Advertisement
| describe a voice in writing: Sweet Salt Air Barbara Delinsky, 2013-06-18 On Quinnipeague, hearts open under the summer stars and secrets float in the Sweet Salt Air... Charlotte and Nicole were once the best of friends, spending summers together in Nicole's coastal island house off of Maine. But many years, and many secrets, have kept the women apart. A successful travel writer, single Charlotte lives on the road, while Nicole, a food blogger, keeps house in Philadelphia with her surgeon-husband, Julian. When Nicole is commissioned to write a book about island food, she invites her old friend Charlotte back to Quinnipeague, for a final summer, to help. Outgoing and passionate, Charlotte has a gift for talking to people and making friends, and Nicole could use her expertise for interviews with locals. Missing a genuine connection, Charlotte agrees. But what both women don't know is that they are each holding something back that may change their lives forever. For Nicole, what comes to light could destroy her marriage, but it could also save her husband. For Charlotte, the truth could cost her Nicole's friendship, but could also free her to love again. And her chance may lie with a reclusive local man, with a heart to soothe and troubles of his own. Bestselling author and master storyteller Barbara Delinsky invites you come away to Quinnipeague... |
| describe a voice in writing: How to Write a Novel Using the Snowflake Method Randy Ingermanson, 2014-07-18 The Snowflake Method-ten battle-tested steps that jump-start your creativity and help you quickly map out your story. |
| describe a voice in writing: Clear and Simple as the Truth Francis-Noël Thomas, Mark Turner, 2017-03-14 Everyone talks about style, but no one explains it. The authors of this book do; and in doing so, they provoke the reader to consider style, not as an elegant accessory of effective prose, but as its very heart. At a time when writing skills have virtually disappeared, what can be done? If only people learned the principles of verbal correctness, the essential rules, wouldn't good prose simply fall into place? Thomas and Turner say no. Attending to rules of grammar, sense, and sentence structure will no more lead to effective prose than knowing the mechanics of a golf swing will lead to a hole-in-one. Furthermore, ten-step programs to better writing exacerbate the problem by failing to recognize, as Thomas and Turner point out, that there are many styles with different standards. In the first half of Clear and Simple, the authors introduce a range of styles--reflexive, practical, plain, contemplative, romantic, prophetic, and others--contrasting them to classic style. Its principles are simple: The writer adopts the pose that the motive is truth, the purpose is presentation, the reader is an intellectual equal, and the occasion is informal. Classic style is at home in everything from business memos to personal letters, from magazine articles to university writing. The second half of the book is a tour of examples--the exquisite and the execrable--showing what has worked and what hasn't. Classic prose is found everywhere: from Thomas Jefferson to Junichirō Tanizaki, from Mark Twain to the observations of an undergraduate. Here are many fine performances in classic style, each clear and simple as the truth. Originally published in 1994. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905. |
| describe a voice in writing: Master Lists for Writers Bryn Donovan, 2015-10-14 Write faster...write more!Master Lists for Writers makes show, don't tell a lot easier and helps you figure out your story more quickly. In this book, you'll find: - lists of phrases for describing facial expressions, body language, gestures, physical appearance, and emotions- 175 master plot ideas, including romance, high-stakes, family, and workplace stories- lists of words for writing action scenes and love scenes - inspiration for figuring out character traits and quirks, backstories, occupations, motivations, and goals- lists for describing settings and writing dialogue- lists of good character names for contemporary stories...plus medieval England, Regency England, Wild West, and WWII settings- and more!Whether you're writing novels or short fiction, screenwriting, or any other kind of storytelling, Master Lists for Writers is a rich source of inspiration you'll turn to again and again.This book contains adult language. |
| describe a voice in writing: LOVE The Beat Goes On Lynda Filler, 2020-08-28 When you write a memoir, there's no place to hide. author Lynda FillerPowerful and unforgettable JackMagnus, 5 Star Readers' FavoriteThis is a book every human alive should read and take away the lessons given. If I could give it ten stars, I would. It's that good.J. SikesWhen your cardiologist tells you to Get your affairs in order, your heart condition is incurable, what do you do?Lynda shares her personal story in the typical fast-paced, edgy, in-your-face style she's known for in her writing. She will walk you through her journey to self-love sharing her belief in journals, love, prayer, soul, spirituality and positive mindset.She's hard-hitting but compassionate. She writes about romantic experiences that may shock you but makes no apologies for her unconventional lifestyle. Nor does she hold back taking responsibility for the things that she believes created her dis-ease.You will definitely question a woman who walks around in denial; then makes a decision to drive, all alone, from Puerto Vallarta, Mexico to Whistler, Canada with undiagnosed Idiopathic Dilated Cardiomyopathy. Men and women are often self-care-challenged and Lynda was no the exception.If you are fighting any kind of illness or dis-ease, you are not alone! Lynda has walked her talk, and after an experience in the summer of 2015 relating to Dr. Wayne Dyer, she is now ready to release her storyLynda knows how it feels to be told you're not healing or your condition is incurable. At no point will she undermine anything your physicians tell you to do. She is not a medical doctor. She will explain the powerful, yet simple concepts, beliefs, balance and faith that she believes led to her healing. Most of all, she will show you how she used these simple principles to design and live, the fully healed life she now enjoys in 2017.You will shake your head in wonder, laugh, and maybe cry too. If you want less pain, worry, and stress about dis-ease and life in general, you will want to read this simple yet powerful story. |
| describe a voice in writing: The Word on College Reading and Writing Carol Burnell, Jaime Wood, Monique Babin, Susan Pesznecker, Nicole Rosevear, 2020 An interactive, multimedia text that introduces students to reading and writing at the college level. |
| describe a voice in writing: The Writer's Lexicon Kathy Steinemann, 2017-03-19 You just read your manuscript and discovered that your characters nod like marionettes in every chapter. When they’re not nodding, they roll their eyes. Time to slash the Pinocchio strings. Transform your protagonists into believable personalities that your readers will learn to love. Or hate. Get in the driver’s seat, relax, and enjoy your journey — with Kathy Steinemann’s book as your GPS. |
| describe a voice in writing: Half a Life V. S. Naipaul, 2009-04-23 NATIONAL BESTSELLER • In a narrative that moves with dreamlike swiftness from India to England to Africa, the Nobel Prize-winning author produced his finest novel, a bleakly resonant study of the fraudulent bargains that make up an identity. A masterpiece. —Los Angeles Times Book Review The son of a Brahmin ascetic and his lower-caste wife, Willie Chandran grows up sensing the hollowness at the core of his father's self-denial and vowing to live more authentically. That search takes him to the immigrant and literary bohemias of 1950s London, to a facile and unsatisfying career as a writer, and at last to a decaying Portugese colony in East Africa, where he finds a happiness he will then be compelled to betray. Brilliantly orchestrated, at once elegiac and devastating in its portraits of colonial grandeur and pretension, Half a Life represents the pinnacle of Naipaul's career. |
| describe a voice in writing: The Emotion Thesaurus: A Writer's Guide to Character Expression (2nd Edition) Becca Puglisi, Angela Ackerman, 2019-02-19 The bestselling Emotion Thesaurus, often hailed as “the gold standard for writers” and credited with transforming how writers craft emotion, has now been expanded to include 56 new entries! One of the biggest struggles for writers is how to convey emotion to readers in a unique and compelling way. When showing our characters’ feelings, we often use the first idea that comes to mind, and they end up smiling, nodding, and frowning too much. If you need inspiration for creating characters’ emotional responses that are personalized and evocative, this ultimate show-don’t-tell guide for emotion can help. It includes: • Body language cues, thoughts, and visceral responses for over 130 emotions that cover a range of intensity from mild to severe, providing innumerable options for individualizing a character’s reactions • A breakdown of the biggest emotion-related writing problems and how to overcome them • Advice on what should be done before drafting to make sure your characters’ emotions will be realistic and consistent • Instruction for how to show hidden feelings and emotional subtext through dialogue and nonverbal cues • And much more! The Emotion Thesaurus, in its easy-to-navigate list format, will inspire you to create stronger, fresher character expressions and engage readers from your first page to your last. |
| describe a voice in writing: House Rules Jodi Picoult, 2010-04-03 From the #1 New York Times bestselling author of Small Great Things and the modern classics My Sister’s Keeper, The Storyteller, and more, comes a “complex, compassionate, and smart” (The Washington Post) novel about a family torn apart by a murder accusation. When your son can’t look you in the eye…does that mean he’s guilty? Jacob Hunt is a teen with Asperger’s syndrome. He’s hopeless at reading social cues or expressing himself well to others, though he is brilliant in many ways. He has a special focus on one subject—forensic analysis. A police scanner in his room clues him in to crime scenes, and he’s always showing up and telling the cops what to do. And he’s usually right. But when Jacob’s small hometown is rocked by a terrible murder, law enforcement comes to him. Jacob’s behaviors are hallmark Asperger’s, but they look a lot like guilt to the local police. Suddenly the Hunt family, who only want to fit in, are thrust directly in the spotlight. For Jacob’s mother, it’s a brutal reminder of the intolerance and misunderstanding that always threaten her family. For his brother, it’s another indication why nothing is normal because of Jacob. And for the frightened small town, the soul-searing question looms: Did Jacob commit murder? House Rules is “a provocative story in which [Picoult] explores the pain of trying to comprehend the people we love—and reminds us that the truth often travels in disguise” (People). |
| describe a voice in writing: Find Your Writing Voice Chris Brogan, 2016-08-31 Writing isn't simply about the mechanics. Learn how to distill your unique writing voice for any of your projects, from sending an email to blogging to writing your own book. Come get practical and step-by-step action to take you from want to into the realm of just did. Learn how to develop topics, how to be bolder in your writing, and how to say what you mean. This works for fiction as well as non fiction, so don't give yourself that excuse, either. Short, sweet, and to the point, this book is designed to give you new skills and get you back out there writing again. Written by the New York Times bestselling author of eight books (this is his ninth) and a internationally sought after blogger and keynote speaker. |
| describe a voice in writing: After the Plague T. C. Boyle, 2011-08-01 'Gulp it down; it beats getting drunk.' - Salman Rushdie on WATER MUSIC 'If Dickens were alive today he would be writing this sort of book.' - Rosie Boycott, Books of the Year, The Times, on TORTILLA CURTAIN'establishes Boyle as the equal of Robertson Davies and John Irving. You only hope the Coen Brothers get the film rights, so that this most thrillingly visual of American storytellers is given the movie he deserves' Guardian on RIVEN ROCK 'surreal, daring and compassionate. Easily one of the best books of this year' Daily Mail on A FRIEND OF THE EARTH Maverick, unpredictable and accomplished, T.C. Boyle has been called the 'trickster of American letters'. AFTER THE PLAGUE is his latest collection of short stories - here are tales that superbly veer from the psychological to the slapstick, from surrealism to satire, once again proving him to be one of America's most formidable writers |
| describe a voice in writing: The 100 Most Beautiful Words in English Robert Beard, 2009-10-08 This book explores what is beautiful in English words by looking closely at the 100 loveliest of them selected by Dr. Robert Beard, formerly Dr. Language at yourDictionary.com and currently Dr. Goodword at alphaDictionary.com. The book begins with an essay on what makes words beautiful and a background essay on the relationships between European and Indian languages. This is followed by essays that examine the pronunciation, meaning, usage, and history of words like cynosure, desultory, ephemeral, gambol, petrichor, serendipity, and Susquehanna. Each word is accompanied by creative examples featuring Beard's regular cast of characters, including Natalie Cladd, Maude Lynn Dresser, Gilda Lilly and the twins, Rita and Rhoda Book. |
| describe a voice in writing: Why I Write George Orwell, 2021-01-01 George Orwell set out ‘to make political writing into an art’, and to a wide extent this aim shaped the future of English literature – his descriptions of authoritarian regimes helped to form a new vocabulary that is fundamental to understanding totalitarianism. While 1984 and Animal Farm are amongst the most popular classic novels in the English language, this new series of Orwell’s essays seeks to bring a wider selection of his writing on politics and literature to a new readership. In Why I Write, the first in the Orwell’s Essays series, Orwell describes his journey to becoming a writer, and his movement from writing poems to short stories to the essays, fiction and non-fiction we remember him for. He also discusses what he sees as the ‘four great motives for writing’ – ‘sheer egoism’, ‘aesthetic enthusiasm’, ‘historical impulse’ and ‘political purpose’ – and considers the importance of keeping these in balance. Why I Write is a unique opportunity to look into Orwell’s mind, and it grants the reader an entirely different vantage point from which to consider the rest of the great writer’s oeuvre. 'A writer who can – and must – be rediscovered with every age.' — Irish Times |
| describe a voice in writing: They Almost Always Come Home Cynthia Ruchti, 2011-12-01 Finalist - 2011 Carol Award and 2010 RT Book Reviews Reviewers' Choice Award When Libby’s husband Greg fails to return from a two-week canoe trip to the Canadian wilderness, the authorities soon write off his disappearance as an unhappy husband’s escape from an empty marriage and unrewarding career. Their marriage might have survived if their daughter Lacey hadn’t died . . . and if Greg hadn’t been responsible. Libby enlists the aid of her wilderness savvy father-in-law and her faith-walking best friend to help her search for clues to her husband’s disappearance…if for no other reason than to free her to move on. What the trio discovers in the search upends Libby’s presumptions about her husband and rearranges her faith. |
| describe a voice in writing: One Dark Window Rachel Gillig, 2022-09-27 THE FANTASY BOOKTOK SENSATION! For fans of Uprooted and For the Wolf comes a dark, lushly gothic fantasy about a maiden who must unleash the monster within to save her kingdom—but the monster in her head isn't the only threat lurking. Elspeth needs a monster. The monster might be her. Elspeth Spindle needs more than luck to stay safe in the eerie, mist-locked kingdom she calls home—she needs a monster. She calls him the Nightmare, an ancient, mercurial spirit trapped in her head. He protects her. He keeps her secrets. But nothing comes for free, especially magic. When Elspeth meets a mysterious highwayman on the forest road, her life takes a drastic turn. Thrust into a world of shadow and deception, she joins a dangerous quest to cure the kingdom of the dark magic infecting it. Except the highwayman just so happens to be the King’s own nephew, Captain of the Destriers…and guilty of high treason. He and Elspeth have until Solstice to gather twelve Providence Cards—the keys to the cure. But as the stakes heighten and their undeniable attraction intensifies, Elspeth is forced to face her darkest secret yet: the Nightmare is slowly, darkly, taking over her mind. And she might not be able to stop him. |
| describe a voice in writing: Blitzed Alexa Martin, 2019-12-03 One of Buzzfeed's 16 Romantic Books To Read This Fall One of Popsugar's Best Books for Winter One of Refinery29's Best Books of December Definitely a must-read!”—La La Anthony, New York Times bestselling author Maxwell Lewis has to make the play of his life in order to breach the woman of his dream’s defenses in this new football romance from the author of Fumbled. Brynn Larson owes a lot to reality television and professional athletes. Her bar hit new heights of success after becoming a local haunt for the Denver Mustangs players and their WAGs. But although she’s grateful, that doesn’t mean she’s crazy. And that’s exactly what she would be to ever consider dating a professional athlete. Even if it’s Maxwell Lewis, whose shy smile makes her wonder what going on behind those beautiful brown eyes. Maxwell knew from the moment he met Brynn that she was going to change his life. It was only a matter of time. But when he finally makes a move, fate conspires against him and everything goes wrong. Now he has to show her that their potential is real. Too bad for him, Brynn isn’t fooled by his glamorous NFL life, and when ghosts from both their pasts make a sudden reappearance, she must decide who she can trust. But when the person she’s most afraid of is herself, navigating life’s tackles is harder than anticipated. |
| describe a voice in writing: Writing Irresistible Kidlit Mary Kole, 2012-11-06 Captivate the hearts and minds of young adult readers! Writing for young adult (YA) and middle grade (MG) audiences isn't just kid's stuff anymore--it's kidlit! The YA and MG book markets are healthier and more robust than ever, and that means the competition is fiercer, too. In Writing Irresistible Kidlit, literary agent Mary Kole shares her expertise on writing novels for young adult and middle grade readers and teaches you how to: • Recognize the differences between middle grade and young adult audiences and how it impacts your writing. • Tailor your manuscript's tone, length, and content to your readership. • Avoid common mistakes and cliches that are prevalent in YA and MG fiction, in respect to characters, story ideas, plot structure and more. • Develop themes and ideas in your novel that will strike emotional chords. Mary Kole's candid commentary and insightful observations, as well as a collection of book excerpts and personal insights from bestselling authors and editors who specialize in the children's book market, are invaluable tools for your kidlit career. If you want the skills, techniques, and know-how you need to craft memorable stories for teens and tweens, Writing Irresistible Kidlit can give them to you. |
| describe a voice in writing: Bernard and Pat Blair James, 2021-02-04 I suppose that these are the horses from which we are thrown. We see things as we are, not as they are. How do we best see? With eyes old or new? How well do we rise after falling? Catherine is small and everyone else is big. The world has lots of rules which she cannot keep up with, and lots of things happen that just don't feel right. With Dad gone and Mum at work, Catherine spends her days with Bernard and Pat. These are days that she will never forget but never quite remember, either. Bernard and Pat is a tour-de-force, a novel deeply aware of the peculiarities of memory and the vulnerability of childhood. Catherine's voice is unforgettable. |
| describe a voice in writing: The Writer's Body Lexicon Kathy Steinemann, 2020-06-17 Ordinary writers describe the body in order to evoke images in readers’ minds. Extraordinary writers leverage it to add elements such as tension, intrigue, and humor. The Writer’s Body Lexicon provides tools for both approaches. Kathy Steinemann provides a boggling number of word choices and phrases for body parts, organized under similar sections in most chapters: • Emotion Beats and Physical Manifestations • Adjectives • Similes and Metaphors • Colors and Variegations • Scents • Shapes • Verbs and Phrasal Verbs • Nouns • Prompts • Clichés and Idioms Sprinkled throughout, you’ll also find hundreds of story ideas. They pop up in similes, metaphors, word lists, and other nooks and crannies. Readers don’t want every character to be a cardboard cutout with a perfect physique. They prefer real bodies with imperfections that drive character actions and reactions — bodies with believable skin, scents, and colors. For instance, a well-dressed CEO whose infrequent smile exposes poorly maintained teeth might be on the verge of bankruptcy. A gorgeous cougar with decaying teeth, who tells her young admirer she’s rich, could spook her prey. Someone trying to hide a cigarette habit from a spouse might be foiled by nicotine stains. Add depth to your writing. Rather than just describe the body, exploit it. Build on it. Mold it until it becomes an integral part of your narrative. “… a timeless resource: You’ll find advice, prompts, ideas, vocabulary, humor, and everything in between. But more importantly, it will make your characters stand out from the crowd.” — Nada Sobhi |
| describe a voice in writing: The Little Prince Antoine de Saint−Exupery, 2021-08-31 The Little Prince and nbsp;(French: and nbsp;Le Petit Prince) is a and nbsp;novella and nbsp;by French aristocrat, writer, and aviator and nbsp;Antoine de Saint-Exupéry. It was first published in English and French in the US by and nbsp;Reynal and amp; Hitchcock and nbsp;in April 1943, and posthumously in France following the and nbsp;liberation of France and nbsp;as Saint-Exupéry's works had been banned by the and nbsp;Vichy Regime. The story follows a young prince who visits various planets in space, including Earth, and addresses themes of loneliness, friendship, love, and loss. Despite its style as a children's book, and nbsp;The Little Prince and nbsp;makes observations about life, adults and human nature. The Little Prince and nbsp;became Saint-Exupéry's most successful work, selling an estimated 140 million copies worldwide, which makes it one of the and nbsp;best-selling and nbsp;and and nbsp;most translated books and nbsp;ever published. and nbsp;It has been translated into 301 languages and dialects. and nbsp;The Little Prince and nbsp;has been adapted to numerous art forms and media, including audio recordings, radio plays, live stage, film, television, ballet, and opera. |
| describe a voice in writing: The Fourth Industrial Revolution Klaus Schwab, 2017-01-03 The founder and executive chairman of the World Economic Forum on how the impending technological revolution will change our lives We are on the brink of the Fourth Industrial Revolution. And this one will be unlike any other in human history. Characterized by new technologies fusing the physical, digital and biological worlds, the Fourth Industrial Revolution will impact all disciplines, economies and industries - and it will do so at an unprecedented rate. World Economic Forum data predicts that by 2025 we will see: commercial use of nanomaterials 200 times stronger than steel and a million times thinner than human hair; the first transplant of a 3D-printed liver; 10% of all cars on US roads being driverless; and much more besides. In The Fourth Industrial Revolution, Schwab outlines the key technologies driving this revolution, discusses the major impacts on governments, businesses, civil society and individuals, and offers bold ideas for what can be done to shape a better future for all. |
| describe a voice in writing: Vernon God Little DBC Pierre, 2012-08-07 “If Huckleberry Finn were set on the Mexican-American border and written by the creators of South Park, it might read something like this.” —San Francisco Chronicle Hailed by critics and lauded by readers for its riotously funny and scathing portrayal of America in an age of trial by media, materialism, and violence, Vernon God Little was an international sensation when it was first published in 2003 and awarded the prestigious Man Booker Prize. The memorable portrait of America is seen through the eyes of a wry, young protagonist. Fifteen-year-old Vernon narrates the story with a cynical twang and a four-letter barb for each of his townsfolk, a medley of characters. With a plot involving a school shooting and death-row reality TV shows, Pierre’s effortless prose and dialogue combine to form a novel of postmodern gamesmanship. “A dangerous, smart, ridiculous, and very funny first novel . . . Pierre renders adolescence brilliantly, capturing with seeming effortlessness the bright, contradictory hormone rush of teenage life.” —Sam Sifton, The New York Times |
| describe a voice in writing: The Elements of Style William Strunk Jr., 2023-10-01 First published in 1918, William Strunk Jr.'s The Elements of Style is a guide to writing in American English. The boolk outlines eight elementary rules of usage, ten elementary principles of composition, a few matters of form, a list of 49 words and expressions commonly misused, and a list of 57 words often misspelled. A later edition, enhanced by E B White, was named by Time magazine in 2011 as one of the 100 best and most influential books written in English since 1923. |
| describe a voice in writing: The Silent Patient Alex Michaelides, 2019-02-05 **THE INSTANT #1 NEW YORK TIMES BESTSELLER** An unforgettable—and Hollywood-bound—new thriller... A mix of Hitchcockian suspense, Agatha Christie plotting, and Greek tragedy. —Entertainment Weekly The Silent Patient is a shocking psychological thriller of a woman’s act of violence against her husband—and of the therapist obsessed with uncovering her motive. Alicia Berenson’s life is seemingly perfect. A famous painter married to an in-demand fashion photographer, she lives in a grand house with big windows overlooking a park in one of London’s most desirable areas. One evening her husband Gabriel returns home late from a fashion shoot, and Alicia shoots him five times in the face, and then never speaks another word. Alicia’s refusal to talk, or give any kind of explanation, turns a domestic tragedy into something far grander, a mystery that captures the public imagination and casts Alicia into notoriety. The price of her art skyrockets, and she, the silent patient, is hidden away from the tabloids and spotlight at the Grove, a secure forensic unit in North London. Theo Faber is a criminal psychotherapist who has waited a long time for the opportunity to work with Alicia. His determination to get her to talk and unravel the mystery of why she shot her husband takes him down a twisting path into his own motivations—a search for the truth that threatens to consume him.... |
| describe a voice in writing: Target in the Sun Lynda Filler, 2016-01-14 'TARGET IN THE SUN', A MOVING, HIGH ANXIETY ROMANCE THRILLER, TAKES US ON A PERILOUS JOURNEY THROUGH THE EXPLOSIVE DARK UNDERWORLD OF ORGANIZED DRUG TRAFFICKING AND THE COMPLEX, DESTRUCTIVE HUMAN PERILS OF USE, ABUSE AND THE CARNAGE IT LEAVES IN ITS UNSTOPPABLE WAKE. CAUGHT UP IN THE ONSLAUGHT IS THE POWERFULLY ENGAGING NURTURE OF TWO LOVERS, CARLOS AND MIA, DISCOVERING AND REACHING OUT IN A WORLD THAT COULD ULTIMATELY TEAR THEM APART. An infant loses both his parents tragically and spends his youth and young adulthood in disconnected search and longing, surviving on the streets of coastal Mexico where the beauty and allure of his homeland mix with his relentless desire to belong. Anticipation builds as powerful human emotions span a search for love, acceptance and belonging to existence in a world wrought with escalating illicit drug trade from the depths of lush Mexican jungles across borders in a vast network of distribution throughout America. An expansive coalition of drug enforcement agencies on both sides of the border mount a fierce campaign of surveillance and seizure with swift and destructive assault on the drug lords their ultimate objective. All the while a young boy struggles with the heart-wrenching prospect of a life of loneliness, sadness, anger, and an unwavering resistance to commitment. Amidst the turmoil of surroundings and circumstance a boy becomes a man in a search for belonging that leads a troubled soul on a dangerous romp from the sultry Mexican Riviera beaches to the heat of coastal nightclubs and salacious entanglements behind closed doors. As time passes, Mia's visits to Puerto Vallarta become more frequent and her relationship with Carlos becomes ever-clearer. At first mere carnal instinct, a conquest of pleasures, life events and new acquaintance bring discovery, emotional attachment and a burning desire for enduring love as it was always meant to be. 'Target In The Sun' is an impassioned story of search and longing for the ultimate connection. |
| describe a voice in writing: Verity Colleen Hoover, 2021-12-16 Colleen Hoover brought you the beautiful, unforgettable It Ends With Us - now a major film starring Blake Lively. Now, discover her thriller with a twist that will leave you reeling . . . Verity is a global word-of-mouth hit, with over a million five star reviews from readers. Lowen Ashleigh is a struggling writer on the brink of financial ruin when she accepts the job offer of a lifetime. Jeremy Crawford, husband of bestselling author Verity Crawford, has hired Lowen to complete the remaining books in a successful series his injured wife is unable to finish. Lowen arrives at the Crawford home, ready to sort through years of Verity's notes and outlines, hoping to find enough material to get her started. What Lowen doesn't expect to uncover in the chaotic office is an unfinished autobiography Verity never intended for anyone to read. Page after page of bone-chilling admissions, including Verity's recollection of the night their family was forever altered. Lowen decides to keep the manuscript hidden from Jeremy, knowing its contents would devastate the already-grieving father. But as Lowen's feelings for Jeremy begin to intensify, she recognizes all the ways she could benefit if he were to read his wife's words. After all, no matter how devoted Jeremy is to his injured wife, a truth this horrifying would make it impossible for him to continue loving her . . . Before you start reading, ask yourself: are you ready to stay up all night? And if you love Verity, don't miss Colleen Hoover's thrilling new suspense - Too Late is out now. 1 MILLION READERS HAVE ALREADY GIVEN VERITY FIVE STARS 'One of the best thrillers I have ever read' ***** 'Powerful, mind-blowing and emotional' ***** 'The plot twists and that ending came out of nowhere' ***** 'There are no words. Bravo' ***** 'Dark, creepy, and one hundred per cent original' ***** 'I NEEDED to know how this was going to end' ***** 'Left me completely speechless' ***** VERITY was a No.1 Kindle bestseller on 18.03.22 Winner of The British Book Awards' Pageturner of the Year Award 15.05.23 |
| describe a voice in writing: Ghost Jason Reynolds, 2016 Aspiring to be the fastest sprinter on his elite middle school's track team, gifted runner Ghost finds his goal challenged by a tragic past with a violent father. |
| describe a voice in writing: Intercepted Alexa Martin, 2018-09-11 Series in development with Starz & G-Unit Films and Television by 50 Cent and La La Anthony One of NPR's Best Books of 2018 An Amazon Best Romance of 2018 Pick An iBooks “Best of September” Pick A GoodReads Best of the Month pick for September One of Booklist's Top 10 Romance Debuts for 2018 One of BookBubs Best Fall Romances of 2018 Marlee thought she scored the man of her dreams only to be scorched by a bad breakup. But there's a new player on the horizon, and he's in a league of his own... Marlee Harper is the perfect girlfriend. She's definitely had enough practice by dating her NFL-star boyfriend for the last ten years. But when she discovers he has been tackling other women on the sly, she vows to never date an athlete again. There's just one problem: Gavin Pope, the new hotshot quarterback and a fling from the past, has Marlee in his sights. Gavin fights to show Marlee he's nothing like her ex. Unfortunately, not everyone is ready to let her escape her past. The team's wives, who never led the welcome wagon, are not happy with Marlee's return. They have only one thing on their minds: taking her down. But when the gossip makes Marlee public enemy number one, she worries about more than just her reputation. Between their own fumbles and the wicked wives, it will take a Hail Mary for Marlee and Gavin's relationship to survive the season. |
| describe a voice in writing: House of Leaves Mark Z. Danielewski, 2000 THE MIND-BENDING CULT CLASSIC ABOUT A HOUSE THAT’S LARGER ON THE INSIDE THAN ON THE OUTSIDE • A masterpiece of horror and an astonishingly immersive, maze-like reading experience that redefines the boundaries of a novel. ''Simultaneously reads like a thriller and like a strange, dreamlike excursion into the subconscious. —Michiko Kakutani, The New York Times Thrillingly alive, sublimely creepy, distressingly scary, breathtakingly intelligent—it renders most other fiction meaningless. —Bret Easton Ellis, bestselling author of American Psycho “This demonically brilliant book is impossible to ignore.” —Jonathan Lethem, award-winning author of Motherless Brooklyn One of The Atlantic’s Great American Novels of the Past 100 Years Years ago, when House of Leaves was first being passed around, it was nothing more than a badly bundled heap of paper, parts of which would occasionally surface on the Internet. No one could have anticipated the small but devoted following this terrifying story would soon command. Starting with an odd assortment of marginalized youth—musicians, tattoo artists, programmers, strippers, environmentalists, and adrenaline junkies—the book eventually made its way into the hands of older generations, who not only found themselves in those strangely arranged pages but also discovered a way back into the lives of their estranged children. Now made available in book form, complete with the original colored words, vertical footnotes, and second and third appendices, the story remains unchanged. Similarly, the cultural fascination with House of Leaves remains as fervent and as imaginative as ever. The novel has gone on to inspire doctorate-level courses and masters theses, cultural phenomena like the online urban legend of “the backrooms,” and incredible works of art in entirely unrealted mediums from music to video games. Neither Pulitzer Prize-winning photojournalist Will Navidson nor his companion Karen Green was prepared to face the consequences of the impossibility of their new home, until the day their two little children wandered off and their voices eerily began to return another story—of creature darkness, of an ever-growing abyss behind a closet door, and of that unholy growl which soon enough would tear through their walls and consume all their dreams. |
| describe a voice in writing: On Writing Stephen King, 2014-12 |
| describe a voice in writing: Don't Sabotage Your Submission Chris Roerden, 2000-09 DON'T SABOTAGE YOUR SUBMISSION Winner of the 2009 Benjamin Franklin Award * Discover why 90% of fiction manuscripts are rejected quickly, long before your characters and plot are read. * Learn to spot the clues to average writing-and how to find and fix them in your own work. * See how an editor analyzes the techniques of 215 writers who got right what most writers get wrong. * Get an insider's tips for painless revisions by computer. * Find out the secrets of craft that can boost your odds of changing an a for average to the A of Accepted. . . . . . . . Chock full of practical advice for the novice writer. Even seasoned writers could use a copy as a refresher course. --Charlaine Harris, New York Times best-selling author of 29 books in multiple genres Best book of its kind by far. Required for my college level students. Recommended for all aspiring writers. --Reed Farrel Coleman, two-time Edgar nominee; Shamus, Barry, and Anthony winner Without qualification, I recommend this book to fiction writers, be they literary, mainstream, or genre writers. --John Thornburg, Professor English/Creative Writing, San Jacinto College, Pasadena, TX A savvy writer's guide to creating a manuscript that will SELL --Carolyn Hart, two-time winner of Agatha, Anthony, and Macavity awards A must for anyone who seeks to become a published author. --Midwest Book Review This is an undisputed winner ... one that you must buy if you're at all serious about seeing yourself in print. Highly recommended. --Concept Sci-Fi |
| describe a voice in writing: The Slippery Art of Book Reviewing Mayra Calvani, Anne K. Edwards, 2008 So you want to be a reviewer? Are you passionate about books? Do you have a talent for easily capturing the essence of a book after having read it? Do you often feel the desire to share your thoughts about a book with readers? If you answered Yes to these questions, then book reviewing can be one of the most satisfying, rewarding activities you'll ever undertake. In fact, book reviewing can become addictive. The aim of this book is to offer some guidelines in a clear manner supported with targeted examples of how to write and publish thoughtful, well-written reviews no matter their length, type or genre, and to examine the essence of reviews within a broader spectrum. This book was written not only with the aspiring reviewer in mind, but for the established reviewer who needs a bit of refreshing and also for anybody -- be they author, publisher, reader, bookseller, librarian or publicist -- who wants to become more informed about the value, purpose and effectiveness of reviews. So take out pen and paper, a highlighter, and get ready to write great reviews! - Preface. |
| describe a voice in writing: Writing Voice Writer's Digest Books, 2017-03-01 Develop a voice that captures readers' attention! All writers bring a unique set of skills to their work: One author might write outstanding characters, while another might dazzle with dialogue. You don't have to master every aspect of the craft in order to succeed, but the one quality required of every writer is a compelling, original voice. Your voice, which is often difficult to define and even more difficult to master, can transform your writing from pedestrian to powerful. In Writing Voice, you'll discover effective instruction and advice from best-selling authors and instructors like Donal Maass, Adair Lara, Paula Munier, Dinty W. Moore, James Scott Bell, and many others, plus exercises, techniques, and examples for making your prose stand out, be it fiction or memoir. You'll learn how to: • Explore the unique way you write • Study the distinctive styles of other writers to create your own voice • Understand the nuances of voice, including the importance of word choice • Develop the right voice for your genre • Craft excellent narration that will keep readers coming back • Choose the proper voice for your nonfiction Constructing the voice that fits your style and your audience is paramount to crafting memorable, original work. Writing Voice gives you the tools to not only create that voice but perfect it. |
| describe a voice in writing: The Predator RuNyx, 2020-12 What happens when an unstoppable force meets an immovable object in the field of death? In the dark underbelly of the mob, Tristan Caine has been an anomaly. As the only non-blooded member in the high circle of the Tenebrae Outfit, he is an enigma to all - his skills unparalleled, his morality questionable, and his motives unknown. He is lethal and he knows it. As does Morana Vitalio, the genius extraordinaire daughter of the rival family. What Caine does with weapons, Morana does with computers. When a twenty-year old mystery resurfaces, Morana infiltrates Caine's house, intent on killing him, unaware of a tie that binds them together. Hate, heat, and history clash together with unexpected sparks. But something bigger, something worse is happening in their world. And despite their animosity, only they can fight it down. The Predator is an enemies-to-lovers, dark, contemporary romance set in a fictional universe with mafia, passion and incredible storytelling. |
| describe a voice in writing: Cambridge Advanced Learner's Dictionary Kate Woodford, Guy Jackson, 2003 The Cambridge Advanced Learner's Dictionary is the ideal dictionary for advanced EFL/ESL learners. Easy to use and with a great CD-ROM - the perfect learner's dictionary for exam success. First published as the Cambridge International Dictionary of English, this new edition has been completely updated and redesigned. - References to over 170,000 words, phrases and examples explained in clear and natural English - All the important new words that have come into the language (e.g. dirty bomb, lairy, 9/11, clickable) - Over 200 'Common Learner Error' notes, based on the Cambridge Learner Corpus from Cambridge ESOL exams Plus, on the CD-ROM: - SMART thesaurus - lets you find all the words with the same meaning - QUICKfind - automatically looks up words while you are working on-screen - SUPERwrite - tools for advanced writing, giving help with grammar and collocation - Hear and practise all the words. |
| describe a voice in writing: Her Soul to Take Harley Laroux, 2021-10 Leon I earned my reputation among magicians for a reason: one wrong move and you're dead. Killer, they called me, and killing is what I'm best at. Except her. The one I was supposed to take, the one I should have killed - I didn't. The cult that once controlled me wants her, and I'm not about to lose my new toy to them. Rae I've always believed in the supernatural. Hunting for ghosts is my passion, but summoning a demon was never part of the plan. Monsters are roaming the woods, and something ancient - something evil - is waking up and calling my name. I don't know who I can trust, or how deep this darkness goes. All I know is my one shot at survival is the demon stalking me, and he doesn't just want my body - he wants my soul. Her Soul to Take is book 1 in the Souls Trilogy. Although all the books are interconnected, they are stand-alone and can be read in any order. Content Note This book contains sexual scenes, kink/fetish content, horror elements, drug use, and depictions of hard kink/edgeplay. Reader discretion is advised. |
| describe a voice in writing: Leave it to Psmith Pelham Grenville Wodehouse, 1953-01 Ronald Psmith ( the p is silent, as in pshrimp ) is always willing to help a damsel in distress. So when he sees Eve Halliday without an umbrella during a downpour, he nobly offers her an umbrella, even though it s one he picks out of the Drone Club s umbrella rack. Psmith is so besotted with Eve that, when Lord Emsworth, her new boss, mistakes him for Ralston McTodd, a poet, Psmith pretends to be him so he can make his way to Blandings Castle and woo her. And so the farce begins: criminals disguised as poets with a plan to steal a priceless diamond necklace, a secretary who throws flower pots through windows, and a nighttime heist that ends in gunplay. How will everything be sorted out? Leave it to Psmith |
| describe a voice in writing: Alive in the Writing Kirin Narayan, 2012-03 Anton Chekhov is revered as a boldly innovative playwright and short story writer - but he wrote more than just plays and stories. In this book, the author introduces readers to some other sides of Chekhov. |
| describe a voice in writing: The Writer's Voice Anne Janzer, 2023-08-22 Master the art and science of writing voice with this transformative guide The Writer’s Voice is a comprehensive, hands-on guide to this little-understood aspect of writing. Structured as a twelve-week writing course, the book includes: - Explanations and examples of how stylistic decisions (punctuation, sentence length) affect the reader - Exercises and writing prompts to experiment with different aspects of your writing voice - Strategies for forming a stronger connection with the reader As you work through the sections of this book, you will learn: - How to find more than one “authentic” voice in your work - Ideas for delighting the reader’s inner reading ear - Techniques for shifting your voice based to fit the situation Whether you write fiction or nonfiction, for professional advancement or personal growth, learn to stretch beyond your usual writing comfort zone. You may even discover new joy in writing as you flex your voice beyond its usual boundaries. Invest in yourself and your writing today. Pick up a copy of The Writer’s Voice and start making your voice heard. |
DESCRIBE Definition & Meaning - Merriam-Webster
The meaning of DESCRIBE is to represent or give an account of in words. How to use describe in a sentence.
DESCRIBE | English meaning - Cambridge Dictionary
DESCRIBE definition: 1. to say or write what someone or something is like: 2. If you describe a shape, you draw it or…. Learn more.
DESCRIBE Definition & Meaning | Dictionary.com
Describe definition: to tell or depict in written or spoken words; give an account of.. See examples of DESCRIBE used in a sentence.
DESCRIBE definition and meaning | Collins English Dictionary
If you describe a person, object, event, or situation, you say what they are like or what happened.
Describe - definition of describe by The Free Dictionary
describe - to give an account or representation of in words; "Discreet Italian police described it in a manner typically continental"
Describe - Definition, Meaning & Synonyms - Vocabulary.com
To describe is to report details about something either out loud or in writing. "Since we can't come to Paris with you, please describe it in your letter!" Describe is from the Latin word describere …
describe verb - Definition, pictures, pronunciation and usage …
Definition of describe verb in Oxford Advanced Learner's Dictionary. Meaning, pronunciation, picture, example sentences, grammar, usage notes, synonyms and more.
describe - definition and meaning - Wordnik
Describe applies primarily to what exists—space, and by extension to what occurs—time, but narrate applies only to the latter: as, to describe a view, a race, or a siege; to narrate an …
Describe Definition & Meaning | Britannica Dictionary
DESCRIBE meaning: 1 : to tell someone the appearance, sound, smell, events, etc., of (something or someone) to say what something or someone is like often + as; 2 : to make a …
describe - Wiktionary, the free dictionary
Jun 8, 2025 · describe (third-person singular simple present describes, present participle describing, simple past and past participle described) To represent in words.
DESCRIBE Definition & Meaning - Merriam-Webster
The meaning of DESCRIBE is to represent or give an account of in words. How to use describe in a sentence.
DESCRIBE | English meaning - Cambridge Dictionary
DESCRIBE definition: 1. to say or write what someone or something is like: 2. If you describe a shape, you draw it or…. Learn more.
DESCRIBE Definition & Meaning | Dictionary.com
Describe definition: to tell or depict in written or spoken words; give an account of.. See examples of DESCRIBE used in a sentence.
DESCRIBE definition and meaning | Collins English Dictionary
If you describe a person, object, event, or situation, you say what they are like or what happened.
Describe - definition of describe by The Free Dictionary
describe - to give an account or representation of in words; "Discreet Italian police described it in a manner typically continental"
Describe - Definition, Meaning & Synonyms - Vocabulary.com
To describe is to report details about something either out loud or in writing. "Since we can't come to Paris with you, please describe it in your letter!" Describe is from the Latin word describere …
describe verb - Definition, pictures, pronunciation and usage notes ...
Definition of describe verb in Oxford Advanced Learner's Dictionary. Meaning, pronunciation, picture, example sentences, grammar, usage notes, synonyms and more.
describe - definition and meaning - Wordnik
Describe applies primarily to what exists—space, and by extension to what occurs—time, but narrate applies only to the latter: as, to describe a view, a race, or a siege; to narrate an …
Describe Definition & Meaning | Britannica Dictionary
DESCRIBE meaning: 1 : to tell someone the appearance, sound, smell, events, etc., of (something or someone) to say what something or someone is like often + as; 2 : to make a motion or draw a …
describe - Wiktionary, the free dictionary
Jun 8, 2025 · describe (third-person singular simple present describes, present participle describing, simple past and past participle described) To represent in words.
