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| emily dickinson contribution to literature: The Life of Emily Dickinson Richard Benson Sewall, 1976 |
| emily dickinson contribution to literature: Poems by Emily Dickinson Emily Dickinson, 1890 |
| emily dickinson contribution to literature: Emily Dickinson Milton Meltzer, 2005-12-01 Examines the life of the reclusive nineteenth-century Massachusetts poet whose posthumously published poetry brought her the public attention she had carefully avoided during her lifetime. |
| emily dickinson contribution to literature: The Passion of Emily Dickinson Judith Farr, 1992 In a profound new analysis of Dickinson's life and work, Judith Farr explores the desire, suffering, exultation, spiritual rapture, and intense dedication to art that characterize Dickinson's poems, deciphering their many complex and witty references to texts and paintings of the day. |
| emily dickinson contribution to literature: Poetry for Kids: Emily Dickinson Emily Dickinson, 2016-10 An illustrated introduction to the poetry of Emily Dickinson. |
| emily dickinson contribution to literature: Reading the Fascicles of Emily Dickinson Eleanor Elson Heginbotham, 2003 Heginbotham's book focuses on Emily Dickinson's work as a deliberate writer and editor. The fascicles were forty small portfolios of her poems written between 1856 and 1864, composed on four to seven stationery sheets, folded, stacked, and sewn together with twine. What revelations might come from reading her poems in her own context? Are they simply scrapbooks, as some claim, or are they evidence of conscious, canny editing? Read in their original places, each lyric becomes different-and more interesting-than when read in isolation. We cannot know why Dickinson compiled the books or what she thought of them, but we can observe what she left in them. What she left is visible only by noting the way the poem answers in a dialogue across the pages, the way lines spilling onto a second page introduce the next poem, the way openings suggest image clusters so that each book has its own network of concerns and language-not a story or philosophical preachment but an aesthetic wholeness. This book is the first to demonstrate that Dickinson's poetic and philosophical creativity is most startling when the reader observes the individual lyric in the poet's own, and only, context for them. For teacher, student, scholar, and poetry lover, Heginbotham creates an important new framework for understanding one of the most complex, clever, and profound U.S. poets. |
| emily dickinson contribution to literature: The Gorgeous Nothings Emily Dickinson, Marta L. Werner, Jen Bervin, 2013 Full-color facsimile publication of Emily Dickinson's manuscripts |
| emily dickinson contribution to literature: Reading in Time Cristanne Miller, 2012 This book provides new information about Emily Dickinson as a writer and new ways of situating this poet in relation to nineteenth-century literary culture, examining how we read her poetry and how she was reading the poetry of her own day. Cristanne Miller argues both that Dickinson's poetry is formally far closer to the verse of her day than generally imagined and that Dickinson wrote, circulated, and retained poems differently before and after 1865. Many current conceptions of Dickinson are based on her late poetic practice. Such conceptions, Miller contends, are inaccurate for the time when she wrote the great majority of her poems. Before 1865, Dickinson at least ambivalently considered publication, circulated relatively few poems, and saved almost everything she wrote in organized booklets. After this date, she wrote far fewer poems, circulated many poems without retaining them, and took less interest in formally preserving her work. Yet, Miller argues, even when circulating relatively few poems, Dickinson was vitally engaged with the literary and political culture of her day and, in effect, wrote to her contemporaries. Unlike previous accounts placing Dickinson in her era, Reading in Time demonstrates the extent to which formal properties of her poems borrow from the short-lined verse she read in schoolbooks, periodicals, and single-authored volumes. Miller presents Dickinson's writing in relation to contemporary experiments with the lyric, the ballad, and free verse, explores her responses to American Orientalism, presents the dramatic lyric as one of her preferred modes for responding to the Civil War, and gives us new ways to understand the patterns of her composition and practice of poetry. |
| emily dickinson contribution to literature: Emily Dickinson's Vision James Robert Guthrie, 1998 In this original contribution to Dickinson biography and criticism, James Guthrie demonstrates how the poet's optical disease - strabismus, a deviation of the cornea - directly affected her subject matter, her poetic method, and indeed her sense of her own identity. |
| emily dickinson contribution to literature: My Emily Dickinson Susan Howe, 2007-11-15 Starts off as a manifesto but becomes richer and more suggestive as it develops.—The New York Sun For Wallace Stevens, Poetry is the scholar's art. Susan Howe—taking the poet-scholar-critics Charles Olson, H.D., and William Carlos Williams (among others) as her guides—embodies that art in her 1985 My Emily Dickinson (winner of the Before Columbus Foundation Book Award). Howe shows ways in which earlier scholarship had shortened Dickinson's intellectual reach by ignoring the use to which she put her wide reading. Giving close attention to the well-known poem, My Life had stood—a Loaded Gun, Howe tracks Dickens, Browning, Emily Brontë, Shakespeare, and Spenser, as well as local Connecticut River Valley histories, Puritan sermons, captivity narratives, and the popular culture of the day. Dickinson's life was language and a lexicon her landscape. Forcing, abbreviating, pushing, padding, subtracting, riddling, interrogating, re-writing, she pulled text from text.... |
| emily dickinson contribution to literature: I'm Nobody! Who Are You? Emily Dickinson, Edric S. Mesmer, 2002 A collection of the author's greatest poetry--from the wistful to the unsettling, the wonders of nature to the foibles of human nature--is an ideal introduction for first-time readers. Original. |
| emily dickinson contribution to literature: New Poems of Emily Dickinson William H. Shurr, 2015-01-01 For most of her life Emily Dickinson regularly embedded poems, disguised as prose, in her lively and thoughtful letters. Although many critics have commented on the poetic quality of Dickinson's letters, William Shurr is the first to draw fully developed poems from them. In this remarkable volume, he presents nearly 500 new poems that he and his associates excavated from her correspondence, thereby expanding the canon of Dickinson's known poems by almost one-third and making a remarkable addition to the study of American literature. Here are new riddles and epigrams, as well as longer lyrics that have never been seen as poems before. While Shurr has reformatted passages from the letters as poetry, a practice Dickinson herself occasionally followed, no words, punctuation, or spellings have been changed. Shurr points out that these new verses have much in common with Dickinson's well-known poems: they have her typical punctuation (especially the characteristic dashes and capitalizations); they use her preferred hymn or ballad meters; and they continue her search for new and unusual rhymes. Most of all, these poems continue Dickinson's remarkable experiments in extending the boundaries of poetry and human sensibility. |
| emily dickinson contribution to literature: Envelope Poems Emily Dickinson, 2017-04-19 Another gorgeous copublication with the Christine Burgin Gallery, Emily Dickinson's Envelope Poems is a compact clothbound gift book, a full-color selection from The Gorgeous Nothings. Although a very prolific poet—and arguably America’s greatest—Emily Dickinson (1830–1886) published fewer than a dozen of her eighteen hundred poems. Instead, she created at home small handmade books. When, in her later years, she stopped producing these, she was still writing a great deal, and at her death she left behind many poems, drafts, and letters. It is among the makeshift and fragile manuscripts of Dickinson’s later writings that we find the envelope poems gathered here. These manuscripts on envelopes (recycled by the poet with marked New England thrift) were written with the full powers of her late, most radical period. Intensely alive, these envelope poems are charged with a special poignancy—addressed to no one and everyone at once. Full-color facsimiles are accompanied by Marta L. Werner and Jen Bervin’s pioneering transcriptions of Dickinson’s handwriting. Their transcriptions allow us to read the texts, while the facsimiles let us see exactly what Dickinson wrote (the variant words, crossings-out, dashes, directional fields, spaces, columns, and overlapping planes). This fixed-layout ebook is an exact replica of the print edition, and requires a color screen to properly display the high-resolution images it contains. For this reason, Envelope Poems is not available on devices with e-ink screens, such as Kindle Paperwhite. We apologize for any inconvenience. |
| emily dickinson contribution to literature: Emily Dickinson and Her Contemporaries Elizabeth A. Petrino, 1998 An interdisciplinary examination of the poet, her milieu, and the ways she and her contemporaries freed their work from cultural limitations. |
| emily dickinson contribution to literature: The Music of Emily Dickinson's Poems and Letters Carolyn Lindley Cooley, 2003-03-05 Music is a vital element in the poems and prose of Emily Dickinson but, despite its importance, the function of music as a literary technique in her work has not yet been fully explored; what information exists is scarce and scattered. The significance of the musical terminology and imagery in Dickinson's poetry and prose are thoroughly explored in this book. It considers the music of Dickinson's life and times and how it influenced her writing, how she combined music and poetry to create her own style, several important nineteenth century reviews for what they reveal about the musical quality of her work, and her use of Protestant hymns as a model for her poetry. It also provides insights into musical interpretations of her poetry as related to the author by some fifty modern-day composers and arrangers, and discusses musical reflections of her poems and letters. |
| emily dickinson contribution to literature: Emily Dickinson Poems Emily Dickinson, 2015-06-17 Emily Elizabeth Dickinson was born in Amherst, Massachusetts on December 10,1830, to a prominent family of academics, lawyers, and statesmen. Following her education at Amherst Academy and Mt. Holyoke Female Seminary, Dickinson embarked on her impassioned journey as a poet. Composing first in a fairly conventional style, the poetess soon began to experiment with her writing; her frequent use of dashes, sporadic capitalization of nouns, broken meter, and idiosyncratic metaphors made her work unparalleled for its time. Dickinson's poetry dealt not only with issues of death, faith, and immortality, but with nature, domesticity, and the power of language to transfer emotions into written text. An obsessively private writer, only ten of her some 1,700 poems were published during her lifetime. Dickinson withdrew from social contact at the age of 23 and devoted herself to writing in secret. It wasn't until her death in 1866 that the scope of Dickinson's work was realized, when her sister Lavinia found her prolific collection in a dresser drawer. Since this time, Emily Dickinson's writing has had significant influences on modern American poetry; her complex use of language and form has contributed to her reputation as one of the most innovative poets of the 19th century. This collection of some of her finest works illustrates not only Dickinson's talent as a writer but her profound love of language, nature, and life. |
| emily dickinson contribution to literature: Emily Dickinson's Shakespeare Páraic Finnerty, 2006 Through analysis of letters, journals, diaries, records, periodicals, newspapers, and marginalia, Finnerty juxtaposes Dickinson's engagement with Shakespeare with the responses of her contemporaries. Her Shakespeare emerges as an immoral dramatist and highly moral poet; a highbrow symbol of class and cultivation and a lowbrow popular entertainer; an impetus behind the emerging American theater criticism and an English author threatening American creativity; a writer culturally approved for women and yet one whose authority women often appropriated to critique their culture. Such a context allows the explication of Dickinson's specific references to Shakespeare and further conjecture about how she most likely read him.--BOOK JACKET. |
| emily dickinson contribution to literature: Emily Dickinson, a Poet's Grammar Cristanne Miller, 1987 Traces the roots of Dickinson's unusual, compressed, ungrammatical, and richly ambiguous style of poetry. |
| emily dickinson contribution to literature: After Emily: Two Remarkable Women and the Legacy of America's Greatest Poet Julie Dobrow, 2018-10-30 “Scandal and pathos abound” (The New Yorker) in this riveting account of the mother and daughter who brought Emily Dickinson’s genius to light. Longlisted for the PEN/Jacqueline Bograd Weld Award for Biography • Finalist for the Plutarch Award Despite Emily Dickinson’s renown, the story of the two women most responsible for her initial posthumous publication—Mabel Loomis Todd and her daughter, Millicent Todd Bingham—has remained in the shadows of the archives. Utilizing hundreds of overlooked letters and diaries to weave together three unstoppable women, Julie Dobrow reveals the intrigue of Dickinson’s literary beginnings, including Mabel’s tumultuous affair with Emily’s brother, Austin Dickinson, controversial editorial decisions, and a battle over the right to define the so-called Belle of Amherst. |
| emily dickinson contribution to literature: Toxic Flora: Poems Kimiko Hahn, 2011-10-03 For Kimiko Hahn, the language and imagery of science open up magical possibilities for the poet. In her haunting eighth collection inspired by articles from the weekly Science section of the New York Times, Hahn explores identity, extinction, and survival using exotic tropes drawn from the realms of astrophysics, mycology, paleobotany, and other rarefied fields. With warmth and generosity, Hahn mines the world of science in these elegant, ardent poems.from On Deceit as SurvivalYet another species resemblesa female bumble bee,ending in frustrated trysts--or appears to be two fractious maleswhich also attracts--no surprise--a third curious enough to join the fray.What to make of highly evolved Beautybent on deception as survival-- |
| emily dickinson contribution to literature: Religion Around Emily Dickinson W. Clark Gilpin, 2015-06-10 Religion Around Emily Dickinson begins with a seeming paradox posed by Dickinson’s posthumously published works: while her poems and letters contain many explicitly religious themes and concepts, throughout her life she resisted joining her local church and rarely attended services. Prompted by this paradox, W. Clark Gilpin proposes, first, that understanding the religious aspect of the surrounding culture enhances our appreciation of Emily Dickinson’s poetry and, second, that her poetry casts light on features of religion in nineteenth-century America that might otherwise escape our attention. Religion, especially Protestant Christianity, was “around” Emily Dickinson not only in explicitly religious practices, literature, architecture, and ideas but also as an embedded influence on normative patterns of social organization in the era, including gender roles, education, and ideals of personal intimacy and fulfillment. Through her poetry, Dickinson imaginatively reshaped this richly textured religious inheritance to create her own personal perspective on what it might mean to be religious in the nineteenth century. The artistry of her poetry and the profundity of her thought have meant that this personal perspective proved to be far more than “merely” personal. Instead, Dickinson’s creative engagement with the religion around her has stimulated and challenged successive generations of readers in the United States and around the world. |
| emily dickinson contribution to literature: Bloom's How to Write about Emily Dickinson Anna Priddy, 2007-10-01 Discusses different styles of criticism, critical reading techniques, and strategies for writing critical essays, using as examples sample essays written about plots, themes, characters, and styles found in twenty of Emily Dickinson's poems. |
| emily dickinson contribution to literature: A Historical Guide to Emily Dickinson Vivian R. Pollak, 2004-01-29 One of America's most celebrated women, Emily Dickinson was virtually unpublished in her own time and unknown to the public at large. Yet since the first publication of a limited selection of her poems in 1890, she has emerged as one of the most challenging and rewarding writers of all time. Born into a prosperous family in small town Amherst, Massachusetts, she had an above average education for a woman, attending a private high school and then Mount Holyoke Female Seminary, now Mount Holyoke College. Returning to Amherst to her loving family and her feast in the reading line, in the 1850s she became increasingly solitary and after the Civil War she spent her life indoors. Despite her cooking and gardening and extensive correspondence, Dickinson's life was strikingly narrow in its social compass. Not so her mind, and on her death in 1886 her sister discovered an astonishing cache of close to eighteen hundred poems. Bitter family quarrels delayed the full publication of Dickinson's letter to the World, but today her poetry is commonly anthologized and widely praised for its precision, its intensity, its depth and beauty. Dickinson's life and work, however, remain in important ways mysterious. The essays presented here, all of them previously unpublished, provide an overview of Dickinson studies at the start of the twenty-first century. Written in an engaging and accessible style, this collection represents the best of contemporary scholarship and points the way toward exciting new directions for the future. The volume includes a biographical essay that covers some of the major turning points in the poet's life, especially those emphasized by her letters. Other essays discuss Dickinson's religious beliefs, her response to the Civil War, her class-based politics, her place in a tradition of American women's poetry, and the editing of her manuscripts. A Historical Guide to Emily Dickinson concludes with a rich bibliographical essay describing the controversial history of Dickinson's life in print, together with a substantial bibliography of relevant sources. |
| emily dickinson contribution to literature: The Language of Emily Dickinson Nicole Panizza, Trisha Kannan, 2021-01-05 The Language of Emily Dickinson provides valuable insight into the cryptic, complex, and unique language of America’s premier poet. The essays make each subject of exploration accessible to general readers, providing sufficient background and contextual information to situate anyone interested in a better understanding of Dickinson’s language. The collection also makes a substantial contribution to Dickinson studies with new scholarship in philology, musicality, and manuscript study. Cynthia L. Hallen, creator of the invaluable Emily Dickinson Lexicon, offers a detailed examination of Dickinson’s words and phrases that are lexically alive and semantically vital. Nicole Panizza, an accomplished pianist, explores Dickinson’s poetic relationship with music as bilingual practice. Holly L. Norton outlines the surprising connections between Dickinson’s poetry and rap music, and Trisha Kannan contributes to recent discussions regarding Dickinson’s fascicles, the manuscript “books” that contain just over 800 of Dickinson’s 1,789 poems, by reading Fascicle 30 in relation to the work and life of John Keats. This book will be of interest to scholars of Emily Dickinson and advanced readers of poetry—such as those in upper-level undergraduate English courses and graduate students in departments of English—as well as to general readers with an interest in Emily Dickinson. |
| emily dickinson contribution to literature: The Manuscript Books of Emily Dickinson Emily Dickinson, 1981 Dickinson's poems, more than those of any other poet, resist translation into the medium of print. This elegant edition presents all of her manuscript books and unsewn fascicle sheets--1,148 poems on 1,250 pages--restored insofar as possible to their original order. The manuscripts are reproduced with startling fidelity in 300-line screen. |
| emily dickinson contribution to literature: Emily Dickinson Paula Bennett, 1990 Study and analysis of Emily Dickinson's poetry with a sensitive discussion of its sexual imagery. |
| emily dickinson contribution to literature: Emily Dickinson Cynthia Griffin Wolff, 2015-02-18 Emily Dickinson led a quiet life, treasuring her privacy and eventually giving herself over completely to her art: it was in her poetry that she “deliberately decided to live” and there that she is most clearly revealed to us. Yet until now, no biography of this most enigmatic of American poets has attempted to unravel the intricate relationship between the poet’s life and her poetry, between the life of her mind and the voice of her poems. Now, Cynthia Griffin Wolff (author of the highly acclaimed A Feast of Words: The Triumph of Edith Wharton) gives us a brilliantly literary biography of Emily Dickinson that reveals this relationship through a rich, comprehensive understanding of Dickinson herself and a new, extraordinarily illuminating reading of her exquisite yet often daunting poems. |
| emily dickinson contribution to literature: Positive As Sound Judy Jo Small, 2010-05-01 The strange rhymes of Emily Dickinson's verse have offended some readers, attracted others, and proved a stumbling block for critics. In the first thorough analysis of the poet's rhyming practices, Judy Jo Small goes beyond simple classification and enumeration to reveal the aesthetic and semantic value of Dickinson's rhymes and show how they help shape the meaning of her lyrics. Considering Dickinson's rhyming technique in light of its historical context, Small argues that the poet's radical innovations were both an outgrowth of nineteenth-century aesthetics ideas about the music of poetry and a reaction against conventional constraints—not the least of which was the image of the female poet as a songbird pouring forth her soul's joys and sorrows in lyrical melody. Unlike other scholars, Small attaches special importance to Dickinson's own musical background. Revealing Dickinson's auditory imagination as a primary source of her poetic power, Small shows that sound is an important subject in the verse and that the phonetic texture contributes to the meaning. By looking closely at individual poems, Small demonstrates that Dickinson's deviations from normal rhyme schemes play a significant part in her artistic design: her modulations and dislocations of rhyme serve to structure the poems and contribute to their dynamic shifts of mood and meaning. Analyzing Dickinson's more daring experiments, Small shows how the poet achieved uncanny effects with fluctuating partial rhymes in some poems and with homonymic puns in others. It is in the interplay between the musical and the written aspects of Dickinson's language, Small contends, that her poetry comes alive. Small takes particular note of the use of rhyme at the ends of poems, illustrating Dickinson's brilliant effects in closing some poems decisively and in leaving others tantalizingly open-ended. Teaching us how to listen to Dickinson's poems and not simply to scrutinize them on paper,Positive as Soundis an innovative, lucidly written book that contributes not only to Dickinson scholarship but also to the general study of poetics. |
| emily dickinson contribution to literature: Dickinson's Misery Virginia Jackson, 2013-12-03 How do we know that Emily Dickinson wrote poems? How do we recognize a poem when we see one? In Dickinson's Misery, Virginia Jackson poses fundamental questions about reading habits we have come to take for granted. Because Dickinson's writing remained largely unpublished when she died in 1886, decisions about what it was that Dickinson wrote have been left to the editors, publishers, and critics who have brought Dickinson's work into public view. The familiar letters, notes on advertising fliers, verses on split-open envelopes, and collections of verses on personal stationery tied together with string have become the Dickinson poems celebrated since her death as exemplary lyrics. Jackson makes the larger argument that the century and a half spanning the circulation of Dickinson's work tells the story of a shift in the publication, consumption, and interpretation of lyric poetry. This shift took the form of what this book calls the lyricization of poetry, a set of print and pedagogical practices that collapsed the variety of poetic genres into lyric as a synonym for poetry. Featuring many new illustrations from Dickinson's manuscripts, this book makes a major contribution to the study of Dickinson and of nineteenth-century American poetry. It maps out the future for new work in historical poetics and lyric theory. |
| emily dickinson contribution to literature: Open Me Carefully Emily Dickinson, 1998-10-01 The 19th–century American poet’s uncensored and breathtaking letters, poems, and letter-poems to her sister-in-law and childhood friend. For the first time, selections from Emily Dickinson’s thirty-six year correspondence with her childhood friend, neighbor, and sister-in-law, Susan Huntington Dickinson, are compiled in a single volume. Open Me Carefully invites a dramatic new understanding of Emily Dickinson’s life and work, overcoming a century of censorship and misinterpretation. For the millions of readers who love Emily Dickinson’s poetry, Open Me Carefully brings new light to the meaning of the poet’s life and work. Gone is Emily as lonely spinster; here is Dickinson in her own words, passionate and fully alive. Praise for Open Me Carefully “With spare commentary, Smith . . . and Hart . . . let these letters speak for themselves. Most important, unlike previous editors who altered line breaks to fit their sense of what is poetry or prose, Hart and Smith offer faithful reproductions of the letters’ genre-defying form as the words unravel spectacularly down the original page.” —Renee Tursi, The New York Times Book Review |
| emily dickinson contribution to literature: The Works of Emily Dickinson Emily Dickinson, 1994 During Emily's life only seven of her 1775 poems were published. This collection of her work shows her breadth of vision and a passionate intensity and awe for life, love, nature, time and eternity. Once branded an eccentric Dickinson is now regarded as a major American poet. |
| emily dickinson contribution to literature: Hope Is the Thing with Feathers Emily Dickinson, 2019-02-12 Part of a new collection of literary voices from Gibbs Smith, written by, and for, extraordinary women—to encourage, challenge, and inspire. One of American’s most distinctive poets, Emily Dickinson scorned the conventions of her day in her approach to writing, religion, and society. Hope Is the Thing with Feathers is a collection from her vast archive of poetry to inspire the writers, creatives, and leaders of today. Continue your journey in the Women’s Voices series with Jane Eyre, by Charlotte Bronte and The Feminist Papers by Mary Wollstonecraft. |
| emily dickinson contribution to literature: The Poetry of Emily Dickinson Elisabeth Camp, 2021-01-18 One of America's most celebrated poets, Emily Dickinson was virtually unpublished in her lifetime. When a slim volume of her poems emerged on the American scene in 1890, her work created shockwaves that have not subsided yet. Famously precise and sparse, Emily Dickinson's poetry is often described as philosophical, both because her poetry grapples with philosophical topics like death, spirituality, and the darkening operations of the mind, and because she approaches those topics in a characteristically philosophical manner: analyzing and extrapolating from close observation, exploring alternatives, and connecting thoughts into cumulative demonstrations. But unlike Lucretius or Pope, she cannot be accused of producing versified treatises. Many of her poems are unsettling in their lack of conclusion; their disparate insights often stand in conflict; and her logic turns crucially on imagery, juxtaposition, assonance, slant rhyme, and punctuation. The six chapters of this volume collectively argue that Dickinson is an epistemically ambitious poet, who explores fundamental questions by advancing arguments that are designed to convince. Dickinson exemplifies abstract ideas in tangible form and habituates readers into productive trains of thought--she doesn't just make philosophical claims, but demonstrates how poetry can make a distinct contribution to philosophy. All essays in this volume, drawn from both philosophers and literary theorists, serve as a counterpoint to recent critical work, which has emphasized Dickinson's anguished uncertainty, her nonconventional style, and the unsettled status of her manuscripts. On the view that emerges here, knowing is like cleaning, mending, and lacemakingL a form of hard, ongoing work, but one for which poetry is a powerful, perhaps indispensable, tool. |
| emily dickinson contribution to literature: A Companion to American Literature Susan Belasco, Theresa Strouth Gaul, Linck Johnson, Michael Soto, 2020-04-02 A comprehensive, chronological overview of American literature in three scholarly and authoritative volumes A Companion to American Literature traces the history and development of American literature from its early origins in Native American oral tradition to 21st century digital literature. This comprehensive three-volume set brings together contributions from a diverse international team of accomplished young scholars and established figures in the field. Contributors explore a broad range of topics in historical, cultural, political, geographic, and technological contexts, engaging the work of both well-known and non-canonical writers of every period. Volume One is an inclusive and geographically expansive examination of early American literature, applying a range of cultural and historical approaches and theoretical models to a dramatically expanded canon of texts. Volume Two covers American literature between 1820 and 1914, focusing on the development of print culture and the literary marketplace, the emergence of various literary movements, and the impact of social and historical events on writers and writings of the period. Spanning the 20th and early 21st centuries, Volume Three studies traditional areas of American literature as well as the literature from previously marginalized groups and contemporary writers often overlooked by scholars. This inclusive and comprehensive study of American literature: Examines the influences of race, ethnicity, gender, class, and disability on American literature Discusses the role of technology in book production and circulation, the rise of literacy, and changing reading practices and literary forms Explores a wide range of writings in multiple genres, including novels, short stories, dramas, and a variety of poetic forms, as well as autobiographies, essays, lectures, diaries, journals, letters, sermons, histories, and graphic narratives. Provides a thematic index that groups chapters by contexts and illustrates their links across different traditional chronological boundaries A Companion to American Literature is a valuable resource for students coming to the subject for the first time or preparing for field examinations, instructors in American literature courses, and scholars with more specialized interests in specific authors, genres, movements, or periods. |
| emily dickinson contribution to literature: Maid as Muse Aife Murray, 2009 A startlingly original work establishing the impact of domestic servants on the life and writings of Emily Dickinson |
| emily dickinson contribution to literature: The Master Letters of Emily Dickinson Emily Dickinson, 1986 This volume analysis the three letters written by Emily Dickinson, addressed to a man she called Master. They are presented in chronological order, including transcriptions that show stages in the composition of each letter, and placed in historical perspective. |
| emily dickinson contribution to literature: The Life of Emily Dickinson Richard Benson Sewall, 1994 A massively detailed, illustrated biography of Emily Dickinson. |
| emily dickinson contribution to literature: Letters of Emily Dickinson Emily Dickinson, 1894 |
| emily dickinson contribution to literature: The Emily Dickinson Reader Paul Legault, 2012 Presents humorous retellings of each of Emily Dickinson's nearly eighteen hundred poems. |
| emily dickinson contribution to literature: The Emily Dickinson Handbook Gudrun Grabher (ed), Roland Hagenbüchle, Cristanne Miller (ed), 1998 HERE FOR THE first time, students of Emily Dickinson can find a single source of accurate, up-to-date information on the poet's life and works, her letters and manuscripts, the cultural climate of her times, her reception and influence, and the current state of Dickinson scholarship. Written by a distinguished group of contributors from the United States and abroad, the twenty-two essays in this volume reflect the many facets of the poet's oeuvre, as well as the principal trends in Dickinson studies. Topics include Richard Sewall on Dickinson's life, Agnieszka Salska on her letters, David Porter on themes (or the lack of them) in the poetry, Judith Farr on Dickinson and the visual arts, and Roland Hagenbuchle on the poet and literary theory. Contributions from newer scholars range from Kerstin Behnke on translation and Martha Ackmann on biography to Marietta Messmer on the poet's critical reception and Paul Crumbley on her dialogic voice. Each essay presents a historical overview of the subject under scrutiny and offers detailed discussion of the most relevant issues. The scholarship is original and exemplary, in some cases providing access to little studied areas (for example, Jonnie Guerra's essay on adaptations of the poems in the arts) and in others providing an overview of hotly debated areas of study (Suzanne Juhasz on new directions in Dickinson study, or Martha Nell Smith on editing the poems). Unlike encyclopedic entries, each essay also reflects the contributor's distinct and at times controversial point of view . As a result, the essays will prove useful not just to beginning students, but also to established scholars looking for a review of areas of Dickinson studieswith which they are less familiar. |
Emily (2022 film) - Wikipedia
Emily is a 2022 British biographical drama film written and directed by Frances O'Connor in her directorial debut. It is a part-fictional portrait of English writer Emily Brontë (played by Emma Mackey), concentrating on a fictional romantic …
Emily (2022) - IMDb
Emily: Directed by Frances O'Connor. With Emma Mackey, Oliver Jackson-Cohen, Fionn Whitehead, Alexandra Dowling. "Emily" imagines the transformative, exhilarating, and uplifting journey to womanhood of a rebel and a misfit, one of the …
Emily: Name Meaning, Origin, Popularity - Parents
Apr 30, 2024 · Emily was the number one baby name for girls in America from 1996 to 2007. It was consistently in the top 10 from 1991 to 2016. Since then, it has remained one of the top 25 names. In 2024,...
Emily - Official Trailer - Warner Bros. UK - YouTube
Watch the new trailer for #EmilyMovie and delve into the mind behind Wuthering Heights. Available on DVD and Digital Download Now.“EMI...
Meaning, origin and history of the name Emily
Dec 14, 2019 · English feminine form of Aemilius (see Emil). In the English-speaking world it was not common until after the German House of Hanover came to the British throne in the 18th century; the princess Amelia Sophia (1711-1786) was …
Emily (2022 film) - Wikipedia
Emily is a 2022 British biographical drama film written and directed by Frances O'Connor in her directorial debut. It is a part-fictional portrait of English writer Emily Brontë (played by Emma …
Emily (2022) - IMDb
Emily: Directed by Frances O'Connor. With Emma Mackey, Oliver Jackson-Cohen, Fionn Whitehead, Alexandra Dowling. "Emily" imagines the transformative, exhilarating, and uplifting journey to …
Emily: Name Meaning, Origin, Popularity - Parents
Apr 30, 2024 · Emily was the number one baby name for girls in America from 1996 to 2007. It was consistently in the top 10 from 1991 to 2016. Since then, it has remained one of the top 25 …
Emily - Official Trailer - Warner Bros. UK - YouTube
Watch the new trailer for #EmilyMovie and delve into the mind behind Wuthering Heights. Available on DVD and Digital Download Now.“EMI...
Meaning, origin and history of the name Emily
Dec 14, 2019 · English feminine form of Aemilius (see Emil). In the English-speaking world it was not common until after the German House of Hanover came to the British throne in the 18th century; …
Emily: release date, plot, cast, trailer and all we know ...
Aug 23, 2022 · Emily tells the story of world-famous author Emily Brontë, who is best known for her only novel, Wuthering Heights. The upcoming movie documents her brief yet eventful life as she …
Emily - Baby name meaning, origin, and popularity | BabyCenter
Emily is a strong and gentle name that comes from the original medieval Roman name Aemilius. It translates best as "rival" or "to emulate." The name made its way into the English-speaking world …
