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| doge's palace history: The Doge's Palace in Venice Wolfgang Wolters, 2010 A comprehensive and entertaining illustrated guide to the Doge's Palace, Venice's uniquely beautiful landmark alongside the Rialto Bridge and St. Mark's Cathedral. As the seat of the aristocratic government as well as the residence if the Doge, its interiors illustrate the myth of Venice. |
| doge's palace history: Marino Faliero, Doge of Venice George Gordon Byron Baron Byron, 1821 |
| doge's palace history: Venice. The Doge's Palace Giandomenico Romanelli, Paolo Delorenzi, 2010 |
| doge's palace history: The Jewish Ghetto and the Visual Imagination of Early Modern Venice Dana E. Katz, 2017-08-18 This book explores how the Jewish ghetto engaged the sensory imagination of Venice in complex and contradictory ways to shape urban space and reshape Christian-Jewish relations. |
| doge's palace history: A Brief History of Venice Elizabeth Horodowich, 2013-02-07 In this colourful new history of Venice, Elizabeth Horodowich, one of the leading experts on Venice, tells the story of the place from its ancient origins, and its early days as a multicultural trading city where Christians, Jews and Muslims lived together at the crossroads between East and West. She explores the often overlooked role of Venice, alongside Florence and Rome, as one of the principal Renaissance capitals. Now, as the resident population falls and the number of tourists grows, as brash new advertisements disfigure the ancient buildings, she looks at the threat from the rising water level and the future of one of the great wonders of the world. |
| doge's palace history: Venice, the Jews and Europe Donatella Calabi, 2016 The significance of the Ghetto -- Venice, the Jews, and Europe, 1516-2016: 1. Before the Ghetto -- 2. Cosmopolitan Venice -- 3. The cosmopolitan Ghetto -- 4. The synagogues -- 5. Jewish culture and women -- 6. Trade in the seventeenth and eighteenth centuries -- 7. Tales of the Ghetto : the shadow of Shylock -- 8. Napoleon : the opening of the gates and assimilation -- 9. The twentieth century |
| doge's palace history: Plunder Cynthia Saltzman, 2021-05-11 One of The Christian Science Monitor's Ten Best Books of May A highly original work of history . . . [Saltzman] has written a distinctive study that transcends both art and history and forces us to explore the connections between the two.” —Roger Lowenstein, The Wall Street Journal A captivatingstudy of Napoleon’s plundering of Europe’s art for the Louvre, told through the story of a Renaissance masterpiece seized from Venice Cynthia Saltzman’s Plunder recounts the fate of Paolo Veronese’s Wedding Feast at Cana, a vast, sublime canvas that the French, under the command of the young Napoleon Bonaparte, tore from a wall of the monastery of San Giorgio Maggiore, on an island in Venice, in 1797. Painted in 1563 during the Renaissance, the picture was immediately hailed as a masterpiece. Veronese had filled the scene with some 130 figures, lavishing color on the canvas to build the illusion that the viewers’ space opened onto a biblical banquet taking place on a terrace in sixteenth-century Venice. Once pulled from the wall, the Venetian canvas crossed the Mediterranean rolled on a cylinder; soon after, artworks commandeered from Venice and Rome were triumphantly brought into Paris. In 1801, the Veronese went on exhibition at the Louvre, the new public art museum founded during the Revolution in the former palace of the French kings. As Saltzman tells the larger story of Napoleon’s looting of Italian art and its role in the creation of the Louvre, she reveals the contradictions of his character: his thirst for greatness—to carry forward the finest aspects of civilization—and his ruthlessness in getting whatever he sought. After Napoleon’s 1815 defeat at Waterloo, the Duke of Wellington and the Allies forced the French to return many of the Louvre’s plundered paintings and sculptures. Nevertheless, The Wedding Feast at Cana remains in Paris to this day, hanging directly across from the Mona Lisa. Expertly researched and deftly told, Plunder chronicles one of the most spectacular art appropriation campaigns in history, one that sheds light on a seminal historical figure and the complex origins of one of the great museums of the world. |
| doge's palace history: The Republic of Venice Gasparo Contarini, 2020 This book provides an alternative understanding to Machiavelli's Renaissance Italy. |
| doge's palace history: Information and Communication in Venice Filippo de Vivo, 2007-10-11 Communication in the government -- Communication in the political arena -- Communication in the city -- Communicative transactions -- The system challenged : the interdict of 1606-7 -- Propaganda? : print in context |
| doge's palace history: The Gondola Maker Laura Morelli, 2014-03-03 Award-winning historical fiction set in 16th-century Venice -Benjamin Franklin Digital Award -IPPY Award for Best Adult Fiction E-book -National Indie Excellence Award Finalist -Eric Hoffer Award Finalist -Shortlisted for the da Vinci Eye Prize From the author of Made in Italy comes a tale of artisanal tradition and family bonds set in one of the world's most magnificent settings: Renaissance Venice. Venetian gondola-maker Luca Vianello considers his whole life arranged. His father charted a course for his eldest son from the day he was born, and Luca is positioned to inherit one of the city’s most esteemed boatyards. Soon he will marry the daughter of an artisan prow-maker, securing a key business alliance for the family. But when Luca experiences an unexpected tragedy in the boatyard, he believes that his destiny lies elsewhere. Soon he finds himself drawn to restore an antique gondola with the dream of taking a girl for a ride. The Gondola Maker brings the centuries-old art of gondola-making to life in the tale of a young man's complicated relationship with his master-craftsman father. Lovers of historical fiction will appreciate the authentic details of gondola craftsmanship, along with an intimate first-person narrative set against the richly textured backdrop of 16th-century Venice. I'm a big fan of Venice, so I appreciate Laura Morelli's special knowledge of the city, the period, and the process of gondola-making. An especially compelling story. --Frances Mayes, author of Under the Tuscan Sun Laura Morelli has done her research, or perhaps she was an Italian carpenter in another life. One can literally smell and feel the grain of finely turned wood in her hands. --Pamela Sheldon Johns, author of Italian Food Artisans Romance, intrigue, family loyalty, pride, and redemption set against the backdrop of Renaissance Italy. --Library of Clean Reads Beautiful, powerful evocation of the characters, the place, and the time. An elegant and thoroughly engaging narrative voice. --Mark Spencer, author of Fiction Club: A Concise Guide to Writing Good Fiction |
| doge's palace history: Private Lives in Renaissance Venice Patricia Fortini Brown, 2004-01-01 As the sixteenth century opened, members of the patriciate were increasingly withdrawing from trade, desiring to be seen as gentlemen in fact as well as gentlemen in name. The author considers why this was so and explores such wide-ranging themes as attitudes toward wealth and display, the articulation of family identity, the interplay between the public and the private, and the emergence of characteristically Venetian decorative practices and styles of art and architecture. Brown focuses new light on the visual culture of Venetian women - how they lived within, furnished, and decorated their homes; what spaces were allotted to them; what their roles and domestic tasks were; how they dressed; how they raised their children; and how they entertained. Bringing together both high arts and low, the book examines all aspects of Renaissance material culture.--BOOK JACKET. |
| doge's palace history: In the Shadow of the Olive Tree Orna O'Reilly, 2021-07-14 Two strangers, both newly divorced women, are determined to start life afresh amongst the olive groves of Puglia in the South of Italy, as they both attempt to put their old lives behind them. Claudia has a seemingly perfect life: a successful novelist, a loving mother, beautiful and admired by all, but she's haunted by a decision she made. Her confidence is destroyed at the hands of another. Is she able to move on, put it behind her and find happiness once more? Janet is determined to make a new life for herself after her husband left her for a younger woman, and she yearns to live in an idyllic trullo under the Pugliese sun. As the paths of Claudia and Janet cross and their lives become entwined, one woman's dream is threatened by the past of the other when they discover it's not always easy to escape one's previous life. Sometimes it follows in unexpected ways. |
| doge's palace history: The Doge's Palace in Venice Umberto Franzoi, 1973 |
| doge's palace history: Venice's Secret Service Ioanna Iordanou, 2019 Ioanna Iordanou traces the remarkable development of Venetian intelligence in the city-state system of Northern Italy, contesting that early-modern Venice was home of the world's first centrally-organized state intelligence service, setting a framework that has been instrumental in the creation of modern intelligence. |
| doge's palace history: Anselm Kiefer - für Andrea Emo Anselm Kiefer, 2019-06-18 Für Andrea Emo brings together around twenty paintings and three vitrines alongside recent diaries of Anselm Kiefer (born 1945). Dedicated to nihilist philosopher Andrea Emo, Kiefer's use of molten lead on painted canvases reflects his interest in the concept of destruction and regeneration. |
| doge's palace history: From Titian to Rubens Ben van Beneden, Fred G. Meijer, Timothy De Paepe, Dirk Imhof, 2019 From 5th September until 1st March 2020 the Fondazione Musei Civici di Venezia, in conjunction with the City of Antwerp, VisitFlanders and the Flemish Community, presents 'From Titian to Rubens. Masterpieces from Antwerp and other Flemish Collections', an exhibition curated by Ben Van Beneden, director of Rubenshuis in Antwerp. The Doge's apartments will be transformed into veritable 'constkamers', rooms filled with exquisite art demonstrating the riches of Flemish collections. Featuring artists including Titian, Peter Paul Rubens, Anthony van Dyck and Michiel Sweerts, the exhibition offers an array of works. Three icons of Venetian painting return to their hometown of Venice: Titian's Jacopo Pesaro presenting Saint Peter to Pope Alexander VI, the altarpiece of the former San Geminiano church, covered by the press worldwide as David Bowie's Tintoretto', and Titian's Portrait of a Lady and her Daughter (thought to be a depiction of Titian's mistress Milia and their daughter Emilia). A special section of the exhibition will be devoted to Flemish composer Adriaan Willaert who settled permanently in 'la Serenissima' to become Maestro di Cappella of the Basilica di San Marco in 1527. It was Willaert who founded the Venetian School of music that was to instruct, among others, Giovanni Gabrieli and Claudio Monteverdi. |
| doge's palace history: Venice Disputed Deborah Howard, 2011 In the councils and magistracies of the Venetian Repulic, politicians argued intently over civic building projects. 'Venice Disputed' explores the complex dialect between theory and practice, between utopia and reality, and between design and technology that infuesed these disputes. |
| doge's palace history: Performing Citizenship Paula Hildebrandt, Kerstin Evert, Sibylle Peters, Mirjam Schaub, Kathrin Wildner, Gesa Ziemer, 2019-02-05 This open access book discusses how citizenship is performed today, mostly through the optic of the arts, in particular the performing arts, but also from the perspective of a wide range of academic disciplines such as urbanism and media studies, cultural education and postcolonial theory. It is a compendium that includes insights from artistic and activist experimentation. Each chapter investigates a different aspect of citizenship, such as identity and belonging, rights and responsibilities, bodies and materials, agencies and spaces, and limitations and interventions. It rewrites and rethinks the many-layered concept of citizenship by emphasising the performative tensions produced by various uses, occupations, interpretations and framings. |
| doge's palace history: If Venice Dies Salvatore Settis, 2016-09-10 In the tradition of Jane Jacobs’ The Death and Life of Great American Cities comes an urgent plea from internationally renowned art historian Salvatore Settis to preserve Venice’s future. What is Venice worth? To whom does this urban treasure belong? Venetians are increasingly abandoning their hometown — there’s now only one resident for every 140 visitors — and Venice’s fragile fate has become emblematic of the future of historic cities everywhere as it capitulates to tourists and those who profit from them. In If Venice Dies, a fiery blend of history and cultural analysis, internationally renowned art historian Savatore Settis argues that “hit-and-run” visitors are turning landmark urban settings into shopping malls and theme parks. He warns that Western civilization’s prime achievements face impending ruin from mass tourism and global cultural homogenization. This is a passionate plea to secure Venice’s future, written with consummate authority, wide-ranging erudition, and élan. |
| doge's palace history: The Story of My Escape Giacomo Casanova, Adam Whiteley, 2014-01-24 Europe's greatest adventurer. Thrown into an escape-proof prison for a crime he probably committed. The question is, which crime? In 1755, the infamous Giacomo Casanova was locked up without trial in Venice's notorious Leads prison. Over 15 months he battled disease, madness, boredom, grotesque gaolers, bad books and fellow prisoners, before attempting the most audacious and typically flamboyant escape in history. This is Casanova's own account of the escape bid that made him a celebrity across Europe, full of his unique wit and philosophy, translated into English in full for the first time. |
| doge's palace history: Cà D'Zan Ronald R. McCarty, 2010 The dazzling palatial mansion of circus tycoon John Ringling in Sarasota, Florida, is a tribute to the American Dream and reflects the splendour and romance of Italy. Described as 'the last of the Gilded Age mansions' to be built in America, Cà d'Zan has 56 incredible rooms filled with art and original furnishings. With its Venetian Gothic architecture, the mansion is a combination of the grandeur of Venice's Doge's Palace combined with the Gothic grace of Cà d'Oro, with Sarasota Bay serving as its Grand Canal. Today, this amazing house is open to the public as part of the John and Mable Ringling Museum of Art in Sarasota. This book is the first of a series of five Art Spaces books coming from the Ringling Museum, which will also include books on the Circus Museum, The Circus Rail Car, The Museum of Art and the Museum's extensive gardens. 73 colour illustrations |
| doge's palace history: A History of Venetian Architecture Ennio Concina, 1998 The history of Venetian architecture is no less remarkable than the history of that city itself, and Ennio Concina's comprehensive survey draws on extensive original research on the city's cultural history to offer fresh insights and an energetic approach to the architecture. Beginning with the traces of classical activity found in the territory which became ducal Venice, to its establishment as an urba magna in the Byzantine age, and the architectural glories of the Renaissance and Baroque city, Concina discusses the influence of Venice's extraordinary position in history and geography on the architectural styles to be found there. He overturns many long established theories on the development of the lagoon city, and discusses the work of many of history's most famous architects - Sansovino, Sanmicheli, Palladio, Longhena - bringing the story up to date with his examination of the twentieth-century's attempts to expand the economy, and preserve the city's heritage. This lavishly produced title is a co-edition with Electa Books, Italy. |
| doge's palace history: Venetian Legends and Ghost Stories Alberto Toso Fei, 2002 |
| doge's palace history: Jorge Otero-Pailos Eva Ebersberger, Daniela Zyman, 2009 Estoy interesado en cómo hacemos la transición como personas de una fase de la vida a otra, y como culturas de un período histórico a otro. Las transiciones son a menudo difíciles, tal vez incluso atemorizantes. Con esta presentación, podemos imaginar que el trabajo del arquitecto artista Jorge Otero-Pailos será diferente, especialmente respecto a cómo entendemos el paso del tiempo de la arquitectura en la historia. The Ethics of Dust evidencia la limpieza del polvo y los residuos de contaminación de reconocidos edificios y monumentos históricos. Haciendo visible lo invisible. |
| doge's palace history: The Memoirs of Jacques Casanova Giacomo Casanova, 1894 |
| doge's palace history: The Venice Variations Sophia Psarra, 2018-04-30 From the myth of Arcadia through to the twenty-first century, ideas about sustainability – how we imagine better urban environments – remain persistently relevant, and raise recurring questions. How do cities evolve as complex spaces nurturing both urban creativity and the fortuitous art of discovery, and by which mechanisms do they foster imagination and innovation? While past utopias were conceived in terms of an ideal geometry, contemporary exemplary models of urban design seek technological solutions of optimal organisation. The Venice Variations explores Venice as a prototypical city that may hold unique answers to the ancient narrative of utopia. Venice was not the result of a preconceived ideal but the pragmatic outcome of social and economic networks of communication. Its urban creativity, though, came to represent the quintessential combination of place and institutions of its time. Through a discussion of Venice and two other works owing their inspiration to this city – Italo Calvino’s Invisible Cities and Le Corbusier’s Venice Hospital – Sophia Psarra describes Venice as a system that starts to resemble a highly probabilistic ‘algorithm’, that is, a structure with a small number of rules capable of producing a large number of variations. The rapidly escalating processes of urban development around our big cities share many of the motivations for survival, shelter and trade that brought Venice into existence. Rather than seeing these places as problems to be solved, we need to understand how urban complexity can evolve, as happened from its unprepossessing origins in the marshes of the Venetian lagoon to the ‘model city’ that endured a thousand years. This book frees Venice from stereotypical representations, revealing its generative capacity to inform potential other ‘Venices’ for the future. |
| doge's palace history: Secret Venice Thomas Jonglez, Paola Zoffoli, 2018 Five years of research were needed to conceive this exceptional guide, which will allow all lovers of Venice and the Venetians themselves to start exploring the most extraordinary city in the world, away from the beaten path. |
| doge's palace history: Venice and the Islamic World, 828-1797 Institut du Monde Arabe (Paris), 2007-01-01 From 828, when Venetian merchants carried home from Alexandria the stolen relics of St. Mark, to the fall of the Venetian Republic to Napoleon in 1797, the visual arts in Venice were dramatically influenced by Islamic art. Because of its strategic location on the Mediterranean, Venice had long imported objects from the Near East through channels of trade, and it flourished during this particular period as a commercial, political, and diplomatic hub. This monumental book examines Venice's rise as the bazaar of Europe and how and why the city absorbed artistic and cultural ideas that originated in the Islamic world. Venice and the Islamic World, 828–1797 features a wide range of fascinating images and objects, including paintings and drawings by familiar Venetian artists such as Bellini, Carpaccio, and Tiepolo; beautiful Persian and Ottoman miniatures; and inlaid metalwork, ceramics, lacquer ware, gilded and enameled glass, textiles, and carpets made in the Serene Republic and the Mamluk, Ottoman, and Safavid Empires. Together these exquisite objects illuminate the ways Islamic art inspired Venetian artists, while also highlighting Venice's own views toward its neighboring region. Fascinating essays by distinguished scholars and conservators offer new historical and technical insights into this unique artistic relationship between East and West. |
| doge's palace history: The Genius of Renoir Sterling and Francine Clark Art Institute, John House, James A. Ganz, 2010 Produced by Museo Nacional del Prado in association with the Sterling and Francine Clark Art Institute, in conjunction with an exhibition at the Prado, 18 October 2010-6 February 2011--T.p. verso. |
| doge's palace history: Grace and Grandeur John Garton, 2008 Of the triumvirate of sixteenth-century Venetian painters, Titian, Veronese, and Tintoretto, Paolo [Caliari] Veronese (1528-1588) best conveyed Venice's civic splendor. His masterpieces in the Doge's Palace conferred on the Republic a magnificence and authority that was rapidly dwindling by the end of the Renaissance. But on a private level, he also reshaped the fashions of the Serenissima through a steady stream of portrait commissions. Many members of Venice's most elite families sat for Veronese, as did notable artists and authors, including Titian and Sir Phillip Sidney. Once regarded as Venice's best portraitist, his talents in this genre unfortunately remain largely unknown to modern audiences. This book offers the first comprehensive study of the approximately forty portraits that survive. Shedding new light on early works, such as the pendants of the Da Porto and the frescos of the Barbaro in the Palladian villa at Maser, Professor Garton also examines Paolo's images of women within the larger polemics surrounding the anonymous beauties of Giorgione, Palma il Vecchio, and Titian. The author analyzes Veronese's innovations in martial portraiture, melancholic portrayals of artists and nobility, and evocations of the antique. Relevant issues of social history, class insecurity, and poetic convention are all brought to bear in deciphering the meanings of these images and what they reveal about the painter and his clientele. This layered study of Venice's golden age of painting ends appropriately with a glance at the moderns who profited most from the study of Veronese's portraits: Jean-Baptiste Carpeaux, Henri Fantin-Latour, Mary Cassatt, and Henri Matisse. A complete catalogue of Veronese's portraits follows the chapters. |
| doge's palace history: La Basilica Di San Marco a Venezia. Ediz. Inglese Ettore Vio, 1999 The church that the Venetians built to house the body of St. Mark, taken by them from Alexandria, is famous the world over. They spared no expense, and employed the most skilled artisans, to create a monument to their faith in their patron saint and to their commercial and artistic glory. Mosaics, marbles, pavements, sculptures, icons and decorations are unrivalled in their sumptuousness and as examples of Byzantine art at its apex. With 133 high-quality color photographs, including many details and many full-page illustrations, this book provides complete documentation of the history and decorative program of the Basilica. It will appeal to those who are interested in Venice, in Byzantine art, in mosaics, pavements, the decorative arts, and Church history. |
| doge's palace history: The New Venice Haggadah , 2021 |
| doge's palace history: Nobility and Analogous Traditional Elites in the Allocutions of Pius XII Plinio Corrêa de Oliveira, 1993 Explores the role of the nobility and analogous traditional elites in contemporary society. |
| doge's palace history: A History of Venice John Julius Norwich, 2003-07-03 John Julius Norwich's dazzling history of Venice from its origins to its eighteenth century fall. 'Lord Norwich has loved and understood Venice as well as any other Englishman has ever done. He has put readers of his generation more in his debt than any other English writer' Peter Levi, The Sunday Times. |
| doge's palace history: Venice Christopher Hibbert, 1988 Merchants and crusaders - Travellers and imperialists - Empire in danger - Venice of Martin Sanudo - Defeats and triumphs - Artists and architects - Ambassadors and visitors - Conspirators and enemies - Venice of the eighteenth century - Napoleonic interlude - Romantic response - Daniele Manin and the New Republic - City under Siege - Venice of the Ruskins - Tourists and Exiles - Venetian Nocturne.; Religious festivals including The Redentore, The Salute and others - Carnivals - Costume - Theatre. |
| doge's palace history: Venice : Her Art-treasures and Historical Associations Adalbert Müller, 1864 |
| doge's palace history: Art in Venice Stefano Zuffi, 2002-05-01 Art in Venice is a lavishly illustrated and comprehensive collection of the painting, architecture, sculpture, mosaic, glass, and gold work of one of the world's most romantic, beautiful, and historically rich cities. The book is organized in a straightforward chronological fashion: divided into major periods of Venetian history, each section including historical and cultural information, as well as the exact location of each artwork and biographies of each of the artists discussed. Including over 500 masterpieces from the eight to the twentieth century, the book features the art of such important Venetian masters as Bellini, Mantegna, Giorgione, Titian, Veronese, and Tintoretto. |
| doge's palace history: Venice: A History John Davis, 2017-05-18 Rarely in history has a great city arisen in a less likely place than the islands and mud flats of the Venetian lagoon. But they provided the city’s founders with a refuge from the barbarians who had invaded their mainland homes. With energy and ingenuity, these displaced people created a maritime empire of unequaled splendor. At its height, the Republic of Venice was said to encompass “one quarter and one half of one quarter” of the known world. During those years, its merchant princess lived more lavishly than many kings. With the discovery of the New World, however, Venice’s trading monopolies were broken. The long, slow decline that followed was protracted and infinitely poignant. Today, the decaying buildings adjoining the Rialto Bridge serve as haunting reminders of the bygone age of La Serenissima, the Most Serene Republic. Here is the dramatic story of the city that was once known as the most beautiful in the world - the bride of the Adriatic and the unchallenged mistress of the Mediterranean. |
| doge's palace history: The New Larned History for Ready Reference, Reading and Research Josephus Nelson Larned, 1924 |
| doge's palace history: Turner and Venice Ian Warrell, 2004-02-01 One of the world's most beautiful cities is pictured here through the eyes of one of the world's best-loved artists. J.M.W. Turner's translucent, atmospheric paintings and watercolors of Venice have long been celebrated as among the most extraordinary creations of this popular artist's later career. Few other artists have responded with such imaginative inventiveness to the magical combination of water, light, and architecture that is Venice. This beautifully produced book, which accompanies a traveling exhibition that comes to the Kimbell Art Museum this spring, features the largest selection of Turner's paintings and watercolors of Venice ever published, some reproduced for the first time. The texts include contributions by travel writer Jan Morris and historian David Laven, who bring their perspective to the city as it was when visited by Britain's greatest painter. |
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DOGECOIN DAILY DISCUSSION : r/dogecoin - Reddit
F@H (Folding@Home) and GitHub are NOT Doge helplines! From 7 years ago. An open letter to the Dogecoin community from co-founder Billy Markus. Had a few people ask me to mention …
Kabosu dies: Shiba inu which inspired the 'doge' meme and
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Elon Musk And His Plan With DOGE! (Broken down step by step)
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r/doge - Reddit
r/doge: Welcome to /r/doge. Action Movies & Series; Animated Movies & Series; Comedy Movies & Series; Crime, Mystery, & Thriller Movies & Series
How did the Doge meme's start? - r/AskReddit
Mar 6, 2014 · On November 20, 2013, Youtube implemented an Easter egg, that changes the text to be colored and in Comic Sans, much like the original internal-monologue style captions, …
Samurai doge [3840x2160] : r/wallpaper - Reddit
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[Guide] Recover DOGEs from a wallet(.dat) backup made on
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