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| america claude mckay analysis: Harlem Shadows Claude McKay, 1922 |
| america claude mckay analysis: Songs of Jamaica Claude McKay, 2021-05-28 Songs of Jamaica (1912) is a poetry collection by Claude McKay. Published before the poet left Jamaica for the United States, Songs of Jamaica is a pioneering collection of verse written in Jamaican Patois, the first of its kind. As a committed leftist, McKay was a keen observer of the Black experience in the Caribbean, the American South, and later in New York, where he gained a reputation during the Harlem Renaissance for celebrating the resilience and cultural achievement of the African American community while lamenting the poverty and violence they faced every day. “Quashie to Buccra,” the opening poem, frames this schism in terms of labor, as one class labors to fulfill the desires of another: “You tas’e petater an’ you say it sweet, / But you no know how hard we wuk fe it; / You want a basketful fe quattiewut, / ‘Cause you no know how ‘tiff de bush fe cut.” Addressing himself to a white audience, he exposes the schism inherent to colonial society between white and black, rich and poor. Advising his white reader to question their privileged consumption, dependent as it is on the subjugation of Jamaica’s black community, McKay warns that “hardship always melt away / Wheneber it comes roun’ to reapin’ day.” This revolutionary sentiment carries throughout Songs of Jamaica, finding an echo in the brilliant poem “Whe’ fe do?” Addressed to his own people, McKay offers hope for a brighter future to come: “We needn’ fold we han’ an’ cry, / Nor vex we heart wid groan and sigh; / De best we can do is fe try / To fight de despair drawin’ night: / Den we might conquer by an’ by— / Dat we might do.” With a beautifully designed cover and professionally typeset manuscript, this edition of Claude McKay’s Songs of Jamaica is a classic of Jamaican literature reimagined for modern readers. |
| america claude mckay analysis: Ozymandias Percy Bysshe Shelley, 2015-04-21 Here is the poem Ozymandias by Percy Bysshe Shelley like you've never seen it before. With strange illustrations that breathe a new life into the poem, this book is something different for you to add to your bookshelf. |
| america claude mckay analysis: Amiable with Big Teeth Claude McKay, 2017-02-07 A monumental literary event: the newly discovered final novel by seminal Harlem Renaissance writer Claude McKay, a rich and multilayered portrayal of life in 1930s Harlem and a historical protest for black freedom One of The Atlantic’s Great American Novels of the Past 100 Years The unexpected discovery in 2009 of a completed manuscript of Claude McKay’s final novel was celebrated as one of the most significant literary events in recent years. Building on the already extraordinary legacy of McKay’s life and work, this colorful, dramatic novel centers on the efforts by Harlem intelligentsia to organize support for the liberation of fascist-controlled Ethiopia, a crucial but largely forgotten event in American history. At once a penetrating satire of political machinations in Depression-era Harlem and a far-reaching story of global intrigue and romance, Amiable with Big Teeth plunges into the concerns, anxieties, hopes, and dreams of African-Americans at a moment of crisis for the soul of Harlem—and America. For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,800 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators. |
| america claude mckay analysis: Spring in New Hampshire and Other Poems Claude McKay, 1920 |
| america claude mckay analysis: A Long Way from Home Claude McKay, 2024-08-31 Welcome to the world of Claude McKay's A Long Way from Home, a poignant journey of self-discovery, identity, and belonging. Follow the protagonist, who embarks on a transformative journey from Jamaica to America, navigating the complexities of race, culture, and personal identity. Claude McKay's evocative prose captures the struggles and triumphs of the immigrant experience, offering readers a profound exploration of the human spirit. Throughout the novel, McKay weaves a tapestry of themes including discrimination, resilience, and the pursuit of the American Dream. His rich character development and vivid descriptions paint a vivid picture of the early 20th-century landscape, inviting readers to reflect on the challenges faced by those who seek a better life in a new land. A Long Way from Home resonates with its powerful depiction of the immigrant experience, capturing the hopes and aspirations of those who dare to dream beyond their circumstances. McKay's keen observations and lyrical prose offer readers a window into a world where courage and determination shape destinies. Since its publication, A Long Way from Home has received acclaim for its insightful portrayal of race relations and its timeless relevance. It remains a classic work of literature that continues to inspire and provoke thought, making it essential reading for those interested in exploring the complexities of cultural identity and social justice. Join us on this unforgettable journey through Claude McKay's A Long Way from Home, where the quest for belonging and self-fulfillment takes center stage. Discover why this novel has captivated readers for generations and experience the enduring power of McKay's storytelling. Don't miss your chance to delve into this masterpiece of literature. Grab your copy of A Long Way from Home today and embark on a literary adventure that will challenge your perceptions and touch your heart. |
| america claude mckay analysis: Claude McKay Winston James, 2022-07-12 Finalist, Pauli Murray Book Prize in Black Intellectual History, African American Intellectual History Society Shortlisted, 2023 Historical Nonfiction Legacy Award, Hurston / Wright Foundation One of the foremost Black writers and intellectuals of his era, Claude McKay (1889–1948) was a central figure in Caribbean literature, the Harlem Renaissance, and the Black radical tradition. McKay’s life and writing were defined by his class consciousness and anticolonialism, shaped by his experiences growing up in colonial Jamaica as well as his early career as a writer in Harlem and then London. Dedicated to confronting both racism and capitalist exploitation, he was a critical observer of the Black condition throughout the African diaspora and became a committed Bolshevik. Winston James offers a revelatory account of McKay’s political and intellectual trajectory from his upbringing in Jamaica through the early years of his literary career and radical activism. In 1912, McKay left Jamaica to study in the United States, never to return. James follows McKay’s time at the Tuskegee Institute and Kansas State University, as he discovered the harshness of American racism, and his move to Harlem, where he encountered the ferment of Black cultural and political movements and figures such as Hubert Harrison and Marcus Garvey. McKay left New York for London, where his commitment to revolutionary socialism deepened, culminating in his transformation from Fabian socialist to Bolshevik. Drawing on a wide variety of sources, James offers a rich and detailed chronicle of McKay’s life, political evolution, and the historical, political, and intellectual contexts that shaped him. |
| america claude mckay analysis: Home To Harlem Claude McKay, 2024-06-18 Home to Harlem is a groundbreaking novel written by Claude McKay, a prominent figure of the Harlem Renaissance. Published in 1928, it is considered as one of the earliest works of the Harlem Renaissance movement, which sought to celebrate African American culture and identity through literature, art, and music. McKay's novel is a powerful and thought-provoking depiction of the lives of African Americans living in the urban city of Harlem during the 1920s. The novel follows the story of Jake Brown, a young black man who returns to Harlem after serving in World War I. Through Jake's eyes, McKay portrays the vibrant and complex world of Harlem, with its jazz clubs, speakeasies, and bustling streets. The city is a melting pot of different cultures, with people from all walks of life coexisting and struggling to survive in a society that is hostile towards them. One of the main themes of the novel is the search for identity and belonging. Jake, like many other African Americans, is torn between his rural Southern roots and the urban lifestyle of Harlem. He is constantly trying to find his place in a city that is both alluring and rejecting, facing the dilemma of whether to conform to societal expectations or embrace his true self. This struggle is further highlighted through the character of Ray, Jake's friend, who is trying to pass as white to gain acceptance and privilege in society. McKay's writing is raw and unapologetic, as he fearlessly addresses issues of race, class, and gender. He exposes the harsh realities of racism and discrimination faced by African Americans, both in the North and the South. The novel also delves into the complexities of relationships, particularly between men and women, and the impact of societal expectations on them. Moreover, Home to Harlem is a celebration of African American culture and traditions. McKay effortlessly weaves in elements of jazz, blues, and folklore into the narrative, giving readers a glimpse into the rich and vibrant culture of Harlem. He also highlights the resilience and strength of the African American community, who despite facing numerous challenges, continue to thrive and create their own spaces of freedom and joy. In addition to its literary significance, Home to Harlem is also a social commentary on the limitations and restrictions placed on African Americans during the 1920s. McKay's novel is a call for social and political change, urging readers to challenge the status quo and fight for equality and justice. Home to Harlem is a powerful and thought-provoking novel that provides a unique and authentic perspective on the African American experience during the Harlem Renaissance. It is a timeless classic that continues to inspire and educate readers about the struggles and triumphs of a community that fought for their place in American society. |
| america claude mckay analysis: The Rising Tide of Color Against White World-supremacy Lothrop Stoddard, 1921 |
| america claude mckay analysis: African American Poetry: 250 Years of Struggle & Song (LOA #333) Kevin Young, 2020-10-20 A literary landmark: the biggest, most ambitious anthology of Black poetry ever published, gathering 250 poets from the colonial period to the present Across a turbulent history, from such vital centers as Harlem, Chicago, Washington, D.C., Los Angeles, and the Bay Area, Black poets created a rich and multifaceted tradition that has been both a reckoning with American realities and an imaginative response to them. Capturing the power and beauty of this diverse tradition in a single indispensable volume, African American Poetry reveals as never before its centrality and its challenge to American poetry and culture. One of the great American art forms, African American poetry encompasses many kinds of verse: formal, experimental, vernacular, lyric, and protest. The anthology opens with moving testaments to the power of poetry as a means of self-assertion, as enslaved people like Phillis Wheatley and George Moses Horton and activist Frances Ellen Watkins Harper voice their passionate resistance to slavery. Young’s fresh, revelatory presentation of the Harlem Renaissance reexamines the achievements of Langston Hughes and Countee Cullen alongside works by lesser-known poets such as Gwendolyn B. Bennett and Mae V. Cowdery. The later flowering of the still influential Black Arts Movement is represented here with breadth and originality, including many long out-of-print or hard-to-find poems. Here are all the significant movements and currents: the nineteenth-century Francophone poets known as Les Cenelles, the Chicago Renaissance that flourished around Gwendolyn Brooks, the early 1960s Umbra group, and the more recent work of writers affiliated with Cave Canem and the Dark Room Collective. Here too are poems of singular, hard-to-classify figures: the enslaved potter David Drake, the allusive modernist Melvin B. Tolson, the Cleveland-based experimentalist Russell Atkins. This Library of America volume also features biographies of each poet and notes that illuminate cultural references and allusions to historical events. |
| america claude mckay analysis: Black Poets of the United States Jean Wagner, 1973 Traces the evolution of Afro-American poetry, highlighting individual poets up to the time of the Harlem Renaissance. |
| america claude mckay analysis: One Today Richard Blanco, 2015-11-03 One Today is a poem celebrating America. President Barack Obama invited Richard Blanco to write a poem to share at his second presidential inauguration. That poem is One Today, a lush and lyrical, patriotic commemoration of America from dawn to dusk and from coast to coast. Brought to life here by beloved, award-winning artist Dav Pilkey, One Today is a tribute to a nation where the extraordinary happens every single day. |
| america claude mckay analysis: Romance in Marseille Claude McKay, 2020-02-11 The pioneering novel of physical disability, transatlantic travel, and black international politics. A vital document of black modernism and one of the earliest overtly queer fictions in the African American tradition. Published for the first time. A Penguin Classic A New York Times Book Review Editors' Choice/Staff Pick Vulture's Ten Best Books of 2020 pick Buried in the archive for almost ninety years, Claude McKay's Romance in Marseille traces the adventures of a rowdy troupe of dockworkers, prostitutes, and political organizers--collectively straight and queer, disabled and able-bodied, African, European, Caribbean, and American. Set largely in the culture-blending Vieux Port of Marseille at the height of the Jazz Age, the novel takes flight along with Lafala, an acutely disabled but abruptly wealthy West African sailor. While stowing away on a transatlantic freighter, Lafala is discovered and locked in a frigid closet. Badly frostbitten by the time the boat docks, the once-nimble dancer loses both of his lower legs, emerging from life-saving surgery as what he terms an amputated man. Thanks to an improbably successful lawsuit against the shipping line, however, Lafala scores big in the litigious United States. Feeling flush after his legal payout, Lafala doubles back to Marseille and resumes his trans-African affair with Aslima, a Moroccan courtesan. With its scenes of black bodies fighting for pleasure and liberty even when stolen, shipped, and sold for parts, McKay's novel explores the heritage of slavery amid an unforgiving modern economy. This first-ever edition of Romance in Marseille includes an introduction by McKay scholars Gary Edward Holcomb and William J. Maxwell that places the novel within both the stowaway era of black cultural politics and McKay's challenging career as a star and skeptic of the Harlem Renaissance. |
| america claude mckay analysis: A Fierce Hatred of Injustice Winston James, Claude McKay, 2000 The first detailed consideration of McKay's formative years, the themes and politics of his early poetry, and his pioneering use of Jamaican creole. |
| america claude mckay analysis: Selected Poems of Claude McKay Claude McKay, 1953 |
| america claude mckay analysis: American Sonnets for My Past and Future Assassin Terrance Hayes, 2018-06-19 Finalist for the National Book Award and the National Book Critics Circle Award in Poetry One of the New York Times Critics' Top Books of 2018 A powerful, timely, dazzling collection of sonnets from one of America's most acclaimed poets, Terrance Hayes, the National Book Award-winning author of Lighthead Sonnets that reckon with Donald Trump's America. -The New York Times In seventy poems bearing the same title, Terrance Hayes explores the meanings of American, of assassin, and of love in the sonnet form. Written during the first two hundred days of the Trump presidency, these poems are haunted by the country's past and future eras and errors, its dreams and nightmares. Inventive, compassionate, hilarious, melancholy, and bewildered--the wonders of this new collection are irreducible and stunning. |
| america claude mckay analysis: Selected Poems Claude McKay, Joan R. Sherman, 1999-06-30 A collection of poems by Claude McKay, one of the first poets of the Harlem Renaissance. |
| america claude mckay analysis: Caribbean Waves Heather Hathaway, 1999 Caribbean Waves explores the ways in which literature can probe the complexities of displacement and identity construction that often accompany migratory experiences. Analysis of McKay's and Marshall's works reveals how the forces of migration, racial and national affiliation, and Americanization can merge to produce uniquely hybridized, and at times profoundly homeless, black American immigrant identities.--BOOK JACKET. |
| america claude mckay analysis: Dothead Amit Majmudar, 2018-03-20 A captivating, no-holds-barred collection of new poems from an acclaimed poet and novelist with a fierce and original voice Dothead is an exploration of selfhood both intense and exhilarating. Within the first pages, Amit Majmudar asserts the claims of both the self and the other: the title poem shows us the place of an Indian American teenager in the bland surround of a mostly white peer group, partaking of imagery from the poet’s Hindu tradition; the very next poem is a fanciful autobiography, relying for its imagery on the religious tradition of Islam. From poems about the treatment at the airport of people who look like Majmudar (“my dark unshaven brothers / whose names overlap with the crazies and God fiends”) to a long, freewheeling abecedarian poem about Adam and Eve and the discovery of oral sex, Dothead is a profoundly satisfying cultural critique and a thrilling experiment in language. United across a wide range of tones and forms, the poems inhabit and explode multiple perspectives, finding beauty in every one. |
| america claude mckay analysis: Banjo Claude McKay, 1929 Lincoln Agrippa Daily, known on the 1920s Marseilles waterfront as 'Banjo,' prowls the rough waterfront bistros with his drifter friends drinking, looking for women, playing music, fighting, loving, and talking--about their homes in Africa, the West Indies, or the American South, and about being black--Publisher marketin |
| america claude mckay analysis: Claude McKay Kotti Sree Ramesh, Kandula Nirupa Rani, 2006-08-02 The gifted and rebellious writer Claude McKay grew up in the British West Indies and then moved to the United States. As he traveled from Jamaica to Harlem and then to Europe and Africa, he embraced various causes and political ideologies that made their way into his writings. Brought up as a colonial in the British West Indies, he found racial oppression as an immigrant in the United States. His struggle for self-definition and self-determination was manifest in his writings and laid the foundation for the Harlem Renaissance and negritude movements. African American scholarship in the United States tends to focus on McKay's American productions, such as his poetry and novels like Home to Harlem, while critics in the Caribbean focus on his works there: novels like Banana Bottom and dialect poetry. This study has undertaken to explore comprehensively the life and works of Claude McKay, framed within colonial and cross-cultural experiences. While dealing with pertinent issues like identity, race, exile, ethnicity, and sexuality, the work examines all the facets of this influential 20th century author, a man trying to solve the problem of his own identity in a world determined to marginalize him. |
| america claude mckay analysis: Analysis and Assessment, 1940-1979 Cary D. Wintz, 1996 Twenty-nine collected essays represent a critical history of Shakespeare's play as text and as theater, beginning with Samuel Johnson in 1765, and ending with a review of the Royal Shakespeare Company production in 1991. The criticism centers on three aspects of the play: the love/friendship debate. |
| america claude mckay analysis: Hip Logic Terrance Hayes, 2002-05-28 The second collection of poetry from the author of Lighthead, winner of the 2010 National Book Award Watch for the new collection of poetry from Terrance Hayes, American Sonnets for My Past and Future Assassin, coming in June of 2018 Terrance Hayes is a dazzlingly original poet, interested in adventurous explorations of subject and form. His new work, Hip Logic, is full of poetic tributes to the likes of Paul Robeson, Big Bird, Balthus, and Mr. T, as well as poems based on the anagram principle of words within a word. Throughout, Hayes's verse dances in a kind of homemade music box, with notes that range from tender to erudite, associative to narrative, humorous to political. Hip Logic does much to capture the nuances of contemporary male African American identity and confirms Hayes's reputation as one of the most compelling new voices in American poetry. |
| america claude mckay analysis: Nigger Heaven Carl Van Vechten, 1926 |
| america claude mckay analysis: Complete Poems Claude McKay, 2004-01-29 Containing more than three hundred poems, including nearly a hundred previously unpublished works, this unique collection showcases the intellectual range of Claude McKay (1889-1948), the Jamaican-born poet and novelist whose life and work were marked by restless travel and steadfast social protest. McKay's first poems were composed in rural Jamaican creole and launched his lifelong commitment to representing everyday black culture from the bottom up. Migrating to New York, he reinvigorated the English sonnet and helped spark the Harlem Renaissance with poems such as If We Must Die. After coming under scrutiny for his communism, he traveled throughout Europe and North Africa for twelve years and returned to Harlem in 1934, having denounced Stalin's Soviet Union. By then, McKay's pristine violent sonnets were giving way to confessional lyrics informed by his newfound Catholicism. McKay's verse eludes easy definition, yet this complete anthology, vividly introduced and carefully annotated by William J. Maxwell, acquaints readers with the full transnational evolution of a major voice in twentieth-century poetry. |
| america claude mckay analysis: The New Negro Alain Locke, 1925 |
| america claude mckay analysis: The Tradition Jericho Brown, 2019-06-18 WINNER OF THE 2020 PULITZER PRIZE FOR POETRY Finalist for the 2019 National Book Award 100 Notable Books of the Year, The New York Times Book Review One Book, One Philadelphia Citywide Reading Program Selection, 2021 By some literary magic—no, it's precision, and honesty—Brown manages to bestow upon even the most public of subjects the most intimate and personal stakes.—Craig Morgan Teicher, “'I Reject Walls': A 2019 Poetry Preview” for NPR “A relentless dismantling of identity, a difficult jewel of a poem.“—Rita Dove, in her introduction to Jericho Brown’s “Dark” (featured in the New York Times Magazine in January 2019) “Winner of a Whiting Award and a Guggenheim Fellowship, Brown's hard-won lyricism finds fire (and idyll) in the intersection of politics and love for queer Black men.”—O, The Oprah Magazine Named a Lit Hub “Most Anticipated Book of 2019” One of Buzzfeed’s “66 Books Coming in 2019 You’ll Want to Keep Your Eyes On” The Rumpus poetry pick for “What to Read When 2019 is Just Around the Corner” One of BookRiot’s “50 Must-Read Poetry Collections of 2019” Jericho Brown’s daring new book The Tradition details the normalization of evil and its history at the intersection of the past and the personal. Brown’s poetic concerns are both broad and intimate, and at their very core a distillation of the incredibly human: What is safety? Who is this nation? Where does freedom truly lie? Brown makes mythical pastorals to question the terrors to which we’ve become accustomed, and to celebrate how we survive. Poems of fatherhood, legacy, blackness, queerness, worship, and trauma are propelled into stunning clarity by Brown’s mastery, and his invention of the duplex—a combination of the sonnet, the ghazal, and the blues—is testament to his formal skill. The Tradition is a cutting and necessary collection, relentless in its quest for survival while reveling in a celebration of contradiction. |
| america claude mckay analysis: Claude McKay's Liberating Narrative Tatiana A. Tagirova-Daley, 2012 Claude McKay's Liberating Narrative: Russian and Anglophone Caribbean Literary Connections examines McKay's search for an original form of literary expression that started in Jamaica and continued in his subsequent travels abroad. Newly found research pertaining to his presence in several Russian periodicals, magazines, and literary diaries brings new light to the writer's contribution to the Soviet understanding of African American and Caribbean issues and his possible influence on Yevgeny Zamyatin, the writer he met during his 1922 - 1923 visit to Russia. The primary focus of this book is Claude McKay and his positive reception of Alexander Pushkin, Feodor Dostoyevsky, and Leo Tolstoy, the nineteenth-century Russian writers who influenced his literary career and enabled him to find a solution to his dilemma of a dual Caribbean identity. The secondary focus of this book is the analysis of McKay's affinity with his Russian literary predecessors and with C.L.R. James and Ralph de Boissière, his Trinidadian contemporaries, who also acknowledged the importance of Russian writers in their artistic development. The book discusses McKay as a precursor of Russian and Anglophone Caribbean links and presents a comparative analysis of cross-racial, cross-national, and cross-cultural alliances between these two distinct yet similar types of literature. Claude McKay's Liberating Narrative is highly recommended for undergraduate and graduate courses in Caribbean and comparative literature at North American, European, Caribbean, and African universities. |
| america claude mckay analysis: AmeRÕcan Tato Laviera, 2003-03-31 In Tato LavieraÍs third collection, poems celebrate the array of stripes and colors making up the American people. In the beginning section, ñEthnic Tributes,î Laviera crafts poems with titles like, ñarab,î ñblack,î ñchinese,î ñgreek,î ñjamaican,î ñspanish,î and ñmundo-world.î In ñboricua,î he fashions a timely plea for an end to prejudice, saying that for Puerto Ricans ñ. . . color is generally color-blind/with us, thatÍs our contribution, all/ the colors are tied/to our one.î The latter two sections of the collection, ñValuesî and ñPoliticsî build on the themes of ethnic exchange and the place of the boriqueÐo in that greater scheme. In ñcommonwealth,î Laviera writes of these tensions. ñIÍm still in the commonwealth/ stage of my life, not knowing/ which ideology to select.î The poems of Tato Laviera are complex and engaging; through his words, his spirit, his bilingualism, and his dual identity he offers readers poems that are a celebration of life and identity. Wolfgang Binder, Professor at the University of Erlangen in the Federal Republic of Germany writes, ñWith AmeRÕcan, Tato Laviera confirms his excellent reputation as a vital poet and humanist. Laviera is postulating and ïdefining the new America, humane America,Í but he will not be absorbed by a mythical melting pot.î |
| america claude mckay analysis: Something to Declare Julia Alvarez, 1998-08-01 “Julia Alvarez has suitcases full of history (public and private), trunks full of insights into what it means to be a Latina in the United States, bags full of literary wisdom.” —Los Angeles Times From the internationally acclaimed author of the bestselling novels In the Time of the Butterflies and How the García Girls Lost Their Accents comes a rich and revealing work of nonfiction capturing the life and mind of an artist as she knits together the dual themes of coming to America and becoming a writer. The twenty-four confessional, evocative essays that make up Something to Declare are divided into two parts. “Customs” includes Alvarez’s memories of her family’s life in the Dominican Republic, fleeing from Trujillo’s dictatorship, and arriving in America when she was ten years old. She examines the effects of exile--surviving the shock of New York City life; yearning to fit in; training her tongue (and her mind) to speak English; and watching the Miss America pageant for clues about American-style beauty. The second half, “Declarations,” celebrates her passion for words and the writing life. She lets us watch as she struggles with her art--searching for a subject for her next novel, confronting her characters, facing her family’s anger when she invades their privacy, reflecting on the writers who influenced her, and continually honing her craft. The winner of the National Medal of Arts for her extraordinary storytelling, Julia Alvarez here offers essays that are an inspiring gift to readers and writers everywhere. “This beautiful collection of essays . . . traces a process of personal reconciliation with insight, humor, and quiet power.” —San Francisco Examiner and Chronicle “Reading Julia Alvarez’s new collection of essays is like curling up with a glass of wine in one hand and the phone in the other, listening to a bighearted, wisecracking friend share the hard-earned wisdom about family, identity, and the art of writing.” —People Julia Alvarez’s new novel, Afterlife, is available now. |
| america claude mckay analysis: Black Struggle, Red Scare Jeff R Woods, 2003-10-31 At the height of the cold war, southern segregationists exploited the reigning mood of anxiety by linking the civil rights movement to an international Communist conspiracy. Jeff Woods tells a gripping story of fervent crusaders for racial equality swept into the maelstrom of the South's siege mentality, of crafty political opportunists who played upon white southerners' very real fear of Communists, and of a people who saw lurking enemies and detected red propaganda everywhere. In their strange double identity as both defiant Confederate flag-wavers fiercely protecting regional sovereignty and as American superpatriots, many southerners stood ready to defend against subversives be they red or black. Concentrating on the phenomenon at its most intense period, Woods makes vivid the fearful synergy that developed between racist forces and the anti-Communist cause, reveals the often illegal means used to wash the movement red, and documents the gross waste of public funds in pursuing an almost nonexistent threat. Though ultimately unsuccessful in convincing Americans outside of Dixie that the civil rights protests were controlled by Moscow, the southern red scare forced movement activists to distance themselves from the Marxist elements in their midst -- thereby gaining the sympathy of the American people while losing the support of some of their most passionate antiracist campaigners. A product of vast archival research and the latest literature on this increasingly popular subject, this is the first book to consider the southern red scare as a unique regional phenomenon rather than an offshoot of McCarthyism or massive resistance. Addressing the fundamental struggle of Americans to balance liberty and security in an atmosphere of racial prejudice and ideological conflict, it will be equally compelling for students of civil rights, southern history, the cold war, and American anti-Communism. |
| america claude mckay analysis: Felon: Poems Reginald Dwayne Betts, 2019-10-15 Winner of the NAACP Image Award and finalist for the 2019 Los Angeles Times Book Prize “A powerful work of lyric art.” —New York Times Book Review, Editors’ Choice In fierce, agile poems, Felon tells the story of the effects of incarceration—canvassing a wide range of emotions and experiences through homelessness, underemployment, love, drug abuse, domestic violence, fatherhood, and grace—and, in doing so, creates a travelogue for an imagined life. Reginald Dwayne Betts confronts the funk of post-incarceration existence in traditional and newfound forms, from revolutionary found poems created by redacting court documents to the astonishing crown of sonnets that serves as the volume’s radiant conclusion. |
| america claude mckay analysis: The Weary Blues Langston Hughes, 2022-01-31 Immediately celebrated as a tour de force upon its release, Langston Hughes's first published collection of poems still offers a powerful reflection of the Black experience. From The Weary Blues to Dream Variation, Hughes writes clearly and colorfully, and his words remain prophetic. |
| america claude mckay analysis: The Harlem Renaissance Cheryl A. Wall, 2016 This Very Short Introduction offers an overview of the Harlem Renaissance, a cultural awakening among African Americans between the two world wars. Cheryl A. Wall brings readers to the Harlem of 1920s to identify the cultural themes and issues that engaged writers, musicians, and visual artists alike. |
| america claude mckay analysis: Revolutionary Mothers Carol Berkin, 2007-12-18 A groundbreaking history of the American Revolution that “vividly recounts Colonial women’s struggles for independence—for their nation and, sometimes, for themselves.... [Her] lively book reclaims a vital part of our political legacy (Los Angeles Times Book Review). The American Revolution was a home-front war that brought scarcity, bloodshed, and danger into the life of every American. In this book, Carol Berkin shows us how women played a vital role throughout the conflict. The women of the Revolution were most active at home, organizing boycotts of British goods, raising funds for the fledgling nation, and managing the family business while struggling to maintain a modicum of normalcy as husbands, brothers and fathers died. Yet Berkin also reveals that it was not just the men who fought on the front lines, as in the story of Margaret Corbin, who was crippled for life when she took her husband’s place beside a cannon at Fort Monmouth. This incisive and comprehensive history illuminates a fascinating and unknown side of the struggle for American independence. |
| america claude mckay analysis: A History of African American Poetry Lauri Ramey, 2019-03-21 Offers a critical history of African American poetry from the transatlantic slave trade to present day hip-hop. |
| america claude mckay analysis: The Book of American Negro Poetry James Weldon Johnson, 2009-01-01 The work of James Weldon Johnson (1871 - 1938) inspired and encouraged the artists of the Harlem Renaissance,a movement in which he himself was an important figure. Johnson was active in almost every aspect of American civil life and became one of the first African-American professors at New York University. He is best remembered for his writing, which questions, celebrates and commemorates his experience as an African-American. |
| america claude mckay analysis: Harlem Claude McKay, 1968 |
| america claude mckay analysis: A Walk in the Night Alex La Guma, 1968 Of French and Malagasy stock, involved in South African politics from an early age, Alex La Guma was arrested for treason with 155 others in 1956 and finally acquitted in 1960. During the State of Emergency following the Sharpeville massacre he was detained for five months. Continuing to write, he endured house arrest and solitary confinement. La Guma left South Africa as a refugee in 1966 and lived in exile in London and Havana. He died in 1986. A Walk in the Night and Other Stories reveals La Guma as one of the most important African writers of his time. These works reveal the plight of non-whites in apartheid South Africa, laying bare the lives of the poor and the outcasts who filled the ghettoes and shantytowns. |
| america claude mckay analysis: A & P John Updike, 1986-06-01 |
United States - Wikipedia
The United States of America (USA), also known as the United States (U.S.) or America, is a country primarily located in North America. It is a federal republic of 50 states and a federal …
United States | History, Map, Flag, & Population | Britannica
4 days ago · The United States is a country in North America that is a federal republic of 50 states. Besides the 48 conterminous states that occupy the middle latitudes of the …
The U.S. and its government - USAGov
Learn about the United States, including American history, the president, holidays, the American flag, census data, and more. Get contact information for U.S. federal …
United States - The World Factbook
6 days ago · Visit the Definitions and Notes page to view a description of each topic.
A Country Profile - Destination USA - Nations Online Project
Discover the United States of America: vacation, accommodation, hotels, attractions, festivals, events, tourist boards, state parks, nature, tours, and much more. Learn more about the …
United States - Wikipedia
The United States of America (USA), also known as the United States (U.S.) or America, is a country primarily located in North America. It is a federal republic of 50 states and a federal …
United States | History, Map, Flag, & Population | Britannica
4 days ago · The United States is a country in North America that is a federal republic of 50 states. Besides the 48 conterminous states that occupy the middle latitudes of the continent, …
The U.S. and its government - USAGov
Learn about the United States, including American history, the president, holidays, the American flag, census data, and more. Get contact information for U.S. federal government agencies, …
United States - The World Factbook
6 days ago · Visit the Definitions and Notes page to view a description of each topic.
A Country Profile - Destination USA - Nations Online Project
Discover the United States of America: vacation, accommodation, hotels, attractions, festivals, events, tourist boards, state parks, nature, tours, and much more. Learn more about the main …
United States - Simple English Wikipedia, the free encyclopedia
The United States of America, also known as the United States (U.S.) or simply America, is a sovereign country mostly in North America. It is divided into 50 states . 48 of these states and …
United States - New World Encyclopedia
The United States of America—also referred to as the United States, the USA, the U.S., America, or (archaically) Columbia–is a federal republic of 50 states and the District of Columbia. Each …
The United States: Map and States | Infoplease
The United States of America is composed of 50 states. The country has 48 contiguous states, which are located in the mainland and are connected to each other, and two non-contiguous …
United States - National Geographic Kids
The United States of America is the world's third largest country in size and nearly the third largest in terms of population. Located in North America, the country is bordered on the west by...
Americas - Wikipedia
The Americas, sometimes collectively called America, [3] [4] [5] are a landmass comprising the totality of North America and South America. [6] [7] [8] When viewed as a single continent, the …
