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| fully funded low-residency mfa creative writing: A Writer's Craft Kendall Dunkelberg, 2017-09-16 This introductory creative writing text uses a unique, multi-genre approach to provide students with a broad-based knowledge of their craft, treating them as professional writers. Beginning by discussing elements common to all genres, this book underscores the importance of learning good writing habits before committing to a genre, encouraging writers to look beyond their genre expectations and learn from other forms. The book then devotes one chapter to each of the major literary genres: fiction, poetry, drama and creative nonfiction. These style-specific sections provide depth as they compare the different genres, furnishing students with a comprehensive understanding of creative writing as a discipline and fostering creativity. The discussion concludes with a chapter on digital media and an appendix on literary citizenship and publishing. With exercises at the end of each chapter, a glossary of literary terms, and a list of resources for further study, A Writer's Craft is the ideal companion to an introductory creative writing class. It has been listed as one of the 'Best Books for Writers' by Poets and Writers magazine. |
| fully funded low-residency mfa creative writing: The Poets & Writers Guide to MFA Programs , 2015 This essential handbook, revised and updated for 2010, provides everything you need to know about deciding where and how to apply to the best graduate creative writing programs for you. -The top programs in the United States. -How to decide where to apply. -Advice on preparing your application. -A look at PhD programs in writing. -Tips on becoming a teaching assistant. -How to get the most out of your MFA experience. A collection of articles edited by the staff of Poets & Writers Magazine, this handy resource includes straightforward advice from professionals in the literary field, additional resources to help you choose the best programs to apply to, and an application tracker to keep you organized throughout the process. |
| fully funded low-residency mfa creative writing: Famous Drownings in Literary History Kevin Haworth, Jason Pettus, 2012-10-08 What exactly does it mean to be young, Jewish and creative in 21st-century America? How do you reconcile a quiet life in the Midwest with a parallel life in Israel? And how do you fit in a five-year-old son with an interest in frilly dresses? Ohio professor and celebrated cultural essayist Kevin Haworth answers these questions and more in this, his debut full-length essay collection; and the answers are part Sloane Crosley, part Philip Roth, with a dash of Malcolm Gladwell's intelligence and a pinch of Denis Johnson's poetic style. Already the winner of a pre-publication grant from the Ohio Arts Council, from a former winner of the Samuel Goldberg Prize for Jewish fiction, this will be right up the alley of those who enjoy The Believer and This American Life, a charming but darkly tinged look at circumcision, terrorist bombers, the Catskills in the '70s, and all the other confusing things that make up the life of post-9/11 Jewish American parents and artists. |
| fully funded low-residency mfa creative writing: The Creative Writing MFA Handbook Tom Kealey, 2005-01-01 Guides prospective graduate students through the difficult process of researching, applying to, and choosing graduate schools in creative writing. This handbook includes special sections about Low-Residency writing programs, PhD programs, publishing in literary journals, and workshop and teaching advice. |
| fully funded low-residency mfa creative writing: Notes from an Alien Sena Quaren, Alexander M. Zoltai, 2011-05 Told from the perspective of Sena Quaren, a woman from another star system, this is a story about unifying three very different worlds to create one lasting peace. |
| fully funded low-residency mfa creative writing: Disembodied Poetics Anne Waldman, Andrew Schelling, 1994 |
| fully funded low-residency mfa creative writing: Time Capsules Kendall Dunkelberg, 2009 Time Capsule is Kendall Dunkelberg's second full length collection of poetry. In it he explores themes of love, marriage, and fatherhood against the backdrop of contemporary American life, ranging from his childhood home in Iowa to Mississippi, where he has lived for the past fifteen years. Cross-country travel to Massachusetts, New Mexico, Alabama, and Georgia, as well as a honeymoon in Spain, also informs his vision. These poems traverse myth and memory through cycles of nature and culture, life and death, to arrive at a tranquil, if tenuous, sense of equilibrium. |
| fully funded low-residency mfa creative writing: Writing Irresistible Kidlit Mary Kole, 2012-12-04 Captivate the hearts and minds of young adult readers! Writing for young adult (YA) and middle grade (MG) audiences isn't just kid's stuff anymore--it's kidlit! The YA and MG book markets are healthier and more robust than ever, and that means the competition is fiercer, too. In Writing Irresistible Kidlit, literary agent Mary Kole shares her expertise on writing novels for young adult and middle grade readers and teaches you how to: • Recognize the differences between middle grade and young adult audiences and how it impacts your writing. • Tailor your manuscript's tone, length, and content to your readership. • Avoid common mistakes and cliches that are prevalent in YA and MG fiction, in respect to characters, story ideas, plot structure and more. • Develop themes and ideas in your novel that will strike emotional chords. Mary Kole's candid commentary and insightful observations, as well as a collection of book excerpts and personal insights from bestselling authors and editors who specialize in the children's book market, are invaluable tools for your kidlit career. If you want the skills, techniques, and know-how you need to craft memorable stories for teens and tweens, Writing Irresistible Kidlit can give them to you. |
| fully funded low-residency mfa creative writing: Writing Popular Fiction Dean Ray Koontz, 1973 Aspiring novelists are given advice on writing polishing, and marketing mysteries, suspense tales, Westerns, science fiction, and romances |
| fully funded low-residency mfa creative writing: How to Write Short Roy Peter Clark, 2013-08-27 America's most influential writing teacher offers an engaging and practical guide to effective short-form writing. In How to Write Short, Roy Peter Clark turns his attention to the art of painting a thousand pictures with just a few words. Short forms of writing have always existed-from ship logs and telegrams to prayers and haikus. But in this ever-changing Internet age, short-form writing has become an essential skill. Clark covers how to write effective and powerful titles, headlines, essays, sales pitches, Tweets, letters, and even self-descriptions for online dating services. With examples from the long tradition of short-form writing in Western culture, How to Write Short guides writers to crafting brilliant prose, even in 140 characters. |
| fully funded low-residency mfa creative writing: A Little Hope Ethan Joella, 2021-11-16 A Read with Jenna Bonus Selection An “immersive…illuminating” (Booklist) and life-affirming novel following the residents of an idyllic Connecticut town over the course of a year, A Little Hope explores the intertwining lives of a dozen neighbors as they confront everyday desires and fears: a lost love, a stalled career, an illness, and a betrayal. Freddie and Greg Tyler seem to have it all: a comfortable home, a beautiful young daughter, a bond that feels unbreakable. But when Greg is diagnosed with a rare and aggressive form of cancer, the sense of certainty they once knew evaporates. Throughout their town, friends and neighbors face the most difficult of life’s challenges and are figuring out how to survive thanks to love, grace, and hope. “A quietly powerful portrait of small-town life…told with wisdom and tenderness” (Mary Beth Keane, author of Ask Again, Yes) A Little Hope is a deeply resonant debut that immerses the reader in a community and celebrates the importance of small moments of connection. |
| fully funded low-residency mfa creative writing: Malaya Cinelle Barnes, 2019 From Cinelle Barnes, author of the memoir Monsoon Mansion, comes a moving and reflective essay collection about finding freedom in America. Out of a harrowing childhood in the Philippines, Cinelle Barnes emerged triumphant. But as an undocumented teenager living in New York, her journey of self-discovery was just beginning. Because she couldn't get a driver's license or file taxes, Cinelle worked as a cleaning lady and a nanny and took other odd jobs--and learned to look over her shoulder, hoping she wouldn't get caught. When she falls in love and marries a white man from the South, Cinelle finds herself trying to adjust to the thorny underbelly of southern hospitality while dealing with being a new mother, an immigrant affected by PTSD, and a woman with a brown body in a profoundly white world. From her immigration to the United States, to navigating a broken legal system, to balancing assimilation and a sense of self, Cinelle comes to rely on her resilience and her faith in the human spirit to survive and come of age all over again. Lyrical, emotionally driven, and told through stories both lived and overheard, Cinelle's intensely personal, yet universal, exploration of race, class, and identity redefines what it means to be a woman--and an American--in a divided country. |
| fully funded low-residency mfa creative writing: Texas James A. Michener, 2014-01-21 Spanning four and a half centuries, James A. Michener’s monumental saga chronicles the epic history of Texas, from its Spanish roots in the age of the conquistadors to its current reputation as one of America’s most affluent, diverse, and provocative states. Among his finely drawn cast of characters, emotional and political alliances are made and broken, as the loyalties established over the course of each turbulent age inevitably collapse under the weight of wealth and industry. With Michener as our guide, Texas is a tale of patriotism and statesmanship, growth and development, violence and betrayal—a stunning achievement by a literary master. BONUS: This edition includes an excerpt from James A. Michener's Hawaii. Praise for Texas “Fascinating.”—Time “A book about oil and water, rangers and outlaws, frontier and settlement, money and power . . . [James A. Michener] manages to make history vivid.”—The Boston Globe “A sweeping panorama . . . [Michener] grapples earnestly with the Texas character in a way that Texas’s own writers often don’t.”—The Washington Post Book World “Vast, sprawling, and eclectic in population and geography, the state has just the sort of larger-than-life history that lends itself to Mr. Michener’s taste for multigenerational epics.”—The New York Times |
| fully funded low-residency mfa creative writing: A Harp in the Stars Randon Billings Noble, 2021-10 What is a lyric essay? An essay that has a lyrical style? An essay that plays with form in a way that resembles poetry more than prose? Both of these? Or something else entirely? The works in this anthology show lyric essays rely more on intuition than exposition, use image more than narration, and question more than answer. But despite all this looseness, the lyric essay still has responsibilities—to try to reveal something, to play with ideas, or to show a shift in thinking, however subtle. The whole of a lyric essay adds up to more than the sum of its parts. In A Harp in the Stars, Randon Billings Noble has collected lyric essays written in four different forms—flash, segmented, braided, and hermit crab—from a range of diverse writers. The collection also includes a section of craft essays—lyric essays about lyric essays. And because lyric essays can be so difficult to pin down, each contributor has supplemented their work with a short meditation on this boundary-breaking form. |
| fully funded low-residency mfa creative writing: The Low-Residency MFA Handbook Lori A. May, 2011-01-13 The Low-Residency MFA Handbook offers prospective graduate students an in-depth preview of low-residency creative writing MFA programs. Interviews with program directors, faculty, alumni, and current students answer the many questions prospective graduates have, including: What happens during the non-residency semester? What are the brief residencies like? What community is established between faculty and fellow students? What opportunities are there for writers to gain pedagogical training through a low-residency format? And, most importantly, is the low-residency model right for you? These questions, and more, are answered in detail. The guide also clarifies the application process and offers application tips from program directors and alumni. It also considers funding, program structures, and unique opportunities such as editorships and assistantships. For prospective graduate students looking for detailed information, The Low-Residency MFA Handbook provides a personalized and genuinely useful overview. |
| fully funded low-residency mfa creative writing: Keywords in Creative Writing Wendy Bishop, David Starkey, 2006-01-15 Wendy Bishop and David Starkey have created a remarkable resource volume for creative writing students and other writers just getting started. In two- to ten-page discussions, these authors introduce forty-one central concepts in the fields of creative writing and writing instruction, with discussions that are accessible yet grounded in scholarship and years of experience. Keywords in Creative Writing provides a brief but comprehensive introduction to the field of creative writing through its landmark terms, exploring concerns as abstract as postmodernism and identity politics alongside very practical interests of beginning writers, like contests, agents, and royalties. This approach makes the book ideal for the college classroom as well as the writer’s bookshelf, and unique in the field, combining the pragmatic accessibility of popular writer’s handbooks, with a wider, more scholarly vision of theory and research. |
| fully funded low-residency mfa creative writing: Space Struck Paige Lewis, 2019-10-08 This astonishing, self-assured debut leads us on an exploration to the stars and back, begging us to reconsider our boundaries of self, time, space, and knowledge. The speaker writes, “...the universe/is an arrow/without end/and it asks only one question;/How dare you?” Zig-zagging through the realms of nature, science, and religion, one finds St. Francis sighing in the corner of a studio apartment, tides that are caused by millions of oysters “gasping in unison,” an ark filled with women in its stables, and prayers that reach God fastest by balloon. There’s pathos: “When my new lover tells me I’m correct to love him, I/realize the sound isn’t metal at all. It’s not the coins rattling/ on concrete, but the fingers scraping to pick them up.” And humor, too: “...even the sun’s been sighing Not you again/when it sees me.” After reading this far-reaching, inventive collection, we too are startled, space struck, our pockets gloriously “filled with space dust.” |
| fully funded low-residency mfa creative writing: Queen of the Fall Sonja Livingston, 2015-04 Whether pulled from the folds of memory, channeled through the icons of Greek mythology and Roman Catholicism, or filtered through the lens of pop culture, Sonja Livingston’s Queen of the Fall considers the lives of women. Exploring the legacies of those she has crossed paths with in life and in the larger culture, Livingston weaves together strands of memory with richly imagined vignettes to explore becoming a woman in late 1980s and early 1990s America. Along the way, the award-winning memoirist brings us face-to-face with herself as an inner-city girl—trying to imagine a horizon beyond poverty, fearful of her fertility and the limiting arc of teenage pregnancy. Livingston looks at the lives of those she’s known: friends who’ve gotten themselves into “trouble” and disappeared never to be heard from again, girls who tell their school counselor small lies out of necessity and pain, and a mother whose fruitfulness seems, at times, biblical. Livingston interacts with figures such as Susan B. Anthony, the Virgin Mary, and Ally McBeal to mine the terrain of her own femininity, fertility, and longing. Queen of the Fall is a dazzling meditation on loss, possibility, and, ultimately, what it means to be human. Watch a book trailer |
| fully funded low-residency mfa creative writing: The Program Era Mark McGurl, 2011-11-30 In The Program Era, Mark McGurl offers a fundamental reinterpretation of postwar American fiction, asserting that it can be properly understood only in relation to the rise of mass higher education and the creative writing program. McGurl asks both how the patronage of the university has reorganized American literature and—even more important—how the increasing intimacy of writing and schooling can be brought to bear on a reading of this literature. McGurl argues that far from occasioning a decline in the quality or interest of American writing, the rise of the creative writing program has instead generated a complex and evolving constellation of aesthetic problems that have been explored with energy and at times brilliance by authors ranging from Flannery O’Connor to Vladimir Nabokov, Philip Roth, Raymond Carver, Joyce Carol Oates, and Toni Morrison. Through transformative readings of these and many other writers, The Program Era becomes a meditation on systematic creativity—an idea that until recently would have seemed a contradiction in terms, but which in our time has become central to cultural production both within and beyond the university. An engaging and stylishly written examination of an era we thought we knew, The Program Era will be at the center of debates about postwar literature and culture for years to come. |
| fully funded low-residency mfa creative writing: If the Ice Had Held Wendy J. Fox, 2019-05-01 Melanie Henderson's life is a lie. The scandal of her birth and the identity of her true parents is kept from her family's small, conservative Colorado town. Not even she knows the truth: that her birth mother was just 14 and unmarried to her father, a local boy who drowned when he tried to take a shortcut across an icy river. Thirty-five years later, in Denver, Melanie dabbles in affairs with married men while clinging to a corporate job that gives her life order even as her tenuous relationships fall apart. She still hasn't learned that the woman who raised her is actually her aunt—or that her birth mother visits her almost every day. This fiercely-guarded secret bonds the two most important women in her life, who hatched a plan to trade places and give Melanie a life unmarred by shame. Yet, as a forest fire rages through the Rocky Mountains and a car accident shakes the family, Melanie finds herself at the center of an unraveling tangle of tragedy and heartbreak. If the Ice Had Held speaks with a natural lyricism, and presents a cast of characters who quietly struggle through complicated lives. |
| fully funded low-residency mfa creative writing: Craigdarroch Castle in 21 Treasures Moira Dann, 2021-05-11 Told in 21 objects—including furnishings, artwork, and tools—this approachable museum guide takes readers into the family history, local lore, and oddities of one of Victoria's most famous landmarks. Craigdarroch Castle, built by coal baron Robert Dunsmuir for his wife, Joan, and their family, was completed in 1890. Following Joan's death, the castle was put up for sale in 1908, and later housed a military hospital and the nascent University of Victoria. Since 1979 the castle has operated as a museum and is one of the top tourist attractions in the city, a prime example of a “bonanza castle” and a rich repository of Victorian-era furnishings and décor, as well as objects evoking the hospital and college eras. Author Moira Dann offers the reader 21 selections from the castle's collection, using each artifact as a portal into the history of the building and life in Victorian and more recent times. The Black Forest clock, acquired by Joan on a trip to Europe; the telescope used by the eldest Dunsmuir son, James, aboard his yacht the Dolaura; the castle's famous stained-glass windows; a nineteenth-century intercom system known as a speaking tube—these and 17 more are described with detail and enthusiasm, and accompanied by photographs. Dann provides careful research into each object's provenance and manufacture, while inviting readers to join her imaginative journeys into the lives of the castle's occupants through the years. |
| fully funded low-residency mfa creative writing: What If We Were Somewhere Else Wendy J. Fox, 2021-11-01 What If We Were Somewhere Else is the question everyone asks in these linked stories as they try to figure out how to move on from job losses, broken relationships, and fractured families. Following the employees of a nameless corporation and their loved ones, these stories examine the connections they forge and the choices they make as they try to make their lives mean something in the soulless, unforgiving hollowness of corporate life. Looking hard at the families to which we are born and the families we make, What If We Were Somewhere Else asks its own questions about what it means to work, love, and age against the uncertain backdrop of modern America. |
| fully funded low-residency mfa creative writing: Anodyne Khadijah Queen, 2020-08-18 Colorado Book Awards Finalist for Poetry Shortlisted for the Reading the West Poetry Book Award The poems that make up Anodyne consider the small moments that enrapture us alongside the daily threats of cataclysm. Formally dynamic and searingly personal, Anodyne asks us to recognize the echoes of history that litter the landscape of our bodies as we navigate a complex terrain of survival and longing. With an intimate and multivocal dexterity, these poems acknowledge the simultaneous existence of joy and devastation, knowledge and ignorance, grief and love, endurance and failure—all of the contrast and serendipity that comes with the experience of being human. If the body is a world, or a metaphor for the world, for what disappears and what remains, for what we feel and what we cover up, then how do we balance fate and choice, pleasure and pain? Through a combination of formal lyrics, delicate experiments, sharp rants, musical litany, and moments of wit that uplift and unsettle, Queen’s poems show us the terrible consequences and stunning miracles of how we choose to live. |
| fully funded low-residency mfa creative writing: The Salt in His Kiss Alfa, 2019-10-08 From the author of I Find You In the Darkness, a brand-new poetry collection about love, longing, and one woman's everlasting connection to the sea My soul reminds me that I am a Mermaid. A woman who longs to be held by the sea... Beloved contemporary poet Alfa is back with a collection of all-new poems celebrating strength and female empowerment. With more than 180 poems focusing on resilience, inner strength, and self-love, The Salt in His Kiss celebrates the fantastic creature inside every woman. |
| fully funded low-residency mfa creative writing: MFA Vs NYC Chad Harbach, 2014-02-25 Writers write—but what do they do for money? In a widely read essay entitled MFA vs NYC, bestselling novelist Chad Harbach (The Art of Fielding) argued that the American literary scene has split into two cultures: New York publishing versus university MFA programs. This book brings together established writers, MFA professors and students, and New York editors, publicists, and agents to talk about these overlapping worlds, and the ways writers make (or fail to make) a living within them. Should you seek an advanced degree, or will workshops smother your style? Do you need to move to New York, or will the high cost of living undo you? What's worse—having a day job or not having health insurance? How do agents decide what to represent? Will Big Publishing survive? How has the rise of MFA programs affected American fiction? The expert contributors, including George Saunders, Elif Batuman, and Fredric Jameson, consider all these questions and more, with humor and rigor. MFA vs NYC is a must-read for aspiring writers, and for anyone interested in the present and future of American letters. |
| fully funded low-residency mfa creative writing: The Great Fires Jack Gilbert, 2013-09-11 JOYCE'S MOTTO has had much fame but few apostles. Among them, there has been Jack Gilbert and his orthodoxy, a strictness that has required of this poet, now in the seventh decade of his severe life, the penalty of his having had almost no fame at all. In an era that puts before the artist so many sleek and official temptations, keeping unflinchingly to a code of silence, exile, and cunning could not have been managed without a show of strictness well beyond the reach of the theater of the coy. The far, stubborn, disastrous course of Jack Gilbert's resolute journey--not one that would promise in time to bring him home to the consolations of Penelope and the comforts of Ithaca but one that would instead take him ever outward to the impossible blankness of the desert--could never have been achieved in the society of others. What has kept this great poet brave has been the difficult company of his poems--and now we have, in Gilbert's third and most silent book, what may be, what must be, the bravest of these imperial accomplishments. |
| fully funded low-residency mfa creative writing: Dreyer's English Benjamin Dreyer, 2019-01-29 NEW YORK TIMES BESTSELLER • A sharp, funny grammar guide they’ll actually want to read, from Random House’s longtime copy chief and one of Twitter’s leading language gurus NAMED ONE OF THE BEST BOOKS OF THE YEAR BY O: The Oprah Magazine • Paste • Shelf Awareness “Essential (and delightful!)”—People We all write, all the time: books, blogs, emails. Lots and lots of emails. And we all want to write better. Benjamin Dreyer is here to help. As Random House’s copy chief, Dreyer has upheld the standards of the legendary publisher for more than two decades. He is beloved by authors and editors alike—not to mention his followers on social media—for deconstructing the English language with playful erudition. Now he distills everything he has learned from the myriad books he has copyedited and overseen into a useful guide not just for writers but for everyone who wants to put their best prose foot forward. As authoritative as it is amusing, Dreyer’s English offers lessons on punctuation, from the underloved semicolon to the enigmatic en dash; the rules and nonrules of grammar, including why it’s OK to begin a sentence with “And” or “But” and to confidently split an infinitive; and why it’s best to avoid the doldrums of the Wan Intensifiers and Throat Clearers, including “very,” “rather,” “of course,” and the dreaded “actually.” Dreyer will let you know whether “alright” is all right (sometimes) and even help you brush up on your spelling—though, as he notes, “The problem with mnemonic devices is that I can never remember them.” And yes: “Only godless savages eschew the series comma.” Chockful of advice, insider wisdom, and fun facts, this book will prove to be invaluable to everyone who wants to shore up their writing skills, mandatory for people who spend their time editing and shaping other people’s prose, and—perhaps best of all—an utter treat for anyone who simply revels in language. Praise for Dreyer’s English “Playful, smart, self-conscious, and personal . . . One encounters wisdom and good sense on nearly every page of Dreyer’s English.”—The Wall Street Journal “Destined to become a classic.”—The Millions “Dreyer can help you . . . with tips on punctuation and spelling. . . . Even better: He’ll entertain you while he’s at it.”—Newsday |
| fully funded low-residency mfa creative writing: The Circus Train Amita Parikh, 2022-12-06 International Bestseller and #1 LibraryReads Pick Water for Elephants meets The Night Circus in this World War II debut about a magnificent travelling circus, a star-crossed romance, and one girl’s coming-of-age during the darkest of times. “A powerful reminder that to live is not just to survive, but to be seen and known for ourselves.” —Pam Jenoff, author of The Orphan’s Tale When all is lost, how do you find the courage to keep moving forward? 1938. Lena Papadopoulos has never quite found her place within the circus, even as the daughter of the extraordinary headlining illusionist, Theo. Brilliant and curious, Lena—who uses a wheelchair after a childhood bout with polio—yearns for the real-world magic of science and medicine, her mind stronger than the limitations placed on her by society. Then her unconventional life takes an exciting turn when she rescues Alexandre, an orphan with his own secrets and a mysterious past. As World War II escalates around them, their friendship blossoms into something deeper while Alexandre trains as the illusionist’s apprentice. But when Theo and Alexandre are arrested and made to perform in a town for Jews set up by the Nazis, Lena is separated from everything she knows. Forced to make her own way, Lena must confront her doubts and dare to believe in the impossible—herself. |
| fully funded low-residency mfa creative writing: Prose Fiction: An Introduction to the Semiotics of Narrative Ignasi Ribó, 2019-12-13 This concise and highly accessible textbook outlines the principles and techniques of storytelling. It is intended as a high-school and college-level introduction to the central concepts of narrative theory – concepts that will aid students in developing their competence not only in analysing and interpreting short stories and novels, but also in writing them. This textbook prioritises clarity over intricacy of theory, equipping its readers with the necessary tools to embark on further study of literature, literary theory and creative writing. Building on a ‘semiotic model of narrative,’ it is structured around the key elements of narratological theory, with chapters on plot, setting, characterisation, and narration, as well as on language and theme – elements which are underrepresented in existing textbooks on narrative theory. The chapter on language constitutes essential reading for those students unfamiliar with rhetoric, while the chapter on theme draws together significant perspectives from contemporary critical theory (including feminism and postcolonialism). This textbook is engaging and easily navigable, with key concepts highlighted and clearly explained, both in the text and in a full glossary located at the end of the book. Throughout the textbook the reader is aided by diagrams, images, quotes from prominent theorists, and instructive examples from classical and popular short stories and novels (such as Jane Austen’s Pride and Prejudice, Franz Kafka’s ‘The Metamorphosis,’ J. K. Rowling’s Harry Potter, or Dostoyevsky’s The Brothers Karamazov, amongst many others). Prose Fiction: An Introduction to the Semiotics of Narrative can either be incorporated as the main textbook into a wider syllabus on narrative theory and creative writing, or it can be used as a supplementary reference book for readers interested in narrative fiction. The textbook is a must-read for beginning students of narratology, especially those with no or limited prior experience in this area. It is of especial relevance to English and Humanities major students in Asia, for whom it was conceived and written. |
| fully funded low-residency mfa creative writing: Writing Creative Nonfiction Philip Gerard, 2001-05-10 Experience the power and the promise of working in today' most exciting literary form: Creative Nonfiction Writing Creative Nonfiction presents more than thirty essays examining every key element of the craft, from researching ideas and structuring the story, to reportage and personal reflection. You'll learn from some of today's top creative nonfiction writers, including: • Terry Tempest Williams - Analyze your motivation for writing, its value, and its strength. • Alan Cheuse - Discover how interesting, compelling essays can be drawn from every corner of your life and the world in which you live. • Phillip Lopate - Build your narrator–yourself–into a fully fleshed-out character, giving your readers a clearer, more compelling idea of who is speaking and why they should listen. • Robin Hemley - Develop a narrative strategy for structuring your story and making it cohesive. • Carolyn Forche - Master the journalistic ethics of creative nonfiction. • Dinty W. Moore - Use satire, exaggeration, juxtaposition, and other forms of humor in creative nonfiction. • Philip Gerard - Understand the narrative stance–why and how an author should, or should not, enter into the story. Through insightful prompts and exercises, these contributors help make the challenge of writing creative nonfiction–whether biography, true-life adventure, memoir, or narrative history–a welcome, rewarding endeavor. You'll also find an exciting, creative nonfiction reader comprising the final third of the book, featuring pieces from Barry Lopez, Annie Dillard, Beverly Lowry, Phillip Lopate, and more–selections so extraordinary, they will teach, delight, inspire, and entertain you for years to come! |
| fully funded low-residency mfa creative writing: The Places That Hold John Davis, 2021-12-14 John Davis Jr.'s fifth collection of poetry, The Places That Hold, praises the dusty morning light of citrus farming and the pleasures of fatherhood as it explores the darkness of places like the infamous Dozier Reform School in Florida's panhandle. Intertwining past and present with rural life, social justice, and the value of family, The Places That Hold offers readers a glimpse into the lesser-known corridors of the Sunshine State. |
| fully funded low-residency mfa creative writing: The Ferrante Letters Sarah Chihaya, Merve Emre, Katherine Hill, Juno Jill Richards, 2020-01-07 Like few other works of contemporary literature, Elena Ferrante’s Neapolitan novels found an audience of passionate and engaged readers around the world. Inspired by Ferrante’s intense depiction of female friendship and women’s intellectual lives, four critics embarked upon a project that was both work and play: to create a series of epistolary readings of the Neapolitan Quartet that also develops new ways of reading and thinking together. In a series of intertwined, original, and daring readings of Ferrante’s work and her fictional world, Sarah Chihaya, Merve Emre, Katherine Hill, and Juno Jill Richards strike a tone at once critical and personal, achieving a way of talking about literature that falls between the seminar and the book club. Their letters make visible the slow, fractured, and creative accretion of ideas that underwrites all literary criticism and also illuminate the authors’ lives outside the academy. The Ferrante Letters offers an improvisational, collaborative, and cumulative model for reading and writing with others, proposing a new method the authors call collective criticism. A book for fans of Ferrante and for literary scholars seeking fresh modes of intellectual exchange, The Ferrante Letters offers incisive criticism, insouciant riffs, and the pleasure of giving oneself over to an extended conversation about fiction with friends. |
| fully funded low-residency mfa creative writing: Monsoon Mansion Cinelle Barnes, 2018 Told with a lyrical, almost-dreamlike voice as intoxicating as the moonflowers and orchids that inhabit this world, Monsoon Mansion is a harrowing yet triumphant coming-of-age memoir exploring the dark, troubled waters of a family's rise and fall from grace in the Philippines. It would take a young warrior to survive it. Cinelle Barnes was barely three years old when her family moved into Mansion Royale, a stately ten-bedroom home in the Philippines. Filled with her mother's opulent social aspirations and the gloriously excessive evidence of her father's self-made success, it was a girl's storybook playland. But when a monsoon hits, her father leaves, and her mother's terrible lover takes the reins, Cinelle's fantastical childhood turns toward tyranny she could never have imagined. Formerly a home worthy of magazines and lavish parties, Mansion Royale becomes a dangerous shell of the splendid palace it had once been. In this remarkable ode to survival, Cinelle creates something magical out of her truth--underscored by her complicated relationship with her mother. Through a tangle of tragedy and betrayal emerges a revelatory journey of perseverance and strength, of grit and beauty, and of coming to terms with the price of family--and what it takes to grow up. |
| fully funded low-residency mfa creative writing: Tell the Machine Goodnight Katie Williams, 2019-06-18 FINALIST FOR 2018 KIRKUS PRIZE NAMED ONE OF THE BEST LITERARY FICTION OF 2018' BY KIRKUS REVIEWS Sci-fi in its most perfect expression…Reading it is like having a lucid dream of six years from next week, filled with people you don't know, but will. —NPR [Williams’s] wit is sharp, but her touch is light, and her novel is a winner. – San Francisco Chronicle Between seasons of Black Mirror, look to Katie Williams' debut novel. —Refinery29 Smart and inventive, a page-turner that considers the elusive definition of happiness. Pearl's job is to make people happy. As a technician for the Apricity Corporation, with its patented happiness machine, she provides customers with personalized recommendations for greater contentment. She's good at her job, her office manager tells her, successful. But how does one measure an emotion? Meanwhile, there's Pearl's teenage son, Rhett. A sensitive kid who has forged an unconventional path through adolescence, Rhett seems to find greater satisfaction in being unhappy. The very rejection of joy is his own kind of pursuit of happiness. As his mother, Pearl wants nothing more than to help Rhett--but is it for his sake or for hers? Certainly it would make Pearl happier. Regardless, her son is one person whose emotional life does not fall under the parameters of her job--not as happiness technician, and not as mother, either. Told from an alternating cast of endearing characters from within Pearl and Rhett's world, Tell the Machine Goodnight delivers a smartly moving and entertaining story about the advance of technology and the ways that it can most surprise and define us. Along the way, Katie Williams playfully illuminates our national obsession with positive psychology, our reliance on quick fixes. What happens when these obsessions begin to overlap? With warmth, humor, and a clever touch, Williams taps into our collective unease about the modern world and allows us see it a little more clearly. |
| fully funded low-residency mfa creative writing: The Sky is Yours Chandler Klang Smith, 2018 Navigating their burned-out, futuristic city home under constant threat from a pair of dragons circling the skies, three young people are forced to flee and confront challenges ranging from fire and conspiracies to taboo drugs and dragon-worshippers. |
| fully funded low-residency mfa creative writing: These Women Ivy Pochoda, 2020-05-19 SHORTLISTED FOR THE EDGAR AWARD FOR BEST NOVEL AN LA TIMES BOOK PRIZE, MYSTERY & THRILLER FINALIST * AN INTERNATIONAL THRILLER WRITERS FINALIST, BEST HARDCOVER NOVEL * A MACAVITY BEST MYSTERY NOVEL FINALIST A Recommended Book From The New York Times Book Review * The Washington Post * Vogue * Entertainment Weekly * Elle * People * Marie Claire * Vulture * The Minneapolis Star-Tribune * LitHub * Crime Reads * PopSugar * AARP * Book Marks * South Florida Sun Sentinel From the award-winning author of Wonder Valley and Visitation Street comes a serial killer story like you’ve never seen before—a literary thriller of female empowerment and social change In West Adams, a rapidly changing part of South Los Angeles, they’re referred to as “these women.” These women on the corner … These women in the club … These women who won’t stop asking questions … These women who got what they deserved … In her masterful new novel, Ivy Pochoda creates a kaleidoscope of loss, power, and hope featuring five very different women whose lives are steeped in danger and anguish. They’re connected by one man and his deadly obsession, though not all of them know that yet. There’s Dorian, still adrift after her daughter’s murder remains unsolved; Julianna, a young dancer nicknamed Jujubee, who lives hard and fast, resisting anyone trying to slow her down; Essie, a brilliant vice cop who sees a crime pattern emerging where no one else does; Marella, a daring performance artist whose work has long pushed boundaries but now puts her in peril; and Anneke, a quiet woman who has turned a willfully blind eye to those around her for far too long. The careful existence they have built for themselves starts to crumble when two murders rock their neighborhood. Written with beauty and grit, tension and grace, These Women is a glorious display of storytelling, a once-in-a-generation novel. |
| fully funded low-residency mfa creative writing: Artists with PhDs James Elkins, 2014 This book is the second, extended edition of the first of its kind. It is a resource to help people artists, teachers, administrators, and students assess and compare programs for a new PhD in Studio Art. A PhD in art is inevitable, and so best to explore the implications of this seemingly inevitable development. -David Carrier, Champney Family Professor, Case Western Reserve University/ Cleveland Institute of Art. I find this book to be fascinating and thought-provoking material. -Andrew E. Hershberger, Associate Professor of Contemporary Art History, Bowling Green State University. It is especially timely that a book addressing the many concerns regarding this degree should appear in the US market. -Tom Huhn, Ph.D., Chair Visual & Critical Studies, Art History School of Visual Arts, New York. The book is organized as a constructive debate that encourages people to engage with the issues. -Lynette Hunter, Professor of the History of Rhetoric and Performance and Director UC Multicampus Research Group in International Performance and Culture, University of California Davis. This book furthers the debate by opening various windows on the discussion of studio art. -Harold Linton, Chair Department of Art and Visual Technology, College of Visual and Performing Arts George Mason University. We are in the midst of a paradigm shift.The range of viewpoints presented in this collection will help spur the debate and contribute to clarifying what is at stake. -Saul Ostrow, Chair, VisualArts and Technologies, Cleveland Institute of Art |
| fully funded low-residency mfa creative writing: Little Anodynes Jon Pineda, 2015 An award-winning poet chronicles loss, family, and identity |
| fully funded low-residency mfa creative writing: Pictures of You Caroline Leavitt, 2011-01-25 A NEW YORK TIMES BESTSELLER “Magically written, heartbreakingly honest.” —Jodi Picoult Two women running away from their marriages collide on a foggy highway, killing one of them. The survivor, Isabelle, is left to pick up the pieces, not only of her own life, but of the lives of the devastated husband and fragile son that the other woman, April, has left behind. Together, they try to solve the mystery of where April was running to, and why. As these three lives intersect, the book asks, How well do we really know those we love—and how do we forgive the unforgivable? Caroline Leavitt's new novel With or Without You is on sale August 4, 2020. |
| fully funded low-residency mfa creative writing: A Life Above Water Doug Van Gundy, 2007 A Life Above Water is a cycle of poems that examines both the natural and human worlds and explores the boundaries between the two. The manuscript is concerned with personal ecologies and mythologies the ways that things are interconnected and the stories that we create to explain those connections. The manuscript is arranged in three concentric sections, each subsequent division nesting within the previous one. The reader is drawn into the broad, inclusive view of All These Indigestible Parts with its focus on the animals of the forest and birds of the air, the apparent cruelty of the natural world and that which is human about the animal through Fellowship and Baked Goods which looks at peopled communities and the ways we interact with one another, to the tighter, more personal focus of The Great Slowing and its themes of loss, shortcoming and redemption. The poems are individually free-standing and complete, but taken as a whole form a broad yet detailed portrait of the world around us and our place within it. By turns analytical, scientific, lyrical, whimsical and spiritual, A Life Above Water is a book that fits neatly into the canon of contemporary poetry while offering a unique, fresh and accessible perspective. |
FULLY Definition & Meaning - Merriam-Webster
The meaning of FULLY is in a full manner or degree : completely. How to use fully in a sentence.
Fully - definition of fully by The Free Dictionary
Define fully. fully synonyms, fully pronunciation, fully translation, English dictionary definition of fully. adv. 1. Totally or completely: fully grown. 2. At least: Fully half of the volunteers did not …
FULLY | English meaning - Cambridge Dictionary
FULLY definition: 1. completely: 2. as much as possible: 3. in a way that shows the stated quality: . Learn more.
299 Synonyms & Antonyms for FULLY - Thesaurus.com
Find 299 different ways to say FULLY, along with antonyms, related words, and example sentences at Thesaurus.com.
FULLY definition and meaning | Collins English Dictionary
If you describe, answer, or deal with something fully, you leave out nothing that should be mentioned or dealt with. Fiers promised to testify fully and truthfully. Major elements of these …
fully adverb - Definition, pictures, pronunciation and usage notes ...
Definition of fully adverb in Oxford Advanced Learner's Dictionary. Meaning, pronunciation, picture, example sentences, grammar, usage notes, synonyms and more.
fully - Wiktionary, the free dictionary
May 15, 2025 · In a full manner; without lack or defect; completely, entirely. He is fully capable of meeting his responsibilities. As soon as Julia returned with a constable, Timothy, who was on …
What does fully mean? - Definitions.net
Fully means completely or entirely; to the utmost extent or degree. It signifies that the action or state described is carried out or achieved in total, without any part being excluded or lacking. It …
Fully - Definition, Meaning & Synonyms - Vocabulary.com
DISCLAIMER: These example sentences appear in various news sources and books to reflect the usage of the word ‘fully'. Views expressed in the examples do not represent the opinion of …
FULLY Definition & Meaning - Dictionary.com
Fully definition: entirely or wholly.. See examples of FULLY used in a sentence.
FULLY Definition & Meaning - Merriam-Webster
The meaning of FULLY is in a full manner or degree : completely. How to use fully in a sentence.
Fully - definition of fully by The Free Dictionary
Define fully. fully synonyms, fully pronunciation, fully translation, English dictionary definition of fully. adv. 1. Totally or completely: fully grown. 2. At least: Fully half of the volunteers did not …
FULLY | English meaning - Cambridge Dictionary
FULLY definition: 1. completely: 2. as much as possible: 3. in a way that shows the stated quality: . Learn more.
299 Synonyms & Antonyms for FULLY - Thesaurus.com
Find 299 different ways to say FULLY, along with antonyms, related words, and example sentences at Thesaurus.com.
FULLY definition and meaning | Collins English Dictionary
If you describe, answer, or deal with something fully, you leave out nothing that should be mentioned or dealt with. Fiers promised to testify fully and truthfully. Major elements of these …
fully adverb - Definition, pictures, pronunciation and usage notes ...
Definition of fully adverb in Oxford Advanced Learner's Dictionary. Meaning, pronunciation, picture, example sentences, grammar, usage notes, synonyms and more.
fully - Wiktionary, the free dictionary
May 15, 2025 · In a full manner; without lack or defect; completely, entirely. He is fully capable of meeting his responsibilities. As soon as Julia returned with a constable, Timothy, who was on …
What does fully mean? - Definitions.net
Fully means completely or entirely; to the utmost extent or degree. It signifies that the action or state described is carried out or achieved in total, without any part being excluded or lacking. It …
Fully - Definition, Meaning & Synonyms - Vocabulary.com
DISCLAIMER: These example sentences appear in various news sources and books to reflect the usage of the word ‘fully'. Views expressed in the examples do not represent the opinion of …
FULLY Definition & Meaning - Dictionary.com
Fully definition: entirely or wholly.. See examples of FULLY used in a sentence.
