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| ari aster beau is afraid interview: Happiness Todd Solondz, 1998 A dark comedy that centers around three sisters struggling to achieve happiness and middle class perfection. |
| ari aster beau is afraid interview: Gary Taylor Mac, 2022-02-08 A wickedly dark comedy set in the aftermath of William Shakespeare's Titus Andronicus. |
| ari aster beau is afraid interview: All That You Leave Behind Erin Lee Carr, 2019-04-09 “A documentary filmmaker and daughter of the late, great New York Times columnist David Carr celebrates and wrestles with her father’s legacy in a raw, redemptive memoir.”—O: The Oprah Magazine “A breathtaking read . . . a testimony equal parts love and candor. David would have had it no other way.”—Ta-Nehisi Coates, bestselling author of Between the World and Me NAMED ONE OF THE BEST BOOKS OF THE YEAR BY GLAMOUR AND MARIE CLAIRE Dad: What will set you apart is not talent but will and a certain kind of humility. A willingness to let the world show you things that you play back as you grow as an artist. Talent is cheap. Me: OK I will ponder these things. I am a Carr. Dad: That should matter quite a bit, actually not the name but the guts of what that name means. A celebrated journalist, bestselling author (The Night of the Gun), and recovering addict, David Carr was in the prime of his career when he suffered a fatal collapse in the newsroom of The New York Times in 2015. Shattered by his death, his daughter Erin Lee Carr, at age twenty-seven an up-and-coming documentary filmmaker, began combing through the entirety of their shared correspondence—1,936 items in total—in search of comfort and support. What started as an exercise in grief quickly grew into an active investigation: Did her father’s writings contain the answers to the question of how to move forward in life and work without her biggest champion by her side? How could she fill the space left behind by a man who had come to embody journalistic integrity, rigor, and hard reporting, whose mentorship meant everything not just to her but to the many who served alongside him? All That You Leave Behind is a poignant coming-of-age story that offers a raw and honest glimpse into the multilayered relationship between a daughter and a father. Through this lens, Erin comes to understand her own workplace missteps, existential crises, and relationship fails. While daughter and father bond over their mutual addictions and challenges with sobriety, it is their powerful sense of work and family that comes to ultimately define them. This unique combination of Erin Lee Carr’s earnest prose and her father’s meaningful words offers a compelling read that shows us what it means to be vulnerable and lost, supported and found. It is a window into love, with all of its fierceness and frustrations. “Thank you, Erin, for this beautiful book. Now I am going to steal all of your father’s remarkable advice and tell my kids I thought of it.”—Judd Apatow |
| ari aster beau is afraid interview: These Violent Delights Micah Nemerever, 2020-09-15 A Literary Hub Best Book of Year • A Crime Reads Best Debut of the Year • A Newsweek 25 Best Fall Books • A Philadelphia Inquirer 10 Big Books for the Fall • An O Magazine.com LGBTQ Books That Are Changing the Literary Landscape in 2020 Selection • An Electric Lit Most Anticipated Debut of the Second Half of 2020 • A Paperback Paris Best New LGBTQ+ Books To Read This Year Selection • A Passport Best Book of the Month The Secret History meets Lie with Me in Micah Nemerever's compulsively readable debut novel—a feverishly taut Hitchcockian story about two college students, each with his own troubled past, whose escalating obsession with one another leads to an act of unspeakable violence. When Paul enters university in early 1970s Pittsburgh, it’s with the hope of moving past the recent death of his father. Sensitive, insecure, and incomprehensible to his grieving family, Paul feels isolated and alone. When he meets the worldly Julian in his freshman ethics class, Paul is immediately drawn to his classmate’s effortless charm. Paul sees Julian as his sole intellectual equal—an ally against the conventional world he finds so suffocating. Paul will stop at nothing to prove himself worthy of their friendship, because with Julian life is more invigorating than Paul could ever have imagined. But as charismatic as he can choose to be, Julian is also volatile and capriciously cruel, and Paul becomes increasingly afraid that he can never live up to what Julian expects of him. As their friendship spirals into all-consuming intimacy, they each learn the lengths to which the other will go in order to stay together, their obsession ultimately hurtling them toward an act of irrevocable violence. Unfolding with a propulsive ferocity, These Violent Delights is an exquisitely plotted excavation of the depths of human desire and the darkness it can bring forth in us. |
| ari aster beau is afraid interview: Filmjahr 2023/2024 - Lexikon des internationalen Films Felicitas Kleiner, Jörg Gerle, 2024-03-23 Dieses eBook enthält den Jahrbuch-Teil des Filmjahrbuchs und dokumentiert, was wichtig war und was wichtig werden wird. Eine ausführliche Chronik und Beiträge aus dem Filmdienst-Portal bewerten und analysieren das vergangene Filmjahr, erinnern an die Höhepunkte und besonderen Ereignisse. Der lexikalische Teil kann auf https://www.filmdienst.de/ gefunden werden. Eine ausführliche Chronik und Beiträge aus dem Filmdienst-Portal bewerten und analysieren das vergangene Filmjahr, erinnern an die Höhepunkte und besonderen Ereignisse Auf 150 Seiten: Chronik, Analysen, Berichte |
| ari aster beau is afraid interview: Once & Future Amy Rose Capetta, Cori McCarthy, 2019-03-26 King Arthur as you’ve never seen her! This bold YA novel reimagines the Once and Future King as a queer teenage girl on an epic quest to save the universe. Coming to terms with your identity is always difficult. But for Ari, the 42nd reincarnation of King Arthur, it just got a whole lot more complicated. Gender-bending royalty, caustic wit and a galaxy-wide fight for peace and equality all collide in this epic adventure. With an awkward adolescent Merlin and a rusty spaceship, this is the Arthurian legend as you have never before seen it. ‘A rip-roaring, no holds-barred, gloriously queer reinvention of Arthurian legend.’ Malinda Lo, author of Last Night at the Telegraph Club ‘Utterly compelling, brilliantly witty, and delightfully queer.’ Simon James Green, author of Noah Can't Even |
| ari aster beau is afraid interview: Rabid Heart Jeremy Wagner, 2018-10-03 How far would you go for love when all you love is DEAD? Six months after the Necro Rabies pandemic has turned the world into hordes of rabid undead known as Cujos, 21 year-old Rhonda Driscoll discovers her zombified fiancé, Brad, in her old hometown. Fearing that her Marine Colonel father will kill undead Brad, Rhonda flees, taking a road-trip with Brad in tow in hopes of starting a new life in a frightening and uncertain world complicated by numerous perils, pure horror, joy, heartbreak, and unconditional love. Advance Praise for Rabid Heart “Zombies and the end of days don't stand a chance against true love. Jeremy Wagner's RABID HEART is good, clean apocalyptic fun.” — Alma Katsu, author of THE HUNGER Just when you think you've heard every love story, along comes RABID HEART. My man Jeremy Wagner proves once again he's as much of a wild man with words as he is with his guitar. This book is sick and sweet, and I say that with respect! -- Peter Blauner, Ny Times bestselling author of THE INTRUDER and SUNRISE HIGHWAY |
| ari aster beau is afraid interview: The Coen Brothers Joel Coen, Ethan Coen, 2006 Collected interviews with the quirky and distinctive writer/director team of such films as Raising Arizona, Intolerable Cruelty, and Barton Fink |
| ari aster beau is afraid interview: Landscape with Invisible Hand M. T. Anderson, 2017-09-12 National Book Award winner M. T. Anderson returns to future Earth in a sharply wrought satire of art and truth in the midst of colonization. When the vuvv first landed, it came as a surprise to aspiring artist Adam and the rest of planet Earth — but not necessarily an unwelcome one. Can it really be called an invasion when the vuvv generously offered free advanced technology and cures for every illness imaginable? As it turns out, yes. With his parents’ jobs replaced by alien tech and no money for food, clean water, or the vuvv’s miraculous medicine, Adam and his girlfriend, Chloe, have to get creative to survive. And since the vuvv crave anything they deem classic Earth culture (doo-wop music, still life paintings of fruit, true love), recording 1950s-style dates for the vuvv to watch in a pay-per-minute format seems like a brilliant idea. But it’s hard for Adam and Chloe to sell true love when they hate each other more with every passing episode. Soon enough, Adam must decide how far he’s willing to go — and what he’s willing to sacrifice — to give the vuvv what they want. |
| ari aster beau is afraid interview: Central Asian Portraits Demetrius Charles Boulger, 1880 |
| ari aster beau is afraid interview: Eighteen Years in the Khyber, 1879-1898 Sir Robert Warburton, 1900 Sir Robert Warburton (1842-99) was a British army officer who served for 18 years as the political officer, or warden, of the Khyber Pass, the most important of the mountain passes connecting Afghanistan and present-day Pakistan. He was born in Afghanistan, the son of a British officer and his wife, a noble Afghan woman who was the niece of Amir Dost Mohammad Khan. Warburton was educated in England, commissioned an officer, and served at posts in British India and in Abyssinia (present-day Ethiopia) before being appointed, in 1879, to his post in the Khyber. Home to the fiercely independent Pushtun Afridi people who resisted external control, the pass frequently had been blocked by the Afridis or by fighting among the hill tribes. Warburton is credited with keeping the frontier peaceful and the pass open, mainly though diplomacy rather than force. He drew upon his Afghan background and his fluent Persian and Pushto to gradually win the trust of tribesmen whose traditions made them deeply suspicious of outsiders. In August 1897, one month after Warburton's retirement, unrest broke out among the Afridis, who seized the pass and held it for several months. Warburton was called back into service and participated in the Tirah expedition of 1897-98, in which Anglo-Indian forces reopened the pass. Warburton was especially proud of the role played in the expedition by the Khyber Rifles, a paramilitary force recruited from Afridi tribesmen that he had raised and commanded. Eighteen Years in the Khyber, 1879-1898 is Warburton's account of his education and career. It touches upon virtually every individual and event that played a role in relations between Afghanistan and British India during the last quarter of the 19th century. Long in poor health, Warburton returned to England and died before the book was completed. Posthumously published, it is illustrated with a number of striking photographs and includes a detailed fold-out map of the Khyber. |
| ari aster beau is afraid interview: Pride and Prejudice and Zombies: The Deluxe Heirloom Edition Jane Austen, Seth Grahame-Smith, 2009-10 The deluxe heirloom edition of the New York Times bestseller boasts additional scenes of zombie mayhem, 13 new full-color illustrations, and an essay Afterword by Dr. Allen Grove, Professor of English Literature. |
| ari aster beau is afraid interview: A Bathroom Book for People Not Pooping or Peeing but Using the Bathroom as an Escape Joe Pera, 2021-11-16 A USA TODAY BESTSELLER! The cozy comedy of Joe Pera meets the darkly playful illustrations of Joe Bennett in A Bathroom Book for People Not Pooping or Peeing But Using the Bathroom as an Escape, a funny, warm, and sincere guide to regaining calm and confidence when you're hiding in the bathroom. “Nothing says ‘class’ to your dinner guests more than a Joe Pera book next to the can.” —Seth Meyers Joe Pera goes to the bathroom a lot. And his friend, Joe Bennett, does too. They both have small bladders but more often it’s just to get a moment of quiet, a break from work, or because it’s the only way they know how to politely end conversations. So they created a functional meditative guide to help people who suffer from social anxiety and deal with it in this very particular way. Although, it’s a comedic book, the goal is to help these readers: 1. Relax 2. Recharge 3. Rejoin the world outside of the bathroom It’s also fun entertainment for people simply hiding in the bathroom to avoid doing work. A Bathroom Book for People Not Pooping or Peeing But Using the Bathroom as an Escape will be waiting in the bathroom like a beacon for anxious readers looking to feel calm, confident, and less alone. “Nothing says ‘class’ to your dinner guests more than a Joe Pera book next to the can.” —Seth Meyers “A beautiful and funny book about something I have done all my life. Thank you, Mr. Joseph Pera.” —Aidy Bryant At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied. |
| ari aster beau is afraid interview: Artists' Magazines Gwen Allen, 2011 How artists' magazines, in all their ephemerality, materiality, and temporary intensity, challenged mainstream art criticism and the gallery system. |
| ari aster beau is afraid interview: Voyage of the Damned Gordon Thomas, Max Morgan-Witts, 2014-07-01 The “extraordinary” true story of the St. Louis, a German ship that, in 1939, carried Jews away from Hamburg—and into an unimaginable ordeal (The New York Times). On May 13, 1939, the luxury liner St. Louis sailed from Hamburg, one of the last ships to leave Nazi Germany before World War II erupted. Aboard were 937 Jews—some had already been in concentration camps—who believed they had bought visas to enter Cuba. The voyage of the damned had begun. Before the St. Louis was halfway across the Atlantic, a power struggle ensued between the corrupt Cuban immigration minister who issued the visas and his superior, President Bru. The outcome: The refugees would not be allowed to land in Cuba. In America, the Brown Shirts were holding Nazi rallies in Madison Square Garden; anti-Semitic Father Coughlin had an audience of fifteen million. Back in Germany, plans were being laid to implement the final solution. And aboard the St. Louis, 937 refugees awaited the decision that would determine their fate. Gordon Thomas and Max Morgan Witts have re-created history in this meticulous reconstruction of the voyage of the St. Louis. Every word of their account is true: the German High Command’s ulterior motive in granting permission for the “mission of mercy;” the confrontations between the refugees and the German crewmen; the suicide attempts among the passengers; and the attitudes of those who might have averted the catastrophe, but didn’t. In reviewing the work, the New York Times was unequivocal: “An extraordinary human document and a suspense story that is hard to put down. But it is more than that. It is a modern allegory, in which the SS St. Louis becomes a symbol of the SS Planet Earth. In this larger sense the book serves a greater purpose than mere drama.” |
| ari aster beau is afraid interview: Notes from the Bathroom Line Amy Solomon, 2021-03-30 A collection of never-before-seen humor pieces—essays, satire, short stories, poetry, cartoons, artwork, and more—from more than 150 of the biggest female comedians today, curated by Amy Solomon, a producer of the hit HBO shows Silicon Valley and Barry. With contributions from: Lolly Adefope • Maria Bamford • Aisling Bea • Lake Bell • Rachel Bloom • Rhea Butcher • Nicole Byer • D’Arcy Carden • Aya Cash • Karen Chee • Margaret Cho • Mary H.K. Choi • Amanda Crew • Rachel Dratch • Beanie Feldstein • Jo Firestone • Briga Heelan • Samantha Irby • Emily V. Gordon • Patti Harrison • Mary Holland • Jen Kirkman • Lauren Lapkus • Riki Lindhome • Kate Micucci • Natalie Morales • Aparna Nancherla • Yvonne Orji • Lennon Parham • Chelsea Peretti • Alexandra Petri • Natasha Rothwell • Amber Ruffin • Andrea Savage • Kristen Schaal • Megan Stalter • Beth Stelling • Cecily Strong • Sunita Mani • Geraldine Viswanathan • Michaela Watkins • Mo Welch • Sasheer Zamata • and many more. More than four decades ago, the groundbreaking book Titters: The First Collection of Humor by Women showcased the work of some of the leading female comedians of the 1970s like Gilda Radner, Candice Bergen, and Phyllis Diller. The book became an essential time capsule of an era, the first of its kind, that opened doors for many more funny women to smash the comedy glass-ceiling. Today, brilliant women continue to push the boundaries of just how funny—and edgy—they can be in a field that has long been dominated by men. In Notes from the Bathroom Line, Amy Solomon brings together all-new material from some of the funniest women in show business today—award-winning writers, stand-up comedians, actresses, cartoonists, and more. Notes from the Bathroom Line proves there are no limits to how funny, bad-ass, and revolutionary women can—and continue—to be. |
| ari aster beau is afraid interview: We Are Fighting the World Gary Kynoch, 2005-01-01 Since the late 1940s, a violent African criminal society known as the Marashea has operated in and around South Africa’s gold mining areas. With thousands of members involved in drug smuggling, extortion, and kidnapping, the Marashea was more influential in the day-to-day lives of many black South Africans under apartheid than were agents of the state. These gangs remain active in South Africa. In We Are Fighting the World: A History of the Marashea Gangs in South Africa, 1947–1999, Gary Kynoch points to the combination of coercive force and administrative weakness that characterized the apartheid state. As long as crime and violence were contained within black townships and did not threaten adjacent white areas, township residents were largely left to fend for themselves. The Marashea’s ability to prosper during the apartheid era and its involvement in political conflict led directly to the violent crime epidemic that today plagues South Africa. Highly readable and solidly researched, We Are Fighting the World is critical to an understanding of South African society, past and present. This pioneering study challenges previous social history research on resistance, ethnicity, urban spaces, and gender in South Africa. Kynoch’s interviews with many current and former gang members give We Are Fighting the World an energy and a realism that are unparalleled in any other published work on gang violence in southern Africa. |
| ari aster beau is afraid interview: A History of Georgia William Bacon Stevens, 1847 |
| ari aster beau is afraid interview: Teen Titans: Earth One Vol. 1 Jeff Lemire, 2014-11-25 In this new, original graphic novel, the young heroes of the Teen Titans never felt like normal kids...but they had no idea how right they were. Their seemingly idyllic Oregon upbringing hides a secret – one that will bring killers, shamans, and extraterrestrials down on their heads, and force them into an alliance that could shake the planet to its foundations! The superstar team of writer Jeff Lemire (ANIMAL MAN, GREEN ARROW) and artist Terry Dodson (WONDER WOMAN, HARLEY QUINN) reinvent DC’s youngest heroes, with an all-new mythos in an all-new world! |
| ari aster beau is afraid interview: Inspecting Carol Daniel Sullivan, 1992 A man who asks to audition at a small theatre is mistaken for an informer for the National Endowment for the Arts. Everyone caters to the bewildered wannabe actor and his is given a role in the current production. A Christmas Carol. Everything goes wrong and hilarity is piled upon hilarity. Perfect anytime, this delight is particularly appropriate at Christmas. |
| ari aster beau is afraid interview: Ida Lupino, Director Therese Grisham, Julie Grossman, 2017-05-23 Dominated by men and bound by the restrictive Hays Code, postwar Hollywood offered little support for a female director who sought to make unique films on controversial subjects. But Ida Lupino bucked the system, writing and directing a string of movies that exposed the dark underside of American society, on topics such as rape, polio, unwed motherhood, bigamy, exploitative sports, and serial murder. The first in-depth study devoted to Lupino’s directorial work, this book makes a strong case for her as a trailblazing feminist auteur, a filmmaker with a clear signature style and an abiding interest in depicting the plights of postwar American women. Ida Lupino, Director not only examines her work as a cinematic auteur, but also offers a serious consideration of her diverse and long-ranging career, getting her start in Hollywood as an actress in her teens and twenties, directing her first films in her early thirties, and later working as an acclaimed director of television westerns, sitcoms, and suspense dramas. It also demonstrates how Lupino fused generic elements of film noir and the social problem film to create a distinctive directorial style that was both highly expressionistic and grittily realistic. Ida Lupino, Director thus shines a long-awaited spotlight on one of our greatest filmmakers. |
| ari aster beau is afraid interview: The American Heritage Dictionary of Indo-European Roots Calvert Watkins, 2000 Discusses the nature, origins, and development of language and lists the meanings and associated word for more than thirteen thousand Indo-European root words. |
| ari aster beau is afraid interview: The Pit : a Group Encounter Defiled Church, Gene, Carnes, Conrad D, 1973 |
| ari aster beau is afraid interview: Ghibliotheque Jake Cunningham, Michael Leader, 2024-06-01 Revised and updated - includes Miyazaki's new masterpiece, The Boy and the Heron. Explore the films of magical Japanese animation masters Studio Ghibli in this film-by-film celebration for newcomers and long-time fans alike. Ghibliotheque reviews each Studio Ghibli movie in turn, in the voice of expert and newcomer. The lively text delves into production details, themes, key scenes and general reviews, as well as Ghibli-specific information. It's beautifully illustrated with stills and posters from each movie. Written by the hosts of the acclaimed Ghibliotheque podcast, this is the first and last word on the films of Studio Ghibli. |
| ari aster beau is afraid interview: The Grand Old Man and the Great Tradition Luisa Bienati, Bonaventura Ruperti, 2010-01-01 In 1995, on the thirtieth anniversary of Tanizaki Jun’ichirō’s death, Adriana Boscaro organized an international conference in Venice that had an unusally lasting effect on the study of this major Japanese novelist. Thanks to Boscaro’s energetic commitment, Venice became a center for Tanizaki studies that produced two volumes of conference proceedings now considered foundational for all scholarly works on Tanizaki. In the years before and after the Venice Conference, Boscaro and her students published an abundance of works on Tanizaki and translations of his writings, contributing to his literary success in Italy and internationally. The Grand Old Man and the Great Tradition honors Boscaro’s work by collecting nine essays on Tanizaki’s position in relation to the “great tradition” of Japanese classical literature. To open the collection, Edward Seidensticker contributes a provocative essay on literary styles and the task of translating Genji into a modern language. Gaye Rowley and Ibuki Kazuko also consider Tanizaki’s Genji translations, from a completely different point of view, documenting the author’s three separate translation efforts. Aileen Gatten turns to the influence of Heian narrative methods on Tanizaki’s fiction, arguing that his classicism, far from being superficial, “reflects a deep sensitivity to Heian narrative.” Tzevetana Kristeva holds a different perspective on Tanizaki’s classicism, singling out specific aspects of Tanizaki’s eroticism as the basis of comparison. The next two essays emphasize Tanizaki’s experimental engagement with the classical literary genres—Amy V. Heinrich treats the understudied poetry, and Bonaventura Ruperti considers a 1933 essay on performance arts. Taking up cinema, Roberta Novelli focuses on the novel Manji, exploring how it was recast for the screen by Masumura Yasuzō. The volume concludes with two contributions interpreting Tanizaki’s works in the light of Western and Meiji literary traditions: Paul McCarthy considers Nabokovas a point of comparison, and Jacqueline Pigeot conducts a groundbreaking comparison with a novel by Natsume Sōseki. |
| ari aster beau is afraid interview: Ocean Warrior Paul Watson, 2003 Captain Paul Watson is a founder member of Greenpeace. Ocean Warrior is his own story - an amazing chronicle of courageous acts in support of deeply held convictions. This book will interest anyone interested in environmental issues. |
| ari aster beau is afraid interview: The Outrun: A Memoir Amy Liptrot, 2017-04-25 “It’s wild writing: sexy, unguarded, raw, and ardent … highly recommended.”—The Millions After a decade of heavy partying and hard drinking in London, Amy Liptrot returns home to Orkney, a remote island off the north of Scotland. The Outrun maps Amy’s inspiring recovery as she walks along windy coasts, swims in icy Atlantic waters, tracks Orkney’s wildlife, and reconnects with her parents, revisiting and rediscovering the place that shaped her. A Guardian Best Nonfiction Book of 2016 Sunday Times Top Ten Bestseller New Statesman Book of the Year |
| ari aster beau is afraid interview: The Rite Matt Baglio, 2010-06-15 The inspiration for the film starring Anthony Hopkins, journalist Matt Baglio uses the astonishing story of one American priest's training as an exorcist to reveal that the phenomena of possession, demons, the Devil, and exorcism are not merely a remnant of the archaic past, but remain a fearsome power in many people's lives even today. Father Gary Thomas was working as a parish priest in California when he was asked by his bishop to travel to Rome for training in the rite of exorcism. Though initially surprised, and slightly reluctant, he accepted this call, and enrolled in a new exorcism course at a Vatican-affiliated university, which taught him, among other things, how to distinguish between a genuine possession and mental illness. Eventually he would go on to participate in more than eighty exorcisms as an apprentice to a veteran Italian exorcist. His experiences profoundly changed the way he viewed the spiritual world, and as he moved from rational skeptic to practicing exorcist he came to understand the battle between good and evil in a whole new light. Journalist Matt Baglio had full access to Father Gary over the course of his training, and much of what he learned defies explanation. The Rite provides fascinating vignettes from the lives of exorcists and people possessed by demons, including firsthand accounts of exorcists at work casting out demons, culminating in Father Gary's own confrontations with the Devil. Baglio also traces the history of exorcism, revealing its rites and rituals, explaining what the Catholic Church really teaches about demonic possession, and delving into such related topics as the hierarchy of angels and demons, satanic cults, black masses, curses, and the various theories used by modern scientists and anthropologists who seek to quantify such phenomena. Written with an investigative eye that will captivate both skeptics and believers alike, The Rite shows that the truth about demonic possession is not only stranger than fiction, but also far more chilling. |
| ari aster beau is afraid interview: The Art of Neil Gaiman Hayley Campbell, Neil Gaiman, 2017-06-19 Novelist, comics writer, scriptwriter, poet, occasional artist - a master of several genres and inadvertent leader of many cults - there are few creative avenues Neil Gaiman hasn't ventured down. From unforgettable books like The Ocean at the End of the Lane and American Gods to ground-breaking comics and graphic novels like The Sandman and Violent Cases; from big screen fantasies like Coraline to small screen epics like Doctor Who; and from short stories to songwriting, stage plays to radio plays, journalism to filmmaking, and all points in-between, The Art of Neil Gaiman is the first comprehensive, full-colour examination of Gaiman's work to date. Author Hayley Campbell, a close friend of Neil's since she was a small child, spent many months rummaging through Neil's attic to source the never-before-seen manuscripts, notes, cartoons, drawings and personal photographs for this book; these are complemented by artwork and sketches from all of his major works and his own intimate recollections. Each project is examined in turn, from genesis to fruition, and positioned in the wider narrative of Gaiman's creative life, affording unparalleled access to the inner workings of the writer's mind. Utterly comprehensive, lavishly illustrated, The Art of Neil Gaiman is the fully authorised account of the life and work of one of the greatest storytellers of all time. |
| ari aster beau is afraid interview: A Family Haunted Michael James Bunyak, 2018-11-30 A true account of a Singaporean family's psychic abilities, and their subsequent experiences with the supernatural. From the mischievous to the malevolent, their story will convince of another world we cannot see. |
| ari aster beau is afraid interview: Hollywood's Stephen King Tony Magistrale, 2003-11-22 Tony Magistrale explores many of the movie versions of Stephen King's works and provides important insights into both the films and the fiction on which they are based. |
| ari aster beau is afraid interview: The Passing of Traditional Society Daniel Lerner, 1964 |
| ari aster beau is afraid interview: Letters and Sermons Lewis Maydwell Hogg, 1884 |
| ari aster beau is afraid interview: From Greenland's Icy Mountains Reginald Heber, 1884 |
| ari aster beau is afraid interview: Make a Difference Gary MacDougal, 2005-05 We now know the answers to helping long time welfare recipients become self-sufficient, and how to pry loose the dead hand of human service bureaucracies. I enjoy coming to work and learning different things...I really like my kids to know I work...This should have happened 10 years ago...I believe many of my friends wouldn't do no drugs if they had a chance for a real job. - Rebecca, a woman from Chicago's notorious housing projects, high school dropout and former welfare recipient now working at UPS. The problems with welfare systems is not a lack of funds, but rather failure to connect the funds to families and communities in a way that makes a difference in people's lives. Through involvement with welfare recipients, community leaders, caseworkers and others, author Gary MacDougal and Illinois Governor Jim Edgar led the state government in its biggest reorganization since 1900, creating a model for the rest of the nation. |
| ari aster beau is afraid interview: None of the Above Travis Alabanza, 2022-08-04 WINNER OF THE SOMERSET MAUGHAM AWARD 2023 WINNER OF THE JHALAK PRIZE 2023 SHORTLISTED FOR THE POLARI FIRST BOOK PRIZE 2023 A WATERSTONES BEST BOOK OF 2022: POLITICS ‘A breath of fresh air . . . There's no memoir like it’ Independent ‘Travis Alabanza writes with such generosity and ease even the most provocative suggestions start to seem obvious . . . Profound and funny’ SHON FAYE ‘Will challenge, empower and move your soul’ Glamour ‘Lucid and glorious’ YRSA DALEY-WARD ‘A gloriously specific, funny and smart body of work’ CANDICE CARTY-WILLIAMS __________ ‘When you are someone that falls outside of categories in so many ways, a lot of things are said to you. And I have had a lot of things said to me.’ In None of the Above, Travis Alabanza examines seven phrases people have directed at them about their gender identity. These phrases have stayed with them over the years. Some are deceptively innocuous, some deliberately loaded or offensive, some celebratory; sentences that have impacted them for better and for worse; sentences that speak to the broader issues raised by a world that insists that gender must be a binary. Through these seven phrases, which include some of their most transformative experiences as a Black, mixed race, non binary person, Travis Alabanza turns a mirror back on society, giving us reason to question the very framework in which we live and the ways we treat each other. |
| ari aster beau is afraid interview: Roy's World Barry Gifford, 2020-10-06 A tie-in to the new documentary, Roy's World, directed by Rob Christopher narrated by Lili Taylor, Matt Dillon and Willem Dafoe, these stories comprise one of Barry Gifford's most enduring works, his homage to the gritty Chicago landscape of his youth Barry Gifford has been writing the story of America in acclaimed novel after acclaimed novel for the last half-century. At the same time, he's been writing short stories, his Roy stories, that show America from a different vantage point, a certain mix of innocence and worldliness. Reminiscent of Mark Twain's Huckleberry Finn and Ernest Hemingway's Nick Adams stories, Gifford's Roy stories amount to the coming-of-age novel he never wrote, and are one of his most important literary achievements--time-pieces that preserve the lost worlds of 1950s Chicago and the American South, the landscape of postwar America seen through the lens of a boy's steady gaze. The twists and tragedies of the adult world seem to float by like curious flotsam, like the show girls from the burlesque house next door to Roy's father's pharmacy who stop by when they need a little help, or Roy's mom and the husbands she weds and then sheds after Roy's Jewish mobster father's early death. Life throws Roy more than the usual curves, but his intelligence and curiosity shape them into something unforeseen, while Roy's complete lack of self-pity allow the stories to seem to tell themselves. |
| ari aster beau is afraid interview: Isabella of Spain: The Last Crusader William Thomas Walsh, 2016-07-26 Called by her people Isabella la Catolica, she was by any standard one of the greatest women of all history. A saint in her own right, she married Ferdinand of Aragon, and they forged modern Spain, cast out the Moslems, discovered the New World by backing Columbus, and established a powerful central government in Spain. This story is so thrilling it reads like a novel. Makes history really come alive. Highly readable and truly great in every respect! |
| ari aster beau is afraid interview: All About "All About Eve" Sam Staggs, 2001-06-23 To millions of fans, All About Eve represents all that's witty and wonderful in classic Hollywood movies. Its old-fashioned, larger-than-life stars--including Bette Davis, Marilyn Monroe, Anne Baxter, George Sanders, and Celeste Holm--found their best roles in Eve and its sophisticated dialogue has entered the lexicon. But there's much more to know about All About Eve. Sam Staggs has written the definitive account of the making of this fascinating movie and its enormous influence on both film and popular culture. Staggs reveals everything about the movie--from who the famous European actress Margo Channing was based on to the hot-blooded romance on-set between Bette Davis and costar Gary Merrill, from the jump-start the movie gave Marilyn Monroe's career and the capstone it put on director Joseph L. Mankeiwicz's. All About All About Eve is not only full of rich detail about the movie, the director, and the stars, but also about the audience who loved it when it came out and adore it to this day. |
| ari aster beau is afraid interview: Irish Women Writers Ann Owens Weekes, 2021-10-21 From the legendary poet Oisin to modernist masters like James Joyce, William Butler Yeats, and Samuel Beckett, Ireland's literary tradition has made its mark on the Western canon. Despite its proud tradition, the student who searches the shelves for works on Irish women's fiction is liabel to feel much as Virginia Woolf did when she searched the British Museum for work on women by women. Critic Nuala O'Faolain, when confronted with this disparity, suggested that modern Irish literature is dominated by men so brilliant in their misanthropy... [that] the self-respect of Irish women is radically and paradoxically checkmated by respect for an Irish national achievement. While Ann Owen Weekes does not argue with the first part of O'Faolain's assertion, she does with the second. In Irish Women Writers: An Uncharted Tradition, she suggests that it is the critics rather than the writers who have allowed themselves to be checkmated. Beginning with Maria Edgeworth's Castle Rackrent (1800) and ending with Jennifer Johnston's The Railway Station (1980), she surveys the best of the Ireland's female literature to show its artistic and historic significance and to demonstrate that it has its own themes and traditions related to, yet separate from, that of male Irish writers. Weekes examines the work of writers like E.OE. Sumerville and Martin Ross (pen names for cousins Edith Somerville and Violet Martin), Elizabeth Bowen, Kate O'Brien, Mary Lavin, and Molly Keane, among others. She teases out the themes that recur in these writers' works, including the link between domestic and political violence and re-visioning of traditional stories, such as Julia O'Faolain's use of the Cuchulain and Diarmuid and Grainne myths to reveal the negation of women's autonomy. In doing so, she demonstrates that the literature of Anglo- and Gaelic-Irish women presents a unified tradition of subjects and techniques, a unity that might become an optimistic model not only for Irish literature but also for Irish people. |
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