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| delta 5 mind your own business: Rip it Up and Start Again Simon Reynolds, 2009-04-02 'A fantastic tribute to an amazingly creative musical period . . . An instant pop classic, worthy of a place on your shelves beside the handful of music books that really matter.' John McTernan, Scotland on Sunday Punk revitalized rock in the mid-seventies, but the movement soon degenerated into self-parody. Rip It Up and Start Again is the first book-length celebration of what happened next: post-punk bands who dedicated themselves to fulfilling punk's unfinished musical revolution. 1978 - 1984 rivals the sixties for the sheer amount of fabulous music created, the spirit of adventure and possibility that infused it, and the way the sounds felt inextricably connected to the political and social turbulence of the day. Simon Reynolds, acclaimed author of Energy Flash, recreates a time of tremendous urgency and idealism in pop music. Packed with anecdote and insight, populated by charismatic and maverick characters, Rip It Up and Start Again stands as one of the most inspired and inspiring books on popular music ever written. 'I had never expected there to be a book on this subject; had I done so, I would never have dared to hope it could be as good as this.' Nicholas Lezard, Guardian Book of the Week 'This remarkable and perfectly timed cultural history is required reading.' Q Magazine |
| delta 5 mind your own business: Boy About Town Tony Fletcher, 2013-07-04 'I was no longer fitting in at school. I was unsure of my friends, and they were increasingly unsure of me. I wanted to be a rock star. But while all around, voices were starting to break, acne beginning to appear, facial hair sprouting, I remained all flabby flesh and innate scruff, with a high-pitched whine and not a muscle to my name. I was the runt of the class and rarely allowed to forget it. I had no father at home to help me out, and could hardly talk to my mum. So I took solace in The Jam.' As a boy, Tony Fletcher frequently felt out of place. Yet somehow he secured a ringside seat for one of the most creative periods in British cultural history. Boy About Town tells the story of the bestselling author’s formative years in the pre- and post-punk music scenes of London, counting down, from fifty to number one: attendance at seminal gigs and encounters with musical heroes; schoolboy projects that became national success stories; the style culture of punks, mods and skinheads and the tribal violence that enveloped them; life as a latchkey kid in a single-parent household; weekends on the football terraces in a quest for street credibility; and the teenage boy’s unending obsession with losing his virginity. Boy About Town is an evocative, bittersweet, amusing and wholly original account of growing up and coming of age in the glory days of the 1970s. |
| delta 5 mind your own business: Red Set Jim Dooley, 2018-05-17 n the autumn of 1976, two young British Fine Arts students travelled to New York on a university grant, but instead of merely studying ended up staying with one of the city�s pioneering punk journalists, visiting the Museum of Modern Art by day and hanging out in punk epicentre CBGBs by night. It is from this trip that Gang of Four emerged. Blending revelations from interviews with the band conducted by the author with snippets from newspaper articles and record reviews, Jim Dooley tells the history of Gang of Four as they remember it. From their days at art school through countless tours, records and reunions, Red Set is the definitive history of one of Britain�s greatest and most influential bands. |
| delta 5 mind your own business: Revenge of the She-Punks Vivien Goldman, 2019-05-07 A dazzling survey of women in punk, from the genre’s inception in 1970s London to the current voices making waves around the globe. As an industry insider and pioneering post-punk musician, Vivien Goldman has an unusually well-rounded perspective on music journalism. In Revenge of the She-Punks, she probes four themes—identity, money, love, and protest—to explore what makes punk such a liberating art form for women. With her visceral style, Goldman blends interviews, history, and her personal experience as one of Britain’s first female music writers in a book that reads like a vivid documentary of a genre defined by dismantling boundaries. A discussion of the Patti Smith song “Free Money,” for example, opens with Goldman on a shopping spree with Smith. Tamar-Kali, whose name pays homage to a Hindu goddess, describes the influence of her Gullah ancestors on her music, while the late Poly Styrene's daughter reflects on why her Somali-Scots-Irish mother wrote the 1978 punk anthem “Identity,” with the refrain “Identity is the crisis you can't see.” Other strands feature artists from farther afield (including in Colombia and Indonesia) and genre-busting revolutionaries such as Grace Jones, who wasn't exclusively punk but clearly influenced the movement while absorbing its liberating audacity. From punk's Euro origins to its international reach, this is an exhilarating world tour. “In this witty, must-read introduction to punk music, Vivien Goldman sifts through decades of firsthand encounters with feminist musicians to identify how and where these colorful she-punks have arrived—and where they might be headed.”—Tin Weymouth, Talking Heads, Tom Tom Club “Revelatory . . . [Revenge of the She-Punks] feels like an exhilarating conversation with the coolest aunt you never had, as she leaps from one passion to the next.” —Rolling Stone “This book should restore Goldman’s place in the rock-crit firmament just as she sets out to give punk’s women their long-denied dues.” —The Guardian “[Revenge of the She-Punks] doesn’t just retell the story of punk with an added woman or two; it centers the relationships between gender and the genre, showing how, through the right lens, the story of punk is a story about women’s ingenuity and power.” —NPR “An engaging and politically charged exploration of women in music looking to the past, present, and future.” —Bust Magazine “Riotously entertaining . . . A vibrant and inspiring introduction to feminist music history that invites more scholarship and music making.” —Foreword Reviews |
| delta 5 mind your own business: In the Fascist Bathroom Greil Marcus, 1999 Was punk just another moment in music history, a flash in time when a group of young rebels exploded in a fury of raw sound? Greil Marcus delves into the afterlife of punk as a much richer phenomenon and as a form of artistic and social rebellion. |
| delta 5 mind your own business: Dance-Punk Larissa Wodtke, 2023-04-06 Beginning in the late 1970s as an offshoot of disco and punk, dance-punk is difficult to define. Also sometimes referred to as disco-punk and funk-punk, it skirts, overlaps, and blurs into other genres including post-punk, post-disco, new wave, mutant disco, and synthpop. This book explores the historical and cultural conditions of the genre as it appeared in the late 1970s and early 1980s and then again in the early 2000s, and illuminates what is at stake in delineating dance-punk as a genre. Looking at bands such as Gang of Four, ESG, Public Image Ltd., LCD Soundsystem, The Rapture, and Le Tigre, this book examines the tensions between and blurring of the rhetoric and emotion in dance music and the cynical and ironic intellectualizing associated with post-punk. |
| delta 5 mind your own business: The Rough Guide to Rock Peter Buckley, 2003 Compiles career biographies of over 1,200 artists and rock music reviews written by fans covering every phase of rock from R & B through punk and rap. |
| delta 5 mind your own business: Major Labels Kelefa Sanneh, 2021-10-07 From his allegiance to punk rock in his adolescence to becoming an essential voice on music and culture, Kelefa Sanneh makes a deep study of how popular music unites and divides us. Distilling a career’s worth of knowledge, he explores the tribes music forms, and how its genres, shape-shifting across the years, give us a way to track larger forces and concerns. This is a book to shock and awe the deepest music nerd, and at the same time to work as a heady gateway drug for the uninitiated. |
| delta 5 mind your own business: No Machos or Pop Stars Gavin Butt, 2022-07-11 After punk’s arrival in 1976, many art students in the northern English city of Leeds traded their paintbrushes for guitars and synthesizers. In bands ranging from Gang of Four, Soft Cell, and Delta 5 to the Mekons, Scritti Politti, and Fad Gadget, these artists-turned-musicians challenged the limits of what was deemed possible in rock and pop music. Taking avant-garde ideas to the record-buying public, they created Situationist antirock and art punk, penned deconstructed pop ditties about Jacques Derrida, and took the aesthetics of collage and shock to dark, brooding electro-dance music. In No Machos or Pop Stars Gavin Butt tells the fascinating story of the post-punk scene in Leeds, showing how England’s state-funded education policy brought together art students from different social classes to create a fertile ground for musical experimentation. Drawing on extensive interviews with band members, their associates, and teachers, Butt details the groups who wanted to dismantle both art world and music industry hierarchies by making it possible to dance to their art. Their stories reveal the subversive influence of art school in a regional music scene of lasting international significance. |
| delta 5 mind your own business: Billboard , 2000-12-09 In its 114th year, Billboard remains the world's premier weekly music publication and a diverse digital, events, brand, content and data licensing platform. Billboard publishes the most trusted charts and offers unrivaled reporting about the latest music, video, gaming, media, digital and mobile entertainment issues and trends. |
| delta 5 mind your own business: No Future Matthew Worley, 2017-09-21 An innovative history of British youth culture during the 1970s and 1980s, charting the full spectrum of punk's cultural development. |
| delta 5 mind your own business: CMJ New Music Monthly , 2000-02 CMJ New Music Monthly, the first consumer magazine to include a bound-in CD sampler, is the leading publication for the emerging music enthusiast. NMM is a monthly magazine with interviews, reviews, and special features. Each magazine comes with a CD of 15-24 songs by well-established bands, unsigned bands and everything in between. It is published by CMJ Network, Inc. |
| delta 5 mind your own business: Fast Forward Stephen Morris, 2020-12-03 Iconic drummer Stephen Morris presses play once more to the tune of the long-awaited second volume of memoirs . . . Poised on the brink of success, the dizzying heights of the unknown lying ahead, Ian Curtis had taken his own life. Grieving yet determined, Stephen Morris emerged from the wreckage of Joy Division to the dawn of something new: a new band, a new tour, a new beginning. Under the name New Order, Morris and his bandmates set their sights on America, only to encounter new disasters. Yet, in true northern spirit, not even this sudden tragedy could dissuade them from following their haphazard path to greatness. Following the highs and lows of New Order, Fast Forward tracks the changing rhythm of Morris's life and the music that shaped it. From 'music differences' to the ever-growing Joy Division legacy, music is the constant beat through the verses of Fast Forward as Morris's personal and professional life grew increasingly intertwined. This came to a head when his girlfriend was invited to join the band. Tentatively stepping into their testosterone-filled world, Gillian was the right person at the right time for New Order. And for Morris. What began as just a trial period in the band spun into a whirlwind of new projects and experiences, including The Other Two - a project born during one of New Order's (many) hiatuses. Blending entertaining anecdote with profound reflection, Fast Forward strips back a lifetime of fame and fortune to tell, with raw honesty, how New Order threatened to implode time after time. And yet, despite everything, the legacy of their music continued to hold them together. |
| delta 5 mind your own business: Popular Music in Leeds Brett Lashua, Karl Spracklen, Kitty Ross, Paul Thompson, 2023-10-13 This first academic collection dedicated to popular music in Leeds - developed from the work of interdisciplinary scholars, drawn from a major public museum exhibition “Sounds of Our City” and built upon contemporary research. Leeds has rich musical histories and heritage, a long tradition of vibrant music venues, nightclubs, dance halls, pubs and other sites of musical entertainment. The city has spawned crooners, folk singers, punks, post- punks, Goths, DJs, popstars, rappers and indie rockers, yet – with a few exceptions - Leeds has not been studied for its scenes in ways that other UK cities have. In ways that the chapters explore, Leeds’ popular music exemplifies and informs understandings of broader cultural and urban changes – both in Britain and across wider global contexts – of the social and historical significance of music as mass media; music and migration; music, racialisation and social equity; industrial decline, de-industrialisation, neoliberalism and the rise of the 24-hour city. Charting moments of stark musical politicisation and de-politicisation, while concomitantly tracing arguments about “heritagising” popular music within discussions about music’s “place” in museums and in the urban economy, this book contributes to debates about why music matters, has mattered, and continues to matter in Leeds, and beyond. |
| delta 5 mind your own business: Hungry Beat Douglas MacIntyre, Grant McPhee, 2022-09-15 'Hungry Beat is the story of an all-too-brief era where the short-circuiting of that industry seemed viable. But hell, the times were luminous as was the music these artists made. The songs and many of the players remain, and here they tell their story and lick their wounds' Ian Rankin The immense cultural contribution made by two maverick Scottish independent music labels, Fast Product and Postcard, cannot be underestimated. Bob Last and Hilary Morrison in Edinburgh, followed by Alan Horne and Edwyn Collins in Glasgow helped to create a confidence in being Scottish that hitherto had not existed in pop music (or the arts in general in Scotland). Their fierce independent spirit stamped a mark of quality and intelligence on everything they achieved, as did their role in the emergence of regional independent labels and cultural agitators, such as Rough Trade, Factory and Zoo. Hungry Beat is a definitive oral history of these labels and the Scottish post-punk period. Covering the period 1977-1984, the book begins with the Subway Sect and the Slits performance on the White Riot tour in Edinburgh and takes us through to Bob Last shepherding the Human League from experimental electronic artists on Fast Product to their triumphant number one single in the UK and USA, Don't You Want Me. Largely built on interviews for Grant McPhee's Big Gold Dream film with Last, Hilary Morrison, Paul Morley and members of The Human League, Scars, The Mekons, Fire Engines, Josef K, Aztec Camera, The Go-Betweens and The Bluebells, Hungry Beat offers a comprehensive overview of one of the most important periods of Scottish cultural output and the two labels that changed the landscape of British music. |
| delta 5 mind your own business: With a Thousand Antennas Allen H. Agnitti, 2016-12-20 Throughout the 19th century the True, the Good, and the Beautiful preserved their precarious existence… But their very earnestness was their undoing… ~ Bertrand Russell In following a dilettante’s story, the reader will find a sense of what culture past and present can offer in the way of “the True, the Good, and the Beautiful” — a vision of life that rarely appears in contemporary discourse, even though this conceptual trinity was once a major element in Western civilization’s intellectual foundation. Analytic and artistic voices, evoking this concept in one way or another, are presented as the author chronicles his own intellectual excursions, while reviving a sense of the true dilettante. With a Thousand Antennas indicates how a lively curiosity, a moral sense, and an esthetic sensibility can provide a handle on life, a means to obtain a stable perspective on how to proceed through our allotted time. |
| delta 5 mind your own business: Official Gazette of the United States Patent and Trademark Office , 2002 |
| delta 5 mind your own business: It Took Heroes Claude Newby, 2009-04-22 The soldiers in 1st Cav fought some of Vietnam’s fiercest battles— and Chaplain Newby was there right beside them. For grunts in Vietnam, the war was a jungle hell of sudden death, endless suffering, and supreme courage. For Chaplain Newby, it was an honor to be chosen to share it with them. In enemy-held highlands and fetid jungles, Newby regularly accompanied patrols, company-sized missions, chopper strikes, and air rescues—sharing the men’s dreams, their fears, and their dying moments. Searing, brutally accurate, and dedicated to the truth, Claude Newby’s account of brave men fighting a tragic war captures that time in all its horror and heroism. Newby doesn’t shrink from exposing the war’s darker side; his quiet description of the murderous events that came to be known as “the Mao incident” proves that justice can prevail. Ultimately, Newby’s riveting stories reveal the tremendous valor and sacrifices of ordinary Americans facing constant danger, shattering losses, and an increasingly indifferent nation. His book is a shining tribute to those who fought, those who died, and those who came home to a country determined to forget them. |
| delta 5 mind your own business: RHS Practical House Plant Book Zia Allaway, Fran Bailey, Royal Horticultural Society (DK Rights) (DK IPL), 2018-03-01 It's official: living with houseplants is good for your wellbeing! Turn your living space into an indoor oasis with our handy, easy to follow guide. Discover key indoor gardening design principles and learn how to care for your houseplants and keep them healthy. The RHS Practical Houseplant Book contains a dozen stunning step-by-step projects to help you assemble an eye-catching terrarium, create a floating kokedama 'string garden', or propagate succulents for your friends. Complete with 175 in-depth plant profiles, this is the essential practical guide for indoor gardeners. |
| delta 5 mind your own business: Life and Death on the New York Dance Floor, 1980–1983 Tim Lawrence, 2016-09-15 As the 1970s gave way to the 80s, New York's party scene entered a ferociously inventive period characterized by its creativity, intensity, and hybridity. Life and Death on the New York Dance Floor chronicles this tumultuous time, charting the sonic and social eruptions that took place in the city’s subterranean party venues as well as the way they cultivated breakthrough movements in art, performance, video, and film. Interviewing DJs, party hosts, producers, musicians, artists, and dancers, Tim Lawrence illustrates how the relatively discrete post-disco, post-punk, and hip hop scenes became marked by their level of plurality, interaction, and convergence. He also explains how the shifting urban landscape of New York supported the cultural renaissance before gentrification, Reaganomics, corporate intrusion, and the spread of AIDS brought this gritty and protean time and place in American culture to a troubled denouement. |
| delta 5 mind your own business: SPIN , 2009-02 From the concert stage to the dressing room, from the recording studio to the digital realm, SPIN surveys the modern musical landscape and the culture around it with authoritative reporting, provocative interviews, and a discerning critical ear. With dynamic photography, bold graphic design, and informed irreverence, the pages of SPIN pulsate with the energy of today's most innovative sounds. Whether covering what's new or what's next, SPIN is your monthly VIP pass to all that rocks. |
| delta 5 mind your own business: Sight and Sound , 2007 |
| delta 5 mind your own business: Living Genres in Late Modernity Charles Kronengold, 2022-08-30 Living Genres in Late Modernity rehears the American 1970s through the workings of its musical genres. Exploring stylistic developments from the late 1960s through the early 1980s, including soul, funk, disco, pop, the nocturne, and the concerto, Charles Kronengold treats genres as unstable constellations of works, people, practices, institutions, technologies, money, conventions, forms, ideas, and multisensory experiences. What these genres share is a significant cultural moment: they arrive just after “the sixties” and are haunted by a sense of belatedness, loss, or doubt, even as they embrace narratives of progress or abundance. These genres give us reasons—and means—to examine our culture’s self-understandings. Through close readings and large-scale mappings of cultural and stylistic patterns, the book’s five linked studies reveal how genres help construct personal and cultural identities that are both partial and overlapping, that exist in tension with one another, and that we experience in ebbs and flows. |
| delta 5 mind your own business: New West , 1980 |
| delta 5 mind your own business: Women Make Noise Victoria Yeulet, Elizabeth Keenan, Sini Timonen, Jackie Parsons, Deborah Withers, Jane Bradley, Rhian Jones, Bryony Beynon, Val Ruazier, Sarah Dougher, 2015-02-26 ‘When was the last time you heard an all-girl band on the radio? Why don’t all-girl bands get attention they deserve?’ In Women Make Noise musicians, journalists, promoters and fans excavate the hidden story of the all-girl band: from country belles of the 20s–40s and girl groups of the 60s, to prog rock goddesses, women’s liberationists and punks of the 70s–80s; from riot grrrl activists and queercore anarchists of the 90s to radical protesters Pussy Riot and the most inspiring all-girl bands today. These aren’t the manufactured acts of some pop svengali, these groups write their own songs, play their own instruments and make music together on their own terms. All-girl bands have made radical contributions to feminism, culture and politics as well as producing some unique, influential and innovative music. It’s time to celebrate the outspoken voices, creative talents and gutsy performances of the all-girl bands who demand we take notice. Including commentary from members of the original 60s girl groups and classic punk-inspired outfits like The Raincoats and The Slits, as well as contemporary Ladyfest heroines like Beth Ditto, this timely exploration shows the world that sidelining all-girl bands is a major oversight. Contributions by Victoria Yeulet, Elizabeth K.Keenan, Sini Timonen, Jackie Parsons, Deborah Withers, Jane Bradley, Rhian E.Jones, Bryony Beynon, Val Rauzier, Elizabeth K. Keenan and Sarah Dougher This book is a celebration of girl bands in all genres: girl bands who make music on their own terms. With a unique focus on the talented girl bands of the past 50 years rather than casting female musicians in the typical solo ‘singer-songwriter’ mode. New perspectives on each genre – from 1960s Motown groups to 1970s prog rock and punk to 1980s protest music, 1990s queercore, riot grrrl and beyond – written by musicians, performers, journalists, promoters and fans. Contents Introducing the All-girl Band: Finding Comfort in Contradiction | Julia Downes 1. Female Pioneers in Old-time and Country Music | Victoria Yeulet 2. Puppets on a String? Girl Groups of the 50s and 60s | Elizabeth K. Keenan 3. Truth Gotta Stand: 60s Garage, Beat and 70s Rock | Sini Timonen 4. Prog Rock: A Fortress They Call ‘The Industry’ | Jackie Parsons 5. Feminist Musical Resistance in the 70s and 80s | Deborah Withers 6. You Create, We Destroy: Punk Women |Jane Bradley 7. Post-Punk: Raw, Female Sound | Rhian E. Jones 8. Subversive Pleasure: Feminism in DIY Hardcore | Bryony Beynon 9. Queercore: Fearless Women | Val Rauzier 10. Riot Grrrl, Ladyfest and Rock Camps for Girls | Elizabeth K. Keenan and Sarah Dougher Epilogue: Pussy Riot and the Future | Julia Downes Notes Bibliography Reviews “Tales of race riots, intimidation and abuse by male music fans and management, and inspiring moments of in-your-face activism provide fascinating background to some of your favourite bands (and many you’ve never heard of). The greatest strength of Women Make Noise is that many of the contributors were themselves part of the bands they are chronicling. These women offer up inspiring, funny and enraging stories of being radical activists and prolific musicians in a world that worked constantly to push them down.” – Gender Focus “Women Make Noise is a wonderful collection of essays, taking the reader from the days of Sassy country and Western women carving out a place in a horrendously sexist fledgeling music industry, all the way up to the Riot Grrrl movement of the 90s and beyond. Each chapter is written with such boundless enthusiasm for the subject matter that it’ll keep you enthralled until you drift slowly out of your comfort zone without even realising it. Read the book cover to cover, have your eyes opened, discover your next favourite band and perhaps think about the role of Women in music a little differently from now on.” – Intuition, review by Owen Chambers “Fascinating, diverse and, most importantly, inspiring – the title alone is as much a rallying cry as a joyous statement of the truth.” – Zoe Street Howe, author of Typical Girls? The Story of The Slits, and other music titles “It’s exhilarating to learn about different generations of female musicians from such diverse, strong voices.” – Kathleen Hanna, American singer, musician, artist, feminist activist, pioneer of the feminist punk riot grrrl movement “A very important and timely contribution to the debates about “women in rock”. All-girl bands have too often been written off as novelties, and this exciting book sheds new light on an under-researched area.” – Lucy O’Brien, author of She Bop: The Definitive History of Women in Rock, Pop and Soul |
| delta 5 mind your own business: No Wave Marc Masters, 2007 Flashing through New York in the late 1970s, No Wave was the ultimate anti-movement. Its bands consisted of untrained artists looking to explode rock and disappear before the smoke cleared. The primary perpetrators all drew on primitivism, performance art, and the avant-garde. But they were best known for short songs and even shorter life spans. No Wave traces the history of this unique movement, from early pioneers like Suicide to Richard Hell, to hidden treasures like Red Transistor and 8-Eyed Spy, to descendents like ESG and Sonic Youth. No Wave is a comprehensive guide to a movement whose influence still resonates today. |
| delta 5 mind your own business: New Women in Rock Liz Thomson, 1982 The lives and careers of more than seventy women rock stars of today--Cover. |
| delta 5 mind your own business: Ranters & Crowd Pleasers Greil Marcus, 1994 |
| delta 5 mind your own business: Post punk Simon Reynolds, 2018-04-12 Il post punk non è un «genere» come tanti, non è la diligente coda del punk, a cavallo tra due decenni, quando la rivoluzione è finita e i giochi sono fatti; è, al contrario, la musica e il tempo in cui tutto diventa possibile. I confini cadono, i divieti sono ignorati, le regole vengono sovvertite in una sperimentazione continua, selvaggia e colta insieme. Il post punk non è retromaniaco – per usare la categoria critica che lo stesso Simon Reynolds ha creato e che si è imposta come definizione della nostra epoca – ma è il «suono» del presente e delle sue possibilità infinite. Per questo motivo, a distanza di quarant'anni, ancora appassiona e influenza. La musica degli inglesi Joy Division, P.I.L., Gang of Four e Slits, degli americani Pere Ubu, Devo, Talking Heads e di altri gruppi noti e meno noti continua a essere fonte d'ispirazione per migliaia di artisti in tutto il mondo. Con Post punk Simon Reynolds scrive il suo libro più personale e coinvolgente, mostrando l'erudizione enciclopedica, la raffinatezza d'analisi e l'abilità divulgativa che ne fanno il critico musicale più importante della nostra epoca. I suoni e le emozioni, le speranze e l'euforia escono fuori da ogni pagina e ci invitano all'ascolto amorevole di una musica e di un tempo che non può essere ripetuto ma solo reinventato. |
| delta 5 mind your own business: Trouble Girls Barbara O'Dair, 1997 Essays by leading music critics look at the most important female rock musicians, singers, and groups, with profiles of Bonnie Raitt, Carol King, Tina Turner, Janis Joplin, Madonna, and many others. |
| delta 5 mind your own business: Spare Rib , 1981 |
| delta 5 mind your own business: Project Delta Book 3 David T. Chlebowski, 2008-03-28 The book talks about how Fleet Admiral Chlebowski continues his voyage in the 3rd book of the Project Delta series. At first he finds himself in trouble for certain trivial things. The book talks about what goes on fictionally from January 2380 to July 2381 in a journal format within the story line. The question is: Will he have to face responsibility for what he did, or will he become innocent onboard his starship and his starbase? |
| delta 5 mind your own business: The Sex Revolts Simon Reynolds, Joy Press, 1995 The first book to look at rock rebellion through the lens of gender, The Sex Revolts captures the paradox at rock's dark heart--the music is often most thrilling when it is most misogynistic and macho. And, looking at music made by female artists, the authors ask: must it always be this way? |
| delta 5 mind your own business: Bitch , 2006 |
| delta 5 mind your own business: The Guinness Encyclopedia of Popular Music: Clarke, Kenny-Gleason, Jackie Colin Larkin, 1995 |
| delta 5 mind your own business: La vendetta delle Punk Vivien Goldman, 2021-11-23 Ne La vendetta delle punk l'autrice analizza quattro temi fondamentali: identità, denaro, amore e protesta – attraverso i quali approfondisce le ragioni per le quali il punk rappresenta per le donne una forma artistica così liberatoria. La prospettiva di Vivien Goldman sul giornalismo musicale è completa, potendo vantare anche una grande esperienza di addetta ai lavori e avendo contribuito in prima persona alla nascita del post-punk. Con il suo inconfondibile stile viscerale, Goldman mescola interviste e narrazione storica alle sue esperienze personali: essendo stata una delle prime donne giornaliste rock inglesi, si può considerare il libro alla stregua di un vivace documentario su un genere musicale che per definizione demolisce gli steccati. Goldman analizza una canzone di Patti Smith come Free Money, per esempio, rievocando lo shopping a Notting Hill insieme alla cantante americana. Grazie alla testimonianza diretta della figlia della defunta Poly Styrene, scopriamo le motivazioni che nel 1978 hanno spinto la madre, di discendenza somala e scozzese-irlandese, a scrivere un inno del punk come Identity, caratterizzato da un ritornello che dice: Identity is the crisis, can't you see? Nel suo libro, Goldman ci parla di musiciste originarie di luoghi lontani ma anche di eclettiche rivoluzionarie come Grace Jones, un'artista che pur non essendo esattamente punk ha senz'altro influenzato il movimento assorbendone l'audacia liberatoria. Questo libro è un tour musicale che partendo dalle origini europee del punk allarga il suo campo d'azione fino a raggiungere una vasta dimensione internazionale. Il tutto arricchito da accurate e ricche playlist. Traduzione di Fabio Zucchella Cura e Prefazione di Paola De Angelis |
| delta 5 mind your own business: Rock Rough Guides (Firm), 1996 A ROUGH GUIDE to rock music which spans the past forty years. Entries on more than 1,000 bands have been written by 120 fans rather than music journalists, providing fresh angles on the music. Essential biographical details are given, as are recommendations for the best recordings available. |
| delta 5 mind your own business: Tráva Anya Martin, 2023-01-01 Svého bývalého manžela Sheila už nikdy nechtěla vidět, takže ji nemile překvapilo, když se zřítil s letadlem do močálů na jihu Georgie a musela ho jít identifikovat. Ještě více ji překvapilo, co si s sebou přivezla z márnice. Anya Martin přispěla povídkami do mnoha zahraničních antologií a Tráva se pak stala její první samostatnou publikací. Čeká vás skutečně zvláštní příběh o prapodivné bažinné lásce, ztrátě, sexu a smrti.~~~ Anya Martin patří k těm originálnějším a imaginativnějším autorům současné vlny temné literatury a vypráví příběhy, v nichž se snoubí temná erotika s podivnem a surreálnem. Jsou to příběhy, které vás zraní a přitom vás svedou, a vy pak samou hrůzou a úžasem bez dechu toužíte po přídavku.– Livia Llewellyn, autorka novely Ta, co jde první Temně dráždivý příběh protkaný spodními proudy bolestně svůdné erotiky a pokušení, jež kalí nitky hrůzy.– Shane Douglas Keene, This Is Horror Myslím, že se nepletu, když Trávu označím za jakéhosi křížence Bažináče – na toho dokonce odkazuje –, Tváře vody a Solaris Stanisława Lema. Možná vám to připadá šokující, ale Anya Martin všechny tyto vlivy využívá a vypráví o samotě a depresi ze ženského úhlu pohledu.– José Luis Pascual, Dentro del Monolito |
| delta 5 mind your own business: Rigolettohof Erik Jan Harmens, 2021-10-11 Dat ik niet word gezien, betekent niet dat ik er niet ben. Ik word alleen niet opgemerkt. |
| delta 5 mind your own business: La venganza de las punks Vivien Goldman, 2020-02-19 Según a quién preguntes, la historia del punk comenzó en Inglaterra con los Sex Pistols o en Nueva York con los Ramones, pero ¿y si, como rezaba la mítica camiseta de Kim Gordon de Sonic Youth, las chicas inventaron el punk, no Inglaterra? Sin entrar en controversias sobre la génesis del fenómeno, lo que sí parece claro es que la historia oficial, como suele ser habitual, ha silenciado el papel fundamental que tuvieron y tienen las mujeres en el origen y futuro de la música de guitarras más visceral. La periodista cultural y música Vivien Goldman —que a principios de los ochenta grabó un single fundamental en las horas muertas del estudio de PiL— escribe por primera vez una historia del punk desde mediados de los setenta hasta la actualidad en clave femenina. Goldman explora el fenómeno del punk a partir de cuatro temas fundamentales —la identidad, el dinero, la vida afectiva y la búsqueda de un cambio— que tienen que ver tanto con la creación musical en los márgenes de la industria como con las dificultades inherentes de la mujer en un contexto donde aún impera el patriarcado. Para ello, traza un apasionante y divertido panorama global de la música punk hecha por mujeres cuyo legado aún perdura y resuena en todos los rincones del mundo. Más allá de los nombres clave —Patti Smith, Debbie Harry o Chrissie Hynde—, la catedrática del punk excava en la historia y en los lugares más recónditos del planeta donde emergen fascinantes sheroes del punk, tanto en EE. UU. (Poly Styrene, las riot grrrls, Alice Bag o Sleater-Kinney) e Inglaterra (las Slits, las Raincoats, las Au Pairs o Skinny Girl Diet), pero también en Francia (Lizzy Mercier Descloux), Alemania (Malaria!), Japón (Shonen Knife), Rusia (Pussy Riot), Indonesia (Tika and The Dissidents), China (Hang on the Box), India (Pragaash, The Vinyl Records), Jamaica (Grace Jones, Tanya Stephens), Nigeria (Sandra Izsadore) o Colombia (Fértil Miseria), incluidas las Vulpes y su Me gusta ser una zorra. |
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