Advertisement
| doctor of art history: Object, Image, Inquiry Elizabeth Bakewell, William O. Beeman, Carol McMichael Reese, Getty Art History Information Program, Brown University. Institute for Research in Information and Scholarship, 1988 This series is a vehicle for texts generated through the experiences of writers, scholars, and artists who have been residents at the Getty Research Institute or involved in its programs. |
| doctor of art history: Art History and Its Institutions Elizabeth Mansfield, 2002 What is art history? The answer depends on who asks the question. Museum staff, academics, art critics, collectors, dealers and artists themselves all stake competing claims to the aims, methods, and history of art history. Dependent on and sustained by different - and often competing - institutions, art history remains a multi-faceted field of study. Art History and Its Institutions focuses on the professional and institutional formation of art history, showing how the discourses that shaped its creation continue to define the field today. Grouped into three sections, articles examine the sites where art history is taught and studied, the role of institutions in conferring legitimacy, the relationship between modernism and art history, and the systems that define and control it. From museums and universities to law courts and photography studios, the contributors explore a range of different institutions, revealing the complexity of their interaction and their impact on the discipline of art history. --BOOK JACKET. |
| doctor of art history: Art and Life in Africa Christopher D. Roy, 1992 |
| doctor of art history: Vienna – A Doctor’s Guide Wolfgang Regal, Michael Nanut, 2007-12-13 This guide is for all visitors to Vienna who are interested in the history of medicine. 15 walks through the city reveal the old medical Vienna: the Fools’ Tower, Freud’s private practice and apartment, the workplaces of many famous physicians, through the old General Hospital, the old university, and the most important pathological museums. Little-known details and anecdotes are included as well as a short history of Vienna and some gourmet tips. |
| doctor of art history: General Register University of Michigan, 1960 Announcements for the following year included in some vols. |
| doctor of art history: Bulletin United States. Office of Education, 1960 |
| doctor of art history: Three Women Artists Amy Von Lintel, Bonnie Roos, 2022 Offering a fresh perspective on the influence of the American southwest--and particularly West Texas--on the New York art world of the 1950s, Three Women Artists: Expanding Abstract Expressionism in the American West aims to establish the significance of itinerant teaching and western travel as a strategic choice for women artists associated with traditional centers of artistic authority and population in the eastern United States. The book is focused on three artists: Elaine de Kooning, Jeanne Reynal, and Louise Nevelson. In their travels to and work in the High Plains, they were inspired to innovate their abstract styles and introduce new critical dialogues through their work. These women traveled west for the same reason artists often travel to new places: they found paid work, markets, patrons, and friends. This Middle American context offers us a decentered modernism--demanding that we look beyond our received truths about Abstract Expressionism. Authors Amy Von Lintel and Bonnie Roos demonstrate that these women's New York avant-garde, abstract styles were attractive to Panhandle-area ranchers, bankers, and aspiring art students. Perhaps as importantly, they show that these artists' aesthetics evolved in light of their regional experiences. Offering their work as a supplement and corrective to the frameworks of patriarchal, East Coast ethnocentrism, Von Lintel and Roos make the case for Texas as influential in the national art scene of the latter half of the twentieth century. |
| doctor of art history: Art History Michael Hatt, Charlotte Klonk, 2006-04-30 This book provides a lively and stimulating introduction to methodological debates within art history. Offering a lucid account of approaches from Hegel to post-colonialism, the book provides a sense of art history's own history as a discipline from its emergence in the late-eighteenth century to contemporary debates. |
| doctor of art history: Art and Anatomy in Renaissance Italy Domenico Laurenza, 2012 Known as the century of anatomy, the 16th century in Italy saw an explosion of studies and treatises on the discipline. Medical science advanced at an unprecedented rate, and physicians published on anatomy as never before. Simultaneously, many of the period's most prominent artists--including Leonardo and Michelangelo in Florence, Raphael in Rome, and Rubens working in Italy--turned to the study of anatomy to inform their own drawings and sculptures, some by working directly with anatomists and helping to illustrate their discoveries. The result was a rich corpus of art objects detailing the workings of the human body with an accuracy never before attained. Art and Anatomy in Renaissance Italy examines this crossroads between art and science, showing how the attempt to depict bone structure, musculature, and our inner workings--both in drawings and in three dimensions--constituted an important step forward in how the body was represented in art. While already remarkable at the time of their original publication, the anatomical drawings by 16th-century masters have even foreshadowed developments in anatomic studies in modern times. |
| doctor of art history: Art History after Deleuze and Guattari Sjoerd van Tuinen , Stephen Zepke, 2017-11-14 At the crossroads of philosophy, artistic practice, and art history Though Gilles Deleuze and Felix Guattari were not strictly art historians, they reinvigorated ontological and formal approaches to art, and simultaneously borrowed art historical concepts for their own philosophical work. They were dedicated modernists, inspired by the German school of expressionist art historians such as Riegl, Wölfflin, and Worringer and the great modernist art critics such as Rosenberg, Steinberg, Greenberg, and Fried. The work of Deleuze and Guattari on mannerism and Baroque art has led to new approaches to these artistic periods, and their radical transdisciplinarity has influenced contemporary art like no other philosophy before it. Their work therefore raises important methodological questions on the differences and relations among philosophy, artistic practice, and art history. In Art History after Deleuze and Guattari international scholars from all three fields explore what a ‘Deleuzo-Guattarian art history’ could be today. ContributorsÉric Alliez (Kingston University, Université Paris VIII), Claudia Blümle (Humboldt Universität zu Berlin), Jean-Claude Bonne (École des Hautes Études en Sciences Sociales), Ann-Cathrin Drews (Humboldt Universität zu Berlin), James Elkins (School of the Art Institute of Chicago), Sascha Freyberg (Max Planck Institute for the History of Science), Antoine l’Heureux (independent researcher), Vlad Ionescu (Hasselt University), Juan Fernando Mejía Mosquera (Pontificia Universidad Javeriana), Gustavo Chirolla Ospina (Pontificia Universidad Javeriana), Bertrand Prévost (Université Bordeaux Montaigne), Elisabeth von Samsonow (Akademie für bildende Künste Wien), Sjoerd van Tuinen (Erasmus University Rotterdam), Kamini Vellodi (Edinburgh College of Art), Stephen Zepke (independent researcher) |
| doctor of art history: Race-ing Art History Kymberly N. Pinder, 2013-04-15 Race-ing Art History is the first comprehensive anthology to place issues of racial representation squarely on the canvas. Art produced by non-Europeans has naturally been compared to Western art and its study, which refers to a binary way of viewing both. Each essay in this collection is a response to this vision, to the distant mirror of looking at the other. |
| doctor of art history: A Greene Country Towne Alan C. Braddock, Laura Turner Igoe, 2016-12-12 An unconventional history of Philadelphia that operates at the threshold of cultural and environmental studies, A Greene Country Towne expands the meaning of community beyond people to encompass nonhuman beings, things, and forces. By examining a diverse range of cultural acts and material objects created in Philadelphia—from Native American artifacts, early stoves, and literary works to public parks, photographs, and paintings—through the lens of new materialism, the essays in A Greene Country Towne ask us to consider an urban environmental history in which humans are not the only protagonists. This collection reimagines the city as a system of constantly evolving constituents and agencies that have interacted over time, a system powerfully captured by Philadelphia artists, writers, architects, and planners since the seventeenth century. In addition to the editors, contributors to this volume are Maria Farland, Nate Gabriel, Andrea L. M. Hansen, Scott Hicks, Michael Dean Mackintosh, Amy E. Menzer, Stephen Nepa, John Ott, Sue Ann Prince, and Mary I. Unger. |
| doctor of art history: Mistress of the Art of Death Ariana Franklin, 2007-02-06 The national bestselling hit hailed by the New York Times as a vibrant medieval mystery...[it] outdoes the competition. In medieval Cambridge, England, Adelia, a female forensics expert, is summoned by King Henry II to investigate a series of gruesome murders that has wrongly implicated the Jewish population, yielding even more tragic results. As Adelia's investigation takes her behind the closed doors of the country's churches, the killer prepares to strike again. |
| doctor of art history: The Vienna School of Art History Matthew Rampley, 2015-06-26 Matthew Rampley’s The Vienna School of Art History is the first book in over seventy-five years to study in depth and in context the practices of art history from 1847, the year the first teaching position in the discipline was created, to 1918, the collapse of Austria-Hungary. It traces the emergence of art history as a discipline, the establishment of norms of scholarly inquiry, and the involvement of art historians in wider debates about the cultural and political identity of the monarchy. The so-called Vienna School plays the central role in the study, but Rampley also examines the formation of art history elsewhere in Austria-Hungary. Located in the Habsburg imperial capital, Vienna art historians frequently became entangled in debates that were of importance to art historians elsewhere in the Empire, and Rampley pays particular attention to these areas of overlapping interest. He also analyzes the methodological innovations for which the Vienna School was well known. Rampley focuses most fully, however, on the larger political and ideological context of the practice of art history—particularly the way in which art-historical debates served as proxies for wider arguments over the political, social, and cultural life of the Habsburg Empire. |
| doctor of art history: American Universities and Colleges , 2014-10-08 No detailed description available for American Universities and Colleges. |
| doctor of art history: Art History and Visual Studies in Europe Matthew Rampley, Thierry Lenain, Hubert Locher, 2012-06-22 This book undertakes a critical survey of art history across Europe, examining the recent conceptual and methodological concerns informing the discipline as well as the political, social and ideological factors that have shaped its development in specific national contexts. |
| doctor of art history: The Belvedere: 300 Years a Venue for Art Stella Rollig, Christian Huemer, 2023-06-19 Anniversary publication of the Belvedere The Belvedere in Vienna epitomizes the changes that have taken place over the course of three centuries in the concept of what constitutes a museum. Originally built by Prince Eugene of Savoy to enhance his prestige as a prince, under Maria Theresa, the Upper Belvedere became one of the world’s first public museums. The idea of presenting Austrian art in an international context, which in 1903 motivated the establishment of the Modern Gallery in the Lower Belvedere, remains the key objective of this world-famous cultural institution. In this critical homage, renowned authors explore enduring questions that transcend the different epochs, such as : What ordering concepts are evident in art presentation ? How contemporary were these presentations in an international context ? What kind of public were they aimed at ? Anniversary publication of the Österreichische Galerie Belvedere: a critical homage to a place of art with a diverse history spanning centuries Exhibition until January 7, 2024 With contributions from Johanna Aufreiter, Björn Blauensteiner, Brigitte Borchhardt-Birbaumer, Thomas DaCosta Kaufmann, Christiane Erharter, Nora Fischer, Anna Frasca-Rath, Antoinette Friedenthal, Martin Fritz, Thomas W. Gaehtgens, Sabine Grabner, Katinka Gratzer-Baumgärtner, Cäcilia Henrichs, Alice Hoppe-Harnoncourt, Christian Huemer, Georg Lechner, Stefan Lehner, Gernot Mayer, Monika Mayer, Sabine Plakolm-Forsthuber, Georg Plattner, Matthew Rampley, Luise Reitstätter, Stella Rollig, Claudia Slanar, Franz Smola, Nora Sternfeld, Silvia Tammaro, Wolfgang Ullrich, Leonhard Weidinger, Christian Witt-Dörring, Luisa Ziaja, and Christoph Zuschlag |
| doctor of art history: Catalogue of the University of Michigan University of Michigan, 1967 Announcements for the following year included in some vols. |
| doctor of art history: Is That True Or Did You Make It Up? Bill Stockton, 2004-11 At his popular Internet Web site, author Bill Stockton uses piercing satire and zany humor to take on everything from George W. Bush and Washington's neoconservatives to the danger of global warming caused by bovine methane emissions. In Is That True or Did You Make It Up? Cosmic Ruminations from Bill Stockton's Satirium.com, the author has assembled the funniest articles from his satirical cyber-hangout, www.satirium.com, including: Telepathic Parrot Caught Monitoring Karl Rove's Brain Is Death Final? Debate Riles Obituary Writers Castoff Armani Launches Homeless Man's Lobbyist Career Latest Terror Worry Is Radioactive Horse Manure Lord of the Rings Plunges Fan into Six-Day Coma Neocon Identity Card Theft Alarms Beltway Insiders The author, an editor at The New York Times for two decades, learned the hard way that nothing is ever what it seems. Is That True or Did You Make It Up? provides a witty and irreverent road map to a new world order viewed from behind the looking glass. Be warned: this book could cause you to shriek helplessly and roll around on the floor |
| doctor of art history: Reclaiming the Spiritual in Art Dawn Perlmutter, Debra Koppman, 2016-02-24 From Walt Disney World to the movie Natural Born Killers, this book explores uncommon indicators of the spiritual in contemporary art and culture. Drawing on a diversity of perspectives in philosophy and aesthetics to highlight conscious and unconscious manifestations of the sacred in art, this work makes a compelling case for its continued contemporary relevance. Contributors include Andrew Doerr, Melissa E. Feldman, Cher Krause Knight, Debra Koppman, Janice Mann, Dawn Perlmutter, Crispin Sartwell, and Susan Shantz. |
| doctor of art history: Weaving in Stones: Garments and Their Accessories in the Mosaic Art of Eretz Israel in Late Antiquity Aliza Steinberg, 2020-02-07 This book, copiously illustrated throughout, studies the garments and their accessories worn by some 245 figures represented on approximately 41 mosaic floors (some only partially preserved) that once decorated both public and private structures within the historical-geographical area of Eretz Israel in Late Antiquity. |
| doctor of art history: Art History Marilyn Stokstad, 1999 |
| doctor of art history: The Foundling Ann Leary, 2023-04-04 From the New York Times bestselling author of The Good House, the “harrowing, gripping, and beautiful” (Laura Dave, New York Times bestselling author) story of two friends, raised in the same orphanage, whose loyalty is put to the ultimate test when they meet years later at an institution—based on a shocking and little-known piece of American history. It’s 1927 and eighteen-year-old Mary Engle is hired to work as a secretary at a remote but scenic institution for mentally disabled women called the Nettleton State Village for Feebleminded Women of Childbearing Age. She’s immediately in awe of her employer—brilliant, genteel Dr. Agnes Vogel. Dr. Vogel had been the only woman in her class in medical school. As a young psychiatrist she was an outspoken crusader for women’s suffrage. Now, at age forty, Dr. Vogel runs one of the largest and most self-sufficient public asylums for women in the country. Mary deeply admires how dedicated the doctor is to the poor and vulnerable women under her care. Soon after she’s hired, Mary learns that a girl from her childhood orphanage is one of the inmates. Mary remembers Lillian as a beautiful free spirit with a sometimes-tempestuous side. Could she be mentally disabled? When Lillian begs Mary to help her escape, alleging the asylum is not what it seems, Mary is faced with a terrible choice. Should she trust her troubled friend with whom she shares a dark childhood secret? Mary’s decision triggers a hair-raising sequence of events with life-altering consequences for all. Inspired by a true story about the author’s grandmother, The Foundling is compelling, unsettling, and “a stunning reminder that not much time has passed since everyone claimed to know what was best for a woman—everyone except the woman herself” (Jodi Picoult, New York Times bestselling author). |
| doctor of art history: College Guide for Visual Arts Majors Peterson's, 2009-09-14 Describes undergraduate and graduate programs in the visual arts, providing information on tuition expenses, financial aid, scolarships, enrollment, and portfolio presentation. |
| doctor of art history: The Early Years of Native American Art History Janet Catherine Berlo, 1992 This collection of essays deals with the development of Native American art history as a discipline rather than with particular art works or artists. It focuses on the early anthropologists, museum curators, dealers, and collectors, and on the multiple levels of understanding and misunderstanding, a |
| doctor of art history: 1. Ars Baltica-Triennale der Photokunst Enno Kaufhold, 1996 |
| doctor of art history: Earned Degrees Conferred , 1973 |
| doctor of art history: Italy by Way of India Erin Benay, 2022-02-28 The return of a saint's body to its rightful resting place was an event of civic and spiritual significance retold in Medieval sources and substantiated by artistic commissions. Legends of Saint Thomas Apostle, for instance, claimed that the martyred saint had been miraculously transported from India to Italy during the thirteenth century. However, Saint Thomas's purported resting place in Ortona, Italy did not become a major stopping point on pilgrimage or exploration routes, nor did this event punctuate frescoed life cycles or become a subject for Renaissance altarpieces as one would expect. Instead, the site of the apostle's burial in Chennai, India has flourished as a terminus of religious pilgrimage, where a multifaceted visual tradition emerged, and where a vibrant local cult of 'Thomas Christians' remains to this day. An unlikely destination on the edge of the 'known' world thus became a surprising source of early modern Christian piety. By studying the art and texts associated with this little-known cult, this book disrupts assumptions about how knowledge of Asia took shape during the Renaissance and challenges art historical paradigms in which art was crafted by locals merely to be exported, collected, and consumed by curious European patrons. In so doing, Italy by Way of India proposes that we redefine the parameters of early modern visual culture to account for the ways that global mobility and the circulation of objects profoundly influence how cultures see and know each other as well as themselves. |
| doctor of art history: The Physician's Art Julie V. Hansen, Suzanne Porter, Duke University. Museum of Art, 1999 From early times, artists have been involved in the life and work of the physician in a variety of ways. Members of the medical professions have, in their turn, been central in shaping the visual canon of their profession, from the grandiose drama of the corpse anatomy theater to the intricately worked ivory and metal tools of their trade.The Physician’s Artcelebrates the diversity and achievements of such collaborations, looking beyond the traditional boundaries of art to the books and artifacts used by physicians since the fifteenth century and inviting us to ponder their role and that of medicine in the culture of their time and our own. Published as a companion catalogue to an exhibit of more than one hundred rare and remarkable “medical art” objects that was curated by Julie V. Hansen at the Duke University Museum of Art, this richly illustrated book includes an introductory essay by distinguished art historian Martin Kemp. Demonstrating how the practice of medicine and our understanding of disease and the human body have gone hand in hand with the development of techniques in art—combined with such inventions as the camera and the microscope—this book presents works that range from the fifteenth century to the twentieth, from Europe to the Far East and Africa, from detailed medical illustrations to photographs of ivory manikins and an amputation saw. |
| doctor of art history: Art History Marilyn Stokstad, Michael Watt Cothren, 2014 The most student-friendly, contextual, and inclusive survey is now personalized, digital, and mobile for today's students. Art History 5th edition continues to balance formal analysis with contextual art history in order to engage a diverse student audience. Authors Marilyn Stokstad and Michael Cothren- both scholars as well as teachers- share a common vision that survey courses should be filled with as much enjoyment as learning, and that they should foster an enthusiastic, as well as an educated, public for the visual arts. This revision is the strongest and most comprehensive learning program for measuring student progress and improving student success in attaining the outcomes and goals of the art history survey course. Not only does the text address four overarching goals of the survey course, the new MyArtsLab further develops and reinforces these outcomes and skills with market-leading learning tools such as personalized study plans for each student and multimedia assets geared towards addressing different learning styles and abilities, such as chapter audio, student videos, Closer Looks, architectural panoramas and much more. The end result is a complete learning program designed to increase students' success with a personalized, digital and a highly mobile learning experience. A better teaching and learning experience This program will provide a better teaching and learning experience--for you and your students. Here's how: Personalize Learning -- MyArtsLab is an online homework, tutorial, and assessment program. It helps students prepare for class and instructors gauge individual and class performance. Go Digital - Pearson Custom eText provides instructors and students with a whole new online customizable learning experience. Go Mobile - Make learning easy and convenient with our on-the-go eTexts and key learning applications. Improve Critical Thinking - Key Learning Outcomes encourage students to think critically about visual arts as part of the larger world. Engage Students - Updated scholarship, MyArtsLab, and the readability of the text provide a wonderful engaging student experience. Support Instructors - With a wealth of online resources, instructors have videos, images, and teaching support materials to create a dynamic, engaging course. This Book a la Carte Edition is an unbound, three-hole punched, loose-leaf version of the textbook and provides students the opportunity to personalized their book by incorporating their own notes and taking the portion of the book they need to class - all at a fraction of the bound book price. |
| doctor of art history: UNDER THE BRAZILIAN SUN CATHERINE GEORGE, 2020-11-01 Show me the passion you’ve hidden away in your heart. Catherine came to Portugal from England to inspect a painting. Roberto de Sousa, the man who requested her services, coldly dismisses her when he sees she’s a woman. Catherine’s determined to prove her worth to this former race car driver. But Roberto continues to avoid her, plagued by insecurities caused by the huge scar on his face from an accident. Yet his wild black curls and sexy gaze make Catherine feel as though her body is going to boil over. Scar and all, he is just too beautiful… |
| doctor of art history: Time's Visible Surface Michael Gubser, 2006-01-09 Expands our understanding of Alois Riegl beyond his role as an art historian to a pivotal figure in cultural theory at large, while placing his interest in history and time within the intellectual world of fin-de-siècle Vienna. Alois Riegl’s art history has influenced thinkers as diverse as Erwin Panofsky, Georg Lukacs, Walter Benjamin, Paul Feyerabend, Gilles Deleuze, and Félix Guattari. One of the founders of the modern discipline of art history, Riegl is best known for his theories of representation. Yet his inquiries into the role of temporality in artistic production—including his argument that art conveys a culture’s consciousness of time—show him to be a more wide-ranging and influential commentator on historiographical issues than has been previously acknowledged. In Time’s Visible Surface, Michael Gubser presents Riegl’s work as a sustained examination of the categories of temporality and history in art. Supported by a rich exploration of Riegl’s writings, Gubser argues that Riegl viewed artworks as registering historical time visibly in artistic forms. Gubser’s discussion of Riegl’s academic milieu also challenges the widespread belief that Austrian modernism adopted a self-consciously ahistorical worldview. By analyzing the works of Riegl’s professors and colleagues at the University of Vienna, Gubser shows that Riegl’s interest in temporality, from his early articles on calendar art through later volumes on the Roman art industry and Dutch portraiture, fit into a broad discourse on time, history, and empiricism that engaged Viennese thinkers such as the philosopher Franz Brentano, the historian Theodor von Sickel, and the art historian Franz Wickhoff. By expanding our understanding of Riegl and his intellectual context, Time’s Visible Surface demonstrates that Riegl is a pivotal figure in cultural theory and that fin-de-siècle Vienna holds continued relevance for today’s cultural and philosophical debates. |
| doctor of art history: Art Historical Perspectives on the Portrayal of Animal Death Roni Grén, 2024-04-22 This study concentrates on the discourses around animal death in arts and the ways they changed over time. Chapter topics span from religious symbolism to natural history cabinets, from hunting laws to animal rights, from economic history to formalist views on art. In other words, the book asks why artists have represented animal death in visual culture, maintaining that the practice has, through the whole era, been a crucial part of the understanding of our relation to the world and our identity as humans. This is the first truly integrative book-length examination of the depiction of dead animals in Western art. The book will be of interest to scholars working in art history, animal studies, and cultural history. |
| doctor of art history: American Universities and Colleges James J. Murray, 2021-06-21 No detailed description available for American Universities and Colleges. |
| doctor of art history: Women's Representation Among Recipients of Doctor's and First-professional Degrees Mary Diederich Ott, 1976 |
| doctor of art history: Analysis of Doctor's Degrees Awarded to Men and to Women 1970-71 Through 1974-75 Mary Diederich Ott, 1977 |
| doctor of art history: University of Michigan Official Publication , 1960 |
| doctor of art history: Student Participation in Academic Governance Lora H. Robinson, Janet D. Shoenfeld, 1971 |
| doctor of art history: Register of the University of California University of California (1868-1952), 1958 |
| doctor of art history: The Seventh Window Wim de Groot, 2005-05-01 1997 was an important year for Sint Janskerk in Gouda, as the Museo del Prado in Madrid asked to borrow the cartoon of the King's Window by Dirck Crabeth for the exhibition 'Felipe II. Un príncipe del Renacimiento'. Inspired by this event, it was decided to compile an anthology about the church's seventh window. Based on the many-facetted topic an international group of scholars from various disciplines studied the stained-glass window in depth as a crucial presentation of Philip II's Netherlandish and English years. An important step in current research into an enthralling era in European history of the sixteenth century. |
为什么英语中，医生叫doctor，博士也叫doctor？ - 知乎
1、doctor的本意是“讲授者”。过去几乎所有的自然学科和人文学科都叫philosophy，所以学问最高者被称为doctor of philosophy，这bai也是博士Ph.D的来历。但是医学不属于刚才说 …
Prof. Dr. 与 Prof.有什么区别？ - 知乎
Dr.是doctor的简写，即博士（最高学位。且必须是取得该头衔后才能称呼。在读博士是 Doctoral Candidate）。 by the way：博士后不是学位的一种，只是在某处工作的博士的类职称而已。 …
为什么博士叫PhD？ - 知乎
博士（Doctor）学位意味着能独立完成研究任务。 （科学网-博士究竟和硕士有何不同——重申陈式兔子定理-陈安的博文） 如那张图和许多人所说，博士能够创造新的知识。 许多人没有博士 …
请问MD PhD PharmD 等等这些，各代表哪种医学学历? - 知乎
DO Doctor of Osteopathic 也是医学博士，美国开设医学院校中有部分是DO院校，比MD多学习一些正骨医学，鄙视链低于上面。 MBBS Bachelor of Medicine and Bachelor of Surgery我国（ …
研究生，硕士，博士，phd等这些学历分别是什么？ - 知乎
博士拿的是博士学位，硕士拿的是硕士学位。博士还可以分为PhD、DBA、DD等，国外分的正式一点，国内目前图一乐。“博士”或者“Doctor”这个头衔一般授予拥有博士学位的人。 所以每次有 …
为什么说一天一个苹果不生病，an apple a day, keep doctor …
"An apple a day keeps the doctor away" 一天一个苹果，医生离你远 这句谚语出现在1913年杂志封面上 19世纪，疾病的治疗效果没有并没有现在好，对疾病的了解还停留在表面，当时普通人 …
有哪些下载ed2k的软件？ - 知乎
都是一些无良的推荐，上面问可以下载ed2k的软件，你们回答问题之前都试了吗？推荐 BitComet 比特彗星、 Motrix 、qBittorrent、uTorrent、BitComet，文件蜈蚣
求《神秘博士》的官方观看顺序！？ - 知乎
我看完了第二季，rose和doctor分开了。所以我接下来得看剧场版,特别篇，还是什么？同时，能跟我解释下那…
请问专业博士和学术博士有什么区别？对以后的工作有什么影响？ …
专业/授课博士，英语名称professional/ taught doctorate，最后学位是doctor of+具体专业。 学术/哲学博士，英语名称research doctorate/doctor of philosophy，最后学位是doctor of …
“工学硕士”和“工程硕士”分别该如何翻译？ - 知乎
A Master of Science in Engineering can require completion of a thesis and qualifies the holder to apply for a program leading to a Doctor of Philosophy (PhD) in engineering. A Master of …
为什么英语中，医生叫doctor，博士也叫doctor？ - 知乎
1、doctor的本意是“讲授者”。过去几乎所有的自然学科和人文学科都叫philosophy，所以学问最高者被称为doctor of philosophy，这bai也是博士Ph.D的来历。但是医学不属于刚才说 …
Prof. Dr. 与 Prof.有什么区别？ - 知乎
Dr.是doctor的简写，即博士（最高学位。且必须是取得该头衔后才能称呼。在读博士是 Doctoral Candidate）。 by the way：博士后不是学位的一种，只是在某处工作的博士的类职称而已。 …
为什么博士叫PhD？ - 知乎
博士（Doctor）学位意味着能独立完成研究任务。 （科学网-博士究竟和硕士有何不同——重申陈式兔子定理-陈安的博文） 如那张图和许多人所说，博士能够创造新的知识。 许多人没有博士 …
请问MD PhD PharmD 等等这些，各代表哪种医学学历? - 知乎
DO Doctor of Osteopathic 也是医学博士，美国开设医学院校中有部分是DO院校，比MD多学习一些正骨医学，鄙视链低于上面。 MBBS Bachelor of Medicine and Bachelor of Surgery我国（ …
研究生，硕士，博士，phd等这些学历分别是什么？ - 知乎
博士拿的是博士学位，硕士拿的是硕士学位。博士还可以分为PhD、DBA、DD等，国外分的正式一点，国内目前图一乐。“博士”或者“Doctor”这个头衔一般授予拥有博士学位的人。 所以每次有 …
为什么说一天一个苹果不生病，an apple a day, keep doctor …
"An apple a day keeps the doctor away" 一天一个苹果，医生离你远 这句谚语出现在1913年杂志封面上 19世纪，疾病的治疗效果没有并没有现在好，对疾病的了解还停留在表面，当时普通人 …
有哪些下载ed2k的软件？ - 知乎
都是一些无良的推荐，上面问可以下载ed2k的软件，你们回答问题之前都试了吗？推荐 BitComet 比特彗星、 Motrix 、qBittorrent、uTorrent、BitComet，文件蜈蚣
求《神秘博士》的官方观看顺序！？ - 知乎
我看完了第二季，rose和doctor分开了。所以我接下来得看剧场版,特别篇，还是什么？同时，能跟我解释下那…
请问专业博士和学术博士有什么区别？对以后的工作有什么影响？ …
专业/授课博士，英语名称professional/ taught doctorate，最后学位是doctor of+具体专业。 学术/哲学博士，英语名称research doctorate/doctor of philosophy，最后学位是doctor of …
“工学硕士”和“工程硕士”分别该如何翻译？ - 知乎
A Master of Science in Engineering can require completion of a thesis and qualifies the holder to apply for a program leading to a Doctor of Philosophy (PhD) in engineering. A Master of …
