyond: seeing violence, seeing grace, and seeing each other better. to the sea great storage house, history on which we rode, we touched the brief pulse of your fluttering pages, spelled with salt & life, your rage, your indifference your gentleness washing our feet, all of you going on whether or not we live, to you we bring our carnations yellow & pink, how they float like bright sentences atop your memory's dark hair Aracelis Girmay is the author of two poetry collections, Teeth and Kingdom Animalia, which won the Isabella Gardner Award and was a finalist for the NBCC Award. The recipient of a 2015 Whiting Award, she has received grants and fellowships from the Jerome, Cave Canem, and Watson foundations, as well as Civitella Ranieri and the NEA. She currently teaches at Hampshire College's School for Interdisciplinary Arts and in Drew University's low residency MFA program. Originally from Santa Ana, California, she splits her time between New York and Amherst, Massachusetts. |
a poem about black history: Piecing Me Together Renée Watson, 2018-02-08 2018 Newbery Honor Book and Coretta Scott King Author Award Winner: a beautiful, powerful coming of age story 'Important and deeply moving' JOHN GREEN 'Timely and timeless' JACQUELINE WOODSON Jade is a girl striving for success in a world that seems like it's trying to break her. She knows she needs to take every opportunity that comes her way. And she has: every day Jade rides the bus away from her friends to a private school where she feels like an outsider, but where she has plenty of opportunities. But some opportunities Jade could do without, like the mentor programme for 'at-risk' girls. Just because her mentor is black doesn't mean she understands where Jade is coming from. Why is Jade always seen as someone to fix? But with a college scholarship promised at the end of it, how can Jade say no? Jade feels like her life is made up of hundreds of conflicting pieces. Will it ever fit together? Will she ever find her place in the world? More than anything, Jade just wants the opportunity to be real, to make a difference. NPR's Best Books of 2017 A 2017 New York Public Library Best Teen Book of the Year Chicago Public Library's Best Books of 2017 A School Library Journal Best Book of 2017 Kirkus Reviews' Best Teen Books of 2017 2018 Josette Frank Award Winner |
a poem about black history: The Hill We Climb Amanda Gorman, 2021-03-30 The instant #1 New York Times bestseller and #1 USA Today bestseller Amanda Gorman’s electrifying and historic poem “The Hill We Climb,” read at President Joe Biden’s inauguration, is now available as a collectible gift edition. “Stunning.” —CNN “Dynamic.” —NPR “Deeply rousing and uplifting.” —Vogue On January 20, 2021, Amanda Gorman became the sixth and youngest poet to deliver a poetry reading at a presidential inauguration. Taking the stage after the 46th president of the United States, Joe Biden, Gorman captivated the nation and brought hope to viewers around the globe with her call for unity and healing. Her poem “The Hill We Climb: An Inaugural Poem for the Country” can now be cherished in this special gift edition, perfect for any reader looking for some inspiration. Including an enduring foreword by Oprah Winfrey, this remarkable keepsake celebrates the promise of America and affirms the power of poetry. |
a poem about black history: A Visit from St. Nicholas Clement Clarke Moore, 1921 A poem about the visit that Santa Claus pays to the children of the world during the night before every Christmas. |
a poem about black history: Bunk Kevin Young, 2017-11-14 Longlisted for the National Book Award for Nonfiction “There Kevin Young goes again, giving us books we greatly need, cleverly disguised as books we merely want. Unexpectedly essential.”—Marlon James Award-winning poet and critic Kevin Young tours us through a rogue’s gallery of hoaxers, plagiarists, forgers, and fakers—from the humbug of P. T. Barnum and Edgar Allan Poe to the unrepentant bunk of JT LeRoy and Donald J. Trump. Bunk traces the history of the hoax as a peculiarly American phenomenon, examining what motivates hucksters and makes the rest of us so gullible. Disturbingly, Young finds that fakery is woven from stereotype and suspicion, race being the most insidious American hoax of all. He chronicles how Barnum came to fame by displaying figures like Joice Heth, a black woman whom he pretended was the 161-year-old nursemaid to George Washington, and What Is It?, an African American man Barnum professed was a newly discovered missing link in evolution. Bunk then turns to the hoaxing of history and the ways that forgers, plagiarists, and journalistic fakers invent backstories and falsehoods to sell us lies about themselves and about the world in our own time, from pretend Native Americans Grey Owl and Nasdijj to the deadly imposture of Clark Rockefeller, from the made-up memoirs of James Frey to the identity theft of Rachel Dolezal. In this brilliant and timely work, Young asks what it means to live in a post-factual world of “truthiness” where everything is up for interpretation and everyone is subject to a pervasive cynicism that damages our ideas of reality, fact, and art. |
a poem about black history: How the Word Is Passed Clint Smith, 2021-06-01 This “important and timely” (Drew Faust, Harvard Magazine) #1 New York Times bestseller examines the legacy of slavery in America—and how both history and memory continue to shape our everyday lives. Beginning in his hometown of New Orleans, Clint Smith leads the reader on an unforgettable tour of monuments and landmarks—those that are honest about the past and those that are not—that offer an intergenerational story of how slavery has been central in shaping our nation's collective history, and ourselves. It is the story of the Monticello Plantation in Virginia, the estate where Thomas Jefferson wrote letters espousing the urgent need for liberty while enslaving more than four hundred people. It is the story of the Whitney Plantation, one of the only former plantations devoted to preserving the experience of the enslaved people whose lives and work sustained it. It is the story of Angola, a former plantation-turned-maximum-security prison in Louisiana that is filled with Black men who work across the 18,000-acre land for virtually no pay. And it is the story of Blandford Cemetery, the final resting place of tens of thousands of Confederate soldiers. A deeply researched and transporting exploration of the legacy of slavery and its imprint on centuries of American history, How the Word Is Passed illustrates how some of our country's most essential stories are hidden in plain view—whether in places we might drive by on our way to work, holidays such as Juneteenth, or entire neighborhoods like downtown Manhattan, where the brutal history of the trade in enslaved men, women, and children has been deeply imprinted. Informed by scholarship and brought to life by the story of people living today, Smith's debut work of nonfiction is a landmark of reflection and insight that offers a new understanding of the hopeful role that memory and history can play in making sense of our country and how it has come to be. Winner of the National Book Critics Circle Award for Nonfiction Winner of the Stowe Prize Winner of 2022 Hillman Prize for Book Journalism A New York Times 10 Best Books of 2021 |
a poem about black history: Counting Descent Clint Smith, 2020-01-06 From the author of How the Word is Passed: A Reckoning with the History of Slavery Across America * Winner, 2017 Black Caucus of the American Library Association Literary Award * Finalist, 2017 NAACP Image Awards * One Book One New Orleans 2017 Book Selection * Published in The New Yorker, The New York Times Magazine, Poetry Magazine, The Paris Review, New Republic, Boston Review, The Guardian, The Rumpus, and The Academy of American Poets So many of these poems just blow me away. Incredibly beautiful and powerful. -- Michelle Alexander, Author of The New Jim Crow Counting Descent is a tightly-woven collection of poems whose pages act like an invitation. The invitation is intimate and generous and also a challenge; are you up to asking what is blackness? What is black joy? How is black life loved and lived? To whom do we look to for answers? This invitation is not to a narrow street, or a shallow lake, but to a vast exploration of life. And you’re invited. -- Elizabeth Acevedo, Author of Beastgirl & Other Origin Myths These poems shimmer with revelatory intensity, approaching us from all sides to immerse us in the America that America so often forgets. -- Gregory Pardlo Counting Descent is more than brilliant. More than lyrical. More than bluesy. More than courageous. It is terrifying in its ability to at once not hide and show readers why it wants to hide so badly. These poems mend, meld and imagine with weighted details, pauses, idiosyncrasies and word patterns I've never seen before. -- Kiese Laymon, Author of Long Division Clint Smith's debut poetry collection, Counting Descent, is a coming of age story that seeks to complicate our conception of lineage and tradition. Do you know what it means for your existence to be defined by someone else’s intentions? Smith explores the cognitive dissonance that results from belonging to a community that unapologetically celebrates black humanity while living in a world that often renders blackness a caricature of fear. His poems move fluidly across personal and political histories, all the while reflecting on the social construction of our lived experiences. Smith brings the reader on a powerful journey forcing us to reflect on all that we learn growing up, and all that we seek to unlearn moving forward. |
a poem about black history: Ain't I A Woman? Sojourner Truth, 2020-09-24 'I am a woman's rights. I have plowed and reaped and husked and chopped and mowed, and can any man do more than that? I am as strong as any man that is now' A former slave and one of the most powerful orators of her time, Sojourner Truth fought for the equal rights of Black women throughout her life. This selection of her impassioned speeches is accompanied by the words of other inspiring African-American female campaigners from the nineteenth century. One of twenty new books in the bestselling Penguin Great Ideas series. This new selection showcases a diverse list of thinkers who have helped shape our world today, from anarchists to stoics, feminists to prophets, satirists to Zen Buddhists. |
a poem about black history: Quilting the Black-Eyed Pea Nikki Giovanni, 2010-12-28 A resonant, powerful collection from one of America’s preeminent poets. In Quilting the Black-Eyed Pea, Nikki Giovanni turns her pen to nature and the environment, the might and grace of women, her battle with cancer, the relationships between mothers and daughters, the state of the nation, and more. |
a poem about black history: I Am a Black Woman Mari Evans, 1970 |
a poem about black history: The Tradition Jericho Brown, 2019-06-18 WINNER OF THE 2020 PULITZER PRIZE FOR POETRY Finalist for the 2019 National Book Award 100 Notable Books of the Year, The New York Times Book Review One Book, One Philadelphia Citywide Reading Program Selection, 2021 By some literary magic—no, it's precision, and honesty—Brown manages to bestow upon even the most public of subjects the most intimate and personal stakes.—Craig Morgan Teicher, “'I Reject Walls': A 2019 Poetry Preview” for NPR “A relentless dismantling of identity, a difficult jewel of a poem.“—Rita Dove, in her introduction to Jericho Brown’s “Dark” (featured in the New York Times Magazine in January 2019) “Winner of a Whiting Award and a Guggenheim Fellowship, Brown's hard-won lyricism finds fire (and idyll) in the intersection of politics and love for queer Black men.”—O, The Oprah Magazine Named a Lit Hub “Most Anticipated Book of 2019” One of Buzzfeed’s “66 Books Coming in 2019 You’ll Want to Keep Your Eyes On” The Rumpus poetry pick for “What to Read When 2019 is Just Around the Corner” One of BookRiot’s “50 Must-Read Poetry Collections of 2019” Jericho Brown’s daring new book The Tradition details the normalization of evil and its history at the intersection of the past and the personal. Brown’s poetic concerns are both broad and intimate, and at their very core a distillation of the incredibly human: What is safety? Who is this nation? Where does freedom truly lie? Brown makes mythical pastorals to question the terrors to which we’ve become accustomed, and to celebrate how we survive. Poems of fatherhood, legacy, blackness, queerness, worship, and trauma are propelled into stunning clarity by Brown’s mastery, and his invention of the duplex—a combination of the sonnet, the ghazal, and the blues—is testament to his formal skill. The Tradition is a cutting and necessary collection, relentless in its quest for survival while reveling in a celebration of contradiction. |
a poem about black history: Stepmotherland Darrel Alejandro Holnes, 2022-02-01 Stepmotherland is a tour-de-force debut collection about coming of age, coming out, and coming to America. Winner of the Andrés Montoya Poetry Prize, Stepmotherland, Darrel Alejandro Holnes’s first full-length collection, is filled with poems that chronicle and question identity, family, and allegiance. This Central American love song is in constant motion as it takes us on a lyrical and sometimes narrative journey from Panamá to the USA and beyond. The driving force behind Holnes’s work is a pursuit for a new home, and as he searches, he takes the reader on a wild ride through the most pressing political issues of our time and the most intimate and transformative personal experiences of his life. Exploring a complex range of emotions, this collection is a celebration of the discovery of America, the discovery of self, and the ways they may be one and the same. Holnes’s poems experiment with macaronic language, literary forms, and prosody. In their inventiveness, they create a new tradition that blurs the borders between poetry, visual art, and dramatic text. The new legacy he creates is one with significant reverence for the past, which informs a central desire of immigrants and native-born citizens alike: the desire for a better life. Stepmotherland documents an artist’s evolution into manhood and heralds the arrival of a stunning new poetic voice. |
a poem about black history: Newspaper Blackout Austin Kleon, 2014-03-18 Poet and cartoonist Austin Kleon has discovered a new way to read between the lines. Armed with a daily newspaper and a permanent marker, he constructs through deconstruction—eliminating the words he doesn't need to create a new art form: Newspaper Blackout poetry. Highly original, Kleon's verse ranges from provocative to lighthearted, and from moving to hysterically funny, and undoubtedly entertaining. The latest creations in a long history of found art, Newspaper Blackout will challenge you to find new meaning in the familiar and inspiration from the mundane. Newspaper Blackout contains original poems by Austin Kleon, as well as submissions from readers of Kleon's popular online blog and a handy appendix on how to create your own blackout poetry. |
a poem about black history: Mutiny Phillip B. Williams, 2021-09-07 Winner of the 2022 American Book Award Finalist for the PEN/Voelcker Award for Poetry Longlisted for the PEN/Jean Stein Book Award Finalist for Publishing Triangle’s Thom Gunn Award for Gay Poetry Named one of the Best Books of 2021 by The Boston Globe and Lit Hub From the critically acclaimed author of Thief in the Interior who writes with a lucid, unmitigated humanity (Boston Review), a startling new collection about revolt and renewal Mutiny: a rebellion, a subversion, an onslaught. In poems that rebuke classical mythos and western canonical figures, and embrace Afro-Diasporanfolk and spiritual imagery, Phillip B. Williams conjures the hell of being erased, exploited, and ill-imagined and then, through a force and generosity of vision, propels himself into life, selfhood, and a path forward. Intimate, bold, and sonically mesmerizing, Mutiny addresses loneliness, desire, doubt, memory, and the borderline between beauty and tragedy. With a ferocity that belies the tenderness and vulnerability at the heart of this remarkable collection, Williams honors the transformative power of anger, and the clarity that comes from allowing that anger to burn clean. |
a poem about black history: Until I Am Free Keisha N. Blain, 2021-10-05 National Book Critics Circle 2021 Biography Finalist 53rd NAACP Image Award Nominee: Outstanding Literary Work - Biography/Autobiography “[A] riveting and timely exploration of Hamer’s life. . . . Brilliantly constructed to be both forward and backward looking, Blain’s book functions simultaneously as a much needed history lesson and an indispensable guide for modern activists.”—New York Times Book Review Ms. Magazine “Most Anticipated Reads for the Rest of Us – 2021” · KIRKUS STARRED REVIEW · BOOKLIST STARRED REVIEW · Publishers Weekly Big Indie Books of Fall 2021 Explores the Black activist’s ideas and political strategies, highlighting their relevance for tackling modern social issues including voter suppression, police violence, and economic inequality. “We have a long fight and this fight is not mine alone, but you are not free whether you are white or black, until I am free.” —Fannie Lou Hamer A blend of social commentary, biography, and intellectual history, Until I Am Free is a manifesto for anyone committed to social justice. The book challenges us to listen to a working-poor and disabled Black woman activist and intellectual of the civil rights movement as we grapple with contemporary concerns around race, inequality, and social justice. Award-winning historian and New York Times best-selling author Keisha N. Blain situates Fannie Lou Hamer as a key political thinker alongside leaders such as Martin Luther King Jr., Malcolm X, and Rosa Parks and demonstrates how her ideas remain salient for a new generation of activists committed to dismantling systems of oppression in the United States and across the globe. Despite her limited material resources and the myriad challenges she endured as a Black woman living in poverty in Mississippi, Hamer committed herself to making a difference in the lives of others. She refused to be sidelined in the movement and refused to be intimidated by those of higher social status and with better jobs and education. In these pages, Hamer’s words and ideas take center stage, allowing us all to hear the activist’s voice and deeply engage her words, as though we had the privilege to sit right beside her. More than 40 years since Hamer’s death in 1977, her words still speak truth to power, laying bare the faults in American society and offering valuable insights on how we might yet continue the fight to help the nation live up to its core ideals of “equality and justice for all.” Includes a photo insert featuring Hamer at civil rights marches, participating in the Democratic National Convention, testifying before Congress, and more. |
a poem about black history: Mother Maya Angelou, 2006-04-11 Perfect for Mother’s Day, or for any day on which we wish to acknowledge this all-important bond, Mother is an awe-inspiring affirmation of the enduring love that exists in every corner of the globe. With her signature eloquence and heartfelt appreciation, renowned poet and national treasure Maya Angelou celebrates the first woman we ever knew: Mother. “You were always the heart of happiness to me,” she acknowledges in this loving tribute, “Bringing nougats of glee / Sweets of open laughter.” From the beginnings of this profound relationship through teenage rebellion and, finally, to adulthood, where we stand to inherit timeless maternal wisdom, Angelou praises the patience, knowledge, and compassion of this remarkable parent. |
a poem about black history: The Fat Black Woman's Poems Grace Nichols, 2023-06-13 Beauty is a fat black woman walking the fields pressing a breezed hibiscus to her cheek while the sun lights up her feet Nichols gives us images that stare us straight in the eye, images of joy, challenge, accusation. Her 'fat black woman' is brash; rejoices in herself; poses awkward questions to politicians, rulers, suitors, to a white world that still turns its back. Grace Nichols writes in a language that is wonderfully vivid yet economical of the pleasures and sadnesses of memory, of loving, of 'the power to be what I am, a woman, charting my own futures'. |
a poem about black history: Incendiary Art Patricia Smith, 2017-02-15 Winner, 2017 Los Angeles Times Book Prize Finalist, 2018 Pulitzer Prize for Poetry Winner, NAACP Image Award for Outstanding Literary Work in the Poetry category Winner, 2018 Kingsley Tufts Poetry Award Winner, 2018 BCALA Best Poetry Award Winner, Abel Meeropol Award for Social Justice Finalist, Neustadt International Prize for Literature Winner, 2021 Ruth Lilly Poetry Prize One of the most magnetic and esteemed poets in today’s literary landscape, Patricia Smith fearlessly confronts the tyranny against the black male body and the tenacious grief of mothers in her compelling new collection, Incendiary Art. She writes an exhaustive lament for mothers of the dark magicians, and revisits the devastating murder of Emmett Till. These dynamic sequences serve as a backdrop for present-day racial calamities and calls for resistance. Smith embraces elaborate and eloquent language— her gorgeous fallen son a horrid hidden / rot. Her tiny hand starts crushing roses—one by one / by one she wrecks the casket’s spray. It’s how she / mourns—a mother, still, despite the roar of thorns— as she sharpens her unerring focus on incidents of national mayhem and mourning. Smith envisions, reenvisions, and ultimately reinvents the role of witness with an incendiary fusion of forms, including prose poems, ghazals, sestinas, and sonnets. With poems impossible to turn away from, one of America’s most electrifying writers reveals what is frightening, and what is revelatory, about history. |
100 Most Famous Poems | DiscoverPoetry.com
There's always room for debate when creating a "top 100" list, and let's face it, fame is a pretty fickle thing. It changes over time. But that said, we …
Poem of the Day - Poetry Foundation
Start each day with a poem delivered to your inbox! Poems are selected by Poetry Foundation editors and guests to correspond with historic events, …
Poems | Academy of American Poets
Search our extensive curated collection of over 10,000 poems by occasion, theme, and form, or search by keyword or poet’s name in the field below.
Our 100 Most Popular Poems - Family Friend Poems
Our collection focuses on poems that convey love, encourage healing and touch the heart. With 15+ years of experience, we've developed a …
Poems - Best Poems of Famous Poets - Poem Hunter
3 days ago · Writing a poem is not about bringing some words together to create some charming sentences. It's so much deeper than that. Writing …
100 Most Famous Poems | DiscoverPoetry.com
There's always room for debate when creating a "top 100" list, and let's face it, fame is a pretty fickle thing. It changes over time. But that said, we did our …
Poem of the Day - Poetry Foundation
Start each day with a poem delivered to your inbox! Poems are selected by Poetry Foundation editors and guests to correspond with historic events, poet …
Poems | Academy of American Poets
Search our extensive curated collection of over 10,000 poems by occasion, theme, and form, or search by keyword or poet’s name in the field below.
Our 100 Most Popular Poems - Family Friend Poems
Our collection focuses on poems that convey love, encourage healing and touch the heart. With 15+ years of experience, we've developed a unique method to …
Poems - Best Poems of Famous Poets - Poem Hunter
3 days ago · Writing a poem is not about bringing some words together to create some charming sentences. It's so much deeper than that. Writing poetry is a …