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| anatomy of a kimono: The Kimono Inspiration Textile Museum (Washington, D.C.), 1996 The book explores the use and meaning of the kimono in America and traces the transformation of the garment from its ethnic origins, through its many appearances in fine art, costume, and high fashion, to its role in the contemporary Art-to-Wear Movement. It explores the American use of the kimono as a garment, as a symbol, and as an art form. |
| anatomy of a kimono: Anatomy of Steampunk Katherine Gleason, 2013 Originally conceived as a literary genre, the term steampunk described stories set in a steam-powered, science fiction-infused, Victorian London. Today steampunk has grown to become an aesthetic that fuels many varied artforms. Steampunk has also widened its cultural scope. Many steampunk practitioners, rather than confining their vision to one European city, imagine steam-driven societies all over the world. Today the vibrance of steampunk inspires a wide range of individuals, including designers of high fashion, home sewers, crafters, and ordinary folks. |
| anatomy of a kimono: Makers Janet Koplos, Bruce Metcalf, 2010-07-31 Here is the first comprehensive survey of modern craft in the United States. Makers follows the development of studio craft--objects in fiber, clay, glass, wood, and metal--from its roots in nineteenth-century reform movements to the rich diversity of expression at the end of the twentieth century. More than four hundred illustrations complement this chronological exploration of the American craft tradition. Keeping as their main focus the objects and the makers, Janet Koplos and Bruce Metcalf offer a detailed analysis of seminal works and discussions of education, institutional support, and the philosophical underpinnings of craft. In a vivid and accessible narrative, they highlight the value of physical skill, examine craft as a force for moral reform, and consider the role of craft as an aesthetic alternative. Exploring craft's relationship to fine arts and design, Koplos and Metcalf foster a critical understanding of the field and help explain craft's place in contemporary culture. Makers will be an indispensable volume for craftspeople, curators, collectors, critics, historians, students, and anyone who is interested in American craft. |
| anatomy of a kimono: American Artists On Art Ellen Johnson, 2018-02-20 From the Preface: The fact that so much of modern art has devoted itself to the exploration and assertion of its own identity is reflected in, but does not explain, the increasing amount of writing and talking on the part of contemporary artists. Rather, the whole history of the changing role of art and artists in a democratic, industrial, and technological society stands behind the spate of artists' words and the public's hunger for them--even some of the general public out there beyond art's little circle. Statements by artists appeal somewhat the way drawings do: they bring us, or at least they hold the promise of bringing us, closer to the artist's thoughts and feelings and to an understanding of his or her modus operandi; they hold the keys to a mysterious realm. And sometimes they offer us the sheer pleasure of good reading. Such is the primary raison d'etre of this book.Its other motivation is educational, and stems from the frustrating lack, in teaching contemporary art, of any single compilation of statements by American artists from 1940 to the present.... This anthology differs in several respects from those others that do include documents of American art since 1940.... The selection I have made is devoted exclusively to statements of artists; it is limited to the last four decades; it presents in a single volume a representative and fairly comprehensive coverage of major developments in American art beginning with Abstract Expressionism; and, whenever possible, it cities the first, or among the very earliest, documents signalizing a shift in the definition, intent, or direction of art. |
| anatomy of a kimono: Feminism And Art History Norma Broude, 2018-02-23 A long-needed corrective and alternative view of Western art history, these seventeen essays by respected scholars are arranged chronologically and cover every major period from the ancient Egyptian to the present. While several of the essays deal with major women artists, the book is essentially about Western art history and the extent to which it has been distorted, in every period, by sexual bias. With 306 illustrations. |
| anatomy of a kimono: Miriam Schapiro, a Retrospective, 1953-1980 Miriam Schapiro, College of Wooster. Art Museum, 1980 |
| anatomy of a kimono: Art Journal , 1976 |
| anatomy of a kimono: North American Women Artists of the Twentieth Century Jules Heller, Nancy G. Heller, 2013-12-19 First Published in 1997. Routledge is an imprint of Taylor & Francis, an informa company. |
| anatomy of a kimono: Women, Art, and Society (Sixth) (World of Art) Whitney Chadwick, 2020-09-08 A new edition of the groundbreaking book by Whitney Chadwick maps the complete history of women artists from the Middle Ages and the Renaissance to today. Art historian Whitney Chadwick’s acclaimed bestselling study challenges the assumption that great women artists are exceptions to the rule who “transcended” their gender to produce major works of art. While introducing some of the many women since the Middle Ages whose contributions to visual culture have often been neglected, Chadwick’s survey reexamines the works themselves and the ways in which they have been perceived as marginal, often in direct reference to gender. In her discussion of feminism and its influence on such a reappraisal, she also addresses the closely related issues of ethnicity, class, and sexuality. This revised edition features a completely redesigned interior and full-color illustrations. With a new preface and epilogue from this emerging authority on the history of women artists, curator and professor Flavia Frigeri, this revised edition continues the project of charting the evolution of feminist art history and pedagogy, revealing how artists have responded to new strategies of feminism for the current moment. |
| anatomy of a kimono: Miriam Schapiro Paula W. Bradley, 1985 |
| anatomy of a kimono: Originals Eleanor C. Munro, 1982 At the end of the 1970s, Eleanor Munro embarked upon a series of interviews with some of the leading visual artists in the nation, including Georgia O'Keeffe, Alice Neel, Helen Frankenthaler, Louise Bourgeois, and Jennifer Bartlett. The resulting portraits led to a book as significant and exciting as the artists within it. Now Munro has added a new generation of women -- including Kiki Smith and Julie Taymor -- and a new introduction to her landmark entry in the literature of visual art, ensuring its status as an invaluable resource well into the twenty-first century. |
| anatomy of a kimono: Claiming Space , 2007 |
| anatomy of a kimono: Gardner's Art Through the Ages Helen Gardner, Horst De la Croix, Richard G. Tansey, Diane Kirkpatrick, 1991 In this volume, we have made every effort to preserve Helen Gardner's freshness of style and, above all, her sympathetic approach to individual works of art and the styles of which they are a part.- Preface. |
| anatomy of a kimono: Gardner's Art Through the Ages: Renaissance and modern art Helen Gardner, Horst De la Croix, 1991 This classic art history survey text has sold more than two million copies since it was first published in 1926. The ideal text for the full-year history course, it surveys the entire span of Western art from prehistory to the present and offers overviews of significant areas of non-Western art. Features: * New to this edition: * Increased number of illustrations, more in color. * Heightened visual appeal and superior accuracy of color resulting from printing at 175-line screen resolution. * Addition of new maps, timelines, and improved photographic views. * Reorganized, expanded, and revised chapters in Part One reflect significant changes in the field of ancient art over the last decade. (Author Fred S. Kleiner, Classical scholar, is Editor-in-Chief of the American Journal of Archaeology, the official journal of the Archaeological Institute of America). * Inclusion of more art from North American museums facilitates students' viewing of actual works. * Inclusion of many new views of previously illustrated monuments. * Increased attention to social and political context of works of art in the ancient world. * Presentation of more classical works of art created for non-elite patrons. * Reorganized by Early Christian, Islamic, and Byzantine material. * Addition of twenty-eight new line art figures. * Expanded coverage of Chinese art and introduction of Korean art. * Expanded coverage of Mayan ceramics and stelae, new coverage of Peruvian textiles and Colombian gold work. * Revision of African art, updated in a separate chapter with twice as many images as the previous edition. * Reorganized chapters covering Northern and Italian Renaissance. * Reorganized coverage of eighteenth-century material. * Increased coverage of women and minority artists. * Totally reorganized nineteenth- and twentieth-century material, many new images from nineteenth- and twentieth-century artists. -- Amazon.com |
| anatomy of a kimono: Women's Caucus for Art Honor Awards for Outstanding Achievement in the Visual Arts , 1988 |
| anatomy of a kimono: Beauty Up Laura Miller, 2006-07-15 This engaging introduction to Japan's burgeoning beauty culture investigates a wide range of phenomenon—aesthetic salons, dieting products, male beauty activities, and beauty language—to find out why Japanese women and men are paying so much attention to their bodies. Laura Miller uses social science and popular culture sources to connect breast enhancements, eyelid surgery, body hair removal, nipple bleaching, and other beauty work to larger issues of gender ideology, the culturally-constructed nature of beauty ideals, and the globalization of beauty technologies and standards. Her sophisticated treatment of this timely topic suggests that new body aesthetics are not forms of deracializiation but rather innovative experimentation with identity management. While recognizing that these beauty activities are potentially a form of resistance, Miller also considers the commodification of beauty, exploring how new ideals and technologies are tying consumers even more firmly to an ever-expanding beauty industry. By considering beauty in a Japanese context, Miller challenges widespread assumptions about the universality and naturalness of beauty standards. |
| anatomy of a kimono: Lives and Works, Talks with Women Artists Lynn F. Miller, Sally S. Swenson, Beryl K. Smith, Joan Arbeiter, 1981 This volume includes 14 interviews with contemporary women artists who work in a wide range of styles and media. It sheds light on the women's concerns, influences and role models, and contains black-and-white photographs of their work |
| anatomy of a kimono: The Pluralist Era Corinne Robins, 1984 Robins examines the major art movements in the 1970s and covers artists and their works from both a chronological and a socio-critical point of view. She offers positive comment on the New York Soho scene, process and conceptual art, the raised perceptions on the art of black artists and women artists, earth sculptures, site works, installations, pattern and decorative art, the return to representation, the continu ing presence of abstraction and the role of photography and video. The book includes works by 77 artists. ISBN 0-06-430137-0 (pbk.) : $10.95 (For use only in the library). |
| anatomy of a kimono: Arts Magazine , 1981 |
| anatomy of a kimono: Art Index Alice Maria Dougan, Margaret Furlong, 1997 |
| anatomy of a kimono: Encyclopedia of World Biography , 1998 Presents brief biographical sketches which provide vital statistics as well as information on the importance of the person listed. |
| anatomy of a kimono: Kimonos Sophie Milenovich, 2007-12 Much more than simply a garment, the kimono is one of the most emblematic symbols in Japan. It is rich in symbolism and social messages. With photographs and drawings, 'Kimonos' illustrates the various facets of this garment, historically and in modern times. |
| anatomy of a kimono: Encyclopedia of World Biography: Raf-Sche Paula Kay Byers, 1998 Presents brief biographical sketches which provide vital statistics as well as information on the importance of the person listed. |
| anatomy of a kimono: ARTnews , 1986 |
| anatomy of a kimono: Vision in Disbelief William Wright, 1982 Catalogue of the 4th Biennale of Sydney: Vision in Disbelief. 7 April - 23 May 1982 at the Art Gallery of New South Wales; Power Gallery of Contemporary Art, University of Sydney; Ivan Dougherty Gallery, City Art Institute; Australian Centre for Photography and Gallery A Courtyard space; Roslyn Oxley Gallery; New South Wales Institute of Technology; Cellblock Theatre, East Sydney Technical College; New South Wales Conservatorium of Music. Artistic Director: William Wright |
| anatomy of a kimono: Bernice Steinbaum Gallery Presents "I'm Dancin' as Fast as I Can" Miriam Schapiro, Bernice Steinbaum Gallery (New York, N.Y.), 1986 |
| anatomy of a kimono: Noir Is My Beat Lara Fisher, 2007-06-01 For the classic movie fan and the die-hard film noir junkie, Noir is My Beat gives you hundreds of film noir brainteasers. Test your smarts with quotations, questions and little known facts about the movies, stars, writers and legends of film noir. Noir is My Beat is an enjoyable and revealing look at the world of classic film noir. In addition to oodles of trivia, this book provides a comprehensive listing of films from the era that introduced film noir to the world. |
| anatomy of a kimono: The Complete Book of Sewing Shortcuts Claire B. Shaeffer, 1981 Demonstrates time-saving sewing techniques used by the fashion industry which are adaptable for home use. |
| anatomy of a kimono: Orientalism Richard Harrison Martin, Harold Koda, 1994 Published in conjunction with the exhibition of the same name held at The Metropolitan Museum of Art during the first quarter of 1995. The authors (both curators at The Costume Institute) explore the West's fascination with ideas and motifs from the various Easts, and demonstrate the expression of t |
| anatomy of a kimono: Dead But Not Lost Robert Goss, Dennis Klass, 2005 The dead are still with us. Contemporary therapists and counselors are coming to understand what's been known for millennia in most religions and in most cultures outside the Western milieu: it's important to continue bonds between the living and the dead. Taking these connections seriously, Goss and Klass explore how bonds with the dead are created and maintained. In doing so, they unearth a fascinating new way to look at the origins and processes of religion itself. Examining ties to dead family members, teachers, religious and political leaders across religious and secular traditions, the authors offer novel ways of understanding grief and its role in creating meaning. Whether for classes in comparative religion and death and dying, or for bereavement counselors and other trying to make sense of grief, this book helps us understand what it means to feel connected to those dead but not lost. |
| anatomy of a kimono: Basic Anatomy for the Manga Artist Christopher Hart, 2011-08-31 Manga Anatomy Like You've Never Seen It! You know that manga faces are different from those of regular, American-style comic book characters. But did you know that manga bodies are also different? Well, they are, and Christopher Hart is here, once again, to tell you all about it in his signature accessible style. This book is loaded with clear step-by-step instructions and illustrations, anatomical charts and information, and before-and-after comparisons you won’t find anywhere else—all tailored to creating authentic Japanese-style manga. And in addition to the breakdowns of the various sections of the body, you’ll also learn how all the different elements—including faces and costumes—come together to form complete characters. Basic Anatomy for the Manga Artist contains everything you need to know. No aspiring mangaka (manga artist) should be without it. |
| anatomy of a kimono: World Painting Index: Titles of works and their painters Patricia Pate Havlice, 1995 |
| anatomy of a kimono: Explorations Katherine Hoffman, 1991-02-21 Each chapter includes discussion of painting, printmaking, photography, sculpture, architecture, and multimedia and intermedia within a different era. |
| anatomy of a kimono: Trans-forming Terminology and Ideology in Media, Medicine and Mental Health Steven S. Funk, Jaydi Funk, 2021-11-12 This book offers research-based evidence for considering the next generation of trans*+ individuals and for making classrooms, healthcare facilities, and clinics affirming spaces for people of all genders. Brazenly challenging what once may have seemed standard, it presents the findings of a large-scale mixed-methods research project. The text offers a deep dive into the literature surrounding trans*+ topics and controversies in media, medicine, and mental health. Introducing a new addition to ‘LGBTQIA’, ‘Thisgender’, the book approaches trans*+ studies with provocative questions and illuminating answers. |
| anatomy of a kimono: Reconstructing Lilla Cabot Perry - (1889-1933) Marcia Lynn Soderman-Olson, 2000 |
| anatomy of a kimono: World Painting Index: Second Supplement 1980-1989 Patricia Pate Havlice, 1995 A monumental reference work designed to eliminate many of the problems encountered in the search for a reproduction of a particular painting. Indexes 697 art books and catalogs published in the U.S. and abroad from 1980 to 1989. |
| anatomy of a kimono: The Medieval and Early Modern World Bonnie G. Smith, Donald R. Kelley, 2005 Consists of primary source material and an index to the other six titles in the series. |
| anatomy of a kimono: Dimensions of Dress and Adornment , 1979 |
| anatomy of a kimono: Rethinking Culture and Creativity in the Digital Transformation Luciana Lazzeretti, Stefania Oliva, Niccolò Innocenti, Francesco Capone, 2023-03-31 This book discusses the role of digital technologies in the growth and development of cultural organizations and the creative sector. It includes contributions by authoritative scholars who address this topic through different perspectives, methodologies and approaches. The first part of the volume focusses on theoretical contributions that identify the main transformations caused by the digital revolution, the use of data, outlining new possible analytic frameworks and future lines of research. The second part of the volume presents empirical contributions applied to different fields in the study of the cultural and creative sectors. These range from analyses of traditional cultural organizations such as museums, the evolution of trajectories in the fashion industry, techno-creative communities, digital services for tourism, to cultural and creative industries and wealth and creative work. This edited volume will be of great value to scholars in the fields of Economics and Management including Economic Geography and Economic Development. Students and researchers interested in learning more about new technologies and their impact on cultural and creative sectors will also benefit from this book. This book was originally published as a special issue of European Planning Studies. |
| anatomy of a kimono: Choreographing History Susan Leigh Foster, 1995-05-22 ... I have used essays from the book to help dance graduate students push their thinking beyond the studio and their own physical experience and to realize the varied resources, approaches, and theoretical positions possible in writing about the body. -- Dance Research Journal Choreographing History... assembles an impressive diversity of sites, disciplines and critical approaches... [and] includes not only historical bodies and discourses, but also the very bodies of the historians themselves. -- Parachute This volume is not only full of gems (the very lineup of preeminent scholars is impressive), but is also a neat cross-section of the academic conventions and mannerisms of our time. -- Dance Chronicle ... [an] important step... in the ineluctable dance by postmodern historians across a bridge that spans the gaps among disciplines, between theory and practice, and betweeen present and past. -- Theatre Journal Historians of science, sexuality, the arts, and history itself focus on the body, merging the project of writing about the body with theoretical concerns in the writing of history. |
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