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| fear and trembling kierkegaard analysis: Fear and Trembling Soren Kierkegaard, 2013-01-18 In our time nobody is content to stop with faith but wants to go further. It would perhaps be rash to ask where these people are going, but it is surely a sign of breeding and culture for me to assume that everybody has faith, for otherwise it would be queer for them to be . . . going further. In those old days it was different, then faith was a task for a whole lifetime, because it was assumed that dexterity in faith is not acquired in a few days or weeks. When the tried oldster drew near to his last hour, having fought the good fight and kept the faith, his heart was still young enough not to have forgotten that fear and trembling which chastened the youth, which the man indeed held in check, but which no man quite outgrows. . . except as he might succeed at the earliest opportunity in going further. Where these revered figures arrived, that is the point where everybody in our day begins to go further. |
| fear and trembling kierkegaard analysis: Fear and Trembling: A New Translation Søren Kierkegaard, 2021-11-30 This newly translated Fear and Trembling, a foundational document of modern philosophy and existentialism, could not be more apt for our perilous times. First published in 1843 under the pseudonym Johannes de silentio (“John of Silence”), Soren Kierkegaard’s richly resonant Fear and Trembling has for generations stood as a pivotal text in the history of moral philosophy, inspiring such artistic and philosophical luminaries as Edvard Munch, W. H. Auden, Walter Benjamin, and existentialist Jean-Paul Sartre. Now, in our era of immense uncertainty, renowned Kierkegaard scholar Bruce H. Kirmmse eloquently brings this classic work to a new generation of readers. Retelling the biblical story of the binding of Isaac, Fear and Trembling expounds on the ordeal of Abraham, who was commanded by God to sacrifice his own son in an exceptional test of faith. Disgusted at the self-certainty of his own age, Kierkegaard investigates the paradox underlying Abraham’s decision to allow his duty to God to take precedence over his duties to his family. As Kierkegaard’s narrator explains, the story presents a difficulty that is not often considered—namely, that after the ordeal is over and Isaac has been spared at the last moment, Abraham is capable of receiving him again and living normally, even joyfully, for the rest of his days. Almost inexplicably, “Abraham had faith and did not doubt.” Deftly tracing the autobiographical threads that run throughout the work, Kirmmse initially, in his lucid and engaging introduction, demystifies Kierkegaard’s fictive narrator, Johannes de silentio, drawing parallels between Abraham’s willingness to sacrifice his son and the author’s personal “sacrifices.” Ultimately, however, Kirmmse reveals Fear and Trembling as a fiercely polemical volume, designed to provoke the reader into considering what is actually meant by the word “faith,” and whether those who consider themselves “true believers” actually are. With a vibrancy almost never before seen in English, and “a matchless grasp of the intricacies of Kierkegaard’s writing process” (Gordon Marino), Kirmmse here definitively demonstrates Kierkegaard’s enduring power to illuminate the terrible wonder of faith. |
| fear and trembling kierkegaard analysis: Sickness Unto Death Soren Kierkegaard, 2013-01-28 Man is spirit. But what is spirit? Spirit is the self. But what is the self? The self is a relation which relates itself to its own self, or it is that in the relation [which accounts for it] that the relation relates itself to its own self; the self is not the relation but [consists in the fact] that the relation relates itself to its own self. Man is a synthesis of the infinite and the finite, of the temporal and the eternal, of freedom and necessity; in short, it is a synthesis. |
| fear and trembling kierkegaard analysis: Kierkegaard on Faith and Love Sharon Krishek, 2009-07-23 Kierkegaard's writings are interspersed with remarkable stories of love, commonly understood as a literary device that illustrates the problematic nature of aesthetic and ethical forms of life, and the contrasting desirability of the life of faith. Sharon Krishek argues that for Kierkegaard the connection between love and faith is far from being merely illustrative. Rather, love and faith have a common structure, and are involved with one another in a way that makes it impossible to love well without faith. Remarkably, this applies to romantic love no less than to neighbourly love. Krishek's original and compelling interpretation of the Works of Love in the light of Kierkegaard's famous analysis of the paradoxicality of faith in Fear and Trembling shows that preferential love, and in particular romantic love, plays a much more important and positive role in his thinking than has usually been assumed. |
| fear and trembling kierkegaard analysis: The Ethics of Authenticity Charles Taylor, 2018-08-06 “Charles Taylor is a philosopher of broad reach and many talents, but his most striking talent is a gift for interpreting different traditions, cultures and philosophies to one another...[This book is] full of good things.” —New York Times Book Review Everywhere we hear talk of decline, of a world that was better once, maybe fifty years ago, maybe centuries ago, but certainly before modernity drew us along its dubious path. While some lament the slide of Western culture into relativism and nihilism and others celebrate the trend as a liberating sort of progress, Charles Taylor calls on us to face the moral and political crises of our time, and to make the most of modernity’s challenges. “The great merit of Taylor’s brief, non-technical, powerful book...is the vigor with which he restates the point which Hegel (and later Dewey) urged against Rousseau and Kant: that we are only individuals in so far as we are social...Being authentic, being faithful to ourselves, is being faithful to something which was produced in collaboration with a lot of other people...The core of Taylor’s argument is a vigorous and entirely successful criticism of two intertwined bad ideas: that you are wonderful just because you are you, and that ‘respect for difference’ requires you to respect every human being, and every human culture—no matter how vicious or stupid.” —Richard Rorty, London Review of Books |
| fear and trembling kierkegaard analysis: Kierkegaard Stephen Backhouse, 2016-08-09 An accessible, expert introduction to one of the greatest minds of nineteenth century. Whether you're completely new to him, or if you're already familiar with his work, Kierkegaard: A Single Life presents a fresh understanding of his life and thought. Kierkegaard was a brilliant and enigmatic loner whose ideas permeated culture, shaped modern Christianity, and influenced people as diverse as Franz Kafka and Martin Luther King Jr. Though few people today have read his work, that lack of familiarity with the real Kierkegaard is changing with this biography by scholar Stephen Backhouse, who clearly presents the man's mind as well as the acute sensitivity behind Kierkegaard's books. Drawing on biographical material that has newly come to light, Kierkegaard: A Single Life introduces his many guises—the thinker, the lover, the recluse, the writer, the controversialist—in prose as compelling and fluid as a novel and pursues clarity to long-standing questions about him: What made this Danish theologian so controversial and influential? Why were so many people drawn to his books, even if they didn't understand what they were reading? Can his complicated relationship with the Church and religion be untangled? Or, for that matter, what about his complicated—at times almost paradoxical—relationship with every sphere of life from politics to poetry? To be considered everything from a great intellect to a dandy, from a martyr to a false messiah is no mean feat, and this biography sheds light on Søren Kierkegaard as he was with empathy and humor. Included is an appendix presenting an overview of each of Kierkegaard's works, for the scholar and lay reader alike. |
| fear and trembling kierkegaard analysis: Kierkegaard's Writings, VII, Volume 7 Søren Kierkegaard, 2013-04-21 This volume contains a new translation, with a historical introduction by the translators, of two works written under the pseudonym Johannes Climacus. Through Climacus, Kierkegaard contrasts the paradoxes of Christianity with Greek and modern philosophical thinking. In Philosophical Fragments he begins with Greek Platonic philosophy, exploring the implications of venturing beyond the Socratic understanding of truth acquired through recollection to the Christian experience of acquiring truth through grace. Published in 1844 and not originally planned to appear under the pseudonym Climacus, the book varies in tone and substance from the other works so attributed, but it is dialectically related to them, as well as to the other pseudonymous writings. The central issue of Johannes Climacus is doubt. Probably written between November 1842 and April 1843 but unfinished and published only posthumously, this book was described by Kierkegaard as an attack on modern speculative philosophy by means of the melancholy irony, which did not consist in any single utterance on the part of Johannes Climacus but in his whole life. . . . Johannes does what we are told to do--he actually doubts everything--he suffers through all the pain of doing that, becomes cunning, almost acquires a bad conscience. When he has gone as far in that direction as he can go and wants to come back, he cannot do so. . . . Now he despairs, his life is wasted, his youth is spent in these deliberations. Life does not acquire any meaning for him, and all this is the fault of philosophy. A note by Kierkegaard suggests how he might have finished the work: Doubt is conquered not by the system but by faith, just as it is faith that has brought doubt into the world!. |
| fear and trembling kierkegaard analysis: The Lily of the Field and the Bird of the Air Søren Kierkegaard, 2016-03-01 A masterful new translation of one of Kierkegaard's most engaging works In the Sermon on the Mount, Jesus tells his followers to let go of earthly concerns by considering the lilies of the field and the birds of the air. Søren Kierkegaard's short masterpiece on this famous gospel passage draws out its vital lessons for readers in a rapidly modernizing and secularizing world. Trenchant, brilliant, and written in stunningly lucid prose, The Lily of the Field and the Bird of the Air (1849) is one of Kierkegaard's most important books. Presented here in a fresh new translation with an informative introduction, this profound yet accessible work serves as an ideal entrée to an essential modern thinker. The Lily of the Field and the Bird of the Air reveals a less familiar but deeply appealing side of the father of existentialism—unshorn of his complexity and subtlety, yet supremely approachable. As Kierkegaard later wrote of the book, Without fighting with anybody and without speaking about myself, I said much of what needs to be said, but movingly, mildly, upliftingly. This masterful edition introduces one of Kierkegaard's most engaging and inspiring works to a new generation of readers. |
| fear and trembling kierkegaard analysis: The Concept of Anxiety: A Simple Psychologically Oriented Deliberation in View of the Dogmatic Problem of Hereditary Sin Søren Kierkegaard, 2014-03-03 The first new translation of Kierkegaard's masterwork in a generation brings to vivid life this essential work of modern philosophy. Brilliantly synthesizing human insights with Christian dogma, Soren Kierkegaard presented, in 1844, The Concept of Anxiety as a landmark psychological deliberation, suggesting that our only hope in overcoming anxiety was not through powder and pills but by embracing it with open arms. While Kierkegaard's Danish prose is surprisingly rich, previous translations—the most recent in 1980—have marginalized the work with alternately florid or slavishly wooden language. With a vibrancy never seen before in English, Alastair Hannay, the world's foremost Kierkegaard scholar, has finally re-created its natural rhythm, eager that this overlooked classic will be revivified as the seminal work of existentialism and moral psychology that it is. From The Concept of Anxiety: And no Grand Inquisitor has such frightful torments in readiness as has anxiety, and no secret agent knows as cunningly how to attack the suspect in his weakest moment, or to make so seductive the trap in which he will be snared; and no discerning judge understands how to examine, yes, exanimate the accused as does anxiety, which never lets him go, not in diversion, not in noise, not at work, not by day, not by night. |
| fear and trembling kierkegaard analysis: Weird John Brown Ted A. Smith, 2014-11-26 Combining theology, politics and historical analysis, “theorizes what might be at stake—ethically—for America’s current political life” (Andrew Taylor, Journal of American History). Conventional wisdom holds that attempts to combine religion and politics will produce unlimited violence. Concepts such as jihad, crusade, and sacrifice need to be rooted out, the story goes, for the sake of more bounded and secular understandings of violence. Ted Smith upends this dominant view, drawing on Walter Benjamin, Giorgio Agamben, and others to trace the ways that seemingly secular politics produce their own forms of violence without limit. He brings this argument to life—and digs deep into the American political imagination—through a string of surprising reflections on John Brown, the nineteenth-century abolitionist who took up arms against the state in the name of a higher law. Smith argues that the key to limiting violence is not its separation from religion, but its connection to richer and more critical modes of religious reflection. Weird John Brown develops a negative political theology that challenges both the ways we remember American history and the ways we think about the nature, meaning, and exercise of violence. “Powerfully combines theology and political theory. . . . Recommended.” —R. J. Meagher, Choice “Smith illustrates how an ethical and philosophical reading of history can help us to better understand the world we live in.” —Franklin Rausch, New Books in Christian Studies “A brilliantly original and compelling book.” —John Stauffer, Harvard University “A very sophisticated philosophical and theological reflection on John Brown and the question of divine violence.” —Willie James Jennings, Duke University |
| fear and trembling kierkegaard analysis: An Analysis of Soren Kierkegaard's Fear and Trembling Brittany Pheiffer Noble, 2017-07-05 Danish philosopher Søren Kierkegaard’s 1843 book Fear and Trembling shows precisely why he is regarded as one of the most significant and creative philosophers of the nineteenth century. Creative thinkers can be many things, but one of their common attributes is an ability to redefine, reframe and reconsider problems from novel angles. In Kierkegaard’s case, he chose to approach the problems of faith and ethics in a deliberately artful and non-systematic way. Writing under the pseudonym “John the Silent,” he declared that he was “nothing of a philosopher,” but an “amateur,” wanting to write poetically and elegantly about the things that fascinated him. While Fear and Trembling is very much the work of a philosopher, Kierkegaard’s protests showed his intent to take a different path, approaching his topic like no one else before him. The book goes on to ask what the real nature of our personal relationship with God might be, and how faith might interact with ethics. What, Kierkegaard asks, can we make of God asking Abraham to sacrifice his only son, and of Abraham obeying? Arguing the unorthodox position that in following God’s incomprehensible will Abraham had acted ethically, Kierkegaard set out the parameters of a moral argument that remains strikingly novel over a 150 years later. |
| fear and trembling kierkegaard analysis: Divine Suspense Andreas Seland, 2018-07-23 What is suspense, and why do we feel it? These questions are at the heart of the first part of this study. It develops and defends the ‘imminence theory of suspense’ – the view that suspense arises in situations that are structurally defined by something essential being imminent. Next, the study utilizes this theory as an interpretative key to Søren Kierkegaard’s seminal work ‘Frygt og Bæven’ (‘FB’). FB is an exploration of what it means to take the story of Abraham and Isaac as a paradigmatic example of faith. The study argues that a core aspect of how Kierkegaard conceptualizes faith through the figure of Abraham is suspense. The argument is built upon the observation that to have faith is to be a hero. To be hero means to belong to a story. Stories manifests different conceptualizations of time. Abraham’s story, as FB frames it, is radically geared towards something imminent – it is characterized by an essential relation of suspense. The study then explores how suspense not only forms part of the conceptualization of faith, but is also part of how this conceptualization is communicated. Thus, the study argues that there exists a symmetry of suspense between the rhetorical and the conceptual levels of the text. |
| fear and trembling kierkegaard analysis: The Gift of Death Jacques Derrida, 1996-06 In The Gift of Death, Jacques Derrida's most sustained consideration of religion to date, he continues to explore questions introduced in Given Time about the limits of the rational and responsible that one reaches in granting or accepting death, whether by sacrifice, murder, execution, or suicide. Derrida analyzes Patocka's Heretical Essays on the History of Philosophy and develops and compares his ideas to the works of Heidegger, Levinas, and Kierkegaard. A major work, The Gift of Death resonates with much of Derrida's earlier writing and will be of interest to scholars in anthropology, philosophy, and literary criticism, along with scholars of ethics and religion. The Gift of Death is Derrida's long-awaited deconstruction of the foundations of the project of a philosophical ethics, and it will long be regarded as one of the most significant of his many writings.—Choice An important contribution to the critical study of ethics that commends itself to philosophers, social scientists, scholars of relgion . . . [and those] made curious by the controversy that so often attends Derrida.—Booklist Derrida stares death in the face in this dense but rewarding inquiry. . . . Provocative.—Publishers Weekly |
| fear and trembling kierkegaard analysis: Kierkegaard's Concept of Faith Merold Westphal, 2014-08-11 In this book renowned philosopher Merold Westphal unpacks the writings of nineteenth-century thinker Søren Kierkegaard on biblical, Christian faith and its relation to reason. Across five books — Fear and Trembling, Philosophical Fragments, Concluding Unscientific Postscript, Sickness Unto Death, and Practice in Christianity — and three pseudonyms, Kierkegaard sought to articulate a biblical concept of faith by approaching it from a variety of perspectives in relation to one another. Westphal offers a careful textual reading of these major discussions to present an overarching analysis of Kierkegaard’s conception of the true meaning of biblical faith. Though Kierkegaard presents a complex picture of faith through his pseudonyms, Westphal argues that his perspective is a faithful and illuminating one, making claims that are important for philosophy of religion, for theology, and most of all for Christian life as it might be lived by faithful people. |
| fear and trembling kierkegaard analysis: Kierkegaard and Religion Sylvia Walsh, 2018-03-15 Focusing on the concepts of personality, character, and virtue, this work examines what it means to exist religiously for Kierkegaard. |
| fear and trembling kierkegaard analysis: The Present Age Soren Kierkegaard, 2019-08-06 A part of Harper Perennial’s special “Resistance Library” highlighting classic works that illuminate the “Age of Trump”: Soren Kierkegaard’s stunningly prescient essay on the dangers of mass media—particularly advertising, marketing, and publicity. An essential read as we reckon with, and try to understand, the media forces that have helped create our present political moment. “The Present Age shows just how original Kierkegaard was. He brilliantly foresaw the dangers of the lack of commitment and responsibility in the Public Sphere. When everything is up for endless detached critical comment as on blogs and cable news, action finally becomes impossible.”— Hubert L. Dreyfus, University of California, Berkeley “A revolutionary age is an age of action; ours is the age of advertisement and publicity. Nothing ever happens but there is immediate publicity everywhere.”— From The Present Age In The Present Age (1846), Søren Kierkegaard analyzes the philosophical implications of a society dominated by the mass-media. What makes the essay so remarkable is the way it seems to speak directly to our time—i.e. the Information Age—where life is dominated by mere “information” not true “knowledge.” Kierkegaard even goes so far as to say that advertising and publicity almost immediately co-opts and suppresses revolutionary actions/thoughts. The Present Age is essential reading for anyone who wishes to better understand the modern world. |
| fear and trembling kierkegaard analysis: Fear and Trembling Amelie Nothomb, 2007-04-01 According to ancient Japanese protocol, foreigners deigning to approach the emperor did so only with fear and trembling. Terror and self-abasement conveyed respect. Amélie, our well-intentioned and eager young Western heroine, goes to Japan to spend a year working at the Yumimoto Corporation. Returning to the land where she was born is the fulfillment of a dream for Amélie; working there turns into comic nightmare. Alternately disturbing and hilarious, unbelievable and shatteringly convincing, Fear and Trembling will keep readers clutching tight to the pages of this taut little novel, caught up in the throes of fear, trembling, and, ultimately, delight. |
| fear and trembling kierkegaard analysis: Fear and Trembling Søren Kierkegaard, 1994 Now recognized as one of the nineteenth century's leading psychologists and philosophers. Kierkegaard was among other things the harbinger of exisentialisim. In FEAR AND TREMBLING he explores the psychology of religion, addressing the question 'What is Faith?' in terms of the emotional and psychological relationship between the individual and God. But this difficult question is addressed in the most vivid terms, as Kierkegaard explores different ways of interpreting the ancient story of Abraham and Isaac to make his point. |
| fear and trembling kierkegaard analysis: Philosopher of the Heart Clare Carlisle, 2020-05-05 Philosopher of the Heart is the groundbreaking biography of renowned existentialist Søren Kierkegaard’s life and creativity, and a searching exploration of how to be a human being in the world. Søren Kierkegaard is one of the most passionate and challenging of all modern philosophers, and is often regarded as the founder of existentialism. Over about a decade in the 1840s and 1850s, writings poured from his pen pursuing the question of existence—how to be a human being in the world?—while exploring the possibilities of Christianity and confronting the failures of its institutional manifestation around him. Much of his creativity sprang from his relationship with the young woman whom he promised to marry, then left to devote himself to writing, a relationship which remained decisive for the rest of his life. He deliberately lived in the swim of human life in Copenhagen, but alone, and died exhausted in 1855 at the age of 42, bequeathing his remarkable writings to his erstwhile fiancée. Clare Carlisle’s innovative and moving biography writes Kierkegaard’s life as far as possible from his own perspective, to convey what it was like actually being this Socrates of Christendom—as he put it, living life forwards yet only understanding it backwards. |
| fear and trembling kierkegaard analysis: Kierkegaard and the Paradox of Religious Diversity George B. Connell, 2016 S ren Kierkegaard (1813-1855) famously critiqued Christendom -- especially the religious monoculture of his native Denmark. But what would he make of the dizzying diversity of religious life today? In this book George Connell uses Kierkegaard's thought to explore pressing questions that contemporary religious diversity poses. Connell unpacks an underlying tension in Kierkegaard, revealing both universalistic and particularistic tendencies in his thought. Kierkegaard's paradoxical vision of religious diversity, says Connell, allows for both respectful coexistence with people of different faiths and authentic commitment to one's own faith. Though Kierkegaard lived and wrote in a context very different from ours, this nuanced study shows that his searching reflections on religious faith remain highly relevant in our world today. |
| fear and trembling kierkegaard analysis: The Naked Self Patrick Stokes, 2015 Across his relatively short and eccentric authorial career, Soren Kierkegaard develops a unique, and provocative, account of what it is to become, to be, and to lose a self, backed up by a rich phenomenology of self-experience. Yet Kierkegaard has been almost totally absent from the burgeoning analytic philosophical literature on self-constitution and personal identity. How, then, does Kierkegaard's work appear when viewed in light of current debates about self and identity--and what does Kierkegaard have to teach philosophers grappling with these problems today? The Naked Self explores Kierkegaard's understanding of selfhood by situating his work in relation to central problems in contemporary philosophy of personal identity: the role of memory in selfhood, the relationship between the notional and actual subjects of memory and anticipation, the phenomenology of diachronic self-experience, affective alienation from our past and future, psychological continuity, practical and narrative approaches to identity, and the intelligibility of posthumous survival. By bringing his thought into dialogue with major living and recent philosophers of identity (such as Derek Parfit, Galen Strawson, Bernard Williams, J. David Velleman, Marya Schechtman, Mark Johnston, and others), Stokes reveals Kierkegaard as a philosopher with a significant--if challenging--contribution to make to philosophy of self and identity. |
| fear and trembling kierkegaard analysis: The Cambridge Companion to Kierkegaard Alastair Hannay, Gordon Daniel Marino, 1998 Accessible guide to Kierkegaard available serving as a reference to students and non-specialists. |
| fear and trembling kierkegaard analysis: Repetition and Philosophical Crumbs Soren Kierkegaard, Edward F. Mooney, 2009-05-14 'The love of repetition is in truth the only happy love' So says Constantine Constantius on the first page of Kierkegaard's Repetition. Life itself, according to Kierkegaard's pseudonymous narrator, is a repetition, and in the course of this witty, playful work Constantius explores the nature of love and happiness, the passing of time and the importance of moving forward (and backward). The ironically entitled Philosophical Crumbs pursues the investigation of faith and love and their tense relationship with reason. Written only a year apart, these two works complement each other and give the reader a unique insight into the breadth and substance of Kierkegaard's thought. The first reads like a novel and the second like a Platonic dialogue, but both engage, in different ways, the same challenging issues. These are the first translations to convey the literary quality and philosophical precision of the originals. They were not intended, however, for philosophers, but for anyone who feels drawn to the question of the ultimate truth of human existence and the source of human happiness. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more. |
| fear and trembling kierkegaard analysis: Knights of Faith and Resignation Edward F. Mooney, 1991-01-01 Knights of Faith and Resignation brings out the richness of Kierkegaard's creative invention, the contemporary relevance of his contrasts between resignation and faith, and his probing conceptual analysis of aesthetic, moral, and religious psychology and life-perspectives. And in tracing Kierkegaard's analysis of objectivity, subjectivity, virtue ethics, passion, dilemmas, commitment, and self-reflection, Mooney brings out a striking convergence between Kierkegaard and analytic philosophy -- the tradition of Socrates, Kant, and Wittgenstein, and its more contemporary practitioners, writers like Charles Taylor, Thomas Nagel, Stanley Cavell, Bernard Williams, and Harry Frankfurt. |
| fear and trembling kierkegaard analysis: How To Read Kierkegaard John D. Caputo, 2014-04-03 Soren Kierkegaard is one of the prophets of the contemporary age, a man whose acute observations on life in nineteenth-century Copenhagen might have been written yesterday, whose work anticipated fundamental developments in psychoanalysis, philosophy, theology and the critique of mass culture by over a century. John Caputo offers a compelling account of Kierkegaard as a thinker of particular relevance in our postmodern times, who set off a revolution that numbers Martin Heidegger and Karl Barth among its heirs. His conceptions of truth as a self-transforming 'deed' and his haunting account of the 'single individual' seemed to have been written with us especially in mind. Extracts include Kierkegaard's classic reading of the story of Abraham and Isaac, the jolting theory that truth is subjectivity and his ground-breaking analysis of the concept of anxiety. |
| fear and trembling kierkegaard analysis: Kierkegaard Anthology Søren Kierkegaard, 1946 Chronicles Kierkegaard's intellectual and spiritual development through selected writings. |
| fear and trembling kierkegaard analysis: Repetition Søren Kierkegaard, 1961 |
| fear and trembling kierkegaard analysis: Ethics Gordon Marino, 2010-08-10 In Ethics: The Essential Writings, philosopher Gordon Marino skillfully presents an accessible, provocative anthology of both ancient and modern classics on matters moral. The philosophers represent 2,500 years of thought—from Plato, Kant, and Nietzsche to Alasdair MacIntyre, Susan Wolf, and Peter Singer—and cover a broad range of topics, from the timeless questions of justice, morality, and faith to the hot-button concerns of today, such as animal rights, our duties to the environment, and gender issues. Featuring an illuminating preamble, concise introductory essays on the giants of ethical theory, and incisive chapter headnotes to the modern offerings, this Modern Library edition is a perfect single-volume reference for students, teachers, and anyone eager to engage in reflection on ethical questions, including “What is the basis for our ethical views and judgments?” Gordon Marino is professor of philosophy and director of the Hong Kierkegaard Library at St. Olaf College in Northfield, Minnesota. A recipient of the Richard J. Davis Ethics Award for excellence in writing on ethics and the law, he is the author of Kierkegaard in the Present Age, co-editor of The Cambridge Companion to Kierkegaard, and editor of the Modern Library’s Basic Writings of Existentialism. His essays have appeared in The New York Times. |
| fear and trembling kierkegaard analysis: Kierkegaard and Death Patrick Stokes, Adam J. Buben, 2011-10-20 “This impressive [anthology] succeeds admirably at demonstrating how the Kierkegaardian corpus presents . . . a philosophy of finite existence” (Notre Dame Philosophical Reviews). Few philosophers have devoted such sustained, almost obsessive attention to the topic of death as Søren Kierkegaard. Kierkegaard and Death brings together new work on Kierkegaard’s multifaceted discussions of death and provides a thorough guide to the development, in various texts and contexts, of Kierkegaard’s ideas concerning death. Essays by an international group of scholars take up essential topics such as dying to the world, living death, immortality, suicide, mortality and subjectivity, death and the meaning of life, remembrance of the dead, and the question of the afterlife. While bringing Kierkegaard’s philosophy of death into focus, this volume connects Kierkegaard with important debates in contemporary philosophy. |
| fear and trembling kierkegaard analysis: Philosophical Fragments, or, a Fragment of Philosophy Søren Kierkegaard, 2007 |
| fear and trembling kierkegaard analysis: Fear and Trembling Søren Kierkegaard, 2014-02 Soren Kierkegaard reflects poetically and philosophically on the biblical story of God's command to Abraham, that he sacrifice his son Isaac as a test of faith. Was Abraham's proposed action morally and religiously justified or murder? Is there an absolute duty to God? Was Abraham justified in remaining silent? In pondering these questions, Kierkegaard presents faith as a paradox that cannot be understood by reason and conventional morality. |
| fear and trembling kierkegaard analysis: An Analysis of Soren Kierkegaard's Fear and Trembling Brittany Pheiffer Noble, 2017-07-05 Danish philosopher Søren Kierkegaard’s 1843 book Fear and Trembling shows precisely why he is regarded as one of the most significant and creative philosophers of the nineteenth century. Creative thinkers can be many things, but one of their common attributes is an ability to redefine, reframe and reconsider problems from novel angles. In Kierkegaard’s case, he chose to approach the problems of faith and ethics in a deliberately artful and non-systematic way. Writing under the pseudonym “John the Silent,” he declared that he was “nothing of a philosopher,” but an “amateur,” wanting to write poetically and elegantly about the things that fascinated him. While Fear and Trembling is very much the work of a philosopher, Kierkegaard’s protests showed his intent to take a different path, approaching his topic like no one else before him. The book goes on to ask what the real nature of our personal relationship with God might be, and how faith might interact with ethics. What, Kierkegaard asks, can we make of God asking Abraham to sacrifice his only son, and of Abraham obeying? Arguing the unorthodox position that in following God’s incomprehensible will Abraham had acted ethically, Kierkegaard set out the parameters of a moral argument that remains strikingly novel over a 150 years later. |
| fear and trembling kierkegaard analysis: Kierkegaard's Concluding Unscientific Postscript Søren Kierkegaard, American-Scandinavian Foundation, 1941 Besides a sense of personal loss at the death of David F. Swenson on February 11, 1940, I felt dismay that he had left unfinished his translation of the Unscientific Postscript. I had longed to see it published among the first of Kierkegaard's works in English. In the spring of 1935 it did not seem exorbitant to hope that it might be ready for the printer by the end of that year. For in March I learned from Professor Swenson that he had years before done about two thirds of a rough translation. In 1937/38 he took a sabbatical leave from his university for the sake of finishing this work. Yet after all it was not finished- partly because Professor Swenson was already incapacitated by the illness which eventually resulted in his death; but also because he aimed at a degree of perfection which hardly can be reached by a translator. At one time he expressed to me his suspicion that perhaps, as in the translation of Kant's philosophy, it might require the cooperation of many scholars during several generations before the translation of Kierkegaard's terminology could be definitely settled. I hailed with joy this new apprehension, which promised a speedy conclusion of the work, and in the words of Luther I urged him to sin boldly.--Editor's pref., p. [ix]. |
| fear and trembling kierkegaard analysis: Senses of the Subject Judith Butler, 2015-03-02 This book brings together a group of Judith Butler’s philosophical essays written over two decades that elaborate her reflections on the roles of the passions in subject formation through an engagement with Hegel, Kierkegaard, Descartes, Spinoza, Malebranche, Merleau-Ponty, Freud, Irigaray, and Fanon. Drawing on her early work on Hegelian desire and her subsequent reflections on the psychic life of power and the possibility of self-narration, this book considers how passions such as desire, rage, love, and grief are bound up with becoming a subject within specific historical fields of power. Butler shows in different philosophical contexts how the self that seeks to make itself finds itself already affected and formed against its will by social and discursive powers. And yet, agency and action are not necessarily nullified by this primary impingement. Primary sense impressions register this dual situation of being acted on and acting, countering the idea that acting requires one to overcome the situation of being affected by others and the linguistic and social world. This dual structure of sense sheds light on the desire to live, the practice and peril of grieving, embodied resistance, love, and modes of enthrallment and dispossession. Working with theories of embodiment, desire, and relationality in conversation with philosophers as diverse as Hegel, Spinoza, Descartes, Merleau-Ponty, Freud, and Fanon, Butler reanimates and revises her basic propositions concerning the constitution and deconstitution of the subject within fields of power, taking up key issues of gender, sexuality, and race in several analyses. Taken together, these essays track the development of Butler’s embodied account of ethical relations. |
| fear and trembling kierkegaard analysis: A Companion to Continental Philosophy Simon Critchley, William R. Schroeder, 1998-06-08 Covering the complete development of post-Kantian Continental philosophy, this volume serves as an essential reference work for philosophers and those engaged in the many disciplines that are integrally related to Continental and European Philosophy. |
| fear and trembling kierkegaard analysis: The Humor of Kierkegaard Søren Kierkegaard, 2004-07-26 Who might reasonably be nominated as the funniest philosopher of all time? With this anthology, Thomas Oden provisionally declares Søren Aabye Kierkegaard (1813-1855) -- despite his reputation as the melancholy, despairing Dane -- as, among philosophers, the most amusing. Kierkegaard not only explored comic perception to its depths but also practiced the art of comedy as astutely as any writer of his time. This collection shows how his theory of comedy is integrated into his practice of comic perception, and how both are integral to his entire authorship. The Humor of Kierkegaard is for anyone ready to be amused by human follies. Those new to Kierkegaard will discover a dazzling mind worth meeting. Those already familiar with his theory of comedy will be delighted to see it concisely set forth and exemplified. -- From publisher's description. |
| fear and trembling kierkegaard analysis: Kierkegaard's Relations to Hegel Reconsidered Jon Stewart, 2007-08-16 A major re-evaluation of the complex relations between the philosophies of Kierkegaard and Hegel. |
| fear and trembling kierkegaard analysis: The Crowd Is Untruth Søren Kierkegaard, 2014 This essay in unabridged, to include all footnotes and quotes from 'Upbuilding Discourses in Various Spirits: Purity of Heart is to Will One Thing' (1847) for which it was intended to accompany - |
| fear and trembling kierkegaard analysis: Present Age Soren Kierkegaard, 1962-09-12 Those who would know Kierkegaard, the intesely religious humorist, the irrepressibly witty critic of his age and ours, can do no better than to begin with this book. [In it] we find the heart of Kierkagaard. It is not innocuous, not genteel, not comfortable. He does not invite the reader to realx and have a little laugh with him at the expense of other people or at his own foibles. Kierkegaard deliberately challenges the reader's whole existence. Nor does he merely challenge our existence; he also questions some ideas that had become well entrenched in his time and that are even more characteristic of the present age. Kierkegaard insists, for example, that Christianity was from the start essentially authoritarian--not just that the Catholic Church was, or that Calvin was, or Luther, or, regrettably, most of the Christian churches, but that Christ was--and is. Indeed, though Kierkegaard was, and wished to be, an individual, and even said that on his tombstone he would like no other epitaph than 'That Individual,' his protest against his age was centered in his lament over the loss of authority. --Walter Kaufman, in the Introduction |
| fear and trembling kierkegaard analysis: Kierkegaard's Writings Søren Kierkegaard, 1978 |
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FEAR Definition & Meaning | Dictionary.com
Fear definition: a distressing emotion aroused by impending danger, evil, pain, etc., whether the threat is real or imagined; the feeling or condition of being afraid.. See examples of FEAR used …
FEAR Definition & Meaning - Merriam-Webster
The meaning of FEAR is an unpleasant often strong emotion caused by anticipation or awareness of danger. How to use fear in a sentence. Synonym Discussion of Fear.
Fear - Wikipedia
Fear is an unpleasant emotion that arises in response to perceived dangers or threats. Fear causes physiological and psychological changes. It may produce behavioral reactions such as …
Fear: Definition, Traits, Causes, Treatment - Verywell Mind
Apr 20, 2024 · Fear is a primal emotion that provokes a physiological and emotional response. Learn the signs of fear, what causes it, and how to manage it.
7 Things You Need to Know About Fear - Psychology Today
Nov 19, 2015 · Fear is an inherently unpleasant experience that can range from mild to paralyzing—from anticipating the results of a medical checkup to hearing news of a deadly …
The Psychology of Fear
Jul 20, 2023 · Fear is an essential survival mechanism, helping individuals react to potentially life-threatening situations. It can respond to immediate, tangible threats and more abstract or …
FEAR | English meaning - Cambridge Dictionary
FEAR definition: 1. an unpleasant emotion or thought that you have when you are frightened or worried by something…. Learn more.
FEAR Definition & Meaning | Dictionary.com
Fear definition: a distressing emotion aroused by impending danger, evil, pain, etc., whether the threat is real or imagined; the feeling or condition of being afraid.. See examples of FEAR …
