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| bachelor of arts in film and media studies: Zoological Surrealism James Leo Cahill, 2019-02-19 An archive-based, in-depth analysis of the surreal nature and science movies of the pioneering French filmmaker Jean Painlevé Before Jacques-Yves Cousteau, there was Jean Painlevé, a pioneering French scientific and nature filmmaker with a Surrealist’s eye. Creator of more than two hundred films, his studies of strange animal worlds doubled as critical reimaginations of humanity. With an unerring eye for the uncanny and unexpected, Painlevé and his assistant Geneviève Hamon captured oneiric octopuses, metamorphic crustaceans, erotic seahorses, mythic vampire bats, and insatiable predatory insects. Zoological Surrealism draws from Painlevé’s early oeuvre to rethink the entangled histories of cinema, Surrealism, and scientific research in interwar France. Delving deeply into Painlevé’s archive, James Leo Cahill develops an account of “cinema’s Copernican vocation”—how it was used to forge new scientific discoveries while also displacing and critiquing anthropocentric viewpoints. From Painlevé’s engagements with Sergei Eisenstein, Georges Franju, and competing Surrealists to the historiographical dimensions of Jean Vigo’s concept of social cinema, Zoological Surrealism taps never-before-examined sources to offer a completely original perspective on a cutting-edge filmmaker. The first extensive English-language study of Painlevé’s early films and their contexts, it adds important new insight to our understanding of film while also contributing to contemporary investigations of the increasingly surreal landscapes of climate change and ecological emergency. |
| bachelor of arts in film and media studies: Declarations of Dependence Scott Ferguson, 2018-07-01 Critique after modern monetary theory -- Transcending the aesthetic -- Declarations of dependence -- Medium congruentissimum -- Allegories of the aesthetic -- Becoming second nature |
| bachelor of arts in film and media studies: Moving Pictures, Still Lives James Tweedie, 2018 Moving Pictures, Still Lives revisits the cinematic and intellectual atmosphere of the late twentieth century. Against the backdrop of the historical fever of the 1980s and 1990s-the rise of the heritage industry, a global museum-building boom, and a cinematic fascination with costume dramas and literary adaptations-it explores the work of artists and philosophers who complicated the usual association between tradition and the past or modernity and the future. Author James Tweedie retraces the archaeomodern turn in films and theory that framed the past as a repository of abandoned but potentially transformative experiments. He examines late twentieth-century filmmakers who were inspired by old media, especially painting, and often viewed those art forms as portals to the modern past. In detailed discussions of Alain Cavalier, Terence Davies, Jean-Luc Godard, Peter Greenaway, Derek Jarman, Agnès Varda, and other key directors, the book concentrates on films that fill the screen with a succession of tableaux vivants, still lifes, illuminated manuscripts, and landscapes. It also considers three key figures-Walter Benjamin, Gilles Deleuze, and Serge Daney-who grappled with the late twentieth century's characteristic concerns, including history, memory, and belatedness. It reframes their theoretical work on film as a mourning play for past revolutions and a means of reviving the possibilities of the modern age (and its paradigmatic medium, cinema) during periods of political and cultural retrenchment. Looking at cinema and the century in the rear-view mirror, the book highlights the unrealized potential visible in the history of film, as well as the cinematic phantoms that remain in the digital age. |
| bachelor of arts in film and media studies: Teaching Film Lucy Fischer, Patrice Petro, 2012-07-27 Film studies has been a part of higher education curricula in the United States almost since the development of the medium. Although the study of film is dispersed across a range of academic departments, programs, and scholarly organizations, film studies has come to be recognized as a field in its own right. In an era when teaching and scholarship are increasingly interdisciplinary, film studies continues to expand and thrive, attracting new scholars and fresh ideas, direction, and research. Given the dynamism of the field, experienced and beginning instructors alike need resources for bringing the study of film into the classroom. This volume will help instructors conceptualize contemporary film studies in pedagogical terms. The first part of the volume features essays on theory and on representation, including gender, race, and sexuality. Contributors then examine the geographies of cinema and offer practical suggestions for structuring courses on national, regional, and transnational film. Several essays focus on interdisciplinary approaches, while others describe courses designed around genre (film noir, the musical), mode (animation, documentary, avant-garde film), or the formal elements of film, such as sound, music, and mise-en-scène. The volume closes with a section on film and media in the digital age, in which contributors discuss the opportunities and challenges presented by access to resources, media convergence, and technological developments in the field. |
| bachelor of arts in film and media studies: Los Angeles Documentary and the Production of Public History, 1958-1977 Joshua Glick, 2018-01-23 Los Angeles Documentary and the Production of Public History, 1958–1977 explores how documentarians working between the election of John F. Kennedy and the Bicentennial created conflicting visions of the recent and more distant American past. Drawing on a wide range of primary documents, Joshua Glick analyzes the films of Hollywood documentarians such as David Wolper and Mel Stuart, along with lesser-known independents and activists such as Kent Mackenzie, Lynne Littman, and Jesús Salvador Treviño. While the former group reinvigorated a Cold War cultural liberalism, the latter group advocated for social justice in a city plagued by severe class stratification and racial segregation. Glick examines how mainstream and alternative filmmakers turned to the archives, civic institutions, and production facilities of Los Angeles in order to both change popular understandings of the city and shape the social consciousness of the nation. |
| bachelor of arts in film and media studies: Nickelodeon City Michael G. Aronson, 2008 From the 1905 opening of the wildly popular, eponymous Nickelodeon in the city's downtown to the outgrowth of nickel theaters in nearly all of its neighborhoods, Pittsburgh proved to be perfect for the movies. Nickelodeon City profiles the major promoters in Pittsburgh, as well as ordinary theater owners, suppliers, and patrons. Aronson examines early film promotion, distribution, and exhibition, and reveals the beginnings of state censorship and the lobbying and manipulation attempted by members of the movie trade. |
| bachelor of arts in film and media studies: Intermediate Horizons Mark Vareschi, Heather Wacha, 2022-09-27 Foreword: Intermediate horizons / Matthew Kirschenbaum -- Section I. Approach -- Benjamin Franklin's postal work / Christy L. Pottroff -- Linking book history and the digital humanities via museum studies / Jayme Yahr -- Section II. Access -- Material and digital traces in patterns of nature: early modern botany books and seventeenth-century needlework / Mary Learner -- Opening the book: the utopian dreams and uncertain future of open access textbook publishing / Joseph L. Locke and Ben Wright -- Books of ours: what libraries can learn about social media from books of hours / Alexandra Alvis -- Section III. Assessment -- Whose books are online? Diversity, equity, and inclusion in online text collections / Catherine A. Winters and Clayton P. Michaud -- Electronic versioning and digital editions / Paul A. Broyles -- Materialisms and the cultural turn in digital humanities / Mattie Burkert. |
| bachelor of arts in film and media studies: The Poetics of Chinese Cinema Gary Bettinson, James Udden, 2016-10-05 This book examines the aesthetic qualities of particular Chinese-language films and the rich artistic traditions from which they spring. It brings together leading experts in the field, and encompasses detailed and wide-ranging case studies of films such as Hero, House of Flying Daggers, Spring in a Small Town, 24 City, and The Grandmaster, and filmmakers including Hou Hsiao-hsien, Jia Zhangke, Chen Kaige, Fei Mu, Zhang Yimou, Johnnie To, and Wong Kar-wai. By illuminating the form and style of Chinese films from across cinema history, The Poetics of Chinese Cinema testifies to the artistic value and uniqueness of Chinese-language filmmaking. |
| bachelor of arts in film and media studies: The Cinema of Poetry P. Adams Sitney, 2015 The Cinema of Poetry emphasizes the vibrant world of European cinema in addition to incorporating the author's long abiding concerns on American avant-garde cinema. |
| bachelor of arts in film and media studies: Dashiell Hammett and the Movies William H. Mooney, 2014-11-03 As the father of the hardboiled detective genre, Dashiell Hammett had a huge influence on Hollywood. Yet, it is easy to forget how adaptable Hammett’s work was, fitting into a variety of genres and inspiring generations of filmmakers. Dashiell Hammett and the Movies offers the first comprehensive look at Hammett’s broad oeuvre and how it was adapted into films from the 1930s all the way into the 1990s. Film scholar William H. Mooney reveals the wide range of films crafted from the same Hammett novels, as when The Maltese Falcon was filmed first as a pre-Code sexploitation movie, then as a Bette Davis screwball comedy, and finally as the Humphrey Bogart classic. He also considers how Hammett rose to Hollywood fame not through the genre most associated with him, but through a much fizzier concoction, the witty murder mystery The Thin Man. To demonstrate the hold Hammett still has over contemporary filmmakers, the book culminates in an examination of the Coen brothers’ pastiche Miller’s Crossing. Mooney not only provides us with an in-depth analysis of Hammett adaptations, he also chronicles how Hollywood enabled the author’s own rise to stardom, complete with a celebrity romance and a carefully crafted public persona. Giving us a behind-the-scenes look at the complex power relationships, cultural contexts, and production concerns involved in bringing Hammett’s work from the page to the screen, Dashiell Hammett and the Movies offers a fresh take on a literary titan. |
| bachelor of arts in film and media studies: Phantasmal Media D. Fox Harrell, 2013-11-08 An argument that great expressive power of computational media arises from the construction of phantasms—blends of cultural ideas and sensory imagination. In Phantasmal Media, D. Fox Harrell considers the expressive power of computational media. He argues, forcefully and persuasively, that the great expressive potential of computational media comes from the ability to construct and reveal phantasms—blends of cultural ideas and sensory imagination. These ubiquitous and often-unseen phantasms—cognitive phenomena that include sense of self, metaphors, social categories, narrative, and poetic thinking—influence almost all our everyday experiences. Harrell offers an approach for understanding and designing computational systems that have the power to evoke these phantasms, paying special attention to the exposure of oppressive phantasms and the creation of empowering ones. He argues for the importance of cultural content, diverse worldviews, and social values in computing. The expressive power of phantasms is not purely aesthetic, he contends; phantasmal media can express and construct the types of meaning central to the human condition. Harrell discusses, among other topics, the phantasm as an orienting perspective for developers; expressive epistemologies, or data structures based on subjective human worldviews; morphic semiotics (building on the computer scientist Joseph Goguen's theory of algebraic semiotics); cultural phantasms that influence consensus and reveal other perspectives; computing systems based on cultural models; interaction and expression; and the ways that real-world information is mapped onto, and instantiated by, computational data structures. The concept of phantasmal media, Harrell argues, offers new possibilities for using the computer to understand and improve the human condition through the human capacity to imagine. |
| bachelor of arts in film and media studies: Introduction to Film Studies Jill Nelmes, 2012-03-12 Introduction to Film Studies is a comprehensive textbook for students of cinema. This completely revised and updated fifth edition guides students through the key issues and concepts in film studies, traces the historical development of film and introduces some of the worlds key national cinemas. A range of theories and theorists are presented from Formalism to Feminism, from Eisenstein to Deleuze. Each chapter is written by a subject specialist, including two new authors for the fifth edition. A wide range of films are analysed and discussed. It is lavishly illustrated with 150 film stills and production shots, in full colour throughout. Reviewed widely by teachers in the field and with a foreword by Bill Nichols, it will be essential reading for any introductory student of film and media studies or the visual arts worldwide. Key features of the fifth edition are: updated coverage of a wide range of concepts, theories and issues in film studies in-depth discussion of the contemporary film industry and technological changes new chapters on Film and Technology and Latin American Cinema new case studies on films such as District 9, Grizzly Man, Amores Perros, Avatar, Made in Dagenham and many others marginal key terms, notes, cross-referencing suggestions for further reading, further viewing and a comprehensive glossary and bibliography a new, improved companion website including popular case studies and chapters from previous editions (including chapters on German Cinema and The French New Wave), links to supporting sites, clips, questions and useful resources. Individual chapters include: The Industrial Contexts of Film Production · Film and Technology · Getting to the Bigger · Picture Film Form and Narrative · Spectator, Audience and Response · Cinematic authorship and the film auteur · Stardom and Hollywood Cinema · Genre, Theory and Hollywood Cinema The Documentary Form · The Language of Animation · Gender and Film · Lesbian and Gay Cinema · Spectacle, Stereotypes and Films of the African Diaspora · British Cinema · Indian Cinema · Latin American Cinema · Soviet Montage Cinema of the 1920s Contributors: Linda Craig, Lalitha Gopalan, Terri Francis, Chris Jones, Mark Joyce, Searle Kochberg, Lawrence Napper, Jill Nelmes, Patrick Phillips, Suzanne Speidel, Paul Ward, Paul Watson, Paul Wells and William Wittington |
| bachelor of arts in film and media studies: White Awareness Judy H. Katz, 1978 Stage 1. |
| bachelor of arts in film and media studies: Asian Cinema Wimal Dissanayake, 2008 This anthology showcases the variety of Asian cinema that has developed during the course of the last hundred years by focusing on different critical approaches. ASIAN CINEMA contains some of the finest essays written on films made in Asia, using a variety of theoretical, disciplinary and methodological perspectives. |
| bachelor of arts in film and media studies: The Art of Animal Drawing Ken Hultgren, 1993-02-09 Former Disney animator offers expert advice on drawing animals both realistically and as caricatures. Use of line, brush technique, establishing mood, conveying action, much more. Construction drawings reveal development process in creating animal figures. Many chapters on drawing individual animal forms — dogs, cats, horses, deer, cows, foxes, kangaroos. 53 halftones, 706 line illustrations. |
| bachelor of arts in film and media studies: A Very Old Machine Sudhir Mahadevan, 2015-10-06 In A Very Old Machine, Sudhir Mahadevan shows how Indian cinema's many origins in the technologies and practices of the nineteenth century continue to play a vital and broad function in its twenty-first-century present. He proposes that there has never been a singular cinema in India; rather, Indian cinema has been a multifaceted phenomenon that was (and is) understood, experienced, and present in everyday life in myriad ways. Employing methods of media archaeology, close textual analysis, archival research, and cultural theory, Mahadevan digs into the history of photography, print media, practices of piracy and showmanship, and contemporary everyday imaginations of the cinema to offer an understanding of how the cinema came to be such a dominant force of culture in India. The result is an open-ended and innovative account of Indian cinema's many origins. |
| bachelor of arts in film and media studies: Expanded Cinema Gene Youngblood, 2020-03-03 Fiftieth anniversary reissue of the founding media studies book that helped establish media art as a cultural category. First published in 1970, Gene Youngblood’s influential Expanded Cinema was the first serious treatment of video, computers, and holography as cinematic technologies. Long considered the bible for media artists, Youngblood’s insider account of 1960s counterculture and the birth of cybernetics remains a mainstay reference in today’s hypermediated digital world. This fiftieth anniversary edition includes a new Introduction by the author that offers conceptual tools for understanding the sociocultural and sociopolitical realities of our present world. A unique eyewitness account of burgeoning experimental film and the birth of video art in the late 1960s, this far- ranging study traces the evolution of cinematic language to the end of fiction, drama, and realism. Vast in scope, its prescient formulations include “the paleocybernetic age,” “intermedia,” the “artist as design scientist,” the “artist as ecologist,” “synaesthetics and kinesthetics,” and “the technosphere: man/machine symbiosis.” Outstanding works are analyzed in detail. Methods of production are meticulously described, including interviews with artists and technologists of the period, such as Nam June Paik, Jordan Belson, Andy Warhol, Stan Brakhage, Carolee Schneemann, Stan VanDerBeek, Les Levine, and Frank Gillette. An inspiring Introduction by the celebrated polymath and designer R. Buckminster Fuller—a perfectly cut gem of countercultural thinking in itself—places Youngblood’s radical observations in comprehensive perspective. Providing an unparalleled historical documentation, Expanded Cinema clarifies a chapter of countercultural history that is still not fully represented in the arthistorical record half a century later. The book will also inspire the current generation of artists working in ever-newer expansions of the cinematic environment and will prove invaluable to all who are concerned with the technologies that are reshaping the nature of human communication. |
| bachelor of arts in film and media studies: Television Aesthetics and Style Steven Peacock, Jason Jacobs, 2013-07-04 Although Film Studies has successfully (re)turned attention to matters of style and interpretation, its sibling discipline has left the territory uncharted - until now. The question of how television operates on a stylistic level has been critically underexplored, despite being fundamental to our viewing experience. This significant new work redresses a vital gap in Television Studies by engaging with the stylistic dynamics of TV; exploring the aesthetic properties and values of both the medium and particular types of output (specific programmes); and raising important questions about the way we judge television as both cultural artifact and art form. Television Aesthetics and Style provides a unique and vital intervention in the field, raising key questions about television's artistic properties and possibilities. Through a series of case-studies by internationally renowned scholars, the collection takes a radical step forward in understanding TV's stylistic achievements. |
| bachelor of arts in film and media studies: Making Media Mark Deuze, Mirjam Prenger, 2019-01-23 'Making Media' uncovers what it means and what it takes to make media, focusing on the lived experience of media professionals within the global media, including rich case studies of the main media industries and professions: television, journalism, social media entertainment, advertising and public relations, digital games, and music. This carefully edited volume features 35 authoritative essays by 53 researchers from 14 countries across 6 continents, all of whom are at the cutting edge of media production studies. The book is particularly designed for use in coursework on media production, media work, media management, and media industries. Specific topics highlighted: the history of media industries and production studies; production studies as a field and a research method; changing business models, economics, and management; global concentration and convergence of media industries and professions; the rise and role of startups and entrepreneurship; freelancing in the digital age; the role of creativity and innovation; the emotional quality of media work; diversity and inequality in the media industries. Open Uva Course The University of Amsterdam has a open course around the book. The course offers a review of the key readings and debates in media production studies. |
| bachelor of arts in film and media studies: Naked Agency Naminata Diabate, 2020-03-06 Across Africa, mature women have for decades mobilized the power of their nakedness in political protest to shame and punish male adversaries. This insurrectionary nakedness, often called genital cursing, owes its cultural potency to the religious belief that spirits residing in women's bodies can be unleashed to cause misfortune in their targets, including impotence, disease, and death. In Naked Agency, Naminata Diabate analyzes these collective female naked protests in Africa and beyond to broaden understandings of agency and vulnerability. Drawing on myriad cultural texts from social media and film to journalism and fiction, Diabate uncovers how women create spaces of resistance during socio-political duress, including such events as the 2011 protests by Ivoirian women in Côte d’Ivoire and Paris as well as women's disrobing in Soweto to prevent the destruction of their homes. Through the concept of naked agency, Diabate explores fluctuating narratives of power and victimhood to challenge simplistic accounts of African women's helplessness and to show how they exercise political power in the biopolitical era. |
| bachelor of arts in film and media studies: A History of Danish Cinema C. Claire Thomson, 2021-11-30 The first English-language book to cover Danish cinema from the 1890s to the present day. |
| bachelor of arts in film and media studies: Uncanny Bodies Scott T. Smith, José Alaniz, 2019-12-10 Superhero comics reckon with issues of corporeal control. And while they commonly deal in characters of exceptional or superhuman ability, they have also shown an increasing attention and sensitivity to diverse forms of disability, both physical and cognitive. The essays in this collection reveal how the superhero genre, in fusing fantasy with realism, provides a visual forum for engaging with issues of disability and intersectional identity (race, ethnicity, class, gender, and sexuality) and helps to imagine different ways of being in the world. Working from the premise that the theoretical mode of the uncanny, with its interest in what is simultaneously known and unknown, ordinary and extraordinary, opens new ways to think about categories and markers of identity, Uncanny Bodies explores how continuums of ability in superhero comics can reflect, resist, or reevaluate broader cultural conceptions about disability. The chapters focus on lesser-known characters—such as Echo, Omega the Unknown, and the Silver Scorpion—as well as the famous Barbara Gordon and the protagonist of the acclaimed series Hawkeye, whose superheroic uncanniness provides a counterpoint to constructs of normalcy. Several essays explore how superhero comics can provide a vocabulary and discourse for conceptualizing disability more broadly. Thoughtful and challenging, this eye-opening examination of superhero comics breaks new ground in disability studies and scholarship in popular culture. In addition to the editors, the contributors are Sarah Bowden, Charlie Christie, Sarah Gibbons, Andrew Godfrey-Meers, Marit Hanson, Charles Hatfield, Naja Later, Lauren O’Connor, Daniel J. O'Rourke, Daniel Pinti, Lauranne Poharec, and Deleasa Randall-Griffiths. |
| bachelor of arts in film and media studies: War, Peace, and Security Jacques Fontanel, Manas Chatterji, 2008-10-13 In the name of international and domestic security, billions of dollars are wasted on unproductive military spending in both developed and developing countries, when millions are starving and living without basic human needs. This book contains articles relating to military spending, military industrial establishments, and peace keeping. |
| bachelor of arts in film and media studies: Aguirre, the Wrath of God Eric Ames, 2019-07-25 Eric Ames draws on original archival research to provide fresh perspectives on Werner Herzog's breakthrough 1972 film, Aguirre, the Wrath of God (Aguirre, der Zorn Gottes), which portrays an expedition by Spanish conquistadors led by Aguirre (played by Klaus Kinski) to find the legendary city of El Dorado. Ames explores how the film is remembered: for its breathtaking visual style and narrative power, but also for Herzog's tense, behind-the-scenes relationship with star Kinski. Did Herzog really direct him at gunpoint? Did they plot each other's murder? The legends begin here ... Ames reconstructs the film as an experiment in visualising the past from the viewpoint of the present. Aguirre is not a history film in the narrow sense, but it does engage a specific episode in the conquest of the New World, and it explores that history in terms of vision. Interweaving close analysis with extensive archival research, Ames explores Aguirre as a seminal film about the madness and hopelessness of Western striving. In addition, as an appendix, he offers for the first time a complete translation of an infamous, secretly recorded argument between Herzog and Kinski on the set. |
| bachelor of arts in film and media studies: Since 1948 Nancy E. Berg, Naomi B. Sokoloff, 2020-10-01 2021 CHOICE Outstanding Academic Title Toward the end of the twentieth century, an unprecedented surge of writing altered the Israeli literary scene in profound ways. As fresh creative voices and multiple languages vied for recognition, diversity replaced consensus. Genres once accorded lower status—such as the graphic novel and science fiction—gained readership and positive critical notice. These trends ushered in not only the discovery and recovery of literary works but also a major rethinking of literary history. In Since 1948, scholars consider how recent voices have succeeded older ones and reverberated in concert with them; how linguistic and geographical boundaries have blurred; how genres have shifted; and how canon and competition have shaped Israeli culture. Charting surprising trajectories of a vibrant, challenging, and dynamic literature, the contributors analyze texts composed in Hebrew, Yiddish, and Arabic; by Jews and non-Jews; and by Israelis abroad as well as writers in Israel. What emerges is a portrait of Israeli literature as neither minor nor regional, but rather as transnational, multilingual, and worthy of international attention. |
| bachelor of arts in film and media studies: Narrative and Media Rosemary Huisman, Julian Murphet, Anne Dunn, 2006-01-26 Narrative and Media, first published in 2006, applies narrative theory to media texts, including film, television, radio, advertising, and print journalism. Drawing on research in structuralist and post-structuralist theory, as well as functional grammar and image analysis, the book explains the narrative techniques which shape media texts and offers interpretive tools for analysing meaning and ideology. Each section looks at particular media forms and shows how elements such as chronology, character, and focalization are realized in specific texts. As the boundaries between entertainment and information in the mass media continue to dissolve, understanding the ways in which modes of story-telling are seamlessly transferred from one medium to another, and the ideological implications of these strategies, is an essential aspect of media studies. |
| bachelor of arts in film and media studies: FORCE: Dynamic Life Drawing Mike Mattesi, 2017-03-27 Bring your artwork to life with the power of the FORCE! Watch, listen, and follow along as Mike Mattesi demonstrates the fundamental FORCE line and explains dynamic figure drawing techniques through 30 videos that are launched through the book's companion App. Packed with superb, powerfully drawn examples, the updated third edition of FORCE features an all-new section on the FORCE blob, and dozens of fresh illustrations. Mike Mattesi’s 10th anniversary edition of FORCE will teach readers how to put thought and imagination to paper. Whether you are an illustrator, animator, comic book artist, or student, you'll learn to use rhythm, shape, and line to bring out the life in any subject. The 10th Anniversary Edition contains numerous improvements. Around 30 videos are embedded within the book and accessible through the FORCE Drawing App. In the App, click on the image of the camera, point your mobile device’s camera at the page with the symbol, and then finally tap the video card image floating above the drawing to launch the video. Then sit back and watch the video that shows me creating that drawing and discussing my process. Many new drawings can be found within this edition and the addition of color now further clarifies the theory of FORCE. Key Features The unique, dynamic learning system that has helped thousands of artists enhance their figure drawing abilities Dozens of updated illustrations and all-new content, exclusive to the 3rd edition Select pages can be scanned by your smartphone or other device to pull up bonus video content, enhancing the learning process Companion App: Nearly 50 videos are available on the free FORCE Drawing companion app that can be downloaded through Google Play or the Apple App Store |
| bachelor of arts in film and media studies: Latino TV Mary Beltrán, 2022-01-25 This book surveys the history of Latina and Latino depictions, narratives, and authorship in U.S. English-language television since the 1950s, with a focus on the navigations and impact of Latina/o series writers and creators as they have been able to enter the industrial landscape in recent decades. Based on archival research, interviews with dozens of media professionals who worked on or performed in these series, textual analysis of available episodes and promotional materials, and analysis of news media coverage, the chapters examine Latina/o representation in children's television Westerns in the 1950s, in Chicana/o and Puerto Rican activist-led public affairs series in the 1970s, in sitcoms from the 1970s through the 2010s, including many considered failed, and in Latina and Latino-led series in the 2000s and 2010s on broadcast, cable, and streaming outlets, including George Lopez, Ugly Betty, One Day at a Time, and Vida. These series and their creators and writers are explored in relation to the social and political contexts of these junctures in U.S. and Latina/o history and to the evolving industry with respect to whether Latina/o creatives were allowed entrée and to the cultural climate for writers and other creative professionals working in television development and production. As such, it also highlights how television has been key to both the marginalization and to the incremental growth of Latina/o cultural citizenship in the United States, as well as how Latina/o creative professionals are gaining numbers and agency within the television industry and are continuing to push to be able to produce and share their stories-- |
| bachelor of arts in film and media studies: Adaptation and the New Art Film William H. Mooney, 2022-05-07 Since the 1990s, the expropriation of canonical works of cinema has been a fundamental dimension of art-film exploration. Rainer Werner Fassbinder provides an early model of open adaptation of film classics, followed ever more boldly by the Coen Brothers, Chantal Akerman, Alex Carax, Todd Haynes, Florian Henckel von Donnersmarck, Baz Luhrmann, and Olivier Assayas. This book devotes chapters to each of these directors to examine how their films redeploy landmark precursors such as City Lights (1931), Citizen Kane (1941), Rome Open City (1945), All About Eve (1950), and Vertigo (1958) in order to probe our psychological, philosophical, and historical situations in a postmodern société du spectacle. In broadly diverse ways, each of these directors complicates received notions of the past and its representation, while probing the transformative media evolution and dislocation of the present, in film art and in society. |
| bachelor of arts in film and media studies: Moon of the Crusted Snow Waubgeshig Rice, 2018-10-02 2023 Canada Reads Longlist Selection National Bestseller Winner of the 2019 OLA Forest of Reading Evergreen Award Shortlisted for the 2019 John W. Campbell Memorial Award Shortlisted for the 2019/20 First Nation Communities READ Indigenous Literature Award 2020 Burlington Library Selection; 2020 Hamilton Reads One Book One Community Selection; 2020 Region of Waterloo One Book One Community Selection; 2019 Ontario Library Association Ontario Together We Read Program Selection; 2019 Women’s National Book Association’s Great Group Reads; 2019 Amnesty International Book Club Pick January 2020 Reddit r/bookclub pick of the month “This slow-burning thriller is also a powerful story of survival and will leave readers breathless.” — Publishers Weekly “Rice seamlessly injects Anishinaabe language into the dialogue and creates a beautiful rendering of the natural world … This title will appeal to fans of literary science-fiction akin to Cormac McCarthy as well as to readers looking for a fresh voice in indigenous fiction.” — Booklist A daring post-apocalyptic novel from a powerful rising literary voice With winter looming, a small northern Anishinaabe community goes dark. Cut off, people become passive and confused. Panic builds as the food supply dwindles. While the band council and a pocket of community members struggle to maintain order, an unexpected visitor arrives, escaping the crumbling society to the south. Soon after, others follow. The community leadership loses its grip on power as the visitors manipulate the tired and hungry to take control of the reserve. Tensions rise and, as the months pass, so does the death toll due to sickness and despair. Frustrated by the building chaos, a group of young friends and their families turn to the land and Anishinaabe tradition in hopes of helping their community thrive again. Guided through the chaos by an unlikely leader named Evan Whitesky, they endeavor to restore order while grappling with a grave decision. Blending action and allegory, Moon of the Crusted Snow upends our expectations. Out of catastrophe comes resilience. And as one society collapses, another is reborn. |
| bachelor of arts in film and media studies: Film Cultures Janet Harbord, 2002-09-20 Film Cultures is thought-provoking and challenging. By opening film theory up to the many simultaneous networks of relation (that is, the cultures) of film, it asks both viewer and student to take film more seriously. - Communication Research Trends Film Cultures weaves together insights from cultural theory and film studies to provide a complex and absorbing theoretical account of contemporary film culture. Harbord writes with authority, imagination and wit and her delicate deployment of modernist and postmodernist cultural accounts makes rewarding reading. - Christine Geraghty, Professor of Film and Television, University of Glasgow Film Cultures argues that our tastes for film connect us to social, spatial and temporal networks of exchange and meaning. Whether we view film in the multiplex, arthouse or the gallery, as cinema premiere, video hire or from a cable channel, whether we approach film as a singular object or a hypertext linked to ancillary products, our relationship to film is inhabiting a culture. Shifting the focus of film analysis from the text to paths of circulation, Film Cultures questions how film connects us to social status, and national and global affiliations. |
| bachelor of arts in film and media studies: Radio and Television Journalism Meena Devi, 2009 |
| bachelor of arts in film and media studies: Introduction to Public Affairs IntroBooks Team, Each and every organization needs to develop a good strategy for public affairs. Public affairs have received such kind of importance in today's world because no organization can survive in isolation. Every institution requires other institutions as well as the public that act as the customer, the decision-maker as well as the employees that can make or break the image of an organization. With the advent of technology, this task has become easier for managers. The information could be disseminated at a very low cost with the use of mass media and socializing websites. Creating a good image for an institution has become relatively much easier, but this comes with the negative fact that the dissolution of the image has also become an easy task. Public affairs have been increasingly given importance in the corporate world as increased competition has resulted in excess marketing and advertising campaigns that are used to create a Goodwill for the company. There are various tools under public affairs that are used by various organizations in order to fulfill their objectives and goals in the long run. |
| bachelor of arts in film and media studies: Gas Mask Nation Gennifer Weisenfeld, Professor Gennifer Weisenfeld, 2023-02-24 Gas Mask Nation explores Japanese daily life during the widespread culture of civil defense that emerged through fifteen years of war, beginning with Japan's invasion of Manchuria in 1931 and only ending with Japan's decisive defeat in WWII. This fifteen-year period involved intense social mobilization and the militarization of citizens. As in nearly every war since the invention of the airplane, surveillance, secrecy, and physical safety became visual symbols of national preparedness and anxiety. Everybody was vulnerable, always. And everybody had a role to play. Prevailing scholarship tends to portray the war years in Japan as a landscape of privation where consumer and popular culture were suppressed under the massive censorship of the war machine. Weisenfeld claims otherwise: while not denying the horrors of war, she shows that pleasure, desire, wonder, creativity, and humor were all still abundantly present. Even amidst the fear, tasty caramels were sold to children with paper gas masks as promotional giveaways, and popular magazines featured everything from attractive models in the latest civil defense fashions to futuristic wartime weapons. Gas Mask Nation examines the multilayered construction of an anxious yet perversely pleasurable culture of civil air defense through a diverse range of art works and media including experimental and documentary photographs, newsreels, popular magazine illustrations, advertising, cartoons, and state propaganda-- |
| bachelor of arts in film and media studies: Online Credibility and Digital Ethos: Evaluating Computer-Mediated Communication Folk, Moe, 2012-12-31 Digital technology plays a vital role in today's need for instant information access. The simplicity of acquiring and publishing online information presents new challenges in establishing and evaluating online credibility. Online Credibility and Digital Ethos: Evaluating Computer-Mediated Communication highlights important approaches to evaluating the credibility of digital sources and techniques used for various digital fields. This book brings together research in computer mediated communication along with the affects digital culture and online credibility. |
| bachelor of arts in film and media studies: Grammar of the Edit Christopher J. Bowen, Roy Thompson, 2012-10-12 If you want to get to grips with editing, this book sets down, in a simple, uncomplicated way, the fundamental knowledge you will need to make a good edit between two shots. Regardless of what you are editing, the problem of learning how to be a good editor remains the same. This book concentrates on where and how an edit is made and teaches you how to answer the simple question: 'What do I need to do in order to make a good edit between two shots?' Simple, elegant, and easy to use, Grammar of the Edit is a staple of the filmmaker's library. |
| bachelor of arts in film and media studies: Ballpark Michael Schiffer, 1982 |
| bachelor of arts in film and media studies: The School of Solitude Luis Hernández, 2015 Poet Luis (Lucho) Hernández is legendary in his native Peru, and virtually unknown outside it. His short, tragic life–haunted by addiction and periodic reclusion in rehabilitation centers–and the mysterious circumstances surrounding his death, have made him a cult figure. Exceptionally gifted in his youth, his only three books of poetry were published by the time he was twenty-four. Until his untimely death at age thirty-six in Argentina, Luis Hernández didn’t publish another book. Yet, he did not fall silent. He wrote in cheap, school-boy notebooks, filling them with poems, musical notations, quotes (attributed and unattributed), notes to himself, translations, musings, clippings from newspapers and comic strips, and drawings, all in different colored pencils and pens. The present selection of Hernández’s poetry, the first ever in English, is drawn from these notebooks. All the original texts have been transcribed directly from the manuscript sources, correcting errors and mistranscriptions that have crept into a number of the published versions. Several poems are published here for the first time in any language. These moving poems are born under the sign of Melancholy and Nostalgia. Hernández’s unique voice evokes an irrevocably distant past from a desolate site in the present. Happiness and joy, love and fulfillment, are remembered in poetic scraps and fragments, recollected in silence, contemplated in sadness, solitude, and dream. |
| bachelor of arts in film and media studies: Decolonising Media and Communication Studies Education in Sub-Saharan Africa Selina Linda Mudavanhu, Shepherd Mpofu, Kezia Batisai, 2023-10-27 The book provides insights on decolonising media and communication studies education from diverse African scholars at different stages of their careers. These academics, located on the continent and in the diaspora, share an interest in decolonising higher education broadly and media and communication studies teaching and learning in particular. Although many African countries gained flag independence from different European colonial powers between the 1950s and the 1970s, this book argues that former colonies remain ensnared in a colonial power matrix. Many African universities did not jettison ways of teaching and learning established during colonialism, and even those journalism, communication, and media studies training programmes which were established after the attainment of flag independence did not place decolonial agendas at the front and centre when setting them up. Starting with big picture thematic questions around decolonisation, the book goes on to consider what the implications of change would be for students and instructors, before reflecting on how far it is possible to decolonise curricula and syllabi and what this might look like in practice across a range of subject areas and country contexts. Overall, this book presents a nuanced picture of what a decolonised media and communication studies education could look like in sub-Saharan Africa. This book is essential for researchers in Africa in disciplines such as media and communication studies, journalism, film studies, cultural studies, and higher education studies. More broadly, the concepts and ideas on decolonising teaching and learning discussed in the book are relevant to instructors in any discipline who are interested in doing the decolonial work of contesting coloniality. |
| bachelor of arts in film and media studies: See this Sound Dieter Daniels, Sandra Naumann, Jan Thoben, 2015 This new and improved double-volume edition of See This Sound - Audiovisuology combines two volumes in a single book and can be seen as a sizable contribution to filling this gap.The first volume, Compendium, collects information from individual academic disciplines and offers a comprehensive foundation of knowledge on the diverse relationship between images and sounds.The second volume, Essays, offers in-depth studies on the historical development and the theoretical framework of our audiovisual society.The entire spectrum of audiovisual art and phenomena is presented in 35 dictionary entries. Overarching issues are explored in detailed essays and individual works are represented in audiovisual documentation and scientific comment.The list of definitions and terms, elucidated by various prominent authors, ranges from gesamtkunstwerk, literature, painting, music theatre, animation film, light shows, music videos, sound art and expanded cinema right up to text-image analogies, synchronisation, electronic transformation and software. |
BA in Film and Media Arts 2024-2025 - Taylor University
Optional off-campus study programs at Taylor University’s Hollywood Internship Program, the Los Angeles Film Studies Center or Contemporary Music Center in Nashville are available for …
Bachelor of Arts in Film Studies Degree Requirements
prepare students for careers in film and television criticism, media archives, film festival curation and programming, film studies education, and many other fields. Film Studies majors must …
Film & Media Studies, B.A. - CourseLeaf
Students must consult with Dodge College of Arts and Sciences and/or Department of Film and Media Studies academic advisors to verify that courses selected each semester fulfill the …
Film and Media Studies, B.A. - University of South Carolina
Our program offers a Bachelor of Arts degree in film and media studies. Students build media literacy skills, investigate media history from an international perspective, examine the …
2024 Film and Media Studies - Minnesota State University, …
Students in Film and Media Studies look at all aspects of film and media, including aesthetic, creative, critical, cultural, technical, and theoretical perspectives. An undergraduate degree in …
FILM, TELEVISION, AND MEDIA, BACHELOR OF ARTS
• Demonstrate media literacy via the ability to critically analyze the cultural significance and social role of media, making substantive connections between media production, content, and …
Degree Requirements: Bachelor of Arts in Film and Media Arts
B.A. in Film and Media Arts at the University of Tampa: Degree Requirements 2019-2020 This summary of degree requirements is intended to assist prospective students with a general …
19-NU-1080 Bachelor of Arts in Film Arts - National University
Nov 19, 2018 · This Bachelor of Arts in Film Arts prepares graduates for entry-level positions in professional film and media content. Students develop skills and techniques necessary to …
2021 Film and Media Studies Major Map
The Film and Media Studies program requires a Carolina Core GHS-approved course primarily focused on U.S. History: HIST 111, 112, 214, or another GHS-approved course determined by …
B.A. of Comm Arts - Film (SMD) - University of the Incarnate …
The Bachelor of Arts (B.A.) in Communication Arts at the School of Media and Design uses a unique blend of theory-driven and experience-based classes where students acquire the …
FILM AND MEDIA STUDIES STUDENT GUIDE 2022-23
Film and Media Studies focuses on the histories, theories, aesthetics, and cultural meanings of film, television, video games, digital platforms, and other media. We offer students strong …
Bachelor of Arts: Film and Media Arts - University of …
The Film and Media Arts B.A. offers undergraduate students a rigorous course of study in film and video production, with supporting courses in film studies and art. Students in the program …
Bachelor of Arts, Communication Studies, Film & Media Studies
COLLEGE OF LIBERAL ARTS & SOCIAL SCIENCES Bachelor of Arts, Communication Studies, Film & Media Studies Four-Year Academic Map 2019-2020 HIST 1 ENGL 1303 Semester 1 Fall …
Bachelor of arts – Film and Media Studies BUSINESS …
Courses that satisfy the Contexts & Perspective requirements may not satisfy any of the required Arts and Science electives. Context and Perspective courses may count for the Modern …
Film and Media Studies, B.A. - catalogue.uci.edu
From parsing the history of television policy to writing for video games, our students get a unique interdisciplinary education in the historical and social background of the study of film, …
FILM AND TELEVISION PRODUCTION, BACHELOR OF ARTS
Demonstrate application of the basic software and hardware tools used in digital media production. Produce a product that reflects professional level production value and standards …
Media, Film and Journalism Studies - University of Denver
Students acquire critical skills in the reading and analysis of media texts together with skills involved in various modes of motion-picture/television production.
Film and Media Arts BFA with Screenwriting Concentration
The Bachelor of Fine Arts in Film and Media Arts with an optional Concentration in Screenwriting is an intensive, professional degree that prepares students to enter graduate Film programs or …
Bachelor of Fine Arts (BFA) in Film and Digital Arts …
Students must meet degree requirements in effect at time of (re)admission to CFA as a pre-major, declared major or at the time of graduation. UNM reserves the right to make changes in the …
Bachelor of Arts and Bachelor of General Studies in Film …
The B.A. in film and media studies introduces students to the overall field of film and media studies and prepares them for graduate study. The B.G.S. in film and media studies prepares students …
BA in Film and Media Arts 2024-2025 - Taylor University
Optional off-campus study programs at Taylor University’s Hollywood Internship Program, the Los Angeles Film Studies Center or Contemporary Music Center in Nashville are available for juniors …
Bachelor of Arts in Film Studies Degree Requirements
prepare students for careers in film and television criticism, media archives, film festival curation and programming, film studies education, and many other fields. Film Studies majors must …
Film & Media Studies, B.A. - CourseLeaf
Students must consult with Dodge College of Arts and Sciences and/or Department of Film and Media Studies academic advisors to verify that courses selected each semester fulfill the …
Film and Media Studies, B.A. - University of South Carolina
Our program offers a Bachelor of Arts degree in film and media studies. Students build media literacy skills, investigate media history from an international perspective, examine the …
2024 Film and Media Studies - Minnesota State University, …
Students in Film and Media Studies look at all aspects of film and media, including aesthetic, creative, critical, cultural, technical, and theoretical perspectives. An undergraduate degree in …
FILM, TELEVISION, AND MEDIA, BACHELOR OF ARTS
• Demonstrate media literacy via the ability to critically analyze the cultural significance and social role of media, making substantive connections between media production, content, and audiences.
Degree Requirements: Bachelor of Arts in Film and Media Arts
B.A. in Film and Media Arts at the University of Tampa: Degree Requirements 2019-2020 This summary of degree requirements is intended to assist prospective students with a general …
19-NU-1080 Bachelor of Arts in Film Arts - National …
Nov 19, 2018 · This Bachelor of Arts in Film Arts prepares graduates for entry-level positions in professional film and media content. Students develop skills and techniques necessary to …
2021 Film and Media Studies Major Map
The Film and Media Studies program requires a Carolina Core GHS-approved course primarily focused on U.S. History: HIST 111, 112, 214, or another GHS-approved course determined by the …
B.A. of Comm Arts - Film (SMD) - University of the …
The Bachelor of Arts (B.A.) in Communication Arts at the School of Media and Design uses a unique blend of theory-driven and experience-based classes where students acquire the necessary …
FILM AND MEDIA STUDIES STUDENT GUIDE 2022-23
Film and Media Studies focuses on the histories, theories, aesthetics, and cultural meanings of film, television, video games, digital platforms, and other media. We offer students strong liberal arts …
Bachelor of Arts: Film and Media Arts - University of …
The Film and Media Arts B.A. offers undergraduate students a rigorous course of study in film and video production, with supporting courses in film studies and art. Students in the program …
Bachelor of Arts, Communication Studies, Film & Media …
COLLEGE OF LIBERAL ARTS & SOCIAL SCIENCES Bachelor of Arts, Communication Studies, Film & Media Studies Four-Year Academic Map 2019-2020 HIST 1 ENGL 1303 Semester 1 Fall Semester …
Bachelor of arts – Film and Media Studies BUSINESS …
Courses that satisfy the Contexts & Perspective requirements may not satisfy any of the required Arts and Science electives. Context and Perspective courses may count for the Modern …
Film and Media Studies, B.A. - catalogue.uci.edu
From parsing the history of television policy to writing for video games, our students get a unique interdisciplinary education in the historical and social background of the study of film, television, …
FILM AND TELEVISION PRODUCTION, BACHELOR OF ARTS
Demonstrate application of the basic software and hardware tools used in digital media production. Produce a product that reflects professional level production value and standards relative to …
Media, Film and Journalism Studies - University of Denver
Students acquire critical skills in the reading and analysis of media texts together with skills involved in various modes of motion-picture/television production.
Film and Media Arts BFA with Screenwriting Concentration
The Bachelor of Fine Arts in Film and Media Arts with an optional Concentration in Screenwriting is an intensive, professional degree that prepares students to enter graduate Film programs or …
Bachelor of Fine Arts (BFA) in Film and Digital Arts …
Students must meet degree requirements in effect at time of (re)admission to CFA as a pre-major, declared major or at the time of graduation. UNM reserves the right to make changes in the …
