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| american museum of natural history architecture: The American Museum of Natural History and How It Got That Way Colin Davey, 2019-05-14 Tells the story of the building of the American Museum of Natural History and Hayden Planetarium, a story of history, politics, science, and exploration, including the roles of American presidents, New York power brokers, museum presidents, planetarium directors, polar and African explorers, and German rocket scientists. The American Museum of Natural History is one of New York City’s most beloved institutions, and one of the largest, most celebrated museums in the world. Since 1869, generations of New Yorkers and tourists of all ages have been educated and entertained here. Located across from Central Park, the sprawling structure, spanning four city blocks, is a fascinating conglomeration of many buildings of diverse architectural styles built over a period of 150 years. The first book to tell the history of the museum from the point of view of these buildings, including the planned Gilder Center, The American Museum of Natural History and How It Got That Way contextualizes them within New York and American history and the history of science. Part II, “The Heavens in the Attic,” is the first detailed history of the Hayden Planetarium, from the museum’s earliest astronomy exhibits, to Clyde Fisher and the original planetarium, to Neil deGrasse Tyson and the Rose Center for Earth and Space, and it features a photographic tour through the original Hayden Planetarium. Author Colin Davey spent much of his childhood literally and figuratively lost in the museum’s labyrinthine hallways. The museum grew in fits and starts according to the vicissitudes of backroom deals, personal agendas, two world wars, the Great Depression, and the Cold War. Chronicling its evolution―from the selection of a desolate, rocky, hilly, swampy site, known as Manhattan Square to the present day―the book includes some of the most important and colorful characters in the city’s history, including the notoriously corrupt and powerful “Boss” Tweed, “Father of New York City” Andrew Haswell Green, and twentieth-century powerbroker and master builder Robert Moses; museum presidents Morris K. Jesup, Henry Fairfield Osborn, and Ellen Futter; and American presidents, polar and African explorers, dinosaur hunters, and German rocket scientists. Richly illustrated with period photos, The American Museum of Natural History and How It Got That Way is based on deep archival research and interviews. |
| american museum of natural history architecture: A Guide to Smithsonian Architecture Heather Ewing, Amy Ballard, 2009-03-01 The buildings of the Smithsonian Institution not only contain impressive collections; they are themselves icons of great cultural significance, many of them part of the historic National Mall. The Smithsonian's unique buildings illustrate the changing styles and sensibilities of America as an evolving nation. Representing the work of major architects, each building evokes a specific time in history: the mid-19th-century turreted Castle, the sky-reflecting mid-century modern Air and Space Museum, and the golden, undulating, 21st-century American Indian Museum. |
| american museum of natural history architecture: American Museum of Natural History American Museum of Natural History, 2001 #NAME? |
| american museum of natural history architecture: Studio Gang Jeanne Gang, 2020-04-29 The most in-depth exploration of one of the most important, innovative, and creative architecture practices working today For the last twenty years Studio Gang, led by Jeanne Gang, has created buildings that, while spectacular, also deal with the most urgent problems of our time – inequality, climate change, and the challenges of urbanism. The studio's award-winning body of work spans multiple scales and typologies worldwide. This book showcases 25 exceptional projects – including the Aqua Tower and O'Hare International Airport in Chicago and Solar Carve Tower in New York City – that collectively demonstrate Studio Gang's bold, collaborative, research-based design approach. |
| american museum of natural history architecture: Microsculpture Levon Biss, 2017-10-10 You will never look at a beetle or a moth the same way again. --WIRED Art meets science to dazzling effect. --The Guardian Microsculptureis a unique photographic study of insects in mind-blowing magnification that celebrates the wonders of nature and science. Levon Biss’s photographs capture in breathtaking detail the beauty of the insect world and are printed in large-scale format to provide an unforgettable viewing experience. Each picture in Microsculpture is created from approximately 8,000 individual photographs. Segments of the specimen are lit and photographed separately using microscope lenses, then “stacked” to maintain sharp focus throughout. These images are then combined to create a single high-resolution file. From start to finish, each portrait takes approximately 4 weeks to create. The project has captured the attention of the world with features in WIRED and New Scientist. Microsculpture has been exhibited at the Oxford University Museum of Natural History and the Xposure 2016 International Photography Festival in Sharjah, U.A.E. It has been viewed by over half a million people so far and will be touring museums around the world from 2017 onward. The entomology collection has significant cultural and historical value, containing the world’s oldest pinned insect specimen and many thousands of insects collected by pioneering Victorian explorers and biologists such as Charles Darwin and Alfred Russell Wallace. |
| american museum of natural history architecture: On the Trail of Ancient Man Roy Chapman Andrews, 1926 |
| american museum of natural history architecture: The Hall of the Age of Man Henry Fairfield Osborn, 1927 |
| american museum of natural history architecture: Wonderstruck Brian Selznick, 2015-09-03 Ben's story takes place in 1977 and is told in words. Rose's story in 1927 is told entirely in pictures. Ever since his mother died, Ben feels lost. At home with her father, Rose feels alone. When Ben finds a mysterious clue hidden in his mother's room, both children risk everything to find what's missing. |
| american museum of natural history architecture: Antiquity in Gotham Elizabeth Macaulay-Lewis, 2022-09-06 The first detailed study of Neo-Antique architecture applies an archaeological lens to the study of New York City's structures Since the city's inception, New Yorkers have deliberately and purposefully engaged with ancient architecture to design and erect many of its most iconic buildings and monuments, including Grand Central Terminal and the Soldiers' and Sailors' Memorial Arch in Brooklyn, as well as forgotten gems such as Snug Harbor on Staten Island and the Gould Memorial Library in the Bronx. Antiquity in Gotham interprets the various ways ancient architecture was re-conceived in New York City from the eighteenth century to the early twenty-first century. Contextualizing New York's Neo-Antique architecture within larger American architectural trends, author Elizabeth Macaulay-Lewis applies an archaeological lens to the study of the New York buildings that incorporated these various models in their design, bringing together these diverse sources of inspiration into a single continuum. Antiquity in Gotham explores how ancient architecture communicated the political ideals of the new republic through the adaptation of Greek and Roman architecture, how Egyptian temples conveyed the city's new technological achievements, and how the ancient Near East served many artistic masters, decorating the interiors of glitzy Gilded Age restaurants and the tops of skyscrapers. Rather than classifying neo-classical (and Greek Revival), Egyptianizing, and architecture inspired by the ancient Near East into distinct categories, Macaulay-Lewis applies the Neo-Antique framework that considers the similarities and differences--intellectually, conceptually, and chronologically--among the reception of these different architectural traditions. This fundamentally interdisciplinary project draws upon all available evidence and archival materials--such as the letters and memos of architects and their patrons, and the commentary in contemporary newspapers and magazines--to provide a lively multi-dimensional analysis that examines not only the city's ancient buildings and rooms themselves but also how New Yorkers envisaged them, lived in them, talked about them, and reacted to them. Antiquity offered New Yorkers architecture with flexible aesthetic, functional, cultural, and intellectual resonances--whether it be the democratic ideals of Periclean Athens, the technological might of Pharaonic Egypt, or the majesty of Imperial Rome. The result of these dialogues with ancient architectural forms was the creation of innovative architecture that has defined New York City's skyline throughout its history. |
| american museum of natural history architecture: Build, Memory James Stewart Polshek, 2014-04-22 A look at a life in architecture from the architect of the Rose Center at the American Museum of Natural History in New York and the Newseum in Washington, D.C. James Stewart Polshek has witnessed changing architectural tastes, worked with numerous high-profile personalities, and designed many of America’s most prominent buildings. His notable and immediately recognizable projects include the William J. Clinton Presidential Center in Little Rock, Arkansas, and the renovation and expansion of Carnegie Hall in New York City. Committed to principles of community, history, and environment, Polshek has devoted his fifty-plus-year career to serving the common good. In Build, Memory, he surveys his life’s work in an accessible personal narrative, with a focus on the process of designing a building and working with clients to implement their vision. A lively narrative and abundant imagery guide the reader through the sixteen diverse and important structures that Polshek has named the highlights of his active and impressive career, revealing details about the history and development of these buildings along the way. |
| american museum of natural history architecture: The American Museum of Natural History and How It Got That Way Colin Davey, Thomas A. Lesser, 2019-05-14 An extensive history of the American Museum of Natural History and Hayden Planetarium, featuring a cast of colorful characters. The American Museum of Natural History is one of New York City’s most beloved institutions, and one of the largest, most celebrated museums in the world. Since 1869, generations of New Yorkers and tourists of all ages have been educated and entertained here. Located across from Central Park, the sprawling structure, spanning four city blocks, is a fascinating conglomeration of many buildings of diverse architectural styles built over a period of 150 years. The first book to tell the history of the museum from the point of view of these buildings, including the planned Gilder Center, The American Museum of Natural History and How It Got That Way contextualizes them within New York and American history and the history of science. Part II, “The Heavens in the Attic,” is the first detailed history of the Hayden Planetarium, from the museum’s earliest astronomy exhibits, to Clyde Fisher and the original planetarium, to Neil deGrasse Tyson and the Rose Center for Earth and Space, and it features a photographic tour through the original Hayden Planetarium. Author Colin Davey spent much of his childhood literally and figuratively lost in the museum’s labyrinthine hallways. The museum grew in fits and starts according to the vicissitudes of backroom deals, personal agendas, two world wars, the Great Depression, and the Cold War. Chronicling its evolution?from the selection of a desolate, rocky, hilly, swampy site, known as Manhattan Square to the present day?the book includes some of the most important and colorful characters in the city’s history, including the notoriously corrupt and powerful “Boss” Tweed, “Father of New York City” Andrew Haswell Green, and twentieth-century powerbroker and master builder Robert Moses; museum presidents Morris K. Jesup, Henry Fairfield Osborn, and Ellen Futter; and American presidents, polar and African explorers, dinosaur hunters, and German rocket scientists. Features a new preface by the author and a new foreword by Neil deGrasse Tyson. “This is, in many ways, a particularly American story, and anyone interested in history or museums will find this a very satisfying read. Author Colin Davey had a life-long love affair with the museum, growing up in New York and spending many, many hours happily lost in the museum collections, and that shines through in his writing as does his fine, in-depth research. Plenty of excellent graphics and photographs support this fascinating history.” —Seattle Book Review |
| american museum of natural history architecture: The Genius of Architecture, Or, The Analogy of that Art with Our Sensations Nicolas Le Camus de Mézières, 1992 This series offers a range of heretofore unavailable writings in English translation on the subjects of art, architecture, and aesthetics. Camus's description of the French hotel argues that architecture should please the senses and the mind. |
| american museum of natural history architecture: Outdoor Monuments of Manhattan Dianne L. Durante, 2007-02 Stop, look, and discover—the streets and parks of Manhattan are filled with beautiful historic monuments that will entertain, stimulate, and inspire you. Among the 54 monuments in this volume are major figures in American history: Washington, Lincoln, Lafayette, Horace Greeley, and Gertrude Stein; more obscure figures: Daniel Butterfield, J. Marion Sims, and King Jagiello; as well as the icons of New York: Atlas, Prometheus, and the Firemen's Memorial. The monuments represent the work of some of America's best sculptors: Augustus Saint Gaudens’ Farragut and Sherman, Daniel Chester French’s Four Continents, and Anna Hyatt Huntington’s José Martí and Joan of Arc. Each monument, illustrated with black-and-white photographs, is located on a map of Manhattan and includes easy-to-follow directions. All the sculptures are considered both as historical mementos and as art. We learn of furious General Sherman court-martialing a civilian journalist, and also of exasperated Saint Gaudens’ proposing a hook-and-spring device for improving his assistants' artistic acuity as they help model Sherman. We discover how Lincoln dealt with a vociferous Confederate politician from Ohio, and why the Lincoln in Union Square doesn't rank as a top-notch Lincoln portrait. Sidebars reveal other aspects of the figure or event commemorated, using personal quotes, poems, excerpts from nineteenth-century periodicals (New York Times, Harper's Weekly), and writers ranging from Aeschylus, Washington Irving, and Frederic-Auguste Bartholdi to Mark Twain and Henryk Sienkiewicz. As a historical account, Outdoor Monuments of Manhattan: A Historical Guide is a fascinating look at figures and events that changed New York, the United States and the world. As an aesthetic handbook it provides a compact method for studying sculpture, inspired by Ayn Rand’s writings on art. For residents and tourists, and historians and students, who want to spend more time viewing and appreciating sculpture and New York history, this is the start of a unique voyage of discovery. |
| american museum of natural history architecture: Nature in Fragments Elizabeth A. Johnson, Michael W. Klemens, 2005-10-05 This new collection focuses on the impact of sprawl on biodiversity and the measures that can be taken to alleviate it. Leading biological and social scientists, conservationists, and land-use professionals examine how sprawl affects species and alters natural communities, ecosystems, and natural processes. The contributors integrate biodiversity issues, concerns, and needs into the growing number of anti-sprawl initiatives, including the smart growth and new urbanist movements. |
| american museum of natural history architecture: The Changing of the Avant-garde Terence Riley, Museum of Modern Art (New York, N.Y.), 2002 Featuring 165 expertly reproduced visionary architectural drawings from The Museum of Modern Art's Howard Gilman Archive, this collection brings together a selection of idealized, fantastic and utopian architectural drawings. |
| american museum of natural history architecture: The Art and Architecture of Ancient America George Kubler, 1993-01-01 Offers a survey of the paintings and architecture of the Mexican, Mayan, and Andean peoples |
| american museum of natural history architecture: Universe Down to Earth Neil deGrasse Tyson, 1994 Bringing demonstrations of the principles of nature into the living room, Tyson writes in a lucid, easygoing style that finally makes scientific literacy possible for enthusiasts and those with math and science phobias alike. |
| american museum of natural history architecture: Tamschick Media+Space GmbH Charlotte Tamschick, Marc Tamschick, 2015 The art of creating multimedia spaces |
| american museum of natural history architecture: Architecture of Nature Diana Agrest, 2019-01-15 Based on documentation originating in the environmental sciences, history of science, philosophy and art, Architecture of Nature explores the materiality and the effects of the forces at play in the history of the earth through the architect's modes of seeing and techniques of representation. This book presents the research work developed for the past eight years in the Advanced Research graduate studio Architecture of Nature/ Nature of Architecture, created and directed by Diana Agrest at the Irwin S. Chanin School of Architecture of the Cooper Union. Architecture of Nature departs from the traditional approach to nature as a referent for architecture and reframes it as its object of study. The complex processes of generation and transformations of extreme natural phenomena such as glaciers, volcanoes, permafrost, and clouds are explored through unique drawings and models, confronting a scale of space and time that expands and transcends the established boundaries of the architectural discipline. |
| american museum of natural history architecture: Complexity and Contradiction in Architecture Robert Venturi, 1977 Foreword by Arthur Drexler. Introduction by Vincent Scully. |
| american museum of natural history architecture: Memorial to Theodore Roosevelt United States. Congress. Senate. Committee on the Library, 1932 |
| american museum of natural history architecture: Lee Ufan Hirshhorn Museum, 2020-03-17 The beautiful companion volume to Lee Ufan's largest site-specific outdoor sculpture project in the U.S. In fall 2019, the Hirshhorn Museum and Sculpture Garden debuted 10 new specially commissioned outdoor sculptures from celebrated Korean artist Lee Ufan. This book accompanies the expansive installation, which features sculptures from the artist's signature and continuing Relatum series and marks the first exhibition of Lee's work in the nation's capital. For the first time in the Hirshhorn Museum's 44-year history, its 4.3-acre outdoor plaza will be devoted entirely to the work of a single artist, and this book is a beautiful commemoration or keepsake of that event. Lee is a founder of the late 1960s artistic movement Mono-ha, or School of Things, so his artwork represents an encounter between the viewer, the materials, and the site. The sculptures in this installation and book reflect this: all of the sculptures respond to the museum's unique architecture and continue Lee's iconic practice of placing contrasting materials, such as stainless steel plates and boulders, in dialogue with one another to heighten awareness of the world. The book features more than 100 color illustrations, including preliminary sketches, photographs of the artist selecting materials for the work, images of the installation process, shots of installed sculptures, details of installed sculptures, and more. Accompanying these powerful images are a foreword, essays, artist interview, and short captions that highlight how the works are rooted in contemplation and sensation rather than static representation. Lee Ufan: Open Dimension offers readers an intimate look at the work, artistic process, and impact of one of the pioneering figures of postwar art. |
| american museum of natural history architecture: Art in Architecture Linda DeBerry, Robin Groesbeck, Dylan Turk, 2016 Nestled in a natural ravine in the Ozark hills, and designed by internationally renowned architect Moshe Safdie, Crystal Bridges Museum of American Art in Bentonville, Arkansas is an architectural masterpiece. Featuring arched copper roofs and glass-walled bridges over ponds created from the inflow of a natural stream, the museum complements the distinctive landscape of northwest Arkansas. With the addition of a stunning collection of American art masterworks, and extensive grounds comprising 120 acres of native hardwood forest, Crystal Bridges seamlessly blends art, architecture, and nature to create a visitor experience unlike any other. This book tells the story of the creation of Crystal Bridges: from concept and an early napkin sketch to the engineering feats required to construct an art museum of international stature in the path of a natural waterway. Featuring new color photography of the museum's striking architecture paired with quotes from Moshe Safdie, Art in Architecture showcases a fabulous new museum. |
| american museum of natural history architecture: Cultural Property Risk Analysis Model R. Robert Waller, 2003-01-01 Preventive conservation seeks to minimize needless deterioration, damage, and loss to cultural property. This requires a comprehensive understanding of all hazards that might affect property and all values needing protection from those hazards. The past effects of hazards must be apprehended, the efficacy of current conservation practices must be calculated, and the predictability of future changes must be judged. Risks may manifest gradually or sporadically. In either case, the time scale over which risks to cultural properties must be considered is measured in centuries. Feedback on the consequences of preventive conservation decisions taken is too slow and too confounded to support meaningful experience-based learning. A risk-based approach to decision-making is necessary. |
| american museum of natural history architecture: Museums, Monuments, and National Parks Denise D. Meringolo, 2012 The rapid expansion of the field of public history since the 1970s has led many to believe that it is a relatively new profession. In this book, Denise D. Meringolo shows that the roots of public history actually reach back to the nineteenth century, when the federal government entered into the work of collecting and preserving the nation's natural and cultural resources. Yet it was not until the emergence of the education-oriented National Park Service history program in the 1920s and 1930s that public history found an institutional home. Even then, tensions between administrators in Washington and practitioners on the ground at National Parks, monuments, and museums continued to redefine the scope and substance of the field. The process of definition persists to this day as public historians establish a growing presence in major universities throughout the United States and abroad. Book jacket. |
| american museum of natural history architecture: Never Built New York Greg Goldin, Sam Lubell, 2016 Following on the success of Never Built Los Angeles (Metropolis Books, 2013), authors Greg Goldin and Sam Lubell now turn their eye to New York City. New York towers among world capitals, but the city we know might have reached even more stellar heights, or burrowed into more destructive depths, had the ideas pictured in the minds of its greatest dreamers progressed beyond the drawing board and taken form in stone, steel, and glass. What is wonderfully elegant and grand might easily have been ingloriously grandiose; what is blandly unremarkable, equally, might have become delightfully provocative or humanely inspiring. The ambitious schemes gathered here tell the story of a different skyline and a different sidewalk alike. Nearly 200 ambitious proposals spanning 200 years encompass bridges, skyscrapers, master plans, parks, transit schemes, amusements, airports, plans to fill in rivers and extend Manhattan, and much, much more. Included are alternate visions for such landmarks as Central Park, Columbus Circle, Lincoln Center, MoMA, the U.N., Grand Central Station and the World Trade Centre site, among many others sites. Fact-filled and entertaining texts, as well as sketches, renderings, prints, and models drawn from archives all across the New York metropolitan region tell stories of a new New York, one that surely would have changed the way we inhabit and move through the city. |
| american museum of natural history architecture: The Art Museum in Modern Times Charles Saumarez Smith, 2021-04-13 A compelling examination of the art museum from a renowned director, this sweeping book explores how architecture, vision, and funding have transformed art museums around the world over the past eighty years. How have art museums changed in the past century? Where are they headed in the future? Charles Saumarez Smith is uniquely qualified to answer these questions, having been at the helm of three major institutions over the course of his distinguished career. For The Art Museum in Modern Times, Saumarez Smith has undertaken an odyssey, visiting art museums across the globe and examining how the experience of art is shaped by the buildings that house it. His story starts with the Museum of Modern Art in New York, one of the first museums to focus squarely on the art of the present rather than the past. When it opened in 1939, MoMA’s boldly modernist building represented a stark riposte to the neoclassicism of most earlier art museums. From there, Saumarez Smith investigates dozens of other museums, including the Tate Modern in London, the Getty Center in Los Angeles, the West Bund Museum in Shanghai, and the Centre Pompidou in Paris. He explores our shifting reasons for visiting museums, changes to the way exhibits are organized and displayed, and the spectacular new architectural landmarks that have become destinations in their own right. Global in scope yet full of personal insight, this fully illustrated celebration of the modern art museum will appeal to art lovers, museum professionals, and museum goers alike. |
| american museum of natural history architecture: Unless Kiel Moe, 2020-09 Dissects the construction ecology, material geographies, and world-systems of a most modern of modern architectures: the Seagram Building.0In doing so, it aims to describe how humans and nature interact with the thin crust of the planet through architecture. In particular, the immense material, energy and labor involved in building require a fresh interpretation that better situates the ecological and social potential of design.00The enhancement of a particular building should be inextricable from the enhancement of its world-system and construction ecology. A ?beautiful? building engendered through the vulgarity of uneven exchanges and processes of underdevelopment is no longer a tenable conceit in such a framework.00Unless architects begin to describe buildings as terrestrial events and artifacts, architects will?to our collective and professional peril?continue to operate outside the key environmental dynamics and key political processes of this century. |
| american museum of natural history architecture: Greg Lynn FORM Mark Rappolt, 2008 One of the most provocative and exciting architects today, Greg Lynn has defined how designers and architects use computers as a medium, operating in an expanded field that fuses cutting-edge technology, contemporary art, and science fiction aesthetics with architectural form. At the epicenter of a debate about the role of digital design and new fabrication methods in architecture and general design culture, his projects skillfully blend high technology and detailed craftsmanship, driven by modeling software from the film and aerospace industries. They range from the Ravioli lounge chair for Vitra to the Embryological House, a pre-fab housing type that takes advantage of new manufacturing technologies to produce customized houses adaptable to local conditions. Included are contributions from theorists, architects, and artists, and futurists such as Sylvia Lavin, Ben van Berkel, and Caroline Bos of UN Studio, J.G. Ballard, and Tom Friedman, among others. Greg Lynn FORM offers a window into Lynn's methods and techniques, theoretical positions, and career trajectory. Rather than a retrospective of Lynn's career, it is thought-provoking and forward-looking. |
| american museum of natural history architecture: The Man in the Glass House Mark Lamster, 2018-11-06 A smoothly written and fair-minded (Wall Street Journal) biography of architect Philip Johnson -- a finalist for the National Book Critic's Circle Award. When Philip Johnson died in 2005 at the age of 98, he was still one of the most recognizable and influential figures on the American cultural landscape. The first recipient of the Pritzker Prize and MoMA's founding architectural curator, Johnson made his mark as one of America's leading architects with his famous Glass House in New Caanan, CT, and his controversial AT&T Building in NYC, among many others in nearly every city in the country -- but his most natural role was as a consummate power broker and shaper of public opinion. Johnson introduced European modernism -- the sleek, glass-and-steel architecture that now dominates our cities -- to America, and mentored generations of architects, designers, and artists to follow. He defined the era of starchitecture with its flamboyant buildings and celebrity designers who esteemed aesthetics and style above all other concerns. But Johnson was also a man of deep paradoxes: he was a Nazi sympathizer, a designer of synagogues, an enfant terrible into his old age, a populist, and a snob. His clients ranged from the Rockefellers to televangelists to Donald Trump. Award-winning architectural critic and biographer Mark Lamster's The Man in the Glass House lifts the veil on Johnson's controversial and endlessly contradictory life to tell the story of a charming yet deeply flawed man. A rollercoaster tale of the perils of wealth, privilege, and ambition, this book probes the dynamics of American culture that made him so powerful, and tells the story of the built environment in modern America. |
| american museum of natural history architecture: Architecture Without Architects Bernard Rudofsky, 1964 |
| american museum of natural history architecture: Built in USA Museum of Modern Art (New York, N.Y.), 1944 |
| american museum of natural history architecture: Thomas Cole Annette Blaugrund, Franklin Kelly, Barbara Novak, 2016-04-19 At the height of his career as the leader of the Hudson River School of American landscape painting, Thomas Cole listed himself in the New York City Directory as an architect. Why would this renowned painter, who had never before designed a building, advertise himself as such? The importance of Cole’s paintings and the significance of his essays, poems, and philosophy are well established, yet an analysis of his architectural endeavors and their impact on his painting has not been undertaken—until now. In celebration of the recreation of the artist’s self-designed Italianate studio at Cedar Grove in Catskill, New York, now the Thomas Cole National Historic Site, this book focuses on Cole’s architectural interests through architectural elements found in his paintings and drawings as well as in his realized and visionary projects, expanding our understanding of the breadth of his talents and interests. An essay by noted art historian Annette Blaugrund and a contribution by Franklin Kelly, illustrated with Cole’s famous works, sketches, and architectural renderings, reveal an unexplored, yet fascinating, aspect of the career of this beloved artist—and thus, a crucial moment in the development of the Hudson River School and American art. Published to coincide with the exhibition “Thomas Cole: The Artist as Architect” at the Thomas Cole National Historic Site and travelling to the Columbus Art Museum, the book adds a new dimension to scholarship on the artist. |
| american museum of natural history architecture: A History of Western Architecture David Watkin, 2005 The history of Western architecture from the earliest times in Mesopotamia and Egypt to the dramatic impact of CAD on architectural practice at the beginning of the 21st century. |
| american museum of natural history architecture: Architecture and Building , 1925 |
| american museum of natural history architecture: Reconstructions: Architecture and Blackness in America Sean Anderson, 2021-02-11 How American architecture can address systemic anti-Black racism: a creative challenge in 10 case studies Reconstructions: Architecture and Blackness in Americais an urgent call for architects to accept the challenge of reconceiving and reconstructing our built environment rather than continue giving shape to buildings, infrastructure and urban plans that have, for generations, embodied and sustained anti-Black racism in the United States. The architects, designers, artists and writers who were invited to contribute to this book--and to the exhibition at the Museum of Modern Art for which it serves as a field guide--reimagine the legacies of race-based dispossession in 10 American cities (Atlanta; Brooklyn, New York; Kinloch, Missouri; Los Angeles; Miami; Nashville; New Orleans; Oakland; Pittsburgh; and Syracuse) and celebrate the ways individuals and communities across the country have mobilized Black cultural spaces, forms and practices as sites of imagination, liberation, resistance, care and refusal. A broad range of essays by the curators and prominent scholars from diverse fields, as well as a portfolio of new photographs by the artist David Hartt, complement this volume's richly illustrated presentations of the architectural projects at the heart of MoMA's groundbreaking exhibition. |
| american museum of natural history architecture: Whitney Biennial 2022 David Breslin, Adrienne Edwards, 2022-04-26 Presenting the latest iteration of this crucial exhibition, always a barometer of contemporary American art The 2022 Whitney Biennial is accompanied by this landmark volume. Each of the Biennial's participants is represented by a selected exhibition history, a bibliography, and imagery complemented by a personal statement or interview that foregrounds the artist's own voice. Essays by the curators and other contributors elucidate themes of the exhibition and discuss the participants. The 2022 Biennial's two curators, David Breslin and Adrienne Edwards, are known for their close collaboration with living artists. Coming after several years of seismic upheaval in and beyond the cultural, social, and political landscapes, this catalogue will offer a new take on the storied institution of the Biennial while continuing to serve--as previous editions have--as an invaluable resource on present-day trends in contemporary art in the United States. |
| american museum of natural history architecture: Himalayan Architecture Ronald M. Bernier, 1997 This broad treatment of architecture throughout the region of the Himalaya mountains is the first book of its kind. The author has based this study on many years of research in Nepal, Sikkim, Bhutan, Assam, and the Darjeeling area of northeast India, northern Pakistan, and Himachal Pradesh in India's northwest. These areas make up an artistic and, to some degree, a cultural unit. It is unique and definable for its design qualities as well as its use of materials. Dramatic and lofty structures rise as towering palaces and as temples dedicated to Hindu and Buddhist ideals. The impact of neighboring Tibet and India is often evident in the art, but other influences are found as well. The area has not been isolated, as some studies suggest, but was in fact always linked to the rest of Asia and to the West by means of the Silk Road, at least since the second century B.C. This study progresses from east to west, beginning in the foothills of India's Assam. It is richly illustrated with photographs, most of which are the author's or his wife's, and many of the photographs are published here for the first time. The archives of the Archaeological Survey of India and the Department of Archaeology of His Majesty's Government of Nepal are also used here. |
| american museum of natural history architecture: Public Space Design in Museums David A. Robillard, 1982 |
| american museum of natural history architecture: Tobin's Spirit Guide Burnham, Ray Stantz, Egon Spengler, 2016-06-14 An immersive in-world guide based on the fictional book mentioned in the 1984 Ghostbusters film. This book features the ghouls, specters, and supernatural occurrences that inspired the fictional tome that the original Ghostbusters consulted. This dynamic in-universe book takes fans inside the world of Ghostbusters like never before. In the first Ghostbusters movie, Tobin’s Spirit Guide is a comprehensive supernatural encyclopedia used by our heroes to research ghouls and ghosts. For the first time, this fully illustrated tome will allow fans to pore through the pages of this legendary guide to learn all about the things that go bump in the night—from Class 5 Free-Roaming Vapors to giant Sloars! This newly revised and updated version, written by veteran Ghostbusters Ray Stantz and Egon Spengler, brings the original text up to date with entries on the ghosts and ghouls they’ve tackled, including Slimer, Mr. Stay Puft, and Vigo the Carpathian. Along with covering the original movies, Ghostbusters: Tobin’s Spirit Guide will also explore the expanded Ghostbusters universe, delving into supernatural phenomena from the comics, animated shows, video games, and other aspects of the franchise. Filled with never-before-seen original illustrations, the book will have a unique in-world aesthetic that makes it feel like a real object from the world of Ghostbusters. Absorbing, immersive, and an essential purchase for fans, Ghostbusters: Tobin’s Spirit Guide is the ultimate guide to the franchise’s rogues’ gallery of spirits, specters, demons, and ghouls. |
Two American Families - Swamp Gas Forums
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May 7, 2025 · It is also unlikely, if not impossible that American manufacturers will be able to keep up with demand. And supply shortages also lead to higher prices. It's basic supply and demand.
Myles Graham and Aaron Chiles make a statement at Under …
Jan 3, 2024 · Florida Gators football signees Myles Graham and Aaron Chiles Jr. during the second day of practice for the 2024 Under Armour Next All-America game at the ESPN Wide …
“I’m a Gator”: 2026 QB Will Griffin remains locked in with Florida
Dec 30, 2024 · With the 2025 Under Armour All-American game underway this week, Gator Country spoke with 2026 QB commit Will Griffin to discuss his commitment status before he …
Last American hostage released | Swamp Gas Forums
May 12, 2025 · Last American hostage released Discussion in 'Too Hot for Swamp Gas' started by OklahomaGator, May 12, 2025. May 12, 2025 #1. OklahomaGator Jedi Administrator …
Under Armour All-American Media Day Photo Gallery
Dec 29, 2023 · The Florida Gators signed a solid 2024 class earlier this month and four prospects will now compete in the Under Armour All-American game in Orlando this week. Quarterback …
Countdown to Kickoff 2025 | Page 3 | Swamp Gas Forums
May 3, 2025 · He was an All-American as a senior in 1970, and though he played only one season in the decade, he was named to the SEC’s All-Decade Team for the 1970s. He was a …
Countdown to Kickoff 2025 | Swamp Gas Forums
May 3, 2025 · He was an All-American in 1984 and ’85 and a Butkus Award finalist in ’85. Other notables: All-American defensive end Trace Armstrong, DE Tim Beauchamp, DT Steven …
Two American Families - Swamp Gas Forums
Aug 12, 2024 · This PBS documentary might be in the top 3 best I have ever watched. Bill Moyers followed 2 working class families from 1991 to 2024, it tells the...
Florida Gators gymnastics adds 10-time All American
May 28, 2025 · GAINESVILLE, Fla. – One of the nation’s top rising seniors joins the Gators gymnastics roster next season. eMjae Frazier (pronounced M.J.), a 10-time All-American from …
Walter Clayton Jr. earns AP First Team All-American honors
Mar 18, 2025 · Florida men’s basketball senior guard Walter Clayton Jr. earned First Team All-American honors for his 2024/25 season, as announced on Tuesday by the Associated Press. …
Now that tariff’s have hit China- American manufacturers swamped
May 7, 2025 · It is also unlikely, if not impossible that American manufacturers will be able to keep up with demand. And supply shortages also lead to higher prices. It's basic supply and demand.
Myles Graham and Aaron Chiles make a statement at Under …
Jan 3, 2024 · Florida Gators football signees Myles Graham and Aaron Chiles Jr. during the second day of practice for the 2024 Under Armour Next All-America game at the ESPN Wide …
“I’m a Gator”: 2026 QB Will Griffin remains locked in with Florida
Dec 30, 2024 · With the 2025 Under Armour All-American game underway this week, Gator Country spoke with 2026 QB commit Will Griffin to discuss his commitment status before he …
Last American hostage released | Swamp Gas Forums
May 12, 2025 · Last American hostage released Discussion in 'Too Hot for Swamp Gas' started by OklahomaGator, May 12, 2025. May 12, 2025 #1. OklahomaGator Jedi Administrator …
Under Armour All-American Media Day Photo Gallery
Dec 29, 2023 · The Florida Gators signed a solid 2024 class earlier this month and four prospects will now compete in the Under Armour All-American game in Orlando this week. Quarterback …
Countdown to Kickoff 2025 | Page 3 | Swamp Gas Forums
May 3, 2025 · He was an All-American as a senior in 1970, and though he played only one season in the decade, he was named to the SEC’s All-Decade Team for the 1970s. He was a …
Countdown to Kickoff 2025 | Swamp Gas Forums
May 3, 2025 · He was an All-American in 1984 and ’85 and a Butkus Award finalist in ’85. Other notables: All-American defensive end Trace Armstrong, DE Tim Beauchamp, DT Steven …
