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| atrium art history definition: History of Art and Architecture Joann Lacey, 2021-01-24 This is a survey of the history of art and architecture of Western civilizations. The textbook extends from the age of Prehistory until the end of the Gothic period. The textbook includes illustrations, graphs, and reconstruction images curated from Creative Commons material. The textbook includes original text not protected intellectual property. |
| atrium art history definition: Roman Art Nancy Lorraine Thompson, Philippe De Montebello, John Kent Lydecker, Carlos A. Picón, 2007 A complete introduction to the rich cultural legacy of Rome through the study of Roman art ... It includes a discussion of the relevance of Rome to the modern world, a short historical overview, and descriptions of forty-five works of art in the Roman collection organized in three thematic sections: Power and Authority in Roman Portraiture; Myth, Religion, and the Afterlife; and Daily Life in Ancient Rome. This resource also provides lesson plans and classroom activities.--Publisher website. |
| atrium art history definition: A Dictionary of Science, Literature, & Art William Thomas Brande, 1842 |
| atrium art history definition: The World of Pompeii Pedar Foss, John J. Dobbins, 2009-06-02 This all embracing survey of Pompeii provides the most comprehensive survey of the region available. With contributions by well-known experts in the field, this book studies not only Pompeii, but also – for the first time – the buried surrounding cities of Campania. The World of Pompeii includes the latest understanding of the region, based on the up-to-date findings of recent archaeological work. Accompanied by a CD with the most detailed map of Pompeii so far, this book is instrumental in studying the city in the ancient world and is an excellent source book for students of this fascinating and tragic geographic region. |
| atrium art history definition: The Freedman in Roman Art and Art History Lauren Hackworth Petersen, 2011-09-19 In this study, Lauren Petersen critically investigates the notion of 'freedman art' in scholarship. |
| atrium art history definition: The Cambridge Companion to the Roman Republic Harriet I. Flower, 2014-06-23 This second edition examines all aspects of Roman history, and contains a new introduction, three new chapters and updated bibliographies. |
| atrium art history definition: Baroque Tendencies in Contemporary Art Kelly A. Wacker, 2021-02-03 Baroque Tendencies in Contemporary Art is a collection of essays by an international cadre of scholars addressing current trends within the field of contemporary art and how artists and architects reflect upon past traditions and fold them into the present. Often referred to as the Neo-Baroque, scholarship on this topic first emerged in the 1980s with the publication of several notable studies in France (but not translated into English until the 1990s); in addition, a number of recent exhibitions have focused on contemporary responses to the Baroque. The Baroque and the Neo-Baroque are frequently defined as having a propensity for instability, seriality, reflexivity, fluidity, and spectacle. This is perhaps partly why, in the millennial period, there is so much interest in the Baroque—we are seeking ways to find parallels between the art of then and the art of our own diverse, pluralistic culture. This book provides context for how contemporary artists meet and deal with the Baroque both formally and conceptually. Among others, it provides discussions of the work of American artists John Currin, Jeff Koons, Frank Stella, Lisa Yuskavage; American architect, Frank Gehry; European artists Lucian Freud, Jenny Saville, Emilio Vedova; Latin American artists Monica Castillo, Raphael Cauduro, Yishai Judisman; and New Zealand artists, Richard Reddaway and Joanna Langford. |
| atrium art history definition: A Short History of Art Julia B. De Forest, 1881 |
| atrium art history definition: History of Early Christian Art Edward Lewes Cutts, 1893 |
| atrium art history definition: A History of Greek Art Mark D. Stansbury-O'Donnell, 2015-01-27 Offering a unique blend of thematic and chronological investigation, this highly illustrated, engaging text explores the rich historical, cultural, and social contexts of 3,000 years of Greek art, from the Bronze Age through the Hellenistic period. Uniquely intersperses chapters devoted to major periods of Greek art from the Bronze Age through the Hellenistic period, with chapters containing discussions of important contextual themes across all of the periods Contextual chapters illustrate how a range of factors, such as the urban environment, gender, markets, and cross-cultural contact, influenced the development of art Chronological chapters survey the appearance and development of key artistic genres and explore how artifacts and architecture of the time reflect these styles Offers a variety of engaging and informative pedagogical features to help students navigate the subject, such as timelines, theme-based textboxes, key terms defined in margins, and further readings. Information is presented clearly and contextualized so that it is accessible to students regardless of their prior level of knowledge A book companion website is available at www.wiley.gom/go/greekart with the following resources: PowerPoint slides, glossary, and timeline |
| atrium art history definition: Introduction to Art: Design, Context, and Meaning Pamela Sachant, Peggy Blood, Jeffery LeMieux, Rita Tekippe, 2023-11-27 Introduction to Art: Design, Context, and Meaning offers a deep insight and comprehension of the world of Art. Contents: What is Art? The Structure of Art Significance of Materials Used in Art Describing Art - Formal Analysis, Types, and Styles of Art Meaning in Art - Socio-Cultural Contexts, Symbolism, and Iconography Connecting Art to Our Lives Form in Architecture Art and Identity Art and Power Art and Ritual Life - Symbolism of Space and Ritual Objects, Mortality, and Immortality Art and Ethics |
| atrium art history definition: Thinking About Art Penny Huntsman, 2015-11-04 Thinking about Art explores some of the greatest works of art and architecture in the world through the prism of themes, instead of chronology, to offer intriguing juxtapositions of art and history. The book ranges across time and topics, from the Parthenon to the present day and from patronage to ethnicity, to reveal art history in new and varied lights. With over 200 colour illustrations and a wealth of formal and contextual analysis, Thinking about Art is a companion guide for art lovers, students and the general reader, and is also the first A-level Art History textbook, written by a skilled and experienced teacher of art history, Penny Huntsman. The book is accompanied by a companion website at www.wiley.com/go/thinkingaboutart. |
| atrium art history definition: What Architecture Means Denise Costanzo, 2015-07-24 What Architecture Means introduces you to architecture and allows you to explore the connections between design ideas and values across time, space, and culture. It equips you to play an active and informed role in architecture either as a professional or as a consumer, client, and citizen. By analyzing famous and everyday buildings while presenting and questioning the positions of important architects and theorists, this book will help you to evaluate and decide what qualities, ideas, and values you believe are important in architecture. You'll learn: -How various definitions of architecture establish different relationships with all buildings, and even non-buildings; -How buildings express and accommodate ideas of the sacred, the family, and the community; -What an architect is, and what priorities they bring to design and construction; -How an architect’s expertise relates to that of the engineer, and why these are distinct disciplines; -About values like beauty, originality, structural expression, and cultural memory and their purpose in architectural design; -About the interests and ethical values that architects, and architecture, serves and promotes. Topics include sacred spaces, the house, the city, architects and engineers, aesthetics and design, originality and method, technology and form, memory and identity, and power and politics. |
| atrium art history definition: Barron's AP Art History John B. Nici, 2015-08-15 This completely updated and revised review guide will help Advanced Placement students learn everything they need to know about the redesign of the Art History course. Emphasis has been placed on ensuring student success in view of the redesigned curriculum, the newly structured exam, and the innovative scoring criteria. Comprehensive preparation for the AP Art History test includes: A diagnostic test and two full-length model tests with all questions answered and explained Art history review describes major artists and art movements Additional chapters on art outside of the European tradition Multiple-choice questions and practice essays follow every chapter With Barron’s AP Art History, students will get all the information they need to score a 5 on the Advanced Placement test. |
| atrium art history definition: Ancestor Masks and Aristocratic Power in Roman Culture Harriet I. Flower, 1996 In the first comprehensive study of Roman ancestor masks in English, Harriet Flower explains the reasons behind the use of wax masks in the commemoration of politically prominent family members by the elite society of Rome. Flower traces the functional evolution of ancestor masks, from theirfirst attested appearance in the third century BC to their last mention in the sixth century AD, through the examination of literary sources in both prose and verse, legal texts, epigraphy, archaeology, numismatics, and art. It is by putting these masks, which were worn by actors at the funerals ofthe deceased, into their legal, social, and political context that Flower is able to elucidate their central position in the media of the time and their special meaning as symbols of power and prestige. |
| atrium art history definition: Museum of Antiquity T. L. Haines, L. W. Yaggy, 2016-01-16 Pompeii was in its full glory at the commencement of the Christian era. It was a city of wealth and refinement, with about 35,000 inhabitants, and beautifully located at the foot of Mount Vesuvius; it possessed all local advantages that the most refined taste could desire. Upon the verge of the sea, at the entrance of a fertile plain, on the bank of a navigable river, it united the conveniences of a commercial town with the security of a military station, and the romantic beauty of a spot celebrated in all ages for its pre-eminent loveliness. Its environs, even to the heights of Vesuvius, were covered with villas, and the coast, all the way to Naples, was so ornamented with gardens and villages, that the shores of the whole gulf appeared as one city. |
| atrium art history definition: The Spread of the Roman Domus-type in Gaul Lőrinc Timár, 2011 The aim of this study is to process a group of problems related to the building of residential houses in Roman Age Gaul (Tres Galliae: first century BC and the second part of the first century AD). The houses are summarized in the Catalogue that concludes the volume and provides a collection of floor plans with a brief description.--Publisher's website. |
| atrium art history definition: A Dictionary of Science, Literature, and Art ... With the derivation and definition of all the terms in general use. Edited by W. T. Brande ... assisted by Joseph Cauvin, etc William Thomas BRANDE, 1847 |
| atrium art history definition: The Politics of Public Space in Republican Rome Amy Russell, 2016 This book explores how public space in Republican Rome was an unstable category marked, experienced, and defined by multiple actors and audiences. |
| atrium art history definition: Roman Architecture and Urbanism Fikret Yegül, Diane Favro, 2019-07-31 Since antiquity, Roman architecture and planning have inspired architects and designers. In this volume, Diane Favro and Fikret Yegül offer a comprehensive history and analysis of the Roman built environment, emphasizing design and planning aspects of buildings and streetscapes. They explore the dynamic evolution and dissemination of architectural ideas, showing how local influences and technologies were incorporated across the vast Roman territory. They also consider how Roman construction and engineering expertise, as well as logistical proficiency, contributed to the making of bold and exceptional spaces and forms. Based on decades of first-hand examinations of ancient sites throughout the Roman world, from Britain to Syria, the authors give close accounts of many sites no longer extant or accessible. Written in a lively and accessible manner, Roman Architecture and Urbanism affirms the enduring attractions of Roman buildings and environments and their relevance to a global view of architecture. It will appeal to readers interested in the classical world and the history of architecture and urban design, as well as wide range of academic fields. With 835 illustrations including numerous new plans and drawings as well as digital renderings. |
| atrium art history definition: In What Style Should We Build? Heinrich Hubsch, 1996-07-11 Hubsch's argument that the technical progress and changed living habits of the nineteenth century rendered neoclassical principles antiquated is presented here along with responses to his essay by architects, historians, and critics over two decades. |
| atrium art history definition: The Phantom Image Patrick R. Crowley, 2019-12-10 Drawing from a rich corpus of art works, including sarcophagi, tomb paintings, and floor mosaics, Patrick R. Crowley investigates how something as insubstantial as a ghost could be made visible through the material grit of stone and paint. In this fresh and wide-ranging study, he uses the figure of the ghost to offer a new understanding of the status of the image in Roman art and visual culture. Tracing the shifting practices and debates in antiquity about the nature of vision and representation, Crowley shows how images of ghosts make visible structures of beholding and strategies of depiction. Yet the figure of the ghost simultaneously contributes to a broader conceptual history that accounts for how modalities of belief emerged and developed in antiquity. Neither illustrations of ancient beliefs in ghosts nor depictions of afterlife, these images show us something about the visual event of seeing itself. The Phantom Image offers essential insight into ancient art, visual culture, and the history of the image. |
| atrium art history definition: What Is Contemporary Art? Terry E. Smith, 2009-10-15 Who gets to say what counts as contemporary art? Artists, critics, curators, gallerists, auctioneers, collectors, or the public? Revealing how all of these groups have shaped today’s multifaceted definition, Terry Smith brilliantly shows that an historical approach offers the best answer to the question: What is Contemporary Art? Smith argues that the most recognizable kind is characterized by a return to mainstream modernism in the work of such artists as Richard Serra and Gerhard Richter, as well as the retro-sensationalism of figures like Damien Hirst and Takashi Murakami. At the same time, Smith reveals, postcolonial artists are engaged in a different kind of practice: one that builds on local concerns and tackles questions of identity, history, and globalization. A younger generation embodies yet a third approach to contemporaneity by investigating time, place, mediation, and ethics through small-scale, closely connective art making. Inviting readers into these diverse yet overlapping art worlds, Smith offers a behind-the-scenes introduction to the institutions, the personalities, the biennials, and of course the works that together are defining the contemporary. The resulting map of where art is now illuminates not only where it has been but also where it is going. |
| atrium art history definition: Architecture Francis D. K. Ching, 2012-07-16 A superb visual reference to the principles of architecture Now including interactive CD-ROM! For more than thirty years, the beautifully illustrated Architecture: Form, Space, and Order has been the classic introduction to the basic vocabulary of architectural design. The updated Third Edition features expanded sections on circulation, light, views, and site context, along with new considerations of environmental factors, building codes, and contemporary examples of form, space, and order. This classic visual reference helps both students and practicing architects understand the basic vocabulary of architectural design by examining how form and space are ordered in the built environment.? Using his trademark meticulous drawing, Professor Ching shows the relationship between fundamental elements of architecture through the ages and across cultural boundaries. By looking at these seminal ideas, Architecture: Form, Space, and Order encourages the reader to look critically at the built environment and promotes a more evocative understanding of architecture. In addition to updates to content and many of the illustrations, this new edition includes a companion CD-ROM that brings the book's architectural concepts to life through three-dimensional models and animations created by Professor Ching. |
| atrium art history definition: A History of Roman Art Steven L. Tuck, 2015-01-27 A History of Roman Art provides a wide-ranging survey of the subject from the founding of Rome to the rule of Rome's first Christian emperor, Constantine. Incorporating the most up-to-date information available on the topic, this new textbook explores the creation, use, and meaning of art in the Roman world. Extensively illustrated with 375 color photographs and line drawings Broadly defines Roman art to include the various cultures that contributed to the Roman system Focuses throughout on the overarching themes of Rome's cultural inclusiveness and art's important role in promoting Roman values Discusses a wide range of Roman painting, mosaic, sculpture, and decorative arts, as well as architecture and associated sculptures within the cultural contexts they were created and developed Offers helpful and instructive pedagogical features for students, such as timelines; key terms defined in margins; a glossary; sidebars with key lessons and explanatory material on artistic technique, stories, and ancient authors; textboxes on art and literature, art from the provinces, and important scholarly perspectives; and primary sources in translation A book companion website is available at www.wiley.com/go/romanart with the following resources: PowerPoint slides, glossary, and timeline Steven Tuck is the 2014 recipient of the American Archaeological Association's Excellence in Undergraduate Teaching Award. |
| atrium art history definition: Roman Building Jean-Pierre Adam, 2005-11-01 With over 750 illustrations, Roman Buildings is a thorough and systematic examination of Roman architecture and building practice, looking at large-scale public buildings as well as more modest homes and shops. Placing emphasis on the technical aspects of the subject, the author follows the process of building through each stage -- from quarry to standing wall, from tree to roof timbers -- and describes how these materials were obtained or manufactured. The author also discusses interior decoration and looks at the practical aspects of water supply, heating and roads. |
| atrium art history definition: The Ancient Middle Classes Emanuel Mayer, 2012-06-15 Our image of the Roman world is shaped by the writings of Roman statesmen and upper class intellectuals. Yet most of the material evidence we have from Roman times--art, architecture, and household artifacts from Pompeii and elsewhere--belonged to, and was made for, artisans, merchants, and professionals. Roman culture as we have seen it with our own eyes, Emanuel Mayer boldly argues, turns out to be distinctly middle class and requires a radically new framework of analysis. Starting in the first century B.C.E., ancient communities, largely shaped by farmers living within city walls, were transformed into vibrant urban centers where wealth could be quickly acquired through commercial success. From 100 B.C.E. to 250 C.E., the archaeological record details the growth of a cosmopolitan empire and a prosperous new class rising along with it. Not as keen as statesmen and intellectuals to show off their status and refinement, members of this new middle class found novel ways to create pleasure and meaning. In the décor of their houses and tombs, Mayer finds evidence that middle-class Romans took pride in their work and commemorated familial love and affection in ways that departed from the tastes and practices of social elites.--Jacket. |
| atrium art history definition: The New Art History Jonathan P. Harris, 2001 In this excellent book, Jonathan Harris explores the fundamental changes which have occurred both in the institutions and practice of art history over the last thirty years. |
| atrium art history definition: History of Ancient Art Franz von Reber, 1882 |
| atrium art history definition: Social Issues in America James Ciment, 2015-03-04 More than 150 key social issues confronting the United States today are covered in this eight-volume set: from abortion and adoption to capital punishment and corporate crime; from obesity and organized crime to sweatshops and xenophobia. |
| atrium art history definition: Judaism and Christian Art Herbert L. Kessler, David Nirenberg, 2012-10-08 Christian cultures across the centuries have invoked Judaism in order to debate, represent, and contain the dangers presented by the sensual nature of art. By engaging Judaism, both real and imagined, they explored and expanded the perils and possibilities for Christian representation of the material world. The thirteen essays in Judaism and Christian Art reveal that Christian art has always defined itself through the figures of Judaism that it produces. From its beginnings, Christianity confronted a host of questions about visual representation. Should Christians make art, or does attention to the beautiful works of human hands constitute a misplaced emphasis on the things of this world or, worse, a form of idolatry (Thou shalt make no graven image)? And if art is allowed, upon what styles, motifs, and symbols should it draw? Christian artists, theologians, and philosophers answered these questions and many others by thinking about and representing the relationship of Christianity to Judaism. This volume is the first dedicated to the long history, from the catacombs to colonialism but with special emphasis on the Middle Ages and the Renaissance, of the ways in which Christian art deployed cohorts of Jews—more figurative than real—in order to conquer, defend, and explore its own territory. |
| atrium art history definition: A Visual Dictionary of Architecture Francis D. K. Ching, 2011-09-06 The classic, bestselling reference on architecture now revised and expanded! An essential one-volume reference of architectural topics using Francis D.K. Ching's signature presentation. It is the only dictionary that provides concise, accurate definitions illustrated with finely detailed, hand-rendered drawings. From Arch to Wood, every concept, technology, material and detail important to architects and designers are presented in Ching's unique style. Combining text and drawing, each term is given a minimum double-page spread on large format trim size, so that the term can be comprehensively explored, graphically showing relations between concepts and sub-terms A comprehensive index permits the reader to locate any important word in the text. This long-awaited revision brings the latest concepts and technology of 21st century architecture, design and construction to this classic reference work It is sure to be by the side of and used by any serious architect or designer, students of architecture, interior designers, and those in construction. |
| atrium art history definition: The Art Bulletin , 2002 Includes section: Notes and reviews. |
| atrium art history definition: Houses and Society in Pompeii and Herculaneum Andrew Wallace-Hadrill, 2022-05-10 Few sources reveal the life of the ancient Romans as vividly as do the houses preserved by the eruption of Vesuvius. Wealthy Romans lavished resources on shaping their surroundings to impress their crowds of visitors. The fashions they set were taken up and imitated by ordinary citizens. In this illustrated book, Andrew Wallace-Hadrill explores the rich potential of the houses of Pompeii and Herculaneum to offer new insights into Roman social life. Exposing misconceptions derived from contemporary culture, he shows the close interconnection of spheres we take as discrete: public and private, family and outsiders, work and leisure. Combining archaeological evidence with Roman texts and comparative material from other cultures, Wallace-Hadrill raises a range of new questions. How did the organization of space and the use of decoration help to structure social encounters between owner and visitor, man and woman, master and slave? What sort of households did the inhabitants of the Roman house form? How did the world of work relate to that of entertainment and leisure? How widely did the luxuries of the rich spread among the houses of craftsmen and shopkeepers? Through analysis of the remains of over two hundred houses, Wallace-Hadrill reveals the remarkably dynamic social environment of early imperial Italy, and the vital part that houses came to play in defining what it meant to live as a Roman. |
| atrium art history definition: Pompeii Paul Zanker, 1999-01-15 Pompeii's tragedy is our windfall: an ancient city fully preserved, its urban design and domestic styles speaking across the ages. This richly illustrated book conducts us through the captured wonders of Pompeii, evoking at every turn the life of the city as it was 2,000 years ago. When Vesuvius erupted in 79 A.D. its lava preserved not only the Pompeii of that time but a palimpsest of the city's history, visible traces of the different societies of Pompeii's past. Paul Zanker, a noted authority on Roman art and architecture, disentangles these tantalizing traces to show us the urban images that marked Pompeii's development from country town to Roman imperial city. Exploring Pompeii's public buildings, its streets and gathering places, we witness the impact of religious changes, the renovation of theaters and expansion of athletic facilities, and the influence of elite families on the city's appearance. Through these stages, Zanker adeptly conjures a sense of the political and social meanings in urban planning and public architecture. The private houses of Pompeii prove equally eloquent, their layout, decor, and architectural detail speaking volumes about the life, taste, and desires of their owners. At home or in public, at work or at ease, these Pompeians and their world come alive in Zanker's masterly rendering. A provocative and original reading of material culture, his work is an incomparable introduction to urban life in antiquity. |
| atrium art history definition: Ancient Libraries Jason König, Katerina Oikonomopoulou, Greg Woolf, 2013-04-25 The circulation of books was the motor of classical civilization. However, books were both expensive and rare, and so libraries - private and public, royal and civic - played key roles in articulating intellectual life. This collection, written by an international team of scholars, presents a fundamental reassessment of how ancient libraries came into being, how they were organized and how they were used. Drawing on papyrology and archaeology, and on accounts written by those who read and wrote in them, it presents new research on reading cultures, on book collecting and on the origins of monumental library buildings. Many of the traditional stories told about ancient libraries are challenged. Few were really enormous, none were designed as research centres, and occasional conflagrations do not explain the loss of most ancient texts. But the central place of libraries in Greco-Roman culture emerges more clearly than ever. |
| atrium art history definition: A History of Art in Chaldæa & Assyria Georges Perrot, Charles Chipiez, 1884 |
| atrium art history definition: Roberto Burle Marx William Howard Adams, 1991 |
| atrium art history definition: Mathematics and Art Lynn Gamwell, 2016 This is a cultural history of mathematics and art, from antiquity to the present. Mathematicians and artists have long been on a quest to understand the physical world they see before them and the abstract objects they know by thought alone. Taking readers on a tour of the practice of mathematics and the philosophical ideas that drive the discipline, Lynn Gamwell points out the important ways mathematical concepts have been expressed by artists. Sumptuous illustrations of artworks and cogent math diagrams are featured in Gamwell's comprehensive exploration. Gamwell begins by describing mathematics from antiquity to the Enlightenment, including Greek, Islamic, and Asian mathematics. Then focusing on modern culture, Gamwell traces mathematicians' search for the foundations of their science, such as David Hilbert's conception of mathematics as an arrangement of meaning-free signs, as well as artists' search for the essence of their craft, such as Aleksandr Rodchenko's monochrome paintings. She shows that self-reflection is inherent to the practice of both modern mathematics and art, and that this introspection points to a deep resonance between the two fields: Kurt Gödel posed questions about the nature of mathematics in the language of mathematics and Jasper Johns asked What is art? in the vocabulary of art. Throughout, Gamwell describes the personalities and cultural environments of a multitude of mathematicians and artists, from Gottlob Frege and Benoît Mandelbrot to Max Bill and Xu Bing. Mathematics and Art demonstrates how mathematical ideas are embodied in the visual arts and will enlighten all who are interested in the complex intellectual pursuits, personalities, and cultural settings that connect these vast disciplines. |
| atrium art history definition: The Frame in Classical Art Verity Platt, Michael Squire, 2017-04-20 The frames of classical art are often seen as marginal to the images that they surround. Traditional art history has tended to view framing devices as supplementary 'ornaments'. Likewise, classical archaeologists have often treated them as tools for taxonomic analysis. This book not only argues for the integral role of framing within Graeco-Roman art, but also explores the relationship between the frames of classical antiquity and those of more modern art and aesthetics. Contributors combine close formal analysis with more theoretical approaches: chapters examine framing devices across multiple media (including vase and fresco painting, relief and free-standing sculpture, mosaics, manuscripts and inscriptions), structuring analysis around the themes of 'framing pictorial space', 'framing bodies', 'framing the sacred' and 'framing texts'. The result is a new cultural history of framing - one that probes the sophisticated and playful ways in which frames could support, delimit, shape and even interrogate the images contained within. |
Forums - 17th Shard, the Official Brandon Sanderson Fansite
Post discussion for the cosmere at large, Shards, Hoid, or general Arcanum Unbounded content here. All spoilers are allowed, except for upcoming releases/new releases, which have their …
The origin of Adonalsium (the word) - Cosmere Discussion - 17th …
May 24, 2013 · Out of curiosity I was trying to dissect the name Adonalsium to see if there may be something interesting there to understand. This is what I found. Using Google translate (I …
[OB] Dimensions of Urithiru - 17th Shard, the Official Brandon ...
Sep 12, 2017 · We do have numbers, I went to some pains to try and get the drawing to represent them correctly. Your estimates are a little high I think, and you might be discounting the …
Splitting harmonium - Cosmere Q&A - 17th Shard, the Official …
Jan 10, 2018 · Brandon Sanderson (paraphrased). He said ettmetal is chemically reactive, not nuclear. The longer answer makes it sound like Harmonium isn't a Lerasium/Atium alloy, but a …
Cosmere Discussion (no WaT) - 17th Shard, the Official Brandon ...
Jan 30, 2024 · You can further wonder if Discord, which I guess you could imagine might separate Harmonium or could cause it to instantly detonate, could be somehow created with specific …
Shallan's Sketchbook - Part I - Rhythm of War Liveblog - 17th …
Jan 3, 2021 · I can really imagine those inward-facing balconies becoming a thriving neighborhood community. It’s interesting to me that the main atrium at least does not close off …
Official Hemalurgy Chart!!!!! - 17th Shard, the Official Brandon ...
Jan 5, 2019 · Refining would be required to remove the "impurity" of the alloyed metal, giving you a "purified atium" (patium? p-atium? atium prime? atrium?) that could be used as a Hemalurgic …
Cosmere in a dnd-ish setting. Open :) - 17th Shard, the Official ...
Dec 24, 2023 · Kavin. Scadrial, era 2. Powers: 2, double steel. Resources: 2 (twinborn pouch, Sterrion revolver) Skills: 1, fast thinking and shooting
[Secret History] Hoid and the Well of Ascension
Nov 29, 2016 · You have right, but while he wrote Secret History, He notice that would be impossible to Hoid to be with the terrismen when they met Vin and reaches the Well before her …
Mistborn - 17th Shard, the Official Brandon Sanderson Fansite
Apr 17, 2018 · This is further supported by something Brandon said about atrium being an early taste of Fortune. So, it's starting to seem as if Fortune is far more than just luck, but also …
Forums - 17th Shard, the Official Brandon Sanderson Fansite
Post discussion for the cosmere at large, Shards, Hoid, or general Arcanum Unbounded content here. All spoilers are allowed, except for upcoming releases/new releases, which have their …
The origin of Adonalsium (the word) - Cosmere Discussion - 17th …
May 24, 2013 · Out of curiosity I was trying to dissect the name Adonalsium to see if there may be something interesting there to understand. This is what I found. Using Google translate (I …
[OB] Dimensions of Urithiru - 17th Shard, the Official Brandon ...
Sep 12, 2017 · We do have numbers, I went to some pains to try and get the drawing to represent them correctly. Your estimates are a little high I think, and you might be discounting the …
Splitting harmonium - Cosmere Q&A - 17th Shard, the Official …
Jan 10, 2018 · Brandon Sanderson (paraphrased). He said ettmetal is chemically reactive, not nuclear. The longer answer makes it sound like Harmonium isn't a Lerasium/Atium alloy, but a …
Cosmere Discussion (no WaT) - 17th Shard, the Official Brandon ...
Jan 30, 2024 · You can further wonder if Discord, which I guess you could imagine might separate Harmonium or could cause it to instantly detonate, could be somehow created with specific …
Shallan's Sketchbook - Part I - Rhythm of War Liveblog - 17th …
Jan 3, 2021 · I can really imagine those inward-facing balconies becoming a thriving neighborhood community. It’s interesting to me that the main atrium at least does not close off …
Official Hemalurgy Chart!!!!! - 17th Shard, the Official Brandon ...
Jan 5, 2019 · Refining would be required to remove the "impurity" of the alloyed metal, giving you a "purified atium" (patium? p-atium? atium prime? atrium?) that could be used as a Hemalurgic …
Cosmere in a dnd-ish setting. Open :) - 17th Shard, the Official ...
Dec 24, 2023 · Kavin. Scadrial, era 2. Powers: 2, double steel. Resources: 2 (twinborn pouch, Sterrion revolver) Skills: 1, fast thinking and shooting
[Secret History] Hoid and the Well of Ascension
Nov 29, 2016 · You have right, but while he wrote Secret History, He notice that would be impossible to Hoid to be with the terrismen when they met Vin and reaches the Well before her …
Mistborn - 17th Shard, the Official Brandon Sanderson Fansite
Apr 17, 2018 · This is further supported by something Brandon said about atrium being an early taste of Fortune. So, it's starting to seem as if Fortune is far more than just luck, but also …
