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| describing breathing in writing: Corporeal Generosity Rosalyn Diprose, 2012-02-01 Rosalyn Diprose contends that generosity is not just a human virtue, but it is an openness to others that is critical to our existence, sociality, and social formation. Her theory challenges the accepted model of generosity as a common character trait that guides a person to give something they possess away to others within an exchange economy. This book places giving in the realm of ontology, as well as the area of politics and social production, as it promotes ways to foster social relations that generate sexual, cultural, and stylistic differences. The analyses in the book theorize generosity in terms of intercorporeal relations where the self is given to others. Drawing primarily on the philosophy of Nietzsche, Merleau-Ponty, and Levinas, and offering critical interpretations of feminist philosophers such as Beauvoir and Butler, the author builds a politically sensitive notion of generosity. |
| describing breathing in writing: When Breath Becomes Air (Indonesian Edition) Paul Kalanithi, 2016-10-06 Pada usia ketiga puluh enam, Paul Kalanithi merasa suratan nasibnya berjalan dengan begitu sempurna. Paul hampir saja menyelesaikan masa pelatihan luar biasa panjangnya sebagai ahli bedah saraf selama sepuluh tahun. Beberapa rumah sakit dan universitas ternama telah menawari posisi penting yang diimpikannya selama ini. Penghargaan nasional pun telah diraihnya. Dan kini, Paul hendak kembali menata ikatan pernikahannya yang merenggang, memenuhi peran sebagai sosok suami yang ia janjikan. Akan tetapi, secara tiba-tiba, kanker mencengkeram paru-parunya, melumpuhkan organ-organ penting dalam tubuhnya. Seluruh masa depan yang direncanakan Paul seketika menguap. Pada satu hari ia adalah seorang dokter yang menangani orang-orang yang sekarat, tetapi pada hari berikutnya, ia adalah pasien yang mencoba bertahan hidup. Apa yang membuat hidup berharga dan bermakna, mengingat semua akan sirna pada akhirnya? Apa yang Anda lakukan saat masa depan tak lagi menuntun pada cita-cita yang diidamkan, melainkan pada masa kini yang tanpa akhir? Apa artinya memiliki anak, merawat kehidupan baru saat kehidupan lain meredup? When Breath Becomes Air akan membawa kita bergelut pada pertanyaan-pertanyaan penting tentang hidup dan seberapa layak kita diberi pilihan untuk menjalani kehidupan. [Mizan, Bentang Pustaka, Memoar, Biografi, Kisah, Medis, Terjemahan, Indonesia] |
| describing breathing in writing: Reading Breath in Literature Arthur Rose, Stefanie Heine, Naya Tsentourou, Corinne Saunders, Peter Garratt, 2018-10-29 This open access book presents five different approaches to reading breath in literature, in response to texts from a range of historical, geographical and cultural environments. Breath, for all its ubiquity in literary texts, has received little attention as a transhistorical literary device. Drawing together scholars of Medieval Romance, Early Modern Drama, Fin de Siècle Aesthetics, American Poetics and the Postcolonial Novel, this book offers the first transhistorical study of breath in literature. At the same time, it shows how the study of breath in literature can contribute to recent developments in the Medical Humanities. |
| describing breathing in writing: Writing and the Articulation of Postqualitative Research David Lee Carlson, Ananí M. Vasquez, Anna Romero, 2023-04-25 Writing and the Articulation of Postqualitative Research is a collection of experimental essays on the implications of articulating or performing qualitative research from postqualitative philosophies. Although writing has been an integral part of qualitative research, for better or worse, throughout the history of the field, the recent emergence of postqualitative inquiry necessitates a reconsideration of writing. This collection of international authors explores the process and practice of writing in qualitative research from an onto-epistemological perspective, engaging with temporal, spatial, relational, social-cultural, and affective concepts and dilemmas such as philosophical alignment, advocacy in research, and the privileging of written academic language for research dissemination. The exploration of these questions can help qualitative researchers in the social sciences and humanities consider how modalities and processes of writing can alter, shift, and challenge the ways in which they articulate their research. Thus, rather than writing being a conveyor of the events happening during data collection, or used to analyze data or display results, the authors in this book consider writing as a primary agent in the research process. This book has been designed for scholars in the social sciences and humanities who want to rethink how they use writing in their research endeavors and especially ones who are considering engaging with postqualitative research. |
| describing breathing in writing: The Writer's Lexicon Kathy Steinemann, 2017-03-19 You just read your manuscript and discovered that your characters nod like marionettes in every chapter. When they’re not nodding, they roll their eyes. Time to slash the Pinocchio strings. Transform your protagonists into believable personalities that your readers will learn to love. Or hate. Get in the driver’s seat, relax, and enjoy your journey — with Kathy Steinemann’s book as your GPS. |
| describing breathing in writing: Poetics of Breathing Stefanie Heine, 2021-05-01 Breathing and its rhythms—liminal, syncopal, and usually inconspicuous—have become a core poetic compositional principle in modern literature. Examining moments when breath's punctuations, cessations, inhalations, or exhalations operate at the limits of meaningful speech, Stefanie Heine explores how literary texts reflect their own mediality, production, and reception in alluding to and incorporating pneumatic rhythms, respiratory sound, and silent pauses. Through close readings of works by a series of pairs—Jack Kerouac and Allen Ginsberg; Robert Musil and Virginia Woolf; Samuel Beckett and Sylvia Plath; and Paul Celan and Herta Müller—Poetics of Breathing suggests that each offers a different conception of literary or poetic breath as a precondition of writing. Presenting a challenge to historical and contemporary discourses that tie breath to the transcendent and the natural, Heine traces a decoupling of breath from its traditional association with life, and asks what literature might lie beyond. |
| describing breathing in writing: Writing With Skill, Level 2: Instructor Text (The Complete Writer) Susan Wise Bauer, 2015-06-29 Time-tested classical techniques--the imitation and analysis of great writers--combined with original composition exercises in history, science, biography, and literature. The Student Workbook encourages independent composition, while the Instructor Text contains easy-to-use supporting information for the teacher, rubrics for grading, sample compositions, and dialogue to use while teaching. Together, the Student Workbook and Instructor Text provide a full year of middle-grade writing instruction, preparing students to enter high-level rhetoric. Reviews Level One skills in narration, biographical sketches, descriptions, and sequences Teaches new skills in writing comparisons, drawing contrasts, and tracing cause and effect Improves sentence style through prose exercises drawn from Erasmus, Aristotle, and other classical rhetoricians Covers three-level outlining, composition planning and structure Guides the student through critical essay writing in both fiction and poetry Provides practice in research and documentation skills |
| describing breathing in writing: The Writer's Body Lexicon Kathy Steinemann, 2020-06-17 Ordinary writers describe the body in order to evoke images in readers’ minds. Extraordinary writers leverage it to add elements such as tension, intrigue, and humor. The Writer’s Body Lexicon provides tools for both approaches. Kathy Steinemann provides a boggling number of word choices and phrases for body parts, organized under similar sections in most chapters: • Emotion Beats and Physical Manifestations • Adjectives • Similes and Metaphors • Colors and Variegations • Scents • Shapes • Verbs and Phrasal Verbs • Nouns • Prompts • Clichés and Idioms Sprinkled throughout, you’ll also find hundreds of story ideas. They pop up in similes, metaphors, word lists, and other nooks and crannies. Readers don’t want every character to be a cardboard cutout with a perfect physique. They prefer real bodies with imperfections that drive character actions and reactions — bodies with believable skin, scents, and colors. For instance, a well-dressed CEO whose infrequent smile exposes poorly maintained teeth might be on the verge of bankruptcy. A gorgeous cougar with decaying teeth, who tells her young admirer she’s rich, could spook her prey. Someone trying to hide a cigarette habit from a spouse might be foiled by nicotine stains. Add depth to your writing. Rather than just describe the body, exploit it. Build on it. Mold it until it becomes an integral part of your narrative. “… a timeless resource: You’ll find advice, prompts, ideas, vocabulary, humor, and everything in between. But more importantly, it will make your characters stand out from the crowd.” — Nada Sobhi |
| describing breathing in writing: Making a Literary Life Carolyn See, 2007-12-18 As Carolyn See says, writing guides are like preachers on Sunday—there may be a lot of them, but you can’t have too many, and there’s always an audience of the faithful. And while Making a Literary Life is ostensibly a book that teaches you how to write, it really teaches you how to make your interior life into your exterior life, how to find and join that community of like-minded souls you’re sure is out there somewhere. Carolyn See distills a lifetime of experience as novelist, memoirist, critic, and creative-writing professor into this marvelously engaging how-to book. Partly the nuts and bolts of writing (plot, point of view, character, voice) and partly an inspirational guide to living the life you dream of, Making a Literary Life takes you from the decision to “become” a writer to three months after the publication of your first book. A combination of writing and life strategies (do not tell everyone around you how you yearn to be a writer; send a “charming note” to someone you admire in the industry five days a week, every week, for the rest of your life; find the perfect characters right in front of you), Making a Literary Life is for people not usually considered part of the literary loop: the non–East Coasters, the secret scribblers. With sagacity, a magical sense of humor, and an abiding belief in the possibilities offered to “ordinary” people living “ordinary” lives, Carolyn See has summed up her life’s work in a book so beguiling, irreverent, and giddily inspiring that you won’t even realize it’s changing your life until it already has. |
| describing breathing in writing: Edinburgh Companion to the Critical Medical Humanities Anne Whitehead, 2016-06-14 In this landmark Companion, expert contributors from around the world map out the field of the critical medical humanities. This is the first volume to introduce comprehensively the ways in which interdisciplinary thinking across the humanities and social sciences might contribute to, critique and develop medical understanding of the human individually and collectively. The thirty-six newly commissioned chapters range widely within and across disciplinary fields, always alert to the intersections between medicine, as broadly defined, and critical thinking. Each chapter offers suggestions for further reading on the issues raised, and each section concludes with an Afterword, written by a leading critic, outlining future possibilities for cutting-edge work in this area. Topics covered in this volume include: the affective body, biomedicine, blindness, breath, disability, early modern medical practice, fatness, the genome, language, madness, narrative, race, systems biology, performance, the postcolonial, public health, touch, twins, voice and wonder. Together the chapters generate a body of new knowledge and make a decisive intervention into how health, medicine and clinical care might address questions of individual, subjective and embodied experience. |
| describing breathing in writing: Character Expression: Using ChatGPT to Write Believable Emotions in Fiction Cea West, 2023-02-20 Are you ready to take your fiction writing to the next level? Look no further than Character Expression: Using ChatGPT to Write Believable Emotions in Fiction. This innovative guide will show you how to create authentic and engaging emotions in your writing with the help of AI language model, ChatGPT. Gone are the days of struggling to find the perfect words to express your characters' feelings. With this guide, you'll learn how to use ChatGPT to generate unique and compelling emotional responses that will keep your readers hooked from start to finish. From crafting action scenes to describing complex character interactions, this guide covers it all. You'll learn how to use sensory language and vivid descriptions to create emotional resonance with your readers, and how to make the most of key emotional moments to elicit a powerful response. |
| describing breathing in writing: The Tao Of Writing Ralph L Wahlstrom, 2005-11-29 The creative process doesn't have to be torturous-with The Tao of Writing, it can be glorious! Invoking the principles of the Tao allows writers do their best work ever. By tapping into the true flow of their creativity, writers can discover and develop their true talents and abilities. Author Ralph L. Wahlstrom uses the connection between teaching, writing, and the tenets of the Tao to help writers hone their craft from a new perspective, enhancing their work and their creative journey. Organized into three parts, this engaging book is as practical as it is inspiring: The Philosophy-Why the Tao in Writing?: A brief introduction to Taoist thought, drawing from the tao te ching, Chuang tze, the Tao of Pooh, and well-known writers The Twelve Principles of Tao in Writing: Exploring the twelve principles of the Tao in relation to writing Applying the Tao to Writing: More than 100 writing exercises that help set writers in motion and build their momentum to create original, well-realized works With The Tao of Writing as their guide, readers can overcome writer's rigor mortis, and become better, happier, more productive writers. |
| describing breathing in writing: Scientific Writing 3.0: A Reader And Writer's Guide Jean-luc Lebrun, Justin Lebrun, 2021-10-13 The third edition of this book aims to equip both young and experienced researchers with all the tools and strategy they will need for their papers to not just be accepted, but stand out in the crowded field of academic publishing. It seeks to question and deconstruct the legacy of existing science writing, replacing or supporting historically existing practices with principle- and evidence-driven styles of effective writing. It encourages a reader-centric approach to writing, satisfying reader-scientists at large, but also the paper's most powerful readers, the reviewer and editor. Going beyond the baseline of well-structured scientific writing, this book leverages an understanding of human physiological limitations (memory, attention, time) to help the author craft a document that is optimized for readability.Through real and fictional examples, hands-on exercises, and entertaining stories, this book breaks down the critical parts of a typical scientific paper (Title, Abstract, Introduction, Visuals, Structure, and Conclusions). It shows at great depth how to achieve the essential qualities required in scientific writing, namely being clear, concise, convincing, fluid, interesting, and organized. To enable the writer to assess whether these parts are well written from a reader's perspective, the book also offers practical metrics in the form of six checklists, and even an original Java application to assist in the evaluation. |
| describing breathing in writing: Breath James Nestor, 2020-05-26 A New York Times Bestseller A Washington Post Notable Nonfiction Book of 2020 Named a Best Book of 2020 by NPR “A fascinating scientific, cultural, spiritual and evolutionary history of the way humans breathe—and how we’ve all been doing it wrong for a long, long time.” —Elizabeth Gilbert, author of Big Magic and Eat Pray Love No matter what you eat, how much you exercise, how skinny or young or wise you are, none of it matters if you’re not breathing properly. There is nothing more essential to our health and well-being than breathing: take air in, let it out, repeat twenty-five thousand times a day. Yet, as a species, humans have lost the ability to breathe correctly, with grave consequences. Journalist James Nestor travels the world to figure out what went wrong and how to fix it. The answers aren’t found in pulmonology labs, as we might expect, but in the muddy digs of ancient burial sites, secret Soviet facilities, New Jersey choir schools, and the smoggy streets of São Paulo. Nestor tracks down men and women exploring the hidden science behind ancient breathing practices like Pranayama, Sudarshan Kriya, and Tummo and teams up with pulmonary tinkerers to scientifically test long-held beliefs about how we breathe. Modern research is showing us that making even slight adjustments to the way we inhale and exhale can jump-start athletic performance; rejuvenate internal organs; halt snoring, asthma, and autoimmune disease; and even straighten scoliotic spines. None of this should be possible, and yet it is. Drawing on thousands of years of medical texts and recent cutting-edge studies in pulmonology, psychology, biochemistry, and human physiology, Breath turns the conventional wisdom of what we thought we knew about our most basic biological function on its head. You will never breathe the same again. |
| describing breathing in writing: The Emotion Thesaurus: A Writer's Guide to Character Expression (2nd Edition) Becca Puglisi, Angela Ackerman, 2019-02-19 The bestselling Emotion Thesaurus, often hailed as “the gold standard for writers” and credited with transforming how writers craft emotion, has now been expanded to include 56 new entries! One of the biggest struggles for writers is how to convey emotion to readers in a unique and compelling way. When showing our characters’ feelings, we often use the first idea that comes to mind, and they end up smiling, nodding, and frowning too much. If you need inspiration for creating characters’ emotional responses that are personalized and evocative, this ultimate show-don’t-tell guide for emotion can help. It includes: • Body language cues, thoughts, and visceral responses for over 130 emotions that cover a range of intensity from mild to severe, providing innumerable options for individualizing a character’s reactions • A breakdown of the biggest emotion-related writing problems and how to overcome them • Advice on what should be done before drafting to make sure your characters’ emotions will be realistic and consistent • Instruction for how to show hidden feelings and emotional subtext through dialogue and nonverbal cues • And much more! The Emotion Thesaurus, in its easy-to-navigate list format, will inspire you to create stronger, fresher character expressions and engage readers from your first page to your last. |
| describing breathing in writing: Better Writing Travis J. Koll, 2012 .Using casual language and a straightforward approach, this book provides students with an easy-to-read and effective guide for developing their writing skills. Rather than intimidate and overwhelm novice writers with vast sets of rules, Koll utilises simple explanations and examples to demystify the writing process. |
| describing breathing in writing: Writing Works Victoria Field, Gillie Bolton, Kate Thompson, 2006-08-15 The use of creative writing as a route to personal development is a powerful therapeutic tool - a fact that is recognized in the growing numbers of workshops and writing groups within professional contexts, including clinical, health and criminal justice settings. Writing Works is a guide for writers or therapists working with groups or individuals and is full of practical advice on everything from the equipment needed to run a session to ideas for themes, all backed up by the theory that underpins the methods explained. Experienced practitioners in the field contribute detailed illuminating accounts of organizing writing workshops for a wide range of different clients, together with examples of their outcomes. This book will be an invaluable start-up reference for arts therapists and professionals working across the health, social care and caring professions, and one that will be referred to again and again. |
| describing breathing in writing: The Art of Writing Fiction Andrew Cowan, 2013-11-19 The Art of Writing Fiction guides the reader through the processes of creative writing from journal-keeping to editing, offering techniques for stimulating creativity and making language vivid. Readers will master key aspects of fiction such as structure, character, voice and setting. Andrew Cowan provides an insightful introduction that brings his own well-crafted prose style to bear on the processes and pleasures of writing fiction, offering practical and personal advice culled from his own experience and that of other published writers. He lays open to the reader his own notes, his writing, and the experiences from his own life that he has drawn on in his fiction allowing the reader to develop their own writing project alongside the author as they go through the book. |
| describing breathing in writing: Writing Better Lyrics Pat Pattison, 2009-12-11 The Must-Have Guide for Songwriters Writing Better Lyrics has been a staple for songwriters for nearly two decades. Now this revised and updated 2nd Edition provides effective tools for everything from generating ideas, to understanding the form and function of a song, to fine-tuning lyrics. Perfect for new and experienced songwriters alike, this time-tested classic covers the basics in addition to more advanced techniques.Songwriters will discover: • How to use sense-bound imagery to enhance a song's emotional impact on listeners • Techniques for avoiding clichés and creating imaginative metaphors and similes • Ways to use repetition as an asset • How to successfully manipulate meter • Instruction for matching lyrics with music • Ways to build on ideas and generate effective titles • Advice for working with a co-writer • And much more Featuring updated and expanded chapters, 50 fun songwriting exercises, and examples from more than 20 chart-toppings songs, Writing Better Lyrics gives you all of the professional and creative insight you need to write powerful lyrics and put your songs in the spotlight where they belong. |
| describing breathing in writing: Directing the Writing Workshop Jean Wallace Gillet, Lynn Beverly, 2001-08-17 This book is a practical, highly readable guide to teaching writing across a broad range of ages and grade levels (K-8). Each stage of the writing process is covered in detail, from setting a purpose for writing to drafting, revising, editing, and producing a finished product. The goal is to provide a comprehensive overview of writing development and best practices in teaching, richly illustrated with examples of student work. Teachers learn strategies and techniques to help students work independently and in groups to develop meaningful projects; master needed skills through engaging mini-lessons; produce various forms of fiction and nonfiction writing; and use literature as a source of inspiration and modeling. Special features include Teacher's Tips and quick-reference lists that reinforce key points and aid in instructional planning. An invaluable Appendix provides booklists for mini-lessons on a variety of thematic, stylistic, and grammatical topics. |
| describing breathing in writing: Writing Works Gillie Bolton, Victoria Field, Kate Thompson, 2006 Writing Works is a guide for writers or therapists working with groups or individuals and is full of practical advice on everything from the equipment needed to run a session to ideas for themes, all backed up by the theory that underpins the methods explained. Practitioners contribute detailed accounts of organizing writing workshops for clients. |
| describing breathing in writing: Writing and Speaking in the Technology Professions David F. Beer, 2003-07-04 An updated edition of the classic guide to technical communication Consider that 20 to 50 percent of a technology professional's time is spent communicating with others. Whether writing a memo, preparing a set of procedures, or making an oral presentation, effective communication is vital to your professional success. This anthology delivers concrete advice from the foremost experts on how to communicate more effectively in the workplace. The revised and expanded second edition of this popular book completely updates the original, providing authoritative guidance on communicating via modern technology in the contemporary work environment. Two new sections on global communication and the Internet address communicating effectively in the context of increased e-mail and web usage. As in the original, David Beer's Second Edition discusses a variety of approaches, such as: * Writing technical documents that are clear and effective * Giving oral presentations more confidently * Using graphics and other visual aids judiciously * Holding productive meetings * Becoming an effective listener The new edition also includes updated articles on working with others to get results and on giving directions that work. Each article is aimed specifically at the needs of engineers and others in the technology professions, and is written by a practicing engineer or a technical communicator. Technical engineers, IEEE society members, and technical writing teachers will find this updated edition of David Beer's classic Writing and Speaking in the Technology Professions an invaluable guide to successful communication. |
| describing breathing in writing: Reading Breath in Literature Peter Garratt, Corinne Saunders, Naya Tsentourou, 2020-10-09 This open access book presents five different approaches to reading breath in literature, in response to texts from a range of historical, geographical and cultural environments. Breath, for all its ubiquity in literary texts, has received little attention as a transhistorical literary device. Drawing together scholars of Medieval Romance, Early Modern Drama, Fin de Siècle Aesthetics, American Poetics and the Postcolonial Novel, this book offers the first transhistorical study of breath in literature. At the same time, it shows how the study of breath in literature can contribute to recent developments in the Medical Humanities. This work was published by Saint Philip Street Press pursuant to a Creative Commons license permitting commercial use. All rights not granted by the work's license are retained by the author or authors. |
| describing breathing in writing: Inside Track to Successful Academic Writing Andy Gillett, Angela Hammond, Mary Martala, 2013-09-26 Successful Academic Writing guides students through the whole process of academic writing, developing their ability to communicate ideas and research fluently and successfully. From understanding the task and planning essays or assignments, right through to utilising feedback, it will ensure students are able to get much more out of the writing process. |
| describing breathing in writing: Writing as a Method for the Self-Study of Practice Julian Kitchen, 2022-01-01 This book focuses on the writing process in the self-study of teaching and teacher education practices. It addresses writing as an area in which teacher educators can develop their skills and represents how to write in ways that are compatible with self-study's orientations towards the inquiry, both personal and on practice. The book examines effective self-study writing with chapters written by experienced self-study practitioners. In addition to considering elements of writing as a method for the self-study of practice, it delves into the cognitive processes of real writers making explicit their writing practices. Practical suggestions are connected to the lived experiences of self-study practitioners making sense of their field through the process of writing. This book will be of interest to doctoral and novice self-study writers, and experienced authors seeking to develop their practice. It demonstrates that writing as a method of inquiry in self-study and beyond can be learned, modeled and taught. |
| describing breathing in writing: Write Out of the Classroom Colin Macfarlane, 2013-10-15 Write Out of the Classroom is a ground-breaking, highly practical book which provides teachers and creative writing tutors with great ways of tapping into the huge inspirational and educational potential of the richly diverse world beyond the classroom walls. Effective learning occurs when the process feels exciting, inspiring and ‘real’, and there is nothing more stimulating and ‘real’ than the real world itself. Working with groups in interesting and evocative settings can generate exceptional participant involvement. Well-led ‘locational brainstorming’ in such places increases vocabulary and produces an astonishing freshness of observation, ideas, language, plot and metaphor. Teachers commonly notice a quantum leap in writing quality arising from these sessions. Based on the author’s extensive experience in developing and leading out-of-classroom ‘intelligent observation’ and writing workshops, this unique book steers educators through the subtleties of guiding thoughtful data collection sessions in varied environments; selecting appropriate and motivational places and forms of writing, and running sessions linked to specific creative and factual writing tasks. The book covers the following areas and techniques and how they relate to out-of-classroom work: planning outings and choosing locations; leading language and ideas brainstorm sessions; descriptive poetry inspired by outdoor settings; ‘reflective haikus’, cinquains, and minimalist poetry; creating stunning plots and storylines; collective story writing; fictitious diary forms; descriptive travel writing; understanding poetry’s mechanics and sound patterns; assisting students with editing. This detailed, practical book also contains examples of remarkable student creative writing produced through these techniques, as well as photocopiable pages which include original examples of specific writing forms to model from, explanatory diagrams, helpful checklists and handy teachers’ ‘crib sheets’. Write out of the Classroom is the perfect ‘insider's guide’ to teaching and inspiring creative writing. It is an essential tool for classroom teachers in both Primary and Secondary schools, creative writing tutors, literacy co-ordinators and PGCE students, as well as leaders in residential centres and forest schools. |
| describing breathing in writing: Ready-To-Use Writing Proficiency Lessons and Activities Carol H. Behrman, 2003-12-29 An experienced teacher and author, Carol Behrman helps students develop the sound foundation they need to become proficient writers throughout their lives. Included are a variety of easy-to-use reproducible activity sheets to provide review and application of basic language skills as well as extensive practice in producing the types of writing called for in standardized tests. The steps of the writing process are emphasized throughout. Each set of activities is accompanied by detailed lesson plans and suggestions to the teacher for presenting and implementing the skills and concepts being addressed. Each section is followed by a practice test focusing on the concepts and skills covered in the section, plus answer keys and scoring guides with writing samples. These practical tests will help students prepare for the types of questions they will be asked on actual tests. |
| describing breathing in writing: Stop Look Breathe Create Wendy Ann Greenhalgh, 2017-06-29 “/i>h3 is a simple four-step process for exploring mindfulness through creativity, and in turn, developing creativity through mindful practice. The book engages the reader with ten everyday subjects, from 'The Ground Beneath Our Feet' to 'Returning Home' and for each of these there are three projects: one drawn, one photographic, one written. All are based on the effective mindfulness techniques that Wendy Ann has developed in her successful workshops and courses, and the book is filled with simple techniques and ideas to help the reader enjoy their artistic endeavours while being in the moment. A timely introduction to the benefits of mindfulness through creativity, Stop Look Breathe Create offers an oasis of calm in a frantic world. |
| describing breathing in writing: Painting the Past: A Guide for Writing Historical Fiction Meredith Allard, 2021-02-16 Do you want to write historical fiction? Join Meredith Allard, the executive editor of The Copperfield Review, the award-winning literary journal for readers and writers of historical fiction, as she shares tips and tricks for creating believable historical worlds through targeted research and a vivid imagination. Give in to your daydreams. Do the work. Let your creativity loose into the world so you can share your love of history and your passion for the written word with others. |
| describing breathing in writing: Writing Irresistible Kidlit Mary Kole, 2012-11-06 Captivate the hearts and minds of young adult readers! Writing for young adult (YA) and middle grade (MG) audiences isn't just kid's stuff anymore--it's kidlit! The YA and MG book markets are healthier and more robust than ever, and that means the competition is fiercer, too. In Writing Irresistible Kidlit, literary agent Mary Kole shares her expertise on writing novels for young adult and middle grade readers and teaches you how to: • Recognize the differences between middle grade and young adult audiences and how it impacts your writing. • Tailor your manuscript's tone, length, and content to your readership. • Avoid common mistakes and cliches that are prevalent in YA and MG fiction, in respect to characters, story ideas, plot structure and more. • Develop themes and ideas in your novel that will strike emotional chords. Mary Kole's candid commentary and insightful observations, as well as a collection of book excerpts and personal insights from bestselling authors and editors who specialize in the children's book market, are invaluable tools for your kidlit career. If you want the skills, techniques, and know-how you need to craft memorable stories for teens and tweens, Writing Irresistible Kidlit can give them to you. |
| describing breathing in writing: Writing Differently Alison Pullen, Jenny Helin, Nancy Harding, 2020-04-24 Writing Differently is a critical, insightful, poetic and timely collection of essays, poems, plays and auto-ethnographic pieces that showcases the potential of academic writing. The volume will be of interest to those interested in alternative ways of working, researching, thinking, organizing, writing research and research lives. |
| describing breathing in writing: Faulkner and Love Judith L. Sensibar, 2009-01-01 In this exploration of Faulkner's creative process, Sensibar discovers that the relationships that Faulkner had with three particular women were not simply close; they gave life to his imagination. The author brings to the foreground, as Faulkner did, this 'female world', an approach unprecedented in Faulkner biography. |
| describing breathing in writing: Healthcare Writing Michael A. Arntfield, James W. Johnston, 2016-08-15 Notable for its use of real document examples drawn from actual healthcare settings, in addition to its central section’s extended focus on narrative medicine and new media writing, Healthcare Writing: A Practical Guide to Professional Success provides a wide-ranging, much-needed contemporary perspective on the modes and contexts of writing most pertinent to today’s healthcare professionals. Aimed at students enrolled in university- or college-level healthcare programs, healthcare communication specialists, as well as at current clinical practitioners seeking a portable reference and guide, this book combines a detailed discussion of approaches to key healthcare document types—both professional and academic—with a thorough but accessible overview of essential points of grammar, punctuation, and style. |
| describing breathing in writing: Writing Active Setting Mary Buckham, 2014-02-03 Now get all three books of the WRITING ACTIVE SETTING series together, plus a bonus additional section on HOOKS! Have you tried to take your writing skills to the next level but don’t know where to begin? Do you dread the thought of writing narrative description because as a reader you skip over it when you read novels? Or are you a writer who ignores Setting description totally in your novel writing—but know your story needs it? You just don’t know where. Active Setting, explained in comprehensible bites with clear examples from a variety of published authors can help YOU breakthrough with your writing skills. Readers usually remember the plot and characters of a story, but setting is every bit as important in creating a memorable world. Novel writing can be enjoyable once you’ve mastered a few of the writing skills necessary to bring a story to life. If you’re tired of your Setting descriptions being ho-hum and are ready to create a compelling story world, regardless of what you write, or your current level of writing skills, keep reading. In the WRITING ACTIVE SETTING series you will: • Discover the difference between Ordinary Setting that bogs down your story, and Active Setting that empowers your story. • See how to spin boring descriptions into engaging prose. • Learn to deepen the reader's experience of your story world through sensory details. • Notice how changing characters’ POV can change your setting. • Explore ways to maximize the setting possibilities in your story. • Learn to use Setting to quickly anchor the reader into the world of your story. • Use Setting as movement through space effectively. • Explore Setting in a series. • Learn the most common Setting pitfalls. These books go straight to the point, putting theory in plain language, adding examples from authors in a variety of genres, and finishes each section with exercises designed to help you work with your Setting in a way that will excite you. . .and your reader. |
| describing breathing in writing: Comprehensive Curriculum of Basic Skills, Grade 6 , 2016-03-07 SIXTH GRADE: Covers basic concepts such as equations, volume, writing, expanded notation, and more and develops the skills your child needs for grade-level success. INCLUDES: Fun, educational activities in phonics, reading, language arts, writing, and math, plus review lessons, teaching suggestions to extend learning, and answer keys. ALL-INCLUSIVE: This all-in-one comprehensive resource provides an entire curriculum of instruction that improves academic performance – updated with relevant, high-interest reading passages and artwork. HOMESCHOOL FRIENDLY: This elementary workbook for kids is a great learning resource for at home or in the classroom and allows parents to supplement their children's learning in the areas they need it most. WHY CARSON DELLOSA: Founded by two teachers more than 40 years ago, Carson Dellosa believes that education is everywhere and is passionate about making products that inspire life's learning moments. |
| describing breathing in writing: Nunn's Applied Respiratory Physiology E-Book Andrew B. Lumb, 2012-09-25 Nunn's Applied Respiratory Physiology, Seventh Edition covers all aspects of respiratory physiology in health, disease, and altered conditions and environments, from basic science to clinical applications. Includes functional anatomy, mechanics, control of breathing, ventilation, circulation, ventilation-perfusion matching, diffusion, carbon dioxide and oxygen, and non-respiratory functions of the lung. Discusses the effects of pregnancy, exercise, sleep, altitude, pressure, drowning, smoking, anaesthesia, hypocapnia, hypercarbia, hypoxia, hyperoxia, and anaemia on respiratory physiology. Explores specific clinical disorders such as ventilatory failure, airways disease, pulmonary vascular disease, parenchymal lung disease, and acute lung injury, as well as the physiological basis of current therapies, including artificial ventilation, extrapulmonary gas exchange, and lung transplantation. Chapter on Parenchymal Lung Disease has been specifically expanded to include the physiology and pathology of the pleural space and lung cancer. Contains a new chapter on Pulmonary Surgery, covering a wide range of surgical interventions from bronchoscopy to lung resection. Includes almost 500 new references to the literature. The result is an invaluable source for those preparing for examinations in anaesthesia and intensive care, as well as an essential purchase for practitioners who want quick reference to current knowledge. Describes respiration in health and disease and in normal and abnormal situations, to help readers manage all conditions they see in their practices. Examines the respiratory effects of exercise, sleep, smoking, anaesthesia, drowning, anaemia, pregnancy, and other events as well as environmental factors such as altitude, flying, high pressure, closed environments, and air pollution on respiration. Maintains the clarity of style and single-author approach of previous editions through the close collaboration of Andrew Lumb and John Nunn. Makes difficult concepts easy to understand and apply with nearly 300 illustrations. A new chapter on the History of Respiratory Physiology. More coverage of pathophysiology and even more applications of respiratory physiology to clinical practice. A more consistent organization, a revised page design that aids readability, and an art program featuring new and newly redrawn illustrations. |
| describing breathing in writing: Writing Smart Marcia Lerner, 2001 Eventually, we all have to do it: Write a professional letter, a research paper, a proposal, a personal essay... The list goes on and on and the tasks can often seem overwhelming, especially when one isn't sure how to approach them. Organizing one's thoughts on paper may seem daunting, but there is no reason to worry, Writing Smart will walk them through it -- from planning their work and writing the first few sentences to editing it and making the finishing touches. Writing Smart will teach readers how to take the stress out of writing, whether they're writing a tricky business letter or a college application essay. Includes sections on: • Grammar • Getting ready to write • Words, Punctuation, Sentences, and Paragraphs • Editing • Personal Essays • Reviews, Articles, and Essay Tests • Research Papers • Professional Letters • Lab Reports • Project Proposals |
| describing breathing in writing: Becoming a Channel of Creativity and Inspiration Henry Reed, 2014-09-03 Whether you call it channeling, spiritual intelligance, inspiration, creativity, or intuition, we humans have available to us a level of awareness and intelligence that exists prior to any external education, yet benefits from all your learning. This unique book describes many grounded and practical ways, consistent with research in scientific psychology, of developing a relationship with this human potential--all within a spiritual or transpersonal philosophy that assumes that the purpose in life is for us to learn how to share our gifts and thereby come into an awareness of our essence as Creator. |
| describing breathing in writing: Rhetoric and Writing Studies in the New Century Cheryl Glenn, Roxanne Mountford, 2017-09-08 This collection investigates four major areas of research in rhetoric and writing studies: authorship and audience, the context and material conditions in which students compose, the politics of the field and the value of a rhetorical education, and contemporary trends in canon diversification. |
| describing breathing in writing: Spelling and Writing American Education Publishing, Linda Barr, 1994-08 Educational workbooks in the Brighter Child RM Series teach basic learning skills and have been designed by professionals to encourage student/parent interactive study. -- Foil-stamped and embossed covers -- Easy-to-understand directions -- Review pages |
DESCRIBING Synonyms: 84 Similar and Opposite Words - Merriam-Webster
Synonyms for DESCRIBING: depicting, portraying, characterizing, rendering, illustrating, painting, recounting, defining; Antonyms of DESCRIBING: distorting, misrepresenting, twisting, …
DESCRIBING | English meaning - Cambridge Dictionary
DESCRIBING definition: 1. present participle of describe 2. to say or write what someone or something is like: 3. If you…. Learn more.
67 Synonyms & Antonyms for DESCRIBING | Thesaurus.com
Find 67 different ways to say DESCRIBING, along with antonyms, related words, and example sentences at Thesaurus.com.
Describing - definition of describing by The Free Dictionary
1. to tell or depict in words; give an account of: to describe an accident in detail. 2. to pronounce, as by a designating term or phrase: to describe someone as a tyrant. 3. to represent or …
DESCRIBE Definition & Meaning | Dictionary.com
To describe is to convey in words the appearance, nature, attributes, etc., of something. The word often implies vividness of personal observation: to describe a scene, an event. To narrate is to …
DESCRIBING definition in American English | Collins English …
DESCRIBING definition: to give an account or representation of in words | Meaning, pronunciation, translations and examples in American English
describing - WordReference.com Dictionary of English
to tell in words what something is like: [ ~ + obj]: to describe an accident in detail.[ ~ + clause]: Can you describe what he did next? characterize by adding a word or phrase: [ ~ + obj + as + …
What does describing mean? - Definitions.net
Definition of describing in the Definitions.net dictionary. Meaning of describing. What does describing mean? Information and translations of describing in the most comprehensive …
describe | meaning of describe in Longman Dictionary of …
describe meaning, definition, what is describe: to say what something or someone is like...: Learn more.
DESCRIBE Definition & Meaning - Merriam-Webster
The meaning of DESCRIBE is to represent or give an account of in words. How to use describe in a sentence.
DESCRIBING Synonyms: 84 Similar and Opposite Words - Merriam-Webster
Synonyms for DESCRIBING: depicting, portraying, characterizing, rendering, illustrating, painting, recounting, defining; Antonyms of DESCRIBING: distorting, misrepresenting, twisting, …
DESCRIBING | English meaning - Cambridge Dictionary
DESCRIBING definition: 1. present participle of describe 2. to say or write what someone or something is like: 3. If you…. Learn more.
67 Synonyms & Antonyms for DESCRIBING | Thesaurus.com
Find 67 different ways to say DESCRIBING, along with antonyms, related words, and example sentences at Thesaurus.com.
Describing - definition of describing by The Free Dictionary
1. to tell or depict in words; give an account of: to describe an accident in detail. 2. to pronounce, as by a designating term or phrase: to describe someone as a tyrant. 3. to represent or …
DESCRIBE Definition & Meaning | Dictionary.com
To describe is to convey in words the appearance, nature, attributes, etc., of something. The word often implies vividness of personal observation: to describe a scene, an event. To narrate is to …
DESCRIBING definition in American English | Collins English …
DESCRIBING definition: to give an account or representation of in words | Meaning, pronunciation, translations and examples in American English
describing - WordReference.com Dictionary of English
to tell in words what something is like: [ ~ + obj]: to describe an accident in detail.[ ~ + clause]: Can you describe what he did next? characterize by adding a word or phrase: [ ~ + obj + as + …
What does describing mean? - Definitions.net
Definition of describing in the Definitions.net dictionary. Meaning of describing. What does describing mean? Information and translations of describing in the most comprehensive …
describe | meaning of describe in Longman Dictionary of …
describe meaning, definition, what is describe: to say what something or someone is like...: Learn more.
DESCRIBE Definition & Meaning - Merriam-Webster
The meaning of DESCRIBE is to represent or give an account of in words. How to use describe in a sentence.
