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| bach society christmas concert: Bach's Famous Choir Michael Maul, 2018 In the seventeenth and eighteenth centuries, the cantors of the St. Thomas School and Church in Leipzig could be counted among the most significant German composers of their times. But what attracted these artists - from Seth Calvisius to J.S. Bach to Johann Adam Hiller - to the music school and choir and inspired them to explore new repertoire of the highest standing? And how did the cantors influence the musical profile of the school - a profile that often became a bone of contention between school and city hall? The success of the St. Thomas School was not a foregone conclusion; its history is replete with challenges and setbacks as well as triumphs. The school was caught between the conflicting interests of enthusiastic mayors and townspeople, who wanted to showcase the city's musical culture, and opposing parties, including jealous rectors and elitist sponsors, who argued for the traditional subordination of the cantorate to the school system. Drawing on many new, recently discovered sources, Michael Maul explores the phenomenon of the St Thomas School. He shows how cantors, local luminaries and municipal politicians overcame the School's detractors to make it a remarkable success, with a world-famous choir. Illuminating the social and political history of the cantorate and the musical life of an important German city, the book will be of interest to scholars of Baroque music and J.S. Bach, cultural historians, choral directors, and musicologists and performers studying historical performance practice. MICHAEL MAUL is Senior Scholar at the Bach-Archiv Leipzig and lecturer in musicology at the universities of Leipzig/Halle. He is also the artistic director of the annual Leipzig Bach Festival. |
| bach society christmas concert: The Little Bach Book David J Gordon, 2017-05 The central subject of this richly illustrated book is the life and career of J. S. Bach, but nearly half the pages are devoted to engaging and detailed descriptions of the everyday world that surrounded him in the early 1700s. Both elements contain the unexpected. Written by a master storyteller and renowned performer of Bach's music. |
| bach society christmas concert: Cantata No. 80 -- Ein feste Burg ist unser Gott Johann Sebastian Bach, 1999-11-23 Ein feste Burg ist unser Gott, Cantata No. 80, by Johann Sebastian Bach, was composed in Leipzig, Germany for Reformation Day and was first performed between 1727 and 1731. It is based on the famous chorale of Martin Luther, Ein feste Burg ist unser Gott, or A Mighty Fortress is Our God. German and English text. |
| bach society christmas concert: The Bach Choir: The First Hundred Years Basil Keen, 2017-07-05 This study of the Bach Choir provides a much-needed overview of one of the major choral societies in London. Dr Basil Keen examines the background that led to the formation of an ad hoc body to give the first performance in England of J.S. Bach's B minor Mass. The musical and organizational effects of a permanent choral society drawn from one social group are traced during the first twenty years, after such time the pressures of social change led to a complete review followed by a restructuring of the methods of recruitment and internal organization. The rebuilding of the choir at the opening of the twentieth century, the expansion of the repertoire, the upheaval resulting from the First World War and the impact of these events on preparation and performance, are all considered. The book is essentially structured around the tenure of successive Musical Directors: Otto Goldschmidt, Charles Villiers Stanford, Walford Davies, Hugh Allen, Ralph Vaughan Williams, Adrian Boult, Reginald Jacques and David Willcocks, since their varied tastes and interests inevitably had a decisive influence on policy. Keen draws upon previously unpublished material, including minutes and correspondence of the Bach Choir, interviews with relatives and descendants, and examination of family records and correspondence. To date, there has been no survey of a major London choir that encompasses the full history of the organization in context. In this study, Dr Basil Keen provides a thorough examination of the Bach Choir, including the response of the choir to social changes; the influence of conductors and officials; changes in musical taste; relationships with composers and composition; major national and international events; and the effect of these matters on organization and repertoire. |
| bach society christmas concert: Mr. Beethoven Paul Griffiths, 2021-10-26 Shortlisted for the 2020 Goldsmiths Prize Based on the German composer's own correspondence, this inventive, counterfactual work of historical fiction imagines Beethoven traveling to America to write an oratorio based on the Book of Job. It is a matter of historical record that in 1823 the Handel and Haydn Society of Boston (active to this day) sought to commission Beethoven to write an oratorio. The premise of Paul Griffiths’s ingenious novel is that Beethoven accepted the commission and traveled to the United States to oversee its first performance. Griffiths grants the composer a few extra years of life and, starting with his voyage across the Atlantic and entry into Boston Harbor, chronicles his adventures and misadventures in a new world in which, great man though he is, he finds himself a new man. Relying entirely on historically attested possibilities to develop the plot, Griffiths shows Beethoven learning a form of sign language, struggling to rein in the uncertain inspiration of Reverend Ballou (his designated librettist), and finding a kindred spirit in the widowed Mrs. Hill, all the while keeping his hosts guessing as to whether he will come through with his promised composition. (And just what, the reader also wonders, will this new piece by Beethoven turn out to be?) The book that emerges is an improvisation, as virtuosic as it is delicate, on a historical theme. |
| bach society christmas concert: Society Of The Spectacle Guy Debord, 2012-10-01 The Das Kapital of the 20th century,Society of the Spectacle is an essential text, and the main theoretical work of the Situationists. Few works of political and cultural theory have been as enduringly provocative. From its publication amid the social upheavals of the 1960's, in particular the May 1968 uprisings in France, up to the present day, with global capitalism seemingly staggering around in it’s Zombie end-phase, the volatile theses of this book have decisively transformed debates on the shape of modernity, capitalism, and everyday life in the late 20th century. This ‘Red and Black’ translation from 1977 is Introduced by Notting Hill armchair insurrectionary Tom Vague with a galloping time line and pop-situ verve, and given a more analytical over view by young upstart thinker Sam Cooper. |
| bach society christmas concert: Bach Perspectives, Volume 10 Matthew Dirst, 2016-04-30 The official publication of the American Bach Society, Bach Perspectives pioneers new areas of research into the life, times, and music of the master composer. In Volume 10 of the series, Matthew Dirst edits a collection of groundbreaking essays exploring various aspects of Bach's organ-related activities. Lynn Edwards Butler reconsiders Bach's report on Johann Scheibe's organ at St. Paul's Church in Leipzig. Robin Leaver clarifies the likely provenance and purpose of a collection of chorale harmonizations copied in Dresden. George Stauffer investigates the ways various independent trio movements served Bach as an artist and teacher. In separate contributions, Christoph Wolff and Gregory Butler seek the origins of concerted Bach cantata movements spotlighting the organ and propose family trees of both parent works and offspring. Finally, Matthew Cron provides a broad cultural frame for such pieces and notes how their components engage in a larger discourse about the German Baroque organ's intimation of heaven. |
| bach society christmas concert: J.S. Bach in Australia: Studies in Reception and Performance Denis Collins, Kerry Murphy, Samantha Owens, 2018-12-01 This book is the first to be dedicated to a study of the reception of a major European composer in Australia. Each of the eleven essays explores how J.S. Bach’s music has enriched Australian cultural life, from private performances in the early nineteenth century to historically informed realisations in recent years. The authors outline the challenges of mounting and sustaining this repertoire in the face of underdeveloped musical infrastructure and limited resources, and how these challenges have been overcome with determination and insight. Championed by imaginative individuals such as Ernest Wood and Leonard Fullard in Melbourne, E.H. Davies in Adelaide and W. Arundel Orchard in Sydney, Bach’s music has been a vehicle for the realisation of Australians’ cultural aspirations and a means of maintaining connections with traditions that continue to be cherished today. |
| bach society christmas concert: Bach for a Hundred Years Paul Larson, 2012 This is an account of the actions taken by the residents of Bethlehem, Pennsylvania to create a local amateur society singing the music of J. S.Bach and to develop it into a choir of international importance. Singers, instrumentalists, industrialists, academicians, bankers, and churches acted in community to found and perpetuate a group devoted to sharing the music of Bach locally, nationally, and internationally. While The Bach Choir of Bethlehem performs frequently elsewhere, the annual Bethlehem Bach Festival became and remains a magnet for those who love Bach and want to experience his music excellently performed in historic and sacred surroundings. In order to reach and maintain its premier status, the choir, its conductor, its board, and staff had to be experts in music performance and shifts in audience tastes. They had to be responsive to research in performance practice, and skilled in strategic planning, promotion and fundraising. In recent years they had to become competent in sound recording technology and use of the internet. These attributes are described and analyzed with frequent use of documents and personal anecdotes. Successfully balancing the human actions and desires involved in such a complex enterprise has earned The Bach Choir of Bethlehem the title “A National Treasure” in music and the recognition that it is at the same time a national model for excellence as a cultural non-profit organization. This is a story of how and why - for over a century - inspiring performances of Bach’s music came about and were brought to many thousands of listeners. |
| bach society christmas concert: The Bethlehem Bach Choir Raymond Walters, 1918 |
| bach society christmas concert: Exploring Bach's B-minor Mass Yo Tomita, Robin A. Leaver, Jan Smaczny, 2013-10-17 The B-minor Mass has always represented a fascinating challenge to musical scholarship. Composed over the course of Johann Sebastian Bach's life, it is considered by many to be the composer's greatest and most complex work. The fourteen essays assembled in this volume originate from the International Symposium 'Understanding Bach's B-minor mass' at which scholars from eighteen countries gathered to debate the latest topics in the field. In revised and updated form, they comprise a thorough and systematic study of Bach's Opus Ultimum, including a wide range of discussions relating to the Mass's historical background and contexts, structure and proportion, sources and editions, and the reception of the work in the late eighteenth and early nineteenth centuries. In the light of important new developments in the study of the piece, this collection demonstrates the innovation and rigour for which Bach scholarship has become known. |
| bach society christmas concert: The Author, Playwright and Composer , 1927 |
| bach society christmas concert: Missouri Music Ernst C. Krohn, 1971-08-21 |
| bach society christmas concert: Bach Perspectives, Volume 12 Robin A. Leaver, 2018-10-24 Johann Sebastian Bach was a Lutheran and much of his music was for Lutheran liturgical worship. As these insightful essays in the twelfth volume of Bach Perspectives demonstrate, he was also influenced by--and in turn influenced--different expressions of religious belief. The vocal music, especially the Christmas Oratorio, owes much to medieval Catholic mysticism, and the evolution of the B minor Mass has strong Catholic connections. In Leipzig, Catholic and Lutheran congregations sang many of the same vernacular hymns. Internal squabbles were rarely missing within Lutheranism, for example Pietists' dislike of concerted church music, especially if it employed specific dance forms. Also investigated here are broader issues such as the close affinity between Bach's cantata libretti and the hymns of Charles Wesley; and Bach's music in the context of the Jewish Enlightenment as shaped by Protestant Rationalism in Berlin. Contributors: Rebecca Cypess, Joyce L. Irwin, Robin A. Leaver, Mark Noll, Markus Rathey, Derek Stauff, and Janice B. Stockigt. |
| bach society christmas concert: The Musical Times and Singing-class Circular , 1917 |
| bach society christmas concert: The Scottish Musical Magazine , 1928 |
| bach society christmas concert: The Musical Times & Singing-class Circular , 1928 |
| bach society christmas concert: Bach's Musical Universe: The Composer and His Work Christoph Wolff, 2020-03-24 A concentrated study of Johann Sebastian Bach’s creative output and greatest pieces, capturing the essence of his art. Throughout his life, renowned and prolific composer Johann Sebastian Bach articulated his views as a composer in purely musical terms; he was notoriously reluctant to write about his life and work. Instead, he methodically organized certain pieces into carefully designed collections. These benchmark works, all of them without parallel or equivalent, produced a steady stream of transformative ideas that stand as paradigms of Bach’s musical art. In this companion volume to his Pulitzer Prize–finalist biography, Johann Sebastian Bach: The Learned Musician, leading Bach scholar Christoph Wolff takes his cue from his famous subject. Wolff delves deeply into the composer’s own rich selection of collected music, cutting across conventional boundaries of era, genre, and instrument. Emerging from a complex and massive oeuvre, Bach’s Musical Universe is a focused discussion of a meaningful selection of compositions—from the famous Well-Tempered Clavier, violin and cello solos, and Brandenburg Concertos to the St. Matthew Passion, Art of Fugue, and B-minor Mass. Unlike any study undertaken before, this book details Bach’s creative process across the various instrumental and vocal genres. This array of compositions illustrates the depth and variety at the essence of the composer’s musical art, as well as his unique approach to composition as a process of imaginative research into the innate potential of his chosen material. Tracing Bach’s evolution as a composer, Wolff compellingly illuminates the ideals and legacy of this giant of classical music in a new, refreshing light for everyone, from the amateur to the virtuoso. |
| bach society christmas concert: The Musical Times , 1905 |
| bach society christmas concert: Musical Times and Singing Class Circular , 1903 |
| bach society christmas concert: Bach perspectives. 1. 1995 Russell Stinson, 1995-01-01 Volume one contains essays by David Schulenberg, Russell Stinson, Michael Marissen, Eric Chafe, Stephen Crist, and James Brokaw. |
| bach society christmas concert: Orchestra and the Choir , 1879 |
| bach society christmas concert: The Neuroscience of Bach's Music Eric Altschuler, 2024-02-07 The Neuroscience of Bach's Music: Perception, Action, and Cognition Effects on the Brain is a comprehensive study of Johann Sebastian Bach's music through the lens of neuroscience and examining neuroscience using Bach's music as a tool. This book synthesizes cognitive neuroscience, music theory, and musicology to provide insights into human cognition and perception. It also explores how a neuroscience perspective can improve listening and performing experiences for Bach's music. Written by a physician-neuroscientist recognized for scholarly articles on Bach's music, this book uses specific examples to explore neuroscience across Bach's compositions. The book is structured to discuss the brain's action, perception, and cognition as connected to specific Bach concertos, tones, notes, and performances. Two guest contributors provide insight into exact mathematical, or topologic, and music theoretic aspects of Bach's music with implications for cognitive neuroscience. The Neuroscience of Bach's Music: Perception, Action, and Cognition Effects on the Brain is a vital source for neuroscientists, especially those studying the cognitive effects of music, as well as musicians and students alike. - Links specific features and unique characteristics of Bach's music to perceptual and cognitive neuroscience processes - Requires only an interest in music or basic music training - Accompanied by a companion website with music examples mentioned in the book |
| bach society christmas concert: The New Music Review and Church Music Review , 1916 |
| bach society christmas concert: The Sphere , 1921 |
| bach society christmas concert: Bach Perspectives, Volume 13 Laura Buch, 2020-12-14 Scholars and performers have long noted J.S. Bach's abundant use of parody procedures: that is, the recycling and reworking of pre-existing material from his own compositions or from other sources. Laura Buch edits essays exploring how the composer parodied the work of others and how other composers did the same with him. The contributors delve into the works of Baroque-era composers from Bach himself to C. P. E. Bach, Johann Caspar Ferdinand Fischer, and Ferruccio Busoni. But they also cast a wider net, investigating the ways Bach's music cross-pollinates with contemporary composer-performers John Lewis and the Modern Jazz Quartet, and keyboardist Bernie Worrell and Parliament-Funkadelic. The diverse contexts illuminate a broad range of parody techniques, from structural scaffolding and contrapuntal elaboration to integration with stylistic languages far removed from the Baroque. An insightful look at how composers build on each other's work, Bach Reworked reveals how nuanced understandings of parody procedures can fuel both musical innovation and historically informed performance. Contributors: Stephen A. Crist, Ellen Exner, Moira Leanne Hill, Erinn E. Knyt, and Markus Zepf |
| bach society christmas concert: “The” Athenaeum , 1880 |
| bach society christmas concert: MTR; Music Trades Review , 1883 |
| bach society christmas concert: Reinventing Bach Paul Elie, 2013-04-04 Johann Sebastian Bach – celebrated pipe organist, court composer and master of sacred music – was also a technical pioneer. Working in Germany in the early eighteenth century, he invented new instruments and carried out experiments in tuning, the effects of which are still with us today. Two hundred years later, a number of extraordinary musicians have utilised the music of Bach to thrilling effect through the art of recording, furthering their own virtuosity and reinventing the composer for our time. In Reinventing Bach, Paul Elie brilliantly blends the stories of modern musicians with a polyphonic account of our most celebrated composer’ s life to create a spellbinding narrative of the changing place of music in our lives. We see the sainted organist Albert Schweitzer playing to a mobile recording unit set up at London’ s Church of All Hallows in order to spread Bach’ s organ works to the world beyond the churches, and Pablo Casals’ s Abbey Road recordings of Bach’ s cello suites transform the middle-class sitting room into a hotbed of existentialism; we watch Leopold Stokowski persuade Walt Disney to feature his own grand orchestrations of Bach in the animated classical-music movie Fantasia – which made Bach the sound of children’ s playtime and Hollywood grandeur alike – and we witness how Glenn Gould’ s Goldberg Variations made Bach the byword for postwar cool. Through the Beatles and Switched-on Bach and Gö del, Escher, Bach – through film, rock music, the Walkman, the CD and up to Yo-Yo Ma and the iPod – Elie shows us how dozens of gifted musicians searched, experimented and collaborated with one another in the service of a composer who emerged as the prototype of the spiritualised, technically savvy artist. |
| bach society christmas concert: Dwight's Journal of Music , 1855 |
| bach society christmas concert: The Organs of J.S. Bach Markus Zepf, 2012-04-02 Published in cooperation with the American Bach Society. |
| bach society christmas concert: Dwight's Journal of Music John Sullivan Dwight, 1869 |
| bach society christmas concert: Rethinking Bach Bettina Varwig, 2021 This book a offers a multitude of provocative new perspectives on one of the most iconic composers in the Western classical tradition. Its collective rethinking of some of our most cherished narratives and deeply held beliefs about Johann Sebastian Bach will allow readers to see the man in a new light and to hear his music with new ears. |
| bach society christmas concert: The New Grove Bach Family Christoph Wolff, Walter Emery, Richard Jones, Eugene Helm, Ellwood Derr, Ernest Warburton, 1983 Traces the life and discusses the compositions of Johann Sebastian Bach and the other musician members of his family. |
| bach society christmas concert: The Musical Standard , 1874 |
| bach society christmas concert: Musical News , 1925 |
| bach society christmas concert: The Musical Herald , 1904 |
| bach society christmas concert: Johann Sebastian Bach's Christmas Oratorio Markus Rathey, 2016 In the last decades of the 17th century, the feast of Christmas in Lutheran Germany underwent a major transformation when theologians and local governments waged an early modern war on Christmas, discouraging riotous pageants and carnivalesque rituals in favor of more personal and internalized expressions of piety. Christmas rituals, such as the Heilig Christ plays and the rocking of the child (Kindelwiegen) were abolished, and Christian devotion focused increasingly on the metaphor of a birth of Christ in the human heart. John Sebastian Bach's Christmas Oratorio, composed in 1734, both reflects this new piety and conveys the composer's experience living through this tumult during his own childhood and early career. Markus Rathey's book is the first thorough study of this popular masterpiece in English. While giving a comprehensive overview of the Christmas Oratorio as a whole, the book focuses on two themes in particular: the cultural and theological understanding of Christmas in Bach's time and the compositional process that led Bach from the earliest concepts to the completed piece. The cultural and religious context of the oratorio provides the backdrop for Rathey's detailed analysis of the composition, in which he explores Bach's compositional practices, for example, his reuse and parodies of movements that had originally been composed for secular cantatas. The book analyzes Bach's original score and sheds new light on the way Bach wrote the piece, how he shaped musical themes, and how he revised his initial ideas into the final composition. |
| bach society christmas concert: Nikolay Myaskovsky Gregor Tassie, 2014-05-05 Gregor Tassie describes Nikolay Myaskovsky as “one of the great enigmas of 20th-century Russian music.” Between the two world wars, the symphonies of Myaskovsky enjoyed great popularity and were performed by all major American and European orchestras; they were some of the most inspiring symphonic works of the last hundred years and prolonged the symphonic genre. But accusations of “formalism” at the 1948 USSR Composers Congress resulted in the purposeful neglect of his music until the collapse of the Soviet Union. Myaskovsky wrote some of the most inspiring symphonic works of the last hundred years and prolonged and extended the symphonic genre. In Nikolay Myaskovsky: The Conscience of Russian Music, Tassie gives readers the first modern English-language biography of this Russian composer since his death in 1950. Tassie draws together information from the composer’s diaries and letters, as well as the memoirs of friends and colleagues—even his secret police files—to chronicle Myaskovsky’s early life, subsequent far-reaching influence as a composer, teacher, and journalist, and his final persecution by the Soviet government. This biography will surely rekindle interest in Myaskovsky’s remarkable body of work and will interest aficionados, students, and scholars of the modern classical music tradition and history of the arts in Russia. |
| bach society christmas concert: Bach Perspectives 11 Mary Oleskiewicz, 2017-11-07 Among his numerous children, Johann Sebastian Bach sired five musically gifted sons. The eleventh volume of Bach Perspectives presents essays that explore these men’s lives and careers via distinctive and, in several cases, alternative and interdisciplinary methodologies. Robert L. Marshall traces how each of the sons grappled with—and at times suffocated beneath—their illustrious father’s legacy. Mary Oleskiewicz’s essay investigates the Bach family’s connections to historical keyboard instruments and musical venues at the Prussian court, while David Schulenberg looks at Carl Philipp Emanuel Bach’s diverse and innovative keyboard works. Evan Cortens digs into everything from performance materials to pay stubs to offer a detailed view of the business of Carl Philipp Emanuel Bach’s liturgical music. Finally, Christine Blanken discusses how the rediscovery of Bach family musical manuscripts in the Breitkopf archive opens up new perspectives on familiar topics. A supplemental companion website is now available for Bach Perspectives 11. This resource features additional images, captions, and short descriptions to provide an essential supplement to the printed text. |
Johann Sebastian Bach - Wikipedia
Since the 19th-century Bach Revival, he has been widely regarded as one of the greatest composers in the history of Western music. The Bach family had already produced several …
Johann Sebastian Bach | Biography, Music, Death, & Facts
Johann Sebastian Bach, composer of the Baroque era and member of a large family of north German musicians. He was later regarded as one of the greatest composers of all time, …
A Music School for Future Stars | Bach to Rock
Bach to Rock ® is a modern music school for future stars! Learn from pro musicians in one-on-one lessons, jam with other students in ensemble programs, and rock the stage at live events!
Johann Sebastian Bach - Facts, Children & Compositions - Biography
Apr 3, 2014 · A magnificent baroque-era composer, Johann Sebastian Bach is revered through the ages for his work's musical complexities and stylistic innovations.
Bach: the composer who changed music forever - Classical Music
Bach (1685–1750) is one of the most influential composers in Western music history, whose mastery of harmony, counterpoint, and form shaped the course of classical music. A virtuoso …
The Life and Legacy of Johann Sebastian Bach
Johann Sebastian Bach (1685-1750) is one of the most influential musicians of all times - in 2011, the New York Times named him the most important composer in the history of music.
Johann Sebastian Bach (1685-1750) - Classic FM
Johann Sebastian Bach was classical music's most sublime creative genius. Bach was a German composer, organist, harpsichordist, violist, and violinist of the Baroque Era.
Home - Bachipedia.org
Bachipedia - A platform for cantata lovers - videos, audio & text around the vocal work of Johann Sebastian BachA project of the J.S. Bach Foundation
J.S. Bach: 13 Interesting Facts You Might Not Know
Dec 5, 2023 · Johann Sebastian Bach was a renowned composer and musician who lived between 1685 and 1750. He is one of the most celebrated composers of all time and regularly …
Johann Sebastian Bach - Composer, Baroque, Organist | Britannica
Among the biographical and critical works on Bach, the most important was the monumental study Johann Sebastian Bach, 2 vol. (1873–80), by the German musicologist Philipp Spitta, covering …
Johann Sebastian Bach - Wikipedia
Since the 19th-century Bach Revival, he has been widely regarded as one of the greatest composers in the history of Western music. The Bach family had already produced several …
Johann Sebastian Bach | Biography, Music, Death, & Facts
Johann Sebastian Bach, composer of the Baroque era and member of a large family of north German musicians. He was later regarded as one of the greatest composers of all time, …
A Music School for Future Stars | Bach to Rock
Bach to Rock ® is a modern music school for future stars! Learn from pro musicians in one-on-one lessons, jam with other students in ensemble programs, and rock the stage at live events!
Johann Sebastian Bach - Facts, Children & Compositions - Biography
Apr 3, 2014 · A magnificent baroque-era composer, Johann Sebastian Bach is revered through the ages for his work's musical complexities and stylistic innovations.
Bach: the composer who changed music forever - Classical Music
Bach (1685–1750) is one of the most influential composers in Western music history, whose mastery of harmony, counterpoint, and form shaped the course of classical music. A virtuoso …
The Life and Legacy of Johann Sebastian Bach
Johann Sebastian Bach (1685-1750) is one of the most influential musicians of all times - in 2011, the New York Times named him the most important composer in the history of music.
Johann Sebastian Bach (1685-1750) - Classic FM
Johann Sebastian Bach was classical music's most sublime creative genius. Bach was a German composer, organist, harpsichordist, violist, and violinist of the Baroque Era.
Home - Bachipedia.org
Bachipedia - A platform for cantata lovers - videos, audio & text around the vocal work of Johann Sebastian BachA project of the J.S. Bach Foundation
J.S. Bach: 13 Interesting Facts You Might Not Know
Dec 5, 2023 · Johann Sebastian Bach was a renowned composer and musician who lived between 1685 and 1750. He is one of the most celebrated composers of all time and regularly …
Johann Sebastian Bach - Composer, Baroque, Organist | Britannica
Among the biographical and critical works on Bach, the most important was the monumental study Johann Sebastian Bach, 2 vol. (1873–80), by the German musicologist Philipp Spitta, covering …
