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| ear training for bass players: Music Theory for the Bass Player Ariane Cap, 2018-12-22 Music Theory for the Bass Player is a comprehensive and immediately applicable guide to making you a well-grounded groover, informed bandmate and all-around more creative musician. Included with this book are 89 videos that are incorporated in this ebook. This is a workbook, so have your bass and a pen ready to fill out the engaging Test Your Understanding questions! Have you always wanted to learn music theory but felt it was too overwhelming a task? Perhaps all the books seem to be geared toward pianists or classical players? Do you know lots of songs, but don't know how the chords are put together or how they work with the melody? If so, this is the book for you! • Starting with intervals as music's basic building blocks, you will explore scales and their modes, chords and the basics of harmony. • Packed with fretboard diagrams, musical examples and exercises, more than 180 pages of vital information are peppered with mind-bending quizzes, effective mnemonics, and compelling learning approaches. • Extensive and detailed photo demonstrations show why relaxed posture and optimized fingering are vital for good tone, timing and chops. • You can even work your way through the book without being able to read music (reading music is of course a vital skill, yet, the author believes it should not be tackled at the same time as the study of music theory, as they are different skills with a different practicing requirement. Reading becomes much easier once theory is mastered and learning theory on the fretboard using diagrams and patterns as illustrations, music theory is very accessible, immediately usable and fun. This is the definitive resource for the enthusiastic bassist! p.p1 {margin: 0.0px 0.0px 0.0px 0.0px; font: 13.0px Helvetica} p.p2 {margin: 0.0px 0.0px 0.0px 0.0px; font: 13.0px Helvetica; min-height: 16.0px} This book and the 89 free videos stand on their own and form a thorough source for studying music theory for the bass player. If you'd like to take it a step further, the author also offers a corresponding 20 week course; this online course works with the materials in this book and practices music theory application in grooves, fills and solos. Information is on the author's blog. |
| ear training for bass players: Jamey Aebersold's Jazz Ear Training: Book & 2 CDs Jamey Aebersold, 2015-02 Jamey Aebersold's Jazz Ear Training is a no-nonsense approach consisting of two hours of recorded ear training exercises with aural instructions before each. It starts very simply, with intervals and gradually increases in difficulty until you are hearing chord changes and progressions. All answers are listed in the book, and contains transposed parts for C, B-flat, and E-flat instruments to allow playing along. Beginning to advanced levels. |
| ear training for bass players: Building Walking Bass Lines Hal Leonard Publishing Corporation, 1995 El-basguitarskole. |
| ear training for bass players: Berklee Jazz Bass Rich Appleman, Whit Browne, Bruce Gertz, 2016-05-01 (Berklee Guide). Learn the art of jazz bass. Whether you are new to playing jazz or wish to hone your skills, and whether you play acoustic or electric bass, this book will help you expand your basic technique to create interesting and grooving bass lines and melodically interesting solos. Included are 166 audio tracks of demonstrations and play-alongs, featuring a complete jazz combo playing bass lines and solos over standard jazz progressions. |
| ear training for bass players: The Pattern System for the Bass Player Ariane Cap, Wolfgang Wein, 2021-04-30 This concise guide leads the learner to attain superior familiarity with the fretboard. It achieves this by strategically dividing the bass into six areas and employing systematic practice regimens, challenging scalar drills as well as creative improvisation exercises. Powerful and precise instructions on how to practice using all senses, how to best utilize the metronome and how to incorporate mental training lead the learner to a deeper understanding of the patterns of music. |
| ear training for bass players: Topics in Jazz Bass Danny Ziemann, 2021-01-20 Do you usually shake your head no when offered a chance to solo? Maybe you think it's not a part of the job. After all, you didn't learn the instrument to sound like a guitarist, right? However, a bassist who avoids soloing is like a baker who refuses to frost their cakes. Sure, frosting is decoration, and too much is dangerous. But your bass playing is meant to be more than just a dry foundation. Maybe you've tried soloing and the effort fell flat. You even learned the scales, memorized patterns, followed advice, and attempted transcribing, only to produce less-than-stellar solos. What if you discovered a way to break past your limitations and solo with freedom and authentic self-expression? Topics in Jazz Bass Vol. 2: Soloing is a groundbreaking resource that can tie all of your efforts together and get you soloing with confidence. Through this book, you will: Discover powerful ear-training techniques to unlock your inner soloist. Develop a melodic, compositional approach to building a solo. Finally understand what the players around you are doing and know how to step up when called upon. Complete with audio examples and a new pick-your-path approach, this book promises to engage you wherever you're at on your musical journey. Written by Danny Ziemann, touring jazz bassist and six-time author, Soloing draws from his extensive performance history, degrees in music education from the Eastman School of Music, and years of teaching experience to provide you with expert-level training. Walk into your next gig ready to nod yes when asked to solo. Buy Topics in Jazz Bass Vol. 2: Soloing today. |
| ear training for bass players: The Advancing Guitarist Mick Goodrick, 1987 General Reference |
| ear training for bass players: Bass Aerobics Jon Liebman, 2011-09-01 (Bass Builders). Perfect for beginning to advanced players, this book with audio by world-renowned bassist and educator Jon Liebman provides a 52-week, one-exercise-per-week workout program for developing, improving and maintaining bass guitar technique. Liebman teaches: chromatics; scales & arpeggios; string-crossing and advanced patterns; slapping & popping; and more -- all in styles ranging from rock, funk and R&B to jazz, disco, reggae and more. Bassists using Bass Aerobics will benefit from increased speed, improved dexterity, better accuracy and heightened coordination not to mention an awesome new groove vocabulary! The accompanying audio contains all 52 workout grooves for both demonstration and play-along. |
| ear training for bass players: Extreme Metal Bass: Essential Techniques, Concepts, and Applications for Metal Bassists Alex Webster, Cannibal Corpse, 2011-09-01 (Bass Instruction). As the original bassist for the seminal death metal band Cannibal Corpse, author Alex Webster offers invaluable insight into the realm of metal bass guitar. This exclusive book/audio pack provides detailed, hands-on training, featuring vital bass guitar techniques and concepts. Extreme Metal Bass further demonstrates how these techniques can be applied in real-life situations within the context of a song. No matter what brand of metal you subscribe to from classic metal to modern metal and beyond Extreme Metal Bass will supply the bass skills you crave. Extreme Metal Bass also includes access to enhanced audio with demonstration and play-along tracks of all the examples in the book, plus play-along MIDI drum files for optimum practicing. This book is designed for players who use a standard-tuned five-string bass (low to high: B-E-A-D-G). If you do not have a five-string bass, a four string (tuned B-E-A-D) will work for much of the material presented. |
| ear training for bass players: Vaideology Steve Vai, 2019-01-01 (Guitar Educational). Experience must-know music knowledge and wisdom through the highly focused lens of legendary guitar virtuoso Steve Vai. This full-color instructional book written by Vai himself features in-depth discussions of the music theory fundamentals that every aspiring (and veteran) guitar player should know, packed with practical exercises, diagrams, tips, inspiring ideas and concepts, practice methods, and ways of looking at music that you may have never considered. Topics covered include: academic vs. experiential learning * reading and writing music * key signatures * chord scales * rhythm basics * guitar harmonics * modes * and much more. |
| ear training for bass players: Fingerboard Harmony for Bass (Bk/Online Audio) Gary Willis, 1997 (Bass Instruction). A comprehensive source for learning the theory and geometry of the bass fingerboard by one of today's leading players and instructors. Includes: 99 audio examples and exercises, hand positions, key centers, the linear approach, and more! Audio features Gary Willis demonstrating 99 examples and exercises. It's accessed online for download or streaming and includes PLAYBACK+, a multi-functional audio player that allows you to slow down audio without chaning pitch, set loop points, change keys, and pan left or right. |
| ear training for bass players: First Bass Josquin Des Pres, 2005 Presents lessons and exercises on the fundamentals of electric bass guitar. |
| ear training for bass players: 101 Bass Tips Gary Willis, 2002-01-01 (Bass Instruction). Ready to take your playing to the next level? Renowned bassist Gary Willis presents valuable how-to insight that bassists of all styles and levels can benefit from. The text, photos, music, diagrams and accompanying audio provide a terrific, easy-to-use resource for a variety of topics, including: techniques, improvising and soloing, equipment, practicing, ear training, performance, theory, and much more. |
| ear training for bass players: The Jazz Bass Book John Goldsby, 2002 Spilleteknisk, biografisk og historisk indføring i en række jazzbassisters spillestil |
| ear training for bass players: Ray Brown's Bass Method Ray Brown, 1999 (Bass Instruction). Legendary jazz bassist Ray Brown reveals his lessons and teaching philosophy in this in-depth book. Includes: solo exercises and arpeggios; music fundamentals; right- and left-hand positions; scales; chords; exercises in tenths; rhythm patterns with drops; diminished chords; runs and variations; blues patterns; extension scales; and much more. |
| ear training for bass players: The Evolving Bassist Rufus Reid, 1983 |
| ear training for bass players: Serious Electric Bass Joel Di Bartolo, 1997-02-13 Bass basics, major scales and modes, harmonic and melodic minor scales and modes, arpeggio patterns and symmetric scales (whole tone and diminished). Serious Electric Bass is a definitive, comprehensive, user-friendly guide for electric bassists of all levels. |
| ear training for bass players: Foundation Exercises For Bass Chuck Sher, 2011-01-12 This book is designed to teach the fundamentals of bass playing to anyone, regardless of the style of music or level of the player. For electric or acoustic bass, it shows how to practice scales, arpeggios, rhythms, ear training, bass line construction, and more in a creative way that makes learning to play music fun! Endorsed by Marc Johnson, Larry Grenadier, Bobby Vega, Steve Swallow, etc. |
| ear training for bass players: Bass Grooves Ed Friedland, 2004-08-01 (Book). This invaluable guide and accompanying CD give bass players both the musical background and training needed to get on with their grooving. With lessons guided by a metronome and presented in various musical styles and rhythmic applications, bassists increase their ability to internalize rhythm. The book also breaks down classic styles and grooves from rock, blues, R&B, jazz, Afro-Caribbean, and other traditions. Each example includes a notated version of the drum part and details how to program it into a drum machine. |
| ear training for bass players: Primacy of the Ear Ran Blake, 2010 Many music books are designed to help better understand written music and theory, but Primacy of the Ear focuses on the development of the ear.Primacy outlines pianist and MacArthur Fellow Ran Blake's approach to growing the ear and explains how musical memory is the key to becoming a more potent musician and shaping a personal musical style.Included are the legendary ear-robics exercises, developed by Ran over the course of 30 years as head of the Contemporary Improvisation Department at New England Conservatory of Music.Also covered: The Auteur Theory and how it translates into music making, developing and differentiating between the conscious and subconscious mind, listening and musical memory, how to learn from your musical heroes without being consumed by them, developing and using repertoire, and how to record your music most effectively.Primacy of the Ear is Ran Blake's genius distilled--his teaching and musical philosophy in one volume. Co-written by Jason Rogers. |
| ear training for bass players: The Latin Bass Book Chuck Sher, Oscar Stagnaro, 2011-01-12 The only comprehensive book ever published on how to play bass in authentic Afro-Cuban, Brazilian, Caribbean and various South American styles. Over 250 pages of exact transcriptions of every note Oscar plays on the 3 accompanying CDs. Endorsed by Down Beat magazine, Latin Beat magazine, Benny Rietveld, etc. |
| ear training for bass players: Hearing and Writing Music Ron Gorow, 2011-03-15 A self-training manual as well as a classroom text, this book is a complete step-by-step course to develop the musician's ability to hear and notate any style of music. Personal training, thoery and exercises produce techniques which are combined in an integrated craft which may be applied to composition, orchestration, arranging, improvisation and performance. A kind of finishing school for those who wish to pursue a career in composing, orchestrating, arranging or performing. -- The Score, Society of Composers and Lyricists A myriad of practical information. Comprehensive ear training, important because aural skills are among the most overlooked in music education. -- Survey of New Teaching Materials, Jazz Educators journal A synthesis of the author's vast knowledge and his quest to define the question, How do we hear? -- ITG Journal A wonderfully systematic approach to ear training . . . neatly designed and structured, it just flows. Direct and easily understood. -- New books, Jazz Educators Journal Bernard Brandt says: Hearing and Writing Music, by Ron Gorow, is a superb book. It makes a simple and elegant presentation of the internal process by which we hear sounds and music, how we recognize intervals, chords, melody, harmony, counterpoint, and the timbre of instrumentation/ orchestration, how we can develop the skills of listening, auditory memory and imagination, and how to use these skills to hear and to write down music of any sort. The hallmark of an expert is the ability to explain the basics of his field as simply as possible. By that standard, Mr. Gorow has proven his expertise in this book. I note that the other reviews, both for Amazon and in musical journals, tend to limit the importance of Hearing and Writing Music to ear training. I believe that Mr. Gorow's book is valuable for much more than ear training. I have studied it, and as a result of that study, I believe that my auditory memory and imagination and my abilities in score reading have improved enormously. Further, I have been able to use the skills in this book to transcribe melodies, harmonies and counterpoint almost effortlessly, both those that I have heard, and those which existed only in my imagination. This book has opened many doors for me. I believe that it can do so for many others. |
| ear training for bass players: Steve Bailey -- Six String Bass Steve Bailey, 1991-12 Six String Bass is written to help you make the transition from either the four or five string bass to the six string. The book begins with an exploration of the low B and high C strings followed by scale studies, random note studies, technique, and chord voicings (triads, seventh chords and inversions). |
| ear training for bass players: Essential Music Theory for Electric Bass Robert Garner, 2010-10-07 This book is designed to help guide a beginning music theory dialogue between instructor and student in private one-on-one lessons. Six areas of beginning music theory are covered. the major scale, the natural minor scale, intervals, triads, seventh chords and harmonized major and minor scales. Fingerings, intervallic structures and note names are also diagrammed in each chapter.It is highly recommended that this book is used in the course of study with a professional bass instructor, though many players have found the book to be useful in self-study. A good bass teacher will help explain and demonstrate theory concepts in a live setting and also shed additional light in terms of alternate fingerings, ear training and gaining full technical mastery of theory concepts across the entire fingerboard |
| ear training for bass players: Creative Bass Technique Exercises Dan Hawkins, Joseph Alexander, 2019-02-21 Discover fully-formed musical grooves, riffs and licks you can incorporate into your playing right now - each one carefully crafted to develop dexterity, timing and feel. |
| ear training for bass players: Pentatonic Scales for Jazz Improvisation Ramon Ricker, 1999-11-27 More than a pattern book, this lays out the theory behind the use of pentatonic scales in jazz, and follows with transcribed solos and exercises. Still a favorite after 14 years, this book has become a standard in the field. |
| ear training for bass players: Jazz Ears Thom David Mason, 1997 (Jazz Book). From Thom Mason comes a fun and interesting guide to help you develop aural skills. This book focuses on improving your technique in hearing pitches, rhythms, melodies, and chord progressions, as directly applied to actual music in the jazz repertoire. The text will help you to hear music in your head from the written page, transcribe, and sight sing, all the while making it musical through appropriate jazz phrasing and articulations. The valuable lessons learned can be applied to any instrument or voice, with skills that transcend jazz, useful in all styles of music. |
| ear training for bass players: The Music Lesson Victor L. Wooten, 2008-04-01 From Grammy-winning musical icon and legendary bassist Victor L. Wooten comes an inspiring parable of music, life, and the difference between playing all the right notes…and feeling them. The Music Lesson is the story of a struggling young musician who wanted music to be his life, and who wanted his life to be great. Then, from nowhere it seemed, a teacher arrived. Part musical genius, part philosopher, part eccentric wise man, the teacher would guide the young musician on a spiritual journey, and teach him that the gifts we get from music mirror those from life, and every movement, phrase, and chord has its own meaning...All you have to do is find the song inside. “The best book on music (and its connection to the mystic laws of life) that I've ever read. I learned so much on every level.”—Multiple Grammy Award–winning saxophonist Michael Brecker |
| ear training for bass players: Ear Training for the Contemporary Musician Keith Wyatt, Joe Elliott, Carl Schroeder, 2005 (Musicians Institute Press). This book with online audio access takes you step by step through MI's well-known Ear Training course. Complete lessons and analysis include: basic pitch matching * singing major and minor scales * identifying intervals * transcribing melodies and rhythm * identifying chords and progressions * seventh chords and the blues * modal interchange, chromaticism, modulation * and more! Learn to hear and to visualize on your instrument. Take your playing from good to great! Over 2 hours of practice exercises with complete answers in the back. The price of this book includes access to audio tracks online, for download or streaming, using the unique code inside the book. Now including PLAYBACK+, a multifunctional audio player that allows you to slow down audio without changing pitch, set loop points, change keys, and pan left or right available exclusively from Hal Leonard. |
| ear training for bass players: Walking Bassics Ed Fuqua, 2011-01-12 This book gives you all the basic principles underlying solid walking bass lines. Comprehensive, easy to understand, with page after page of great transcriptions of the author's walking lines on the accompanying CD. The CD of NY professional jazz players can also be used as a swinging play-along CD. Endorsed by Eddie Gomez, Jimmy Haslip, John Goldsby, etc. |
| ear training for bass players: Standing in the Shadows of Motown James Jamerson, 1989 (Guitar Book). Bassist James Jamerson was the embodiment of the Motown spirit and groove the invisible entity whose playing inspired thousands. His tumultuous life and musical brilliance are explored in depth through hundreds of interviews, 49 transcribed musical scores, two hours of recorded all-star performances, and more than 50 rarely seen photos in this stellar tribute to behind-the-scenes Motown. Features a 120-minute CD! Allan Slutsky's 2002 documentary of the same name is the winner of the New York Film Critics Best Documentary of the Year award! |
| ear training for bass players: Chord Tone Mastery for Electric Bass Joe Hubbard, 2019-09-15 Unfortunately, many bass students are blindly taught to practice playing scales and arpeggios up and down their fingerboard without the understanding of the concepts that will enable you to start improvising like the masters! Fortunately, there is a better way to take your improvisation skills to the next level with this game-changing book that you never thought was possible. Plainly and simply, the material covered in this book will revolutionize your bass guitar technique exponentially! As a teacher and clinician, Joe has seen this exact methodology work consistently for both himself and countless years as a teacher- teaching some of the best bass players on the planet including Pino Palladino! By finding the weakest areas of your technique, there is no way to avoid making major leaps and bounds when you put these concepts into purposeful practice! |
| ear training for bass players: Jazz Hanon Leo Alfassy, 2012-01-10 (Music Sales America). Inspired by Charles-Louis Hanon's The Virtuoso Pianist the essential technical method for any classical player these new volumes present a modern-day equivalent for the musician seeking to play the key piano styles of the 20th century. Each book develops basic technique and true facility in each genre through authentic, progressive exercises and etudes. The music in these books is fun to play for pianists at every level, building the necessary skills in each style while providing extensive musical and stylistic insight. |
| ear training for bass players: Bass Hanon Scott Barnard, 2013-07-01 (Bass Instruction). If you want to work on your bass guitar chops, this is the book for you! These 75 exercises will help you build your endurance and flexibility, challenging you in fun, interesting and methodical ways. Topics include: left-hand finger patterns; pull-offs and hammer-ons; string crossing; harmonic technique; arpeggios; scales; blues sequences; chords on the bass; articulations; rhythms; harmonics; and more. |
| ear training for bass players: Guitar Fretboard Guitar Head, 2018-11-27 Learning all the notes on the fretboard taking too long? Or worse - seems impossible? This book will unlock all the notes in 5 Simple steps! Why Should I learn the Fretboard? Throughout my years of experience with the guitar, I have come across multiple pro guitarists who cannot name the note they just played. Learning guitar theory with no knowledge about the names of the fretboard is comparable to learning complex arithmetic equations without knowing numbers! This book will make sure you don't end up like one of those guitarists! Here is why you should learn the fretboard: Understand how notes are arranged on the fretboard Create a mind map to navigate through the fretboard Communicate the ideas you have in your head to written format or to other musicians Create various visual references to make the fretboard less daunting And lots more Why Should I buy this book? It's only fair to ask yourself this question before spending your hard-earned money on anything. Here is what you'll find inside: The whole process of learning the fretboard simplified into 5 easy steps A step by step approach which will give you results even if you are a complete beginner 35+ exercises and tips to make sure you get results as fast as humanly possible The theory behind every concept for those who need it Countless memory techniques to make the process as simple as possible Beginner friendly - no prior music experience required All this taught in less than a day! Why this book from among the 100 others? I know there are multiple books out there that teaches you the exact same things. They have a lot more reviews and have been out for longer than this book. But here is how this book is different: Unique memory techniques which cannot be found elsewhere High-quality pictures and diagrams to give you the whole picture Free bonus material including fretboard diagrams, Flashcards, Reference material and lots more! Gives you results faster than any book out there! I hope that was enough reasons to make you jump onto the book! So, what are you waiting for? Scroll up and click the BUY NOW button to get access to such a goldmine! |
| ear training for bass players: Tapping Grooves Josh Cohen, 2021-06-22 Tapping Grooves: Vol. 1 is a transcription and play-along book for 4, 5 and 6-string bass guitars containing 27 different tapping grooves. These grooves are intended to show the modern bass player how to use tapping techniques to create multi-layered polyphonic grooves that emulate the sound of entire rhythm section. Each of the grooves contained in this book come with access to unique play-along recordings featuring both a sample of the groove and a drum/percussion track in which practice your own playing! |
| ear training for bass players: Contextual Ear Training Bruce Arnold, 2007 This book comes with no CDs. You will need four CDs to work with this book. These CDs can be bought separately or you may download MP3 files from various on-line vendors. Contextual Ear Training is a major expansion of the One Note exercise from the Fanatic's Guide to Sight Singing and Ear Training. Much of the material from the first few chapters of Fanatic's Guide is included in this book. This is because some students may be purchasing this book and not the Fanatic's Guide. It's recommend that you first work with the Fanatic's Guide before using this book, although you can certainly work with both simulta-neously, to good effect. For some students working without the Fanatic's Guide may be fine but Contextual Ear Training assumes you have a fair degree of proficiency with the One Note exercise in Fanatic's Guide. So to reiterate, if you find this book and associated CD too hard it would be suggest that first work with the Fanatic's Guide. Although the One Note exercise is just the first exercise in Fanatic's Guide it's really the key to the whole methodology. Many students can easily sing through all exercises in the Fanatic's Guide once they have mastered the One Note exercise. However, It would still recommend getting the Fanatic's Guide because cases have be seen where a person has mastered the One Note technique but still has problems with the other Fanatic's Guide exercises, so it's prudent to make sure you are not one of those people. If you are new to this Ear Training Series its also recommend that you work with Ear Training One Note Complete book as a companion to this method. The One Note exercise is an extremely good exercise and thefour CDs that are available separately from this book really help a student to focus in on this technique in a structured way. Contextual Ear Training includes a music theory section and FAQ sec |
| ear training for bass players: Right Hand Drive Damian Erskine, 2019-05-21 Right Hand Drive primarily explores Damian's unique, 3-finger, percussive style of using his plucking hand. It contains a wealth of patterns, grooves and exercises specifically tailored to developing this technique. Readers are also presented with a myriad of ways to practice combining harmonic and rhythmic exercises and use them to explore harmony in new ways. Regardless of your chosen techniques, readers will discover how to incorporate them in exciting ways and learn how to create exercises of their own. |
| ear training for bass players: Harmony and Voice Leading Edward Aldwell, Carl Schachter, 1978 Harmony and voice leading is a textbook in two volumes dealing with tonal organization in the music of the eighteenth and nineteenth centuries. |
| ear training for bass players: Understanding Basic Music Theory Catherine Schmidt-Jones, 2018-01-28 The main purpose of the book is to explore basic music theory so thoroughly that the interested student will then be able to easily pick up whatever further theory is wanted. Music history and the physics of sound are included to the extent that they shed light on music theory. The main premise of this course is that a better understanding of where the basics come from will lead to better and faster comprehension of more complex ideas.It also helps to remember, however, that music theory is a bit like grammar. Catherine Schmidt-Hones is a music teacher from Champaign, Illinois and she has been a pioneer in open education since 2004. She is currently a doctoral candidate at the University of Illinois in the Open Online Education program with a focus in Curriculum and Instruction. |
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