At The Fishhouses Analysis

  at the fishhouses analysis: Elizabeth Bishop Harold Bloom, 2009 Offers a biographical profile of the poet Elizabeth Bishop and provides analyses and critical views of her work.
  at the fishhouses analysis: Poems Elizabeth Bishop, 2015-01-13 A Stirring Collection of Verse Embark on an evocative journey through life and landscape with Poems, an acclaimed anthology by the peerless Elizabeth Bishop. This anthology places the reader at the heart of experience, rendering the grandeur of human existence and our symbiotic relationship with the natural realm, through precision-tuned verse that oscillates between humor and sorrow, acceptance and affliction. Bishop's artistry immerses us in evocative landscapes, from the nostalgic corners of New England, her childhood abode, to the vibrant hues of Brazil and the lush expanses of Florida, her later homes. Rich in geographical motifs, the collection navigates the intertwined tapestry of human life and nature, revealing the poet's intrinsic ability to render chaos into form. A vital presence in twentieth-century literature, this anthology forges an essential window into Bishop's world, offering a comprehensive view into her profound career. Whether you’re new to Bishop's work or a longtime admirer, you’ll discover the unique perspective she brought to English-language poetry, solidifying this anthology as a definitive cornerstone in any poetry collection.
  at the fishhouses analysis: A Complete Guide to Literary Analysis and Theory Michael Ryan, 2022-11-25 A Complete Guide to Literary Analysis and Theory offers an accessible introduction to all the current approaches to literary analysis. Ranging from stylistics and historicism to post-humanism and new materialism, it also includes chapters on media studies and screen studies. The Guide is designed for use in introductory literature courses and as a primer in theory courses. Each chapter summarizes the main ideas of each approach to the study of literature in clear prose, providing lucid introductions to the practice of each school, and conducts readings using classic and modern works of literature from around the world. The book draws on examples from a wide range of works from classics such as F. Scott Fitzgerald’s The Great Gatsby and Shakespeare's King Lear to contemporary works such as Ocean Vuong's On Earth We're Briefly Gorgeous and Amanda Gorman's The Hill We Climb. This wide-ranging introduction is ideal for students encountering literary study for the first time, as well as more advanced students who need a concise summary of critical methods. It strives to make complex ideas simple and provides readings that undergraduates should be able to understand and enjoy as well as training them to conduct analyses of their own.
  at the fishhouses analysis: On Elizabeth Bishop Colm Tóibín, 2025-02-04 A compelling portrait of a beloved poet from one of today's most acclaimed novelists In this book, novelist Colm Tóibín offers a deeply personal introduction to the work and life of one of his most important literary influences—the American poet Elizabeth Bishop. Ranging across her poetry, prose, letters, and biography, Tóibín creates a vivid picture of Bishop while also revealing how her work has helped shape his sensibility as a novelist and how her experiences of loss and exile resonate with his own. What emerges is a compelling double portrait that will intrigue readers interested in both Bishop and Tóibín. For Tóibín, the secret of Bishop's emotional power is in what she leaves unsaid. Exploring Bishop’s famous attention to detail, Tóibín describes how Bishop is able to convey great emotion indirectly, through precise descriptions of particular settings, objects, and events. He examines how Bishop’s attachment to the Nova Scotia of her childhood, despite her later life in Key West and Brazil, is related to her early loss of her parents—and how this connection finds echoes in Tóibín’s life as an Irish writer who has lived in Barcelona, New York, and elsewhere. Beautifully written and skillfully blending biography, literary appreciation, and descriptions of Tóibín’s travels to Bishop’s Nova Scotia, Key West, and Brazil, On Elizabeth Bishop provides a fresh and memorable look at a beloved poet even as it gives us a window into the mind of one of today’s most acclaimed novelists.
  at the fishhouses analysis: Questions of Travel Elizabeth Bishop, 2015-01-13 The publication of this book is a literary event. It is Miss Bishop's first volume of verse since Poems, which was awarded the Pulitzer Prize for Poetry in 1955. This new collection consists of two parts. Under the general heading Brazil are grouped eleven poems including Manuelzinho, The Armadillo, Twelfth Morning, or What You Will, The Riverman, Brazil, January 1, 1502 and the title poem. The second section, entitled Elsewhere, includes others First Death in Nova Scotia, Manners, Sandpiper, From Trollope's Journal, and Visits to St. Elizabeths. In addition to the poems there is an extraordinary story of a Nova Scotia childhood, In the Village. Robert Lowell has recently written, I am sure no living poet is as curious and observant as Miss Bishop. What cuts so deep is that each poem is inspired by her own tone, a tone of large, grave tenderness and sorrowing amusement. She is too sure of herself for empty mastery and breezy plagiarism, too interested for confession and musical monotony, too powerful for mismanaged fire, and too civilized for idiosyncratic incoherence. She has a humorous, commanding genius for picking up the unnoticed, now making something sprightly and right, and now a great monument. Once her poems, each shining, were too few. Now they are many. When we read her, we enter the classical serenity of a new country.
  at the fishhouses analysis: Poems: North & South Elizabeth Bishop, 1955
  at the fishhouses analysis: Imaginary Vessels Paisley Rekdal, 2016 Incorporating photography and rigorous research, Imaginary Vessels makes history personal and the personal historical.
  at the fishhouses analysis: Geography III Elizabeth Bishop, 2015-01-13 Whether writing about waiting as a child in a dentist's office, viewing a city from a plane high above, or losing items ranging from door keys to one's lover in the masterfully restrained One Art, Elizabeth Bishop somehow conveyed both large and small emotional truths in language of stunning exactitude and even more astonishing resonance. As John Ashbery has written, The private self . . . melts imperceptibly into the large utterance, the grandeur of poetry, which, because it remains rooted in everyday particulars, never sounds ‘grand,' but is as quietly convincing as everyday speech.
  at the fishhouses analysis: The Rattle Bag Seamus Heaney, Ted Hughes, 2005-03-17 A collection of more than 400 hundred poems from all around the world.
  at the fishhouses analysis: Elizabeth Bishop in Context Angus Cleghorn, Jonathan Ellis, 2021-08-26 Elizabeth Bishop is increasingly recognised as one of the twentieth century's most original writers. Consisting of thirty-five ground-breaking essays by an international team of authors, including biographers, literary critics, poets and translators, this volume addresses the biographical and literary inception of Bishop's originality, from her formative upbringing in New England and Nova Scotia to long residences in New York, France, Florida and Brazil. Her poetry, prose, letters, translations and visual art are analysed in turn, followed by detailed studies of literary movements such as surrealism and modernism that influenced her artistic development. Bishop's encounters with nature, music, psychoanalysis and religion receive extended treatment, likewise her interest in dreams and humour. Essays also investigate the impact of twentieth-century history and politics on Bishop's life writing, and what it means to read Bishop via eco-criticism, postcolonial theory and queer studies.
  at the fishhouses analysis: A Poet's High Argument Laurel Snow Corelle, 2008 In this original study of Elizabeth Bishop's lifelong engagement with Christianity, Laurel Snow Corelle illuminates the ways in which Bishop's Protestant childhood and reading of Christian literature, coupled with her deep commitment to agnosticism, inform the works of this former poet laureate of the United States. Corelle sees in Bishop's writing a sophisticated and sustained interrogation of orthodoxy that exquisitely balances Bishop's religious upbringing with her agnostic stance and that has until now escaped thorough examination. To make her case, Corelle immerses the reader in Bishop's works and world in order to convey the rigor, subtlety, and complexity of the poet's dialogue with historical Christianity and its literature. At the heart of that engagement are some compelling peculiarities. Bishop was a self-proclaimed nonbeliever; yet she grew up in two devout Protestant homes, and she studied Christian literature throughout her life. As a result some of the perspectives and prejudices voiced in her verse are transparently Protestant. This study illustrates how she incorporated allusions to scripture and Protestant sacraments in a subversive critique of organized Christianity and how her appropriation of three traditional genres common to Christian literature - allegory, pastoral elegy, and spiritual autobiography - advanced her own poetic purposes.--BOOK JACKET.
  at the fishhouses analysis: An Introduction to Criticism Michael Ryan, 2012-02-13 An accessible and thorough introduction to literary theory and contemporary critical practice, this book is an essential resource for beginning students of literary criticism. Covers traditional approaches such as formalism and structuralism, as well as more recent developments in criticism such as evolutionary theory, cognitive studies, ethical criticism, and ecocriticism Offers explanations of key works and major ideas in literary criticism and suggests key elements to look for in a literary text Also applies critical approaches to various examples from film studies Helps students to build a critical framework and write analytically
  at the fishhouses analysis: Words in Air Elizabeth Bishop, Robert Lowell, 2020-02-18 Robert Lowell once remarked in a letter to Elizabeth Bishop that you ha[ve] always been my favorite poet and favorite friend. The feeling was mutual. Bishop said that conversation with Lowell left her feeling picked up again to the proper table-land of poetry, and she once begged him, Please never stop writing me letters—they always manage to make me feel like my higher self (I've been re-reading Emerson) for several days. Neither ever stopped writing letters, from their first meeting in 1947 when both were young, newly launched poets until Lowell's death in 1977. Presented in Words in Air is the complete correspondence between Bishop and Lowell. The substantial, revealing—and often very funny—interchange that they produced stands as a remarkable collective achievement, notable for its sustained conversational brilliance of style, its wealth of literary history, its incisive snapshots and portraits of people and places, and its delicious literary gossip, as well as for the window it opens into the unfolding human and artistic drama of two of America's most beloved and influential poets.
  at the fishhouses analysis: Middle Earth Henri Cole, 2014-08-12 The fullest culmination to date of an original voice and a central poet of his generation (Harold Bloom) Time was plunging forward, like dolphins scissoring open water or like me, following Jenny's flippers down to see the coral reef, where the color of sand, sea and sky merged, and it was as if that was all God wanted: not a wife, a house or a position, but a self, like a needle, pushing in a vein.—from Olympia In his fifth collection of verse, Henri Cole's melodious lines are written in an open style that is both erotic and visionary. Few poets so thrillingly portray the physical world, or man's creaturely self, or the cycling strain of desire and self-reproach. Few poets so movingly evoke the human quest of a man alone, trying to say something true that has body, / because it is proof of his existence. Middle Earth is a revelatory collection, the finest work yet from an author of poems that are marvels—unbuttoned, riveting, dramatic—burned into being (Tina Barr, Boston Review).
  at the fishhouses analysis: The Invention of Evening Christopher R. Miller, 2006-09-21 An exploration of the tradition of evening poetry that flourished with Coleridge, Shelley and Keats.
  at the fishhouses analysis: Produce Poems Doug Tanoury,
  at the fishhouses analysis: In the Way of Nature Robert Boschman, 2009-03-18 Exploring the connections between nature and culture, this volume discusses the works of three female American poets: Anne Bradstreet (1612-1672), Elizabeth Bishop (1911-1979), and Amy Clampitt (1920-1994). Though only Bradstreet was born outside North America, each poet is shown to grapple with the ways that European civilization was transformed on the new continent. The author's analysis highlights the interconnected themes of travel, geography, cartography and wildness.
  at the fishhouses analysis: The Relevance of Metaphor Josie O'Donoghue, 2021-11-27 This book considers metaphor as a communicative phenomenon in the poetry of Emily Dickinson, Elizabeth Bishop and Seamus Heaney, in light of the relevance theory account of communication first developed by Dan Sperber and Deirdre Wilson in the 1980s. The first half of the book introduces relevance theory, situating it in relation to literary criticism, and then surveys the history of metaphor in literary studies and assesses relevance theory’s account of metaphor, including recent developments within the theory such as Robyn Carston’s notion of ‘the lingering of the literal’. The second half of the book considers the role of metaphor in the work of three nineteenth- and twentieth-century poets through the lens of three terms central to relevance theory: inference, implicature and mutual manifestness. The volume will be of interest to students and scholars working in literary studies, pragmatics and stylistics, as well as to relevance theorists.
  at the fishhouses analysis: The Collected Essays of Elizabeth Hardwick Elizabeth Hardwick, 2017-10-17 The first-ever collection of essays from across Elizabeth Hardwick's illustrious writing career, including works not seen in print for decades. A New York Times Notable Book of 2017 Elizabeth Hardwick wrote during the golden age of the American literary essay. For Hardwick, the essay was an imaginative endeavor, a serious form, criticism worthy of the literature in question. In the essays collected here she covers civil rights demonstrations in the 1960s, describes places where she lived and locations she visited, and writes about the foundations of American literature—Melville, James, Wharton—and the changes in American fiction, though her reading is wide and international. She contemplates writers’ lives—women writers, rebels, Americans abroad—and the literary afterlife of biographies, letters, and diaries. Selected and with an introduction by Darryl Pinckney, the Collected Essays gathers more than fifty essays for a fifty-year retrospective of Hardwick’s work from 1953 to 2003. “For Hardwick,” writes Pinckney, “the poetry and novels of America hold the nation’s history.” Here is an exhilarating chronicle of that history.
  at the fishhouses analysis: Mystical Languages of Unsaying Michael A. Sells, 1994-05-02 The subject of Mystical Languages of Unsaying is an important but neglected mode of mystical discourse, apophasis. which literally means speaking away. Sometimes translated as negative theology, apophatic discourse embraces the impossibility of naming something that is ineffable by continually turning back upon its own propositions and names. In this close study of apophasis in Greek, Christian, and Islamic texts, Michael Sells offers a sustained, critical account of how apophatic language works, the conventions, logic, and paradoxes it employs, and the dilemmas encountered in any attempt to analyze it. This book includes readings of the most rigorously apophatic texts of Plotinus, John the Scot Eriugena, Ibn Arabi, Marguerite Porete, and Meister Eckhart, with comparative reference to important apophatic writers in the Jewish tradition, such as Abraham Abulafia and Moses de Leon. Sells reveals essential common features in the writings of these authors, despite their wide-ranging differences in era, tradition, and theology. By showing how apophasis works as a mode of discourse rather than as a negative theology, this work opens a rich heritage to reevaluation. Sells demonstrates that the more radical claims of apophatic writers—claims that critics have often dismissed as hyperbolic or condemned as pantheistic or nihilistic—are vital to an adequate account of the mystical languages of unsaying. This work also has important implications for the relationship of classical apophasis to contemporary languages of the unsayable. Sells challenges many widely circulated characterizations of apophasis among deconstructionists as well as a number of common notions about medieval thought and gender relations in medieval mysticism.
  at the fishhouses analysis: Invisible Man Ralph Ellison, 2014 The invisible man is the unnamed narrator of this impassioned novel of black lives in 1940s America. Embittered by a country which treats him as a non-being he retreats to an underground cell.
  at the fishhouses analysis: Commercial Fisheries Abstracts , 1968
  at the fishhouses analysis: Sea Grant Publications Index , 1968
  at the fishhouses analysis: The Faber Book of Contemporary American Poetry Helen Vendler, 1990 An anthology of American poetry which covers the period from Wallace Stevens (born 1879) to Rita Dove (born 1952). The anthology includes work by only 35 poets which allows for a wide range of poems from each of the selected poets.
  at the fishhouses analysis: Marine Research, 1973 United States. National Oceanic and Atmospheric Administration, 1973
  at the fishhouses analysis: Elizabeth Bishop and Her Art Lloyd Schwartz, Sybil P. Estess, 1983 As the first book-length collection to focus on Elizabeth Bishop, this book has become an essential resource on this poet--now recognized as one of America's greatest artists--whose poetry, as Harold Bloom says in his foreword, stands at the edge where what is most worth saying is all but impossible to say. The volume includes major essays by David Kalstone, Helen Vendler, and Robert Pinsky, among others; a chronology of short articles and reviews, poems, memoirs, and memorials, many by major poets (among them Bishop's three most notable supporters--Marianne Moore, Robert Lowell, and Randall Jarrell); and an illuminating selection of work by Bishop herself, some of which is unavailable anywhere else. -- Publisher's description.
  at the fishhouses analysis: Composing Research Cindy Johanek, 2000-04 Cindy Johanek offers a new perspective on the ideological conflict between qualitative and quantitative research approaches, and the theories of knowledge that inform them. With a paradigm that is sensitive to the context of one's research questions, she argues, scholars can develop less dichotomous forms that invoke the strengths of both research traditions. Context-oriented approaches can lift the narrative from beneath the numbers in an experimental study, for example, or bring the useful clarity of numbers to an ethnographic study. A pragmatic scholar, Johanek moves easily across the boundaries that divide the field, and argues for contextualist theory as a lens through which to view composition research. This approach brings with it a new focus, she writes. This new focus will call us to attend to the contexts in which rhetorical issues and research issues converge, producing varied forms, many voices, and new knowledge, indeed reconstructing a discipline that will be simultaneously focused on its tasks, its knowledge-makers, and its students. Composing Research is a work full of personal voice and professional commitment and will be a welcome addition to the research methods classroom and to the composition researcher's own bookshelf. 2000 Outstanding Scholarship Award from the International Writing Centers Association.
  at the fishhouses analysis: Book Catalog of the Library and Information Services Division: Subject index Environmental Science Information Center. Library and Information Services Division, 1977
  at the fishhouses analysis: The Routledge Handbook of Language and Creativity Rodney H. Jones, 2015-09-08 The Routledge Handbook of Language and Creativity provides an introduction to and survey of a wide range of perspectives on the relationship between language and creativity. Defining this complex and multifaceted field, this book introduces a conceptual framework through which the various definitions of language and creativity can be explored. Divided into four parts, it covers: different aspects of language and creativity, including dialogue, metaphor and humour literary creativity, including narrative and poetry multimodal and multimedia creativity, in areas such as music, graffiti and the internet creativity in language teaching and learning. With over 30 chapters written by a group of leading academics from around the world, The Routledge Handbook of Language and Creativity will serve as an important reference for students and scholars in the fields of English language studies, applied linguistics, education, and communication studies.
  at the fishhouses analysis: Becoming a Poet David Kalstone, 2001 A celebrated study of Elizabeth Bishop's genius, as revealed through her literary friendships
  at the fishhouses analysis: Feeling Beauty G. Gabrielle Starr, 2015-01-30 A theory of the neural bases of aesthetic experience across the arts, which draws on the tools of both cognitive neuroscience and traditional humanist inquiry. In Feeling Beauty, G. Gabrielle Starr argues that understanding the neural underpinnings of aesthetic experience can reshape our conceptions of aesthetics and the arts. Drawing on the tools of both cognitive neuroscience and traditional humanist inquiry, Starr shows that neuroaesthetics offers a new model for understanding the dynamic and changing features of aesthetic life, the relationships among the arts, and how individual differences in aesthetic judgment shape the varieties of aesthetic experience. Starr, a scholar of the humanities and a researcher in the neuroscience of aesthetics, proposes that aesthetic experience relies on a distributed neural architecture—a set of brain areas involved in emotion, perception, imagery, memory, and language. More important, it emerges from networked interactions, intricately connected and coordinated brain systems that together form a flexible architecture enabling us to develop new arts and to see the world around us differently. Focusing on the sister arts of poetry, painting, and music, Starr builds and tests a neural model of aesthetic experience valid across all the arts. Asking why works that address different senses using different means seem to produce the same set of feelings, she examines particular works of art in a range of media, including a poem by Keats, a painting by van Gogh, a sculpture by Bernini, and Beethoven's Diabelli Variations. Starr's innovative, interdisciplinary analysis is true to the complexities of both the physical instantiation of aesthetics and the realities of artistic representation.
  at the fishhouses analysis: Disinformation Frances Leviston, 2015 Frances Leviston's first collection, Public Dream, was one of the most acclaimed debuts of recent years, and praised for combining technical mastery with a lucidity that verges on the hypnotic by the Independent. Leviston's keenly-anticipated second book sees both an intellectual and dramatic intensification of her project. We often credit poetry as a kind of truth-telling, but it can also be an agent and a vessel of disinformation: in the course of making its proofs and confessions, it also seeks to persuade and seduce by any means it can. Leviston uses both sides of poetry's tongue to address one of the key questions of the age: how have we come to know what we think we know? In the title poem, a woman preparing for a child's birthday party suddenly glimpses the invisible screen of false data behind which she lives--and her own complicity in its power. Many of these poems are concerned with ruined or abandoned structures, dismembered and disappearing bodies, constructed and deconstructed identities; behind them lie the false gods who manipulate the streams of information with which we must navigate the contemporary world. In Leviston's inimitably vivid and vital language, Disinformation challenges us to rescue our idea of identity from that mass of glib truth and persistent falsehood--and proposes how we might begin to think of poetry itself as a means to that end.
  at the fishhouses analysis: At the Brink of Infinity James E. von der Heydt, 2008-04 From popular culture to politics to classic novels, quintessentially American texts take their inspiration from the idea of infinity. In the extraordinary literary century inaugurated by Ralph Waldo Emerson, the lyric too seemed to encounter possibilities as limitless as the U.S. imagination. This raises the question: What happens when boundlessness is more than just a figure of speech? Exploring new horizons is one thing, but actually looking at the horizon itself is something altogether different. In this carefully crafted analysis, James von der Heydt shines a new light on the lyric craft of Emily Dickinson, Robert Frost, Elizabeth Bishop, and James Merrill and considers how their seascape-vision redefines poetry's purpose. Emerson famously freed U.S. literature from its past and opened it up to vastness; in the following century, a succession of brilliant, rigorous poets took the philosophical challenges of such freedom all too seriously. Facing the unmarked horizon, Emersonian poets capture—and are captured by—a stark, astringent version of human beauty. Their uncompromising visions of limitlessness reclaim infinity's proper legacy—and give American poetry its edge. Von der Heydt's book recovers the mystery of their world.
  at the fishhouses analysis: Marine Fisheries Review , 2015
  at the fishhouses analysis: Southeast Regional Perspectives on Magnuson-Stevens Act Reauthorization United States. Congress. Senate. Committee on Commerce, Science, and Transportation. Subcommittee on Oceans, Atmosphere, Fisheries, and Coast Guard, 2015
  at the fishhouses analysis: 12 O'clock News Elizabeth Bishop, Mark Lintott, Verdigris, Verdigris Press, 2006
  at the fishhouses analysis: Thinking Off Your Feet Michael Strevens, 2019-01-07 Many philosophers believe they can gain knowledge about the world from the comfort of their armchairs, simply by reflecting on the nature of things. But how can the mind arrive at substantive knowledge of the world without seeking its input? Michael Strevens proposes an original defense of the armchair pursuit of philosophical knowledge, focusing on “the method of cases,” in which judgments about category membership—Does this count as causation? Does that count as the right action to take?—are used to test philosophical hypotheses about such matters as causality, moral responsibility, and beauty. Strevens argues that the method of cases is capable of producing reliable, substantial knowledge. His strategy is to compare concepts of philosophical things to concepts of natural kinds, such as water. Philosophical concepts, like natural kind concepts, do not contain the answers to philosophers’ questions; armchair philosophy therefore cannot be conceptual analysis. But just as natural kind concepts provide a viable starting point for exploring the nature of the material world, so philosophical concepts are capable of launching and sustaining fruitful inquiry into philosophical matters, using the method of cases. Agonizing about unusual “edge cases,” Strevens shows, can play a leading role in such discoveries. Thinking Off Your Feet seeks to reshape current debates about the nature of philosophical thinking and the methodological implications of experimental philosophy, to make significant contributions to the cognitive science of concepts, and to restore philosophy to its traditional position as an essential part of the human quest for knowledge.
  at the fishhouses analysis: Song Brigit Pegeen Kelly, 1995 Winner of the 1994 Lamont Poetry selection of The Academy of American Poets. Kelly has a talent for coaxing out the world's ghosts and then fixing them in personal landscapes of fear and uncertainty.... Smoothed by nuances of sound and rhythm, her poems exude an ambiguous wisdom, an acceptance of the sad magic that returns us constantly to the lives we might have led.--Library Journal
  at the fishhouses analysis: Ecopoetics and the Global Landscape Isabel Sobral Campos, 2018-12-27 Ecopoetics and the Global Landscape: Critical Essays surveys ecopoetry from a global perspective across different historical epochs. Its comparative approach foregrounds the importance of ecopoetics within the context of distinct national literatures and cultures to reveal the ubiquitous intersection of poetry with ecocriticism. The collection analyzes environmental problems resulting from the legacies of colonialism and focuses on issues of environmental justice and indigenous issues as well as on the intersection of genocide studies and environmentalism. It also examines ecologically-informed modes of relating to the world. In particular, it engages with interactions between the human and nonhuman as well as mind and matter. Finally, it broadens the scope of place to include both the absent land of exiled peoples, and the urban, built environment.
  at the fishhouses analysis: Navigating Troubled Waters James R. Mackovjak, 2010
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