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| apadana art history definition: A History of Greek Art Mark D. Stansbury-O'Donnell, 2015-01-27 Offering a unique blend of thematic and chronological investigation, this highly illustrated, engaging text explores the rich historical, cultural, and social contexts of 3,000 years of Greek art, from the Bronze Age through the Hellenistic period. Uniquely intersperses chapters devoted to major periods of Greek art from the Bronze Age through the Hellenistic period, with chapters containing discussions of important contextual themes across all of the periods Contextual chapters illustrate how a range of factors, such as the urban environment, gender, markets, and cross-cultural contact, influenced the development of art Chronological chapters survey the appearance and development of key artistic genres and explore how artifacts and architecture of the time reflect these styles Offers a variety of engaging and informative pedagogical features to help students navigate the subject, such as timelines, theme-based textboxes, key terms defined in margins, and further readings. Information is presented clearly and contextualized so that it is accessible to students regardless of their prior level of knowledge A book companion website is available at www.wiley.gom/go/greekart with the following resources: PowerPoint slides, glossary, and timeline |
| apadana art history definition: Elam and Persia Javier Álvarez-Mon, Mark B. Garrison, 2011-06-23 The late 7th and 6th centuries B.C. were a period of tremendous upheaval and change in ancient western Asia, marked by the destruction of the Assyrian Empire, the rise and collapse of the Neo-Babylonian state, and the stunning ascent of what was to become the Achaemenid Persian Empire, the largest polity the world had yet seen. Of the major cultural entities involved in these far-reaching events, Elam has long remained the least understood. The essays contained in this book are part of a continuing reassessment of the nature and significance of Elam in the early 1st millennium B.C., with a focus on the relationship between “Elamite” culture of the Neo-Elamite period and the emerging “Persian” culture in southwestern Iran in the 7th and 6th centuries B.C. The conception of this volume goes back to the 2003 meeting of the American Schools of Oriental Research that took place in Philadelphia, Pennsylvania, where two sessions were dedicated to the rich cultural heritage of ancient Iran. It was also the first time that Iranian archaeology was represented at ASOR since the Iranian Revolution. This volume contains 14 contributions by leading scholars in the discipline, organized into 3 sections: archaeology, texts, and images (art history). The volume is richly illustrated with more than 200 drawings and photographs. |
| apadana art history definition: Introduction to Art: Design, Context, and Meaning Pamela Sachant, Peggy Blood, Jeffery LeMieux, Rita Tekippe, 2023-11-27 Introduction to Art: Design, Context, and Meaning offers a deep insight and comprehension of the world of Art. Contents: What is Art? The Structure of Art Significance of Materials Used in Art Describing Art - Formal Analysis, Types, and Styles of Art Meaning in Art - Socio-Cultural Contexts, Symbolism, and Iconography Connecting Art to Our Lives Form in Architecture Art and Identity Art and Power Art and Ritual Life - Symbolism of Space and Ritual Objects, Mortality, and Immortality Art and Ethics |
| apadana art history definition: History of the Persian Empire A. T. Olmstead, 2022-08-29 Out of a lifetime of study of the ancient Near East, Professor Olmstead has gathered previously unknown material into the story of the life, times, and thought of the Persians, told for the first time from the Persian rather than the traditional Greek point of view. The fullest and most reliable presentation of the history of the Persian Empire in existence.—M. Rostovtzeff |
| apadana art history definition: Forgotten Empire Béatrice André-Salvini, 2005 A richly-illustrated and important book that traces the rise and fall of one of the ancient world's largest and richest empires. |
| apadana art history definition: The King and Kingship in Achaemenid Art Root M.C., 2021-04-22 |
| apadana art history definition: The Royal City of Susa Musée du Louvre, 1992 A rich production followed of objects for daily use, ritual, and luxury living, finely carved in various materials or fashioned of clay. Monumental sculpture was made in stone or bronze, and dramatic friezes were composed of brilliantly glazed bricks. Among the discoveries are tiny, intricately carved cylinder seals and splendid jewelry. Clay balls marked with symbols offer fascinating testimony to the very beginnings of writing; clay tablets from later periods bearing inscriptions in cuneiform record political history, literature, business transactions, and mathematical calculations. A very important group of finds from Susa is made up of objects brought back as booty from conquests in Mesopotamia. These works, many of them the royal monuments of Akkadian and Babylonian monarchs - for instance, the great stele of Naram-Sin - are among the best known of all objects from the ancient Near East. |
| apadana art history definition: Architecture Francis D. K. Ching, 2012-07-16 A superb visual reference to the principles of architecture Now including interactive CD-ROM! For more than thirty years, the beautifully illustrated Architecture: Form, Space, and Order has been the classic introduction to the basic vocabulary of architectural design. The updated Third Edition features expanded sections on circulation, light, views, and site context, along with new considerations of environmental factors, building codes, and contemporary examples of form, space, and order. This classic visual reference helps both students and practicing architects understand the basic vocabulary of architectural design by examining how form and space are ordered in the built environment.? Using his trademark meticulous drawing, Professor Ching shows the relationship between fundamental elements of architecture through the ages and across cultural boundaries. By looking at these seminal ideas, Architecture: Form, Space, and Order encourages the reader to look critically at the built environment and promotes a more evocative understanding of architecture. In addition to updates to content and many of the illustrations, this new edition includes a companion CD-ROM that brings the book's architectural concepts to life through three-dimensional models and animations created by Professor Ching. |
| apadana art history definition: Understanding by Design Grant P. Wiggins, Jay McTighe, 2005 What is understanding and how does it differ from knowledge? How can we determine the big ideas worth understanding? Why is understanding an important teaching goal, and how do we know when students have attained it? How can we create a rigorous and engaging curriculum that focuses on understanding and leads to improved student performance in today's high-stakes, standards-based environment? Authors Grant Wiggins and Jay McTighe answer these and many other questions in this second edition of Understanding by Design. Drawing on feedback from thousands of educators around the world who have used the UbD framework since its introduction in 1998, the authors have greatly revised and expanded their original work to guide educators across the K-16 spectrum in the design of curriculum, assessment, and instruction. With an improved UbD Template at its core, the book explains the rationale of backward design and explores in greater depth the meaning of such key ideas as essential questions and transfer tasks. Readers will learn why the familiar coverage- and activity-based approaches to curriculum design fall short, and how a focus on the six facets of understanding can enrich student learning. With an expanded array of practical strategies, tools, and examples from all subject areas, the book demonstrates how the research-based principles of Understanding by Design apply to district frameworks as well as to individual units of curriculum. Combining provocative ideas, thoughtful analysis, and tested approaches, this new edition of Understanding by Design offers teacher-designers a clear path to the creation of curriculum that ensures better learning and a more stimulating experience for students and teachers alike. |
| apadana art history definition: The World of Achaemenid Persia John Curtis, St John Simpson, 2021-05-20 Interest and fascination in Achaemenid Persia has burgeoned in recent years. It is time for a major new appraisal of the glorious civilization founded by Cyrus the Great and continued by his successors, the Great Kings Darius I, Xerxes and Artaxerxes I. This volume offers precisely that: a sustained and comprehensive overview of the field of Achaemenid studies by leading scholars and experts. It discusses all aspects of Achaemenid history and archaeology between 550 BCE and 330 BCE, and embraces the whole vast territory of the Persian Empire from North Africa to India and from Central Asia to the Persian Gulf. Topics covered in this title include aspects of Achaemenid religion, administration, material culture, ethnicity, gender and the survival of Achaemenid traditions. The publication of the book is an event: it represents a watershed not only in better appreciation and understanding of the rich and complex cultural heritage established by Cyrus, but also of the lasting significance of the Achaemenid kings and the impact that their remarkable civilization has had on wider Persian and Middle Eastern history. First published by I.B.Tauris in association with the Iran Heritage Foundation |
| apadana art history definition: American Journal of Archaeology and of the History of the Fine Arts , 1957 |
| apadana art history definition: The Culture and Civilisation of Ancient India in HIstorical Outline D D Kosambi, 2022-09-01 First published in 1965, The Culture and Civilisation of Ancient India in Historical Outline is a strikingly original work, the first real cultural history of India. The main features of the Indian character are traced back into remote antiquity as the natural outgrowth of historical process. Did the change from food gathering and the pastoral life to agriculture make new religions necessary? Why did the Indian cities vanish with hardly a trace and leave no memory? Who were the Aryans – if any? Why should Buddhism, Jainism, and so many other sects of the same type come into being at one time and in the same region? How could Buddhism spread over so large a part of Asia while dying out completely in the land of its origin? What caused the rise and collapse of the Magadhan empire; was the Gupta empire fundamentally different from its great predecessor, or just one more ‘oriental despotism’? These are some of the many questions handled with great insight, yet in the simplest terms, in this stimulating work. This book will be of interest to students of history, sociology, archaeology, anthropology, cultural studies, South Asian studies and ethnic studies. |
| apadana art history definition: Ctesias' 'History of Persia' Lloyd Llewellyn-Jones, James Robson, 2009-12-04 Towards the end of the fifth century BC Ctesias of Cnidus wrote his 23 book History of Persia. Ctesias is a remarkable figure: he lived and worked in the Persian court and, as a doctor, tended to the world’s most powerful kings and queens. His position gave him special insight into the workings of Persian court life and access to the gossip and scandal surrounding Persian history and court politics, past and present. His History of Persia was completed at a time when the Greeks were fascinated by Persia and seems very much to cater to contemporary interest in Persian wealth and opulence, powerful Persian women, the institution of the harem, kings and queens, eunuchs and secret plots. Presented here in English translation for the first time with commentaries, Ctesias offers a fascinating insight into Persia in the fifth century BC. |
| apadana art history definition: Historical Dictionary of Architecture Allison Lee Palmer, 2016-05-26 This dictionary provides a historical overview of the major architectural developments and styles, building materials and types, major structures and locations, sites and architects. Historical eras like ancient Egyptian architecture and the Renaissance in Europe and movements such as Art Deco are covered. Materials discussed range from concrete, stone, glass and wood, while types of structures include architectural inventions such as the arch and dome to building types from monasteries and mosques to museums and skyscrapers. Major structures highlighted in this volume include not only great achievements such as Hagia Sophia and the Eiffel Tower, but also important sites such as the Great Zimbabwe and Angkor Wat, found on the UNESCO World Heritage Site list. General geographical areas are also covered, such as African and Russian architecture. Noted architects include theorists from the ancient Chinese engineer Yu Hao Roman engineer Vitruvius to many current architects such as Zaha Hadid and Santiago Calatrava, with a focus on architects who have enjoyed lasting fame through history or have won international prizes such as the Pritzker Architecture Prize. This second edition of Historical Dictionary of Architecture contains a chronology, an introduction, and an extensive bibliography. The dictionary section has over 400 cross-referenced entries on architects, famous structures, types of materials, and the different architectural styles. This book is an excellent access point for students, researchers, and anyone wanting to know more about architecture. |
| apadana art history definition: A Companion to the Achaemenid Persian Empire, 2 Volume Set Bruno Jacobs, Robert Rollinger, 2021-08-31 A COMPANION TO THE ACHAEMENID PERSIAN EMPIRE A comprehensive review of the political, cultural, social, economic and religious history of the Achaemenid Empirem Often called the first world empire, the Achaemenid Empire is rooted in older Near Eastern traditions. A Companion to the Achaemenid Persian Empire offers a perspective in which the history of the empire is embedded in the preceding and subsequent epochs. In this way, the traditions that shaped the Achaemenid Empire become as visible as the powerful impact it had on further historical development. But the work does not only break new ground in this respect, but also in the fact that, in addition to written testimonies of all kinds, it also considers material tradition as an equal factor in historical reconstruction. This comprehensive two-volume set features contributions by internationally-recognized experts that offer balanced coverage of the whole of the empire from Anatolia and Egypt across western Asia to northern India and Central Asia. Comprehensive in scope, the Companion provides readers with a panoramic view of the diversity, richness, and complexity of the Achaemenid Empire, dealing with all the many aspects of history, event history, administration, economy, society, communication, art, science and religion, illustrating the multifaceted nature of the first true empire. A unique historical account presented in its multiregional dimensions, this important resource deals with many aspects of history, administration, economy, society, communication, art, science and religion it deals with topics that have only recently attracted interest such as court life, leisure activities, gender roles, and more examines a variety of available sources to consider those predecessors who influenced Achaemenid structure, ideology, and self-expression contains the study of Nachleben and the history of perception up to the present day offers a spectrum of opinions in disputed fields of research, such as the interpretation of the imagery of Achaemenid art, or questions of religion includes extensive bibliographies in each chapter for use as starting points for further research devotes special interest to the east of the empire, which is often neglected in comparison to the western territories Part of the acclaimed Blackwell Companions to the Ancient World series, A Companion to the Achaemenid Persian Empire is an indispensable work for students, instructors, and scholars of Persian and ancient world history, particularly the First Persian Empire. |
| apadana art history definition: Leaving No Stones Unturned Erica Ehrenberg, 2002 A fitting tribute to the life and achievements of Donald P. Hansen, this collection includes contributions by Z. Bahrani, R. A. Fazzini, R. E. Freed, P. O. Harper, J. and D. Oates, D. O'Connor, E. L. Ochsenschlager, E. Holmes-Peck, W. H. Peck, H. Pittman, M. Van de Mieroop, M. S. Venit, K. Wilson, I. J. Winter, and many others. |
| apadana art history definition: Pericles of Athens Vincent Azoulay, 2017-10-31 The definitive biography of the legendary first citizen of Athens Pericles has the rare distinction of giving his name to an entire period of history, embodying what has often been taken as the golden age of the ancient Greek world. Periclean Athens witnessed tumultuous political and military events, and achievements of the highest order in philosophy, drama, poetry, oratory, and architecture. Pericles of Athens is the first book in decades to reassess the life and legacy of one of the greatest generals, orators, and statesmen of the classical world. In this compelling critical biography, Vincent Azoulay takes a fresh look at both the classical and modern reception of Pericles, recognizing his achievements as well as his failings. From Thucydides and Plutarch to Voltaire and Hegel, ancient and modern authors have questioned Pericles’s relationship with democracy and Athenian society. This is the enigma that Azoulay investigates in this groundbreaking book. Pericles of Athens offers a balanced look at the complex life and afterlife of the legendary first citizen of Athens. |
| apadana art history definition: King of the Seven Climes , 2021-02-01 The title of the King of the Seven Climes, used by Khusro I in the sixth century CE, suggests the most ambitious imperial vision that one would find in the literary tradition of the ancient Iranian world. Taking this as a point of departure, the present book aims to be a survey of the dynasties and rulers who thought of going beyond their own surroundings to forge larger polities within the Iranian realm. |
| apadana art history definition: From Cyrus to Alexander Pierre Briant, 2002-06-23 Around 550 B.C.E. the Persian people—who were previously practically unknown in the annals of history—emerged from their base in southern Iran (Fars) and engaged in a monumental adventure that, under the leadership of Cyrus the Great and his successors, culminated in the creation of an immense Empire that stretched from central Asia to Upper Egypt, from the Indus to the Danube. The Persian (or Achaemenid, named for its reigning dynasty) Empire assimilated an astonishing diversity of lands, peoples, languages, and cultures. This conquest of Near Eastern lands completely altered the history of the world: for the first time, a monolithic State as vast as the future Roman Empire arose, expanded, and matured in the course of more than two centuries (530–330) and endured until the death of Alexander the Great (323), who from a geopolitical perspective was “the last of the Achaemenids.” Even today, the remains of the Empire-the terraces, palaces, reliefs, paintings, and enameled bricks of Pasargadae, Persepolis, and Susa; the impressive royal tombs of Naqsh-i Rustam; the monumental statue of Darius the Great-serve to remind visitors of the power and unprecedented luxury of the Great Kings and their loyal courtiers (the “Faithful Ones”). Though long eclipsed and overshadowed by the towering prestige of the “ancient Orient” and “eternal Greece,” Achaemenid history has emerged into fresh light during the last two decades. Freed from the tattered rags of “Oriental decadence” and “Asiatic stagnation,” research has also benefited from a continually growing number of discoveries that have provided important new evidence-including texts, as well as archaeological, numismatic, and iconographic artifacts. The evidence that this book assembles is voluminous and diverse: the citations of ancient documents and of the archaeological evidence permit the reader to follow the author in his role as a historian who, across space and time, attempts to understand how such an Empire emerged, developed, and faded. Though firmly grounded in the evidence, the author’s discussions do not avoid persistent questions and regularly engages divergent interpretations and alternative hypotheses. This book is without precedent or equivalent, and also offers an exhaustive bibliography and thorough indexes. The French publication of this magisterial work in 1996 was acclaimed in newspapers and literary journals. Now Histoire de l’Empire Perse: De Cyrus a Alexandre is translated in its entirety in a revised edition, with the author himself reviewing the translation, correcting the original edition, and adding new documentation. Pierre Briant, Chaire Histoire et civilisation du monde achémenide et de l’empire d’Alexandre, Collège de France, is a specialist in the history of the Near East during the era of the Persian Empire and the conquests of Alexander. He is the author of numerous books. Peter T. Daniels, the translator, is an independent scholar, editor, and translator who studied at Cornell University and the University of Chicago. He lives and works in New York City. |
| apadana art history definition: Persepolis Ali Mousavi, 2012-04-19 Persepolis: Discovery and Afterlife of a World Wonder presents the first full study of the history of archaeological exploration at Persepolis after its destruction in 330 BC. Based in part on archival evidence, anecdotal information, and unpublished documents, this book describes in detail the history of archaeological exploration, visual documentation, and excavations at one of the most celebrated sites of the ancient world. The book addresses a broad audience of readers ranging from students of the archaeology, history, and art history of ancient, medieval, and modern Iran to scholars in Classical Studies and Ancient Near Eastern Studies. |
| apadana art history definition: Ancient Cities Charles Gates, 2013-04-15 Well illustrated with nearly 300 line drawings, maps and photographs, Ancient Cities surveys the cities of the ancient Near East, Egypt, and the Greek and Roman worlds from an archaeological perspective, and in their cultural and historical contexts. Covering a huge area geographically and chronologically, it brings to life the physical world of ancient city dwellers by concentrating on evidence recovered by archaeological excavations from the Mediterranean basin and south-west Asia Examining both pre-Classical and Classical periods, this is an excellent introductory textbook for students of classical studies and archaeology alike. |
| apadana art history definition: Art of the Ancient Near East Pierre Amiet, Naomi Noble Richard, 1980 An historical survey of the development of sculpture, architecture, painting, and ornament in the cultures of ancient Syria, Iran, Babylon, and Sumeria |
| apadana art history definition: Studies in the History of Art , 1989 |
| apadana art history definition: Persia and the West John Boardman, 2000 The first kings of the Achaemenid Persian empire, Cyrus the Great and Darius,sought to devise for their capital cities new styles in monumental architecture and sculpture to express their imperial status and mastery of the known world. With no local tradition to guide designers, a homogeneous style was created from the example of the many new subjects - Ionian Greeks, Lydians, Mesopotamians, and Egyptians. This book traces these sources and explores the way that traditional Achaemenid motifs, if not styles, also permeated the empire. The Achaemenid Persian experiment was unique in antiquity, and it was successful for as long as the empire lasted. Even after Alexander the Great brought about its downfall, it continued to influence the arts from Greece to India. This is a record of the brilliant flowering of an artificial yet unified construct, unmatched in the art of the Old World. |
| apadana art history definition: The Writing of History in Ancient Egypt During the First Millennium BC (ca.1070-180 BC) Roberto B. Gozzoli, 2006 Royal inscriptions, Herodotus and Manetho have been fundemental in order to reconstruct the chronology and history of ancient Egypt since Champillon's times. Without denying the righteousness of the approach, historical and pseudo-historical material are here analysed as historical documents per se, completely disregarding their value for the histoire événementielle . Genre and format of royal inscriptions become important in order to establish the power of the tradition, as the entire group of historical sources mentioned embody hopes, fears, as well as social and cultural conflicts existing in Egyptian society at the times they were written. |
| apadana art history definition: English-Pali Dictionary Ambalaṅgoḍa Polvattē Buddhadatta, 1989 Here is a reprint of the English-Pali Dictionary by A.P. Buddhadatta Mahathera published long ago by the Pali Text Society in Roman script. This publication was then considered a notable event in the life of the Society for it was a great improvement on a similar earlier work by Venerable W. Piyatissa whose usefulness was reduced for the English-speaking readers by the Pali words being given in Sinhalese script. This is a consider ably enlarged form of a concise English-Pali Dictionary compiled by the present author during the second World War. The author has coined many new words and has given more than one Pali word for some English verbs which do not exist in the ancient languages like Pali. This dictionary, though not an exhaustive one, has proved much useful to the scholars of the Pali language as it presents well chosen material in a single volume of a manageable size. (by the same author) CONCISE PALI-ENGLISH DICTIONARY - This Concise Pali-English Dictionary has been prepared mainly for use by students in schools and colleges. The author is not only an eminent Elder of the Buddhist Order but one of the leading Pali scholars recognized both in the East and West as an authority on the subject. It is to be observed that the author has kept more or less to the traditional sense of words while not altogether ignoring the meanings given by western scholars in their translations and lexicons. Many errors in the latter sources have also been rectified. But the basic sense adopted is in nearly every instance the traditionally accepted meaning in accord with the commentaries and the glossaries. This perhaps is of special value to beginners as thereby they get introduced to the indigenous tradition, thus providing a useful basis on which to build up a more scientific knowledge as the study advances. |
| apadana art history definition: A History of Architecture in All Countries James Fergusson, 1865 |
| apadana art history definition: A History of Fine Arts in India and the West Edith Tömöry, 1982 |
| apadana art history definition: Shadows in the Desert Kaveh Farrokh, Richard Nelson Frye, 2009-03-24 The empires of ancient Persia remain as mysterious today as they were to contemporary Western scholars. Although Alexander the Great's conquest of Persia is legendary, the military successes of the Achaemenid, Parthian, and Sassanian empires, along with their revolutionary military technology, tactics, and culture have been almost forgotten in the sands of the East. Containing information never before published in English, Shadows in the Desert offers a comprehensive history of Persia's wars with East and West which spanned over a millennium, and offers an insight into the exchange of ideas and culture that occurred during these clashes between East and West, not only military technology, but influences in the arts, medicine, religion and science. This beautifully illustrated book delves into the rich heritage of the Persians, which was spread around the world through war and conquest, and which, after the fall of the Sassanians, continued to impact upon civilizations around the world. |
| apadana art history definition: Alpine Archaeology Patrick Hunt, 2007 Patrick Hunt s Alpine Archaeology is born out of more than a decade of widespread high altitude archaeological field research in the Alps. The observations in this research study were made over time in a number of different field seasons and therefore, gradually built up over the years. The author conducted this study while directing the Stanford Alpine Archaeological Project. Alpine archaeology is a specialized field where normal archaeological principles such as stratigraphy, pedology, data recording, anthropogenic features, materials analyses etc. apply but where contextual and climatic conditions are considerably unique. Higher altitudes and cold climate impact archaeological research and its practice in many different ways and influence the survival and preservation of both organic substances and metal objects as less oxidation and lower diffusion rates in the alpine environment noticeably inhibit the decomposition and corrosion of artifactual material. While observations in the first part of the book have been derived mostly from fieldwork in the Grand-St-Bernard region, those discussed in the second part are derived from the Stanford Alpine Archaeology Project s most important ongoing research, which is focused on attempting to trace Hannibal s route over the Alps in 218 BCE. Hunt completed his PhD in Archaeology from the Institute of Archaeology, University of London in 1991. He is on the Classics and Archaeology faculty at Stanford University, where he has been Director of the Stanford Alpine Archaeology Project since 1994. His Hannibal research is sponsored by the National Geographic Society, with a grant from their Expedition Council for 2007 2008. |
| apadana art history definition: Persae Aeschylus, 1903 |
| apadana art history definition: Ancient Carved Ambers in the J. Paul Getty Museum Faya Causey, 2020-01-07 First published in 2012, this catalogue presents fifty-six Etruscan, Greek, and Italic carved ambers from the Getty Museum's collection—the second largest body of this material in the United States and one of the most important in the world. The ambers date from about 650 to 300 BC. The catalogue offers full description of the pieces, including typology, style, chronology, condition, and iconography. Each piece is illustrated. The catalogue is preceded by a general introduction to ancient amber (which was also published in 2012 as a stand-alone print volume titled Amber and the Ancient World). Through exquisite visual examples and vivid classical texts, this book examines the myths and legends woven around amber—its employment in magic and medicine, its transport and carving, and its incorporation into jewelry, amulets, and other objects of prestige. This publication highlights a group of remarkable amber carvings at the J. Paul Getty Museum. This catalogue was first published in 2012 at museumcatalogues.getty.edu/amber/. The present online edition of this open-access publication was migrated in 2019 to www.getty.edu/publications/ambers/; it features zoomable, high-resolution photography; free PDF, EPUB, and Kindle/MOBI downloads of the book; and JPG downloads of the catalogue images. |
| apadana art history definition: A Companion to Ancient Thrace Julia Valeva, Emil Nankov, Denver Graninger, 2015-04-08 A Companion to Ancient Thrace presents a series of essays that reveal the newly recognized complexity of the social and cultural phenomena of the peoples inhabiting the Balkan periphery of the Classical world. • Features a rich and detailed overview of Thracian history from the Early Iron Age to Late Antiquity • Includes contributions from leading scholars in the archaeology, art history, and general history of Thrace • Balances consideration of material evidence relating to Ancient Thrace with more traditional literary sources • Integrates a study of Thrace within a broad context that includes the cultures of the eastern Mediterranean, southwest Asia, and southeast Europe/Eurasia • Reflects the impact of new theoretical approaches to economy, ethnicity, and cross-cultural interaction and hybridity in Ancient Thrace |
| apadana art history definition: A History of the Animal World in the Ancient Near East Billie Jean Collins, 2001-12-01 This book is about all aspects of man’s contact with the animal world; sacrifice, sacred animals, diet, domestication, in short, from the sublime to the mundane. Chapters on art, literature, religion and animal husbandry provide the reader with a complete picture of the complex relationships between the peoples of the Ancient Near East and (their) animals. A reference guide and key to the menagerie of the Ancient Near East, with ample original illustrations. |
| apadana art history definition: Revolutionizing a World Mark Altaweel, Andrea Squitieri, 2018-02-15 This book investigates the long-term continuity of large-scale states and empires, and its effect on the Near East’s social fabric, including the fundamental changes that occurred to major social institutions. Its geographical coverage spans, from east to west, modern-day Libya and Egypt to Central Asia, and from north to south, Anatolia to southern Arabia, incorporating modern-day Oman and Yemen. Its temporal coverage spans from the late eighth century BCE to the seventh century CE during the rise of Islam and collapse of the Sasanian Empire. The authors argue that the persistence of large states and empires starting in the eighth/seventh centuries BCE, which continued for many centuries, led to new socio-political structures and institutions emerging in the Near East. The primary processes that enabled this emergence were large-scale and long-distance movements, or population migrations. These patterns of social developments are analysed under different aspects: settlement patterns, urban structure, material culture, trade, governance, language spread and religion, all pointing at movement as the main catalyst for social change. This book’s argument is framed within a larger theoretical framework termed as ‘universalism’, a theory that explains many of the social transformations that happened to societies in the Near East, starting from the Neo-Assyrian period and continuing for centuries. Among other influences, the effects of these transformations are today manifested in modern languages, concepts of government, universal religions and monetized and globalized economies. |
| apadana art history definition: Encyclopaedia of Religion and Ethics: A-Art James Hastings, John Alexander Selbie, Louis Herbert Gray, 1908 |
| apadana art history definition: The Sumerians Samuel Noah Kramer, 2010-09-17 “A readable and up-to-date introduction to a most fascinating culture” from a world-renowned Sumerian scholar (American Journal of Archaeology). The Sumerians, the pragmatic and gifted people who preceded the Semites in the land first known as Sumer and later as Babylonia, created what was probably the first high civilization in the history of man, spanning the fifth to the second millenniums B.C. This book is an unparalleled compendium of what is known about them. Professor Kramer communicates his enthusiasm for his subject as he outlines the history of the Sumerian civilization and describes their cities, religion, literature, education, scientific achievements, social structure, and psychology. Finally, he considers the legacy of Sumer to the ancient and modern world. “An uncontested authority on the civilization of Sumer, Professor Kramer writes with grace and urbanity.” —Library Journal |
| apadana art history definition: Thinking with Things Esther Pasztory, 2005-08-01 At its heart, Pasztory's thesis is simple and yet profound. She asserts that humans create things (some of which modern Western society chooses to call art) in order to work out our ideas - that is, we literally think with things. Pasztory draws on examples from many societies to argue that the art-making impulse is primarily cognitive and only secondarily aesthetic. She demonstrates that art always reflects the specific social context in which it is created, and that as societies become more complex, their art becomes more rarefied.--Jacket. |
| apadana art history definition: Persian Archery and Swordmanship Manouchehr Moshtagh Khorasani, 2013 |
| apadana art history definition: Responding to Art Robert Bersson, 2004 Publisher Description |
Apadana - Wikipedia
Apadana (Old Persian: 𐎠𐎱𐎠𐎭𐎴, [apəˈdänə] or [äpəˈdänə]) is a large hypostyle hall in Persepolis, Iran. It …
The Apadana | Institute for the Study of Ancient Cultures
By far the largest and most magnificent building is the Apadana, begun by Darius and finished by Xerxes, that …
Apadana – The Everlasting Hall of the Achaemenids | A…
Sep 29, 2019 · The Apadana is a large hypostyle hall designed by Darius the Great, of the Persian Empire. The …
Apadana: One of the most authentic remnants of the fall…
Dec 8, 2017 · The Apadana was the most authentic building of all; a large hypostyle hall that served as a large …
Persepolis: The Audience Hall of Darius and Xerxes
Margaret Cool Root, “The Parthenon Frieze and the Apadana Reliefs at Persepolis: Reassessing a …
Apadana - Wikipedia
Apadana (Old Persian: 𐎠𐎱𐎠𐎭𐎴, [apəˈdänə] or [äpəˈdänə]) is a large hypostyle hall in Persepolis, Iran. It belongs to the oldest building phase of the city of Persepolis, in the first half of the 5th century …
The Apadana | Institute for the Study of Ancient Cultures
By far the largest and most magnificent building is the Apadana, begun by Darius and finished by Xerxes, that was used mainly for great receptions by the kings. Thirteen of its seventy-two …
Apadana – The Everlasting Hall of the Achaemenids | Ancient ...
Sep 29, 2019 · The Apadana is a large hypostyle hall designed by Darius the Great, of the Persian Empire. The Apadana set the standard for all future great halls of kings.
Apadana: One of the most authentic remnants of the fallen ...
Dec 8, 2017 · The Apadana was the most authentic building of all; a large hypostyle hall that served as a large audience hall and portico. It was among the first conceived buildings when …
Persepolis: The Audience Hall of Darius and Xerxes
Margaret Cool Root, “The Parthenon Frieze and the Apadana Reliefs at Persepolis: Reassessing a Programmatic Relationship,” American Journal of Archaeology, volume 89, number 1 (1985), …
Persepolis, Apadana - Livius
Aug 13, 2020 · The Apadana or Audience Hall of Persepolis belongs to the oldest building phase of the palace complex, the grand design by it founder, king Darius I the Great (r. 522-486). In …
APADĀNA - Encyclopaedia Iranica
Sep 21, 2016 · APADĀNA, Old Pers. term referring to audience halls, now specifically to the audience hall in Persepolis. i. Term.. ii. Building.. i. Term. Apadāna (masc.), which is rendered …
