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| bebop and bebe interview: Black News , 1975 |
| bebop and bebe interview: Electronic Music Nicholas Collins, Margaret Schedel, Scott Wilson, 2013-05-09 This accessible Introduction explores both mainstream and experimental electronic music and includes many suggestions for further reading and listening. |
| bebop and bebe interview: The Black Dancing Body B. Gottschild, 2016-04-30 What is the essence of black dance in America? To answer that question, Brenda Dixon Gottschild maps an unorthodox 'geography', the geography of the black dancing body, to show the central place black dance has in American culture. From the feet to the butt, to hair to skin/face, and beyond to the soul/spirit, Brenda Dixon Gottschild talks to some of the greatest choreographers of our day including Garth Fagan, Francesca Harper, Meredith Monk, Brenda Buffalino, Doug Elkins, Ralph Lemon, Fernando Bujones, Bill T. Jones, Trisha Brown, Jawole Zollar, Bebe Miller, Sean Curran and Shelly Washington to look at the evolution of black dance and it's importance to American culture. This is a groundbreaking piece of work by one of the foremost African-American dance critics of our day. |
| bebop and bebe interview: The Music of Space Chris Carberry, 2024-03-06 Since the early days of motion picture production, film scores have helped define our emotional and aesthetic perception of stories on screen--particularly with space movies and television. The music from The Day the Earth Stood Still, 2001: A Space Odyssey, Star Wars, Star Trek, Battlestar Galactica and others has helped define the public's awareness of space almost as much as the films themselves. In some cases, they have redefined the norms of film music. Star Wars not only revived the popularity of orchestral film scores but also helped stimulate an increased public interest in classical orchestral music around the world. This work explores the music and the composers who have helped define the sound of space for over a century, transforming how we perceive space and even inspiring greater interest in space exploration. This book also details how music has been performed and played in space since the early days of the space race. |
| bebop and bebe interview: Music in the Age of Anxiety James Wierzbicki, 2016-04-30 Derided for its conformity and consumerism, 1950s America paid a price in anxiety. Prosperity existed under the shadow of a mushroom cloud. Optimism wore a Bucky Beaver smile that masked worry over threats at home and abroad. But even dread could not quell the revolutionary changes taking place in virtually every form of mainstream music. Music historian James Wierzbicki sheds light on how the Fifties' pervasive moods affected its sounds. Moving across genres established--pop, country, opera--and transfigured--experimental, rock, jazz--Wierzbicki delves into the social dynamics that caused forms to emerge or recede, thrive or fade away. Red scares and white flight, sexual politics and racial tensions, technological progress and demographic upheaval--the influence of each rooted the music of this volatile period to its specific place and time. Yet Wierzbicki also reveals the host of underlying connections linking that most apprehensive of times to our own uneasy present. |
| bebop and bebe interview: Beyond Memory Max Mojapelo, 2008 South Africa possesses one of the richest popular music traditions in the world - from marabi to mbaqanga, from boeremusiek to bubblegum, from kwela to kwaito. Yet the risk that future generations of South Africans will not know their musical roots is very real. Of all the recordings made here since the 1930s, thousands have been lost for ever, for the powers-that-be never deemed them worthy of preservation. And if one peruses the books that exist on South African popular music, one still fi nds that their authors have on occasion jumped to conclusions that were not as foregone as they had assumed. Yet the fault lies not with them, rather in the fact that there has been precious little documentation in South Africa of who played what, or who recorded what, with whom, and when. This is true of all music-making in this country, though it is most striking in the musics of the black communities. Beyond Memory: Recording the History, Moments and Memories of South African Music is an invaluable publication because it offers a first-hand account of the South African music scene of the past decades from the pen of a man, Max Thamagana Mojapelo, who was situated in the very thick of things, thanks to his job as a deejay at the South African Broadcasting Corporation. This book - astonishing for the breadth of its coverage - is based on his diaries, on interviews he conducted and on numerous other sources, and we find in it not only the well-known names of recent South African music but a countless host of others whose contribution must be recorded if we and future generations are to gain an accurate picture of South African music history of the late 20th and early 21st centuries. |
| bebop and bebe interview: The Rock History Reader Theo Cateforis, 2012-11-27 The Rock History Reader is an eclectic compilation of readings that tells the history of rock as it has been received and explained as a social and musical practice throughout its six decade history. The readings range from the vivid autobiographical accounts of such rock icons as Ronnie Spector and David Lee Roth to the writings of noted rock critics like Lester Bangs and Chuck Klosterman. It also includes a variety of selections from media critics, musicologists, fanzine writers, legal experts, sociologists and prominent political figures. Many entries also deal specifically with distinctive styles such as Motown, punk, disco, grunge, rap and indie rock. Each entry includes headnotes, which place it in its historical context. This second edition includes new readings on the early years of rhythm & blues and rock ‘n’ roll, as well as entries on payola, mods, the rise of FM rock, progressive rock and the PMRC congressional hearings. In addition, there is a wealth of new material on the 2000s that explores such relatively recent developments as emo, mash ups, the explosion of internet culture and new media, and iconic figures like Radiohead and Lady Gaga. With numerous readings that delve into the often explosive issues surrounding censorship, copyright, race relations, feminism, youth subcultures, and the meaning of musical value, The Rock History Reader continues to appeal to scholars and students from a variety of disciplines. |
| bebop and bebe interview: Undoing the Gender Binary Charlotte Chucky Tate, Ella Ben Hagai, Faye J. Crosby, 2020-06-04 The central question of this Element is this: What does it mean to be transgender - in general and in specific ways? What does the designation mean for any individual and for the groups in which the individual exists? Biologically, what occurs? Psychologically, what transpires? The Element starts with the basics. The authors question some traditional assumptions, lay out some bio-medical information, and define their terms. They then move to the question of central concern, seen first in terms of the individual and then in terms of the group or society. They conclude with some implications, urging some new approaches to research and suggest some applications in the classroom and beyond. |
| bebop and bebe interview: The Butterfly Effect Marcus J. Moore, 2021-10-05 This “smart, confident, and necessary” (Shea Serrano, New York Times bestselling author) first cultural biography of rap superstar and “master of storytelling” (The New Yorker) Kendrick Lamar explores his meteoric rise to fame and his profound impact on a racially fraught America—perfect for fans of Zack O’Malley Greenburg’s Empire State of Mind. Kendrick Lamar is at the top of his game. The thirteen-time Grammy Award-winning rapper is just in his early thirties, but he’s already won the Pulitzer Prize for Music, produced and curated the soundtrack of the megahit film Black Panther, and has been named one of Time’s 100 Influential People. But what’s even more striking about the Compton-born lyricist and performer is how he’s established himself as a formidable adversary of oppression and force for change. Through his confessional poetics, his politically charged anthems, and his radical performances, Lamar has become a beacon of light for countless people. Written by veteran journalist and music critic Marcus J. Moore, this is much more than the first biography of Kendrick Lamar. “It’s an analytical deep dive into the life of that good kid whose m.A.A.d city raised him, and how it sparked a fire within Kendrick Lamar to change history” (Kathy Iandoli, author of Baby Girl) for the better. |
| bebop and bebe interview: Monument Eternal Franya J. Berkman, 2012-08-07 Long-awaited biography of an African American avant-garde composer Alice Coltrane was a composer, improviser, guru, and widow of John Coltrane. Over the course of her musical life, she synthesized a wide range of musical genres including gospel, rhythm-and-blues, bebop, free jazz, Indian devotional song, and Western art music. Her childhood experiences playing for African-American congregations in Detroit, the ecstatic and avant-garde improvisations she performed on the bandstand with her husband John Coltrane, and her religious pilgrimages to India reveal themselves on more than twenty albums of original music for the Impulse and Warner Brothers labels. In the late 1970s Alice Coltrane became a swami, directing an alternative spiritual community in Southern California. Exploring her transformation from Alice McLeod, Detroit church pianist and bebopper, to guru Swami Turiya Sangitananda, Monument Eternal illuminates her music and, in turn, reveals the exceptional fluidity of American religious practices in the second half of the twentieth century. Most of all, this book celebrates the hybrid music of an exceptional, boundary-crossing African-American artist. |
| bebop and bebe interview: Inner Drumming George Marsh, 2016 |
| bebop and bebe interview: Blip Michael T. Savins, 2006 Join Blip the Little Green Dinosaur and his new forest friends as they go in search of a safe home where he could live. A bright and colourful story with adorable characters who teach of acceptance and friendship between those who are different. |
| bebop and bebe interview: Who Goes There? (Filmed as The Thing) John W. Campbell Jr., 2022-07-03 Who Goes There? is the novella that formed the basis of John Carpenter's film The Thing. John W. Campbell's classic tells of an antarctic research base that discovers and thaws the ancient, frozen body of a crash-landed alien -- with terrifying results! |
| bebop and bebe interview: African American Music Mellonee V. Burnim, Portia K. Maultsby, 2014-11-13 American Music: An Introduction, Second Edition is a collection of seventeen essays surveying major African American musical genres, both sacred and secular, from slavery to the present. With contributions by leading scholars in the field, the work brings together analyses of African American music based on ethnographic fieldwork, which privileges the voices of the music-makers themselves, woven into a richly textured mosaic of history and culture. At the same time, it incorporates musical treatments that bring clarity to the structural, melodic, and rhythmic characteristics that both distinguish and unify African American music. The second edition has been substantially revised and updated, and includes new essays on African and African American musical continuities, African-derived instrument construction and performance practice, techno, and quartet traditions. Musical transcriptions, photographs, illustrations, and a new audio CD bring the music to life. |
| bebop and bebe interview: On Time Morris Day, 2019-10-08 A memoir by Morris Day of The Time centering around his lifelong relationship and association with PrinceA vital, illuminating, and wildly entertaining autobiography. -Billboard Great book! Great storytelling! -LENNY KRAVITZ Lean, slick, cooler than Santa Claus, and surprisingly tender, this book not only traces Day's history in Minneapolis funk, but doubles as an intimate recollection of his time with Prince. -BEN GREENMAN, author of Dig If You Will The Picture Brilliant composer, smooth soul singer, killer drummer, and charismatic band leader, Morris Day has been a force in American music for the past four decades. In On Time, the renowned funkster looks back on a life of turbulence and triumph, chronicling his creative process with an explosive prose that mirrors his intoxicating music. A major theme throughout the book is Morris's enduring friendship and musical partnership with Prince, from their early days on the Minneapolis scene to selling out stadiums and duking it out as rivals in Purple Rain. Eventually, Morris went on to release four albums with a new band of his very own, The Time; however, before long, increasing tensions between the two performers set them down separate paths. Through the years, the fierce brotherly love between Morris and Prince kept bringing them back together-until pride, ego, and circumstance interfered. Two months before Prince's untimely death, the two finally started to make amends. But Morris never could have imagined it would be the last time he'd ever see his friend again. |
| bebop and bebe interview: Act One Moss Hart, 2014-06-03 Act One is the autobiography of Moss Hart, an American playwright and theatre director. Born into impoverished circumstances—his father was often unemployed—Hart left school at age twelve for a series of odd jobs that included being an entertainment director at a Catskills summer resort. Hart’s big break came in 1930 with the Broadway hit Once in a Lifetime, written with George Kaufman. The two would collaborate again on You Can’t Take It With You (1936) and The Man Who Came To Dinner (1939). You Can’t Take It With You won the Pulitzer Prize for drama in 1937, and the 1938 film version, directed by Frank Capra, won Oscars for both Best Picture and Best Director. Act One was adapted for a 1963 film starring George Hamilton, and for a 2014 stage production starring Tony Shalhoub and Andrea Martin. HarperTorch brings great works of non-fiction and the dramatic arts to life in digital format, upholding the highest standards in ebook production and celebrating reading in all its forms. Look for more titles in the HarperTorch collection to build your digital library. |
| bebop and bebe interview: G.K. Hall Bibliographic Guide to Dance New York Public Library. Dance Division, 2002 |
| bebop and bebe interview: It's about Time - Jeff Porcaro Robyn Flans, 2020-09-20 Miscellaneous Percussion Music - Mixed Levels |
| bebop and bebe interview: Paul Simon - Greatest Hits Paul Simon, 2000 (Music Sales America). 14 of his best, arranged for piano and voice with guitar chord frames. Includes: The Boxer * Bridge Over Troubled Water * 59th Street Bridge Song (Feeling Groovy) * Homeward Bound * I Am a Rock * Mother and Child Reunion * Scarborough Fair/Canticle * The Sound of Silence * Still Crazy After All These Years * You Can Call Me Al * and more. |
| bebop and bebe interview: Handbook of Social Justice Theory and Research Clara Sabbagh, Manfred Schmitt, 2016-02-08 The International Society for Justice Research (ISJR) aims to provide a platform for interdisciplinary justice scholars who are encouraged to present and exchange their ideas. This exchange has yielded a fruitful advance of theoretical and empirically-oriented justice research. This volume substantiates this academic legacy and the research prospects of the ISJR in the field of justice theory and research. Included are themes and topics such as the theory of the justice motive, the mapping of the multifaceted forms of justice (distributive, procedural) and justice in context-bound spheres (e.g. non-humans). It presents a comprehensive state of the art overview in the field of justice research theory and it puts forth an agenda for future interdisciplinary and international justice research. It is worth noting that authors in this proposed volume represent ISJR's leading scholarship. Thus, the compilation of their research within a single framework exposes potential readers to high quality academic work that embodies the past, current and future trends of justice research. |
| bebop and bebe interview: Designing Sound Andy Farnell, 2010-08-20 A practitioner's guide to the basic principles of creating sound effects using easily accessed free software. Designing Sound teaches students and professional sound designers to understand and create sound effects starting from nothing. Its thesis is that any sound can be generated from first principles, guided by analysis and synthesis. The text takes a practitioner's perspective, exploring the basic principles of making ordinary, everyday sounds using an easily accessed free software. Readers use the Pure Data (Pd) language to construct sound objects, which are more flexible and useful than recordings. Sound is considered as a process, rather than as data—an approach sometimes known as “procedural audio.” Procedural sound is a living sound effect that can run as computer code and be changed in real time according to unpredictable events. Applications include video games, film, animation, and media in which sound is part of an interactive process. The book takes a practical, systematic approach to the subject, teaching by example and providing background information that offers a firm theoretical context for its pragmatic stance. [Many of the examples follow a pattern, beginning with a discussion of the nature and physics of a sound, proceeding through the development of models and the implementation of examples, to the final step of producing a Pure Data program for the desired sound. Different synthesis methods are discussed, analyzed, and refined throughout.] After mastering the techniques presented in Designing Sound, students will be able to build their own sound objects for use in interactive applications and other projects |
| bebop and bebe interview: Film Music: A History James Wierzbicki, 2009-01-21 Film Music: A History explains the development of film music by considering large-scale aesthetic trends and structural developments alongside socioeconomic, technological, cultural, and philosophical circumstances. The book’s four large parts are given over to Music and the Silent Film (1894--1927), Music and the Early Sound Film (1895--1933), Music in the Classical-Style Hollywood Film (1933--1960), and Film Music in the Post-Classic Period (1958--2008). Whereas most treatments of the subject are simply chronicles of great film scores and their composers, this book offers a genuine history of film music in terms of societal changes and technological and economic developments within the film industry. Instead of celebrating film-music masterpieces, it deals—logically and thoroughly—with the complex ‘machine’ whose smooth running allowed those occasional masterpieces to happen and whose periodic adjustments prompted the large-scale twists and turns in film music’s path. |
| bebop and bebe interview: The Gentrification of the Mind Sarah Schulman, 2013-09-02 In this gripping memoir of the AIDS years (1981–1996), Sarah Schulman recalls how much of the rebellious queer culture, cheap rents, and a vibrant downtown arts movement vanished almost overnight to be replaced by gay conservative spokespeople and mainstream consumerism. Schulman takes us back to her Lower East Side and brings it to life, filling these pages with vivid memories of her avant-garde queer friends and dramatically recreating the early years of the AIDS crisis as experienced by a political insider. Interweaving personal reminiscence with cogent analysis, Schulman details her experience as a witness to the loss of a generation’s imagination and the consequences of that loss. |
| bebop and bebe interview: The Marxist and the Movies Larry Ceplair, 2007-11-16 As part of its effort to expose Communist infiltration in the United States and eliminate Communist influence on movies, from 1947–1953 the House Committee on Un-American Activities subpoenaed hundreds of movie industry employees suspected of membership in the Communist Party. Most of them, including screenwriter Paul Jarrico (1915–1997), invoked the Fifth Amendment and refused to answer questions about their political associations. They were all blacklisted. In The Marxist and the Movies, Larry Ceplair narrates the life, movie career, and political activities of Jarrico, the recipient of an Oscar nomination for his screenplay for Tom, Dick and Harry (1941) and the producer of Salt of the Earth (1954), one of the most politically besieged films in the history of the United States. Though Jarrico did not reach the upper eschelon of screenwriting, he worked steadily in Hollywood until his blacklisting. He was one of the movie industry's most engaged Communists, working on behalf of dozens of social and political causes. Song of Russia (1944) was one of the few assignments that allowed him to express his political beliefs through his screenwriting craft. Though MGM planned the film as a conventional means of boosting domestic support for the USSR, a wartime ally of the United States, it came under attack by a host of anti-Communists. Jarrico fought the blacklist in many ways, and his greatest battle involved the making of Salt of the Earth. Jarrico, other blacklisted individuals, and the families of the miners who were the subject of the film created a landmark film in motion picture history. As did others on the blacklist, Jarrico decided that Europe offered a freer atmosphere than that of the cold war United States. Although he continued to support political causes while living abroad, he found it difficult to find remunerative black market screenwriting assignments. On the scripts he did complete, he had to use a pseudonym or allow the producers to give screen credit to others. Upon returning to the United States in 1977, he led the fight to restore screen credits to the blacklisted writers who, like himself, had been denied screen credit from the late 1940s to the mid-1960s. Despite all the obstacles he encountered, Jarrico never lost his faith in the progressive potential of movies and the possibility of a socialist future. The Marxist and the Movies details the relationship between a screenwriter’s work and his Communist beliefs. From Jarrico’s immense archive, interviews with him and those who knew him best, and a host of other sources, Ceplair has crafted an insider’s view of Paul Jarrico’s life and work, placing both in the context of U.S. cultural history. |
| bebop and bebe interview: Hip Hop Ukraine Adriana N. Helbig, 2014-05-07 “[A] magnificent study . . . adds to the burgeoning scholarship on global hip hop and furthers our knowledge of the African diaspora in Eastern Europe.” —Anthropology of East Europe Reviews Featured in NPR’s “Read These 6 Books About Ukraine” In Hip Hop Ukraine, we enter a world of urban music and dance competitions, hip hop parties, and recording studio culture to explore unique sites of interracial encounters among African students, African immigrants, and local populations in eastern Ukraine. Adriana N. Helbig combines ethnographic research with music, media, and policy analysis to examine how localized forms of hip hop create social and political spaces where an interracial youth culture can speak to issues of human rights and racial equality. She maps the complex trajectories of musical influence—African, Soviet, American—to show how hip hop has become a site of social protest in post-socialist society and a vehicle for social change. “This is a unique and admirable book that traces a complex trail from hip hop created by African migrants in Ukraine through remote African-American influences to their origins in Uganda and back again.” —Slavic Review “Portrays the music as a forceful influence on worldwide social and cultural expression.” —Slavonic and East European Review “A well-conceived study of the role and significance of hip hop in Ukraine. It joins the ranks of other very timely chronicles on the impact of hip hop in various societies around the world.” —Allison Blakely, Boston University |
| bebop and bebe interview: Intersectional Pedagogy Kim A. Case, 2016-07-07 Intersectional Pedagogy explores best practices for effective teaching and learning about intersections of identity as informed by intersectional theory. Formatted in three easy-to-follow sections, this collection explores the pedagogy of intersectionality to address lived experiences that result from privileged and oppressed identities. After an initial overview of intersectional foundations and theory, the collection offers classroom strategies and approaches for teaching and learning about intersectionality and social justice. With contributions from scholars in education, psychology, sociology and women’s studies, Intersectional Pedagogy include a range of disciplinary perspectives and evidence-based pedagogy. |
| bebop and bebe interview: Better Git It in Your Soul Krin Gabbard, 2016-02-08 This biography traces the output of jazz master Charles Mingus--his recordings, his compositions, and his writings--highlighting key moments in his life and musicians who influenced him and were influenced by him. As a young man, Mingus played with Louis Armstrong as well as with Kid Ory. Mingus also played in bands led by Duke Ellington, Charlie Parker, Lionel Hampton, Red Norvo, Art Tatum, and many others. He began leading his own bands in New York City in 1955. Eric Dolphy, Rahsaan Roland Kirk, Jimmy Knepper, Jackie McLean, Toshiko Akiyoshi, Cat Anderson, and Jaki Byard are among the many distinguished jazz artists who made music with Mingus during the 1950s, 1960s, and 1970s. In addition to leaving behind a large collection of compelling recordings by large and small units, Mingus was also a talented writer. His autobiography, Beneath the Underdog: His World Composed by Mingus, is unlike any other book by a major jazz artist. Mingus creates vivid portraits of the many people who passed through his life and tells his story with compelling prose. Mingus also wrote a good deal of poetry and prose, all of it reflecting his unique vision. In 1977 he was diagnosed with amyotrophic lateral sclerosis. After several months of steady deterioration, he died in 1979 in Mexico--Provided by publisher. |
| bebop and bebe interview: Becoming the Instrument Kenny Werner, 2022-01-11 In 1994, jazz musician and composer Kenny Werner released his landmark book, Effortless Mastery: Liberating the Master Musician Within, which freed artists around the world to reclaim their love for music and find the power within their art. His seminal book led to his work as the artistic director of the Effortless Mastery Institute at the Berklee College of Music, a leading observatory for training the world's greatest musicians.Now Werner has written the perfect companion-Becoming the Instrument-where he shares profound insights and uplifting anecdotes based on his 40 years of experience to teach musicians, artists, athletes or even business people how to lift their performance to its highest level and showing us how to be spontaneous, fearless, joyful and disciplined in our work and in our life. In Becoming the Instrument, Werner teaches us that mastery is not perfection, or even virtuosity. It is the gift of self-love, forgiving your own mistakes, and not allowing the world to diminish your own divine gifts. And you don't have to be a musician to have the experience. |
| bebop and bebe interview: Music, Electronic Media and Culture Simon Emmerson, 2016-04-29 Technology revolutionised the ways that music was produced in the twentieth century. As that century drew to a close and a new century begins a new revolution in roles is underway. The separate categories of composer, performer, distributor and listener are being challenged, while the sounds of the world itself become available for musical use. All kinds of sounds are now brought into the remit of composition, enabling the music of others to be sampled (or plundered), including that of unwitting musicians from non-western cultures. This sound world may appear contradictory - stimulating and invigorating as well as exploitative and destructive. This book addresses some of the issues now posed by the brave new world of music produced with technology. |
| bebop and bebe interview: Perpetual Motion John L. Bell, 2010-11 Perpetual Motion is the story of John Bell's life, from his birth as a war-baby in 1945 Britain, to his early years as a mathematics lecturer at the London School of Economics during the 1970s. It is unusual in being both the autobiography of a mathematical logician (now turned philosopher) and of a youth who spent most of his time very much on the move. His father's employment took his family to New York, Rome, The Hague, San Francisco, Bangkok, Tripoli, and Quito. It also includes a description of John's years at British boarding school, Cambridge, and Oxford and an account of his involvement in the turbulent political events of the late 1960s and early 70s. |
| bebop and bebe interview: The Art of Music Production Richard James Burgess, 2013-09-19 In this book, veteran music producer Richard James Burgess gives readers the tools they need to understand the complex field of music production. He defines the many roles that fall to the music producer by focusing first on the underlying theory of music production, before offering a second section of practical aspects of the job. |
| bebop and bebe interview: Bill Evans Keith Shadwick, 2002 Om den amerikanske jazzpianist Bill Evans (1929-1980) |
| bebop and bebe interview: Cassavetes on Cassavetes John Cassavetes, 2001-08-15 Since his death in 1989, John Cassavettes has become increasingly renowned as a cinematic hero--a renegade loner who fought the Hollywood system, steering his own creative course in a career spanning thirty years. Having already established himself as an actor, he struck out as a filmmaker in 1959 with Shadows, and proceeded to build a formidable body of work, including such classics as Faces, Woman Under the Influence, The Killing of a Chinese Bookie, and Gloria. In Cassavettes on Cassavettes, Ray Carney presents the great director in his own words--frank, uncompromising, humane, and passionate about life and art. |
| bebop and bebe interview: The Films of John Carpenter John Kenneth Muir, 2015-09-15 The films of John Carpenter cover a tremendous range and yet all bear his clear personal stamp. From the horrifying (Halloween) to the touching (Starman) to the controversial (The Thing) to the comic (Big Trouble in Little China), his films reflect a unique approach to filmmaking and singular views of humanity and American culture. This analysis of Carpenter's films includes a historical overview of his career, and in-depth entries on each of his films, from 1975's Dark Star to 1998's Vampires. Complete cast and production information is provided for each. The book also covers those films written and produced by Carpenter, such as Halloween II and Black Moon Rising, as well as Carpenter's work for television. Appendices are included on films Carpenter was offered but turned down, the slasher films that followed in the wake of the highly-successful Halloween, the actors and characters who make repeated appearances in Carpenter's films, and ratings for Carpenter's work. Notes, bibliography, and index are included. |
| bebop and bebe interview: The Bubbly Black Girl Sheds Her Chameleon Skin Kirsten Childs, 2003 What's a black girl from sunny Southern California to do? White people are blowing up black girls in Birmingham churches. Black people are shouting Black is beautiful while straightening their hair and coveting light skin. Viveca Stanton's answer: Slap on a bubbly smile and be as white as you can be! In a humorous and pointed coming-of-age story spanning the sixties through the nineties, Viveca blithely sails through the confusing worlds of racism, sexism and Broadway showbiz until she's forced to face the devastating effect self-denial has had on her life. |
| bebop and bebe interview: The Jazz Age Arnold Shaw, 1989 F. Scott Fitzgerald named it, Louis Armstrong launched it, Paul Whiteman and Fletcher Henderson orchestrated it, and now Arnold Shaw chronicles this fabulous era in The Jazz Age. Spicing his account with lively anecdotes and inside stories, he describes the astonishing outpouring of significant musical innovations that emerged during the Roaring Twenties--including blues, jazz, band music, torch ballads, operettas and musicals--and sets them against the background of the Prohibition world of the Flapper. |
| bebop and bebe interview: Developing Finger Control Roy Burns, Lewis Malen, Henry Adler, A practical method of developing finger control for snare drum technique. |
| bebop and bebe interview: Alice in Bed Susan Sontag, 1993-06-01 Alice in Bed is a free dramatic fantasy which merges the life of Alice James, the brilliant sister of William and Henry James, with the heroine of Lewis Carroll's Alice in Wonderland. It is a play about the anguish and grief and rage of women; and about the triumphs and limitations of the imagination. |
| bebop and bebe interview: Pioneering Cartoonists of Color Tim Jackson, 2016-04-21 Syndicated cartoonist and illustrator Tim Jackson offers an unprecedented look at the rich yet largely untold story of African American cartoon artists. This book provides a historical record of the people who created seventy-plus comic strips, many editorial cartoons, and illustrations for articles. The volume covers the mid-1880s, the early years of the self-proclaimed Black press, to 1968, when African American cartoon artists were accepted in the so-called mainstream. When the cartoon world was preparing to celebrate the one hundredth anniversary of the American comic strip, Jackson anticipated that books and articles published upon the anniversary would either exclude African American artists or feature only the three whose work appeared in mainstream newspapers after Dr. Martin Luther King Jr.'s assassination in 1968. Jackson was determined to make it impossible for critics and scholars to plead an ignorance of Black cartoonists or to claim that there is no information on them. He began in 1997 cataloging biographies of African American cartoonists, illustrators, and graphic designers, and showing samples of their work. His research involved searching historic newspapers and magazines as well as books and “Who's Who” directories. This project strives not only to record the contributions of African American artists, but also to place them in full historical context. Revealed chronologically, these cartoons offer an invaluable perspective on American history of the Black community during pivotal moments, including the Great Migration, race riots, the Great Depression, and both World Wars. Many of the greatest creators have already died, so Jackson recognizes the stakes in remembering them before this hidden, yet vivid, history is irretrievably lost. |
| bebop and bebe interview: Local Arts Agencies , 1995 |
How Bebop Came to Be: The Early History of Modern Jazz
Getysburg College Follow this and additional works at: htps://cupola.getysburg.edu/student_scholarship See more
An Interview with Bebe Moore Campbell - JSTOR
Moore Campbell's enormously successful novel Brothers and Sisters (1994) explores the aftermath of the civil unrest following the acquittal of the police who brutalized Rodney King in Los Angeles.
bebop enclosures for beginners - Open Studio
Bebop Enclosures for Beginners Adam Maness &b b bbb & ## &b b b & #### &b &b b bbbb œœœ œ œœœ œ œbœœ bœ œœœ œ œnœœ bœ œœœ œ bœœœ bœ œœœ bœ œœœ œ œœœ œ …
Master the Bebop Scale Theory, Patterns, and Licks
The bebop scale is an 8-note scale that uses passing notes to create tension and release in your improvised solos. By adding a major 7th passing note to different modes, you create bebop …
The Bebop Revolution in Jazz - Congo Square Jazz
The bebop style of jazz is a pivotal invention in twentieth-century American popular music - an outgrowth of the rhythmic and harmonic experiments of young African-American jazz musicians.
Making Tools An Interview With Bebe Moore Campbell
Bebe Moore Campbell: I never planned to write a children’s book. Interestingly enough, E.B. Lewis, the illustrator, worked with emotionally disturbed children for nearly 12 years. He brought a …
BEBOP EXERCISES - opus28.co.uk
Bebop is all about being able to play any chromatic tone on any chord. Obviously, if we just play chromatically with free abandon, the harmony goes out the window. Theory dictates that we …
Bebop And Bebe Interview (PDF) - bubetech.com
By accessing Bebop And Bebe Interview versions, you eliminate the need to spend money on physical copies. This not only saves you money but also reduces the environmental impact …
Playing Bebop: Culture and Bebop s Reciprocal Influence
Apr 20, 2016 · Playing Bebop: Culture and Bebop’s Reciprocal Influence Abstract Following the sweet, pleasant Swing era style music of the 1930’s, Bebop emerged within the United States as …
Bebop and Hip-Hop - Universities of Wisconsin
Bebop, a sub genre of jazz, and hip-hop are two examples of types of music that carried a voice and a generation against issues of race, and spoke for this generation.
Selected Readings in the History of Jazz - NEH-Edsitement
Reading Four From “Things to Come: Swing Bands, Bebop, and the Rise of a Postwar Jazz Scene,” by Lewis Ehrenberg; in Recasting America, edited by Larry May (University of Chicago Press, …
Double V, Double-Time: Bebop's Politics of Style - JSTOR
BEBOP'S POLITICS OF STYLE By Eric Lott The song and the people is the same.-Amiri Baraka Almost fifty years on, the story of how the crash crew made a revolution at Minton's Playhouse is …
How to Incorporate Bebop - clearwaterjazz.com
Bebop Scale (Dom7) • The “Bebop” Scale is a descending scale built from the Dominant 7th Scale (Mixolydian) • Adds a half-step between the root and the 7th of the dominant scale • G7 Bebop …
PERPETUAL MOTION BEBOP EXERCISES - opus28.co.uk
representative bebop gestures, strung together and designed to repeat across two bars. They fit the major II-V, II-V-I-VI and minor II-V-I progressions that form the backbone of modern jazz.
Attention To Detail Interview Question (Download Only)
Interview Question books and manuals for download are incredibly convenient. With just a computer or smartphone and an internet connection, you can access a vast library of resources on any …
'Dizzy Atmosphere': The Challenge of Bebop - JSTOR
narratives explain how bebop mirrored transformations in black life, attitudes, and politics in the crucible of urban American during World War II. By creating a new music, adapting a renegade …
15 Most Common Interview Questions and Answers
Following the study from 2015 that reported on the job interviews in ninety seven different corporations in the United States, we composed a list of fifteen most common interview …
The The Birth Birth of of Bebop: Bebop: A A Social Social and …
The Birth of Bebop: A Social and Musical History. By Scott DeVeaux. Berkeley: University of California Press, 1997. [xv, 572 p. ISBN 0-520-205790. $35.] Simply put, The Birth of Bebop: A …
Bebop and the Recording Industry: The 1942 AFM Recording …
sections of trumpets, trombones, and saxophones, bebop combos offered a handful of soloists accompanied by a rhythm section (piano, bass and drums). Bebop musicians continued to base …
No boundary line to art: “bebop” as afro-modernist Discourse
“bebop” as afro-modernist Discourse They teach you there’s a boundary line to music. But, man, there’s no boundary line to art. Charlie Parker The epigraph above comes from a 1949 Down …
How Bebop Came to Be: The Early History of Modern Jazz
How Bebop Came to Be: The Early History of Modern Jazz Abstract Bebop, despite its rather short lifespan, would become a key influence for every style that came after it. Bebop’s effects …
An Interview with Bebe Moore Campbell - JSTOR
Moore Campbell's enormously successful novel Brothers and Sisters (1994) explores the aftermath of the civil unrest following the acquittal of the police who brutalized Rodney King in …
bebop enclosures for beginners - Open Studio
Bebop Enclosures for Beginners Adam Maness &b b bbb & ## &b b b & #### &b &b b bbbb œœœ œ œœœ œ œbœœ bœ œœœ œ œnœœ bœ œœœ œ bœœœ bœ œœœ bœ œœœ …
Master the Bebop Scale Theory, Patterns, and Licks
The bebop scale is an 8-note scale that uses passing notes to create tension and release in your improvised solos. By adding a major 7th passing note to different modes, you create bebop …
The Bebop Revolution in Jazz - Congo Square Jazz
The bebop style of jazz is a pivotal invention in twentieth-century American popular music - an outgrowth of the rhythmic and harmonic experiments of young African-American jazz musicians.
Making Tools An Interview With Bebe Moore Campbell
Bebe Moore Campbell: I never planned to write a children’s book. Interestingly enough, E.B. Lewis, the illustrator, worked with emotionally disturbed children for nearly 12 years. He …
BEBOP EXERCISES - opus28.co.uk
Bebop is all about being able to play any chromatic tone on any chord. Obviously, if we just play chromatically with free abandon, the harmony goes out the window. Theory dictates that we …
Bebop And Bebe Interview (PDF) - bubetech.com
By accessing Bebop And Bebe Interview versions, you eliminate the need to spend money on physical copies. This not only saves you money but also reduces the environmental impact …
Playing Bebop: Culture and Bebop s Reciprocal Influence
Apr 20, 2016 · Playing Bebop: Culture and Bebop’s Reciprocal Influence Abstract Following the sweet, pleasant Swing era style music of the 1930’s, Bebop emerged within the United States …
Bebop and Hip-Hop - Universities of Wisconsin
Bebop, a sub genre of jazz, and hip-hop are two examples of types of music that carried a voice and a generation against issues of race, and spoke for this generation.
Selected Readings in the History of Jazz - NEH-Edsitement
Reading Four From “Things to Come: Swing Bands, Bebop, and the Rise of a Postwar Jazz Scene,” by Lewis Ehrenberg; in Recasting America, edited by Larry May (University of …
Double V, Double-Time: Bebop's Politics of Style - JSTOR
BEBOP'S POLITICS OF STYLE By Eric Lott The song and the people is the same.-Amiri Baraka Almost fifty years on, the story of how the crash crew made a revolution at Minton's Playhouse …
How to Incorporate Bebop - clearwaterjazz.com
Bebop Scale (Dom7) • The “Bebop” Scale is a descending scale built from the Dominant 7th Scale (Mixolydian) • Adds a half-step between the root and the 7th of the dominant scale • G7 …
PERPETUAL MOTION BEBOP EXERCISES - opus28.co.uk
representative bebop gestures, strung together and designed to repeat across two bars. They fit the major II-V, II-V-I-VI and minor II-V-I progressions that form the backbone of modern jazz.
Attention To Detail Interview Question (Download Only)
Interview Question books and manuals for download are incredibly convenient. With just a computer or smartphone and an internet connection, you can access a vast library of …
'Dizzy Atmosphere': The Challenge of Bebop - JSTOR
narratives explain how bebop mirrored transformations in black life, attitudes, and politics in the crucible of urban American during World War II. By creating a new music, adapting a …
15 Most Common Interview Questions and Answers
Following the study from 2015 that reported on the job interviews in ninety seven different corporations in the United States, we composed a list of fifteen most common interview …
The The Birth Birth of of Bebop: Bebop: A A Social Social and …
The Birth of Bebop: A Social and Musical History. By Scott DeVeaux. Berkeley: University of California Press, 1997. [xv, 572 p. ISBN 0-520-205790. $35.] Simply put, The Birth of Bebop: …
Bebop and the Recording Industry: The 1942 AFM Recording …
sections of trumpets, trombones, and saxophones, bebop combos offered a handful of soloists accompanied by a rhythm section (piano, bass and drums). Bebop musicians continued to …
No boundary line to art: “bebop” as afro-modernist Discourse …
“bebop” as afro-modernist Discourse They teach you there’s a boundary line to music. But, man, there’s no boundary line to art. Charlie Parker The epigraph above comes from a 1949 Down …
