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| franny choi soft science: Soft Science Franny Choi, 2019-04-02 Paris Review Staff Pick A Book Riot Must-Read Poetry Collection Soft Science explores queer, Asian American femininity. A series of Turing Test-inspired poems grounds its exploration of questions not just of identity, but of consciousness—how to be tender and feeling and still survive a violent world filled with artificial intelligence and automation. We are dropped straight into the tangled intersections of technology, violence, erasure, agency, gender, and loneliness. Choi creates an exhilarating matrix of poetry, science, and technology. —Publishers Weekly Franny Choi combines technology and poetry to stunning effect. –BUSTLE “…these beautiful, fractal-like poems are meditations on identity and autonomy and offer consciousness-expanding forays into topics like violence and gender, love and isolation.” –NYLON |
| franny choi soft science: Floating, Brilliant, Gone Franny Choi, 2014-08-22 In her electrifying debut, Franny Choi leads readers through the complex landscapes of absence, memory, and identity. Beginning in loss and ending in reflective elation, Floating, Brilliant, Gone explores life as a brief impossibility, “infinite / until it isn’t.” Punctuated with haunting illustrations by Jess X. Chen, Choi’s poems read like lucid dreams that jolt awake at the most unexpected moments. |
| franny choi soft science: The World Keeps Ending, and the World Goes On Franny Choi, 2022-11-01 Named A Most Anticipated Book by: LitHub * Vulture * Time * A PW 2022 Holiday Gift Pick One of: Time's 100 Must-Read Books of 2022 * NPR's 2022 Books We Love Vulture's 10 Best Books of 2022 A Goodreads Readers Choice Award Semifinalist From acclaimed poet Franny Choi comes a poetry collection for the ends of worlds—past, present, and future. Choi’s third book features poems about historical and impending apocalypses, alongside musings on our responsibilities to each other and visions for our collective survival. Many have called our time dystopian. But The World Keeps Ending, and the World Goes On reminds us that apocalypse has already come in myriad ways for marginalized peoples. With lyric and tonal dexterity, these poems spin backwards and forwards in time--from Korean comfort women during World War II, to the precipice of climate crisis, to children wandering a museum in the future. These poems explore narrative distances and queer linearity, investigating on microscopic scales before soaring towards the universal. As she wrestles with the daily griefs and distances of this apocalyptic world, Choi also imagines what togetherness--between Black and Asian and other marginalized communities, between living organisms, between children of calamity and conquest--could look like. Bringing together Choi's signature speculative imagination with even greater musicality than her previous work, The World Keeps Ending, and the World Goes On ultimately charts new paths toward hope in the aftermaths, and visions for our collective survival. |
| franny choi soft science: Death by Sex Machine Franny Choi, 2017 The girl I was ten years ago has not yet read this gorgeous, important work, but the future is closer than she thinks, and besides, this is a book that can sing through the years. You, too, need this book. When the future might feel simply cold, Franny Choi gifts us complex fire. - Lo Kwa Mei-En, author of The Bees Make Money in the Lion |
| franny choi soft science: The Sign of the Dragon Mary Soon Lee, 2020-04-21 Drawing on Chinese and Mongolian elements, award-winning poet Mary Soon Lee has penned an epic tale of politics, intrigue, and dragons perfect for fans of Game of Thrones and Beowulf. As the fourth-born prince of Meqing, Xau was never supposed to be king. But when his three older brothers are all deemed unfit to rule and eaten by a dragon, as is the custom, Xau suddenly finds himself on the Meqinese throne. The early years of his reign are marred by brutal earthquakes and floods, and the long-simmering tension with the neighboring country of Innis finally erupts into war. Worst of all, a demon thought long-dead walks the realm again, leaving death and destruction in its wake. In a desperate gamble, Xau must broker an uneasy peace with his former enemies and hope their combined strength is enough to vanquish the demon before it destroys them all. The Sign of the Dragon is comprised of over 300 individual poems, including the Rhysling-winning Interregnum. The first 60 poems appeared in the 2015 Dark Renaissance Books publication Crowned, which won the 2016 Elgin Award, and many individual poems have appeared in award-winning literary magazines such as Fantasy & Science Fiction, Spillway, and Strange Horizons. Collected together in its entirety for the very first time, with over 200 never-before-published poems, readers can finally enjoy King Xau's story of sacrifice and war and dragons from beginning to end. Mary Soon Lee is a poet and storyteller who has won the Elgin and the Rhysling awards. Her work has appeared in Analog, Asimov's, Daily Science Fiction, F&SF, Fireside, Science, and American Scholar. She is also the author of Elemental Haiku: Poems to honor the periodic table three lines at a time. Born and raised in London, she now lives in Pennsylvania with her family. |
| franny choi soft science: Warmth Daniel Sherrell, 2021-08-03 NAMED A BEST BOOK OF 2021 BY THE NEW YORKER AND PUBLISHERS WEEKLY “[Warmth] is lyrical and erudite, engaging with science, activism, and philosophy . . . [Sherrell] captures the complicated correspondence between hope and doubt, faith and despair—the pendulum of emotional states that defines our attitude toward the future.” —The New Yorker “Beautifully rendered and bracingly honest.” —Jenny Odell, author of How to Do Nothing From a millennial climate activist, an exploration of how young people live in the shadow of catastrophe Warmth is a new kind of book about climate change: not what it is or how we solve it, but how it feels to imagine a future—and a family—under its weight. In a fiercely personal account written from inside the climate movement, Sherrell lays bare how the crisis is transforming our relationships to time, to hope, and to each other. At once a memoir, a love letter, and an electric work of criticism, Warmth goes to the heart of the defining question of our time: how do we go on in a world that may not? |
| franny choi soft science: Respect the Mic Peter Kahn, Hanif Abdurraqib, Dan "Sully" Sullivan, Franny Choi, 2022-02-01 An expansive, moving poetry anthology, representing 20 years of poetry from students and alumni of Chicago's Oak Park River Forest High School Spoken Word Club. Poets I know sometimes joke that the poetry club at Oak Park River Forest High School is the best MFA program in the Chicagoland area. Like all great jokes, this one is dead serious. -Eve L. Ewing, award-winning poet, playwright, scholar, and sociologist For Chicago's Oak Park and River Forest High School's Spoken Word Club, there is one phrase that reigns supreme: Respect the Mic. It's been the club's call to arms since its inception in 1999. As its founder Peter Kahn says, It's a call of pride and history and tradition and hope. This vivid new collection of poetry and prose -- curated by award-winning and bestselling poets Hanif Abdurraqib, Franny Choi, Peter Kahn, and Dan Sully Sullivan -- illuminates just that, uplifting the incredible legacy this community has cultivated. Among the dozens of current students and alumni, Respect the Mic features work by NBA champion Iman Shumpert, National Youth Poet Laureate Kara Jackson, National Youth Poet Laureate Kara Jackson, National Student Poet Natalie Richardson, comedian Langston Kerman, and more. In its pages, you hear the sprawling echoes of students, siblings, lovers, new parents, athletes, entertainers, scientists, and more --all sharing a deep appreciation for the power of storytelling. A celebration of the past, a balm for the present, and a blueprint for the future, Respect the Mic offers a tender, intimate portrait of American life, and conveys how in a world increasingly defined by separation, poetry has the capacity to bind us together. |
| franny choi soft science: How To Wash A Heart Bhanu Kapil, 2020-03-26 Winner of the T. S. Eliot Prize 2020. Poetry Book Society Choice, Summer 2020. Bhanu Kapil’s extraordinary and original work has been published in the US over the last two decades. During that time Kapil has established herself as one of our most important and ethical writers. Her books often defy categorisation as she fearlessly engages with colonialism and its ongoing and devastating aftermath, creating what she calls in Ban en Banlieue (2015) a ‘Literature that is not made from literature’. Always at the centre of her books and performances are the experiences of the body, and, whether she is exploring racism, violence, the experiences of diaspora communities in India, England or America, what emerges is a heart-stopping, life-affirming way of telling the near impossible-to-be-told. How To Wash A Heart, Kapil's first full-length collection published in the UK, depicts the complex relations that emerge between an immigrant guest and a citizen host. Drawn from a first performance at the ICA in London in 2019, and using poetry as a mode of interrogation that is both rigorous, compassionate, surreal, comic, painful and tender, by turn, Kapil begins to ask difficult and urgent questions about the limits of inclusion, hospitality and care. |
| franny choi soft science: Bestiary Donika Kelly, 2016-10-11 Donika Kelly's fierce debut collection, longlisted for the 2016 National Book Award and winner of the 2015 Cave Canem Poetry Prize I thought myself lion and serpent. Thought myself body enough for two, for we. Found comfort in never being lonely. What burst from my back, from my bones, what lived along the ridge from crown to crown, from mane to forked tongue beneath the skin. What clamor we made in the birthing. What hiss and rumble at the splitting, at the horns and beard, at the glottal bleat. What bridges our back. What strong neck, what bright eye. What menagerie are we. What we've made of ourselves. --from Love Poem: Chimera Across this remarkable first book are encounters with animals, legendary beasts, and mythological monsters--half human and half something else. Donika Kelly's Bestiary is a catalogue of creatures--from the whale and ostrich to the pegasus and chimera to the centaur and griffin. Among them too are poems of love, self-discovery, and travel, from Out West to Back East. Lurking in the middle of this powerful and multifaceted collection is a wrenching sequence that wonders just who or what is the real monster inside this life of survival and reflection. Selected and with an introduction by the National Book Award winner Nikky Finney, Bestiary questions what makes us human, what makes us whole. |
| franny choi soft science: The Octopus Museum Brenda Shaughnessy, 2021-06-29 Now in paperback, this collection of bold and scathingly beautiful feminist poems imagines what comes after our current age of environmental destruction, racism, sexism, and divisive politics. Informed as much by Brenda Shaughnessy's worst fears as a mother as they are by her superb craft as a poet, the poems in The Octopus Museum blaze forth from her pen: in these pages, we see that what was once a generalized fear for our children is now hyper-reasonable, specific, and multiple: school shootings, nuclear attack, loss of health care, a polluted planet. As Shaughnessy conjures our potential future, she movingly (and often with humor) envisions an age where cephalopods might rule over humankind, a fate she suggests we may just deserve after destroying their oceans. These heartbreaking, terrified poems are the battle cry of a woman who is fighting for the survival of the world she loves, and a stirring exhibition of who we are as a civilization. |
| franny choi soft science: Apsara Engine Bishakh Som, 2020 In trans illustrator Bishakh Som's debut work of fiction, questions of gender, the body, and existential conformity are explored over the course of eight speculative and graphic short stories-- |
| franny choi soft science: Night Sky with Exit Wounds Ocean Vuong, 2016-05-23 Winner of the 2016 Whiting Award One of Publishers Weekly's Most Anticipated Books of Spring 2016 One of Lit Hub's 10 must-read poetry collections for April “Reading Vuong is like watching a fish move: he manages the varied currents of English with muscled intuition. His poems are by turns graceful and wonderstruck. His lines are both long and short, his pose narrative and lyric, his diction formal and insouciant. From the outside, Vuong has fashioned a poetry of inclusion.”—The New Yorker Night Sky with Exit Wounds establishes Vuong as a fierce new talent to be reckoned with...This book is a masterpiece that captures, with elegance, the raw sorrows and joys of human existence.—Buzzfeed's Most Exciting New Books of 2016 This original, sprightly wordsmith of tumbling pulsing phrases pushes poetry to a new level...A stunning introduction to a young poet who writes with both assurance and vulnerability. Visceral, tender and lyrical, fleet and agile, these poems unflinchingly face the legacies of violence and cultural displacement but they also assume a position of wonder before the world.”—2016 Whiting Award citation Night Sky with Exit Wounds is the kind of book that soon becomes worn with love. You will want to crease every page to come back to it, to underline every other line because each word resonates with power.—LitHub Vuong’s powerful voice explores passion, violence, history, identity—all with a tremendous humanity.—Slate “In his impressive debut collection, Vuong, a 2014 Ruth Lilly fellow, writes beauty into—and culls from—individual, familial, and historical traumas. Vuong exists as both observer and observed throughout the book as he explores deeply personal themes such as poverty, depression, queer sexuality, domestic abuse, and the various forms of violence inflicted on his family during the Vietnam War. Poems float and strike in equal measure as the poet strives to transform pain into clarity. Managing this balance becomes the crux of the collection, as when he writes, ‘Your father is only your father/ until one of you forgets. Like how the spine/ won’t remember its wings/ no matter how many times our knees/ kiss the pavement.’”—Publishers Weekly What a treasure [Ocean Vuong] is to us. What a perfume he's crushed and rendered of his heart and soul. What a gift this book is.—Li-Young Lee Torso of Air Suppose you do change your life. & the body is more than a portion of night—sealed with bruises. Suppose you woke & found your shadow replaced by a black wolf. The boy, beautiful & gone. So you take the knife to the wall instead. You carve & carve until a coin of light appears & you get to look in, at last, on happiness. The eye staring back from the other side— waiting. Born in Saigon, Vietnam, Ocean Vuong attended Brooklyn College. He is the author of two chapbooks as well as a full-length collection, Night Sky with Exit Wounds. A 2014 Ruth Lilly Fellow and winner of the 2016 Whiting Award, Ocean Vuong lives in New York City, New York. |
| franny choi soft science: Return Flight Jennifer Huang, 2022-01-18 Selected by Jos Charles as the winner of the 2021 Ballard Spahr Prize for Poetry, Return Flight is a lush reckoning: with inheritance, with body, with trauma, with desire—and with the many tendons in between. When Return Flight asks “what name / do you crown yourself,” Huang answers with many. Textured with mountains—a folkloric goddess-prison, Yushan, mother, men, self—and peppered with shapeshifting creatures, spirits, and gods, the landscape of Jennifer Huang’s poems is at once mystical and fleshy, a “myth a mess of myself.” Sensuously, Huang depicts each of these not as things to claim but as topographies to behold and hold. Here, too, is another kind of mythology. Set to the music of “beating hearts / through objects passed down,” the poems travel through generations—among Taiwan, China, and America—cataloging familial wounds and beloved stories. A grandfather’s smile shining through rain, baby bok choy in a child’s bowl, a slap felt decades later—the result is a map of a present-day life, reflected through the past. Return Flight is a thrumming debut that teaches us how history harrows and heals, often with the same hand; how touch can mean “purple” and “blue” as much as it means intimacy; and how one might find a path toward joy not by leaving the past in the past, but by “[keeping a] hand on these memories, / to feel them to their ends.” |
| franny choi soft science: Postcolonial Love Poem Natalie Diaz, 2020-03-03 WINNER OF THE 2021 PULITZER PRIZE IN POETRY FINALIST FOR THE 2020 NATIONAL BOOK AWARD FOR POETRY Natalie Diaz’s highly anticipated follow-up to When My Brother Was an Aztec, winner of an American Book Award Postcolonial Love Poem is an anthem of desire against erasure. Natalie Diaz’s brilliant second collection demands that every body carried in its pages—bodies of language, land, rivers, suffering brothers, enemies, and lovers—be touched and held as beloveds. Through these poems, the wounds inflicted by America onto an indigenous people are allowed to bloom pleasure and tenderness: “Let me call my anxiety, desire, then. / Let me call it, a garden.” In this new lyrical landscape, the bodies of indigenous, Latinx, black, and brown women are simultaneously the body politic and the body ecstatic. In claiming this autonomy of desire, language is pushed to its dark edges, the astonishing dunefields and forests where pleasure and love are both grief and joy, violence and sensuality. Diaz defies the conditions from which she writes, a nation whose creation predicated the diminishment and ultimate erasure of bodies like hers and the people she loves: “I am doing my best to not become a museum / of myself. I am doing my best to breathe in and out. // I am begging: Let me be lonely but not invisible.” Postcolonial Love Poem unravels notions of American goodness and creates something more powerful than hope—in it, a future is built, future being a matrix of the choices we make now, and in these poems, Diaz chooses love. |
| franny choi soft science: Space Struck Paige Lewis, 2019-10-08 This astonishing, self-assured debut leads us on an exploration to the stars and back, begging us to reconsider our boundaries of self, time, space, and knowledge. The speaker writes, “...the universe/is an arrow/without end/and it asks only one question;/How dare you?” Zig-zagging through the realms of nature, science, and religion, one finds St. Francis sighing in the corner of a studio apartment, tides that are caused by millions of oysters “gasping in unison,” an ark filled with women in its stables, and prayers that reach God fastest by balloon. There’s pathos: “When my new lover tells me I’m correct to love him, I/realize the sound isn’t metal at all. It’s not the coins rattling/ on concrete, but the fingers scraping to pick them up.” And humor, too: “...even the sun’s been sighing Not you again/when it sees me.” After reading this far-reaching, inventive collection, we too are startled, space struck, our pockets gloriously “filled with space dust.” |
| franny choi soft science: Asian American Poetry Victoria Chang, 2004 A modern poetry anthology that includes the work of a second generation of Asian American poets who are taking the best of the prior generation, but also breaking conventional patterns. |
| franny choi soft science: The Tradition Jericho Brown, 2019-06-18 WINNER OF THE 2020 PULITZER PRIZE FOR POETRY Finalist for the 2019 National Book Award 100 Notable Books of the Year, The New York Times Book Review One Book, One Philadelphia Citywide Reading Program Selection, 2021 By some literary magic—no, it's precision, and honesty—Brown manages to bestow upon even the most public of subjects the most intimate and personal stakes.—Craig Morgan Teicher, “'I Reject Walls': A 2019 Poetry Preview” for NPR “A relentless dismantling of identity, a difficult jewel of a poem.“—Rita Dove, in her introduction to Jericho Brown’s “Dark” (featured in the New York Times Magazine in January 2019) “Winner of a Whiting Award and a Guggenheim Fellowship, Brown's hard-won lyricism finds fire (and idyll) in the intersection of politics and love for queer Black men.”—O, The Oprah Magazine Named a Lit Hub “Most Anticipated Book of 2019” One of Buzzfeed’s “66 Books Coming in 2019 You’ll Want to Keep Your Eyes On” The Rumpus poetry pick for “What to Read When 2019 is Just Around the Corner” One of BookRiot’s “50 Must-Read Poetry Collections of 2019” Jericho Brown’s daring new book The Tradition details the normalization of evil and its history at the intersection of the past and the personal. Brown’s poetic concerns are both broad and intimate, and at their very core a distillation of the incredibly human: What is safety? Who is this nation? Where does freedom truly lie? Brown makes mythical pastorals to question the terrors to which we’ve become accustomed, and to celebrate how we survive. Poems of fatherhood, legacy, blackness, queerness, worship, and trauma are propelled into stunning clarity by Brown’s mastery, and his invention of the duplex—a combination of the sonnet, the ghazal, and the blues—is testament to his formal skill. The Tradition is a cutting and necessary collection, relentless in its quest for survival while reveling in a celebration of contradiction. |
| franny choi soft science: When My Brother Was an Aztec Natalie Diaz, 2012-12-04 I write hungry sentences, Natalie Diaz once explained in an interview, because they want more and more lyricism and imagery to satisfy them. This debut collection is a fast-paced tour of Mojave life and family narrative: A sister fights for or against a brother on meth, and everyone from Antigone, Houdini, Huitzilopochtli, and Jesus is invoked and invited to hash it out. These darkly humorous poems illuminate far corners of the heart, revealing teeth, tails, and more than a few dreams. I watched a lion eat a man like a piece of fruit, peel tendons from fascia like pith from rind, then lick the sweet meat from its hard core of bones. The man had earned this feast and his own deliciousness by ringing a stick against the lion's cage, calling out Here, Kitty Kitty, Meow! With one swipe of a paw much like a catcher's mitt with fangs, the lion pulled the man into the cage, rattling his skeleton against the metal bars. The lion didn't want to do it— He didn't want to eat the man like a piece of fruit and he told the crowd this: I only wanted some goddamn sleep . . . Natalie Diaz was born and raised on the Fort Mojave Indian Reservation in Needles, California. After playing professional basketball for four years in Europe and Asia, Diaz returned to the states to complete her MFA at Old Dominion University. She lives in Surprise, Arizona, and is working to preserve the Mojave language. |
| franny choi soft science: Native Species Todd Davis, 2019-01-01 In his sixth book of poetry, Todd Davis, who Harvard Review declares is “unflinchingly candid and enduringly compassionate,” confesses that “it’s hard to hide my love for the pleasures of the earth.” In poems both achingly real and stunningly new, he ushers the reader into a consideration of the green world and our uncertain place in it. As he writes in “Dead Letter to James Wright,” “You said / you’d wasted your life. / I’m still not sure / what species I am.” To that end, Native Species explores what happens to us—to all of us, bear, deer, mink, trout, moose, girl, boy, woman, man—when we die, and what happens to the soul as it faces extinction—if it “migrates into the lives of other creatures, becomes a fox or frog, an ant in a colony serving a queen, a red salamander entering a pond before it freezes.” He wonders, too, “How many new beginnings are we granted?” It’s a beautiful question, and it freights, simultaneously, possibility and pain. These are the verses of a poet maturing into a new level of thinking, full of tenderness and love for the home that carries us all. |
| franny choi soft science: Life on Mars Tracy K. Smith, 2017-01-10 Winner of the 2012 Pulitzer Prize * Poet Laureate of the United States * * A New York Times Notable Book of 2011 and New York Times Book Review Editors' Choice * * A New Yorker, Library Journal and Publishers Weekly Best Book of the Year * New poetry by the award-winning poet Tracy K. Smith, whose lyric brilliance and political impulses never falter (Publishers Weekly, starred review) You lie there kicking like a baby, waiting for God himself To lift you past the rungs of your crib. What Would your life say if it could talk? —from No Fly Zone With allusions to David Bowie and interplanetary travel, Life on Mars imagines a soundtrack for the universe to accompany the discoveries, failures, and oddities of human existence. In these brilliant new poems, Tracy K. Smith envisions a sci-fi future sucked clean of any real dangers, contemplates the dark matter that keeps people both close and distant, and revisits the kitschy concepts like love and illness now relegated to the Museum of Obsolescence. These poems reveal the realities of life lived here, on the ground, where a daughter is imprisoned in the basement by her own father, where celebrities and pop stars walk among us, and where the poet herself loses her father, one of the engineers who worked on the Hubble Space Telescope. With this remarkable third collection, Smith establishes herself among the best poets of her generation. |
| franny choi soft science: SHOUT Laurie Halse Anderson, 2019-03-12 A New York Times bestseller and one of 2019's best-reviewed books, a poetic memoir and call to action from the award-winning author of Speak, Laurie Halse Anderson! Bestselling author Laurie Halse Anderson is known for the unflinching way she writes about, and advocates for, survivors of sexual assault. Now, inspired by her fans and enraged by how little in our culture has changed since her groundbreaking novel Speak was first published twenty years ago, she has written a poetry memoir that is as vulnerable as it is rallying, as timely as it is timeless. In free verse, Anderson shares reflections, rants, and calls to action woven between deeply personal stories from her life that she's never written about before. Described as powerful, captivating, and essential in the nine starred reviews it's received, this must-read memoir is being hailed as one of 2019's best books for teens and adults. A denouncement of our society's failures and a love letter to all the people with the courage to say #MeToo and #TimesUp, whether aloud, online, or only in their own hearts, SHOUT speaks truth to power in a loud, clear voice-- and once you hear it, it is impossible to ignore. |
| franny choi soft science: Door in the Mountain Jean Valentine, 2004-11-26 The collected works of one of America’s most innovative poets. |
| franny choi soft science: Midwinter Day Bernadette Mayer, 1999 Perhaps Bernadette Mayer's greatest work, Midwinter Day was written on December 22, 1978, at 100 Main Street, in Lenox, Massachusetts. Midwinter Day, as Alice Notley notes, is an epic poem about a daily routine. In six parts, Midwinter Day takes us from awakening and emerging from dreams through the whole day -- morning, afternoon, evening, night -- to dreams again: a plain introduction to modes of love and reason, / Then to end I guess with love, a method to this winter season / Now I've said this love it's all I can remember / Of Midwinter Day the twenty-second of December. |
| franny choi soft science: Obit Victoria Chang, 2020-04-07 The New York Times 100 Notable Books of 2020 Time Magazine's 100 Must-Read Books of 2020 NPR's Best Books of 2020 National Book Award in Poetry, Longlist Frank Sanchez Book Award After her mother died, poet Victoria Chang refused to write elegies. Rather, she distilled her grief during a feverish two weeks by writing scores of poetic obituaries for all she lost in the world. In Obit, Chang writes of “the way memory gets up after someone has died and starts walking.” These poems reinvent the form of newspaper obituary to both name what has died (“civility,” “language,” “the future,” “Mother’s blue dress”) and the cultural impact of death on the living. Whereas elegy attempts to immortalize the dead, an obituary expresses loss, and the love for the dead becomes a conduit for self-expression. In this unflinching and lyrical book, Chang meets her grief and creates a powerful testament for the living. When you lose someone you love, the world doesn’t stop to let you mourn. Nor does it allow you to linger as you learn to live with a gaping hole in your heart. Indeed, this daily indifference to being left behind epitomizes the unique pain of grieving. Victoria Chang captures this visceral, heart-stopping ache in Obit, the book of poetry she wrote after the death of her mother. Although Chang initially balked at writing an obituary, she soon found herself writing eulogies for the small losses that preceded and followed her mother’s death, each one an ode to her mother’s life and influence. Chang also thoughtfully examines how she will be remembered by her own children in time.—Time Magazine |
| franny choi soft science: The Traditional Feel of the Ballroom Hannah Gamble, 2021-07 In this collection of poems, Hannah Gamble plucks the girl from both the men and the unnecessary fluff to show the gut-wrenching reality of being a woman around men. In clipped language, she exposes the raw truth of being briefly trapped inside of a bar doorway and pretending to be okay with that. This collection doesn't sugarcoat. Instead, it cakes the reader in the dirt of men's hands-hands that may cup a woman's chin in deception or force a woman's hips to theirs. With Gamble's explicitly honest language, the audience (all the while trying to shake the filth) will be unable to stop reading, finding at the core of The Traditional Feel of the Ballroom a woman's unshakable determination when she's had enough. |
| franny choi soft science: Every Day We Get More Illegal Juan Felipe Herrera, 2020-09-22 Voted a Best Poetry Book of the Year by Library Journal Included in Publishers Weekly's Top 10 Poetry Books of the Year One of LitHub's most Anticipated Books of the Year! A State of the Union from the nation’s first Latino Poet Laureate. Trenchant, compassionate, and filled with hope. Many poets since the 1960s have dreamed of a new hybrid art, part oral, part written, part English, part something else: an art grounded in ethnic identity, fueled by collective pride, yet irreducibly individual too. Many poets have tried to create such an art: Herrera is one of the first to succeed.—New York Times Herrera has the unusual capacity to write convincing political poems that are as personally felt as poems can be.—NPR Juan Felipe Herrera's magnificent new poems in Every Day We Get More Illegal testify to the deepest parts of the American dream—the streets and parking lots, the stores and restaurants and futures that belong to all—from the times when hope was bright, more like an intimate song than any anthem stirring the blood.—Naomi Shihab Nye, The New York Times Magazine From Basho to Mandela, Every Day We Get More Illegal takes us on an international tour for a lesson in the history of resistance from a poet who declares, 'I had to learn . . . to take care of myself . . . the courage to listen to my self.' You hold in your hands evidence of who we really are.—Jericho Brown, author of The Tradition These poems talk directly to America, to migrant people, and to working people. Herrera has created a chorus to remind us we are alive and beautiful and powerful.—José Olivarez, Author of Citizen Illegal The poet comes to his country with a book of songs, and asks: America, are you listening? We better listen. There is wisdom in this book, there is a choral voice that teaches us 'to gain, pebble by pebble, seashell by seashell, the courage.' The courage to find more grace, to find flames.—Ilya Kaminsky, author of Deaf Republic In this collection of poems, written during and immediately after two years on the road as United States Poet Laureate, Juan Felipe Herrera reports back on his travels through contemporary America. Poems written in the heat of witness, and later, in quiet moments of reflection, coalesce into an urgent, trenchant, and yet hope-filled portrait. The struggle and pain of those pushed to the edges, the shootings and assaults and injustices of our streets, the lethal border game that separates and divides, and then: a shift of register, a leap for peace and a view onto the possibility of unity. Every Day We Get More Illegal is a jolt to the conscience—filled with the multiple powers of the many voices and many textures of every day in America. Former Poet Laureate Juan Felipe Herrera should also be Laureate of our Millennium—a messenger who nimbly traverses the transcendental liminalities of the United States . . .—Carmen Gimenez Smith, author of Be Recorder |
| franny choi soft science: Beast at Every Threshold Natalie Wee, 2022-04-05 An unflinching shapeshifter, Beast at Every Threshold dances between familial hauntings and cultural histories, intimate hungers and broader griefs. Memories become malleable, pop culture provides a backdrop to glittery queer love, and folklore speaks back as a radical tool of survival. With unapologetic precision, Natalie Wee unravels constructs of “otherness” and names language our most familiar weapon, illuminating the intersections of queerness, diaspora, and loss with obsessive, inexhaustible ferocity—and in resurrecting the self rendered a site of violence, makes visible the “Beast at Every Threshold.” Beguiling and deeply imagined, Wee’s poems explore thresholds of marginality, queerness, immigration, nationhood, and reinvention of the self through myth. |
| franny choi soft science: Foreign Bodies: Poems Kimiko Hahn, 2020-03-03 A striking, shapeshifting volume from one of the most fascinating female poets of our time (BOMB). Inspired by her encounter with Dr. Chevalier Jackson’s collection of ingested curiosities at Philadelphia’s Mütter Museum, Kimiko Hahn’s tenth collection investigates the grip that seemingly insignificant objects exert on our lives. Itself a cabinet of curiosities, the collection provokes the same surprise, wonder, and pangs of recognition Hahn felt upon opening drawer after drawer of these swallowed, and retrieved, objects—a radiator key, a child’s perfect attendance pin, a mother-of-pearl button. The speaker of these moving poems sees reflections of these items in the heartbreaking detritus of her family home, and in her long-dead mother’s Japanese jewelry. As Hahn remakes the lyric sequence in chains reminiscent of the Japanese tanka, the foreign bodies of the title expand to include the immigrant woman’s trafficked body, fossilized remains, a grandmother’s Japanese body. She explores the relationship between our innermost selves and the relics of our vanished past, making room for meditation on grief and the ephemeral nature of the material world, for the account of a nineteenth-century female fossil hunter, and for a celebration of the nautilus. Foreign Bodies investigates the power of possession, replete with Hahn’s electric originality and thrilling mastery of ever-changing forms. |
| franny choi soft science: Madness Sam Sax, 2017-09-12 An “astounding” (Terrance Hayes) debut collection of poems – Winner of the National Poetry Series Competition In this powerful debut collection, sam sax explores and explodes the linkages between desire, addiction, and the history of mental health. These brave, formally dexterous poems examine antiquated diagnoses and procedures from hysteria to lobotomy; offer meditations on risky sex; and take up the poet’s personal and family histories as mental health patients and practitioners. Ultimately, Madness attempts to build a queer lineage out of inherited language and cultural artifacts; these poems trouble the static categories of sanity, heterosexuality, masculinity, normality, and health. sax’s innovative collection embodies the strange and disjunctive workings of the mind as it grapples to make sense of the world around it. |
| franny choi soft science: Year of Blue Water Yanyi, 2019-03-26 Winner of the 2018 Yale Series of Younger Poets prize How can a search for self‑knowledge reveal art as a site of community? Yanyi’s arresting and straightforward poems weave experiences of immigration as a Chinese American, of racism, of mental wellness, and of gender from a queer and trans perspective. Between the contrast of high lyric and direct prose poems, Yanyi invites the reader to consider how to speak with multiple identities through trauma, transition, and ordinary life. These poems constitute an artifact of a groundbreaking and original author whose work reflects a long journey self‑guided through tarot, therapy, and the arts. Foregrounding the power of friendship, Yanyi’s poems converse with friends as much as with artists both living and dead, from Agnes Martin to Maggie Nelson to Robin Coste Lewis. This instructive collection gives voice to the multifaceted humanity within all of us and inspires attention, clarity, and hope through art-making and community. |
| franny choi soft science: Capable Monsters Marlin M. Jenkins, 2020 Poetry. LGBTQIA Studies. CAPABLE MONSTERS moves through entries of the pokémon encyclopedia--the Pokédex--as a way to navigate concerns of identity: otherness, what it means to be considered a monster, how we fit into a larger societal ecosystem. To make space for the validity of oft-dismissed subject material, Marlin M. Jenkins asserts the symbolic, thematic, and narrative richness of worlds like the world of Pokémon: his poems use pokémon as a way to explore cataloguing, childhood, race, queerness, violence, and the messiness of being a human in a world of humans. |
| franny choi soft science: In which I Play the Runaway Rochelle Hurt, 2016 Poetry. Winner of the Barrow Street Press Poetry Prize. 'I was born with a gift for gall and grit, ' Rochelle Hurt writes--a line that echoes through every poem in this collection. She spares nothing and bares all that needs baring about family, place, and relationships--how they reflect each other, blurred in tarnished mirrors. With a Sylvia Plath-like abandon and urgency, every single word feels completely necessary; words spoken with a vigor and honesty that are felt in the gut; words that remain lodged in the back of the throat. --Richard Blanco |
| franny choi soft science: Troubling the Line TC Tolbert, Trace Peterson, Tim Trace Peterson, 2013 The first-ever collection of poetry by trans and genderqueer writers |
| franny choi soft science: I Be, But I Ain't Aziza Barnes, 2016 Poetry. African & African American Studies. Incandescent in her brutality & neon truth, Aziza Barnes writes her way into an urgent Black, wide & beautiful in its scream. You will find lightning here. You will discover a bruised constellation exploding in a vast black body. Her syllables devour the sweet hurt & harm of their own naked limbs & offer us a generous feast. Aziza Barnes is her own revolution, her own galactic orbit & oracle. She writes, 'In my own home I attempt nightly/to eat my body alive.' These poems suck their teeth & know their own desperate bones. She grieves, 'i done walked with a name i couldn't shake & now i gone.' Shaped and forged in powerful consciousness, Aziza Barnes possesses a gifted voice that will always be needed and necessary. The poems of this extraordinary debut sweat themselves Black with imagination and desire. In I BE, BUT I AIN'T, Barnes achieves both freedom & forgiveness in an ache that persists infinitely in its intelligence & intuition. Listen to her: 'I am ungloved in a sabbath of spit.'--Rachel Eliza Griffiths Aziza Barnes's I BE, BUT I AIN'T is a powerful debut that refuses to stroke you soft or angle to be your best friend. Instead, these poems revel in the menagerie of their own discomfort, and ours. Barnes's is a wild imagination and her poems an ill grammar akin to Jayne Cortez's percussive surrealism of the body. Want a lolly pop? You won't get that here. Her poetic is challenging and sophisticated, in a language that refuses to assuage.--Dawn Lundy Martin |
| franny choi soft science: Boy Underground Catherine Ryan Hyde, 2021-12-07 During WWII, a teenage boy finds his voice, the courage of his convictions, and friends for life in an emotional and uplifting novel by the New York Times and #1 Amazon Charts bestselling author. 1941. Steven Katz is the son of prosperous landowners in rural California. Although his parents don't approve, he's found true friends in Nick, Suki, and Ollie, sons of field workers. The group is inseparable. But Steven is in turmoil. He's beginning to acknowledge that his feelings for Nick amount to more than friendship. When the bombing of Pearl Harbor draws the US into World War II, Suki and his family are forced to leave their home for the internment camp at Manzanar. Ollie enlists in the army and ships out. And Nick must flee. Betrayed by his own father and accused of a crime he didn't commit, he turns to Steven for help. Hiding Nick in a root cellar on his family's farm, Steven acts as Nick's protector and lifeline to the outside world. As the war escalates, bonds deepen and the fear of being different falls away. But after Nick unexpectedly disappears one day, Steven's life focus is to find him. On the way, Steven finds a place he belongs and a lesson about love that will last him his lifetime. |
| franny choi soft science: Ultramarine Wayne Koestenbaum, 2022-02-08 |
| franny choi soft science: The Wilderness Takeichi Moritake, 2022-04-26 Here, available for the first time in an English translation, is The Wilderness by Moritake Takeichi, who is known, along with Iboshi Hokuto and Batchelor Yaeko, as one of the Three Great Ainu Poets. This seminal work should be considered must reading for anyone interested in Ainu culture and history, and Japanese literature in general. These poems provide an especially poignant insight into the intense pressures experienced by the Ainu people after Hokkaido was annexed by Japan in 1879, when assimilation became synonymous with survival. Moritake, whose Ainu name was Itakunoto was born in the fishing village of Shiraoi in southwestern Hokkaido in 1902, the eldest son of Ehechikari (father) and Otehe (mother). His father passed away when he was still an infant and he grew up in extreme poverty. He started working in the local fishery at the age of 9 to help support his family. His formal education ended in 1915 at the age of 12 when he graduated from elementary school, after which he left Shiraoi to work as a migrant laborer in the herring fisheries at Ishikari, Atsuta, Usuya (Obiracho) and Rumoi. At the age of 20, after a period of intense self-study, he took and passed the exam to become a full-time employee of the National Railway, an astonishing feat for someone with only a primary school education. He gave up this position 1935 to devote himself to the service of his Ainu brethren. Moritake's life spanned a period of rapid and intense change. A few decades before his birth Japan was still run by samurai warriors. Within the period of his lifetime Japan transformed itself from an isolated collection of feudal states into a modern industrial nation. Great progress was achieved, but for the Ainu in particular this progress came at great cost. As one reads this collection of poems one is struck by the uninhibited and eclectic nature of his work. The first section of the book consists of verse poems in a variety of metrical styles. Some, influenced by classical Chinese patterns, are reminiscent of western romantic poetry in their use of figures such as nymphs and naiads to convey a wistful view of traditional Ainu life in ancient times, while others paint a brutally realistic picture of the desperate challenges that faced the new generation of Ainu in his day. Moritake, in the preface to this volume, described his work as follows: Nowadays the Ainu people have the opportunity to receive a proper education, and their religious beliefs are gradually becoming modernized. Their sensibilities are being refined through exposure to newspapers, magazines and all the other instruments of modern civilization, and the old religious ceremonies and legends that have been passed on by word of mouth since time immemorial are being forgotten. Once the elders living today have passed from this world, many of the elements of our ancient heritage will be lost forever. As one who was born during this period of transition, on the one hand I am excited when I think of the opportunities for progress that assimilation into Japanese society will bring, but on the other I find myself overwhelmed by an indescribable sense of loss. It was nostalgia for this ancient heritage that inspired me to begin visiting the elders from time to time. I listened to them tell the old stories, and asked them about the ways of life, manners and customs of the Ainu in the old days. I made sure to participate in all of the old ceremonies so that I could experience them for myself, and in this collection of poems I have tried not only to describe these more traditional aspects of Ainu life, but I have also attempted to paint a frank and unvarnished picture of the feelings and experiences of the younger generation of Ainu, surrounded, as they are, by the excitement and distractions of modern society. (1937) A facsimile bilingual version is available from Rose Books. |
| franny choi soft science: Lost, Hurt, Or in Transit Beautiful Rohan Chhetri, 2021 Poetry. Asian & Asian American Studies. Winner of the Kundiman Prize for exceptional work by an Asian American poet. In Rohan Chhetri's LOST, HURT, OR IN TRANSIT BEAUTIFUL, inherited literary forms--the ode, the lyric, and pristine tercets--are juxtaposed with gorgeously fractured and stylistically daring hybrid pieces. The end result is a work in which poetic technique is brought to bear on lingering questions of identity, artistic tradition, and the cruelty implicit in language itself. Here, form, grammar, and syntax function as a kind of containment, but also, a 'ruined field' that is rife with possibility. Chhetri dramatizes and resists the ways language, and its implicit logic, limit what is possible within our most solitary reflections, defining even those 'vague dreams' that in the end we greet alone. 'This is how violence enters / a poem,' he explains, 'through a screen / door crawling out & Mother asleep on the couch.' These pieces are as lyrical as they are grounded, and as understated as they are ambitious. 'In my language, there is a name for this music,' he tells us. As his stunning collection unfolds, Chhetri reminds us, with subtlety and grace, that the smallest stylistic decisions in poetry are politically charged. This is a haunting book.--from the Kundiman Prize Citation |
| franny choi soft science: Barnburner Erin Hoover, 2018 Poetry. BARNBURNER by Erin Hoover is the winner of the 2017 Elixir Press Antivenom Poetry Award. Kathryn Nuernberger, contest judge, had this to say about it: The epigraph to BARNBURNER is a call to burn it all down: 'According to an old story, there was once a Dutchman who was so bothered by the rats in his barn that he burned down the barn to get rid of them. Thus a barn burner became one who destroyed all in order to get rid of a nuisance.' There is honesty in this epigraph, raw and brutal, like the narrative voices in Erin Hoover's poems. But there's an irony at play here, an irony perhaps borrowing a bit from the ironies of Frost's 'Mending Wall': these poems don't burn down the cruelties of a homogeneous, racist patriarchy. Instead, they make a muse of it. A muse that can be objectified, stripped bare, and put on a pedestal for all to scorn. Hoover fridges that muse so that one speaker of a heroine after another is vaulted by the shock of such violence into a journey of personal discovery. There are mean-spirited, ruthless characters in these poems and, in a kind of reverse Bechdel test, Hoover wipes away their inner lives and never lets them talk to each other about anything except those they have hurt. |
| franny choi soft science: The Rusted City Rochelle Hurt, 2014 Set in a surreal, post-industrial wasteland, this fable is a striking addition to the Marie Alexander Series. |
Franny and Zooey - Wikipedia
Franny and Zooey is a book by American author J. D. Salinger which comprises his short story "Franny" and novella Zooey / ˈ z oʊ. iː /. [1] The two works were published together as a book in …
Franny and Zooey by J.D. Salinger - Goodreads
First published in The New Yorker as two sequential stories, ‘Franny’ and ‘Zooey’ offer a dual portrait of the two youngest members of J. D. Salinger’s fictional Glass family. Franny Glass is a …
Franny and Zooey: Full Book Summary - SparkNotes
In "Franny," Franny Glass meets her boyfriend Lane Coutell for a football weekend at his college. They do not get to join many of the festivities, though, because during their first lunch together, …
J. D. Salinger: Seeing the Glass Family (Franny and Zooey)
Nov 15, 2011 · Franny and Zooey is the first book-length treatment of the Glass family. Salinger had already introduced some of the family members in stories such as “A Perfect Day for Bananafish” …
Franny and Zooey by J. D. Salinger Plot Summary | LitCharts
College student Lane Coutell is waiting at the train station for his girlfriend Franny Glass and rereading a love letter she sent him. Though Lane is excited to see Franny, he acts cool toward …
Reader’s Guide – “Franny” - salingerincontext.org
Nov 28, 2010 · Franny is “sincerely upset by the egocentrism of the world that has engulfed her, awkwardly struggling and partially succeeding in finding some spiritual sustenance even if it ruins …
Franny and Zooey | Coming-of-Age, Family Dynamics & Identity
Franny is an intellectually precocious late adolescent who tries to attain spiritual purification by obsessively reiterating the “Jesus prayer” as an antidote to the perceived superficiality and …
Franny and Zooey Summary, Characters and Themes
Feb 4, 2024 · Franny is a young college student experiencing a profound existential and spiritual crisis. Disenchanted with the pretentiousness she perceives in her academic environment and …
Summary of 'Franny and Zooey' by J.D. Salinger: A Detailed Synopsis
Franny Glass is a college student grappling with existential questions. Zooey Glass, her older brother, is a cynical actor reflecting on family and spirituality. These stories pulse with emotional …
Franny and Zooey Study Guide - GradeSaver
Franny and Zooey study guide contains a biography of J.D. Salinger, literature essays, quiz questions, major themes, characters, and a full summary and analysis.
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VIOLENCE, LANGUAGE, AND EMBODIMENT: …
Soft Science. and Chang’s “Home” from her collection . Obit, among other poems from these collections, I argue that these poets use the dissolution of binary opposites (e.g. “Eastern” v. …
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Rhyme and Reason: Talks on Poetry - baybookfest.org
Straddling tenderness and rage, and studying our rapidly changing world with a kaleidoscopic lens, Franny Choi ("Soft Science"), Tommy Pico ("Junk"), Brenda Shaughnessy ("The Octopus …
Rhyme and Reason: Talks on Poetry - baybookfest.org
Straddling tenderness and rage, and studying our rapidly changing world with a kaleidoscopic lens, Franny Choi ("Soft Science"), Tommy Pico ("Junk"), Brenda Shaughnessy ("The Octopus …
Rhyme and Reason: Talks on Poetry - baybookfest.org
Straddling tenderness and rage, and studying our rapidly changing world with a kaleidoscopic lens, Franny Choi ("Soft Science"), Tommy Pico ("Junk"), Brenda Shaughnessy ("The Octopus …
The World Keeps Ending And The World Goes On ; Franny …
Soft Science Franny Choi,2019 Choi pairs complex pain with striking images, wrapping readers in mystical interpretations and then captures them within reality. Leave the World Behind …
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Human Nature The Tell-Tale Heart The Little Prince Mein Kampf Wings of Fire Soft Apocalypse Killer, Come Back To Me: The Crime Stories of Ray Bradbury A Game of Thrones Soft …
Field Trip to the Museum of Human History
Franny Choi Everyone had been talking about the new exhibit, recently unearthed artifacts from a time no living hands remember. What twelve year old doesn’t love a good scary story? Doesn’t …
Geometry Basic Proofs (PDF)
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English 353 Asian American Literature (Honors)
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The Machinery of Creation. Oulipo Poetry, Copyright & Rules …
Franny Choi is a published poet and a finalist for multiple national poetry slams. 16 ‘Sci-Fi’ was in Tracy K Smith (2011) Life on Mars published by Graywolf Press. Tracy K Smith is a published …
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Perihelion: A History of Touch
FRANNY CHOI Perihelion: A History of Touch WOLF MOON No moon in sight, so I howled at the exit sign instead. Red runes, elec tric. Telling an old story of escape, of wind, a wide cold. A …
The Routledge Handbook of Cofuturisms - api.pageplace.de
pline of science fction and diverse futurisms as a whole. Ofering a dynamic mix of approaches and expan ... and Franny Choi’s . Soft Science Claire Stanford . 368 . Omar Houssien and Srđan …
Inspired by “The World Keeps Ending, and the World Goes …
by Franny Choi . There is no map for mothering on a planet in seizure. No doula for the abyss. When you see babies in apocalyptic movies they’re supposed to represent hope, but mostly …
The Machinery of Creation. Oulipo Poetry, Copyright & Rules …
Franny Choi is a published poet and a finalist for multiple national poetry slams. 16 ‘Sci-Fi’ was in Tracy K Smith (2011) Life on Mars published by Graywolf Press. Tracy K Smith is a published …
notes - uplopen.com
nOTES TO In TRO d U c TIO n 218 17 Harney and Moten, Undercommons, 28. 18 Halberstam, “Wild Beyond,” 4. 19 Kaba, We Do This ’Til We Free Us, 3. 20 Song, “New Materialism,” 52, …
2019 27th Annual Poets House Showcase Exhibition Catalog
i . ELCOME to the 2019 Poets House Showcase, our annual, all-inclusive exhibition of the most recent poetry books, chapbooks, broadsides, artists’ books, and multimedia works published in …
Ceremony Awards Hopwood The - U-M LSA
Final Judges Franny Choi and Craig Santos Perez F irst Place Amanda Venclovaite Pirani “Roach” Class of 2025 LSA, Political Science, Creative Writing Second Place Heami Oh “After …
Choi Jeong Min - JSTOR
FRANNY CHOI Choi Jeong Min For my parents , Choi Inyeong & Nam Songeun in the first grade i asked my mother permission to go by francés at school, at seven years old, i already knew the …
An Angry Light: Franny Choi, Don Lee, Emily Jungmin Yoon …
An Angry Light: Franny Choi, Don Lee, Emily Jungmin Yoon, and Alexander Chee To Love wiTh a Rage gone BLind: The PoeTRy of fRanny Choi In the introduction to this book, Franny Choi’s …
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c o L D M O O N Back below the ice. Back to swim. Seastar. Creeping brine. We salt, sink. We pull down the cold. We pull the moon to our floor.
Workshop Title: Words That Stick - insideoutdetroit.org
- How is this poem similar to Franny Choi’s? (20 mins) Prompt: - Franny Choi played with poetic form to create her own poem “Glossary of Terms”. Try to create your own poem playing with …
Date Copyright © 2021 The Writing Revolution. All rights rese
THE WRITING REVOLUTION@ — Author: Dina Zoleo Created Date: 20190104180320Z
February 2016 - Poetry Foundation
franny choi 489 Choi Jeong Min john yau 492 Portrait tyehimba jess 493 Sissieretta Jones ange mlinko 494 Cottonmouth The Fort thomas lynch 496 Libra c.d. wright 497 From “The Obscure …
Date Complete the second sentence following the transition …
1. As a child, Franny Choi's given name triggered feelings of shame and embarrassment about her Korean culture. As a result, she asked permission to adopt the name Frances to avoid the …
Soft implantable drug delivery device integrated wirelessly
SCIENCE ADANCES | RESEARCH ARTICLE 1 of 12 HEALTH AND MEDICINE Soft implantable drug delivery device integrated wirelessly with wearable devices to treat fatal seizures …
Excellence - U-M LSA
Franny Choi Jacqueline Larios Kelly Wheeler Annie Bolotin Mi Jin Christina Kim Tiffany Ball Aaron Burch Katherine Hummel April Conway Cat Cassel Adelay Elizabeth Witherite Franny Choi …
A multi-gait soft robot - dash.harvard.edu
component mechanical structure (18-20). Soft robotics may, thus, initially be a field more closely related to materials science and to chemistry than to mechanical engineering. Soft …
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by Chanel Cleeton Pop Song: Adventures in Art & Intimacy by Larissa Pham Family Law by Gin Phillips Rooted: Life at the Crossroads of Science, Nature, and Spirit by Lyanda Lynn Haupt …
Haunting The Korean Diaspora Shame Secrecy And The …
Franny Choi Haunting the Korean Diaspora Grace M. Cho,2008 Since the Korean Wara the forgotten wara more than a million Korean women have acted as sex workers for U.S. …
WRITING THE OTHERWORLD REVOLUTION
Following the conventions of speculative fiction, the poetry of Nin Andrews, Franny Choi, and Susan Slaverio imagines alternative realities which provoke challenging intersections of …
GRANDPARENTING AND HEALTH IN LATER LIFE: …
sociocultural background influences the grandparenting-health relationship (Choi and Zhang 2018; Cong and Silverstein 2008). In this dissertation, I present three essays that address three …
The Key Components of South Korea’s Soft Power: …
Matosian A.E. RUDN Journal of Political Science, 2021, 23(2), 279–286 Soft power strategies ar SOFT POWER AND PUBLIC DIPLOMACY IN EAST ASIA 281 e particularly important for …
