Advertisement
| foreign policy political cartoon: Herblock's History Herbert Block, 2000 Herblock's History is an article written by Harry L. Katz that was originally published in the October 2000 issue of The Library of Congress Information Bulletin. The U.S. Library of Congress, based in Washington, D.C., presents the article online. Katz provides a biographical sketch of the American political cartoonist and journalist Herbert Block (1909-2001), who was known as Herblock. Block worked as a cartoonist for The Washington Post for more than 50 years, and his cartoons were syndicated throughout the United States. Katz highlights an exhibition of Block's cartoons, that was on display at the U.S. Library of Congress from October 2000. Images of selected cartoons by Block are available online. |
| foreign policy political cartoon: Dr. Seuss Goes to War Richard H. Minear, 2013-09-10 “A fascinating collection” of wartime cartoons from the beloved children’s author and illustrator (The New York Times Book Review). For decades, readers throughout the world have enjoyed the marvelous stories and illustrations of Theodor Seuss Geisel, better known as Dr. Seuss. But few know the work Geisel did as a political cartoonist during World War II, for the New York daily newspaper PM. In these extraordinarily trenchant cartoons, Geisel presents “a provocative history of wartime politics” (Entertainment Weekly). Dr. Seuss Goes to War features handsome, large-format reproductions of more than two hundred of Geisel’s cartoons, alongside “insightful” commentary by the historian Richard H. Minear that places them in the context of the national climate they reflect (Booklist). Pulitzer Prize–winner Art Spiegelman’s introduction places Seuss firmly in the pantheon of the leading political cartoonists of our time. “A shocker—this cat is not in the hat!” —Studs Terkel |
| foreign policy political cartoon: The Art of Ill Will Donald Dewey, 2008-10 Featuring over 200 illustrations, this book tells the story of American political cartoons. From the colonial period to contemporary cartoonists like Pat Oliphant and Jimmy Margulies, this title highlights these artists' uncanny ability to encapsulate the essence of a situation and to steer the public mood with a single drawing. |
| foreign policy political cartoon: Representing Congress Clifford K. Berryman, James Zimmerhoff, 2017-08-30 INTRODUCTIONRepresenting Congress presents a selection of politicalcartoons by Clifford K. Berryman to engage studentsin a discussion of what Congress is, how it works,and what it does. It features the masterful work of one ofAmerica's preeminent political cartoonists and showcases hisability to use portraits, representative symbols and figures,and iconic personifications to convey thought-provokinginsights into the institutions and issues of civic life. The Houseof Representatives and Senate take center stage as nationalelected officials work to realize the ideals of the Founders.This eBook is designed to teach students to analyze history as conveyed in visual media.The cartoons offer comments about various moments in history, and they challenge thereader to evaluate their perspective and objectivity. Viewed outside their original journalisticcontext, the cartoons engage and amuse as comic art, but they can also puzzlea reader with references to little-remembered events and people. This eBook providescontextual information on each cartoon to help dispel the historical mysteries.Berryman's cartoons were originally published as illustrations for the front page of theWashington Post and the Washington Evening Star at various dates spanning the years from 1896to 1949. Thirty-nine cartoons selected from the more than 2,400 original Berryman drawingspreserved at the Center for Legislative Archives convey thumbnail sketches of Congress inaction to reveal some of the enduring features of our national representative government.For more than 50 years, Berryman's cartoons engaged readers of Washington's newspapers,illustrating everyday political events as they related to larger issues of civic life.These cartoons promise to engage students in similar ways today. The cartoons intrigueand inform, puzzle and inspire. Like Congress itself, Berryman's cartoons seem familiarat first glance. Closer study reveals nuances and design features that invite in-depthanalysis and discussion. Using these cartoons, students engage in fun and substantivechallenges to unlock each cartoons' meaning and better understand Congress. As theydo so, students will develop the critical thinking skills so important to academic successand the future health and longevity of our democratic republic.2 | R E P R E S E N T I N G C O N G R E S SHOW THIS eBOOK IS ORGANIZEDThis eBook presents 39 cartoons by Clifford K. Berryman,organized in six chapters that illustrate how Congress works.Each page features one cartoon accompanied by links toadditional information and questions.TEACHING WITH THIS eBOOKRepresenting Congress is designed to teach students aboutCongress-its history, procedures, and constitutional roles-through the analysis of political cartoons.Students will study these cartoons in three steps:* Analyze each cartoon using the NARA Cartoon Analysis Worksheet* Analyze several cartoons to discuss how art illustrates civic life using Worksheet 2* Analyze each cartoon in its historic context using Worksheet 3 (optional)Directions:1. Divide the class into small groups, and assign each group to study one or more cartoonsin the chapter Congress and the Constitution.2. Instruct each group to complete Worksheet 1: Analyzing Cartoons. Direct each groupto share their analysis with the whole-class.3. Instruct each group to complete Worksheet 2: Discussing Cartoons. Students shouldapply the questions to all of the cartoons in the chapter. Direct each group to sharetheir analysis in a whole class discussion of the chapter.4. Repeat the above steps with each succeeding chapter.5. Direct each group to share what they have learned in the preceding activities in awhole-class discussion of Congress and the Constitution.6. Optional Activity: Assign each group to read the Historical Context Informationstatement for their cartoon. The students should then use the Historical Context |
| foreign policy political cartoon: Caricatures on American Historical Phases 1918-2018 Heinz-Dietrich Fischer, 2020 This volume covers main phases of United States history over the span of a century, 1918 - 2018. Starting with fights for Americanism during World War I until the America-First movement of our times, there are, among others, Pulitzer Prize-winning editorial cartoons about these topics: Ku Klux Klan, Foreign Policy, Great Depression, Lynching Practices, Labor Conditions, War Productions, Truman's Administration, Korean War, Racial Integration, Vietnam War, Watergate Scandal, Death Penalty, Ronald Reagan, Clinton's Sex Affair, Terrorist Attacks, Iraq War, Deadly Hurricanes, Financial Crashes, Washington Establishment, Presidents Barack Obama and Donald Trump. |
| foreign policy political cartoon: Drawing on Anger Eric J. García, 2018-09-04 Over a decade's worth of satirical illustrations of Uncle Sam's hypocritical foreign and domestic policies through a Chicano lens. |
| foreign policy political cartoon: Joe Rochefort's War Elliot W Carlson, 2013-09-15 Elliot Carlson’s award-winning biography of Capt. Joe Rochefort is the first to be written about the officer who headed Station Hypo, the U.S. Navy’s signals monitoring and cryptographic intelligence unit at Pearl Harbor, and who broke the Japanese navy’s code before the Battle of Midway. The book brings Rochefort to life as the irreverent, fiercely independent, and consequential officer that he was. Readers share his frustrations as he searches in vain for Yamamoto’s fleet prior to the Japanese attack on Pearl Harbor, but share his joy when he succeeds in tracking the fleet in early 1942 and breaks the code that leads Rochefort to believe Yamamoto’s invasion target is Midway. His conclusions, bitterly opposed by some top Navy brass, are credited with making the U.S. victory possible and helping to change the course of the war. The author tells the story of how opponents in Washington forced Rochefort’s removal from Station Hypo and denied him the Distinguished Service Medal recommended by Admiral Nimitz. In capturing the interplay of policy and personality and the role played by politics at the highest levels of the Navy, Carlson reveals a side of the intelligence community seldom seen by outsiders. For a full understanding of the man, Carlson examines Rochefort’s love-hate relationship with cryptanalysis, his adventure-filled years in the 1930s as the right-hand man to the Commander in Chief of the U.S. Fleet, and his return to codebreaking in mid-1941 as the officer in charge of Station Hypo. He traces Rochefort’s career from his enlistment in 1918 to his posting in Washington as head of the Navy’s codebreaking desk at age twenty-five, and beyond. In many ways a reinterpretation of Rochefort, the book makes clear the key role his codebreaking played in the outcome of Midway and the legacy he left of reporting actionable intelligence directly to the fleet. An epilogue describes efforts waged by Rochefort’s colleagues to obtain the medal denied him in 1942—a drive that finally paid off in 1986 when the medal was awarded posthumously. |
| foreign policy political cartoon: Washington's Farewell Address George Washington, 1907 |
| foreign policy political cartoon: American Power and International Theory at the Council on Foreign Relations, 1953-54 David M. McCourt, 2020-02-04 Between December 1953 and June 1954, the elite think-tank the Council on Foreign Relations (CFR) joined prominent figures in International Relations, including Pennsylvania’s Robert Strausz-Hupé, Yale’s Arnold Wolfers, the Rockefeller Foundation’s William Thompson, government adviser Dorothy Fosdick, and nuclear strategist William Kaufmann. They spent seven meetings assessing approaches to world politics—from the “realist” theory of Hans Morgenthau to theories of imperialism of Karl Marx and V.I. Lenin—to discern basic elements of a theory of international relations. The study group’s materials are an indispensable window to the development of IR theory, illuminating the seeds of the theory-practice nexus in Cold War U.S. foreign policy. Historians of International Relations recently revised the standard narrative of the field’s origins, showing that IR witnessed a sharp turn to theoretical consideration of international politics beginning around 1950, and remained preoccupied with theory. Taking place in 1953–54, the CFR study group represents a vital snapshot of this shift. This book situates the CFR study group in its historical and historiographical contexts, and offers a biographical analysis of the participants. It includes seven preparatory papers on diverse theoretical approaches, penned by former Berkeley political scientist George A. Lipsky, followed by the digest of discussions from the study group meetings. American Power and International Theory at the Council on Foreign Relations, 1953–54 offers new insights into the early development of IR as well as the thinking of prominent elites in the early years of the Cold War. |
| foreign policy political cartoon: Give Me Liberty Or Give Me Obamacare Michael Ramirez, 2015-10-27 Give Me Liberty or Give Me Obamacare is a trenchant and outright hilarious collection of political cartoons, presenting a wonderfully intelligent and beautifully drawn snapshot of the absurdities of the Obama presidency. Ramirez tackles everything from Obamacare to the economy, foreign policy to culture wars, the environment, and much more. |
| foreign policy political cartoon: U.S. History P. Scott Corbett, Volker Janssen, John M. Lund, Todd Pfannestiel, Sylvie Waskiewicz, Paul Vickery, 2024-09-10 U.S. History is designed to meet the scope and sequence requirements of most introductory courses. The text provides a balanced approach to U.S. history, considering the people, events, and ideas that have shaped the United States from both the top down (politics, economics, diplomacy) and bottom up (eyewitness accounts, lived experience). U.S. History covers key forces that form the American experience, with particular attention to issues of race, class, and gender. |
| foreign policy political cartoon: The Great Anti-war Cartoons Craig Yoe, 2009 A collection of stunning artwork spanning the centuries and the globe, from titans of the art and cartooning world. Together, these cartoons provide a powerful testament to the old adage The pen is mightier than the sword. |
| foreign policy political cartoon: The Future of Freedom: Illiberal Democracy at Home and Abroad (Revised Edition) Fareed Zakaria, 2007-10-17 “A work of tremendous originality and insight. ... Makes you see the world differently.”—Washington Post Translated into twenty languages ?The Future of Freedom ?is a modern classic that uses historical analysis to shed light on the present, examining how democracy has changed our politics, economies, and social relations. Prescient in laying out the distinction between democracy and liberty, the book contains a new afterword on the United States's occupation of Iraq and a wide-ranging update of the book's themes. |
| foreign policy political cartoon: The Cartoons That Shook the World Jytte Klausen, 2009-10-13 On September 30, 2005, the Danish newspaper Jyllands-Posten published twelve cartoons of the Prophet Muhammad. Five months later, thousands of Muslims inundated the newspaper with outpourings of anger and grief by phone, email, and fax; from Asia to Europe Muslims took to the streets in protest. This book is the first comprehensive investigation of the conflict that aroused impassioned debates around the world on freedom of expression, blasphemy, and the nature of modern Islam. --Publisher. |
| foreign policy political cartoon: The Influence of Sea Power Upon History, 1660-1783 Alfred Thayer Mahan, 1890 |
| foreign policy political cartoon: Oliphant's Anthem Pat Oliphant, Harry L. Katz, 1998-03-15 Ironic, isn't it? For more than a quarter century, Pat Oliphant has skewered the denizens of Congress with his bitingly sharp editorial cartoons. Now, in an exhibit and this companion volume, Oliphant is honored in the very repository of that illustrious body: The Library of Congress.Oliphant is, after all, the most important political cartoonist of the 20th century. His trademark wit -- shared with the adoring fans who read almost 350 daily and Sunday newspapers that carry his work -- has impaled presidents, dogged members of Congress, and critiqued a whole host of issues. From Vietnam to Bosnia, from Lyndon Johnson to Bill Clinton, Pat Oliphant has applied his considerable talent to the workings of the world.Oliphant's Anthem will catalog the 60 drawings, sculptures, and various art media that will be exhibited as a special tribute to Pat Oliphant's art in March 1998 at the Library of Congress. Interviews with the artist throughout the book will highlight his thoughts, concerns, and considerations as he has created this impressive body of work. Printed on glossy enamel stock, the black and white book will include an eight-page color signature. It is certain to be a collectible edition for Oliphant fans everywhere. |
| foreign policy political cartoon: The Art of Controversy Victor S Navasky, 2013-04-09 A lavishly illustrated, witty, and original look at the awesome power of the political cartoon throughout history to enrage, provoke, and amuse. As a former editor of The New York Times Magazine and the longtime editor of The Nation, Victor S. Navasky knows just how transformative—and incendiary—cartoons can be. Here Navasky guides readers through some of the greatest cartoons ever created, including those by George Grosz, David Levine, Herblock, Honoré Daumier, and Ralph Steadman. He recounts how cartoonists and caricaturists have been censored, threatened, incarcerated, and even murdered for their art, and asks what makes this art form, too often dismissed as trivial, so uniquely poised to affect our minds and our hearts. Drawing on his own encounters with would-be censors, interviews with cartoonists, and historical archives from cartoon museums across the globe, Navasky examines the political cartoon as both art and polemic over the centuries. We see afresh images most celebrated for their artistic merit (Picasso's Guernica, Goya's Duendecitos), images that provoked outrage (the 2008 Barry Blitt New Yorker cover, which depicted the Obamas as a Muslim and a Black Power militant fist-bumping in the Oval Office), and those that have dictated public discourse (Herblock’s defining portraits of McCarthyism, the Nazi periodical Der Stürmer’s anti-Semitic caricatures). Navasky ties together these and other superlative genre examples to reveal how political cartoons have been not only capturing the zeitgeist throughout history but shaping it as well—and how the most powerful cartoons retain the ability to shock, gall, and inspire long after their creation. Here Victor S. Navasky brilliantly illuminates the true power of one of our most enduringly vital forms of artistic expression. |
| foreign policy political cartoon: Political cartoons and the Israeli-Palestinian conflict Ilan Danjoux, 2018-07-30 Do political cartoon predict violence? To answer this question Ilan Danjoux examined over 1200 Israeli and Palestinian editorial cartoons to explore whether changes in their content anticipated the outbreak of the Al-Aqsa Intifada in October of 2000. Despite stark differences in political, economic and social pressures, a notable shift in focus, style and tone accompanied the violence. With numerous illustrations and detailed methodology, Political Cartoons and the Israeli Palestinian Conflict provides readers an engaging introduction to cartoon analysis and a novel insight into the Israeli-Palestinian conflict. In a region fraught with contested realities, the cartoon’s ability to capture the latent fears and unspoken beliefs of these antagonists offers a refreshing perspective on how both Israelis and Palestinians perceived each other and their chances for peace on the eve of the Second Intifada. |
| foreign policy political cartoon: Roosevelt and Churchill Franklin Delano Roosevelt, Harold D. Loewenheim, 1975 |
| foreign policy political cartoon: Caricaturing Culture in India Ritu Gairola Khanduri, 2014-10-02 A highly original study of newspaper cartoons throughout India's history and culture, and their significance for the world today. |
| foreign policy political cartoon: Th. Nast Albert Bigelow Paine, 1904 |
| foreign policy political cartoon: The Oxford Handbook of Communist Visual Cultures Aga Skrodzka, Xiaoning Lu, Katarzyna Marciniak, 2020 Looking at monuments, murals, computer games, recycling campaigns, children's books, and other visual artifacts, The Oxford Handbook of Communist Visual Cultures reassesses communism's historical and cultural legacy. |
| foreign policy political cartoon: The Death of Expertise Tom Nichols, 2017-02-01 Technology and increasing levels of education have exposed people to more information than ever before. These societal gains, however, have also helped fuel a surge in narcissistic and misguided intellectual egalitarianism that has crippled informed debates on any number of issues. Today, everyone knows everything: with only a quick trip through WebMD or Wikipedia, average citizens believe themselves to be on an equal intellectual footing with doctors and diplomats. All voices, even the most ridiculous, demand to be taken with equal seriousness, and any claim to the contrary is dismissed as undemocratic elitism. Tom Nichols' The Death of Expertise shows how this rejection of experts has occurred: the openness of the internet, the emergence of a customer satisfaction model in higher education, and the transformation of the news industry into a 24-hour entertainment machine, among other reasons. Paradoxically, the increasingly democratic dissemination of information, rather than producing an educated public, has instead created an army of ill-informed and angry citizens who denounce intellectual achievement. When ordinary citizens believe that no one knows more than anyone else, democratic institutions themselves are in danger of falling either to populism or to technocracy or, in the worst case, a combination of both. An update to the 2017breakout hit, the paperback edition of The Death of Expertise provides a new foreword to cover the alarming exacerbation of these trends in the aftermath of Donald Trump's election. Judging from events on the ground since it first published, The Death of Expertise issues a warning about the stability and survival of modern democracy in the Information Age that is even more important today. |
| foreign policy political cartoon: Best Editorial Cartoons 2012 Charles Brooks, 2011-12-06 Comic journalism at its best. In 2011, we said farewell to Elizabeth Taylor and Betty Ford and good riddance to Osama bin Ladin. The ever-waning reputation of Pres. Barack Obama prompted Rick Perry, Newt Gingrich, and Donald Trump to put in their bids for the presidential election. While gas prices and the national debt rose higher than the possibility of sending another manned craft into space, the scandalous Casey Anthony trial resurfaced memories of O. J. and Nicole Simpson. The latest annual edition of this collection contains these and many other controversial comments referencing politics, the economy, sports, foreign affairs, government, and pop culture. |
| foreign policy political cartoon: The Marshall Plan Benn Steil, 2018 Traces the history of the Marshall Plan and the efforts to reconstruct western Europe as a bulwark against communist authoritarianism during a two-year period that saw the collapse of postwar U.S.-Soviet relations and the beginning of the Cold War. |
| foreign policy political cartoon: Thomas Nast Fiona Deans Halloran, 2013-01-01 Thomas Nast (1840-1902), the founding father of American political cartooning, is perhaps best known for his cartoons portraying political parties as the Democratic donkey and the Republican elephant. Nast's legacy also includes a trove of other political cartoons, his successful attack on the machine politics of Tammany Hall in 1871, and his wildly popular illustrations of Santa Claus for Harper's Weekly magazine. In this thoroughgoing and lively biography, Fiona Deans Halloran interprets his work, explores his motivations and ideals, and illuminates the lasting legacy of Nast's work on American political culture-- |
| foreign policy political cartoon: Say Nothing Patrick Radden Keefe, 2020-02-25 NEW YORK TIMES BESTSELLER • SOON TO BE AN FX LIMITED SERIES STREAMING ON HULU • NATIONAL BOOK CRITICS CIRCLE AWARD WINNER • From the author of Empire of Pain—a stunning, intricate narrative about a notorious killing in Northern Ireland and its devastating repercussions. One of The New York Times’s 20 Best Books of the 21st Century Masked intruders dragged Jean McConville, a 38-year-old widow and mother of 10, from her Belfast home in 1972. In this meticulously reported book—as finely paced as a novel—Keefe uses McConville's murder as a prism to tell the history of the Troubles in Northern Ireland. Interviewing people on both sides of the conflict, he transforms the tragic damage and waste of the era into a searing, utterly gripping saga. —New York Times Book Review Reads like a novel ... Keefe is ... a master of narrative nonfiction. . .An incredible story.—Rolling Stone A Best Book of the Year: The New York Times, The Washington Post, The Wall Street Journal, TIME, NPR, and more! Jean McConville's abduction was one of the most notorious episodes of the vicious conflict known as The Troubles. Everyone in the neighborhood knew the I.R.A. was responsible. But in a climate of fear and paranoia, no one would speak of it. In 2003, five years after an accord brought an uneasy peace to Northern Ireland, a set of human bones was discovered on a beach. McConville's children knew it was their mother when they were told a blue safety pin was attached to the dress--with so many kids, she had always kept it handy for diapers or ripped clothes. Patrick Radden Keefe's mesmerizing book on the bitter conflict in Northern Ireland and its aftermath uses the McConville case as a starting point for the tale of a society wracked by a violent guerrilla war, a war whose consequences have never been reckoned with. The brutal violence seared not only people like the McConville children, but also I.R.A. members embittered by a peace that fell far short of the goal of a united Ireland, and left them wondering whether the killings they committed were not justified acts of war, but simple murders. From radical and impetuous I.R.A. terrorists such as Dolours Price, who, when she was barely out of her teens, was already planting bombs in London and targeting informers for execution, to the ferocious I.R.A. mastermind known as The Dark, to the spy games and dirty schemes of the British Army, to Gerry Adams, who negotiated the peace but betrayed his hardcore comrades by denying his I.R.A. past--Say Nothing conjures a world of passion, betrayal, vengeance, and anguish. |
| foreign policy political cartoon: Out of Line Christel R. Devadawson, 2014 |
| foreign policy political cartoon: The War That Ended Peace Margaret MacMillan, 2013-10-29 NAMED ONE OF THE BEST BOOKS OF THE YEAR BY The New York Times Book Review • The Economist • The Christian Science Monitor • Bloomberg Businessweek • The Globe and Mail From the bestselling and award-winning author of Paris 1919 comes a masterpiece of narrative nonfiction, a fascinating portrait of Europe from 1900 up to the outbreak of World War I. The century since the end of the Napoleonic wars had been the most peaceful era Europe had known since the fall of the Roman Empire. In the first years of the twentieth century, Europe believed it was marching to a golden, happy, and prosperous future. But instead, complex personalities and rivalries, colonialism and ethnic nationalisms, and shifting alliances helped to bring about the failure of the long peace and the outbreak of a war that transformed Europe and the world. The War That Ended Peace brings vividly to life the military leaders, politicians, diplomats, bankers, and the extended, interrelated family of crowned heads across Europe who failed to stop the descent into war: in Germany, the mercurial Kaiser Wilhelm II and the chief of the German general staff, Von Moltke the Younger; in Austria-Hungary, Emperor Franz Joseph, a man who tried, through sheer hard work, to stave off the coming chaos in his empire; in Russia, Tsar Nicholas II and his wife; in Britain, King Edward VII, Prime Minister Herbert Asquith, and British admiral Jacky Fisher, the fierce advocate of naval reform who entered into the arms race with Germany that pushed the continent toward confrontation on land and sea. There are the would-be peacemakers as well, among them prophets of the horrors of future wars whose warnings went unheeded: Alfred Nobel, who donated his fortune to the cause of international understanding, and Bertha von Suttner, a writer and activist who was the first woman awarded Nobel’s new Peace Prize. Here too we meet the urbane and cosmopolitan Count Harry Kessler, who noticed many of the early signs that something was stirring in Europe; the young Winston Churchill, then First Lord of the Admiralty and a rising figure in British politics; Madame Caillaux, who shot a man who might have been a force for peace; and more. With indelible portraits, MacMillan shows how the fateful decisions of a few powerful people changed the course of history. Taut, suspenseful, and impossible to put down, The War That Ended Peace is also a wise cautionary reminder of how wars happen in spite of the near-universal desire to keep the peace. Destined to become a classic in the tradition of Barbara Tuchman’s The Guns of August, The War That Ended Peace enriches our understanding of one of the defining periods and events of the twentieth century. Praise for The War That Ended Peace “Magnificent . . . The War That Ended Peace will certainly rank among the best books of the centennial crop.”—The Economist “Superb.”—The New York Times Book Review “Masterly . . . marvelous . . . Those looking to understand why World War I happened will have a hard time finding a better place to start.”—The Christian Science Monitor “The debate over the war’s origins has raged for years. Ms. MacMillan’s explanation goes straight to the heart of political fallibility. . . . Elegantly written, with wonderful character sketches of the key players, this is a book to be treasured.”—The Wall Street Journal “A magisterial 600-page panorama.”—Christopher Clark, London Review of Books |
| foreign policy political cartoon: American Political Cartoons Sandy Northrop, 2017-07-05 From Benjamin Franklin's drawing of the first American political cartoon in 1754 to contemporary cartoonists' blistering attacks on George W. Bush and initial love-affair with Barack Obama, editorial cartoons have been a part of American journalism and politics. American Political Cartoons chronicles the nation's highs and lows in an extensive collection of cartoons that span the entire history of American political cartooning.Good cartoons hit you primitively and emotionally, said cartoonist Doug Marlette. A cartoon is a frontal attack, a slam dunk, a cluster bomb. Most cartoonists pride themselves on attacking honestly, if ruthlessly. American Political Cartoons recounts many direct hits, recalling the discomfort of the cartoons' targets and the delight of their readers.Through skillful combination of pictures and words, cartoonists galvanize public opinion for or against their subjects. In the process they have revealed truths about us and our democratic system that have been both embarrassing and ennobling. Stephen Hess and Sandy Northrop note that not all cartoonists have worn white hats. Many have perpetuated demeaning ethnic stereotypes, slandered honest politicians, and oversimplified complex issues. |
| foreign policy political cartoon: President Wilson's Policy United States. President (1913-1921 : Wilson), 1920 Contains geographical, political, and economic assessments for the British delegates to the 1919-1920 Paris Peace Conference. |
| foreign policy political cartoon: A Cartoon History of United States Foreign Policy, 1776-1976 Foreign Policy Association, 1975 Over two hundred cartoons by the genre's masters, from Benjamin Franklin to Thomas Nast to Herblock, Mauldin and Oliphant, caricature the pros and cons of American foreign policy from its beginning. |
| foreign policy political cartoon: The Road to Unfreedom Timothy Snyder, 2019-04-09 NEW YORK TIMES BESTSELLER • From the author of On Tyranny comes a stunning new chronicle of the rise of authoritarianism from Russia to Europe and America. “A brilliant analysis of our time.”—Karl Ove Knausgaard, The New Yorker With the end of the Cold War, the victory of liberal democracy seemed final. Observers declared the end of history, confident in a peaceful, globalized future. This faith was misplaced. Authoritarianism returned to Russia, as Vladimir Putin found fascist ideas that could be used to justify rule by the wealthy. In the 2010s, it has spread from east to west, aided by Russian warfare in Ukraine and cyberwar in Europe and the United States. Russia found allies among nationalists, oligarchs, and radicals everywhere, and its drive to dissolve Western institutions, states, and values found resonance within the West itself. The rise of populism, the British vote against the EU, and the election of Donald Trump were all Russian goals, but their achievement reveals the vulnerability of Western societies. In this forceful and unsparing work of contemporary history, based on vast research as well as personal reporting, Snyder goes beyond the headlines to expose the true nature of the threat to democracy and law. To understand the challenge is to see, and perhaps renew, the fundamental political virtues offered by tradition and demanded by the future. By revealing the stark choices before us--between equality or oligarchy, individuality or totality, truth and falsehood--Snyder restores our understanding of the basis of our way of life, offering a way forward in a time of terrible uncertainty. |
| foreign policy political cartoon: The Tumultuous Reign of Donald the First Bill O'Neal, 2021-03 This book takes a sardonic look at President Donald Trump's four years in office usingcartoons and historical commentary to tell the story. The book covers all of the major events during his presidency, from his inauguration to his second impeachment, including the Mueller probe, border policies, trade wars, elections and pandemic. |
| foreign policy political cartoon: The Fourteen Points Speech Woodrow Wilson, 2017-06-17 This Squid Ink Classic includes the full text of the work plus MLA style citations for scholarly secondary sources, peer-reviewed journal articles and critical essays for when your teacher requires extra resources in MLA format for your research paper. |
| foreign policy political cartoon: A Greater Ireland Ely M. Janis, 2015 A Greater Ireland examines the Irish National Land League in the United States and its impact on Irish-American history. It also demonstrates the vital role that Irish-American women played in shaping Irish-American nationalism. |
| foreign policy political cartoon: WHITE MAN'S BURDEN Rudyard Kipling, 2020-11-05 This book re-presents the poetry of Rudyard Kipling in the form of bold slogans, the better for us to reappraise the meaning and import of his words and his art. Each line or phrase is thrust at the reader in a manner that may be inspirational or controversial... it is for the modern consumer of this recontextualization to decide. They are words to provoke: to action. To inspire. To recite. To revile. To reconcile or reconsider the legacy and benefits of colonialism. Compiled and presented by sloganist Dick Robinson, three poems are included, complete and uncut: 'White Man's Burden', 'Fuzzy-Wuzzy' and 'If'. |
| foreign policy political cartoon: Address of President Roosevelt at Chicago, Illinois, April 2 1903 Theodore Roosevelt, 1999-01-01 This Elibron Classics title is a reprint of the original edition published by the Government Printing Office in Washington, 1903. |
| foreign policy political cartoon: Dr. Seuss and Mr. Geisel Judith Morgan, Neil Morgan, 1996-08-22 Horton, Thidwick, Yertle, the Lorax, the Grinch, Sneetches, and the Cat in the Hat are just a handful of the bizarre and beloved characters Theodor S. Geisel (1904–1991), alias Dr. Seuss, created in his forty-seven children's books, from 1937's And to Think That I Saw It on Mulberry Street to 1990's Oh, the Places You'll Go! During his lifetime Dr. Seuss was honored with numerous degrees, three Academy Awards, and a Pulitzer, but the man himself remained a reclusive enigma. In this first and only biography of the good doctor, the authors, his close friends for almost thirty years, have drawn on their firsthand insights as well as his voluminous papers; the result is an illuminating, intimate portrait of a dreamer who saw the world through the wrong end of a telescope, and invited us to enjoy the view. |
| foreign policy political cartoon: This is the End Patrick Chappatte, 2020-01-20 “To many Americans, every day was anguish, and the only salve for our pain was Chappatte’s cartoons. They could help us come to terms with what was happening, even, perhaps, help us better understand our anguish. How else do you deal with something as grotesque, ridiculous, and unbelievable, but nonetheless real and consequential?” —From the foreword by Joseph E. Stiglitz, Nobel Prize Laureate PATRICK CHAPPATTE’S EIGHT—AND LAST!—COLLECTION OF EDITORIAL CARTOONS PUBLISHED IN THE NEW YORK TIMES This is the End offers us a witty, savage, and thought-provoking testimony of a dizzying world, swirling around an oxygen-sucking black hole named Donald Trump. In this era of strongmen, closing borders and selfie narcissists, humor is needed more than ever. On June 10, 2019, Chappatte posted an essay titled “The End of Political Cartoons at The New York Times,” breaking the news that was quickly confirmed by the newspaper. Chappatte’s piece, which received worldwide attention and triggered a global discussion about self-censorship by the media in the age of internet angry mobs, appears as an appendix to this cartoon book. It has inspired a TED talk given by Chappatte on July 23, 2019 at TED Summit. |
FOREIGN Definition & Meaning - Merriam-Webster
The meaning of FOREIGN is situated outside a place or country; especially : situated outside one's own country. How to use foreign in a sentence. Synonym Discussion of Foreign.
FOREIGN | English meaning - Cambridge Dictionary
FOREIGN definition: 1. belonging or connected to a country that is not your own: 2. Something can be described as…. Learn more.
FOREIGN Definition & Meaning | Dictionary.com
Foreign definition: of, relating to, or derived from another country or nation; not native.. See examples of FOREIGN used in a sentence.
FOREIGN definition and meaning | Collins English Dictionary
Something that is foreign comes from or relates to a country that is not your own.
foreign, adj., n.², & adv. meanings, etymology and more | Oxford ...
Of or relating to countries other than one's own and related senses. The word foreign does not tend to be used of the countries of the United Kingdom in relation to each other.
What does foreign mean? - Definitions.net
Definition of foreign in the Definitions.net dictionary. Meaning of foreign. What does foreign mean? Information and translations of foreign in the most comprehensive dictionary definitions …
Foreign - definition of foreign by The Free Dictionary
foreign - relating to or originating in or characteristic of another place or part of the world; "foreign nations"; "a foreign accent"; "on business in a foreign city"
foreign adjective - Definition, pictures, pronunciation and usage …
Definition of foreign adjective in Oxford Advanced Learner's Dictionary. Meaning, pronunciation, picture, example sentences, grammar, usage notes, synonyms and more.
Foreign Definition & Meaning | Britannica Dictionary
FOREIGN meaning: 1 : located outside a particular place or country and especially outside your own country; 2 : coming from or belonging to a different place or country
Foreign - Definition, Meaning & Synonyms - Vocabulary.com
If it has to do with other countries or their people, it is foreign, like a French movie receiving a British award for Best Foreign Film. The adjective foreign is based on the Latin word foris, …
FOREIGN Definition & Meaning - Merriam-Webster
The meaning of FOREIGN is situated outside a place or country; especially : situated outside one's own country. How to use foreign in a sentence. Synonym Discussion of Foreign.
FOREIGN | English meaning - Cambridge Dictionary
FOREIGN definition: 1. belonging or connected to a country that is not your own: 2. Something can be described as…. Learn more.
FOREIGN Definition & Meaning | Dictionary.com
Foreign definition: of, relating to, or derived from another country or nation; not native.. See examples of FOREIGN used in a sentence.
FOREIGN definition and meaning | Collins English Dictionary
Something that is foreign comes from or relates to a country that is not your own.
foreign, adj., n.², & adv. meanings, etymology and more | Oxford ...
Of or relating to countries other than one's own and related senses. The word foreign does not tend to be used of the countries of the United Kingdom in relation to each other.
What does foreign mean? - Definitions.net
Definition of foreign in the Definitions.net dictionary. Meaning of foreign. What does foreign mean? Information and translations of foreign in the most comprehensive dictionary definitions …
Foreign - definition of foreign by The Free Dictionary
foreign - relating to or originating in or characteristic of another place or part of the world; "foreign nations"; "a foreign accent"; "on business in a foreign city"
foreign adjective - Definition, pictures, pronunciation and usage …
Definition of foreign adjective in Oxford Advanced Learner's Dictionary. Meaning, pronunciation, picture, example sentences, grammar, usage notes, synonyms and more.
Foreign Definition & Meaning | Britannica Dictionary
FOREIGN meaning: 1 : located outside a particular place or country and especially outside your own country; 2 : coming from or belonging to a different place or country
Foreign - Definition, Meaning & Synonyms - Vocabulary.com
If it has to do with other countries or their people, it is foreign, like a French movie receiving a British award for Best Foreign Film. The adjective foreign is based on the Latin word foris, …
