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| edith o'donnell arts and technology building: Designing Culture Anne Balsamo, 2011-07-19 The cultural theorist and media designer Anne Balsamo calls for transforming learning practices to inspire culturally attuned technological imaginations. |
| edith o'donnell arts and technology building: The Monuments Men Robert M. Edsel, 2009-09-03 The book that serves as the basis for the acclaimed George Clooney major motion picture, The Monuments Men. At the same time Adolf Hitler was attempting to take over the western world, his armies were methodically seeking and hoarding the finest art treasures in Europe. The Fuhrer had begun cataloguing the art he planned to collect as well as the art he would destroy: degenerate works he despised. In a race against time, behind enemy lines, often unarmed, a special force of American and British museum directors, curators, art historians, and others, called the Monuments Men, risked their lives scouring Europe to prevent the destruction of thousands of years of culture. Focusing on the eleven-month period between D-Day and V-E Day, this fascinating account follows six Monuments Men and their impossible mission to save the world's great art from the Nazis. |
| edith o'donnell arts and technology building: Moral Imagination Mark Johnson, 2014-12-10 Using path-breaking discoveries of cognitive science, Mark Johnson argues that humans are fundamentally imaginative moral animals, challenging the view that morality is simply a system of universal laws dictated by reason. According to the Western moral tradition, we make ethical decisions by applying universal laws to concrete situations. But Johnson shows how research in cognitive science undermines this view and reveals that imagination has an essential role in ethical deliberation. Expanding his innovative studies of human reason in Metaphors We Live By and The Body in the Mind, Johnson provides the tools for more practical, realistic, and constructive moral reflection. |
| edith o'donnell arts and technology building: The Integration of the Humanities and Arts with Sciences, Engineering, and Medicine in Higher Education National Academies of Sciences, Engineering, and Medicine, Policy and Global Affairs, Board on Higher Education and Workforce, Committee on Integrating Higher Education in the Arts, Humanities, Sciences, Engineering, and Medicine, 2018-06-21 In the United States, broad study in an array of different disciplines â€arts, humanities, science, mathematics, engineering†as well as an in-depth study within a special area of interest, have been defining characteristics of a higher education. But over time, in-depth study in a major discipline has come to dominate the curricula at many institutions. This evolution of the curriculum has been driven, in part, by increasing specialization in the academic disciplines. There is little doubt that disciplinary specialization has helped produce many of the achievement of the past century. Researchers in all academic disciplines have been able to delve more deeply into their areas of expertise, grappling with ever more specialized and fundamental problems. Yet today, many leaders, scholars, parents, and students are asking whether higher education has moved too far from its integrative tradition towards an approach heavily rooted in disciplinary silos. These silos represent what many see as an artificial separation of academic disciplines. This study reflects a growing concern that the approach to higher education that favors disciplinary specialization is poorly calibrated to the challenges and opportunities of our time. The Integration of the Humanities and Arts with Sciences, Engineering, and Medicine in Higher Education examines the evidence behind the assertion that educational programs that mutually integrate learning experiences in the humanities and arts with science, technology, engineering, mathematics, and medicine (STEMM) lead to improved educational and career outcomes for undergraduate and graduate students. It explores evidence regarding the value of integrating more STEMM curricula and labs into the academic programs of students majoring in the humanities and arts and evidence regarding the value of integrating curricula and experiences in the arts and humanities into college and university STEMM education programs. |
| edith o'donnell arts and technology building: An Illini Place Lex Tate, John Franch, 2017-04-17 Why does the University of Illinois campus at Urbana-Champaign look as it does today? Drawing on a wealth of research and featuring more than one hundred color photographs, An Illini Place provides an engrossing and beautiful answer to that question. Lex Tate and John Franch trace the story of the university's evolution through its buildings. Oral histories, official reports, dedication programs, and developmental plans both practical and quixotic inform the story. The authors also provide special chapters on campus icons and on the buildings, arenas and other spaces made possible by donors and friends of the university. Adding to the experience is a web companion that includes profiles of the planners, architects, and presidents instrumental in the campus's growth, plus an illustrated inventory of current and former campus plans and buildings. |
| edith o'donnell arts and technology building: Texas Women Suzanne Weaver, Lana Meador, 2020-02-04 This catalogue is published on the occasion of the exhibition Texas Women: A New History of Abstract Art, organized by the San Antonio Museum of Art and on view February 7 through May 3, 2020. |
| edith o'donnell arts and technology building: Monumentality in Etruscan and Early Roman Architecture Michael L. Thomas, Gretchen E. Meyers, 2012-11-01 Every society builds, and many, if not all, utilize architectural structures as markers to define place, patron, or experience. Often we consider these architectural markers as “monuments” or “monumental” buildings. Ancient Rome, in particular, is a society recognized for the monumentality of its buildings. While few would deny that the term “monumental” is appropriate for ancient Roman architecture, the nature of this characterization and its development in pre-Roman Italy is rarely considered carefully. What is “monumental” about Etruscan and early Roman architecture? Delving into the crucial period before the zenith of Imperial Roman building, Monumentality in Etruscan and Early Roman Architecture addresses such questions as, “What factors drove the emergence of scale as a defining element of ancient Italian architecture?” and “How did monumentality arise as a key feature of Roman architecture?” Contributors Elizabeth Colantoni, Anthony Tuck, Nancy A. Winter, P. Gregory Warden, John N. Hopkins, Penelope J. E. Davies, and Ingrid Edlund-Berry reflect on the ways in which ancient Etruscans and Romans utilized the concepts of commemoration, durability, and visibility to achieve monumentality. The editors’ preface and introduction underscore the notion of architectural evolution toward monumentality as being connected to the changing social and political strategies of the ruling elites. By also considering technical components, this collection emphasizes the development and the ideological significance of Etruscan and early Roman monumentality from a variety of viewpoints and disciplines. The result is a broad range of interpretations celebrating both ancient and modern perspectives. |
| edith o'donnell arts and technology building: The Complete Book of Colleges, 2017 Edition Princeton Review (Firm), 2016-07 The MEGA-GUIDE to 1,355 COLLEGES AND UNIVERSITIES! No one knows colleges better than The Princeton Review! Inside The Complete Book of Colleges, 2017 Edition, you'll find meticulously researched information that will help you narrow the search for the best college for you! Each of the 1,355 user-friendly profiles answers your questions, including: * How much are tuition and other student fees and costs? * What types of financial aid are available, and when are the applications due? * What do admissions officers most look for in test scores and recommendations? * Which majors are the most popular and have the highest enrollment? * What is the housing like, and how accessible is technology on campus? * What are the key campus organizations, athletics, and student activities? * How selective is the school? * Plus! Indexes based on cost, selectivity, and size that will help you narrow your search. Get a leg up on your college search with this easy-to-use, comprehensive, and savvy guidebook from the experts at The Princeton Review. |
| edith o'donnell arts and technology building: Dictator's Dreamscape Joseph R. Hartman, 2019-04-23 Joseph Hartman focuses on the public works campaign of Cuban president, and later dictator, Gerardo Machado. Political histories often condemn Machado as a US-puppet dictator, overthrown in a labor revolt and popular revolution in 1933. Architectural histories tend to catalogue his regime’s public works as derivatives of US and European models. Dictator’s Dreamscape reassesses the regime’s public works program as a highly nuanced visual project embedded in centuries-old representations of Cuba alongside wider debates on the nature of art and architecture in general, especially in regards to globalization and the spread of US-style consumerism. The cultural production overseen by Machado gives a fresh and greatly broadened perspective on his regime’s accomplishments, failures, and crimes. The book addresses the regime’s architectural program as a visual and architectonic response to debates over Cuban national identity, US imperialism, and Machado’s own cult of personality. |
| edith o'donnell arts and technology building: The Man in the Glass House Mark Lamster, 2018-11-06 A smoothly written and fair-minded (Wall Street Journal) biography of architect Philip Johnson -- a finalist for the National Book Critic's Circle Award. When Philip Johnson died in 2005 at the age of 98, he was still one of the most recognizable and influential figures on the American cultural landscape. The first recipient of the Pritzker Prize and MoMA's founding architectural curator, Johnson made his mark as one of America's leading architects with his famous Glass House in New Caanan, CT, and his controversial AT&T Building in NYC, among many others in nearly every city in the country -- but his most natural role was as a consummate power broker and shaper of public opinion. Johnson introduced European modernism -- the sleek, glass-and-steel architecture that now dominates our cities -- to America, and mentored generations of architects, designers, and artists to follow. He defined the era of starchitecture with its flamboyant buildings and celebrity designers who esteemed aesthetics and style above all other concerns. But Johnson was also a man of deep paradoxes: he was a Nazi sympathizer, a designer of synagogues, an enfant terrible into his old age, a populist, and a snob. His clients ranged from the Rockefellers to televangelists to Donald Trump. Award-winning architectural critic and biographer Mark Lamster's The Man in the Glass House lifts the veil on Johnson's controversial and endlessly contradictory life to tell the story of a charming yet deeply flawed man. A rollercoaster tale of the perils of wealth, privilege, and ambition, this book probes the dynamics of American culture that made him so powerful, and tells the story of the built environment in modern America. |
| edith o'donnell arts and technology building: Through the Lens HALL Group, 2019-06-28 Through the Lens: Dallas Arts District is a collaboration between the Dallas Arts District (DAD), HALL Group, corporate sponsors and participating local photographers to raise funds for the Dallas Arts District Foundation - the granting arm that re-invests in the visual and performing arts in Dallas.'Through the Lens' was a juried photography competition, open to artists at all levels of experience, featuring photos of the Dallas Arts District. A total of 91 winning images and 57 photographers are featured in this hardbound coffee table book sold at venues throughout the Dallas Arts District. All gross proceeds from the sale of the book will be donated to the Dallas Arts District Foundation. This is the first fundraiser that will support the grants program since the first donation in 1984 by the Crow family. |
| edith o'donnell arts and technology building: Book Traces Andrew M. Stauffer, 2021-02-05 In most college and university libraries, materials published before 1800 have been moved into special collections, while the post-1923 books remain in general circulation. But books published between these dates are vulnerable to deaccessioning, as libraries increasingly reconfigure access to public-domain texts via digital repositories such as Google Books. Even libraries with strong commitments to their print collections are clearing out the duplicates, assuming that circulating copies of any given nineteenth-century edition are essentially identical to one another. When you look closely, however, you see that they are not. Many nineteenth-century books were donated by alumni or their families decades ago, and many of them bear traces left behind by the people who first owned and used them. In Book Traces, Andrew M. Stauffer adopts what he calls guided serendipity as a tactic in pursuit of two goals: first, to read nineteenth-century poetry through the clues and objects earlier readers left in their books and, second, to defend the value of keeping the physical volumes on the shelves. Finding in such books of poetry the inscriptions, annotations, and insertions made by their original owners, and using them as exemplary case studies, Stauffer shows how the physical, historical book enables a modern reader to encounter poetry through the eyes of someone for whom it was personal. |
| edith o'donnell arts and technology building: Cézanne Drawing Kiko Aebi, Annemarie Iker, Laura Neufeld, 2021 Although he is most often celebrated as a painter, Paul Cézanne's extraordinary vision was fuelled by his experiments on paper. In pencil and watercolour, on individual sheets and across the pages of sketchbooks, the artist described form through multiple probing lines; realized compositions through repetitions and transformations; and conjured kaleidoscopic colour through laborious layering of watercolour. It is in these material realities of drawing where we see Cézanne at his most modern: embracing the unfinished, making process visible, and actively inviting the viewer to participate in the act of perception. To date, exhibitions devoted to Cézanne have tended to focus on a single genre, a specific theme, or an isolated moment within the artist's oeuvre. Published to accompany an exhibition at The Museum of Modern Art, this is the first major effort to unite drawings from across Cézanne's entire career, tracing the development of his practice on paper, exploring working methods that transcend subject, and devoting research to conservation as well as curatorial fronts. |
| edith o'donnell arts and technology building: Educational Design Research Jan Van den Akker, Koeno Gravemeijer, Susan McKenney, Nienke Nieveen, 2006-11-22 The field of design research has been gaining momentum over the last five years, particularly in educational studies. As papers and articles have grown in number, definition of the domain is now beginning to standardise. This book fulfils a growing need by providing a synthesised assessment of the use of development research in education. It looks at four main elements: background information including origins, definitions of development research, description of applications and benefits and risks associated with studies of this kind how the approach can serve the design of learning environments and educational technology quality assurance - how to safeguard academic rigor while conducting design and development studies a synthesis and overview of the topic along with relevant reflections. |
| edith o'donnell arts and technology building: Love & War James Carville, Mary Matalin, 2014-12-30 New York Times bestseller Twenty years after the publication of the bestselling All’s Fair, James Carville and Mary Matalin look at how they—and America—have changed in the last two decades. James Carville and Mary Matalin have long held the mantle of the nation’s most ideologically mismatched and intensely opinionated political couple. In this follow-up to All’s Fair, Carville and Matalin pick up the story they began in that groundbreaking bestseller and talk family, faith, love, and politics in their two winning voices. If nothing else, this new collaboration proves that after twenty years of marriage they can still manage to agree on a few things. A fascinating look at the last two decades in American politics and an intimate, quick-witted primer on grown-up relationships and values, Love & War provides unprecedented insight into one of our nation’s most intriguing and powerful couples. With their natural charm and sharp intelligence, Carville and Matalin have written undoubtedly the most spirited memoir of the year. |
| edith o'donnell arts and technology building: Bonds of Salvation Ben Wright, 2020-12-16 Ben Wright’s Bonds of Salvation demonstrates how religion structured the possibilities and limitations of American abolitionism during the early years of the republic. From the American Revolution through the eruption of schisms in the three largest Protestant denominations in the 1840s, this comprehensive work lays bare the social and religious divides that culminated in secession and civil war. Historians often emphasize status anxieties, market changes, biracial cooperation, and political maneuvering as primary forces in the evolution of slavery in the United States. Wright instead foregrounds the pivotal role religion played in shaping the ideological contours of the early abolitionist movement. Wright first examines the ideological distinctions between religious conversion and purification in the aftermath of the Revolution, when a small number of white Christians contended that the nation must purify itself from slavery before it could fulfill its religious destiny. Most white Christians disagreed, focusing on visions of spiritual salvation over the practical goal of emancipation. To expand salvation to all, they created new denominations equipped to carry the gospel across the American continent and eventually all over the globe. These denominations established numerous reform organizations, collectively known as the “benevolent empire,” to reckon with the problem of slavery. One affiliated group, the American Colonization Society (ACS), worked to end slavery and secure white supremacy by promising salvation for Africa and redemption for the United States. Yet the ACS and its efforts drew strong objections. Proslavery prophets transformed expectations of expanded salvation into a formidable antiabolitionist weapon, framing the ACS's proponents as enemies of national unity. Abolitionist assertions that enslavers could not serve as agents of salvation sapped the most potent force in American nationalism—Christianity—and led to schisms within the Presbyterian, Baptist, and Methodist churches. These divides exacerbated sectional hostilities and sent the nation farther down the path to secession and war. Wright’s provocative analysis reveals that visions of salvation both created and almost destroyed the American nation. |
| edith o'donnell arts and technology building: Jackson Pollock Jo Applin, Gavin Delahunty, Michael Fried, Stephanie Straine, 2015 Jackson Pollock was one of the most influential and provocative American artists of the twentieth century. This fully illustrated publication accompanies the first exhibition in over three decades of a crucial phase of his work, referred to as the Black Pourings. This controversial body of black enamel and oil paintings, which were exceptional in their absolute merging of colour and surface, are accompanied here by drawings that are regarded as his most important and productive as a draughtsman. |
| edith o'donnell arts and technology building: D'Arcy Wentworth Thompson's Generative Influences in Art, Design, and Architecture Ellen K. Levy, Charissa N. Terranova, 2021-03-11 Scottish zoologist D'Arcy Wentworth Thompson's visionary ideas in On Growth and Form continue to evolve a century after its publication, aligning it with current developments in art and science. Practitioners, theorists, and historians from art, science, and design reflect on his ongoing influence. Overall, the anthology links evolutionary theory to form generation in both scientific and cultural domains. It offers a close look at the ways cells, organisms, and rules become generative in fields often otherwise disconnected. United by Thompson's original exploration of how physical forces propel and shape living and nonliving forms, essays range from art, art history, and neuroscience to architecture, design, and biology. Contributors explore how translations are made from the discipline of biology to the cultural arena. They reflect on how Thompson's study relates to the current sciences of epigenesis, self-organization, biological complex systems, and the expanded evolutionary synthesis. Cross-disciplinary contributors explore the wide-ranging aesthetic ramifications of these sciences. A timeline links the history of evolutionary theory with cultural achievements, providing the reader with a valuable resource. |
| edith o'donnell arts and technology building: All's Fair Mary Matalin, James Carville, 1995 Now, in the most provocative look at the inside of a national election battle ever published, Matalin and Carville, the chief strategists for the Bush and Clinton presidential campaigns, tell their sides of the story, laying bare how politicians and their cohorts really operate--and revealing how their romance flourished in the most unlikely circumstances imaginable. 16 pages of photos. |
| edith o'donnell arts and technology building: Why Study History? John Fea, 2024-03-26 What is the purpose of studying history? How do we reflect on contemporary life from a historical perspective, and can such reflection help us better understand ourselves, the world around us, and the God we worship and serve? Written by an accomplished historian, award-winning author, public evangelical spokesman, and respected teacher, this introductory textbook shows why Christians should study history, how faith is brought to bear on our understanding of the past, and how studying the past can help us more effectively love God and others. John Fea shows that deep historical thinking can relieve us of our narcissism; cultivate humility, hospitality, and love; and transform our lives more fully into the image of Jesus Christ. The first edition of this book has been used widely in Christian colleges across the country. The second edition provides an updated introduction to the study of history and the historian's vocation. The book has also been revised throughout and incorporates Fea's reflections on this topic from throughout the past 10 years. |
| edith o'donnell arts and technology building: The House of Blue Leaves John Guare, 1971 Artie Shaugnessy is a songwriter with visions of glory. Toiling by day as a zoo-keeper, he suffers in seedy lounges by night, plying his wares at piano bars in Queens, New York where he lives with his wife, Bananas. Who is. Much to the chagrin of Artie's downstairs mistress, Bunny Flingus who'll sleep with him anytime but refuses to cook until they are married. On the day the Pope is making his first visit to the city, Artie's son Ronny goes AWOL from Fort Dix stowing a home made-bomb intended to blow up the Pope in Yankee Stadium. Also arriving are Artie's old school chum, now a successful Hollywood producer, Billy Einhorn with starlet girlfriend in tow, who holds the key to Artie's dreams of getting out of Queens and away from the life he so despises. But like many dreams, this promise of glory evaporates amid the chaos of ordinary lives. |
| edith o'donnell arts and technology building: México 1900-1950 Agustín Arteaga, 2017 The catalogue has been published in conjunction with the exhibition Maexico 1900-1950: Diego Rivera, Frida Kahlo, Josae Clemente Orozco and the Avant-Garde, on view in Dallas from March 12 to July 16, 2017--Title page verso. |
| edith o'donnell arts and technology building: Issues in Science and Technology , 2013 |
| edith o'donnell arts and technology building: Fuddy Meers David Lindsay-Abaire, 2000 Cast size: medium. |
| edith o'donnell arts and technology building: A History of Eastern Kentucky University William Elliott Ellis, 2005 Eastern Kentucky University (EKU) in Richmond, Kentucky, celebrated its centennial in 2006. EKU has had a colorful history, from the political quandaries surrounding the inception of its predecessor institutions to its financial difficulties during the Depression to its maturing as a leading regional university. Reflecting on the social, economic, and cultural changes in the region over the last century, William E. Ellis follows each university president's administration in the context of the times. Interviews of alumni, faculty, staff, and political figures add to the story. A History of Eas. |
| edith o'donnell arts and technology building: Good Anxiety Wendy Suzuki, 2021-09-07 World-renowned neuroscientist and author of Healthy Brain, Happy Life explains how to harness the power of anxiety into unexpected gifts. We are living in the age of anxiety, a situation that often makes us feel as if we are locked into an endless cycle of stress, sleeplessness, and worry. But what if we had a way to leverage our anxiety to help us solve problems and fortify our wellbeing? What if, instead of seeing anxiety as a curse, we could recognize it for the unique gift that it is? Dr. Wendy Suzuki has discovered a paradigm-shifting truth about anxiety: yes, it is uncomfortable, but it is also essential for our survival. In fact, anxiety is a key component of our ability to live optimally. Every emotion we experience has an evolutionary purpose, and anxiety is designed to draw our attention to vulnerability. If we simply approach it as something to avoid, get rid of, or dampen, we actually miss an opportunity to improve our lives. Listening to our anxieties from a place of curiosity, and without fear, can actually guide us onto a path that leads to joy. Drawing on her own intimate struggles and based on cutting-edge research, Dr. Suzuki has developed an inspiring guidebook for managing unwarranted anxiety and turning it into a powerful asset. In the tradition of Quiet and Thinking, Fast and Slow, Good Anxiety has the power to permanently change how we understand anxiety and, more importantly, how we can use it to improve our lives for the better. |
| edith o'donnell arts and technology building: Sorolla and America Blanca Pons-Sorolla, Mark A. Roglán, 2013 Joaqu n Sorolla y Bastida (1863-1923) first achieved major international success with his painting Otra Margarita (Another Marguerite ) (1892), for which he received first prize at the World's Columbian Exposition of 1893 in Chicago. This painting was also the first work by the Spanish artist to enter an American institution when it was donated to the Museum of Fine Arts (today the Mildred Lane Kemper Art Museum) at Washington University in St. Louis in 1894. Sorolla's fame in America grew; in 1909, more than 150,000 visitors attended an exhibition of Sorolla's art at The Hispanic Society of America in New York in 1909. Furthermore, the artist was invited to the White House to paint the portrait of President William Howard Taft. The landmark exhibition of 1909 was followed two years later by another major show of more than 150 of his paintings held at the Art Institute of Chicago and the St. Louis Art Museum. Sorolla and America explores the artist's relationship with early twentieth century America through the lens of those who commissioned him, those who collected his works, and those artists, such as John Singer Sargent and William Merritt Chase, with whom Sorolla closely associated. Particular attention is dedicated to the artist's association with The Hispanic Society of America and with key figures like Archer Milton Huntington and Thomas Fortune Ryan |
| edith o'donnell arts and technology building: Pagan America Dave Hickey, 2014-01-01 A Simon & Schuster eBook. Simon & Schuster has a great book for every reader. |
| edith o'donnell arts and technology building: All Negro Comics #1 One Publishers, 2015-12-31 This is a reprint of the first comic book created by black artists, writers and publisher, jam-packed with fast action, African Adventure, good clean humor and fantasy. Every brush stroke and pen line in the drawings on these pages are by negro artists. This publication is another milestone in the splendid history of negro journalism. But in this first issue we meet Ace Harlem (a detective), the Dew Dillies (pixie-like children), Lion Man (jungle defender) and Sugarfoot (Amos and Andy type humor). There is also a two-page text story, a one page humor strip, and a quartet of funnies called Hep Chicks on Parade. I would have loved to see Ace Harlem continue and what the artwork would have developed as in Lion Man. And I think that Hep Chicks is funny, regardless of time period. These books are constantly updated with the best version Enjoy a nostalgic trip down memory lane with the best titles from the golden age of comics. Escamilla Comics has lovingly remastered these timeless classics with vivid color correction, image restoration and has also added an enhanced reading experience with Kindle Panel View The comic reprints from Calumet History and Hobby are reproduced from actual classic comics, and sometimes reflect the imperfection of books that are decades old. |
| edith o'donnell arts and technology building: Book of Days Lanford Wilson, 2001 THE STORY: When murder roars through a small Missouri town, Ruth Hoch begins her own quest to find truth and honesty amid small town jealousies, religion, greed and lies. This tornado of a play propels you through its events like a page-turning mys |
| edith o'donnell arts and technology building: PWP Landscape Architecture Peter Walker, Gary R. Hilderbrand, Gina Crandell, Jane Brown Gillette, 2016 Book features projects created since 2005 that show the range of the firm's work, including twelve built projects and eight works in progress. |
| edith o'donnell arts and technology building: The Next Mormons Jana Riess, 2019-02-01 American Millennials--the generation born in the 1980s and 1990s--have been leaving organized religion in unprecedented numbers. For a long time, the Church of Jesus Christ of Latter-day Saints was an exception: nearly three-quarters of people who grew up Mormon stayed that way into adulthood. In The Next Mormons, Jana Riess demonstrates that things are starting to change. Drawing on a large-scale national study of four generations of current and former Mormons as well as dozens of in-depth personal interviews, Riess explores the religious beliefs and behaviors of young adult Mormons, finding that while their levels of belief remain strong, their institutional loyalties are less certain than their parents' and grandparents'. For a growing number of Millennials, the tensions between the Church's conservative ideals and their generation's commitment to individualism and pluralism prove too high, causing them to leave the faith-often experiencing deep personal anguish in the process. Those who remain within the fold are attempting to carefully balance the Church's strong emphasis on the traditional family with their generation's more inclusive definition that celebrates same-sex couples and women's equality. Mormon families are changing too. More Mormons are remaining single, parents are having fewer children, and more women are working outside the home than a generation ago. The Next Mormons offers a portrait of a generation navigating between traditional religion and a rapidly changing culture. |
| edith o'donnell arts and technology building: A Conspiracy of Images John J. Curley, 2013-12-03 An important new look at Cold War art on both sides of the Atlantic |
| edith o'donnell arts and technology building: Trenton Doyle Hancock Denise Markonish, 2019-07-12 Trenton Doyle Hancock has created a world of characters through drawings, paintings, and installations and this field guide immerses readers in his creative process and inspirations. Trenton Doyle Hancock has transformed his childhood love of comic books, toys, and superhero culture into his own creation myth. That mythology and the fascinating, multimedia iterations that it has sparked are told in this captivating and revealing book. Accompanied by images of his paintings, drawings, and installations alongside pictures of his own vast toy and pop culture collections as well as pages from his forthcoming graphic novel, the artist traces the birth of the Mounds and Vegans--the plants and mutants that are forever at war--through which he explores good, evil, authority, race, moral relativism, and religion. Hancock takes readers inside his largest exhibition yet at MASS MoCA--a multi-media work that blends sculpture, painting, and installations to bring the Mounds' world to life. Included in this book are contributions by the exhibition curator Denise Markonish, an art historical essay about Hancock's paintings, and illuminating conversations between Hancock and some of his influences, including Frank Oz. With this book, Hancock merges his personal history with his imagination to create a rich panoply of color, image, and language. Copublished by MASS MoCA and DelMonico Books |
| edith o'donnell arts and technology building: Mountain Windsong Robert J. Conley, 2014-12-11 Set against the tragic events of the Cherokees' removal from their traditional lands in North Carolina to Indian Territory between 1835-1838, Mountain Windsong is a love story that brings to life the suffering and endurance of the Cherokee people. It is the moving tale of Waguli (Whippoorwill) and Oconeechee, a young Cherokee man and woman separated by the Trail of Tears. Just as they are about to be married, Waguli is captured be federal soldiers and, along with thousands of other Cherokees, taken west, on foot and then by steamboat, to what is now eastern Oklahoma. Though many die along the way, Waguli survives, drowning his shame and sorrow in alcohol. Oconeechee, among the few Cherokees who remain behind, hidden in the mountains, embarks on a courageous search for Waguli. Robert J. Conley makes use of song, legend, and historical documents to weave the rich texture of the story, which is told through several, sometimes contradictory, voices. The traditional narrative of the Trail of Tears is told to a young contemporary Cherokee boy by his grandfather, presented in bits and pieces as they go about their everyday chores in rural North Carolina. The telling is neiter bitter nor hostile; it is sympathetic by unsentimental. An ironic third point of view, detached and often adversarial, is provided by the historical documents interspersed through the novel, from the text of the removal treaty to Ralph Waldo Emerson's letter to the president of the United States in protest of the removal. In this layering of contradictory elements, Conley implies questions about the relationships between history and legend, storytelling and myth-making. Inspired by the lyrics of Don Grooms's song Whippoorwill, which open many chapters in the text, Conley has written a novel both meticulously accurate and deeply moving. |
| edith o'donnell arts and technology building: That Day John Rohrbach, 2015-01-01 Rather than the proverbial melting pot, Wilson asks us to recognize a West that is at least a place where, against a backdrop of aridity and expansive space, diverse lives can and do coexist. --John Rohrbach Renowned photographer Laura Wilson has captured the majesty, as well as the tragedy, of her home region of Texas and the wider West for more than three decades. A former assistant to Richard Avedon, she has published her work to wide acclaim over the past twenty-five years. As seen in this extraordinary book, Wilson's subjects range from legendary West Texas cattle ranches to impoverished Plains Indian reservations to lavish border-town cotillions. Also featured are compelling portraits of artists who are associated with the region, including Donald Judd, Ed Ruscha, and Sam Shepard. The unforgettable images in That Day, most of which are previously unpublished, tell sharply drawn stories of the people and places that have shaped, and continue to shape, the nation's most dynamic and unyielding land. Text from Wilson's journals accompanies the photographs, recalling her personal experiences behind the camera at the moment when a particular image was captured. With her incisive eye, Wilson casts a fresh light on the West--a topic of enduring fascination. |
| edith o'donnell arts and technology building: This Explains Everything John Brockman, 2013-01-22 Drawn from the cutting-edge frontiers of science, This Explains Everything will revolutionize your understanding of the world. What is your favorite deep, elegant, or beautiful explanation? This is the question John Brockman, publisher of Edge.org (The world's smartest website—The Guardian), posed to the world's most influential minds. Flowing from the horizons of physics, economics, psychology, neuroscience, and more, This Explains Everything presents 150 of the most surprising and brilliant theories of the way of our minds, societies, and universe work. Jared Diamond on biological electricity • Nassim Nicholas Taleb on positive stress • Steven Pinker on the deep genetic roots of human conflict • Richard Dawkins on pattern recognition • Nobel Prize-winning physicist Frank Wilczek on simplicity • Lisa Randall on the Higgs mechanism • BRIAN Eno on the limits of intuition • Richard Thaler on the power of commitment • V. S. Ramachandran on the neural code of consciousness • Nobel Prize winner ERIC KANDEL on the power of psychotherapy • Mihaly Csikszentmihalyi on Lord Acton's Dictum • Lawrence M. Krauss on the unification of electricity and magnetism • plus contributions by Martin J. Rees • Kevin Kelly • Clay Shirky • Daniel C. Dennett • Sherry Turkle • Philip Zimbardo • Lee Smolin • Rebecca Newberger Goldstein • Seth Lloyd • Stewart Brand • George Dyson • Matt Ridley |
| edith o'donnell arts and technology building: The Gamester Freyda Thomas, 2006 THE STORY: It's Paris in the eighteenth century. Valère loves Angélique, but she won't marry him until he gives up his other mistress: The Gambling Hall. Valère is broke, creditors are in pursuit; his father Thomas is about to disown him; and his l |
| edith o'donnell arts and technology building: Nur Sabiha Khemir, 2014 Explores the use and significance of light in Islamic art and science, revealing how light is a unifying motif in Islamic civilizations across the globe. |
| edith o'donnell arts and technology building: Texas Abstract Michael Paglia, Jim Edwards, 2014 Texas Abstract: Modern / Contemporary examines the development, establishment, and continued presence of abstraction in the art scene in Texas. Texas Abstract begins with a section that discusses the context of modernist abstraction and its place in the history of Texas art. The state's first abstract painters appeared in the late 1930s and into the 1940s. By the 1950s and 1960s, abstraction had been accepted by many of the most significant Texas artists working at that time. The book also includes a series of chapters devoted to individual contemporary abstractionists currently active in Texas. These artists have embraced in their efforts the wide range of cutting-edge abstract styles of our time. These contemporary abstractions are more international in their outlook than were those of earlier Texas artists, and thus Texas is today an important place for contemporary abstraction. |
Édith Piaf - Wikipedia
The name "Édith" was inspired by British nurse Edith Cavell, who was executed 2 months before Édith's birth for helping French soldiers escape from German captivity during World War I. [5] …
Edith Piaf | Biography & Facts | Britannica
May 23, 2025 · Edith Piaf (born December 19, 1915, Paris, France—died October 10, 1963, Plascassier, near Grasse [see Researcher’s Note]) was a French singer and actress whose …
Edith - Baby Name Meaning, Origin, and Popularity
Jun 8, 2025 · Edith is a girl's name of English origin meaning "prosperous in war". Edith is the 528 ranked female name by popularity.
Édith Piaf - Songs, Movies & Death - Biography
Apr 2, 2014 · It is believed she was named after the World War I British nurse Edith Cavell, executed for helping Belgian soldiers escape from German captivity.
EDITH PIAF - OFFICIAL PLAYLIST - YouTube
Rediscover the unique talent and powerful emotion expressed in the songs of EDITH PIAF, in one OFFICIAL playlist. Subscribe here: http://bit.ly/1VGO8Nm Ja...
Meaning, origin and history of the name Edith
Dec 1, 2024 · From the Old English name Eadgyð, derived from the elements ead "wealth, fortune" and guð "battle". It was popular among Anglo-Saxon royalty, being borne for example …
The Tragic Death of French Cabaret Sweetheart Edith Piaf
Jun 7, 2018 · French cabaret artist Edith Piaf is best known for her ballads about life, love, and sorrow. Sadly, her life story was full of illness, injury, addiction, and these factors took its toll …
Edith Piaf Biography - Facts, Childhood, Family Life
May 22, 2024 · Edith Piaf was a French singer. She is considered the greatest icon of French popular music. Albeit her short physical stature, audiences the world over were amazed by her …
Édith Piaf - French Singer, Age, Married, Children, Husband
Feb 4, 2025 · This shadowy upbringing affected Piaf both personally and professionally, exposing her to the raw emotions and hardships that would later resonate in her music. It is said that her …
Edith - Name Meaning and Origin
The name Edith is of Old English origin and means "prosperous in war" or "wealthy in war." It is derived from the elements "ead," meaning "wealth" or "prosperity," and "gyð," meaning "war" …
