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| asemic the art of writing: Asemic Peter Schwenger, 2019-12-31 The first critical study of writing without language In recent years, asemic writing—writing without language—has exploded in popularity, with anthologies, a large-scale art exhibition, and flourishing interest on sites like tumblr, YouTube, Pinterest, and Instagram. Yet this burgeoning, fascinating field has never received a dedicated critical study. Asemic fills that gap, proposing new ways of rethinking the nature of writing. Pioneered in the work of creators such as Henri Michaux, Roland Barthes, and Cy Twombly, asemic writing consolidated as a movement in the 1990s. Author Peter Schwenger first covers these “asemic ancestors” before moving to current practitioners such as Michael Jacobson, Rosaire Appel, and Christopher Skinner, exploring how asemic writing has evolved and gained importance in the contemporary era. Asemic includes intriguing revelations about the relation of asemic writing to Chinese characters, the possibility of asemic writing in nature, and explanations of how we can read without language. Written in a lively style, this book will engage scholars of contemporary art and literary theory, as well as anyone interested in what writing was and what it is now in the process of becoming. |
| asemic the art of writing: The Cecil Touchon Asemic Reader Cecil Touchon, 2019-08-22 The current permutation of The Reader, originally envisioned as a black and white book, expanded in size and breadth to its current full color version to take into account the range of expression in Touchon's asemic explorations spanning forty years of works on paper including images from Touchon's unpublished sketchbooks. The first section of the book primarily contains palimpsest based asemic writing originally intended for mail art correspondence in which Touchon overwrites texts as found in 19th and early 20th century antique poetry books, a book of sermons, farm journal pages, a postcard, a grade school autograph book page, a sheet of music, a page from a vintage high school chemistry workbook and old invoices. Using these found papers collected for possible collage material, Touchon retains and uses the structure on the page and the patinated paper as inspiration for these asemic works often overwritten with india ink and quill pen. Following these are selected typographic abstraction works from the Fusion Series, Touchon diary-like ongoing series of collage works begun in 1983 and continuing to the present. In these works Touchon uses a wide ranging body of materials, approaches and techniques to produce these poetic works that explore figure and ground relationships and a variety of compositional strategies. These collages become studies for Touchon's paintings. In the midst of this group are a series of asemic 'songs' on torn brown paper using colored pens, pencil shading and white pencil highlighting that express the idea of visual musicality. At the end of the typographic collage works there is the image of a labyrinthian network of overlapping white lines over a black void that seem to float on multiple levels. This opens the way to a set of works of brush and ink from 2009 on the pages of a single antique journal where the markings are painted onto the leaves of paper and after a few moments the pages were held under running water in the kitchen sink. Whatever ink had dried remained on the page leaving gray ghost marks where the ink had been washed away. The book concludes with a variety of works from the late 1970's examining Touchon's early mark making based on language or visual musicality. Taken as a whole, this sampling of works across forty years of Touchon's oeuvre reminds one of a quote from the 1949 'Lecture on Nothing' by John Cage: I have nothing to say and I am saying it... but in Touchon's case he possibly is saying nothing about Something; perhaps a something so transcendent that common words cannot speak of it, something so vast that words crumble into gibberish and collapse into an unutterable silence. Some of the titles of previous exhibitions of Touchon's work suggest this such as: 'Beyond Words', 'Reduced to Silence' or 'The Unspoken Remains'. Yet Touchon's works are not nihilistic in nature. They could be said to be meaningless though clearly not purposeless. Touchon has said that his interest is in expressing 'the underlying universal harmony of all things'. One has the impression when studying these works that literary meaning has been removed or obfuscated but in Touchon's view he sees his work as liberating language from its work as bearer of meaning and by extension liberating the reader from the work of deciphering meaning and from the obligation of being literate when enjoying the works purely for their aesthetic value. In a world whose population is engulfed in a deluge of information that we must continually navigate, these works offer a small oasis in which one might be refreshed along the seemingly endless journey over the shifting sands of data on the horizons of which can only be seen mirage and simulacrum. |
| asemic the art of writing: An Anthology of Asemic Handwriting Tim Gaze, Michael Jacobson, 2013 An Anthology of Asemic Handwriting is the first book-length publication to collect the work of a community of writers on the edges of illegibility. Asemic writing is a galaxy-sized style of writing, which is everywhere yet remains largely unknown. For human observers, asemic writing may appear as lightning from a storm, a crack in the sidewalk, or the tail of a comet. But despite these observations, asemic writing is not everything: it is just an essential component, a newborn supernova dropped from a calligrapher's hand. Asemic writing is simultaneously communicating with the past and the future of writing, from the earliest undeciphered writing systems to the xenolinguistics of the stars; it follows a peregrination from the preliterate, beyond the verbal, finally ending in a postliterate condition in which visual language has superseded words. An Anthology of Asemic Handwriting is compiled and edited by Tim Gaze from Asemic magazine and Michael Jacobson from The New Post-Literate blog. Contributors include: Reed Altemus, mIEKAL aND, Rosaire Appel, Francesco Aprile, Roy Arenella, Derek Beaulieu, Pat Bell, John M. Bennett, Francesca Biasetton, Volodymyr Bilyk, Tony Burhouse & Rob Glew, Nancy Burr, Riccardo Cavallo, Mauro Césari, Peter Ciccariello, Andrew Clark, Carlfriedrich Claus, Bob Cobbing, Patrick Collier, Robert Corydon, Jeff Crouch, Marilyn Dammann, Donna Maria Decreeft, Alessandro De Francesco, Monica Dengo, Mirtha Dermisache, Bill Dimichele, Christian Dotremont, Jean Dubuffet, Max Ernst, Mark Firth, Eckhard Gerdes, Mike Getsiv, Jean-Christophe Giacottino, Marco Giovenale, Meg Green, Brion Gysin, Jefferson Hansen, Huai Su, Geof Huth, Isidore Isou, Michael Jacobson, Satu Kaikkonen, Jukka-Pekka Kervinen, Rashid Koraishi, Irene Koronas, Edward Kulemin, Le Quoc Viet & Tran Tr?ng Duong, Jim Leftwich, Misha Magazinnik, Matt Margo, André Masson, Nuno de Matos, Willi Melnikov, Morita Shiryu, Sheila E. Murphy, Nguyen Duc Dung, Nguyen Quang Thang, Pham Van Tuan, François Poyet, Kerri Pullo, Lars Px, Marilyn R. Rosenberg, Roland Sabatier, Ekaterina Samigulina & Yuli Ilyshchanska, Alain Satié, Karen L. Schiff, Spencer Selby, Peggy Shearn, Ahmed Shibrain, Gary Shipley, Christopher Skinner, Hélène Smith, Lin Tarczynski, Morgan Taubert, Andrew Topel, Cecil Touchon, Louise Tournay, Tran Tr?ng Duong, Lawrence Upton, Sergio Uzal, Marc van Elburg, Nico Vassilakis, Glynda Velasco, Simon Vinkenoog, Vsevolod Vlaskine, Cornelis Vleeskens, Anthony Vodraska, Voynich Manuscript, Jim Wittenberg, Michael Yip, Logan K. Young, Yorda Yuan, Camille Zehenne, Zhang Xu, & others. |
| asemic the art of writing: Asemic Writing - Poetic Structures Cecil Touchon, 2019-12-26 These poems are created using vernacular sources for materials such as restaurant receipts, poetic structures Touchon made with spam email, pages of lists from magazines as palimpsests to then overwrite the texts on the pages using the existing texts as prompts for his asemic writing. Touchon also used various authorsÕ poems whose structures he liked in the same way by printing out the poems on white sheets and then overwriting the texts. Some of the poets included e. e. commings, David Drew, Vito Acconti, documents from Sigmund Freud, some pages from Mathematical Manuscripts of Karl Marx, etc. In short, any sort of page composition that Touchon could exploit with the use of asemic writing. |
| asemic the art of writing: The Art of Spiritual Writing Vinita Hampton Wright, 2013-09-01 There's a constant hunger in the world for books that explore the spiritual aspects of life, but writing about spirituality is far more complex than simply sharing personal reflections about God and the life of faith. Editors and publishers who specialize in spiritual writing find that what is important to work out for yourself on paper may not always be the best way to connect to readers. Because of its personal nature, it can be difficult to find the balance in spiritual writing between what is good writing for you and what is good writing for others. Incorporating her 20+ years of publishing and writing experience, Vinita Hampton Wright provides a practical and straightforward look at spiritual writing for a broader audience in The Art of Spiritual Writing. This slim volume is loaded with writing tips, advice, and exercises to help the writer hone and craft his or her personal thoughts into an engaging, inspiriing, and publishable piece. Readers will learn such things as why authenticity matters, how to find their authentic voice, and how to engineer their creativitiy so that it resonates with readers. The Art of Spiritual Writing demonstrates that by taking the time to learn and implement the process and craft of writing, we can begin to uncover new ways to ocnnect with ourselves, our readers, and God. And as we grow in our writing ability, our spirituality blossoms as well. |
| asemic the art of writing: Calligraphic Drawing Schin Loong, 2018-11-13 Calligraphic Drawing, written and illustrated by artist Schin Loong, is a step-by-step guide to the pictorial side of calligraphy. Learn how to make calligraphic flourishes, then apply the technique to draw 15 different flourished animals. You'll also find instructions for embellishing letters and drawing ornamental cartouches. In the past, masters of penmanship advertised their copperplate skills by shaping their calligraphy and flourishes into elaborate pictorial designs. Now the art of the flourish is back! With her fresh approach to this age-old art form, Schin will take you confidently through each step, from choosing your pen, nib, and ink, to creating calligraphic animals that express your own imagination and artistry. The basic steps for the strokes are simple, but as you learn each new pattern and stroke, you'll watch your drawings develop into ever more complex and beautiful compositions. By following the step-by-step instructions, you can create stunning drawings of a pigeon, swan, crane, rooster, jellyfish, goldfish, peacock, parrot, owl, raccoon, elephant, puppy, rabbit, fox, and zebra. Each exercise includes a photo of the animal, followed by an illustration and written guidance for each numbered step. You'll find helpful tips and encouragement throughout. At the back, a gallery showcase provides examples of Schin's own artwork to inspire you in your own flourishing pursuits. Whether you're a designer, calligrapher, doodler, or just picked up a pen, this guide to drawing with flourishes will enlighten and inspire. |
| asemic the art of writing: Listening with the Eye - An Asemic Notebook Cecil Touchon, 2019-10-26 The writings presented here were composed specifically for existing in a book environment as unified text. These works might be called automatic writing or visual writing or asemic writing. There is no intention to tell a story or to use any recognizable language or symbols. Rather the works function in free flow with intuition rather than thought, allowing the hand to just do what the hand does; make marks. Touchon uses improvisational approach to mark making as if playing an instrument that records in marks what might otherwise be heard as notes of music and this might be a way to approach the work - to look as if listening; spending time studying the nature of the work; its flow, its progression, its repetitions, etc. just as we might have an aesthetic experience from looking at pages of text in a foreign language that we are not conversant in. In such a case we get to enjoy the work on a purely visual level without the conversion of the characters into linguistic meanings. |
| asemic the art of writing: Writing by Drawing Andrea Bellini, 2020-09-15 A book about the shadow side of writing, with asemic art by Mirtha Dermisache, Jean Dubuffet, Brion Gysin, Susan Hiller, Henri Michaux and more Looking at the rich tradition of art, from the early 20th century to the present, in which writing sheds its communicative function and pursues the inarticulable, Writing by Drawingexplores the fertile tension between the semantic and the uncharted territory of automatism, mark-making and scribbles--the asemic. Artists include: Douglas Abdell, Vincenzo Accame, Rosaire Appel, Tchello d'Barros, Gianfranco Baruchello, Tomaso Binga, Irma Blank, Nick Blinko, Alighiero Boetti, Marcia Brauer, Frédéric Bruly Bouabré, Elijah Burgher, Axel Calatayud, Gaston Chaissac, Laura Cingolani, Guy de Cointet, Aloïse Corbaz, Dadamaino, Betty Danon, Hanne Darboven, Michel Dave, Michael Dean, Mirtha Dermisache, Emmanuel Derriennic, Jean Dubuffet, Giordano Falzoni, León Ferrari, Chiara Fumai, Pepe Gaitán, Jill Galliéni, Ryan Gander, Anne-Marie Gbindoun, Marco Giovenale, Rafael González, Giorgio Griffa, Mariangela Guatteri, Gustav, Elisabetta Gut, Brion Gysin, Ana Hatherly, Emma Hauck, Takanori Herai, Joseph Heuer, Susan Hiller, Steffani Jemison, Carlo Keshishian, Henri Michaux, Miriam Midley, Bruno Munari and more. |
| asemic the art of writing: Echolalia in Script Sam Roxas-Chua, 2017 Echolalia in Script is a truly original marriage of visual art and poetry. Lines of Roxas-Chua's poetry are paired with his arresting asemic visual works--artwork that imitates and plays with the idea of script, but which is a purely visual language. Asemic writing is a meditative process for Roxas-Chua, and these images entrance, enrapture, and invite contemplation. |
| asemic the art of writing: Aletta Ocean's Alphabet Empire S. J. Fowler, 2018-09-04 The dollar sign is a duck walking backwards into a lake. Aletta Ocean's Alphabet Empire is an almighty triumph, a well-earned relief. - Chris McCabe |
| asemic the art of writing: Urban Watercolor Sketching Felix Scheinberger, 2014-03-25 A guide that shows painters, drawers, doodlers, and urban sketchers how to bring their drawings to life with colorful, bold, yet accessible painting methods. Watercolor sketching is a rapidly emerging technique that enlivens sketches done in pen or pencil with the expressive washes, glazes, and luminous hues of watercolor . This lushly illustrated resource teaches artists on the go how to sketch with watercolor, rendering subjects efficiently and without inhibitions. Readers are guided through all aspects of the medium, from fundamental techniques including wet-on-wet, glazing, and washes; materials and supplies; and little known tips and tricks for getting the most out of watercolor (for example, just sprinkling a little salt on your painting creates a texture that's impossible to achieve with a brush.) A strong focus color theory provides a solid foundation for enhancing drawings with vibrant hues. |
| asemic the art of writing: She Speaks Tongues: Poems Asemic Writing Karla van Vliet, 2021-11-10 She Speaks Tongues is a collection of the rising voices of five women, from silence (her image, ) to gesture, to word. Each section starts with a woman's portrait and follows with her unique rising voice in asemic writing to poems (words). Asemic writing lies between the mystery what is yet to be spoken, and semantics. |
| asemic the art of writing: Earthworks Rising Chadwick Allen, 2022-03-01 A necessary reexamination of Indigenous mounds, demonstrating their sustained vitality and vibrant futurity by centering Native voices Typically represented as unsolved mysteries or ruins of a tragic past, Indigenous mounds have long been marginalized and misunderstood. In Earthworks Rising, Chadwick Allen issues a compelling corrective, revealing a countertradition based in Indigenous worldviews. Alongside twentieth- and twenty-first-century Native writers, artists, and intellectuals, Allen rebuts colonial discourses and examines the multiple ways these remarkable structures continue to hold ancient knowledge and make new meaning—in the present and for the future. Earthworks Rising is organized to align with key functional categories for mounds (effigies, platforms, and burials) and with key concepts within mound-building cultures. From the Great Serpent Mound in Ohio to the mound metropolis Cahokia in Illinois to the generative Mother Mound in Mississippi, Allen takes readers deep into some of the most renowned earthworks. He draws on the insights of poets Allison Hedge Coke and Margaret Noodin, novelists LeAnne Howe and Phillip Carroll Morgan, and artists Monique Mojica and Alyssa Hinton, weaving in a personal history of earthwork encounters and productive conversation with fellow researchers. Spanning literature, art, performance, and built environments, Earthworks Rising engages Indigenous mounds as forms of “land-writing” and as conduits for connections across worlds and generations. Clear and compelling, it provokes greater understanding of the remarkable accomplishments of North America’s diverse mound-building cultures over thousands of years and brings attention to new earthworks rising in the twenty-first century. |
| asemic the art of writing: How to Draw What You See Rudy De Reyna, 2011-09-07 The 35th anniversary edition of the classic how-to book that has helped millions of artists learn to draw. When it was originally published in 1970, How to Draw What You See zoomed to the top of Watson-Guptill’s best-seller list—and it has remained there ever since. “I believe that you must be able to draw things as you see them—realistically,” wrote Rudy de Reyna in his introduction. Today, generations of artists have learned to draw what they see, to truly capture the world around them, using de Reyna’s methods. How to Draw What You See shows artists how to recognize the basic shape of an object—cube, cylinder, cone, or sphere—and use that shape to draw the object, no matter how much detail it contains. |
| asemic the art of writing: Fluency Karla Van Vliet, 2021-01-12 Asemic writing is a wordless form of writing, an art form offering an impression or abstraction of conventional physical writing. In Fluency, we see a union of Karla Van Vliet's lifelong practices of art and poetry, each dissolving into the other and resurfacing as asemic writing in full flower. Here are thirty-seven images, thirty-seven pieces of literary expression that extend far beyond literary convention, accompanied by Van Vliet's personal insights and remarks. In her words: There are times when I do not have words. Yet I have the need and desire to write. It is to asemic writing that I turn in these moments. To the gesture of writing. . . . In the branching tree limbs, in the waves, in my hand's scratching across paper, we each read the feeling that rises in us. |
| asemic the art of writing: Painting Happiness Terry Runyan, 2022-04-05 Combat stress and anxiety and release your own inner creative with this beautiful mindful watercolour book. In this simple and vibrant guide, hugely popular Instagram muse @TerryRunyan explores the art of watercolour through the lens of mindfulness, presenting activities and projects which you can paint along with as you allow your creative side to flourish. This watercolour guide is easy and accessible for beginners, as Runyan gently delves into the basics of the artform, starting with simple techniques which you can follow along with, as well as presenting some fun projects ideas for painters to explore. Alongside beautiful examples of the techniques and styles explored in the book, Runyan also encourages readers to practice mindfulness as they paint, and explores the ways in which art can be used to help improve mental health. Exploring the idea of 'perfectly imperfect watercolours', Runyan places emphasis on self-expression and allowing yourself to make mistakes. Painting Happiness also includes fun projects for readers to try at home, including: Turning blobs into birds Creating wild hairstyles Experimenting with different prompts to paint at least one thing a day From technical skills and notes on materials to insight into the creative process, this book has everything you need to start flourishing in watercolour. |
| asemic the art of writing: Art Journal Courage Dina Wakley, 2014-11-20 Gather Your Art Journal Supplies: • Journal • Pens • Paint • Courage! Discover the techniques and courage you need to journal bravely! With Dina's help, you'll begin by working through any fears you have of using your own handwriting. You'll get journaling prompts and techniques to help you develop a handwriting style you'll love and words you'll want to write! Then, you'll move onto drawing: you'll learn not only how to train your hand, but also how to appreciate your own unique drawing ability. As you continue through the eight chapters, you will learn additional mixed-media techniques to help you overcome your fears of new materials, using photos of yourself, creating layers, working without a plan and much more. Put your worries aside and create fearlessly! You'll find: • Eight common journaling fears dispelled • Twenty techniques to give you art journal courage • Dozens of colorful art journal pages to inspire your own art |
| asemic the art of writing: Line Let Loose David Maclagan, 2013-07-15 As forms of drawing go, scribbling is the most basic: it is seen as playing a formative role in the drawings of both children and primates. Doodling, while still being a widespread phenomenon, is largely an adult preoccupation—a nomadic form of drawing typically produced during meetings and phone calls. But even though those who engage in it are not necessarily trained artists, automatic drawing is a more dramatic event, and the results of an absentminded or trancelike state are sometimes astonishing. Because of their amateur and spontaneous character, all three forms of drawing have been adopted by modern artists seeking to escape from the constraints of their professional skills. In Line Let Loose, David Maclagan shows that each of these marginal forms of drawing has its own history in spiritualism, surrealism, abstract expressionism, and psychedelic art. Referring to Klee, Pollock, Miro, Twombly, and LeWitt, as well as many lesser-known or anonymous artists, he traces the links between them and a pervasive notion of the spontaneous and ‘unconscious’ creation of forms in art. He suggests that the original novelty of these unconventional drawing processes has begun to wear off, and he explores their new situation in our modern digital culture. |
| asemic the art of writing: The Interactive Art Book Ron van der Meer, 2013-03-12 Learn about fundamental concepts such as light and color, pattern and composition, narrative, style, and movement, and much more. Inventive paper engineering brings the subjects to life with pop-ups and lift-the-flaps. From the Dutch masters to the impressionists up through Picasso, this fun and informative activity book will inspire all ages. This book presents art in a way that is understandable, entertaining, and exciting for older children and art lovers. • 60 art masterpieces—25 of them with lift-the-flaps—and all of them illustrating something about the process of making and appreciating art. • 12 three-dimensional models showing perspective, color-mixing, the illusion of movement, abstract composition and more. • 18-page removable Activity Book with instructions for composing pictures and making prints, collages, scratch pictures, potato prints, sculptures, and more. |
| asemic the art of writing: Birds Art Life Kyo Maclear, 2017-01-03 A writer's search for inspiration, beauty, and solace leads her to birds in this ... meditation on creativity and life-- |
| asemic the art of writing: Calligraphy Denise Lach, 2014 An invaluable sourcebook for both enthusiastic beginners and experienced calligraphers who wish to let their imaginations run free |
| asemic the art of writing: At the Borders of Sleep Peter Schwenger, 2012 'At the Borders of Sleep' investigates a liminal or threshold state between two fundamental modes of human consciousness, the waking state and the sleeping one - which are not as distinct from one another as is commonly thought. Liminal states are so subtle and evanescent that only literary depictions can do them justice; and so literature, along with philosophy and some science, has generated this book's argument. That argument is then turned back upon literature to show how both reading and writing are liminal experiences, taking place at the edges of conscious thought. |
| asemic the art of writing: Writing Degree Zero Roland Barthes, 1977 In his first book, French critic Roland Barthes defines the complex nature of writing, as well as the social, historical, political, and personal forces responsible for the formal changes in writing from the classical period to recent times. Copyright © Libri GmbH. All rights reserved. |
| asemic the art of writing: Secret Language of Color Joann Eckstut, Arielle Eckstut, 2013-10-22 In this beautiful and thorough investigation, The Secret Language of Color celebrates and illuminates the countless ways in which color colors our world. Why is the sky blue, the grass green, a rose red? Most of us have no idea how to answer these questions, nor are we aware that color pervades nearly all aspects of life, from the subatomic realm and the natural world to human culture and psychology. Organized into chapters that begin with a fascinating explanation of the physics and chemistry of color, The Secret Language of Color travels from outer space to Earth, from plants to animals to humans. In these chapters we learn about how and why we see color, the nature of rainbows, animals with color vision far superior and far inferior to our own, how our language influences the colors we see, and much more. Between these chapters, authors Joann Eckstut and Ariele Eckstut turn their attention to the individual hues of the visible spectrum?red, orange, yellow, green, blue, and violet?presenting each in fascinating, in-depth detail. Including hundreds of stunning photographs and dozens of informative, often entertaining graphics, every page is a breathtaking demonstration of color and its role in the world around us. Whether you see red, are a shrinking violet, or talk a blue streak, this is the perfect book for anyone interested in the history, science, culture, and beatuty of color in the natural and man-made world. |
| asemic the art of writing: The Pop Up Art Book Rosston Meyer, 2015-06-15 A Pop Up Book featuring 3-D Versions of Comic, Pop & Street Art from 6 Acclaimed Artists |
| asemic the art of writing: The Artist's Novel: A New Medium David Maroto, 2020 Why do artists write novels? What impact does the artist?s novel have on the visual arts? How should such a novel be experienced? In recent years, there has been a proliferation of visual artists who create novels as part of their broader art practice. They do so in order to address artistic issues by means of novelistic devices, favoring a sort of art predicated on process and subjectivity, introducing notions such as fiction, narrative, and imagination. In this sense, it is possible to see the novel as a new medium in the visual arts; yet very little is known about it. This two-volume publication is the first to explore in depth the subject of the artist?s novel.00Part 1, 'A New Medium', is a theoretical examination that looks critically at the different ways contemporary artists employ the artist?s novel, focusing mainly on four key case studies: Benjamin Seror?s 'Mime Radio', Cally Spooner?s 'Collapsing in Parts', Mai-Thu Perret?s 'The Crystal Frontier', and Goldin+Senneby?s 'Headless'. It seeks to situate the artist?s novel within the broader context of the visual arts in the hopes of sparking a much-needed discussion about a practice that has long been ignored by critical strands in art discourse. It includes valuable resources, such as the only existing bibliography of artists? novels.00Published with Part 2: 'The Fantasy of the Novel'(ISBN 9788867494255) as a two-volume publication. |
| asemic the art of writing: The Tears of Things Peter Schwenger, 2006 We surround ourselves with material things that are invested with memories but can only stand for what we have lost. Physical objects—such as one’s own body—situate and define us; yet at the same time they are fundamentally indifferent to us. The melancholy of this rift is a rich source of inspiration for artists. Peter Schwenger deftly weaves together philosophical and psychoanalytical theory with artistic practice. Concerned in part with the act of collecting, The Tears of Things is itself a collection of exemplary art objects—literary and cultural attempts to control and possess things—including paintings by Georgia O’Keeffe and René Magritte; sculpture by Louise Bourgeois and Marcel Duchamp; Joseph Cornell’s boxes; Edward Gorey’s graphic art; fiction by Virginia Woolf, Georges Perec, and Louise Erdrich; the hallucinatory encyclopedias of Jorge Luis Borges and Luigi Serafini; and the corpse photographs of Joel Peter Witkin. However, these representations of objects perpetually fall short of our aspirations. Schwenger examines what is left over—debris and waste—and asks what art can make of these. What emerges is not an art that reassembles but one that questions what it means to assemble in the first place. Contained in this catalog of waste is that ultimate still life, the cadaver, where the subject-object dichotomy receives its final ironic reconciliation. Peter Schwenger is professor of English at Mount St. Vincent University in Halifax, Nova Scotia. He is the author of Fantasm and Fiction: On Textual Envisioning, Letter Bomb: Nuclear Holocaust and the Exploding Word, and Phallic Critiques: Masculinity and Twentieth-Century Literature. |
| asemic the art of writing: Pollock and the Irascibles Carter Foster, 2013 Jackson Pollock, but not just him: Rothko, de Kooning, Kline...18 irascibles. An artistic revolution, a break with the past, experimentation, energy. |
| asemic the art of writing: Sleeping with the Dictionary Harryette Mullen, 2002-02-22 Harryette Mullen's fifth poetry collection, Sleeping with the Dictionary, is the abecedarian offspring of her collaboration with two of the poet's most seductive writing partners, Roget's Thesaurus and The American Heritage Dictionary. In her ménage à trois with these faithful companions, the poet is aware that while Roget seems obsessed with categories and hierarchies, the American Heritage, whatever its faults, was compiled with the assistance of a democratic usage panel that included black poets Langston Hughes and Arna Bontemps, as well as feminist author and editor Gloria Steinem. With its arbitrary yet determinant alphabetical arrangement, its gleeful pursuit of the ludic pleasure of word games (acrostic, anagram, homophone, parody, pun), as well as its reflections on the politics of language and dialect, Mullen's work is serious play. A number of the poems are inspired or influenced by a technique of the international literary avant-garde group Oulipo, a dictionary game called S+7 or N+7. This method of textual transformation--which is used to compose nonsensical travesties reminiscent of Lewis Carroll's Jabberwocky--also creates a kind of automatic poetic discourse. Mullen's parodies reconceive the African American's relation to the English language and Anglophone writing, through textual reproduction, recombining the genetic structure of texts from the Shakespearean sonnet and the fairy tale to airline safety instructions and unsolicited mail. The poet admits to being licked all over by the English tongue, and the title of this book may remind readers that an intimate partner who also gives language lessons is called, euphemistically, a pillow dictionary. |
| asemic the art of writing: Saying Your Name Three Times Underwater Sam Roxas-Chua, 2017 Poetry. Collection of translucent, often narrative poems that float on the page and roll downstream, tumble ashore, look about, understand a bit, hop back onto the page. An old soul comes of age, in time and space these poems occur in the real place of dreams, where they yearn, and exhale. Pulitzer Prize winner, Tyehimba Jess says, Sam Roxas-Chua's poetry is swirling and galactic, vividly sensual, and delightfully stubborn in its refusal to entertain simple answers to queries of blood, faith, and desire. Surreal yet rooted in palpable color and history, this poet's vision transcends oceans, blends geographies and bleeds a multi- tongued heritage for us to better find ourselves... |
| asemic the art of writing: The Book of Pleasure Austin Osman Spare, 2018-02 The Book of Pleasure could be regarded as the central text among Austin Osman Spare's writings. It covers both mystical and magical aspects of Spare's ideas; as the modern ideas on sigils (as now have become popular in chaos magic) and Spare's special theory on incarnation are for the first time introduced in this book.There are some chapters in The Book of Pleasure that Spare has referred to within the text, but are omitted. It seems that they were destroyed during World War II |
| asemic the art of writing: Mirtha Dermisache: Selected Writings Mirtha Dermisache, 2018-03-27 Argentinian artist Mirtha Dermisache (1940-2012) wrote dozens of books, hundreds of letters and postcards, and countless texts. Not a single one was legible, yet, in their promixity to language, they all resonate with a mysterious potential for meaning. Using ink on paper, Dermisache invented an array of graphic languages, each with their own unique lexical and syntactic structures. Some resemble a child's scrawl; others feel like nets or knots or transcriptions of seismic waves. Praised by Roland Barthes in the early '70s for the extreme intelligence of the theoretical problems related to writing that [her] work entails, Dermisache's graphisms suggest both an abstract essence of writing and a concrete democratization of written forms. Selected Writings, the first collection of Dermisache's works to be published in the US, collects two complete books and a selection of texts from the early 1970s, a rich and prolific period for the artist. |
| asemic the art of writing: Japanese Woodblocks (Art Colouring Book) , 2018-03-19 The delicacy of Japanese Woodblocks, with their scenes of everyday life, provided the inspiration for much of 19thC Western art, including Impressionism and Art Nouveau. With fabulous artworks from Hiroshige and Hokusai, this beautiful new book will give you many hours of pleasure, and calm. Printed on high quality paper, this new colouring book features 45 delightful woodblock artworks for you to colour, offering a suggestion of how the original looked as well as key information such as title and date. Enjoy the beautiful views of Mount Fuji, the tranquil lakes and harbours, and this wonderful book will lead you on an enjoyable journey where the satisfaction of creating stunning artworks is mixed with the joy of colouring. You can use a wide variety of pens: from gel and pencil, to pigment and crayons, from ballpoint and rollerball to highlighters, although it’s best to avoid the heavy felt pens. Each page is perforated near the spine of the book, so you can tear out and frame, or simply place your wonderful creation on the walls of your home, perhaps even send them as a gift to your loved ones. Bring the Ink to life! |
| asemic the art of writing: The Great Big Book of Amazing Creative Lettering Hinkler Books Pty Ltd, 2017 Created in collaboration with professional hand-letteres, this instructional guide includes over seventy-five alphabets, exercises, and fun projects for beginners and experienced letterers alike! -- Cover. |
| asemic the art of writing: Learning Linocut Susan Yeates, 2011 Learning Linocutis an exciting and detailed guide to the art of relief printing by exploring linocut. The book takes the reader on a comprehensive tour of the whole creative process, from generating ideas and setting up a studio space to cutting techniques, mark-making and printing a lino block. The book also covers more complex techniques for multiple-coloured linocuts including the reduction technique, the key-block system and experimental linocutting. Learning Linocutcontains plenty of easy to follow step-by-step guides (illustrated by colour photos), interesting and innovative suggestions of ways to work with lino and even useful 'tips' from the author providing extra pointers for things to try next. The linocut techniques discussed in this book can either be carried out at home or in a professional printmaking studio. Packed full of colour images Step-by-step guides to each technique Provides lists of materials and equipment needed Investigates how to generate ideas and gain inspiration for prints Information on cutting techniques, mark-making and image interpretation Explains printing and registration methods Explores multiple-coloured prints - reduction and key-block systems How to store, finish and sell linocut prints Includes a selection of interesting linocut projects Useful 'tips' from the author throughout the book Whether you are a complete beginner to art, just new to printmaking or you are an accomplished printmaker looking for some new ideas and tips, there will be something in here for you to take away. This is a must read for anyone interested in linocut printing! |
| asemic the art of writing: Investigations: The Expanded Field of Writing in the Works of Robert Morris Collectif, 2015-04-23 Yes, you seem to have been anything but an iconophile in your enterprise which is piled as high with words on one side as with images on the other. Robert Morris, “Professional Rules” By investigating the prolific oeuvre of Robert Morris via the prism of writing, this collection of essays provides an incisive lens into the work of a central figure in the visual arts since the 1960s, associated in turn with minimalism, postminimalism, conceptualism, and land art. Morris has often been labeled a theorist, although his writing mobilizes a wide variety of genres. He has espoused the style of art criticism, the verve of the polemic, as well as the forms of prose fiction and autobiography. But beyond his writerly craft, he has incorporated text into prints, sculptures, performances, installations, weaving a tight net between text and visual practice. This book brings together contributions from art historians, literary scholars, philosophers, filmmakers, and writers to shed light on an important yet overlooked aspect of Morris’ work. Illustration : Robert Morris, Investigations: Could I also Represent Hope in this Way? Hardly. And What about Belief?, 1990. Graphite on vellum, 18 × 18 inches (45.7 × 45.7 cm). Photo: Courtesy of Robert Morris and Sonnabend Gallery, New York. © 2010 Robert Morris/Artists Rights Society (ARS), New York. |
| asemic the art of writing: Voynich Manuscript , 2015-12-11 A facsimile of an object of unknown authorship that has been the source of study and speculation for centuries and remains undecipherable to this day. |
| asemic the art of writing: Comics As Poetry Kimball Anderson, Derik Badman, Warren Craghead, 3rd, Julie Delporte, Oliver East, Franklin Einspruch, Jason Overby, Paul Tunis, 2012-09-29 Poetry comics by Kimball Anderson, Derik Badman, Warren Craghead, Julie Delporte, Oliver East, Franklin Einspruch, Jason Overby, and Paul Tunis. Foreword by William Corbett. |
| asemic the art of writing: Manga Crash Course Fantasy Mina Petrovic, 2017-10-18 The best fantasy manga drawing instruction...now with focus on fantasy! Manga artist and popular YouTuber, Mina MISTIQARTS Petrovic, helps you bring your wildest manga fantasies to life. Let your creativity loose as you learn how to draw hair that glows like a rainbow, animals that take human form, strange and outrageous scenery, and so much more. Following a friendly, step-by-step approach, you'll learn how to achieve the sleek, beautifully simple look of manga with a fantasy twist in no time. • Create your own unique manga fantasy characters, creatures and mascots • Design otherworldly fashions, fierce weapons, cool hairstyles and accessories • Put it all together into dynamic fantasy scenes and settings You'll find important basics on feature placement and body proportions, expert tips on everything from fixing mistakes to creating exciting compositions, and six start-to-finish demonstrations on drawing manga fantasy characters from sorcerers to samurai. This book has everything you need to strike the perfect balance in your art between compellingly believable and utterly fantastic. |
| asemic the art of writing: Prose Architectures , 2017 A book of pen-and-ink drawings by artist, poet, and fiction writer, Renee Gladman-- |
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