Anatomy Lesson Of Dr Tulp

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  anatomy lesson of dr tulp: The Paradox of Rembrandt's "Anatomy of Dr. Tulp" William Schupbach, 1982
  anatomy lesson of dr tulp: Rembrandt Under the Scalpel Rembrandt Harmenszoon van Rijn, Norbert Middelkoop, Mauritshuis (Hague, Netherlands), 1998
  anatomy lesson of dr tulp: Anatomy Live Maaike Bleeker, 2008 Gross anatomy, the study of anatomical structures that can be seen by unassisted vision, has long been a subject of fascination for artists. For most modern viewers, however, the anatomy lesson—the technically precise province of clinical surgeons and medical faculties—hardly seems the proper breeding ground for the hybrid workings of art and theory. We forget that, in its early stages, anatomy pursued the highly theatrical spirit of Renaissance science, as painters such as Rembrandt and Da Vinci and medical instructors like Fabricius of Aquapendente shared audiences devoted to the workings of the human body. Anatomy Live: Performance and the Operating Theatre, a remarkable consideration of new developments on the stage, as well as in contemporary writings of theorists such as Donna Haraway and Brian Massumi, turns our modern notions of the dissecting table on its head—using anatomical theatre as a means of obtaining a fresh perspective on representations of the body, conceptions of subjectivity, and own knowledge about science and the stage. Critically dissecting well-known exhibitions like Body Worlds and The Visible Human Project and featuring contributions from a number of diverse scholars on such subjects as the construction of spectatorship and the implications of anatomical history, Anatomy Live is not to be missed by anyone with an interest in this engaging intersection of science and artistic practice.
  anatomy lesson of dr tulp: Anatomies Hugh Aldersey-Williams, 2013-02-07 The Sunday Times Science Book of the Year, Anatomies by Hugh Aldersey-Williams, author of bestseller Periodic Tales, is a splendidly entertaining journey through the art, science, literature and history of the human body. 'Magnificent, inspired. He writes like a latter-day Montaigne. Stimulating scientific hypotheses, bold philosophic theories, illuminating quotations and curious facts. I recommend it to all' Telegraph ***** 'Splendid, highly entertaining, chock-full of insights ... It inserts fascinating scientific snippets and anecdotes about our organs into the wider history of our changing understanding of our bodies' Sunday Times 'A relentlessly entertaining cultural history of the human body ... brims with fascinating details, infectious enthusiasm ... the terrain he covers is so richly brought to life' Guardian 'Elegant and informative ... For Aldersey-Williams, [the body] is a thing of wonder and a repository of fascinating facts' Mail on Sunday **** In Anatomies, bestselling author Hugh Aldersey-Williams investigates that marvellous, mysterious form: the human body. Providing a treasure trove of surprising facts, remarkable stories and startling information drawn from across history, science, art and literature - from finger-prints to angel physiology, from Isaac Newton's death-mask to the afterlife of Einstein's brain - he explores our relationship with our bodies and investigates our changing attitudes to the extraordinary physical shell we inhabit. 'More than a science book - it's also history, biography and autobiography - Anatomies is writing at its most refined, regardless of genre' Sunday Times Praise for Periodic Tales: 'Science writing at its best ... fascinating and beautiful ... if only chemistry had been like this at school ... to meander through the periodic table with him ... is like going round a zoo with Gerald Durrell ... a rich compilation of delicious tales, but it offers greater rewards, too' Matt Ridley 'Immensely engaging and continually makes one sit up in surprise' Sunday Times 'Splendid ... enjoyable and polished' Observer 'Full of good stories and he knows how to tell them well ... an agreeable jumble of anecdote, reflection and information' Sunday Telegraph 'Great fun to read and an endless fund of unlikely and improbable anecdotes ... sharp and often witty' Financial Times Hugh Aldersey-Williams studied natural sciences at Cambridge. He is the author of several books exploring science, design and architecture and has curated exhibitions at the Victoria and Albert Museum and the Wellcome Collection. His previous book Periodic Tales: The Curious Lives of the Elements was a Sunday Times bestseller and has been published in many languages around the world. He lives in Norfolk with his wife and son.
  anatomy lesson of dr tulp: Rembrandt. the Complete Paintings , 2024-11-15
  anatomy lesson of dr tulp: Scandals, Vandals, and da Vincis Harvey Rachlin, 2007-03-27 The secret histories of the world’s most famous masterpieces Caravaggios, Rembrandts, Monets—the works of immortal artists such as these are indelibly imprinted in the public mind; they are priceless masterpieces whose beauty, artistry, and emotional impact have inspired admiration, awe, and envy through the centuries. Yet behind many of these brilliant paintings and sculptures are fascinating, unique histories. In Scandals, Vandals, and da Vincis, award-winning writer Harvey Rachlin relates in exciting detail how nearly thirty of these works came to be created and how they survived burglary, forgery, revolutions, ransoms, vandals, scandals, religious sects, and shipwrecks to eventually come to their current resting places
  anatomy lesson of dr tulp: The Rings of Saturn W. G. Sebald, 2016-11-08 The book is like a dream you want to last forever (Roberta Silman, The New York Times Book Review), now with a gorgeous new cover by the famed designer Peter Mendelsund A masterwork of W. G. Sebald, now with a gorgeous new cover by the famed designer Peter Mendelsund The Rings of Saturn—with its curious archive of photographs—records a walking tour of the eastern coast of England. A few of the things which cross the path and mind of its narrator (who both is and is not Sebald) are lonely eccentrics, Sir Thomas Browne’s skull, a matchstick model of the Temple of Jerusalem, recession-hit seaside towns, wooded hills, Joseph Conrad, Rembrandt’s Anatomy Lesson, the natural history of the herring, the massive bombings of WWII, the dowager Empress Tzu Hsi, and the silk industry in Norwich. W.G. Sebald’s The Emigrants (New Directions, 1996) was hailed by Susan Sontag as an astonishing masterpiece perfect while being unlike any book one has ever read. It was one of the great books of the last few years, noted Michael Ondaatje, who now acclaims The Rings of Saturn an even more inventive work than its predecessor, The Emigrants.
  anatomy lesson of dr tulp: The Anatomy Lesson John D. Morley, 1996-10 In this novel, a young American who has chosen to exile himself in contemporary Amsterdam, is trying to come to terms with the premature death of his widely admired elder brother. Other work by the author includes Pictures from the Water Trade and The Feast of Fools.
  anatomy lesson of dr tulp: Fluid Bodies and Bodily Fluids in Premodern Europe Anne M. Scott, Michael David Barbezat, 2019 This collection of essays explores the ways that medieval and pre-modern literature, theology, and art utilised representations of the human body and its fluids both to signify and to explain change.
  anatomy lesson of dr tulp: Young Rembrandt: A Biography Onno Blom, 2020-09-08 A captivating exploration of the little-known story of Rembrandt’s formative years by a prize-winning biographer. Rembrandt van Rijn’s early years are as famously shrouded in mystery as Shakespeare’s, and his life has always been an enigma. How did a miller’s son from a provincial Dutch town become the greatest artist of his age? How in short, did Rembrandt become Rembrandt? Seeking the roots of Rembrandt’s genius, the celebrated Dutch writer Onno Blom immersed himself in Leiden, the city in which Rembrandt was born in 1606 and where he spent his first twenty-five years. It was a turbulent time, the city having only recently rebelled against the Spanish. There are almost no written records by or about Rembrandt, so Blom tracked down old maps, sought out the Rembrandt family house and mill, and walked the route that Rembrandt would have taken to school. Leiden was a bustling center of intellectual life, and Blom, a native of Leiden himself, brings to life all the places Rembrandt would have known: the university, library, botanical garden, and anatomy theater. He investigated the concerns and tensions of the era: burial rites for plague victims, the renovation of the city in the wake of the Spanish siege, the influx of immigrants to work the cloth trade. And he examined the origins and influences that led to the famous and beloved paintings that marked the beginning of Rembrandt’s celebrated career as the paramount painter of the Dutch Golden Age. Young Rembrandt is a fascinating portrait of the artist and the world that made him. Evocatively told and beautifully illustrated with more than 100 color images, it is a superb biography that captures Rembrandt for a new generation.
  anatomy lesson of dr tulp: Rembrandt's Whore Sylvie Matton, 2020-02-06 A sensitive innocent, Hendrickje Stoffels escapes the harsh realities of her garrison home-town to take up a servant's role in Rembrandt's household. She soon becomes his lover and closest confidante, and plays witness to the highs and lows of the great artist's life. But Hendrickje is fated to discover the hypocrisy and greed of society in Amsterdam's Golden Age. In sensuous prose, Matton paints a powerful fictional portrait of this impassioned relationship through the eyes of a remarkable woman.
  anatomy lesson of dr tulp: Rembrandt, 1606-1669 Michael Bockemühl, 2000 Baroque.
  anatomy lesson of dr tulp: The Iconography of Andreas Vesalius Marion Harry Spielmann, 1925
  anatomy lesson of dr tulp: Medicine, Rationality and Experience Byron J. Good, 1994 Biomedicine is often thought to provide a scientific account of the human body and of illness. In this view, non-Western and folk medical systems are regarded as systems of 'belief' and subtly discounted. This is an impoverished perspective for understanding illness and healing across cultures, one that neglects many facets of Western medical practice and obscures its kinship with healing in other traditions. Drawing on his research in several American and Middle Eastern medical settings, in this 1993 book Professor Good develops a critical, anthropological account of medical knowledge and practice. He shows how physicians and healers enter and inhabit distinctive worlds of meaning and experience. He explores how stories or illness narratives are joined with bodily experience in shaping and responding to human suffering and argues that moral and aesthetic considerations are present in routine medical practice as in other forms of healing.
  anatomy lesson of dr tulp: Carnal Art C. Jill O'Bryan, The French artist Orlan is infamous for performances during which her body is surgically altered. In nine such performance surgeries, features from Greek goddesses painted by Botticelli, Gerard, Moreau, and an anonymous School of Fontainebleau artist, as well as from da Vinci's Mona Lisa, were implanted into Orlan's face. During her surgical performances, viewers witness a material tampering with the relationship between the face and individual identity, the original and the constructed, a historical critique of the association of art with beauty and the female body. Responding to Orlan's definition of her performance surgeries as carnal art, C. Jill O'Bryan considers how the artist's ever-fluctuating reconstructions of her face question idealized beauty and female identity, persuasively arguing that Orlan's surgically reinvented face succeeds in both reinforcing and breaking apart corporeal subjectivity and representation. O'Bryan contextualizes Orlan's operations within the centuries-long history of public dissections and surgeries, lavish anatomical illustrations created to draw the gaze into the opened anatomy, Artaud's Theater of Cruelty in the early twentieth century, and contemporary works and performances by Cindy Sherman, Hans Bellman, and Annie Sprinkle. A compelling blurring of the line between feminist theory and art criticism, O'Bryan's close examination of Orlan's performance surgeries complicates and reconfigures the notions of identity--and its relation to the body--at the very boundary dividing art from identity.
  anatomy lesson of dr tulp: A Hole in the Head Charles G. Gross, 2012-01-13 Essays on great figures and important issues, advances and blind alleys—from trepanation to the discovery of grandmother cells—in the history of brain sciences. Neuroscientist Charles Gross has been interested in the history of his field since his days as an undergraduate. A Hole in the Head is the second collection of essays in which he illuminates the study of the brain with fascinating episodes from the past. This volume's tales range from the history of trepanation (drilling a hole in the skull) to neurosurgery as painted by Hieronymus Bosch to the discovery that bats navigate using echolocation. The emphasis is on blind alleys and errors as well as triumphs and discoveries, with ancient practices connected to recent developments and controversies. Gross first reaches back into the beginnings of neuroscience, then takes up the interaction of art and neuroscience, exploring, among other things, Rembrandt's “Anatomy Lesson” paintings, and finally, examines discoveries by scientists whose work was scorned in their own time but proven correct in later eras.
  anatomy lesson of dr tulp: Rembrandt: The Painter Thinking Ernst van de Wetering, 2016-04-18 Throughout his life, Rembrandt van Rijn (1606-1669) was considered an exceptional artist by contemporary art lovers. In this highly original book, Ernst van de Wetering investigates why Rembrandt, from a very early age, was praised by high-placed connoisseurs like Constantijn Huygens. It turns out that Rembrandt, from his first endeavours in painting on, had embarked on a journey past all the 'foundations of the art of painting' which were considered essential in the seventeenth century. In his systematic exploration of these foundations, Rembrandt achieved mastery in all of them, thus becoming the 'pittore famoso' that count Cosimo the Medici visited at the end of his life. Rembrandt never stopped searching for ever better solutions to the pictorial problems he saw himself confronted with; this sometimes led to radical decisions and alterations in his way of working, which cannot simply be explained by attributing them to a 'change in style' or a 'natural development'. In a quest as rigorous and novel as Rembrandt's, Van de Wetering shows us how Rembrandt dealt with the foundations of his art and used them to try and become the best painter the world had ever seen. His book sheds new light both on Rembrandt's exceptional accomplishments and on the practice of painting in the Dutch Golden Age at large.
  anatomy lesson of dr tulp: Rembrandt's Eyes Simon Schama, 1999 For Rembrandt, as for Shakespeare, all the world was indeed a stage, and he knew in exhaustive detail the tactics of its performance: the strutting and mincing, the wardrobe and face-paint, the full repertoire and gesture and gimace, the flutter of hands and the roll of the eyes, the belly-laugh and the half-stifled sob. He knew what it looked like to seduce, to intimidate, to wheedle and to console; to strike a pose or preach a sermon, to shake a fist or uncover a breast; and how to sin and how to atone. No artist had ever been so fascinated by the fashioning of personae, beginning with his own. No painter ever looked with such unsparing intelligence or such bottomless compassion at our entrances and our exits and the whole rowdy show in between.
  anatomy lesson of dr tulp: Discovering Brazil with Albert Eckhout (1610-1666) Albert van der Eeckhout, 2004
  anatomy lesson of dr tulp: Dutch Portraits Rudolf E. O. Ekkart, Quentin Buvelot, Marieke de Winkel, National Gallery (Great Britain), 2007 In the Golden Age of the Dutch Republic, every gentleman of standing had himself eternalized in a portrait. In Holland, these gentlemen were burghers, not aristocrats, or princes of the church. They were prosperous merchants, scholars, generals, and stadholders, seen in official and private settings, alone or in the company of colleagues, or surrounded by their wives and children. Seventeenth-century Dutch portraiture is a remarkable phenomenon: never before had so many portraits been painted. Today, these pictures offer insight into the taste, fashion, occupations, and ambitions of affluent 17th-century individuals. The two great masters of Dutch portraiture, Rembrandt and Frans Hals, are both represented here.
  anatomy lesson of dr tulp: Rembrandt Landscape Drawings Rembrandt Harmenszoon van Rijn, 1981-01-01 A supreme master of landscape drawings, Rembrandt's extraordinary draftsmanship possessed a vitality and power that few artists ever achieve. This excellent volume displays in sharp, quality reproductions 60 authentic landscapes chosen from the great facsimile editions. Publisher's Note. Captions. 60 black-and-white illustrations.
  anatomy lesson of dr tulp: Leonardo Da Vinci Martin Clayton, Ronald Philo, 2010 Leonardo da Vinci was not only one of the leading artists of the Renaissance, he was also one of the greatest anatomists ever to have lived. He combined, to a unique degree, manual skill in dissection, analytical skill in understanding the structures he uncovered, and artistic skill in recording his results. His extraordinary campaign of dissection, conducted during the winter of 1510-11 and concentrating on the muscles and bones of the human skeleton, was recorded on the pages of a manuscript now in the Print Room of the Royal Library at Windsor Castle. These are arguably the finest anatomical drawings ever made and are extensively annotated in Leonardo's distinctive mirror-writing, with explanations of the drawings, notes on related anatomical matters, memoranda and so on. This publication reproduces the entire manuscript, and for the first time translates all of Leonardo's copious notes on the page so that the unfolding of his thoughts may readily be followed.
  anatomy lesson of dr tulp: Rembrandt's Enterprise Svetlana Alpers, 1990 Drawing on and furthering the enterprise of Rembrandt scholars, who have been reinterpreting the artist and his work over the past 25 years, Alpers presents new considerations about Rembrandt's handling of paint, his theatrical approach to his models, his use of his studio as an environment under his control, and his relationship to those who bought his work. Her study is timely in light of recent research showing that well-known works attributed to Rembrandt are by followers instead. Alpers developed her text from a lecture series, and the prose gains readability by retaining some of the flavor of a talk. Still, this will find its audience chiefly among scholars and specialists in the field. Kathryn W. Finkelstein, M. Ln., Cincinnati Copyright 1988 Reed Business Information, Inc. -- From Library Journal.
  anatomy lesson of dr tulp: Artists and Anatomists A. Hyatt Mayor, 1994-01-01
  anatomy lesson of dr tulp: The Rembrandt Book Gary Schwartz, 2006-11-08 Rembrandt was an esteemed artist in his own time as well as in the present.
  anatomy lesson of dr tulp: La Luministe Paula Butterfield, 2019-03-15 A fictional novel that focuses upon the turbulent life and times of one of the founders of the Impressionist movement: Berthe Morisot. This novel was awarded a first prize in historical fiction from the Chanticleer Reviews writing contest.
  anatomy lesson of dr tulp: Scenes of Everyday Life Christopher Brown, Ashmolean Museum, 1999 During Holland's Golden Age in the 1700's, as trade prospered, painters helped to bring about the world's first popular art movement. The scenes in this book are from a collection esteemed as the finest in the Netherlands.
  anatomy lesson of dr tulp: Medical Portraits Cecil Striker, 1963
  anatomy lesson of dr tulp: Everything that Rises Lawrence Weschler, 2006 From a cuneiform tablet to a Chicago prison, from the depths of the cosmos to the text on our T-shirts, Lawrence Weschler finds strange connections wherever he looks. The farther one travels (through geography, through art, through science, through time), the more everything seems to converge -- at least, it does if you're looking through Weschler's giddy, brilliant eyes. Weschler combines his keen insights into art, his years of experience as a chronicler of the fall of Communism, and his triumphs and failures as the father of a teenage girl into a series of essays sure to illuminate, educate, and astound.
  anatomy lesson of dr tulp: Victorine Drema Drudge, 2019-12 In 1863, civil war is raging in the United States. Victorine Meurent is posing nude, in Paris, for paintings that will be heralded as the beginning of modern art: Manet's Olympia and Picnic on the Grass. However, Victorine's persistent desire is not to be a model but to be a painter herself. In order to live authentically, she finds the strength to flout the expectations of her parents, bourgeois society, and the dominant male artists (whom she knows personally) while never losing her capacity for affection, kindness, and loyalty. Possessing both the incisive mind of a critic and the intuitive and unconventional impulses of an artist, Victorine and her survival instincts are tested in 1870, when the Prussian army lays siege to Paris and rat becomes a culinary delicacy. Drēma Drudge's powerful first novel Victorine not only gives this determined and gifted artist back to us but also recreates an era of important transition into the modern world.
  anatomy lesson of dr tulp: Rembrandt Christian Tümpel, 1993 A book which is the result of more than 20 years of research and offers new interpretations of the art of Rembrandt van Rijn (1606-1669). It was designed to be a catalogue raisonne of works by the artist or works traditionally attributed to him. In a text that incorporates his own scholarship as well as the latest findings of the Rembrandt Research Project, the author explores the development of Rembrandt's art through the story of the artist's life. First, Tumpel frees the iconographic interpretation of Rembrandt's art of its traditional literary connections. Second, he demonstrates that Rembrandt was inspired by various 16th-century visual materials and was therefore less original than was assumed until now. The author also analyzes the stylistic traditions of Rembrandt's time and ultimately presents a series of convincing interpretations of Rembrandt's famous history pieces.
  anatomy lesson of dr tulp: The Paintings of Rembrandt Rembrandt Harmenszoon van Rijn, 1942
  anatomy lesson of dr tulp: Anatomical Drawings Leonardo (da Vinci), Ivan Pedersen, Christopher Orchard, 1983*
  anatomy lesson of dr tulp: Dutch Medical Biography Gerrit Arie Lindeboom, 1984
  anatomy lesson of dr tulp: The Dutch Painters Christopher Wright, 1986
  anatomy lesson of dr tulp: Cadaver Jonah D. Ansell, 2013 A cadaver wakes up to say a last goodbye to his wife but discovers a truth in death he didn't know in life.--Back cover.
  anatomy lesson of dr tulp: Prints and the Pursuit of Knowledge in Early Modern Europe Mary and Leigh Block Museum of Art, 2011 Published to accompany an exhibition held at the Harvard Art Museums, Sept. 6-Dec. 10, 2011, and the Block Museum of Art, Jan. 17-Apr. 8, 2012.
  anatomy lesson of dr tulp: Late Constable Hb , 2021-11-15 On John Constable as a proto-abstractionist of pastoral landscape One of Britain's greatest landscape painters, John Constable was brought up in Dedham Vale, the valley of the River Stour in Suffolk. The eldest son of a wealthy mill owner, he entered the Royal Academy Schools in 1800 at the age of 24, and thereafter committed himself to painting nature out of doors. His six-footers, such as The Hay Wainand The Leaping Horse, were designed to promote landscape as a subject and to stand out in the Academy's Annual Exhibition. Despite this, he sold few paintings in his lifetime and was elected a Royal Academician late in his career. With texts by leading authorities on the artist, this handsome book looks at the freedom of Constable's late works and records his enormous contribution to the English landscape tradition. John Constable(1776-1837) is one of Britain's best-known artists, and is often considered one of the greatest landscape painters of all time. He was born near the River Stour in Suffolk, an area the artist depicted so frequently that it is referred to as Constable country. Pastoral scenes were unfashionable at the time and Constable struggled to establish himself as a painter. He was finally elected a Royal Academician in 1829, and in 1832, he exhibited The Opening of Waterloo Bridge--an effort 13 years in the making--at the Summer Exhibition.
  anatomy lesson of dr tulp: The Cambridge History of Science: Volume 3, Early Modern Science David C. Lindberg, Katharine Park, Roy Porter, Ronald L. Numbers, 2003 An account of European knowledge of the natural world, c.1500-1700.
  anatomy lesson of dr tulp: Rembrandt's Money Bob Wessels, 2021 Rembrandt's Money, The legal and financial life of an artist-entrepreneur in 17th century Holland' offers a comprehensive overview of the legal and financial aspects of the life and work of Rembrandt (1606-1669). This topic has rarely been the subject of systematic legal-historical research. The author is the first to investigate the financial and legal aspects of Rembrandt's life, including the many legal disputes and conflicts which have occurred or have surrounded him during the larger part of over forty years of his private and professional life. These concern his private life as well as his work as an artist ? from a young master in Leiden in the mid-1620s, to a celebrated entrepreneur in the third and fourth decades of 17th century Amsterdam, culminating in financial distress in the latter part of his life. Along the way, the book also sheds light on on the socio-economic, cultural and historical context of the period covered and the environments (citizenry of Amsterdam, complex religious circles, business network) Rembrandt interacted with. The reader will reach a deeper understanding of the local and social Amsterdam history and a part of its local legal system--éd.
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