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| describing a voice in writing: Sweet Salt Air Barbara Delinsky, 2013-06-18 On Quinnipeague, hearts open under the summer stars and secrets float in the Sweet Salt Air... Charlotte and Nicole were once the best of friends, spending summers together in Nicole's coastal island house off of Maine. But many years, and many secrets, have kept the women apart. A successful travel writer, single Charlotte lives on the road, while Nicole, a food blogger, keeps house in Philadelphia with her surgeon-husband, Julian. When Nicole is commissioned to write a book about island food, she invites her old friend Charlotte back to Quinnipeague, for a final summer, to help. Outgoing and passionate, Charlotte has a gift for talking to people and making friends, and Nicole could use her expertise for interviews with locals. Missing a genuine connection, Charlotte agrees. But what both women don't know is that they are each holding something back that may change their lives forever. For Nicole, what comes to light could destroy her marriage, but it could also save her husband. For Charlotte, the truth could cost her Nicole's friendship, but could also free her to love again. And her chance may lie with a reclusive local man, with a heart to soothe and troubles of his own. Bestselling author and master storyteller Barbara Delinsky invites you come away to Quinnipeague... |
| describing a voice in writing: How to Write a Novel Using the Snowflake Method Randy Ingermanson, 2014-07-18 The Snowflake Method-ten battle-tested steps that jump-start your creativity and help you quickly map out your story. |
| describing a voice in writing: DIY MFA Gabriela Pereira, 2016-07-08 Get the Knowledge Without the College! You are a writer. You dream of sharing your words with the world, and you're willing to put in the hard work to achieve success. You may have even considered earning your MFA, but for whatever reason--tuition costs, the time commitment, or other responsibilities--you've never been able to do it. Or maybe you've been looking for a self-guided approach so you don't have to go back to school. This book is for you. DIY MFA is the do-it-yourself alternative to a Master of Fine Arts in creative writing. By combining the three main components of a traditional MFA--writing, reading, and community--it teaches you how to craft compelling stories, engage your readers, and publish your work. Inside you'll learn how to: • Set customized goals for writing and learning. • Generate ideas on demand. • Outline your book from beginning to end. • Breathe life into your characters. • Master point of view, voice, dialogue, and more. • Read with a writer's eye to emulate the techniques of others. • Network like a pro, get the most out of writing workshops, and submit your work successfully. Writing belongs to everyone--not only those who earn a degree. With DIY MFA, you can take charge of your writing, produce high-quality work, get published, and build a writing career. |
| describing a voice in writing: Master Lists for Writers Bryn Donovan, 2015-10-14 Write faster...write more!Master Lists for Writers makes show, don't tell a lot easier and helps you figure out your story more quickly. In this book, you'll find: - lists of phrases for describing facial expressions, body language, gestures, physical appearance, and emotions- 175 master plot ideas, including romance, high-stakes, family, and workplace stories- lists of words for writing action scenes and love scenes - inspiration for figuring out character traits and quirks, backstories, occupations, motivations, and goals- lists for describing settings and writing dialogue- lists of good character names for contemporary stories...plus medieval England, Regency England, Wild West, and WWII settings- and more!Whether you're writing novels or short fiction, screenwriting, or any other kind of storytelling, Master Lists for Writers is a rich source of inspiration you'll turn to again and again.This book contains adult language. |
| describing a voice in writing: Clear and Simple as the Truth Francis-Noël Thomas, Mark Turner, 2017-03-14 Everyone talks about style, but no one explains it. The authors of this book do; and in doing so, they provoke the reader to consider style, not as an elegant accessory of effective prose, but as its very heart. At a time when writing skills have virtually disappeared, what can be done? If only people learned the principles of verbal correctness, the essential rules, wouldn't good prose simply fall into place? Thomas and Turner say no. Attending to rules of grammar, sense, and sentence structure will no more lead to effective prose than knowing the mechanics of a golf swing will lead to a hole-in-one. Furthermore, ten-step programs to better writing exacerbate the problem by failing to recognize, as Thomas and Turner point out, that there are many styles with different standards. In the first half of Clear and Simple, the authors introduce a range of styles--reflexive, practical, plain, contemplative, romantic, prophetic, and others--contrasting them to classic style. Its principles are simple: The writer adopts the pose that the motive is truth, the purpose is presentation, the reader is an intellectual equal, and the occasion is informal. Classic style is at home in everything from business memos to personal letters, from magazine articles to university writing. The second half of the book is a tour of examples--the exquisite and the execrable--showing what has worked and what hasn't. Classic prose is found everywhere: from Thomas Jefferson to Junichirō Tanizaki, from Mark Twain to the observations of an undergraduate. Here are many fine performances in classic style, each clear and simple as the truth. Originally published in 1994. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905. |
| describing a voice in writing: LOVE The Beat Goes On Lynda Filler, 2020-08-28 When you write a memoir, there's no place to hide. author Lynda FillerPowerful and unforgettable JackMagnus, 5 Star Readers' FavoriteThis is a book every human alive should read and take away the lessons given. If I could give it ten stars, I would. It's that good.J. SikesWhen your cardiologist tells you to Get your affairs in order, your heart condition is incurable, what do you do?Lynda shares her personal story in the typical fast-paced, edgy, in-your-face style she's known for in her writing. She will walk you through her journey to self-love sharing her belief in journals, love, prayer, soul, spirituality and positive mindset.She's hard-hitting but compassionate. She writes about romantic experiences that may shock you but makes no apologies for her unconventional lifestyle. Nor does she hold back taking responsibility for the things that she believes created her dis-ease.You will definitely question a woman who walks around in denial; then makes a decision to drive, all alone, from Puerto Vallarta, Mexico to Whistler, Canada with undiagnosed Idiopathic Dilated Cardiomyopathy. Men and women are often self-care-challenged and Lynda was no the exception.If you are fighting any kind of illness or dis-ease, you are not alone! Lynda has walked her talk, and after an experience in the summer of 2015 relating to Dr. Wayne Dyer, she is now ready to release her storyLynda knows how it feels to be told you're not healing or your condition is incurable. At no point will she undermine anything your physicians tell you to do. She is not a medical doctor. She will explain the powerful, yet simple concepts, beliefs, balance and faith that she believes led to her healing. Most of all, she will show you how she used these simple principles to design and live, the fully healed life she now enjoys in 2017.You will shake your head in wonder, laugh, and maybe cry too. If you want less pain, worry, and stress about dis-ease and life in general, you will want to read this simple yet powerful story. |
| describing a voice in writing: The Night Rainbow Claire King, 2013-01-01 During one long, hot summer, five-year-old Pea and her little sister Margot play alone in the meadow behind their house, on the edge of a small village in Southern France. Her mother is too sad to take care of them; she left her happiness in the hospital, along with the baby. Pea's father has died in an accident and Maman, burdened by her double grief and isolated from the village by her Englishness, has retreated to a place where Pea cannot reach her - although she tries desperately to do so.Then Pea meets Claude, a man who seems to love the meadow as she does and who always has time to play. Pea believes that she and Margot have found a friend, and maybe even a new papa. But why do the villagers view Claude with suspicion? And what secret is he keeping in his strange, empty house?Elegantly written, haunting and gripping, The Night Rainbow is a novel about innocence and experience, grief and compassion and the dangers of an overactive imagination. |
| describing a voice in writing: The Writer's Lexicon Kathy Steinemann, 2017-03-19 You just read your manuscript and discovered that your characters nod like marionettes in every chapter. When they’re not nodding, they roll their eyes. Time to slash the Pinocchio strings. Transform your protagonists into believable personalities that your readers will learn to love. Or hate. Get in the driver’s seat, relax, and enjoy your journey — with Kathy Steinemann’s book as your GPS. |
| describing a voice in writing: Writing Irresistible Kidlit Mary Kole, 2012-11-06 Captivate the hearts and minds of young adult readers! Writing for young adult (YA) and middle grade (MG) audiences isn't just kid's stuff anymore--it's kidlit! The YA and MG book markets are healthier and more robust than ever, and that means the competition is fiercer, too. In Writing Irresistible Kidlit, literary agent Mary Kole shares her expertise on writing novels for young adult and middle grade readers and teaches you how to: • Recognize the differences between middle grade and young adult audiences and how it impacts your writing. • Tailor your manuscript's tone, length, and content to your readership. • Avoid common mistakes and cliches that are prevalent in YA and MG fiction, in respect to characters, story ideas, plot structure and more. • Develop themes and ideas in your novel that will strike emotional chords. Mary Kole's candid commentary and insightful observations, as well as a collection of book excerpts and personal insights from bestselling authors and editors who specialize in the children's book market, are invaluable tools for your kidlit career. If you want the skills, techniques, and know-how you need to craft memorable stories for teens and tweens, Writing Irresistible Kidlit can give them to you. |
| describing a voice in writing: How to Write a Novel Nathan Bransford, 2019-10-15 Author and former literary agent Nathan Bransford shares his secrets for creating killer plots, fleshing out your first ideas, crafting compelling characters, and staying sane in the process. Read the guide that New York Times bestselling author Ransom Riggs called The best how-to-write-a-novel book I've read. |
| describing a voice in writing: The Emotion Thesaurus: A Writer's Guide to Character Expression (2nd Edition) Becca Puglisi, Angela Ackerman, 2019-02-19 The bestselling Emotion Thesaurus, often hailed as “the gold standard for writers” and credited with transforming how writers craft emotion, has now been expanded to include 56 new entries! One of the biggest struggles for writers is how to convey emotion to readers in a unique and compelling way. When showing our characters’ feelings, we often use the first idea that comes to mind, and they end up smiling, nodding, and frowning too much. If you need inspiration for creating characters’ emotional responses that are personalized and evocative, this ultimate show-don’t-tell guide for emotion can help. It includes: • Body language cues, thoughts, and visceral responses for over 130 emotions that cover a range of intensity from mild to severe, providing innumerable options for individualizing a character’s reactions • A breakdown of the biggest emotion-related writing problems and how to overcome them • Advice on what should be done before drafting to make sure your characters’ emotions will be realistic and consistent • Instruction for how to show hidden feelings and emotional subtext through dialogue and nonverbal cues • And much more! The Emotion Thesaurus, in its easy-to-navigate list format, will inspire you to create stronger, fresher character expressions and engage readers from your first page to your last. |
| describing a voice in writing: House Rules Jodi Picoult, 2010-04-03 From the #1 New York Times bestselling author of Small Great Things and the modern classics My Sister’s Keeper, The Storyteller, and more, comes a “complex, compassionate, and smart” (The Washington Post) novel about a family torn apart by a murder accusation. When your son can’t look you in the eye…does that mean he’s guilty? Jacob Hunt is a teen with Asperger’s syndrome. He’s hopeless at reading social cues or expressing himself well to others, though he is brilliant in many ways. He has a special focus on one subject—forensic analysis. A police scanner in his room clues him in to crime scenes, and he’s always showing up and telling the cops what to do. And he’s usually right. But when Jacob’s small hometown is rocked by a terrible murder, law enforcement comes to him. Jacob’s behaviors are hallmark Asperger’s, but they look a lot like guilt to the local police. Suddenly the Hunt family, who only want to fit in, are thrust directly in the spotlight. For Jacob’s mother, it’s a brutal reminder of the intolerance and misunderstanding that always threaten her family. For his brother, it’s another indication why nothing is normal because of Jacob. And for the frightened small town, the soul-searing question looms: Did Jacob commit murder? House Rules is “a provocative story in which [Picoult] explores the pain of trying to comprehend the people we love—and reminds us that the truth often travels in disguise” (People). |
| describing a voice in writing: The Writer's Body Lexicon Kathy Steinemann, 2020-06-17 Ordinary writers describe the body in order to evoke images in readers’ minds. Extraordinary writers leverage it to add elements such as tension, intrigue, and humor. The Writer’s Body Lexicon provides tools for both approaches. Kathy Steinemann provides a boggling number of word choices and phrases for body parts, organized under similar sections in most chapters: • Emotion Beats and Physical Manifestations • Adjectives • Similes and Metaphors • Colors and Variegations • Scents • Shapes • Verbs and Phrasal Verbs • Nouns • Prompts • Clichés and Idioms Sprinkled throughout, you’ll also find hundreds of story ideas. They pop up in similes, metaphors, word lists, and other nooks and crannies. Readers don’t want every character to be a cardboard cutout with a perfect physique. They prefer real bodies with imperfections that drive character actions and reactions — bodies with believable skin, scents, and colors. For instance, a well-dressed CEO whose infrequent smile exposes poorly maintained teeth might be on the verge of bankruptcy. A gorgeous cougar with decaying teeth, who tells her young admirer she’s rich, could spook her prey. Someone trying to hide a cigarette habit from a spouse might be foiled by nicotine stains. Add depth to your writing. Rather than just describe the body, exploit it. Build on it. Mold it until it becomes an integral part of your narrative. “… a timeless resource: You’ll find advice, prompts, ideas, vocabulary, humor, and everything in between. But more importantly, it will make your characters stand out from the crowd.” — Nada Sobhi |
| describing a voice in writing: Then We Came to the End Joshua Ferris, 2008-03-06 A HILARIOUS SATIRE THAT SHOWS OFFICE DYNAMICS AT THEIR MOST PETTY AND PROFOUND FROM THE BOOKER PRIZE-SHORTLISTED AUTHOR, JOSHUA FERRIS They spend their days - and too many of their nights - at work. Away from friends and family, they share a stretch of stained carpet with a group of strangers they call colleagues. There's Chris, clinging to his ergonomic chair; Lynn, the boss, whose breast cancer everyone pretends not to talk about; Carl, secretly taking someone else's medication; Marcia, whose hair is stuck in the eighties; and Benny, who's just - well, just Benny. Amidst the boredom, redundancies, water cooler moments, meetings, flirtations and pure rage, life is happening, to their great surprise, all around them. Then We Came to the End is about sitting all morning next to someone you cross the road to avoid at lunch. It's the story of your life and mine. *Joshua Ferris' mind-blowing new book, A Calling for Charlie Barnes, is available to pre-order now.* 'Very funny, intense and exhilarating . . . For the first time in fiction, it has truly captured the way we work' The Times 'As dazzling as Franzen's The Corrections and as confident as Tartt's The Secret History . . . Exceptional, very funny' Daily Telegraph 'Slick, sophisticated and very funny, Ferris's cracking debut has modern Everyman fighting for his identity in an increasingly impersonal world' Daily Mail |
| describing a voice in writing: One Dark Window Rachel Gillig, 2022-09-27 THE FANTASY BOOKTOK SENSATION! For fans of Uprooted and For the Wolf comes a dark, lushly gothic fantasy about a maiden who must unleash the monster within to save her kingdom—but the monster in her head isn't the only threat lurking. Elspeth needs a monster. The monster might be her. Elspeth Spindle needs more than luck to stay safe in the eerie, mist-locked kingdom she calls home—she needs a monster. She calls him the Nightmare, an ancient, mercurial spirit trapped in her head. He protects her. He keeps her secrets. But nothing comes for free, especially magic. When Elspeth meets a mysterious highwayman on the forest road, her life takes a drastic turn. Thrust into a world of shadow and deception, she joins a dangerous quest to cure the kingdom of the dark magic infecting it. Except the highwayman just so happens to be the King’s own nephew, Captain of the Destriers…and guilty of high treason. He and Elspeth have until Solstice to gather twelve Providence Cards—the keys to the cure. But as the stakes heighten and their undeniable attraction intensifies, Elspeth is forced to face her darkest secret yet: the Nightmare is slowly, darkly, taking over her mind. And she might not be able to stop him. |
| describing a voice in writing: Vernon God Little DBC Pierre, 2012-08-07 “If Huckleberry Finn were set on the Mexican-American border and written by the creators of South Park, it might read something like this.” —San Francisco Chronicle Hailed by critics and lauded by readers for its riotously funny and scathing portrayal of America in an age of trial by media, materialism, and violence, Vernon God Little was an international sensation when it was first published in 2003 and awarded the prestigious Man Booker Prize. The memorable portrait of America is seen through the eyes of a wry, young protagonist. Fifteen-year-old Vernon narrates the story with a cynical twang and a four-letter barb for each of his townsfolk, a medley of characters. With a plot involving a school shooting and death-row reality TV shows, Pierre’s effortless prose and dialogue combine to form a novel of postmodern gamesmanship. “A dangerous, smart, ridiculous, and very funny first novel . . . Pierre renders adolescence brilliantly, capturing with seeming effortlessness the bright, contradictory hormone rush of teenage life.” —Sam Sifton, The New York Times |
| describing a voice in writing: Bernard and Pat Blair James, 2021-02-04 I suppose that these are the horses from which we are thrown. We see things as we are, not as they are. How do we best see? With eyes old or new? How well do we rise after falling? Catherine is small and everyone else is big. The world has lots of rules which she cannot keep up with, and lots of things happen that just don't feel right. With Dad gone and Mum at work, Catherine spends her days with Bernard and Pat. These are days that she will never forget but never quite remember, either. Bernard and Pat is a tour-de-force, a novel deeply aware of the peculiarities of memory and the vulnerability of childhood. Catherine's voice is unforgettable. |
| describing a voice in writing: Nineteen eighty-four George Orwell, 2022-11-22 This is a dystopian social science fiction novel and morality tale. The novel is set in the year 1984, a fictional future in which most of the world has been destroyed by unending war, constant government monitoring, historical revisionism, and propaganda. The totalitarian superstate Oceania, ruled by the Party and known as Airstrip One, now includes Great Britain as a province. The Party uses the Thought Police to repress individuality and critical thought. Big Brother, the tyrannical ruler of Oceania, enjoys a strong personality cult that was created by the party's overzealous brainwashing methods. Winston Smith, the main character, is a hard-working and skilled member of the Ministry of Truth's Outer Party who secretly despises the Party and harbors rebellious fantasies. |
| describing a voice in writing: The Little Prince Antoine de Saint−Exupery, 2021-08-31 The Little Prince and nbsp;(French: and nbsp;Le Petit Prince) is a and nbsp;novella and nbsp;by French aristocrat, writer, and aviator and nbsp;Antoine de Saint-Exupéry. It was first published in English and French in the US by and nbsp;Reynal and amp; Hitchcock and nbsp;in April 1943, and posthumously in France following the and nbsp;liberation of France and nbsp;as Saint-Exupéry's works had been banned by the and nbsp;Vichy Regime. The story follows a young prince who visits various planets in space, including Earth, and addresses themes of loneliness, friendship, love, and loss. Despite its style as a children's book, and nbsp;The Little Prince and nbsp;makes observations about life, adults and human nature. The Little Prince and nbsp;became Saint-Exupéry's most successful work, selling an estimated 140 million copies worldwide, which makes it one of the and nbsp;best-selling and nbsp;and and nbsp;most translated books and nbsp;ever published. and nbsp;It has been translated into 301 languages and dialects. and nbsp;The Little Prince and nbsp;has been adapted to numerous art forms and media, including audio recordings, radio plays, live stage, film, television, ballet, and opera. |
| describing a voice in writing: The Elements of Style William Strunk Jr., 2023-10-01 First published in 1918, William Strunk Jr.'s The Elements of Style is a guide to writing in American English. The boolk outlines eight elementary rules of usage, ten elementary principles of composition, a few matters of form, a list of 49 words and expressions commonly misused, and a list of 57 words often misspelled. A later edition, enhanced by E B White, was named by Time magazine in 2011 as one of the 100 best and most influential books written in English since 1923. |
| describing a voice in writing: Target in the Sun Lynda Filler, 2016-01-14 'TARGET IN THE SUN', A MOVING, HIGH ANXIETY ROMANCE THRILLER, TAKES US ON A PERILOUS JOURNEY THROUGH THE EXPLOSIVE DARK UNDERWORLD OF ORGANIZED DRUG TRAFFICKING AND THE COMPLEX, DESTRUCTIVE HUMAN PERILS OF USE, ABUSE AND THE CARNAGE IT LEAVES IN ITS UNSTOPPABLE WAKE. CAUGHT UP IN THE ONSLAUGHT IS THE POWERFULLY ENGAGING NURTURE OF TWO LOVERS, CARLOS AND MIA, DISCOVERING AND REACHING OUT IN A WORLD THAT COULD ULTIMATELY TEAR THEM APART. An infant loses both his parents tragically and spends his youth and young adulthood in disconnected search and longing, surviving on the streets of coastal Mexico where the beauty and allure of his homeland mix with his relentless desire to belong. Anticipation builds as powerful human emotions span a search for love, acceptance and belonging to existence in a world wrought with escalating illicit drug trade from the depths of lush Mexican jungles across borders in a vast network of distribution throughout America. An expansive coalition of drug enforcement agencies on both sides of the border mount a fierce campaign of surveillance and seizure with swift and destructive assault on the drug lords their ultimate objective. All the while a young boy struggles with the heart-wrenching prospect of a life of loneliness, sadness, anger, and an unwavering resistance to commitment. Amidst the turmoil of surroundings and circumstance a boy becomes a man in a search for belonging that leads a troubled soul on a dangerous romp from the sultry Mexican Riviera beaches to the heat of coastal nightclubs and salacious entanglements behind closed doors. As time passes, Mia's visits to Puerto Vallarta become more frequent and her relationship with Carlos becomes ever-clearer. At first mere carnal instinct, a conquest of pleasures, life events and new acquaintance bring discovery, emotional attachment and a burning desire for enduring love as it was always meant to be. 'Target In The Sun' is an impassioned story of search and longing for the ultimate connection. |
| describing a voice in writing: Verity Colleen Hoover, 2021-12-16 Colleen Hoover brought you the beautiful, unforgettable It Ends With Us - now a major film starring Blake Lively. Now, discover her thriller with a twist that will leave you reeling . . . Verity is a global word-of-mouth hit, with over a million five star reviews from readers. Lowen Ashleigh is a struggling writer on the brink of financial ruin when she accepts the job offer of a lifetime. Jeremy Crawford, husband of bestselling author Verity Crawford, has hired Lowen to complete the remaining books in a successful series his injured wife is unable to finish. Lowen arrives at the Crawford home, ready to sort through years of Verity's notes and outlines, hoping to find enough material to get her started. What Lowen doesn't expect to uncover in the chaotic office is an unfinished autobiography Verity never intended for anyone to read. Page after page of bone-chilling admissions, including Verity's recollection of the night their family was forever altered. Lowen decides to keep the manuscript hidden from Jeremy, knowing its contents would devastate the already-grieving father. But as Lowen's feelings for Jeremy begin to intensify, she recognizes all the ways she could benefit if he were to read his wife's words. After all, no matter how devoted Jeremy is to his injured wife, a truth this horrifying would make it impossible for him to continue loving her . . . Before you start reading, ask yourself: are you ready to stay up all night? And if you love Verity, don't miss Colleen Hoover's thrilling new suspense - Too Late is out now. 1 MILLION READERS HAVE ALREADY GIVEN VERITY FIVE STARS 'One of the best thrillers I have ever read' ***** 'Powerful, mind-blowing and emotional' ***** 'The plot twists and that ending came out of nowhere' ***** 'There are no words. Bravo' ***** 'Dark, creepy, and one hundred per cent original' ***** 'I NEEDED to know how this was going to end' ***** 'Left me completely speechless' ***** VERITY was a No.1 Kindle bestseller on 18.03.22 Winner of The British Book Awards' Pageturner of the Year Award 15.05.23 |
| describing a voice in writing: Netherspace Andrew Lane, Nigel Foster, 2017-05-02 Contact with an alien race, the Gliese, has been made, but communication is impossible. There is trade, but on seemingly inexplicable terms; anti-gravity technology was traded for a bicycle tyre. As we begin to colonize the stars, we're still dependant on the mysterious aliens who we still do not understand. It falls upon the unlikely team of a conceptual artist, Marc, and assassin, Kara, to embark on a mission that will unearth the mystery of the Gliese. |
| describing a voice in writing: Ghost Jason Reynolds, 2016 Aspiring to be the fastest sprinter on his elite middle school's track team, gifted runner Ghost finds his goal challenged by a tragic past with a violent father. |
| describing a voice in writing: Understanding Show, Don't Tell: And Really Getting It Janice Hardy, 2016-10 This book looks at what affects told prose and when telling is the right thing to do. It also explores aspects of writing that aren't technically telling, but are connected to told prose and can make prose feel told, such as infodumps, description, and backstory. |
| describing a voice in writing: Why I Write George Orwell, 2021-01-01 George Orwell set out ‘to make political writing into an art’, and to a wide extent this aim shaped the future of English literature – his descriptions of authoritarian regimes helped to form a new vocabulary that is fundamental to understanding totalitarianism. While 1984 and Animal Farm are amongst the most popular classic novels in the English language, this new series of Orwell’s essays seeks to bring a wider selection of his writing on politics and literature to a new readership. In Why I Write, the first in the Orwell’s Essays series, Orwell describes his journey to becoming a writer, and his movement from writing poems to short stories to the essays, fiction and non-fiction we remember him for. He also discusses what he sees as the ‘four great motives for writing’ – ‘sheer egoism’, ‘aesthetic enthusiasm’, ‘historical impulse’ and ‘political purpose’ – and considers the importance of keeping these in balance. Why I Write is a unique opportunity to look into Orwell’s mind, and it grants the reader an entirely different vantage point from which to consider the rest of the great writer’s oeuvre. 'A writer who can – and must – be rediscovered with every age.' — Irish Times |
| describing a voice in writing: Perdido Street Station China Miéville, 2008-08-28 Winner of the August Derleth award and the Arthur C. Clarke Award, Perdido Street Station is an imaginative urban fantasy thriller, and the first of China Miéville's novels set in the world of Bas-Lag. The metropolis of New Crobuzon sprawls at the centre of its own bewildering world. Humans and mutants linger in the gloom beneath its chimneys, where the rivers are sluggish with unnatural effluent, and factories and foundries pound into the night. For more than a thousand years, the parliament and its brutal militia have ruled over a vast array of workers and artists, spies, magicians, junkies and whores. Now a stranger has come, with a pocketful of gold and an impossible demand, and inadvertently something unthinkable is released. Soon the city is gripped by an alien terror – and the fate of millions depends on a clutch of outcasts on the run from lawmakers and crime-lords alike. The urban nightscape becomes a hunting ground as battles rage in the shadows of bizarre buildings. And a reckoning is due at the city's heart, in the vast edifice of Perdido Street Station. It is too late to escape. |
| describing a voice in writing: Cambridge Advanced Learner's Dictionary Kate Woodford, Guy Jackson, 2003 The Cambridge Advanced Learner's Dictionary is the ideal dictionary for advanced EFL/ESL learners. Easy to use and with a great CD-ROM - the perfect learner's dictionary for exam success. First published as the Cambridge International Dictionary of English, this new edition has been completely updated and redesigned. - References to over 170,000 words, phrases and examples explained in clear and natural English - All the important new words that have come into the language (e.g. dirty bomb, lairy, 9/11, clickable) - Over 200 'Common Learner Error' notes, based on the Cambridge Learner Corpus from Cambridge ESOL exams Plus, on the CD-ROM: - SMART thesaurus - lets you find all the words with the same meaning - QUICKfind - automatically looks up words while you are working on-screen - SUPERwrite - tools for advanced writing, giving help with grammar and collocation - Hear and practise all the words. |
| describing a voice in writing: Emotional Design Don Norman, 2007-03-20 Why attractive things work better and other crucial insights into human-centered design Emotions are inseparable from how we humans think, choose, and act. In Emotional Design, cognitive scientist Don Norman shows how the principles of human psychology apply to the invention and design of new technologies and products. In The Design of Everyday Things, Norman made the definitive case for human-centered design, showing that good design demanded that the user's must take precedence over a designer's aesthetic if anything, from light switches to airplanes, was going to work as the user needed. In this book, he takes his thinking several steps farther, showing that successful design must incorporate not just what users need, but must address our minds by attending to our visceral reactions, to our behavioral choices, and to the stories we want the things in our lives to tell others about ourselves. Good human-centered design isn't just about making effective tools that are straightforward to use; it's about making affective tools that mesh well with our emotions and help us express our identities and support our social lives. From roller coasters to robots, sports cars to smart phones, attractive things work better. Whether designer or consumer, user or inventor, this book is the definitive guide to making Norman's insights work for you. |
| describing a voice in writing: The Slippery Art of Book Reviewing Mayra Calvani, Anne K. Edwards, 2008 So you want to be a reviewer? Are you passionate about books? Do you have a talent for easily capturing the essence of a book after having read it? Do you often feel the desire to share your thoughts about a book with readers? If you answered Yes to these questions, then book reviewing can be one of the most satisfying, rewarding activities you'll ever undertake. In fact, book reviewing can become addictive. The aim of this book is to offer some guidelines in a clear manner supported with targeted examples of how to write and publish thoughtful, well-written reviews no matter their length, type or genre, and to examine the essence of reviews within a broader spectrum. This book was written not only with the aspiring reviewer in mind, but for the established reviewer who needs a bit of refreshing and also for anybody -- be they author, publisher, reader, bookseller, librarian or publicist -- who wants to become more informed about the value, purpose and effectiveness of reviews. So take out pen and paper, a highlighter, and get ready to write great reviews! - Preface. |
| describing a voice in writing: The Picture Of Dorain Gray , |
| describing a voice in writing: The Poppy War R. F. Kuang, 2018-05-01 “I have no doubt this will end up being the best fantasy debut of the year [...] I have absolutely no doubt that [Kuang’s] name will be up there with the likes of Robin Hobb and N.K. Jemisin.” -- Booknest A Library Journal, Paste Magazine, Vulture, BookBub, and ENTROPY Best Books pick! Washington Post 5 Best Science Fiction and Fantasy Novel pick! A Bustle 30 Best Fiction Books pick! A brilliantly imaginative talent makes her exciting debut with this epic historical military fantasy, inspired by the bloody history of China’s twentieth century and filled with treachery and magic, in the tradition of Ken Liu’s Grace of Kings and N.K. Jemisin’s Inheritance Trilogy. When Rin aced the Keju—the Empire-wide test to find the most talented youth to learn at the Academies—it was a shock to everyone: to the test officials, who couldn’t believe a war orphan from Rooster Province could pass without cheating; to Rin’s guardians, who believed they’d finally be able to marry her off and further their criminal enterprise; and to Rin herself, who realized she was finally free of the servitude and despair that had made up her daily existence. That she got into Sinegard—the most elite military school in Nikan—was even more surprising. But surprises aren’t always good. Because being a dark-skinned peasant girl from the south is not an easy thing at Sinegard. Targeted from the outset by rival classmates for her color, poverty, and gender, Rin discovers she possesses a lethal, unearthly power—an aptitude for the nearly-mythical art of shamanism. Exploring the depths of her gift with the help of a seemingly insane teacher and psychoactive substances, Rin learns that gods long thought dead are very much alive—and that mastering control over those powers could mean more than just surviving school. For while the Nikara Empire is at peace, the Federation of Mugen still lurks across a narrow sea. The militarily advanced Federation occupied Nikan for decades after the First Poppy War, and only barely lost the continent in the Second. And while most of the people are complacent to go about their lives, a few are aware that a Third Poppy War is just a spark away . . . Rin’s shamanic powers may be the only way to save her people. But as she finds out more about the god that has chosen her, the vengeful Phoenix, she fears that winning the war may cost her humanity . . . and that it may already be too late. |
| describing a voice in writing: Traits of Writing Ruth Culham, 2010 Effective, easy-to-use tools for trait-based assessment and instruction--just for middle school teachers. Includes printable reproducible forms! |
| describing a voice in writing: Trainspotting Irvine Welsh, 2011 Irvine Welsh's controversial first novel, set on the heroin-addicted fringe of working-class youth in Edinburgh, is yet another exploration of the dark side of Scottishness. The main character, Mark Renton, is at the center of a clique of nihilistic slacker junkies with no hopes and no possibilities, and only mind-numbing and spirit-crushing alternatives in the straight world they despise. This particular slice of humanity has nothing left but the blackest of humor and a sharpness of wit. American readers can use the glossary in the back to translate the slang and dialect--essential, since the dialogue makes the book. This is a bleak vision sung as musical comedy. Amazon. |
| describing a voice in writing: A Secret Scottish Escape (Scottish Escapes, Book 1) Julie Shackman, 2021-05-21 Escape to the beautiful Scottish Highlands for the perfect heartwarming and feel good cosy romance! |
| describing a voice in writing: Voice Acting For Dummies David Ciccarelli, Stephanie Ciccarelli, 2013-01-29 Make a career out of your voice? Easy. Voice acting is like acting, but just using your voice! It's a unique career where the actor's voice can be heard worldwide-in commercials, on audiobooks, in animated movies, documentaries, online videos, telephone systems and much, much more. The point is to bring the written word to life with the human voice. With step-by-step explanations and an abundance of examples, Voice Acting For Dummies is the ultimate reference for budding voice actors on auditioning, recording, producing voice-overs, and promoting themselves as a voice actor. Creating a voice acting demo Finding your signature voice Interpreting scripts Using audio editing software Promoting your voice acting talents If you're an aspiring voice actor or an actor or singer considering a career transition, Voice Acting For Dummies has everything you need to let your voice talents soar. |
| describing a voice in writing: Hills Like White Elephants Ernest Hemingway, 2023-01-01 A couple’s future hangs in the balance as they wait for a train in a Spanish café in this short story by a Nobel and Pulitzer Prize–winning author. At a small café in rural Spain, a man and woman have a conversation while they wait for their train to Madrid. The subtle, casual nature of their talk masks a more complicated situation that could endanger the future of their relationship. First published in the 1927 collection Men Without Women, “Hills Like White Elephants” exemplifies Ernest Hemingway’s style of spare, tight prose that continues to win readers over to this day. |
| describing a voice in writing: On Writing Stephen King, 2014-12 |
| describing a voice in writing: This Is Water Kenyon College, 2014-05-22 Only once did David Foster Wallace give a public talk on his views on life, during a commencement address given in 2005 at Kenyon College. The speech is reprinted for the first time in book form in THIS IS WATER. How does one keep from going through their comfortable, prosperous adult life unconsciously' How do we get ourselves out of the foreground of our thoughts and achieve compassion' The speech captures Wallace's electric intellect as well as his grace in attention to others. After his death, it became a treasured piece of writing reprinted in The Wall Street Journal and the London Times, commented on endlessly in blogs, and emailed from friend to friend. Writing with his one-of-a-kind blend of causal humor, exacting intellect, and practical philosophy, David Foster Wallace probes the challenges of daily living and offers advice that renews us with every reading. |
| describing a voice in writing: Wardbreaker Mara Mahan, 2016-07-15 Kyrin is the only person in Alinor without magic. Alone on the city streets, he strives to win fame and escape the shadows--and that means robbing the famous Knights of Alinor. When Kyrin's heist goes awry, he stumbles across a witch in the middle of her own crime. She steals the Anchor Key, the artifact protecting Alinor from the magically shifting landscape, and flees--but not before offering Kyrin a place by her side. To reach her, Kyrin must travel across the shifting landscape of his shattered world. The Knights are on a witch hunt, too. Determined to save the city, they force Kyrin to join their quest to retrieve what the witch stole. Kyrin has a choice: getting the girl means condemning the city to destruction. Saving the city means giving up on his dreams. |
DESCRIBING Synonyms: 84 Similar and Opposite Words - Merriam-Webster
Synonyms for DESCRIBING: depicting, portraying, characterizing, rendering, illustrating, painting, recounting, defining; Antonyms of DESCRIBING: distorting, misrepresenting, twisting, …
DESCRIBING | English meaning - Cambridge Dictionary
DESCRIBING definition: 1. present participle of describe 2. to say or write what someone or something is like: 3. If you…. Learn more.
67 Synonyms & Antonyms for DESCRIBING | Thesaurus.com
Find 67 different ways to say DESCRIBING, along with antonyms, related words, and example sentences at Thesaurus.com.
Describing - definition of describing by The Free Dictionary
1. to tell or depict in words; give an account of: to describe an accident in detail. 2. to pronounce, as by a designating term or phrase: to describe someone as a tyrant. 3. to represent or …
DESCRIBE Definition & Meaning | Dictionary.com
To describe is to convey in words the appearance, nature, attributes, etc., of something. The word often implies vividness of personal observation: to describe a scene, an event. To narrate is to …
DESCRIBING definition in American English | Collins English …
DESCRIBING definition: to give an account or representation of in words | Meaning, pronunciation, translations and examples in American English
describing - WordReference.com Dictionary of English
to tell in words what something is like: [ ~ + obj]: to describe an accident in detail.[ ~ + clause]: Can you describe what he did next? characterize by adding a word or phrase: [ ~ + obj + as + …
What does describing mean? - Definitions.net
Definition of describing in the Definitions.net dictionary. Meaning of describing. What does describing mean? Information and translations of describing in the most comprehensive …
describe | meaning of describe in Longman Dictionary of …
describe meaning, definition, what is describe: to say what something or someone is like...: Learn more.
DESCRIBE Definition & Meaning - Merriam-Webster
The meaning of DESCRIBE is to represent or give an account of in words. How to use describe in a sentence.
DESCRIBING Synonyms: 84 Similar and Opposite Words
Synonyms for DESCRIBING: depicting, portraying, characterizing, rendering, illustrating, painting, recounting, defining; Antonyms of DESCRIBING: distorting, misrepresenting, twisting, …
DESCRIBING | English meaning - Cambridge Diction…
DESCRIBING definition: 1. present participle of describe 2. to say or write what someone or something is like: …
67 Synonyms & Antonyms for DESCRIBING | Thesaurus.com
Find 67 different ways to say DESCRIBING, along with antonyms, related words, and example …
Describing - definition of describing by The Free Dictio…
1. to tell or depict in words; give an account of: to describe an accident in detail. 2. to pronounce, as by a designating term or phrase: to describe someone as a tyrant. 3. to represent …
DESCRIBE Definition & Meaning | Dictionary.com
To describe is to convey in words the appearance, nature, attributes, etc., of something. The word often implies …
