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| american history judith ortiz cofer: A Study Guide for Judith Ortiz Cofer's "American History" Cengage Learning Gale, 2017-07-25 A Study Guide for Judith Ortiz Cofer's American History, excerpted from Gale's acclaimed Short Stories for Students. This concise study guide includes plot summary; character analysis; author biography; study questions; historical context; suggestions for further reading; and much more. For any literature project, trust Short Stories for Students for all of your research needs. |
| american history judith ortiz cofer: A Study Guide for Judith Ortiz Cofer's "American History" Gale, Cengage Learning, |
| american history judith ortiz cofer: The Latin Deli Judith Ortiz Cofer, 2012-03-15 Reviewing her novel, The Line of the Sun, the New York Times Book Review hailed Judith Ortiz Cofer as a writer of authentic gifts, with a genuine and important story to tell. Those gifts are on abundant display in The Latin Deli, an evocative collection of poetry, personal essays, and short fiction in which the dominant subject—the lives of Puerto Ricans in a New Jersey barrio—is drawn from the author's own childhood. Following the directive of Emily Dickinson to tell all the Truth but tell it slant, Cofer approaches her material from a variety of angles. An acute yearning for a distant homeland is the poignant theme of the title poem, which opens the collection. Cofer's lines introduce us to a woman of no-age presiding over a small store whose wares—Bustelo coffee, jamon y queso, green plantains hanging in stalks like votive offerings—must satisfy, however imperfectly, the needs and hungers of those who have left the islands for the urban Northeast. Similarly affecting is the short story Nada, in which a mother's grief over a son killed in Vietnam gradually consumes her. Refusing the medals and flag proferred by the government (Tell the Mr. President of the United States what I say: No, gracias.), as well as the consolations of her neighbors in El Building, the woman begins to give away all her possessions The narrator, upon hearing the woman say nada, reflects, I tell you, that word is like a drain that sucks everything down. As rooted as they are in a particular immigrant experience, Cofer's writings are also rich in universal themes, especially those involving the pains, confusions, and wonders of growing up. While set in the barrio, the essays American History, Not for Sale, and The Paterson Public Library deal with concerns that could be those of any sensitive young woman coming of age in America: romantic attachments, relations with parents and peers, the search for knowledge. And in poems such as The Life of an Echo and The Purpose of Nuns, Cofer offers eloquent ruminations on the mystery of desire and the conflict between the flesh and the spirit. Cofer's ambitions as a writer are perhaps stated most explicitly in the essay The Myth of the Latin Woman: I Just Met a Girl Named Maria. Recalling one of her early poems, she notes how its message is still her mission: to transcend the limitations of language, to connect through the human-to-human channel of art. |
| american history judith ortiz cofer: Silent Dancing Judith Ortiz Cofer, 1991-01-01 Silent Dancing is a personal narrative made up of Judith Ortiz CoferÍs recollections of the bilingual-bicultural childhood which forged her personality as a writer and artist. The daughter of a Navy man, Ortiz Cofer was born in Puerto Rico and spent her childhood shuttling between the small island of her birth and New Jersey. In fluid, clear, incisive prose, as well as in the poems she includes to highlight the major themes, Ortiz Cofer has added an important chapter to autobiography, Hispanic American Creativity and womenÍs literature. Silent Dancing has been awarded the 1991 PEN/Martha Albrand Special Citation for Nonfiction and has been selected for The New York Public LibraryÍs 1991 Best Books for the Teen Age. |
| american history judith ortiz cofer: An Island Like You Judith Ortiz Cofer, 2015-07-28 Judith Ortiz Cofer's Pura Belpre award-winning collection of short stories about life in the barrio! Rita is exiled to Puerto Rico for a summer with her grandparents after her parents catch her with a boy. Luis sits atop a six-foot mountain of hubcaps in his father's junkyard, working off a sentence for breaking and entering. Sandra tries to reconcile her looks to the conventional Latino notion of beauty. And Arturo, different from his macho classmates, fantasizes about escaping his community. They are the teenagers of the barrio -- and this is their world. |
| american history judith ortiz cofer: The Line of the Sun Judith Ortiz Cofer, 2011-03-15 “A colorful, revealing portrait of Puerto Rican culture and domestic relationship” from the award-winning poet and author of An Island Like You (Publishers Weekly). Set in the 1950s and 1960s, The Line of the Sun moves from a rural Puerto Rican village to a tough immigrant housing project in New Jersey, telling the story of a Hispanic family’s struggle to become part of a new culture without relinquishing the old. At the story’s center is Guzmán, an almost mythic figure whose adventures and exile, salvation and return leave him a broken man but preserve his place in the heart and imagination of his niece, who is his secret biographer. “Cofer . . . reveals herself to be a prose writer of evocatively lyrical authority, a novelist of historical compass and sensitivity . . . One recognizes in the rich weave and vigorous elegance of the language of The Line of the Sun a writer of authentic gifts, with a genuine and important story to tell.”—The New York Times Book Review “There is great strength in the way Cofer evokes the fierce, loving, and brave Latin spirit that is the novel’s real theme.”—Joyce Johnson, National Book Critics Circle Award-winning author “The Line of the Sun reads like a dream, from the beautifully realized description of the deceptive Paradise Lost, to the utterly different but equally vivid world of the urban North . . . This is a splendid first novel.”—The State (Columbia, South Carolina) “The writing in this superb novel stuns and surprises at every turn. Its sensuality and imagery . . . are riveting.”—The San Juan Star |
| american history judith ortiz cofer: Revolutionary Mothers Carol Berkin, 2007-12-18 A groundbreaking history of the American Revolution that “vividly recounts Colonial women’s struggles for independence—for their nation and, sometimes, for themselves.... [Her] lively book reclaims a vital part of our political legacy (Los Angeles Times Book Review). The American Revolution was a home-front war that brought scarcity, bloodshed, and danger into the life of every American. In this book, Carol Berkin shows us how women played a vital role throughout the conflict. The women of the Revolution were most active at home, organizing boycotts of British goods, raising funds for the fledgling nation, and managing the family business while struggling to maintain a modicum of normalcy as husbands, brothers and fathers died. Yet Berkin also reveals that it was not just the men who fought on the front lines, as in the story of Margaret Corbin, who was crippled for life when she took her husband’s place beside a cannon at Fort Monmouth. This incisive and comprehensive history illuminates a fascinating and unknown side of the struggle for American independence. |
| american history judith ortiz cofer: Chinese Cinderella Adeline Yen Mah, 2009-05-06 More than 800,000 copies in print! From the author of critically acclaimed and bestselling memoir Falling Leaves, this is a poignant and moving true account of her childhood, growing up as an unloved daughter in 1940s China. A Chinese proverb says, Falling leaves return to their roots. In her own courageous voice, Adeline Yen Mah returns to her roots to tell the story of her painful childhood and her ultimate triumph in the face of despair. Adeline's affluent, powerful family considers her bad luck after her mother dies giving birth to her, and life does not get any easier when her father remarries. Adeline and her siblings are subjected to the disdain of her stepmother, while her stepbrother and stepsister are spoiled with gifts and attention. Although Adeline wins prizes at school, they are not enough to compensate for what she really yearns for -- the love and understanding of her family. Like the classic Cinderella story, this powerful memoir is a moving story of resilience and hope. Includes an Author's Note, a 6-page photo insert, a historical note, and the Chinese text of the original Chinese Cinderella. A PW BEST BOOK OF THE YEAR AN ALA-YALSA BEST BOOK FOR YOUNG ADULTS “One of the most inspiring books I have ever read.” –The Guardian |
| american history judith ortiz cofer: A Century of Early Ecocriticism David Mazel, 2001-01-01 In the 1970s the relationship between literature and the environment emerged as a topic of serious and widespread interest among writers and scholars. The ideas, debates, and texts that grew out of this period subsequently converged and consolidated into the field now known as ecocriticism. A Century of Early Ecocriticism looks behind these recent developments to a prior generation's ecocritical inclinations. Written between 1864 and 1964, these thirty-four selections include scholars writing about the “green” aspects of literature as well as nature writers reflecting on the genre. In his introduction, David Mazel argues that these early “ecocritics” played a crucial role in both the development of environmentalism and the academic study of American literature and culture. Filled with provocative, still timely ideas, A Century of Early Ecocriticism demonstrates that our concern with the natural world has long informed our approach to literature. |
| american history judith ortiz cofer: The Year of our Revolution Judith Ortiz Cofer, 1998-03-31 A collection of poems, short stories, and essays address the theme of straddling two cultures as do the offspring of Hispanic parents living in the United States. |
| american history judith ortiz cofer: Boricuas: Influential Puerto Rican Writings - An Anthology Roberto Santiago, 2009-08-05 MANY CULTURES * ONE WORLD Boricua is what Puerto Ricans call one another as a term of endearment, respect, and cultural affirmation; it is a timeless declaration that transcends gender and color. Boricua is a powerful word that tells the origin and history of the Puerto Rican people. --From the Introduction From the sun-drenched beaches of a beautiful, flamboyan-covered island to the cool, hard pavement of the fierce South Bronx, the remarkable journey of the Puerto Rican people is a rich story full of daring defiance, courageous strength, fierce passions, and dangerous politics--and it is a story that continues to be told today. Long ignored by Anglo literature studies, here are more than fifty selections of poetry, fiction, plays, essays, monologues, screenplays, and speeches from some of the most vibrant and original voices in Puerto Rican literature. * Jack Agüeros * Miguel Algarín * Julia de Burgos * Pedro Albizu Campos * Lucky CienFuegos * Judith Ortiz Cofer * Jesus Colon * Victor Hern ndez Cruz * José de Diego * Martin Espada * Sandra Maria Esteves * Ronald Fernandez * José Luis Gonzalez * Migene Gonzalez-Wippler * Maria Graniela de Pruetzel * Pablo Guzman * Felipe Luciano * René Marqués * Luis Muñoz Marín * Nicholasa Mohr * Aurora Levins Morales * Martita Morales * Rosario Morales * Willie Perdomo * Pedro Pietri * Miguel Piñero * Reinaldo Povod * Freddie Prinze * Geraldo Rivera * Abraham Rodriguez, Jr. * Clara E. Rodriguez * Esmeralda Santiago * Roberto Santiago * Pedro Juan Soto * Piri Thomas * Edwin Torres * José Torres * Joseph B. Vasquez * Ana Lydia Vega |
| american history judith ortiz cofer: Call Me Maria (First Person Fiction) Judith Ortiz Cofer, 2015-07-28 A new novel from the award-winning author of An Island Like You, winner of the Pura Belpre Award. Maria is a girl caught between two worlds: Puerto Rico, where she was born, and New York, where she now lives in a basement apartment in the barrio. While her mother remains on the island, Maria lives with her father, the super of their building. As she struggles to lose her island accent, Maria does her best to find her place within the unfamiliar culture of the barrio. Finally, with the Spanglish of the barrio people ringing in her ears, she finds the poet within herself. In lush prose and spare, evocative poetry, Cofer weaves a powerful novel, bursting with life and hope. |
| american history judith ortiz cofer: A Love Story Beginning in Spanish Judith Ortiz Cofer, 2005 Semi-autobiographical poems in English about life as a Cuban American, women's experiences, and related topics explore the role of language in identity. |
| american history judith ortiz cofer: Triple Crown Roberto Durán, Judith Ortiz Cofer, Gustavo Pérez Firmat, 1987 Presents three full-length collections of poetry by three important Latino poets, Chicano, Puerto Rican, and Cuban-American. |
| american history judith ortiz cofer: "The President Has Been Shot!": The Assassination of John F. Kennedy James L. Swanson, 2013-09-24 A breathtaking and dramatic account of the JFK assassination by the NEW YORK TIMES bestselling author of CHASING LINCOLN'S KILLER! In his new young-adult book on the Kennedy assassination, James Swanson will transport readers back to one of the most shocking, sad, and terrifying events in American history. As he did in his bestselling Scholastic YA book, CHASING LINCOLN'S KILLER, Swanson will deploy his signature you are there style -- a riveting, ticking-clock pace, with an unprecedented eye for dramatic details and impeccable historical accuracy -- to tell the story of the JFK assassination as it has never been told before.The book will be illustrated with archival photos, and will have diagrams, source notes, bibliography, places to visit, and an index. |
| american history judith ortiz cofer: The Cruel Country Judith Ortiz Cofer, 2015-03-01 “I am learning the alchemy of grief—how it must be carefully measured and doled out, inflicted—but I have not yet mastered this art,” writes Judith Ortiz Cofer in The Cruel Country. This richly textured, deeply moving, and lyrical memoir centers on Cofer's return to her native Puerto Rico after her mother has been diagnosed with late-stage lung cancer. Cofer's work has always drawn strength from her life's contradictions and dualities, such as the necessities and demands of both English and Spanish, her travels between and within various mainland and island subcultures, and the challenges of being a Latina living in the U.S. South. Interlaced with these far-from-common tensions are dualities we all share: our lives as both sacred and profane, our negotiation of both child and adult roles, our desires to be the person who belongs and also the person who is different. What we discover in The Cruel Country is how much Cofer has heretofore held back in her vivid and compelling writing. This journey to her mother's deathbed has released her to tell the truth within the truth. She arrives at her mother's bedside as a daughter overcome by grief, but she navigates this cruel country as a writer—an acute observer of detail, a relentless and insistent questioner. |
| american history judith ortiz cofer: Healing Memories Elizabeth Garcia, 2019-01-29 Using an interdisciplinary approach, Healing Memories analyzes the ways that Puerto Rican women authors use their literary works to challenge historical methodologies that have silenced the historical experiences of Puerto Rican women in the United States. Following Aurora Levins Morales's alternative historical methodology she calls “curandera history,” this work analyzes the literary work of authors, including Aurora Levins Morales, Nicholasa Mohr, Esmeralda Santiago, and Judith Ortiz Cofer, and the ways they create medicinal histories that not only document the experiences of migrant women but also heal the trauma of their erasure from mainstream national history. Each analytical chapter focuses on the various methods used by each author including using the literary space as an archive, reclaiming memory, and (re)writing cultural history, all through a feminist lens that centers the voices and experiences of Puerto Rican women. |
| american history judith ortiz cofer: Broken Souths Michael Dowdy, 2013-11-21 Broken Souths offers the first in-depth study of the diverse field of contemporary Latina/o poetry. Its innovative angle of approach puts Latina/o and Latin American poets into sustained conversation in original and rewarding ways. In addition, author Michael Dowdy presents ecocritical readings that foreground the environmental dimensions of current Latina/o poetics. Dowdy argues that a transnational Latina/o imaginary has emerged in response to neoliberalism—the free-market philosophy that underpins what many in the northern hemisphere refer to as “globalization.” His work examines how poets represent the places that have been “broken” by globalization’s political, economic, and environmental upheavals. Broken Souths locates the roots of the new imaginary in 1968, when the Mexican student movement crested and the Chicano and Nuyorican movements emerged in the United States. It theorizes that Latina/o poetics negotiates tensions between the late 1960s’ oppositional, collective identities and the present day’s radical individualisms and discourses of assimilation, including the “post-colonial,” “post-national,” and “post-revolutionary.” Dowdy is particularly interested in how Latina/o poetics reframes debates in cultural studies and critical geography on the relation between place, space, and nature. Broken Souths features discussions of Latina/o writers such as Victor Hernández Cruz, Martín Espada, Juan Felipe Herrera, Guillermo Verdecchia, Marcos McPeek Villatoro, Maurice Kilwein Guevara, Judith Ortiz Cofer, Jack Agüeros, Marjorie Agosín, Valerie Martínez, and Ariel Dorfman, alongside discussions of influential Latin American writers, including Roberto Bolaño, Ernesto Cardenal, David Huerta, José Emilio Pacheco, and Raúl Zurita. |
| american history judith ortiz cofer: Kissing the Mango Tree Carmen Socorro Rivera, 2002-01-01 Pioneering novelist and short-story writer Nicholasa Mohr broke onto the literary scene of ethnic autobiography in the early 1970s, but it took another decade for other Puerto Rican women writers in the United States to follow the path that she cut. From the late 1970s on, a dynamic group of these writers have expanded the landscape of American literature. Kissing the Mango Tree is the first and only book to examine the works of the most popular Puerto Rican women writers from the perspective of feminist literary criticism. Rivera reconstructs the ethno-feminist aesthetic of Judith Ortiz Cofer, Sandra María Esteves, Nicholasa Mohr, Aurora Levins Morales, Rosario Morales, Esmeralda Santiago, and Luz María Umpierre-Herrera. In separate chapters dedicated to each of these writers, the author locates their works within the framework of feminist theory and literature, seeing them as women with macho asserting their creative powers to record their own versions of their memories, to own their own bodies. . . They transform the way we look at the process of growing up and becoming a woman, at the relationship with our mothers and our daughters, at the fluidity of our lives, at our notions of nationhood . . . This groundbreaking study is accompanied by a complete bibliography of the six writers' works and secondary sources of feminist, Latino, and ethno-poetic criticism and theory. |
| american history judith ortiz cofer: From the Notebooks of Melanin Sun Jacqueline Woodson, 2010-01-07 Three-time Newbery Honor author Jacqualine Woodson explores race and sexuality through the eyes of a compelling narrator Melanin Sun has a lot to say. But sometimes it's hard to speak his mind, so he fills up notebooks with his thoughts instead. He writes about his mom a lot--they're about as close as they can be, because they have no other family. So when she suddenly tells him she's gay, his world is turned upside down. And if that weren't hard enough for him to accept, her girlfriend is white. Melanin Sun is angry and scared. How can his mom do this to him--is this the end of their closeness? What will his friends think? And can he let her girlfriend be part of their family? |
| american history judith ortiz cofer: Growing Up Ethnic in America Maria Mazziotti Gillan, Jennifer Gillan, 1999-11-01 Stories navigating the commplicated terrain of race in America, from acclaimed writers like Toni Morrison, E.L. Doctorow, Sandra Cisneros, Sherman Alexie, and Amy Tan The editors who brought us Unsettling America and Identity Lessons have compiled a short-story anthology that focuses on themes of racial and ethnic assimilation. With humor, passion, and grace, the contributors lay bare poignant attempts at conformity and the alienation sometimes experienced by ethnic Americans. But they also tell of the strength gained through the preservation of their communities, and the realization that it was often their difference from the norm that helped them to succeed. In pieces suggesting that American identity is far from settled, these writers illustrate the diversity that is the source of both the nation's great discord and infinite promise. These beautiful stories radiate with the poignant, ingenious ways young people come to terms with their ethnic identities, negotiating their families, school, friends and their futures . . . This exemplary collection fulfills the editors' aims: to open dialogue and encourage the telling of difficult, adaptive or affirming life experiences. -Publisher's Weekly |
| american history judith ortiz cofer: Short Fiction By Hispanic Writers of the United States Nicol‡s Kanellos, 1993-01-01 Short Fiction by Hispanic Writers of the United States includes representative works by the most celebrated Cuban-American, Mexican-American and Puerto Rican writers of short fiction in the country. The texts cover a full range of expression, themes and styles of US Hispanics and are introduced by informative entries which place the authors in their cultural and historic frameworks. In these pages, the reader will not find picturesque, folksy or touristy renditions of Hispanic culture. Instead, Short Fiction by Hispanic Writers of the United States brings together works that are clear, incisive and authentic representations of Hispanic life in the United States. The selections are as diverse as Hispanic culture itself and as varied as the personalities of their authors. Here are Max Mart’nezÕs outrageous challenge of racial and social structures, Roberta Fern‡ndezÕs construction of Hispanic womenÕs aesthetics, Roberto Fern‡ndezÕs subversion of the English language, Nicholasa MohrÕs humorous attack on patriarchy, and Judith Ortiz CoferÕs poetic evocation of childhood and biculturalism. This collection engages in aesthetic and cultural experience that will result in a re-defined canon and a new identity for the country as whole. They are re-focusing our perception of ourselves as a people and a culture. The pressure and the commitment to do so, of course, make for excellence and innovation in literary expression. It also makes for enjoyable reading. Short Fiction by Hispanic Writers of the United States is recommended for the general fiction reader and for use in high school and college literature classes in search of a multicultural perspective. |
| american history judith ortiz cofer: Woman in Front of the Sun Judith Ortiz Cofer, 2000 In this collection of essays woven with poems and folklore, Judith Ortiz Cofer tells the story of how she became a poet and writer and explores her love of words, her discovery of the magic of language, and her struggle to carve out time to practice her art. A native of Puerto Rico, Cofer came to the mainland as a child. Torn between two cultures and two languages, she learned early the power of words and how to wield them. She discovered her love for the subtleties, sounds, and rhythms of the written word when a Roman Catholic nun and teacher bent on changing traditions for the better gave her books of high literature to read, some of which were forbidden by the church. Later, as an adult, demands from her family and her profession made it difficult for Cofer to find time to devote to her art, but her need and determination to express herself led to solutions that can help all artists challenged with the limits of time. Cofer recalls the family cuentos, or stories, that inspire her and shows how they speak to all artists, all women, all people. She encourages her readers to insist on the right to be themselves and to pursue their passions. A book that entertains, instructs, and enthralls, Woman in Front of the Sun will be invaluable to students of poetry and creative nonfiction and will be a staple in every creative writing classroom as well as an inspiration to all those who write. |
| american history judith ortiz cofer: Becoming American Meri Nana-Ama Danquah, 2001-08-08 Now in paperback -- A compelling collection . . . providing insights into the variety of immigrant experiences. --Publishers Weekly Take part in an extraordinary journey through the lives of 23 first-generation immigrant women as they uncover their own unique experiences in the new world. In this remarkable collection of original essays, these acclaimed writers speak to issues of identity, ethnicity, and race, as well as how the self begins to take on and absorb the label American. Some of the contributors in Becoming American include: Nina Barragan -- Argentina; Lilianet Brintrup -- Chile; Veronica Chambers -- Panama; Judith Ortiz Cofer -- Puerto Rico; Edwidge Danticat -- Haiti; Gabrielle Donnelly -- England; Lynn Freed -- South Africa; Akuyoe Graham -- Ghana; Lucy Grealy -- Ireland; Suheir Hammad -- Jordan/Palestine; Ginu Kamani -- India; Nola Kambanda -- Burundi/Rwanda; Helen Kim -- Korea; Kyoko Mori -- Japan; Irina Reyn -- Russia; Joyce Zonana -- Egypt |
| american history judith ortiz cofer: Caribbean Connections Cathy Sunshine, Keith Q. Warner, 1998 Product Description: Caribbean Connections: Moving North introduces students to Caribbean life in the United States through oral histories, literature and essays. Moving North features the work of noted authors such as Edwidge Danticat, Judith Ortiz Cofer, Paule Marshall, Julia Alvarez and others who trace their roots to Puerto Rico, the English speaking West Indies, the Dominican Republic, Cuba and Haiti. Part of a highly acclaimed series on the cultures of the Caribbean. |
| american history judith ortiz cofer: Latinas in the United States Vicki Ruíz, Virginia Sánchez Korrol, 2006 A comprehensive, historical encyclopedia that covers the full range of Latina economic, political, and cultural life in the United States. |
| american history judith ortiz cofer: Home in Florida Anjanette Delgado, 2021-11-16 Independent Publisher Book Awards, Silver Medal for Anthology National Indie Excellence Awards, Finalist in the Anthology Category International Latino Book Awards, Gold Medal for Best Fiction (Multi-Author) International Latino Book Awards, Honorable Mention, Best Nonfiction (Multi-Author) A powerful collection of contemporary voices Showcasing a variety of voices shaped in and by a place that has been for them a crossroads and a land of contradictions, Home in Florida presents a selection of the best literature of displacement and uprootedness by some of the most talented contemporary Latinx writers who have called Florida home. Featuring fiction, nonfiction, and poetry by Richard Blanco, Jaquira Díaz, Patricia Engel, Jennine Capó Crucet, Reinaldo Arenas, Judith Ortiz Cofer, and many others, this collection of renowned and award-winning contributors includes several who are celebrated in their countries of origin but have not yet been discovered by readers in the United States. The writers in this volume—first- , second- , and third-generation immigrants to Florida from Cuba, Mexico, Honduras, Perú, Argentina, Chile, and other countries—reflect the diversity of Latinx experiences across the state. Editor Anjanette Delgado characterizes the work in this collection as literature of uprootedness, literatura del desarraigo, a Spanish literary tradition and a term used by Reinaldo Arenas. With the heart-changing, here-and-there perspective of attempting life in environments not their own, these writers portray many different responses to displacement, each occupying their own unique place on what Delgado calls a spectrum of belonging. Together, these writers explore what exactly makes Florida home for those struggling between memory and presence. In these works, as it is for many people seeking to make a new life in the United States, Florida is the place where the uprooted stop to catch their breath long enough to wonder, “What if I stayed? What if here could one day be my home?” Contributors: Daniel Reschinga | Ana Menéndez | Frances Negrón Muntaner | Hernán Vera Álvarez | Liz Balmaseda | Ariel Francisco | Andreina Fernandez | Amina Lolita Gautier PhD | Jennine Capó-Crucet | Dainerys Machado Vento | Carlos Harrison | Legna Rodríguez Iglesias | Judith Ortiz Cofer | Chantel Acevedo | Guillermo Rosales | Achy Obejas | Alex Segura | Patricia Engel | Anjanette Delgado | Mia Leonin | Carlos Pintado | Nilsa Ada Rivera | Natalie Scenters-Zapico | Pedro Medina León | Caridad Moro-Gronlier | Aracelis González Asendorf | Michael García-Juelle | Jaquira Díaz | José Ignacio Chascas-Valenzuela | Raúl Dopico | Javier Lentino | Yaddyra Peralta |
| american history judith ortiz cofer: The Intimacy Experiment Rosie Danan, 2021-04-06 “Danan is becoming a go-to author.”—New York Times Book Review Naomi and Ethan will test the boundaries of love in this provocative romance from the author of the ground-breaking debut, The Roommate. Naomi Grant has built her life around going against the grain. After the sex-positive start-up she cofounded becomes an international sensation, she wants to extend her educational platform to live lecturing. Unfortunately, despite her long list of qualifications, higher ed won't hire her. Ethan Cohen has recently received two honors: LA Mag nominated him as one of the city's hottest bachelors and he became rabbi of his own synagogue. Low on both funds and congregants, the executive board of Ethan's new shul hired him with the hopes that his nontraditional background will attract more millennials to the faith. They've given him three months to turn things around or else they'll close the doors of his synagogue for good. Naomi and Ethan join forces to host a buzzy seminar series on Modern Intimacy, the perfect solution to their problems--until they discover a new one--their growing attraction to each other. They've built the syllabus for love's latest experiment, but neither of them expected they'd be the ones putting it to the test. |
| american history judith ortiz cofer: Writing Off the Hyphen Jose L. Torres-Padilla, Carmen Haydee Rivera, 2011-12-01 The sixteen essays in Writing Off the Hyphen approach the literature of the Puerto Rican diaspora from current theoretical positions, with provocative and insightful results. The authors analyze how the diasporic experience of Puerto Ricans is played out in the context of class, race, gender, and sexuality and how other themes emerging from postcolonialism and postmodernism come into play. Their critical work also demonstrates an understanding of how the process of migration and the relations between Puerto Rico and the United States complicate notions of cultural and national identity as writers confront their bilingual, bicultural, and transnational realities. The collection has considerable breadth and depth. It covers earlier, undertheorized writers such as Luisa Capetillo, Pedro Juan Labarthe, Bernardo Vega, Pura Belpré, Arturo Schomburg, and Graciany Miranda Archilla. Prominent writers such as Rosario Ferré and Judith Ortiz Cofer are discussed alongside often-neglected writers such as Honolulu-based Rodney Morales and gay writer Manuel Ramos Otero. The essays cover all the genres and demonstrate that current theoretical ideas and approaches create exciting opportunities and possibilities for the study of Puerto Rican diasporic literature. |
| american history judith ortiz cofer: All the Feels Olivia Dade, 2021-11-16 Following Spoiler Alert, Olivia Dade returns with another utterly charming romantic comedy about a devil-may-care actor—who actually cares more than anyone knows—and the no-nonsense woman hired to keep him in line. An absolutely witty, swoon worthy behind the scenes romp! Delightful from beginning to end!--Julie Murphy, #1 New York Times bestselling author of Dumplin' Alexander Woodroe has it all. Charm. Sex appeal. Wealth. Fame. A starring role as Cupid on TV’s biggest show, Gods of the Gates. But the showrunners have wrecked his character, he's dogged by old demons, and his post-show future remains uncertain. When all that reckless emotion explodes into a bar fight, the tabloids and public agree: his star is falling. Enter Lauren Clegg, the former ER therapist hired to keep him in line. Compared to her previous work, watching over handsome but impulsive Alex shouldn’t be especially difficult. But the more time they spend together, the harder it gets to keep her professional remove and her heart intact, especially when she discovers the reasons behind his recklessness…not to mention his Cupid fanfiction habit. When another scandal lands Alex in major hot water and costs Lauren her job, she’ll have to choose between protecting him and offering him what he really wants—her. But he’s determined to keep his improbably short, impossibly stubborn, and extremely endearing minder in his life any way he can. And on a road trip up the California coast together, he intends to show her exactly what a falling star will do to catch the woman he loves: anything at all. |
| american history judith ortiz cofer: Who are We? Samuel P. Huntington, 2005 America was founded by settlers who brought with them a distinct culture including the English language, Protestant values, individualism, religious commitment, and respect for law. The waves of later immigrants came gradually accepted these values and assimilated into America's Anglo-Protestant culture. More recently, however, national identity has been eroded by the problems of assimilating massive numbers of immigrants, bilingualism, multiculturalism, the devaluation of citizenship, and the denationalization of American élites. September 11 brought a revival of American patriotism, but already there are signs that this is fading. This book shows the need for us to reassert the core values that make us Americans.--From publisher description. |
| american history judith ortiz cofer: American History Now Eric Foner, Lisa McGirr, American Historical Association, 2011-06-11 American History Now collects eighteen original historiographic essays that survey recent scholarship in American history and trace the shifting lines of interpretation and debate in the field. Building on the legacy of two previous editions of The New American History, this volume presents an entirely new group of contributors and a reconceptualized table of contents. The new generation of historians showcased in American History Now have asked new questions and developed new approaches to scholarship to revise the prevailing interpretations of the chronological periods from the Colonial era to the Reagan years. Covering the established subfields of women's history, African American history, and immigration history, the book also considers the history of capitalism, Native American history, environmental history, religious history, cultural history, and the history of the United States in the world. American History Now provides an indispensible summation of the state of the field for those interested in the study and teaching of the American past. |
| american history judith ortiz cofer: Crossing Into America Louis Gerard Mendoza, Subramanian Shankar, 2005-04-30 Collects writings by such top contributors as Jamaica Kincaid, Maxine Hong Kingston, and Richard Rodriguez, as well as a host of new writers, to present a history of modern immigration and reflections on the immigrant experience. |
| american history judith ortiz cofer: Wunderkind Carson McCullers, 2013-09-26 'A Wunderkind - a Wunderkind a Wunderkind. The syllables would come out rolling in the deep German way, roar against her ears and then fall to a murmur...' Writing about outcasts, dreamers and misfits in the Deep South, Carson McCullers was acclaimed for her sympathetic depictions of loneliness, the need for understanding and the search for love. These four masterly stories of eccentrics, failed prodigies, injustice and hope, written when she was in her twenties, explore the human condition with humour and pathos. This book includes Wunderkind, The Jockey, Madame Zilensky and the King of Finland, A Tree, A Rock and A Cloud. |
| american history judith ortiz cofer: The Very First Americans Cara Ashrose, 1993-09-15 Long before Columbus landed in America, hundreds of groups of people had already made their homes here. You may have heard of some of them—like the Sioux, Hopi, and Seminole. But where did they live? What did they eat? How did they have fun? And where are they today? From coast to coast, learn all about these very first Americans! |
| american history judith ortiz cofer: Critical Survey of Short Fiction: Lee K. Abbott - Morley Callaghan , 2001 |
| american history judith ortiz cofer: Multicultural American Literature A. Robert Lee, 2003 Table of contents |
| american history judith ortiz cofer: Bibliographic Guide to Chicana and Latina Narrative Kathy Leonard, 2003-08-30 There has been a dramatic increase in the amount of narrative work published by Chicana and Latina authors in the past 5 to 10 years. Nonetheless, there has been little attempt to catalog this material. This reference provides convenient access to all forms of narrative written by Chicana and Latina authors from the early 1940s through 2002. In doing so, it helps users locate these works and surveys the growth of this vast body of literature. The volume cites more than 2,750 short stories, novels, novel excerpts, and autobiographies written by some 600 Mexican American, Puerto Rican, Cuban American, Dominican American, and Nuyorican women authors. These citations are grouped in five indexes: an author/title index, title/author index, anthology index, novel index, and autobiography index. Short annotations are provided for the anthologies, novels, and autobiographies. Thus the user who knows the title of a work can discover the author, the other works the author has written, and the anthologies in which the author's shorter pieces have been reprinted, along with information about particular works. |
| american history judith ortiz cofer: U.S. Latino Literature Margarite Fernandez Olmos, 2000-09-30 In the past ten years, literature by U.S. Latinos has gained an extraordinary public currency and has engendered a great deal of interest among educators. Because of the increase in numbers of Latinos in their classrooms, teachers have recognized the benefits of including works by such important writers as Sandra Cisneros, Julia Alvarez, and Rudolfo Anaya in the curriculum. Without a guide, introducing courses on U.S. Latino literature or integrating individual works into the general courses on American Literature can be difficult for the uninitiated. While some critical sources for students and teachers are available, none are dedicated exclusively to this important body of writing. To fill the gap, the editors of this volume commissioned prominent scholars in the field to write 18 essays that focus on using U.S. Latino literature in the classroom. The selection of the subject texts was developed in conjunction with secondary school teachers who took part in the editors' course. This resultant volume focuses on major works that are appropriate for high school and undergraduate study including Judith Ortiz Cofer's The Latin Deli, Piri Thomas' Down These Mean Streets, and Cisneros' The House on Mango Street. Each chapter in this Critical Guide provides pertinent biographical background on the author as well as contextual information that aids in understanding the literary and cultural significance of the work. The most valuable component of the critical essays, the Analysis of Themes and Forms, helps the reader understand the thematic concerns raised by the work, particularly the recurring issues of language expression and cultural identity, assimilation, and intergenerational conflicts. Each essay is followed by specific suggestions for teaching the work with topics for classroom discussion. Further enhancing the value of this work as a teaching tool are the selected bibliographies of criticism, further reading, and other related sources that complete each chapter. Teachers will also find a Sample Course Outline of U.S. Latino Literature which serves as guide for developing a course on this important subject. |
| american history judith ortiz cofer: The Latino Reader Harold Augenbraum, Margarite Fernández Olmos, 1997 The Latino Reader presents the full history of this important American literary tradition, from its mid-sixteenth-century beginnings to the present day. The wide-ranging selections include works of history, memoir, letters, and essays, as well as fiction, poetry, and drama. |
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