American History X Brother

  american history x brother: Brother Bill Daryl A Carter, 2016-06-01 “This book is a fascinating analysis of race and class in the age of President Bill Clinton. It provides much-needed clarity in regards to the myth of the ‘First Black President.’ It contributes much to our understanding of the history that informs our present moment!” —Cornel West As President Barack Obama was sworn into office on January 20, 2009, the United States was abuzz with talk of the first African American president. At this historic moment, one man standing on the inaugural platform, seemingly a relic of the past, had actually been called by the moniker the “first black president” for years. President William Jefferson Clinton had long enjoyed the support of African Americans during his political career, but the man from Hope also had a complex and tenuous relationship with this faction of his political base. Clinton stood at the nexus of intense political battles between conservatives’ demands for a return to the past and African Americans’ demands for change and fuller equality. He also struggled with the class dynamics dividing the American electorate, especially African Americans. Those with financial means seized newfound opportunities to go to college, enter the professions, pursue entrepreneurial ambitions, and engage in mainstream politics, while those without financial means were essentially left behind. The former became key to Clinton’s political success as he skillfully negotiated the African American class structure while at the same time maintaining the support of white Americans. The results were tremendously positive for some African Americans. For others, the Clinton presidency was devastating. Brother Bill examines President Clinton’s political relationship with African Americans and illuminates the nuances of race and class at the end of the twentieth century, an era of technological, political, and social upheaval.
  american history x brother: Truevine Beth Macy, 2016-10-18 The true story of two African-American brothers who were kidnapped and displayed as circus freaks, and whose mother endured a 28-year struggle to get them back. The year was 1899 and the place a sweltering tobacco farm in the Jim Crow South town of Truevine, Virginia. George and Willie Muse were two little boys born to a sharecropper family. One day a white man offered them a piece of candy, setting off events that would take them around the world and change their lives forever. Captured into the circus, the Muse brothers performed for royalty at Buckingham Palace and headlined over a dozen sold-out shows at New York's Madison Square Garden. They were global superstars in a pre-broadcast era. But the very root of their success was in the color of their skin and in the outrageous caricatures they were forced to assume: supposed cannibals, sheep-headed freaks, even Ambassadors from Mars. Back home, their mother never accepted that they were gone and spent 28 years trying to get them back. Through hundreds of interviews and decades of research, Beth Macy expertly explores a central and difficult question: Where were the brothers better off? On the world stage as stars or in poverty at home? Truevine is a compelling narrative rich in historical detail and rife with implications to race relations today.
  american history x brother: The Brothers: John Foster Dulles, Allen Dulles, and Their Secret World War Stephen Kinzer, 2013-10-01 A joint biography of John Foster Dulles and Allen Dulles, who led the United States into an unseen war that decisively shaped today's world During the 1950s, when the Cold War was at its peak, two immensely powerful brothers led the United States into a series of foreign adventures whose effects are still shaking the world. John Foster Dulles was secretary of state while his brother, Allen Dulles, was director of the Central Intelligence Agency. In this book, Stephen Kinzer places their extraordinary lives against the background of American culture and history. He uses the framework of biography to ask: Why does the United States behave as it does in the world? The Brothers explores hidden forces that shape the national psyche, from religious piety to Western movies—many of which are about a noble gunman who cleans up a lawless town by killing bad guys. This is how the Dulles brothers saw themselves, and how many Americans still see their country's role in the world. Propelled by a quintessentially American set of fears and delusions, the Dulles brothers launched violent campaigns against foreign leaders they saw as threats to the United States. These campaigns helped push countries from Guatemala to the Congo into long spirals of violence, led the United States into the Vietnam War, and laid the foundation for decades of hostility between the United States and countries from Cuba to Iran. The story of the Dulles brothers is the story of America. It illuminates and helps explain the modern history of the United States and the world. A Kirkus Reviews Best Nonfiction Book of 2013
  american history x brother: Bulletin National Catholic Educational Association, 1924 Nov. issue includes Proceedings of the annual meeting.
  american history x brother: I Know This Much Is True Wally Lamb, 1998-06-03 With his stunning debut novel, She's Come Undone, Wally Lamb won the adulation of critics and readers with his mesmerizing tale of one woman's painful yet triumphant journey of self-discovery. Now, this brilliantly talented writer returns with I Know This Much Is True, a heartbreaking and poignant multigenerational saga of the reproductive bonds of destruction and the powerful force of forgiveness. A masterpiece that breathtakingly tells a story of alienation and connection, power and abuse, devastation and renewal--this novel is a contemporary retelling of an ancient Hindu myth. A proud king must confront his demons to achieve salvation. Change yourself, the myth instructs, and you will inhabit a renovated world. When you're the same brother of a schizophrenic identical twin, the tricky thing about saving yourself is the blood it leaves on your bands--the little inconvenience of the look-alike corpse at your feet. And if you're into both survival of the fittest and being your brother's keeper--if you've promised your dying mother--then say so long to sleep and hello to the middle of the night. Grab a book or a beer. Get used to Letterman's gap-toothed smile of the absurd, or the view of the bedroom ceiling, or the influence of random selection. Take it from a godless insomniac. Take it from the uncrazy twin--the guy who beat the biochemical rap. Dominick Birdsey's entire life has been compromised and constricted by anger and fear, by the paranoid schizophrenic twin brother he both deeply loves and resents, and by the past they shared with their adoptive father, Ray, a spit-and-polish ex-Navy man (the five-foot-six-inch sleeping giant who snoozed upstairs weekdays in the spare room and built submarines at night), and their long-suffering mother, Concettina, a timid woman with a harelip that made her shy and self-conscious: She holds a loose fist to her face to cover her defective mouth--her perpetual apology to the world for a birth defect over which she'd had no control. Born in the waning moments of 1949 and the opening minutes of 1950, the twins are physical mirror images who grow into separate yet connected entities: the seemingly strong and protective yet fearful Dominick, his mother's watchful monkey; and the seemingly weak and sweet yet noble Thomas, his mother's gentle bunny. From childhood, Dominick fights for both separation and wholeness--and ultimately self-protection--in a house of fear dominated by Ray, a bully who abuses his power over these stepsons whose biological father is a mystery. I was still afraid of his anger but saw how he punished weakness--pounced on it. Out of self-preservation I hid my fear, Dominick confesses. As for Thomas, he just never knew how to play defense. He just didn't get it. But Dominick's talent for survival comes at an enormous cost, including the breakup of his marriage to the warm, beautiful Dessa, whom he still loves. And it will be put to the ultimate test when Thomas, a Bible-spouting zealot, commits an unthinkable act that threatens the tenuous balance of both his and Dominick's lives. To save himself, Dominick must confront not only the pain of his past but the dark secrets he has locked deep within himself, and the sins of his ancestors--a quest that will lead him beyond the confines of his blue-collar New England town to the volcanic foothills of Sicily 's Mount Etna, where his ambitious and vengefully proud grandfather and a namesake Domenico Tempesta, the sostegno del famiglia, was born. Each of the stories Ma told us about Papa reinforced the message that he was the boss, that he ruled the roost, that what he said went. Searching for answers, Dominick turns to the whispers of the dead, to the pages of his grandfather's handwritten memoir, The History of Domenico Onofrio Tempesta, a Great Man from Humble Beginnings. Rendered with touches of magic realism, Domenico's fablelike tale--in which monkeys enchant and religious statues weep--becomes the old man's confession--an unwitting legacy of contrition that reveals the truth's of Domenico's life, Dominick learns that power, wrongly used, defeats the oppressor as well as the oppressed, and now, picking through the humble shards of his deconstructed life, he will search for the courage and love to forgive, to expiate his and his ancestors' transgressions, and finally to rebuild himself beyond the haunted shadow of his twin. Set against the vivid panoply of twentieth-century America and filled with richly drawn, memorable characters, this deeply moving and thoroughly satisfying novel brings to light humanity's deepest needs and fears, our aloneness, our desire for love and acceptance, our struggle to survive at all costs. Joyous, mystical, and exquisitely written, I Know This Much Is True is an extraordinary reading experience that will leave no reader untouched.
  american history x brother: Run, Brother, Run David Berg, 2013-06-11 A searing family memoir, hailed as “remarkable” (The New York Times), “compelling” (People), and “engrossing” (Kirkus Reviews), of a trial lawyer’s tempestuous boyhood in Texas that led to the vicious murder of his brother by the father of actor Woody Harrelson. In 1968, David Berg’s brother, Alan, was murdered by Charles Harrelson, a notorious hit man and father of Woody Harrelson. Alan was only thirty-one when he disappeared (David was twenty-six) and for more than six months his family did not know what had happened to him—until his remains were found in a ditch in Texas. There was an eyewitness to the murder: Charles Harrelson’s girlfriend, who agreed to testify. For his defense, Harrelson hired Percy Foreman, then the most famous criminal lawyer in America. Despite the overwhelming evidence against him, Harrelson was acquitted. After burying his brother all those years ago, David Berg rarely talked about him. Yet in 2008 he began to remember and research Alan’s life and death. The result is Run, Brother, Run: part memoir—about growing up Jewish in 1950s Texas and Arkansas—and part legal story, informed by Berg’s experience as a seasoned lawyer. Writing with cold-eyed grief and a wild, lacerating humor, Berg tells us first about the striving Jewish family that created Alan Berg and set him on a course for self-destruction, and then about the miscarriage of justice when Berg’s murderer was acquitted. David Berg brings us a painful family history, a portrait of an iconic American place, and a true-crime courtroom murder drama that “elegantly brings to life the rough-and-tumble boomtown that was 1960s-era Houston, and conveys with unflinching force the emotional damage his brother’s death did to his family” (The New York Times).
  american history x brother: Sons of Providence Charles Rappleye, 2007-05-15 From the author of American Mafioso comes the story of the Brown brothers, leading slave merchants of Providence, Rhode Island, during the time of the American Revolution.
  american history x brother: "American History X". Overcoming Racism in Prison Sarah Gahler, 2016-08-09 Seminar paper from the year 2015 in the subject English Language and Literature Studies - Culture and Applied Geography, grade: 1,7, University of Rostock (Institut für Anglistik/ Amerikanistik), course: Prisoners and Prisons in the U.S., language: English, abstract: The theme of racism outside and inside a prison and how to personally overcome this racism as a victim as well as a perpetrator are major themes of the anti-racist movie American History X. The life of incarcerated people and how it influenced them is often portrayed in TV series or films which are mostly made to entertain the populace rather than to educate or raise awareness about the problems that arise within the displayed topics, and for that stereotypes and juxtapositions are used as well as certain methods and means of film making. This paper looks at exemplary scenes of American History X with emphasis on how some means of film making are used to display the life-changing experiences that main protagonist Derek Vinyard encounters while being incarcerated. Today more than two million people of the United States of America are incarcerated in prisons; serving a sentence for a crime they have committed. The experience each inmate makes individually can have an immense impact on their behaviour and mind-set in and outside prison walls. Prisons in general function as public institutions which should, at the very best, try to help the inmates to “find a lawful, economically stable place” in a community and in society after their time spent in prison (Fleisher and Decker 1-2). Incarcerated people not only have to deal with the limitations of their freedom and privacy, often they also encounter racism and racial segregation by officers and other inmates. According to Philip Goodman, it is the interaction between the inmate and officer in which categorization is born, and that makes racial categorization and segregation possible (762).
  american history x brother: The Hidden History of Big Brother in America Thom Hartmann, 2022-03-08 America’s most popular progressive radio host and New York Times bestselling author Thom Hartmann reveals how the government and corporate America misuse our personal data and shows how we can reclaim our privacy. Most Americans are worried about how companies like Facebook invade their privacy and harvest their data, but many people don’t fully understand the details of how their information is being adapted and misused. In this thought-provoking and accessible book, Thom Hartmann reveals exactly how the government and corporations are tracking our every online move and using our data to buy elections, employ social control, and monetize our lives. Hartmann uses extensive, vivid examples to highlight the consequences of Big Data on all aspects of our lives. He traces the history of surveillance and social control, looking back to how Big Brother invented whiteness to keep order and how surveillance began to be employed as a way to modify behavior. As he states, “The goal of those who violate privacy and use surveillance is almost always social control and behavior modification.” Along with covering the history, Hartmann shows how we got to where we are today, how China—with its new Social Credit System—serves as a warning, and how we can and must avoid a similarly dystopian future. By delving into the Constitutional right to privacy, Hartmann reminds us of our civil right and shows how we can restore it.
  american history x brother: Big Brother, Little Brother Sang-Dawn Lee, 2002 Big Brother, Little Brother provides a fascinating case study of the impact of American culture on South Korea during the Johnson administration.
  american history x brother: So You Want to Be a Producer Lawrence Turman, 2010-03-10 Few jobs in Hollywood are as shrouded in mystery as the role of the producer. What does it take to be a producer, how does one get started, and what on earth does one actually do? In So You Want to Be a Producer Lawrence Turman, the producer of more than forty films, including The Graduate, The River Wild, Short Circuit, and American History X, and Endowed Chair of the famed Peter Stark Producing Program at the University of Southern California, answers these questions and many more. Examining all the nuts and bolts of production, such as raising money and securing permissions, finding a story and developing a script, choosing a director, hiring actors, and marketing your project, So You Want to Be a Producer is a must-have resource packed with insider information and first-hand advice from top Hollywood producers, writers, and directors, offering invaluable help for beginners and professionals alike. Including a comprehensive case study of Turman’s film The Graduate, this complete guide to the movie industry’s most influential movers and shakers brims with useful tips and contains all the information you need to take your project from idea to the big screen.
  american history x brother: Good Brother, Bad Brother James Cross Giblin, 2005 On April 14, 1865, five days after the end of the Civil War, John Wilkes Booth fired a single shot and changed the course of American history. His infamous deed cost him his life and brought notoriety and shame to his family-particularly his elder brother, the renowned actor Edwin Booth. From that day forward, Edwin would be known as the brother of the man who killed President Lincoln. In many ways, the Booth brothers were two of a kind. They were among America's finest actors, having inherited from their father, Junius Brutus Booth, a commanding stage presence and a rich, expressive voice. They also inherited Junius's penchant for alcohol and impulsive behavior. In other respects, the two brothers were very different. Edwin's introspective nature made him the perfect actor to play Hamlet, while John, with his dashing good looks and passionate intensity, excelled in romantic roles. They also stood at opposite poles politically. Edwin voted for Abraham Lincoln; John was an ardent advocate of the Confederacy. Award-winning author James Cross Giblin draws on first-hand accounts of family members, friends, and colleagues to create a vivid image of John Wilkes, the loving son and brother who became an assassin. Equally clear is the picture of Edwin, who battled his own weaknesses and emerged a pivotal figure in the development of the American theater. Comprehensive and compelling, this dual portrait illuminates a dark and tragic moment in the nation's history and explores the complex legacy of two leading men-one revered, the other abhorred. Book jacket.
  american history x brother: On My Brother's Shoulders E. Willa Simpson, 2014-01-03 In this insightful and enlightening book, E. Willa Simpson takes readers on a journey through the African American experience. Her version of history as retold in poetic terms is a refreshing tribute to countless African American leaders. Through her honesty, courage and the unique critical dialogue reflected through interviews with key civil rights leaders including Angela Davis, Michael Eric Dyson, Mamie Till Mobley and Howard Bingham (producer of motion picture film Ali), combined with thought provoking verses; Simpson's work promises to leave readers pondering just how deeply African Americans were affected by their shackled enslavement, psychological impact of lynchings and tumultuous history in the United States. Simpson senses the worth involved in honoring the lives of those who contributed unselfishly to the struggle for justice and equality. Her book is definitely a must read! The Hollywood Film and Entertainment Review On My Brother's Shoulder's is the single most important book for African Americans today. It pays tribute to those who came before us and laid down their lives so that future generations would be able to have better and continue to sing a triumphant song. Simpson's book presents a timeless journey through the early civil rights movement as portrayed through the skillful retelling of the brutal lynching of Emmett Till a fourteen year old youth who was accused of having wolf whistled at a white woman. Through Simpson's thoughtful examination of the ideology behind lynching noted filmmaker, historian and poet; E. Willa Simpson pays tribute to countless African American legends including Emmett Till, Angela Davis, Michael Eric Dyson, Medgar Evers, Ida B. Wells and more.
  american history x brother: Motherless Brooklyn Jonathan Lethem, 2011-04-20 NATIONAL BOOK CRITICS CIRCLE AWARD WINNER • A complusively readable riff on the classic detective novel from America's most inventive novelist. A half-satirical cross between a literary novel and a hard-boiled crime story narrated by an amateur detective with Tourette's syndrome.... The dialogue crackles with caustic hilarity.... Unexpectedly moving. —The Boston Globe Brooklyn's very own self-appointed Human Freakshow, Lionel Essrog is an orphan whose Tourettic impulses drive him to bark, count, and rip apart our language in startling and original ways. Together with three veterans of the St. Vincent's Home for Boys, he works for small-time mobster Frank Minna's limo service cum detective agency. Life without Frank Minna, the charismatic King of Brooklyn, would be unimaginable, so who cares if the tasks he sets them are, well, not exactly legal. But when Frank is fatally stabbed, one of Lionel's colleagues lands in jail, the other two vie for his position, and the victim's widow skips town. Lionel's world is suddenly topsy-turvy, and this outcast who has trouble even conversing attempts to untangle the threads of the case while trying to keep the words straight in his head. Motherless Brooklyn is a brilliantly original, captivating homage to the classic detective novel by one of the most acclaimed writers of his generation.
  american history x brother: Criminology, Deviance, and the Silver Screen J. Frauley, 2011-01-19 This text argues for the usefulness of fictional realities for criminological theorizing and analysis. It illustrates that a creative and critical social scientific practice requires craft norms rather than commercial norms that threaten to completely colonize higher education.
  american history x brother: Brother, I'm Dying Edwidge Danticat, 2007 In a personal memoir, the author describes her relationships with the two men closest to her--her father and his brother, Joseph, a charismatic pastor with whom she lived after her parents emigrated from Haiti to the United States.
  american history x brother: American Brother Elisa Camara, 2013 On October 23, 1983, a suicide bomber rammed a truck filled with explosives into barracks housing United States Marines in Beirut, Lebanon. Two hundred forty-one Americans died that day. Among them, Sgt. Mecot Camara. His little sister, Elisa, their family and the small town of Hinton, West Virginia would never be the same. In this moving tribute to her big brother, and all the brave men and women of our Armed Forces, Elisa Camara recounts the life, the loves, and the adventures of an ordinary small town American boy who grew up to become an extraordinary man, a devoted son, husband and father, and, ultimately, a proud United States Marine who gave his life for his country. For Elisa, this is meant to serve not only as a cathartic telling of her brother's amazing story, but also as a reminder of the importance of courage, respect and selflessness--the very qualities that Mecot Camara embodied. The qualities that made him the quintessential American Brother.
  american history x brother: Dear Brother William Clark, Jonathan Clark, 2002-01-01 There are letters concerning the establishing of the Corps of Discovery's first winter camp in December 1803, preparations for setting out into the country west of Fort Mandan in 1805, and Clark's fossil dig at Big Bone Lick, Kentucky, in 1807. There are also letters about Lewis's disturbed final days that shed light on whether he committed suicide or was murdered.
  american history x brother: The Brothers Masha Gessen, 2016-05-10 Look out for Masha Gessen's new book, THE FUTURE IS HISTORY, coming October 2017 “A gripping narrative and a stunning piece of investigative journalism… [that] gives us the human side to the story of two young men who must be understood as more than monsters” (Christian Science Monitor) On April 15, 2013, two homemade bombs exploded near the finish line of the Boston marathon, killing three people and wounding more than 264 others. In the ensuing manhunt, Tamerlan Tsarnaev died, and his younger brother, Dzhokhar, was captured and brought to trial. Yet even after the guilty verdict and the death sentence, what we didn't know was why. Why did the American Dream go so wrong for two immigrants? How did such a nightmare come to pass? Acclaimed Russian-American journalist Masha Gessen is uniquely able to tell us. A teenage immigrant herself, she returned to Russia to cover firsthand the transformations that wracked the region from the 1990s on. It is there that she begins her astonishing account of the Tsarnaev brothers, descendants of ethnic Chechens deported to Central Asia in the Stalin era. Following the family in their futile attempts to make a life for themselves in one war-torn locale after another and then, as new émigrés, in an utterly disorienting new world, she reconstructs the brothers' struggle between assimilation and alienation, which incubated a deadly sense of mission. And she traces how such a split in identity can fuel the metamorphosis into a new breed of homegrown terrorist, with feet on American soil but sense of self elsewhere.
  american history x brother: The Plot Against America Philip Roth, 2004-10-05 Philip Roth's bestselling alternate history—the chilling story of what happens to one family when America elects a charismatic, isolationist president—is soon to be an HBO limited series. In an extraordinary feat of narrative invention, Philip Roth imagines an alternate history where Franklin D. Roosevelt loses the 1940 presidential election to heroic aviator and rabid isolationist Charles A. Lindbergh. Shortly thereafter, Lindbergh negotiates a cordial “understanding” with Adolf Hitler, while the new government embarks on a program of folksy anti-Semitism. For one boy growing up in Newark, Lindbergh’s election is the first in a series of ruptures that threaten to destroy his small, safe corner of America–and with it, his mother, his father, and his older brother. A terrific political novel . . . Sinister, vivid, dreamlike . . . creepily plausible. . . You turn the pages, astonished and frightened.” — The New York Times Book Review
  american history x brother: Blood Brother Rich Wallace, Sandra Neil Wallace, 2016-11-04 A Booklist Editor's Choice A Parents' Choice Gold Award A Eureka! Nonfiction Children's Book Award Honor Book Jonathan Daniels, a white seminary student from New Hampshire, traveled to Selma, Alabama, in 1965 to help with voter registration of black residents. After the voting rights marches, he remained in Alabama, in the area known as Bloody Lowndes, an extremely dangerous area for white freedom fighters, to assist civil rights workers. Five months later, Jonathan Daniels was shot and killed while saving the life of Ruby Sales, a black teenager. Through Daniels's poignant letters, papers, photographs, and taped interviews, authors Rich Wallace and Sandra Neil Wallace explore what led Daniels to the moment of his death, the trial of his murderer, and how these events helped reshape both the legal and political climate of Lowndes County and the nation.
  american history x brother: Brother West Cornel West, 2011-01-19 New York Times best-selling author Cornel West is one of America's most provocative and admired public intellectuals. Whether in the classroom, the streets, the prisons, or the church, Dr. West's penetrating brilliance has been a bright beacon shining through the darkness for decades. Yet, as he points out in this new memoir, I've never taken ...
  american history x brother: Brother in the Bush John Slaughter, 2009-03-01 Brother in the Bush is a coming-of-awareness memoir of what the experience of Africa can mean for a 21st-century African American. John Slaughter, a successful stockbroker, has “made it” as a black man in America, but his life is full of constant reminders of how violently fragile existence here really is. Not long after his Baltimore townhouse is invaded—and Slaughter confronts, shoots, and kills the intruder with his shotgun—he embarks on a series of trips to Africa that unfold over almost a decade. Along the way he discovers a way of life that transforms and deepens his identity as an African American. Seduced and humbled by the contrasting realities, beauties and dangers he discovers in East Africa, Slaughter encounters different ways of life that begin to change his conceptions of life’s purpose and meaning. Slaughter’s vivid, blunt, and erudite narrative voice moves back and forth from his past growing up in the sixties and seventies to the present-tense of his journeys. Brother in the Bush unearths, probes and assesses the truths that Africa helps teach Slaughter about his life—and all of our lives—here in today’s America.
  american history x brother: My Brother Slaves Sergio Lussana, 2016-05-20 Trapped in a world of brutal physical punishment and unremitting, back-breaking labor, Frederick Douglass mused that it was the friendships he shared with other enslaved men that carried him through his darkest days. In this pioneering study, Sergio A. Lussana offers the first in-depth investigation of the social dynamics between enslaved men and examines how individuals living under the conditions of bondage negotiated masculine identities. He demonstrates that African American men worked to create their own culture through a range of recreational pursuits similar to those enjoyed by their white counterparts, such as drinking, gambling, fighting, and hunting. Underscoring the enslaved men's relationships, however, were the sex-segregated work gangs on the plantations, which further reinforced their social bonds. Lussana also addresses male resistance to slavery by shifting attention from the visible, organized world of slave rebellion to the private realms of enslaved men's lives. He reveals how these men developed an oppositional community in defiance of the regulations of the slaveholder and shows that their efforts were intrinsically linked to forms of resistance on a larger scale. The trust inherent in these private relationships was essential in driving conversations about revolution. My Brother Slaves fills a vital gap in our contemporary understanding of southern history and of the effects that the South's peculiar institution had on social structures and gender expression. Employing detailed research that draws on autobiographies of and interviews with former slaves, Lussana's work artfully testifies to the importance of social relationships between enslaved men and the degree to which these fraternal bonds encouraged them to resist.
  american history x brother: America First Mandy Merck, 2012-11-12 At a time when the expanded projection of US political, military, economic and cultural power draws intensified global concern, understanding how that country understands itself seems more important than ever. This collection of new critical essays tackles this old problem in a new way, by examining some of the hundreds of US films that announce themselves as titularly 'American'. From early travelogues to contemporary comedies, national nomination has been an abiding characteristic of American motion pictures, heading the work of Porter, Guy-Blaché, DeMille, Capra, Sternberg, Vidor, Minnelli and Mankiewicz. More recently, George Lucas, Paul Schrader, John Landis and Edward James Olmos have made their own contributions to Hollywood’s Americana. What does this national branding signify? Which versions of Americanism are valorized, and which marginalized or excluded? Out of which social and historical contexts do they emerge, and for and by whom are they constructed? Edited by Mandy Merck, the collection contains detailed analyses of such films as The Vanishing American, American Madness, An American in Paris, American Graffiti, American Gigolo, American Pie and many more.
  american history x brother: Focus On: 100 Most Popular Nonlinear Narrative Films Wikipedia contributors,
  american history x brother: Sons of Wichita Daniel Schulman, 2014-05-20 Like the Rockefellers and the Kennedys, the Kochs are one of the most influential dynasties of the modern age, but they have never been the subject of a major biography -- until now. Not long after the death of his father, Charles Koch, then in his early 30s, discovered a letter the family patriarch had written to his sons. You will receive what now seems to be a large sum of money, Fred Koch cautioned. It may either be a blessing or a curse. Fred's legacy would become a blessing and a curse to his four sons-Frederick, Charles, and fraternal twins David and Bill-who in the ensuing decades fought bitterly over their birthright, the oil and cattle-ranching empire their father left behind in 1967. Against a backdrop of scorched-earth legal skirmishes, Charles and David built Koch Industries into one of the largest private corporations in the world-bigger than Boeing and Disney-and they rose to become two of the wealthiest men on the planet. Influenced by the sentiments of their father, who was present at the birth of the John Birch Society, Charles and David have spent decades trying to remake the American political landscape and mainline their libertarian views into the national bloodstream. They now control a machine that is a center of gravity within the Republican Party. To their supporters, they are liberating America from the scourge of Big Government. To their detractors, they are political contract killers, as David Axelrod, President Barack Obama's chief strategist, put it during the 2012 campaign. Bill, meanwhile, built a multi-billion dollar energy empire all his own, and earned notoriety as an America's Cup-winning yachtsman, a flamboyant playboy, and as a litigious collector of fine wine and Western memorabilia. Frederick lived an intensely private life as an arts patron, refurbishing a series of historic homes and estates. Sons of Witchita traces the complicated lives and legacies of these four tycoons, as well as their business, social, and political ambitions. No matter where you fall on the ideological spectrum, the Kochs are one of the most influential dynasties of our era, but so little is publicly known about this family, their origins, how they make their money, and how they live their lives. Based on hundreds of interviews with friends, relatives, business associates, and many others, Sons of Witchita is the first major biography about this wealthy and powerful family-warts and all.
  american history x brother: Brother Eagle, Sister Sky Susan Jeffers, 2002-07-22 The Earth does not belong to us. We belong to the Earth. The great American Indian Chief Seattle spoke these words over a hundred years ago. His remarkably relevant message of respect for the Earth and every creature on it has endured the test of time and is imbued with passion born of love of the land and the environment. Illustrated by award-winning artist Susan Jeffers, the stirring pen-and-color drawings bring a wide array of Native Americans to life while capturing the splendor of nature and the land. Children and parents alike will enjoy the timeless, poignant message presented in this beautifully illustrated picture book. Together, Seattle's words and Jeffers's images create a powerful message; this thoughtful book deserves to be pondered and cherished by all. (Publishers Weekly ) Illustrated by Susan Jeffers.
  american history x brother: Brothers at Arms Larrie D. Ferreiro, 2017-10-03 Pulitzer Prize Finalist in History Winner of the Journal of the American Revolution 2016 Book of the Year Award At the time the first shots were fired at Lexington and Concord the American colonists had little chance, if any, of militarily defeating the British. The nascent American nation had no navy, little in the way of artillery, and a militia bereft even of gunpowder. In his detailed accounts Larrie Ferreiro shows that without the extensive military and financial support of the French and Spanish, the American cause would never have succeeded. Ferreiro adds to the historical records the names of French and Spanish diplomats, merchants, soldiers, and sailors whose contribution is at last given recognition. Instead of viewing the American Revolution in isolation, Brothers at Arms reveals the birth of the American nation as the centerpiece of an international coalition fighting against a common enemy.
  american history x brother: Fascism and Millennial American Cinema Leighton Grist, 2018-05-31 This book examines a spate of American films released around the turn of the millennium that differently address the actuality or possibility of domestic fascism within the USA. The films discussed span a diversity of forms, genres and production practices, and encompass low- and medium-budget studio and independent releases (such as American History X, Stir of Echoes and The Believer), star and/or auteur vehicles (such as The Siege, Fight Club and American Beauty), and high-budget, high-concept science-fiction films and franchises (such as Starship Troopers, Minority Report, the Matrix and X-Men trilogies and the Star Wars prequels). Central to the book is the detailed analysis of the films, which is contextualized historically in relation to a period that saw the significant rise of the far Right. The book concordantly affords a wider insight into fascism and its various manifestations and how such have been, and continue to be, registered within American cinema.
  american history x brother: Blood Brothers Randy Roberts, Johnny Smith, 2016-11-01 An “engrossing and important book (Wall Street Journal) that brings to life the fateful friendship between Malcolm X and Muhammad Ali In 1962, boxing writers and fans considered Cassius Clay an obnoxious self-promoter, and few believed that he would become the heavyweight champion of the world. But Malcolm X, the most famous minister in the Nation of Islam, saw the potential in Clay, not just for boxing greatness, but as a means of spreading the Nation’s message. The two became fast friends, keeping their interactions secret from the press for fear of jeopardizing Clay’s career. Clay began living a double life—a patriotic “good negro” in public, and a radical reformer behind the scenes. Soon, however, their friendship would sour, with disastrous and far-reaching consequences. Based on previously untapped sources, from Malcolm’s personal papers to FBI records, Blood Brothers is the first book to offer an in-depth portrait of this complex bond. An extraordinary narrative of love and deep affection, as well as deceit, betrayal, and violence, this story is a window into the public and private lives of two of our greatest national icons, and the tumultuous period in American history that they helped to shape.
  american history x brother: The Better Brother Roy Bird, 2011-07-15 Years of painstaking research have uncovered more detail on Thomas Ward Custer, the younger brother of the legendary General George Custer. Historians are now coming to understand the full influence of Tom Custer on his brother and American life, from his heroic exploits during the Civil War to his legendary bravery during the Indian Wars, where he served under his brother as his aide-de-camp. Had Tom not been overshadowed by his more famous brother, he might well have become one of the more notable characters and military officers of the American West. Despite winning two Congressional Medals of Honor, his legendary feud with Rain-in-the-Face, the shooting scrape with “Wild Bill” Hickok, and many other fearsome exploits, Tom has taken a backseat to George in the American imagination. Only recently has his influence on the history of the United States become fully understood and appreciated by scholars. Author Roy Bird takes us inside the circle of Tom and Autie, whose close-knit relationship and intense rivalry in hunting, military skills, business, and even romance would span from their boyhood farm in Ohio to their heroic end at the Battle of Little Bighorn, where they were, as always, together. Bird’s The Better Brother is not only the story of two brothers whose incredible talents and healthy rivalry drove each other to greatness, but also a story at the center of American history.
  american history x brother: A Not So Foreign Affair Andrea Slane, 2001-05-22 In A Not So Foreign Affair Andrea Slane investigates the influence of images of Nazism on debates about sexuality that are central to contemporary American political rhetoric. By analyzing an array of films, journalism, scholarly theories, melodrama, video, and propaganda literature, Slane describes a common rhetoric that emerged during the 1930s and 1940s as a means of distinguishing “democratic sexuality” from that ascribed to Nazi Germany. World War II marked a turning point in the cultural rhetoric of democracy, Slane claims, because it intensified a preoccupation with the political role of private life and pushed sexuality to the center of democratic discourse. Having created tremendous anxiety—and fascination—in American culture, Nazism became associated with promiscuity, sexual perversionand the destruction of the family. Slane reveals how this particular imprint of fascism is used in progressive as well as conservative imagery and language to further their domestic agendas and shows how our cultural engagement with Nazism reflects the inherent tension in democracy between the value of diversity, individual freedoms national identity, and notions of the common good. Finally, she applies her analysis of wartime narratives to contemporary texts, examining anti-abortion, anti-gay, and anti-federal rhetoric, as well as the psychic life of skinheads, censorship debates, and the contemporary fascination with incest. An invaluable resource for understanding the language we use—both visual and narrative—to describe and debate democracy in the United States today, A Not So Foreign Affair will appeal to those interested in cultural studies, film and video studies, American studies, twentieth century history, German studies, rhetoric, and sexuality studies.
  american history x brother: Beyond Hate C. Richard King, David J. Leonard, 2016-04-15 Beyond Hate offers a critical ethnography of the virtual communities established and discursive networks activated through the online engagements of white separatists, white nationalists, and white supremacists with various popular cultural texts, including movies, music, television, sport, video games, and kitsch. Outlining the ways in which advocates of white power interpret popular cultural forms, and probing the emergent spaces of white power popular culture, it examines the paradoxical relationship that advocates of white supremacy have with popular culture, as they finding it to be an irresistible and repugnant reflection of social decay rooted in multiculturalism. Drawing on a range of new media sources, including websites, chat rooms, blogs and forums, this book explores the concerns expressed by advocates of white power, with regard to racial hierarchy and social order, the crisis of traditional American values, the perpetuation of liberal, feminist, elitist ideas, the degradation of the family and the fetishization of black men. What emerges is an understanding of the instruments of power in white supremacist discourses, in which a series of connections are drawn between popular culture, multiculturalism, sexual politics and state functions, all of which are seen to be working against white men. A richly illustrated study of the intersections of white power and popular culture in the contemporary U.S., and the use of use cyberspace by white supremacists as an imagined site of resistance, Beyond Hate will appeal to scholars of sociology and cultural studies with interests in race and ethnicity, popular culture and the discourses of the extreme right.
  american history x brother: A Conspectus of American Biography , 1906
  american history x brother: General Sun, My Brother Jacques Stéphen Alexis, 1999 A novel on the exploitation of the poor in the Caribbean. The hero is a Haitian peasant who becomes politicized while in jail. Forced to work as a sugar-cane cutter in the Dominican Republic, he participates in a strike which ends in a massacre.
  american history x brother: Dark Money Jane Mayer, 2017-01-24 NATIONAL BESTSELLER ONE OF THE NEW YORK TIMES 10 BEST BOOKS OF THE YEAR Who are the immensely wealthy right-wing ideologues shaping the fate of America today? From the bestselling author of The Dark Side, an electrifying work of investigative journalism that uncovers the agenda of this powerful group. In her new preface, Jane Mayer discusses the results of the most recent election and Donald Trump's victory, and how, despite much discussion to the contrary, this was a huge victory for the billionaires who have been pouring money in the American political system. Why is America living in an age of profound and widening economic inequality? Why have even modest attempts to address climate change been defeated again and again? Why do hedge-fund billionaires pay a far lower tax rate than middle-class workers? In a riveting and indelible feat of reporting, Jane Mayer illuminates the history of an elite cadre of plutocrats—headed by the Kochs, the Scaifes, the Olins, and the Bradleys—who have bankrolled a systematic plan to fundamentally alter the American political system. Mayer traces a byzantine trail of billions of dollars spent by the network, revealing a staggering conglomeration of think tanks, academic institutions, media groups, courthouses, and government allies that have fallen under their sphere of influence. Drawing from hundreds of exclusive interviews, as well as extensive scrutiny of public records, private papers, and court proceedings, Mayer provides vivid portraits of the secretive figures behind the new American oligarchy and a searing look at the carefully concealed agendas steering the nation. Dark Money is an essential book for anyone who cares about the future of American democracy. National Book Critics Circle Award Finalist LA Times Book Prize Finalist PEN/Jean Stein Book Award Finalist Shortlisted for the Lukas Prize
  american history x brother: Torturous Etiquettes Daniel Varndell, 2023-07-01 Etiquette, as noted toastmaster Herbert V. Prochnow once pointed out, is knowing how to yawn with your mouth closed—that is, to spare the feelings of the other person, one must stifle one's own. To be polite, therefore, is to perform. Onscreen, closeups often reveal the effort that goes into maintaining that performance: with a fleeting frown or a slight scowl, an actor reveals the torture of mannered behavior. In Torturous Etiquettes, Daniel Varndell examines such gestures to reveal the difficulties of the social encounter. Drawing on the history of etiquette, the book deconstructs an array of examples from classical and contemporary Hollywood and European cinema, taking a close look at onscreen representations of rudeness, ridiculing, racist and sexist etiquettes, hospitality, table manners, and more. In doing so, it reveals etiquette to be a persistent theme in cinema and questions the role it plays in either upholding or denying the basic humanity of others.
  american history x brother: The Hernandez Brothers Enrique García, 2017-07-18 This study offers a critical examination of the work of Gilbert and Jaime Hernandez, Mexican-American brothers whose graphic novels are highly influential. The Hernandez brothers started in the alt-comics scene, where their 'Love and Rockets' series quickly gained prominence. They have since published in more mainstream venues but have maintained an outsider status based on their own background and the content of their work. Enrique Garcia argues that the Hernandez brothers have worked to create a new American graphic storytelling that, while still in touch with mainstream genres, provides a transgressive alternative from an aesthetic, gender, and ethnic perspective. The brothers were able to experiment with and modify these genres by taking advantage of the editorial freedom of independent publishing. This freedom also allowed them to explore issues of ethnic and gender identity in transgressive ways. Their depictions of latinidad and sexuality push against the edicts of mainstream Anglophone culture, but they also defy many Latino perceptions of life, politics, and self-representation. The book concludes with an in-depth interview with Jaime and Gilbert Hernandez that touches on and goes beyond the themes explored in the book.
  american history x brother: Writings on American History , 1917
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