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| diagram of globe theater: Moving Shakespeare Indoors Andrew Gurr, Farah Karim-Cooper, 2014-03-06 This book examines the conditions of the original performances in seventeenth-century indoor theatres. |
| diagram of globe theater: Shakespeare and His Theatre Philippa Stewart, 1973 |
| diagram of globe theater: The Re-Attribution of the British Renaissance Corpus Anna Faktorovich, 2023-05-02 The first accurate quantitative re-attribution of all central texts of the British Renaissance. Describes and applies the first unbiased and accurate method of computational-linguistics authorial-attribution. Covers 303 texts with 8,106,059 words, 123 authorial bylines, a range of genres, and a timespan between 1510 and 1662. Includes helpful diagrams that visually show the quantitative-matches and the identical most-frequent phrases between the texts in each linguistic-signature-group. Detailed chronologies for each of the six ghostwriters and the bylines they wrote under, including their dates of birth, death, publications, and other biographical markers that explain why each of them was the only logical attribution. A full bibliography of the 303 tested texts. All of the raw and processed data, not only in summary-tables inside of the book, but also in-full on a publicly-accessible website: https://github.com/faktorovich/Attribution. One table includes all of the data from the first-edition title-pages (byline, printer, bookseller, date, proverbs), and the first-performance (date, troupe). A table on structural elements across all “Shakespeare”-bylined texts summarizes their plot-movements, character-types, settings, slang-usage, primary sources, and poetic design (percentage of rhyme and hendiadys). To explain why these are the first truly accurate re-attributions, numerous reasons for discrediting previous attribution claims are provided throughout. Re-Attribution of the British Renaissance Corpus describes a newly invented for this study computational-linguistics authorial-attribution method and applies it and several other approaches to the central texts of the British Renaissance. All of the attribution steps are described precisely to give readers replicable instructions on how they can apply them to any text from any period that they are interested in determining an attribution for. This method can be applied to solving criminal linguistic mysteries such as who wrote the Unabomber Manifesto, or theological mysteries such as if any of the Dead Sea Scrolls might have been forged by a modern author. This method is uniquely accurate because it uses 27 different quantitative tests that measure a text’s dimensions and its similarity or divergence to other texts automatically, without the statisticians being able to skew the outcome by altering the experiment’s analytical design. Re-Attribution guides researchers not only on how to perform the basic calculations, but also how to perform the biographical and documentary research to derive who among the potential bylines in a single signature-group is the ghostwriter, while the others are merely ghostwriter-contractors or pseudonyms. Reliable accuracy is achieved by also performing other types of attribution tests to check if these alternative approaches validate or contradict the 27-tests’ findings. Non-quantitative tests discussed include deciphering the hidden implications of contemporary pufferies, as well as comparing structural elements such as characters, plot, and element borrowings. Part II presents a revised version of the history of the birth of the theater in Britain by reviewing forensic accounting evidence in Philip Henslowe’s Diary, and the documented history of homicidal lending practices and government corruption connected with troupes and theaters. Parts III-VIII explain precisely how this series derived that the British Renaissance was ghostwritten by only six linguistic-signatures: Richard Verstegan, Josuah Sylvester, Gabriel Harvey, Benjamin Jonson, William Byrd and William Percy. The parts on each of these ghostwriters, not only explain how their biographies fit with the timelines of the texts being attributed to them, but also provide various types of evidence that explains their motives for ghostwriting. And Part IX returns for an intricate analysis of a few pseudonyms or ghostwriting-contractors who were uniquely difficult to exclude as potential ghostwriters; in parallel, these chapters question the reasons these individuals would have needed to purchase ghostwriting services. “The complete series on British Renaissance Re-Attribution and Modernization by Anna Faktorovich is a remarkable accomplishment. Based on her own unbiased method of computational-linguistic authorial-attribution, she has critically examined an entire collection of texts, many previously inaccessible and untranslated to modern English. From a variety of distinct factors that have been ignored or unnoticed in the past, she identifies a group of ghost writers behind many miss-attributed Renaissance works. Of particular interest are works traditionally attributed to William Shakespeare. Dr. Faktorovich is a prolific writer, very well informed in English literature, philology, and literary criticism, and she is clearly thorough and detail-oriented. Her re-attribution and modernization series demonstrates solid scholarship, fresh perspective, and willingness to challenge conventional thought and methodology.” —Midwest Book Review, Lesly F. Massey (December 2021) “I have long had an interest in linguistics and enjoy reading the frequent ‘Who really wrote Shakespeare’s works?’ Therefore, this book was extremely interesting to me… So, my recommendation is that if you have an interest in linguistics and scholarly research you will love this book… Very interesting and well laid out book. *****” —LibraryThing, Early Reviewers, February 2022 Anna Faktorovich, PhD, is an English professor who previously published Rebellion as Genre and Formulas of Popular Fiction. She is also the Director and Founder of Anaphora Literary Press. |
| diagram of globe theater: Shakespeares Last Plays F.A. Yates, 2013-10-08 This is Volume VI in the selected works of Frances Yates, providing a new approach to Shakespeare's last plays. First published in 1975, these are a collection of lectures that offer the new thinking about certain ideas concerning Shakespeare's relation to the problemsand thought currents of his times. |
| diagram of globe theater: Theater Planning Gene Leitermann, 2017-02-17 This book introduces the concepts of theater planning, and provides a detailed guide to the process and the technical requirements particular to theater buildings. Part I is a guide to the concepts and practices of architecture and construction, as applied to performing arts buildings. Part II is a guide to the design of performing arts buildings, with detailed descriptions of the unique requirements of these buildings. Each concept is illustrated with line drawings and examples from the author’s extensive professional practice. This book is written for students in Theatre Planning courses, along with working practitioners. |
| diagram of globe theater: King of Shadows Susan Cooper, 2012-03-06 Only in the world of the theater can Nat Field find an escape from the tragedies that have shadowed his young life. So he is thrilled when he is chosen to join an American drama troupe traveling to London to perform A Midsummer Night's Dream in a new replica of the famous Globe theater. Shortly after arriving in England, Nat goes to bed ill and awakens transported back in time four hundred years -- to another London, and another production of A Midsummer Night's Dream. Amid the bustle and excitement of an Elizabethan theatrical production, Nat finds the warm, nurturing father figure missing from his life -- in none other than William Shakespeare himself. Does Nat have to remain trapped in the past forever, or give up the friendship he's so longed for in his own time? |
| diagram of globe theater: The Five Continents of Theatre Eugenio Barba, Nicola Savarese, 2019-02-11 The Five Continents of Theatre undertakes the exploration of the material culture of the actor, which involves the actors’ pragmatic relations and technical functionality, their behaviour, the norms and conventions that interact with those of the audience and the society in which actors and spectators equally take part. The material culture of the actor is organised around body-mind techniques (see A Dictionary of Theatre Anthropology by the same authors) and auxiliary techniques whose variety concern: ■ the diverse circumstances that generate theatre performances: festive or civil occasions, celebrations of power, popular feasts such as carnival, calendar recurrences such as New Year, spring and summer festivals; ■ the financial and organisational aspects: costs, contracts, salaries, impresarios, tickets, subscriptions, tours; ■ the information to be provided to the public: announcements, posters, advertising, parades; ■ the spaces for the performance and those for the spectators: performing spaces in every possible sense of the term; ■ sets, lighting, sound, makeup, costumes, props; ■ the relations established between actor and spectator; ■ the means of transport adopted by actors and even by spectators. Auxiliary techniques repeat themselves not only throughout different historical periods, but also across all theatrical traditions. Interacting dialectically in the stratification of practices, they respond to basic needs that are common to all traditions when a performance has to be created and staged. A comparative overview of auxiliary techniques shows that the material culture of the actor, with its diverse processes, forms and styles, stems from the way in which actors respond to those same practical needs. The authors’ research for this aspect of theatre anthropology was based on examination of practices, texts and of 1400 images, chosen as exemplars. |
| diagram of globe theater: I Met You in a Story , 2000 |
| diagram of globe theater: The New Classroom Instruction That Works Bryan Goodwin, Kristin Rouleau, Cheryl Abla, Karen Baptiste, Tonia Gibson, Michele Kimball, 2022-11-30 The book that inspired millions of educators to refine their approach to teaching returns for an all-new third edition. Built on a more rigorous research base and updated to emphasize student diversity, equity, and inclusion, The New Classroom Instruction That Works offers a streamlined focus on the 14 instructional strategies proven to promote deep, meaningful, and lasting learning: * Cognitive interest cues * Student goal setting and monitoring * Vocabulary instruction * Strategy instruction and modeling * Visualizations and concrete examples * High-level questions and student explanations * Guided initial application with formative feedback * Peer-assisted consolidation of learning * Retrieval practice * Spaced and mixed independent practice * Targeted support * Cognitive writing * Guided investigations * Structured problem solving These strategies—all of which are effective and complementary—are presented within a framework geared toward instructional planning and aligned with how the brain learns. For each strategy, you'll get the key research findings, the important principles of classroom practice, and recommended approaches for using the strategy with today's learners. Both new and veteran teachers will finish this book with a better understanding of how effective teaching boosts student achievement and a clearer idea of what to do, when to do it, and why. |
| diagram of globe theater: Reading for Christian Schools 4 , 1985 An anthology of Bible stories, historical fiction, animal stories, folk tales, poems, and plays. Includes a glossary. |
| diagram of globe theater: Folger Library, Two Decades of Growth Louis B. Wright, 1978-07 |
| diagram of globe theater: The World Book Encyclopedia , 2002 An encyclopedia designed especially to meet the needs of elementary, junior high, and senior high school students. |
| diagram of globe theater: Writer's Companion Prentice-Hall Staff, 1994-07-15 |
| diagram of globe theater: A Study of Visual Simulation Techniques for Astronautical Flight Training T. F. Buddenhagen, M. P. Wolpin, 1961 |
| diagram of globe theater: Death's Doings Richard Dagley, 1827 |
| diagram of globe theater: Shakespeare's Globe Toby Forward, 2005 In the present tense, tells of the times during which the Globe Theatre was built and gives its history; includes a pop-up theater, punch-out characters to use in it, and two booklets of scenes from Shakespeare's plays. |
| diagram of globe theater: Renaissance Fun Philip Steadman, 2021-04-13 Renaissance Fun is about the technology of Renaissance entertainments in stage machinery and theatrical special effects; in gardens and fountains; and in the automata and self-playing musical instruments that were installed in garden grottoes. How did the machines behind these shows work? How exactly were chariots filled with singers let down onto the stage? How were flaming dragons made to fly across the sky? How were seas created on stage? How did mechanical birds imitate real birdsong? What was ‘artificial music’, three centuries before Edison and the phonograph? How could pipe organs be driven and made to play themselves by waterpower alone? And who were the architects, engineers, and craftsmen who created these wonders? All these questions are answered. At the end of the book we visit the lost ‘garden of marvels’ at Pratolino with its many grottoes, automata and water jokes; and we attend the performance of Mercury and Mars in Parma in 1628, with its spectacular stage effects and its music by Claudio Monteverdi – one of the places where opera was born. Renaissance Fun is offered as an entertainment in itself. But behind the show is a more serious scholarly argument, centred on the enormous influence of two ancient writers on these subjects, Vitruvius and Hero. Vitruvius’s Ten Books on Architecture were widely studied by Renaissance theatre designers. Hero of Alexandria wrote the Pneumatics, a collection of designs for surprising and entertaining devices that were the models for sixteenth and seventeenth century automata. A second book by Hero On Automata-Making – much less well known, then and now – describes two miniature theatres that presented plays without human intervention. One of these, it is argued, provided the model for the type of proscenium theatre introduced from the mid-sixteenth century, the generic design which is still built today. As the influence of Vitruvius waned, the influence of Hero grew. |
| diagram of globe theater: Franci's War Franci Rabinek Epstein, 2020-03-17 The engrossing memoir of a spirited and glamorous young fashion designer who survived World War ll, with an afterword by her daughter, Helen Epstein. In the summer of 1942, twenty-two year-old Franci Rabinek--designated a Jew by the Nazi racial laws--arrived at Terezin, a concentration camp and ghetto forty miles north of her home in Prague. It would be the beginning of her three-year journey from Terezin to the Czech family camp in Auschwitz-Birkenau, to the slave labor camps in Hamburg, and Bergen Belsen. After liberation by the British in April 1945, she finally returned to Prague. Franci was known in her group as the Prague dress designer who lied to Dr. Mengele at an Auschwitz selection, saying she was an electrician, an occupation that both endangered and saved her life. In this memoir, she offers her intense, candid, and sometimes funny account of those dark years, with the women prisoners in her tight-knit circle of friends. Franci's War is the powerful testimony of one incredibly strong young woman who endured the horrors of the Holocaust and survived. |
| diagram of globe theater: As You Like it William Shakespeare, 1810 |
| diagram of globe theater: The Art of Memory Frances A Yates, 2011-10-31 This unique and brilliant book is a history of human knowledge. Before the invention of printing, a trained memory was of vital importance. Based on a technique of impressing 'places' and 'images' on the mind, the ancient Greeks created an elaborate memory system which in turn was inherited by the Romans and passed into the European tradition, to be revived, in occult form, during the Renaissance. Frances Yates sheds light on Dante’s Divine Comedy, the form of the Shakespearian theatre and the history of ancient architecture; The Art of Memory is an invaluable contribution to aesthetics and psychology, and to the history of philosophy, of science and of literature. |
| diagram of globe theater: Terra Forma Frederique Ait-Touati, Alexandra Arenes, Axelle Gregoire, 2022-02-01 Charting the exploration of an unknown world—our own—with a new cartography of living things rather than space available for conquest or colonization. This book charts the exploration of an unknown world: our own. Just as Renaissance travelers set out to map the terra incognito of the New World, the mapmakers of Terra Forma have set out to rediscover the world that we think we know. They do this with a new kind of cartography that maps living things rather than space emptied of life and available to be conquered or colonized. The maps in Terra Forma lead us inward, not off into the distance, moving from the horizon line of conventional cartography to the thickness of the ground, from the global to the local. Each map in Terra Forma is based on a specific territory or territories, and each tool, or model, creates a new focal point through which the territory is redrawn. The maps are “living maps,” always under construction, spaces where stories and situations unfold. They may map the Earth’s underside rather than its surface, suggest turning the layers of the Earth inside out, link the biological physiology of living inhabitants and the physiology of the land, or trace a journey oriented not by the Euclidean space of GPS but by points of life. These speculative visualizations can constitute the foundation for a new kind of atlas. |
| diagram of globe theater: The world book encyclopedia , 1997 |
| diagram of globe theater: The World Book Encyclopedia: Research Guide - Index World Book, Inc, 2007 An encyclopedia designed especially to meet the needs of elementary, junior high, and senior high school students. |
| diagram of globe theater: The Routledge Companion to Dramaturgy Magda Romanska, 2014-08-07 Dramaturgy, in its many forms, is a fundamental and indispensable element of contemporary theatre. In its earliest definition, the word itself means a comprehensive theory of play making. Although it initially grew out of theatre, contemporary dramaturgy has made enormous advances in recent years, and it now permeates all kinds of narrative forms and structures: from opera to performance art; from dance and multimedia to filmmaking and robotics. In our global, mediated context of multinational group collaborations that dissolve traditional divisions of roles as well as unbend previously intransigent rules of time and space, the dramaturg is also the ultimate globalist: intercultural mediator, information and research manager, media content analyst, interdisciplinary negotiator, social media strategist. This collection focuses on contemporary dramaturgical practice, bringing together contributions not only from academics but also from prominent working dramaturgs. The inclusion of both means a strong level of engagement with current issues in dramaturgy, from the impact of social media to the ongoing centrality of interdisciplinary and intermedial processes. The contributions survey the field through eight main lenses: world dramaturgy and global perspective dramaturgy as function, verb and skill dramaturgical leadership and season planning production dramaturgy in translation adaptation and new play development interdisciplinary dramaturgy play analysis in postdramatic and new media dramaturgy social media and audience outreach. Magda Romanska is Visiting Associate Professor of Slavic Languages and Literatures at Harvard University, Associate Professor of Theatre and Dramaturgy at Emerson College, and Dramaturg for Boston Lyric Opera. Her books include The Post-Traumatic Theatre of Grotowski and Kantor (2012), Boguslaw Schaeffer: An Anthology (2012), and Comedy: An Anthology of Theory and Criticism (2014). |
| diagram of globe theater: Antony & Cleopatra William Shakespeare, 1891 |
| diagram of globe theater: Albion's Seed David Hackett Fischer, 1991-03-14 This fascinating book is the first volume in a projected cultural history of the United States, from the earliest English settlements to our own time. It is a history of American folkways as they have changed through time, and it argues a thesis about the importance for the United States of having been British in its cultural origins. While most people in the United States today have no British ancestors, they have assimilated regional cultures which were created by British colonists, even while preserving ethnic identities at the same time. In this sense, nearly all Americans are Albion's Seed, no matter what their ethnicity may be. The concluding section of this remarkable book explores the ways that regional cultures have continued to dominate national politics from 1789 to 1988, and still help to shape attitudes toward education, government, gender, and violence, on which differences between American regions are greater than between European nations. |
| diagram of globe theater: Progressive Architecture , 1995 |
| diagram of globe theater: Sophie's World Jostein Gaarder, 2010-07-15 The international bestseller about life, the universe and everything. 'A simply wonderful, irresistible book' DAILY TELEGRAPH 'A terrifically entertaining and imaginative story wrapped round its tough, thought-provoking philosophical heart' DAILY MAIL 'Remarkable ... an extraordinary achievement' SUNDAY TIMES When 14-year-old Sophie encounters a mysterious mentor who introduces her to philosophy, mysteries deepen in her own life. Why does she keep getting postcards addressed to another girl? Who is the other girl? And who, for that matter, is Sophie herself? To solve the riddle, she uses her new knowledge of philosophy, but the truth is far stranger than she could have imagined. A phenomenal worldwide bestseller, SOPHIE'S WORLD sets out to draw teenagers into the world of Socrates, Descartes, Spinoza, Hegel and all the great philosophers. A brilliantly original and fascinating story with many twists and turns, it raises profound questions about the meaning of life and the origin of the universe. |
| diagram of globe theater: The Cambridge Guide to the Worlds of Shakespeare Bruce R. Smith, Katherine Rowe, 2016 This transhistorical, international and interdisciplinary work will be of interest to students, theater professionals and Shakespeare scholars. |
| diagram of globe theater: The Quest for Shakespeare's Globe John Orrell, 1983 This book is about the size, the shape and the architectural nature of the Globe playhouse of Shakespeare's time, the most important theatre in English history. The design of the second Globe, and by extension the first, has been a subject of keen debate for many years, fostered by recurrent attempts to reconstruct the playhouse, both in London and Detroit. Professor Orrell here offers fresh ways of looking at some well-known documents and newer evidence. By using detailed diagrams and seventeenth-century panoramas, the author is able to establish the accuracy of Hollar's famous 'Long View' of London, and by reconstructing his methods arrives at an exact measurement of the diameter of the second Globe. These findings document many advances in our hard knowledge of the theatre buildings of Shakespeare's time, to the point where reconstructions may be undertaken with confidence. |
| diagram of globe theater: The Development of Shakespeare's Theater John Astington, 1992 The remarkable flowering of the English Renaissance theater began in the late 158Os, but it was preceded by a long period which saw the founding of an acting profession and the building of permanent playhouses. The establishment and development of theatrical culture--actors, stages, and theater buildings--so crucial to the emergence of mature drama, form the subject of this book. The nine contributors address various aspects of the history of the Tudor and Stuart stage, particularly in the light of recent research, and from new scholarly perspectives. The subjects covered include the survival of companies of actors, the temporary playing conditions which provided the most enduring and widespread theater throughout the sixteenth and seventeenth centuries, the design of London playhouses and their stages, and the uses to which they were put by dramatists and actors in staging plays. |
| diagram of globe theater: Henry V William Shakespeare, 2020-09-28 |
| diagram of globe theater: Theatre Monkey Steve Rich, 2009-11-01 Steve Rich, webmaster of Theatremonkey, the independent site best known for its West End theater seating charts and the seat-by-seat theatergoer critiques that go with them, has now culled the best of its insider advice into a well-organized, fits-in-a-purse, really useful guide to just about everything a consumer needs to know, venue by venue, about London theater. The book also outlines and explains how to find out what's on where and what to see, the ins and outs of booking seats, avoiding touts (a k a scalpers), how to get cheap seats, how to get free seats and how to score seats to sold-out shows. It has the easiest to use map of what Londoners call Theatreland that I've seen. know that less than two weeks after publication, this book made it into the Amazon-UK top 500--and has been getting excellent press on its side of the pond, including an especially good 11/12/09 review from the Evening Standard's chief arts correspondent Louise Jury. --Cat. derived review via Amazon.com. |
| diagram of globe theater: Parallel Lives Louise Fothergill-Payne, 1991 In Parallel Lives, the contributors observe particular Spanish and English plays from the perspective of the numerous parallels and apparent similarities in the evolution of this art form in the two countries. Illustrated. |
| diagram of globe theater: Traditions in literature James Edwin Miller, 1987 |
| diagram of globe theater: Theatre Histories Phillip B. Zarrilli, 2010 Providing a clear journey through centuries of European, North and South American, African and Asian forms of theatre and performance, this introduction helps the reader think critically about this exciting field through fascinating yet plain-speaking essays and case studies. |
| diagram of globe theater: Auditorium Acoustics and Architectural Design Michael Barron, 2009-09-28 Modern concert halls and opera houses are now very specialized buildings with special acoustical characteristics. With new contemporary case-studies, this updated book explores these characteristics as an important resource for architects, engineers and auditorium technicians. Supported by over 40 detailed case studies and architectural drawings of 75 auditoria at a scale of 1:500, the survey of each auditorium type is completed with a discussion of current best practice to achieve optimum acoustics. |
| diagram of globe theater: The Staging of Elizabethan Plays at the Rose Theater, 1592-1603 Ernest Lloyd Rhodes, 1966 |
| diagram of globe theater: William Shakespeare & the Globe Aliki, 2000-08-08 From Hamlet to Romeo and Juliet to A Midsummer Night′s Dream, Shakespeare′s celebrated works have touched people around the world. Aliki combines literature, history, biography, archaeology, and architecture in this richly detailed and meticulously researched introduction to Shakespeare′s world-his life in Elizabethan times, the theater world, and the Globe, for which he wrote his plays. Then she brings history full circle to the present-day reconstruction of the Globe theater. Ages 8+ |
| diagram of globe theater: Description of Writing Curriculum in Four Classrooms Edward J. Hara, 1989 |
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