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| amy sherman palladino interview: Madly Marvelous Donna Zakowska, 2021-11-23 From the award-winning costume designer of Amazon Prime Video's The Marvelous Mrs. Maisel, a collection of the show’s costumes, with never-before-seen photography, sketches, production stills, and more Amazon Prime Video’s Emmy- and Golden Globe–winning series The Marvelous Mrs. Maisel centers on Miriam Midge Maisel, a 1950s New York City woman whose seemingly perfect life suddenly takes an unexpected turn, taking her from a comfortable life on Riverside Drive through the basket houses and nightclubs of Greenwich Village as she embarks on a groundbreaking standup comedy career. Created by Amy Sherman-Palladino (creator and showrunner of Gilmore Girls), and starring Rachel Brosnahan, Alex Borstein, and Tony Shalhoub, The Marvelous Mrs. Maisel has garnered fan and critical praise alike, with much of the attention focused on the exquisitely designed period costumes. Madly Marvelous: The Costumes of The Marvelous Mrs. Maisel explores the inner workings of award-winning costume designer Donna Zakowska’s process, as well as the many inspirations for the show’s wardrobe, including period photography, American and European fashion trends, and the various cultures and countercultures of late-1950s New York. The clothes of Mrs. Maisel are gorgeous, authentically detailed, and carefully crafted. Illustrated with sketches, photographs from Zakowska’s workspace, behind-the-scenes shots, and production stills, the book follows the series from season to season, showing how the vocabulary of fashion—context, style, color, cut, accessories, and more—is integral to defining and developing the characters in the show. Madly Marvelous is a must-have for fans of the show and fashionistas alike, providing readers with a curated and well-informed look at an integral period in fashion history. |
| amy sherman palladino interview: Stealing the Show Joy Press, 2019-03-19 From a leading cultural journalist, the definitive cultural history of female showrunners—including exclusive interviews with such influential figures as Shonda Rhimes, Amy Sherman-Palladino, Mindy Kaling, Amy Schumer, and many more. “An urgent and entertaining history of the transformative powers of women in TV” (Kirkus Reviews, starred review). In recent years, women have radically transformed the television industry both behind and in front of the camera. From Murphy Brown to 30 Rock and beyond, these shows and the extraordinary women behind them have shaken up the entertainment landscape, making it look as if equal opportunities abound. But it took decades of determination in the face of outright exclusion to reach this new era. In this “sharp, funny, and gorgeously researched” (Emily Nussbaum, The New Yorker) book, veteran journalist Joy Press tells the story of the maverick women who broke through the barricades and the iconic shows that redefined the television landscape starting with Diane English and Roseanne Barr—and even incited controversy that reached as far as the White House. Drawing on a wealth of original interviews with the key players like Amy Sherman-Palladino (Gilmore Girls), Jenji Kohan (Orange is the New Black), and Jill Soloway (Transparent) who created storylines and characters that changed how women are seen and how they see themselves, this is the exhilarating behind-the-scenes story of a cultural revolution. |
| amy sherman palladino interview: Gilmore Girls Lara C. Stache, Rachel Davidson, 2019-09-09 No longer just a cult classic, Gilmore Girls is a cultural staple for TV fans. Airing from 2000–2007, Gilmore Girls focused on the relationship between thirty-something single mom Lorelai and her teenage daughter, Rory. While exploring themes of family, romantic love, friendship, and life’s choices, this quirky show featured fast-paced dialogue, funny quips, and a steady stream of pop-culture references. Created by Amy Sherman-Palladino (The Marvelous Mrs. Maisel), Gilmore Girls served as a launching pad for the careers of its stars—including Lauren Graham, Melissa McCarthy, Alexis Bledel, Jared Padalecki, and Milo Ventimiglia. The series’ popularity was so enduring that ten years after its initial run, a revival season was released on Netflix. In Gilmore Girls: A Cultural History, Lara C. Stache and Rachel Davidson offer an engaging analysis of the popular series. The authors examine how the show serves as a representation of American culture and politics, reflects complexity within multiple mother-daughter dynamics, and employed literature, movies, and music to drive the dialogue and plot. They also explore how the choices made in the series reflect social values of the time, reinforce and challenge traditional ideas of gender and feminism, and unpack the cultural significance of this endearing series. As both a mirror and a construction of contemporary American culture, the series achieved critical accolades and became a cult classic, at once both unassuming and dynamic. This book offers new ways for fans to appreciate the appeal and value of this binge-worthy favorite as part of the larger culture in which it exists. Gilmore Girls: A Cultural History will be of interest to fans of the show as well as to scholars and students of television, media, and American popular culture. |
| amy sherman palladino interview: The Gilmore Girls Companion A. S. Berman, 2014 This is the HARDBACK version. From 2000 to its final episode in 2007, Gilmore Girls raised the bar for television writing, redefined the dramatic comedy, and cultivated a dedicated fan base not seen since the heights of Buffy the Vampire Slayer. However, unlike Buffy, little has been published about what went on behind-the-scenes of Gilmore Girl. Until now. The Gilmore Girls Companion provides the first detailed account of the creation of this groundbreaking series, based on dozens of exclusive interviews with the actors and behind-the-camera talent who brought Stars Hollow to life. Also check out the blog at http: //gilmoregirlsbook.wordpress.com/ . Over 500 pages! |
| amy sherman palladino interview: Didn't We Almost Have It All Gerrick Kennedy, 2022-02-01 Named a BEST BOOK OF THE YEAR... SO FAR by The New Yorker Named a BEST BOOK OF THE MONTH by The Washington Post A candid exploration of the genius, shame, and celebrity of Whitney Houston a decade after her passing On February 11, 2012, Whitney Houston was found submerged in the bathtub of her suite at the Beverly Hilton Hotel. In the decade since, the world has mourned her death amid new revelations about her relationship to her Blackness, her sexuality, and her addictions. Didn’t We Almost Have It All is author Gerrick Kennedy’s exploration of the duality of Whitney’s life as both a woman in the spotlight and someone who often had to hide who she was. This is the story of Whitney’s life, her whole life, told with both grace and honesty. Long before that fateful day in 2012, Whitney split the world wide open with her voice. Hers was a once-in-a-generation talent forged in Newark, NJ, and blessed with the grace of the church and the wisdom of a long lineage of famous gospel singers. She redefined “The Star-Spangled Banner.” She became a box-office powerhouse, a queen of the pop charts, and an international superstar. But all the while, she was forced to rein in who she was amid constant accusations that her music wasn’t Black enough, original enough, honest enough. Kennedy deftly peels back the layers of Whitney’s complex story to get to the truth at the core of what drove her, what inspired her, and what haunted her. He pulls the narrative apart into the key elements that informed her life—growing up in the famed Drinkard family; the two romantic relationships that shaped the entirety of her adult life, with Robyn Crawford and Bobby Brown; her fraught relationship to her own Blackness and the ways in which she was judged by the Black community; her drug and alcohol addiction; and, finally, the shame that she carried in her heart, which informed every facet of her life. Drawing on hundreds of sources, Kennedy takes readers back to a world in which someone like Whitney simply could not be, and explains in excruciating detail the ways in which her fame did not and could not protect her. In the time since her passing, the world and the way we view celebrity have changed dramatically. A sweeping look at Whitney’s life, Didn’t We Almost Have It All contextualizes her struggles against the backdrop of tabloid culture, audience consumption, mental health stigmas, and racial divisions in America. It explores exactly how and why we lost a beloved icon far too soon. |
| amy sherman palladino interview: Petals on the Wind V.C. Andrews, 2011-02-08 On the heels of the successful Lifetime TV version of Flowers in the Attic comes the TV movie tie-in edition of Petals On the Wind, the second book in the captivating Dollanganger saga. Forbidden love comes into full bloom. For three years they were kept hidden in the eaves of Foxworth Hall, their existence all but denied by a mother who schemed to inherit a fortune. For three years their fate was in the hands of their righteous, merciless grandmother. They had to stay strong...but in their hopeless world, Cathy and her brother Christopher discovered blossoming desires that tumbled into a powerful obsession. Now, with their frail sister Carrie, they have broken free and scraped enough together for three bus tickets and a chance at a new life. The horrors of the attic are behind them...but they will carry its legacy of dark secrets forever. |
| amy sherman palladino interview: Graduates in Wonderland Jessica Pan, Rachel Kapelke-Dale, 2014-05-06 Two best friends document their post-college lives in a hilarious, relatable, and powerfully honest epistolary memoir. Fast friends since they met at Brown University during their freshman year, Jessica Pan and Rachel Kapelke-Dale vowed to keep in touch after their senior year through in-depth—and brutally honest—weekly e-mails. After graduation, Jess packs up everything she owns and moves to Beijing on a whim, while Rachel heads to New York to work for an art gallery and to figure out her love life. Each spends the next few years tumbling through adulthood and reinventing themselves in various countries, including France, China, and Australia. Through their messages from around the world, they swap tales of teaching classes of military men, running a magazine, and flirting in foreign languages, along with the hard stuff: from harrowing accidents to breakups and breakdowns. Reminiscent of Sloan Crosley’s essays and Lena Dunham’s Girls, Graduates in Wonderland is an intimate, no-holds-barred portrait of two young women as they embark upon adulthood. |
| amy sherman palladino interview: Focus On: 100 Most Popular Television Series by Warner Bros. Television Wikipedia contributors, |
| amy sherman palladino interview: Bunheads Sophie Flack, 2011-10-10 A vibrant and absorbing novel about the competitive world of professional ballet, written by a former New York City Ballet dancer. As a dancer with the ultra-prestigious Manhattan Ballet company, nineteen-year-old Hannah Ward juggles intense rehearsals, dazzling performances, and complicated backstage relationships. But when she meets a spontaneous and irresistibly cute musician named Jacob, her universe begins to change. Until now, Hannah has happily followed the company's unofficial mantra, Don't think, just dance. But as Jacob opens her eyes to the world beyond the theater, Hannah must decide whether to compete against the other bunheads for a star soloist spot or to strike out on her own. Don't miss this behind-the-scenes look at the life of a young professional ballet dancer, written by an insider who lived it all. |
| amy sherman palladino interview: Have I Told You This Already? Lauren Graham, 2023-11-14 NEW YORK TIMES BESTSELLER • From the beloved star of Gilmore Girls and the New York Times bestselling author of Talking as Fast as I Can comes an “insightful, honest, funny, and moving collection of captivating stories” (BuzzFeed). “Graham is fast and furiously funny. . . . Where Graham leads, we will definitely follow.”—E! Online Lauren Graham has graced countless television screens with her quick-witted characters and hilarious talk show appearances, earning a reputation as a pop culture icon who always has something to say. In her latest book, Have I Told You This Already?, Graham combines her signature sense of humor with down-to-earth storytelling. Graham shares personal stories about her life and career—from her early days spent pounding the pavement while waitressing in New York City, to living on her aunt’s couch during her first Los Angeles pilot season, to thoughts on aging gracefully in Hollywood. In “R.I.P. Barneys New York” Graham writes about an early job as a salesperson at the legendary department store (and the time she inadvertently shoplifted from it); in “Ryan Gosling Cannot Confirm,” she attempts to navigate the unspoken rules of Hollywood hierarchies; in “Boobs of the ’90s” she worries her bras haven’t kept up with the times; and in “Actor-y Factory” she recounts what a day in the life of an actor looks like (unless you’re Brad Pitt). Filled with surprising anecdotes, sage advice, and laugh-out-loud observations, these all-new, original essays showcase the winning charm and wry humor that have delighted Graham’s millions of fans. |
| amy sherman palladino interview: Steven Spielberg Molly Haskell, 2017-01-03 A film-centric portrait of the extraordinarily gifted movie director whose decades-long influence on American popular culture is unprecedented Everything about me is in my films, Steven Spielberg has said. Taking this as a key to understanding the hugely successful moviemaker, Molly Haskell explores the full range of Spielberg s works for the light they shine upon the man himself. Through such powerhouse hits as Close Encounters of the Third Kind, E.T., Jurassic Park, and Indiana Jones, to lesser-known masterworks like A.I. and Empire of the Sun, to the haunting Schindler s List, Haskell shows how Spielberg s uniquely evocative filmmaking and story-telling reveal the many ways in which his life, work, and times are entwined. Organizing chapters around specific films, the distinguished critic discusses how Spielberg s childhood in non-Jewish suburbs, his parents traumatic divorce, his return to Judaism upon his son s birth, and other events echo in his work. She offers a brilliant portrait of the extraordinary director a fearful boy living through his imagination who grew into a man whose openness, generosity of spirit, and creativity have enchanted audiences for more than 40 years. |
| amy sherman palladino interview: Emergency Contact Mary H. K. Choi, 2019-04-09 “Smart and funny, with characters so real and vulnerable, you want to send them care packages. I loved this book.” —Rainbow Rowell From debut author Mary H.K. Choi comes a compulsively readable novel that shows young love in all its awkward glory—perfect for fans of Eleanor & Park and To All the Boys I’ve Loved Before. For Penny Lee, high school was a total nonevent. Her friends were okay, her grades were fine, and while she’d somehow landed a boyfriend, they never managed to know much about each other. Now Penny is heading to college in Austin, Texas, to learn how to become a writer. It’s seventy-nine miles and a zillion light years away from everything she can’t wait to leave behind. Sam’s stuck. Literally, figuratively, emotionally, financially. He works at a café and sleeps there too, on a mattress on the floor of an empty storage room upstairs. He knows that this is the god-awful chapter of his life that will serve as inspiration for when he’s a famous movie director but right this second the seventeen bucks in his checking account and his dying laptop are really testing him. When Sam and Penny cross paths it’s less meet-cute and more a collision of unbearable awkwardness. Still, they swap numbers and stay in touch—via text—and soon become digitally inseparable, sharing their deepest anxieties and secret dreams without the humiliating weirdness of having to, you know, see each other. |
| amy sherman palladino interview: Telecinematic Discourse Roberta Piazza, Monika Bednarek, Fabio Rossi, 2011 This cutting-edge collection of articles provides the first organised reflection on the language of films and television series across British, American and Italian cultures. The volume suggests new directions for research and applications, and offers a variety of methodologies and perspectives on the complexities of telecinematic discourse a hitherto virtually unexplored area of investigation in linguistics. The papers share a common vision of the big and small screen: the belief that the discourses of film and television offer a re-presentation of our world. As such, telecinematic texts reorganise and recreate language (together with time and space) in their own way and with respect to specific socio-cultural conventions and media logic. The volume provides a multifaceted, yet coherent insight into the diegetic as it revolves around narrative as opposed to mimetic as referring to other non-narrative and non-fictional genres discourses of fictional media. The collection will be of interest to researchers, tutors and students in pragmatics, stylistics, discourse analysis, corpus linguistics, communication studies and related fields. |
| amy sherman palladino interview: Walking in the Moment Between Tick and Tock J. Timothy King, 2013-06-20 The journey from chaos to fulfillment begins… The Passover story ends with the Israelites escaping across the Red Sea and, after much turmoil and struggle, finally gaining the prize—to roam the desert. This is the beginning of the story, not the end. And it is the beginning of our story, too, not the end. A story that culminates with Pentecost, the Jewish holiday of Shavuot, when God gave the Torah to Israel at Mount Sinai, and when he sent the Holy Spirit upon those gathered in the upper room. A short, inspirational book, Walking in the Moment between Tick and Tock is a collection of three expanded sermons, looking at this transforming story of personal development, between Passover and Pentecost, between Pesach and Shavuot, integrating insights from both Christian and Jewish thinkers. It tells the story of these holidays as linked parts of the same narrative, two ends of a single span. |
| amy sherman palladino interview: Language and Characterisation in Television Series Monika Bednarek, 2023-03-15 This book explores how language is used to create characters in fictional television series. To do so, it draws on multiple case studies from the United States and Australia. Brought together in this book for the first time, these case studies constitute more than the sum of their parts. They highlight different aspects of televisual characterisation and showcase the use of different data, methods, and approaches in its analysis. Uniquely, the book takes a mixed-method approach and will thus not only appeal to corpus linguists but also researchers in sociolinguistics, stylistics, and pragmatics. All corpus linguistic techniques are clearly introduced and explained, and the book is thus accessible to both experienced researchers as well as novice researchers and students. It will be essential reading in linguistics, literature, stylistics, and media/television studies. |
| amy sherman palladino interview: Talking as Fast as I Can Lauren Graham, 2016-11-29 NEW YORK TIMES BESTSELLER • In this collection of personal essays, the beloved star of Gilmore Girls and Parenthood reveals stories about life, love, and working as a woman in Hollywood—along with behind-the-scenes dispatches from the set of the new Gilmore Girls, where she plays the fast-talking Lorelai Gilmore once again. With a new bonus chapter In Talking as Fast as I Can, Lauren Graham hits pause for a moment and looks back on her life, sharing laugh-out-loud stories about growing up, starting out as an actress, and, years later, sitting in her trailer on the Parenthood set and asking herself, “Did you, um, make it?” She opens up about the challenges of being single in Hollywood (“Strangers were worried about me; that’s how long I was single!”), the time she was asked to audition her butt for a role, and her experience being a judge on Project Runway (“It’s like I had a fashion-induced blackout”). In “What It Was Like, Part One,” Graham sits down for an epic Gilmore Girls marathon and reflects on being cast as the fast-talking Lorelai Gilmore. The essay “What It Was Like, Part Two” reveals how it felt to pick up the role again nine years later, and what doing so has meant to her. Some more things you will learn about Lauren: She once tried to go vegan just to bond with Ellen DeGeneres, she’s aware that meeting guys at awards shows has its pitfalls (“If you’re meeting someone for the first time after three hours of hair, makeup, and styling, you’ve already set the bar too high”), and she’s a card-carrying REI shopper (“My bungee cords now earn points!”). Including photos and excerpts from the diary Graham kept during the filming of the recent Gilmore Girls: A Year in the Life, this book is like a cozy night in, catching up with your best friend, laughing and swapping stories, and—of course—talking as fast as you can. |
| amy sherman palladino interview: Collaborative Screenwriting and Story Development Marc Handler, 2023-12-05 This is a comprehensive guide to teach writing and story development from a collaborative global perspective. This book teaches writers how to take full advantage of emerging opportunities, both locally and globally. With an increasing number of international co-productions and many screenwriters now working collaboratively in writers rooms and development groups, author Marc Handler explains how to work cooperatively with others to break stories, plan seasons, create characters, and build series. To succeed, readers will learn how to give and receive feedback effectively, adapt to the style and constraints of executives and brands, and contribute to the team building process, all within an increasingly global media industry that is in constant flux. This book will help readers develop a global perspective, ensuring that they are prepared for new opportunities as they arise. Marc Handler provides cultural insight and understanding as he describes the fundamentals as well as advanced story skills. This book is essential reading for students taking classes such as Screenwriting Fundamentals, Writing for Film and TV, Introduction to Television Writing, and Advanced Screenwriting, as well as aspiring and early career screenwriters, showrunners, producers, and creative executives. |
| amy sherman palladino interview: Gilmore Girls and the Politics of Identity Ritch Calvin, 2014-11-21 This work examines the Gilmore Girls from a post-feminist perspective, evaluating how the show's main female characters and supporting cast fit into the classic portrayal of feminine identity on popular television. The book begins by placing Gilmore Girls in the context of the history of feminism and feminist television shows such as Mary Tyler Moore and One Day at a Time. The remainder of the essays look at series' portrayal of traditional and non-traditional gender identities and familial relationships. Topics include the hyper-real utopia represented by Gilmore Girls' fictional Stars Hollow; the faux-feminist perspective offered by Rory Gilmore's unfulfilling (and often masochistic) romantic relationships; the ways in which mean girl Paris Geller both adheres to and departs from the traditional archetype of female power and aggression; and the role of Lorelai Gilmore's oft-criticized marriage in destroying the show's central theme of single motherhood during its seventh season. The work also studies the role of food and its consumption as a narrative device throughout the show's development, evaluating the ways in which food negotiates, defines, and upholds the characters' gendered and class performances. The work also includes a complete episode guide listing the air date, title, writer, and director of every episode in the series. |
| amy sherman palladino interview: The Language of Fictional Television Monika Bednarek, 2010-09-02 With cases studies used throughout to help illustrate the more general points, this is an analysis of the most important characteristics of television dialogue, with a focus on fictional television. The book illustrates how we can fruitfully and systematically analyse the language of television. |
| amy sherman palladino interview: TV Writing On Demand Neil Landau, 2024-08-13 This book takes a deep dive into writing for today’s audiences, against the backdrop of a constantly evolving TV ecosystem. The aim of this 2nd edition is to go beyond an analysis of what makes exceptionally compelling episodic TV series work. It is a master course in the creation of entertainment that does more than meet the standards of modern audiences – it challenges their expectations. The book will help readers discover how to satisfy the satiated viewer, by analyzing the new hybrid genres, trends, and how to make smart initial decisions for a strong, sustainable story. It will also cover the development of iconic characters that foster empathy and entice viewers to bond with characters and generate the sensation that their problems are mutual. Finally, the book will also take a deep dive into creating a lasting, meaningful career in the TV marketplace, by overcoming trips, traps and tropes, the pros and cons of IP, the use of pitch documents, pitch decks, and show “bibles” as proof-of-concept in the marketplace. This will be an essential resource for student and professional writers and is supplemented with a companion website offering additional content, including script excerpts, pitch document/deck/show bible samples, scene analysis and templates, plus useful writing exercises to break new ground and to mine new territory. |
| amy sherman palladino interview: Twin Peaks Unwrapped Ben Durant, Bryon Kozaczka, 2020-04-08 Podcast hosts Ben Durant and Bryon Kozaczka have covered Twin Peaks on their Podcast for over 200 episodes. They have interviewed just about every cast member, fan and covered every theory about David Lynch and Mark Frost's television masterpiece. Now for the first time, they bring all that coverage to a book. |
| amy sherman palladino interview: Scarface Nation Ken Tucker, 2008-11-11 Don't get high on your own supply. Brian de Palma's brash, bloody version of Scarface was trashed by critics when it came out twenty-five years ago and didn't do well at the box office, but has become a spectacular fan favorite and enduring pop culture classic since. Never underestimate the greed of the other guy. What makes millions of people obsess over this movie? Why has Al Pacino's Tony Montana become the drug kingpin whose pugnacity and philosophy are revered in boardrooms and bedrooms across America? Who were the people that made the movie, influencing hip-hop style and swagger to this day? The world is yours. Scarface Nation is Ken Tucker's homage to all things Scarface—from the stars that acted in it to the influence it's had on all of us, from facts, figures and stories about the making of the movie to a witty and comprehensive look at Scarface's traces in today's pop and political culture. Say hello to my li'l fren! You know you love the line. You know you've seen the movie more than once. Now dive into the ultimate book of Scarface—mounded as high as the pile of cocaine on Tony's desk with delicious details and stimulating observations. You know what capitalism is? F--- you! |
| amy sherman palladino interview: Screwball Television David Scott Diffrient, David Lavery, 2010-04-13 Bringing together seventeen original essays by scholars from around the world, Screwball Television offers a variety of international perspectives on Gilmore Girls. Adored by fans and celebrated by critics for its sophisticated wordplay and compelling portrayal of a mother-daughter relationship, this contemporary American TV program finally gets its due as a cultural production unlike any other, one that is beholden to Hollywood’s screwball comedies of the 1930s, steeped in intertextual references, and framed as a kinder, gentler kind of cult television series in this tightly focused yet wide-ranging collection. This volume makes a significant contribution to television studies, genre studies, and women’s studies. Screwball Television seeks to bring Gilmore Girls more fully into academic discourse not only as a topic worthy of critical scrutiny but also as an infinitely rewarding text capable of stimulating the imagination of students beyond the classroom. |
| amy sherman palladino interview: The Naked and the Dead Norman Mailer, 2013-10-15 Hailed as one of the finest novels to come out of the Second World War, The Naked and the Dead received unprecedented critical acclaim upon its publication and has since enjoyed a long and well-deserved tenure in the American canon. This fiftieth anniversary edition features a new introduction created especially for the occasion by Norman Mailer. Written in gritty, journalistic detail, the story follows a platoon of Marines who are stationed on the Japanese-held island of Anopopei. Composed in 1948 with the wisdom of a man twice Mailer's age and the raw courage of the young man he was, The Naked and the Dead is representative of the best in twentieth-century American writing. |
| amy sherman palladino interview: How to Watch Television, Second Edition Ethan Thompson, Jason Mittell, 2020-03-31 A new edition that brings the ways we watch and think about television up to the present We all have opinions about the television shows we watch, but television criticism is about much more than simply evaluating the merits of a particular show and deeming it “good” or “bad.” Rather, criticism uses the close examination of a television program to explore that program’s cultural significance, creative strategies, and its place in a broader social context. How to Watch Television, Second Edition brings together forty original essays—more than half of which are new to this edition—from today’s leading scholars on television culture, who write about the programs they care (and think) the most about. Each essay focuses on a single television show, demonstrating one way to read the program and, through it, our media culture. From fashioning blackness in Empire to representation in Orange is the New Black and from the role of the reboot in Gilmore Girls to the function of changing political atmospheres in Roseanne, these essays model how to practice media criticism in accessible language, providing critical insights through analysis—suggesting a way of looking at TV that students and interested viewers might emulate. The contributors discuss a wide range of television programs past and present, covering many formats and genres, spanning fiction and non-fiction, broadcast, streaming, and cable. Addressing shows from TV’s earliest days to contemporary online transformations of the medium, How to Watch Television, Second Edition is designed to engender classroom discussion among television critics of all backgrounds. To access additional essays from the first edition, visit the links tab at nyupress.org/9781479898817/how-to-watch-television-second-edition/. |
| amy sherman palladino interview: The Evil Twins of American Television Kristi Rowan Humphreys, 2019-08-22 The Evil Twins of American Television examines evil-twin depictions in over fifty years of television, comparing male twins to female twins and male-writer depictions to female-writer depictions. Kristi Rowan Humphreys evaluates The Patty Duke Show, Bewitched, Gilligan’s Island, I Dream of Jeannie, and The Brady Bunch, among other television programs that use the twinning trope to explore themes of feminism and identity. Employing traits identified by Betty Friedan in The Feminine Mystique as belonging to the “evil” side of her “schizophrenic split” theory, Humphreys analyzes the ways in which these alter ego characters embody the desire for a separate self and independence through loose inhibitions, career interests, political interests, intellectual prowess, and assertiveness. This book then compares female-written twin episodes to male-written twin episodes, finding that when “evil twin” episodes are written by women writers, the twins are presented less as oppositional binaries and more as compatible, often symbiotic binaries. Thus, the women writers of these shows offer a compelling response to Friedan’s text, one that acknowledges and underscores the many complexities of women—the image of which cannot in reality be so easily split into two oppositional binaries. Humphreys then connects 1960s depictions to more current evil-twin examples, including those in Friends, Knight Rider, and Sabrina the Teenage Witch. |
| amy sherman palladino interview: A Refutation of Moral Relativism Peter Kreeft, 1999 No issue is more fateful for civilization than moral relativism. History knows not one example of a successful society which repudiated moral absolutes. Yet most attacks on relativism have been either pragmatic (looking at its social consequences) or exhorting (preaching rather than proving), and philosophers' arguments against it have been specialized, technical, and scholarly. In his typical unique writing style, Peter Kreeft lets an attractive, honest, and funny relativist interview a Muslim fundamentalist absolutist so as not to stack the dice personally for absolutism. In an engaging series of personal interviews, every conceivable argument the sassy Black feminist reporter Libby gives against absolutism is simply and clearly refuted, and none of the many arguments for moral absolutism is refuted. |
| amy sherman palladino interview: Someday, Someday, Maybe Lauren Graham, 2013-04-30 NEW YORK TIMES BESTSELLER • From Lauren Graham, the beloved star of Gilmore Girls and Parenthood, comes a witty, charming, and hilariously relatable debut novel about a struggling young actress trying to get ahead―and keep it together―in New York City. It’s January 1995, and Franny Banks has just six months left of the three-year deadline she set for herself when she came to New York, dreaming of Broadway and doing “important” work. But all she has to show for her efforts so far is a part in an ad for ugly Christmas sweaters, and a gig waiting tables at a comedy club. Her roommates―her best friend Jane, and Dan, an aspiring sci-fi writer―are supportive, yet Franny knows a two-person fan club doesn’t exactly count as success. Everyone tells her she needs a backup plan, and though she can almost picture moving back home and settling down with her perfectly nice ex-boyfriend, she’s not ready to give up on her goal of having a career like her idols Diane Keaton and Meryl Streep. Not just yet. But while she dreams of filling their shoes, in the meantime, she’d happily settle for a speaking part in almost anything—and finding a hair product combination that works. Everything is riding on the upcoming showcase for her acting class, where she’ll finally have a chance to perform for people who could actually hire her. And she can’t let herself be distracted by James Franklin, a notorious flirt and the most successful actor in her class, even though he’s suddenly started paying attention. Meanwhile, her bank account is rapidly dwindling, her father wants her to come home, and her agent doesn’t return her calls. But for some reason, she keeps believing that she just might get what she came for. Someday, Someday, Maybe is a story about hopes and dreams, being young in a city, and wanting something deeply, madly, desperately. It’s about finding love, finding yourself, and perhaps most difficult of all in New York City, finding an acting job. Praise for Someday, Someday, Maybe “A winning, entertaining read . . . [Lauren Graham] has smartly mined just the right details from her own experience, infusing her work with crackling dialogue and observations about show business that ring funny and true.”—The Washington Post “A charmer of a first novel . . . [Graham] has an easy, unforced style and, when the situation calls for it, a keen sense of the ridiculous.”—The Wall Street Journal “With insight, care, and an abundance of humor . . . Graham demonstrates that her acting chops are not her only talent.”—Library Journal “Thoroughly charming.”—Entertainment Weekly “Sweet, funny, and full of heart . . . a dazzling debut.”—Emily Giffin, New York Times bestselling author of Something Borrowed and Where We Belong “Warm and funny, charming and smart.”—Diane Keaton, New York Times bestselling author of Then Again “Graham deftly captures what it’s like to be young, ambitious, and hopeful in New York City.”—Candace Bushnell, New York Times bestselling author of Sex and the City and The Carrie Diaries “Fresh and funny and full of zingers, Lauren Graham’s charming writing style instantly drew me in.”—Meg Cabot, bestselling author of the Princess Diaries and Heather Wells Mystery series |
| amy sherman palladino interview: Permanent Record Mary H. K. Choi, 2020-09-29 A New York Times bestseller! “Smart and funny…warm and rewarding.” —Booklist (starred review) “A compelling and quirky tale of love and negotiating early adulthood in New York City.” —School Library Journal From the New York Times bestselling author of Emergency Contact, which Rainbow Rowell called “smart and funny,” comes a “captivating” (The New York Times) romance about how social media influences relationships every day. On paper, college dropout Pablo Rind doesn’t have a whole lot going for him. His graveyard shift at a twenty-four-hour deli in Brooklyn is a struggle. Plus, he’s up to his eyeballs in credit card debt. Never mind the state of his student loans. Pop juggernaut Leanna Smart has enough social media followers to populate whole continents. The brand is unstoppable. She graduated from child stardom to become an international icon, and her adult life is a queasy blur of private planes, step-and-repeats, aspirational hotel rooms, and strangers screaming for her just to notice them. When Leanna and Pablo meet at 5:00 a.m. at the bodega in the dead of winter it’s absurd to think they’d be A Thing. But as they discover who they are, who they want to be, and how to defy the deafening expectations of everyone else, Lee and Pab turn to each other. Which, of course, is when things get properly complicated. |
| amy sherman palladino interview: The Gilmore Girls: Other Side of Summer Helen Pai, 2002-11 Rory tries to cope with her still-single mother's insistence on returning all her wedding presents, the Chilton debutante ball, the arrival of Luke's hooligan nephew, and Tristan's return to school. |
| amy sherman palladino interview: The Nanny Diaries Emma McLaughlin, Nicola Kraus, 2007-02-06 Written by two former nannies, Emma McLaughlin and Nicola Kraus, The Nanny Diaries deftly punctures the glamour of Manhattan's upper class. Now a major motion picture starring Scarlett Johansson and Laura Linney. Wanted: One young woman to take care of four-year-old boy. Must be cheerful, enthusiastic and selfless--bordering on masochistic. Must relish sixteen-hour shifts with a deliberately nap-deprived preschooler. Must love getting thrown up on, literally and figuratively, by everyone in his family. Must enjoy the delicious anticipation of ridiculously erratic pay. Mostly, must love being treated like fungus found growing out of employers Hermès bag. Those who take it personally need not apply. Who wouldn't want this job? Struggling to graduate from NYU and afford her microscopic studio apartment, Nanny takes a position caring for the only son of the wealthy X family. She rapidly learns the insane amount of juggling involved to ensure that a Park Avenue wife who doesn't work, cook, clean, or raise her own child has a smooth day. When the Xs' marriage begins to disintegrate, Nanny ends up involved way beyond the bounds of human decency or good taste. Her tenure with the X family becomes a nearly impossible mission to maintain the mental health of their four-year-old, her own integrity and, most importantly, her sense of humor. Over nine tense months, Mrs. X and Nanny perform the age-old dance of decorum and power as they test the limits of modern-day servitude. |
| amy sherman palladino interview: First Lady of Laughs Grace Kessler Overbeke, 2024-09-17 Before Hacks and The Marvelous Mrs. Maisel, there was the comedienne who started it all First Lady of Laughs tells the story of Jean Carroll, the first Jewish woman to become a star in the field we now call stand-up comedy. Though rarely mentioned among the pantheon of early stand-up comics such as Henny Youngman and Lenny Bruce, Jean Carroll rivaled or even outshone the male counterparts of her heyday, playing more major theaters than any other comedian of her period. In addition to releasing a hit comedy album, Girl in a Hot Steam Bath, and briefly starring in her own sitcom on ABC, she also made twenty-nine appearances on The Ed Sullivan Show. Carroll made enduring changes to the genre of stand-up comedy, carving space for women and modeling a new form of Jewish femininity with her glamorous, acculturated, but still recognizably Jewish persona. She innovated a newly conversational, intimate style of stand-up, which is now recognized in comics like Joan Rivers, Sarah Silverman, and Tiffany Haddish. When Carroll was ninety-five she was honored at the Friars Club in New York City, where celebrities like Joy Behar and Lily Tomlin praised her influence on their craft. But her celebrated career began as an impoverished immigrant child, scrounging for talent show prize money to support her family. Drawing on archival footage, press clippings, and Jean Carroll’s personal scrapbook, First Lady of Laughs restores Jean Carroll’s remarkable story to its rightful place in the lineage of comedy history and Jewish American performance. |
| amy sherman palladino interview: The Prisoner of Sex Norman Mailer, 1985 Here, by America's foremost candidate for the Nobel Prize, is the book that some fifteen years ago created a firestorm among true believeers of the women's liberation movement, and which on rereading and contemplation emerges as one of the most sensible, sensitive and probing works on the ageless dialectic of man, woman, man-woman ever to be written. |
| amy sherman palladino interview: Hooked Sutton Foster, 2021-10-12 From the 2-time Tony Award-winner and the star of TV’s Younger, funny and intimate stories and reflections about how crafting has kept her sane while navigating the highs and lows of family, love, and show business (and how it can help you, too). Whether she’s playing an “age-defying” book editor on television or dazzling audiences on the Broadway stage, Sutton Foster manages to make it all look easy. How? Crafting. From the moment she picked up a cross stitch needle to escape the bullying chorus girls in her early performing days, she was hooked. Cross stitching led to crocheting, crocheting led to collages, which led to drawing, and so much more. Channeling her emotions into her creations centered Sutton as she navigated the significant moments in her life and gave her tangible reminders of her experiences. Now, in this charming and poignant collection, Sutton shares those moments, including her fraught relationship with her agoraphobic mother; a painful divorce splashed on the pages of the tabloids; her struggles with fertility; the thrills she found on the stage during hit plays like Thoroughly Modern Millie, Anything Goes, and Violet; her breakout TV role in Younger; and the joy of adopting her daughter, Emily. Accompanying the stories, Sutton has included crochet patterns, recipes, and so much more! Witty and poignant, Hooked will leave readers entertained as well as inspire them to pick up their own cross stitch needles and paintbrushes. |
| amy sherman palladino interview: Sharp Objects Gillian Flynn, 2018-05-17 Majhno mesto, velika skrivnost. Nekako tako bi lahko opisali Wind Gap, mestece na ameriškem srednjem vzhodu, rojstno mesto novinarke Camille. Po dolgem času se vrne, da bi za svoj časopis raziskala nenavaden umor in izginotje dveh deklic. Camille ve, da pod na videz idealistično krinko malega mesteca, kjer se vsi poznajo, brbotajo zamere in deviacije, zato se z odporom odpravi domov. Njena mama, bogata dedinja ogromne prašičje farme, je do nje hladna, medtem ko se do njene mlajše pol sestre Amme vede čudaško. Bolj ko Camille brska po odnosih v mestu, bolj se ji razkriva zamolčana, temačna družinska zgodovina, hkrati pa tudi osrčje teme, ki prepreda neraziskana umora. |
| amy sherman palladino interview: Blaze Ignites JL Madore, 2013-04-15 Book 1 of the completed 5 book Scourge Survivor Series She was chosen. His people were exiled. Nothing will ever be the same. Jade loves her life as a fae enforcer for her world's elite policing agency. She commands the element of fire and the gift of healing and is a well-loved instructor at the Haven Academy of the Gifted. Then, Castian, the god of fae gods, sends her on an emissary mission to reinstate a race of exiled Elves. Galan dreamed of leaving the village of the Highborne Elves his entire life but with his people exiled, where could he go? Then, on the first day of his rite of passage ritual, he crosses paths with a red-haired, smart-mouthed temptress. He has never encountered anyone like Jade—he has never encountered anyone outside his Highborne people. Although Galan's antiquated views on women offend Jade to her heated core, when ancient enemies seize their chance to strike at the Highbornes, Jade helps him navigate worlds he knows nothing about—the magical Realm of the Fair and, stranger still—the modern streets of Toronto. BLAZE IGNITES is an enemies to lovers romance and the first book in the Scourge Survivor series. It contains dark themes, slavery, sexual abuse, violence, damaged heroes, and gods and goddesses. BLAZE IGNITES blends strong, clever women and tough, sexy men in a fast-paced, volatile cocktail of action, seduction, and wicked humor. Don't miss the fun. Grab a copy of this page-turner today! |
| amy sherman palladino interview: Understanding Screenwriting Tom Stempel, 2008-04-15 No Marketing Blurb |
| amy sherman palladino interview: Ninth Street Women Mary Gabriel, 2018-09-25 Five women revolutionize the modern art world in postwar America in this gratifying, generous, and lush true story from a National Book Award and Pulitzer Prize finalist (Jennifer Szalai, New York Times). Set amid the most turbulent social and political period of modern times, Ninth Street Women is the impassioned, wild, sometimes tragic, always exhilarating chronicle of five women who dared to enter the male-dominated world of twentieth-century abstract painting -- not as muses but as artists. From their cold-water lofts, where they worked, drank, fought, and loved, these pioneers burst open the door to the art world for themselves and countless others to come. Gutsy and indomitable, Lee Krasner was a hell-raising leader among artists long before she became part of the modern art world's first celebrity couple by marrying Jackson Pollock. Elaine de Kooning, whose brilliant mind and peerless charm made her the emotional center of the New York School, used her work and words to build a bridge between the avant-garde and a public that scorned abstract art as a hoax. Grace Hartigan fearlessly abandoned life as a New Jersey housewife and mother to achieve stardom as one of the boldest painters of her generation. Joan Mitchell, whose notoriously tough exterior shielded a vulnerable artist within, escaped a privileged but emotionally damaging Chicago childhood to translate her fierce vision into magnificent canvases. And Helen Frankenthaler, the beautiful daughter of a prominent New York family, chose the difficult path of the creative life. Her gamble paid off: At twenty-three she created a work so original it launched a new school of painting. These women changed American art and society, tearing up the prevailing social code and replacing it with a doctrine of liberation. In Ninth Street Women, acclaimed author Mary Gabriel tells a remarkable and inspiring story of the power of art and artists in shaping not just postwar America but the future. |
| amy sherman palladino interview: Fast-talking Dames Maria DiBattista, 2001-01-01 In this acclaimed book, DiBattista paints vivid portraits of the grandest fast-talking dames of the 1930s and 1940s movie era including Katharine Hepburn, Irene Dunne, and Barbara Stanwyck. 39 illustrations. |
| amy sherman palladino interview: How to Teach Filthy Rich Girls Zoey Dean, 2007-05-01 Rose and Sage Baker, 17-year-old orphan twins with more money than God, are living the good life in decadent Palm Beach, Florida. Life is grand--until their purse string-controlling grandmother is infuriated by a Vanity Fair profile of the girls' unsavory exploits. Now, they'll lose their inheritances if they don't get into ultra-selective Duke University. Enter Megan Simms, a brainy, recent Yale grad who's drowning in school debt. For $75,000 dollars -- enough to pay back her loans -- she must ensure the girls are accepted at Duke. This is no small feat, given that the twins cannot sit still longer than it takes to down a glass of Cristal. Megan is going to have to learn her Pucci from her Prada, and play by a whole different set of rules if she's going to whip these two into academic shape. Along the way, she just might discover that the twins aren't the only ones getting an education. |
Amy这个名字怎么样，外国人怎么看，土不土啊？ - 知乎
记得以前在外国人的类似『知乎』的平台Quora上看到过类似的提问，Amy 一词来源于旧法语词，意为『心爱的人』，有认为叫 Amy的人一般具有创造力与领导力（当然，这个在真正职场 …
如何评价《生活大爆炸》里的 Amy？ - 知乎
那些总说Amy代表咱们女屌丝的，咱能别往自己脸上贴金么。人家undergraduate，phd一路哈佛的，在UCLA有自己实验室，后面在cal tech工作，知识相当渊博（可以跟Sheldon各种交流无障 …
毕业论文中引用古籍的注释该怎么写？ - 知乎
例如有句话是出自朱熹《朱文公文集》卷八十 《福州州学经史阁论》北京出版社 第1453页 那么注释里该包含…
查重的时候去除本人已发表文献的复制比为9%，但总复制比 …
Feb 14, 2023 · 因需要有一篇代表作送审，自己担心查了一下论文的去除个人已发表的文献的复制比为9%，但是总复制比达到了…
如何评价 Amy Winehouse？ - 知乎
Amy最大的功劳，是带动了英国白人骚灵女歌手的复兴。 达菲姐和阿呆妹的走红也不能说与她无关：2008年，Amy在第50届格莱美上拿到5项大奖；在第51届格莱美上Adele拿下最佳流行女歌 …
简述分辨率dpi和图像尺寸的关系，像素/英寸是什么意思？ - 知乎
Jun 30, 2020 · 知乎，中文互联网高质量的问答社区和创作者聚集的原创内容平台，于 2011 年 1 月正式上线，以「让人们更好的分享知识、经验和见解，找到自己的解答」为品牌使命。知乎凭 …
如何评价冰岛艺术家 Björk（比约克）？ - 知乎
《post》我挑不出不好的歌，《amy of me》开头就给我极大的震撼，《hyperballad》2'40后渐入的电子打击乐，让我觉得自己进入了仙境，《It's oh so quiet》20年前能做出这样的歌不是天 …
教育部抽检毕业论文会运行原始数据吗？ - 知乎
Jun 5, 2021 · 教育部抽检毕业论文会运行原始数据吗？ 不会的。 2021年1月7日，教育部印发《本科毕业论文（设计）抽检办法（试行）》（以下简称《办法》），要求自2021年1月1日起，启 …
Amy这个名字怎么样，外国人怎么看，土不土啊？ - 知乎
记得以前在外国人的类似『知乎』的平台Quora上看到过类似的提问，Amy 一词来源于旧法语词，意为『心爱的人』，有认为叫 Amy的人一般具有创造力与领导力（当然，这个在真正职场 …
如何评价《生活大爆炸》里的 Amy？ - 知乎
那些总说Amy代表咱们女屌丝的，咱能别往自己脸上贴金么。人家undergraduate，phd一路哈佛的，在UCLA有自己实验室，后面在cal tech工作，知识相当渊博（可以跟Sheldon各种交流无障 …
毕业论文中引用古籍的注释该怎么写？ - 知乎
例如有句话是出自朱熹《朱文公文集》卷八十 《福州州学经史阁论》北京出版社 第1453页 那么注释里该包含…
查重的时候去除本人已发表文献的复制比为9%，但总复制比 …
Feb 14, 2023 · 因需要有一篇代表作送审，自己担心查了一下论文的去除个人已发表的文献的复制比为9%，但是总复制比达到了…
如何评价 Amy Winehouse？ - 知乎
Amy最大的功劳，是带动了英国白人骚灵女歌手的复兴。 达菲姐和阿呆妹的走红也不能说与她无关：2008年，Amy在第50届格莱美上拿到5项大奖；在第51届格莱美上Adele拿下最佳流行女歌 …
简述分辨率dpi和图像尺寸的关系，像素/英寸是什么意思？ - 知乎
Jun 30, 2020 · 知乎，中文互联网高质量的问答社区和创作者聚集的原创内容平台，于 2011 年 1 月正式上线，以「让人们更好的分享知识、经验和见解，找到自己的解答」为品牌使命。知乎 …
如何评价冰岛艺术家 Björk（比约克）？ - 知乎
《post》我挑不出不好的歌，《amy of me》开头就给我极大的震撼，《hyperballad》2'40后渐入的电子打击乐，让我觉得自己进入了仙境，《It's oh so quiet》20年前能做出这样的歌不是天 …
教育部抽检毕业论文会运行原始数据吗？ - 知乎
Jun 5, 2021 · 教育部抽检毕业论文会运行原始数据吗？ 不会的。 2021年1月7日，教育部印发《本科毕业论文（设计）抽检办法（试行）》（以下简称《办法》），要求自2021年1月1日起， …
