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| english is the devil's language: Speak of the Devil Jean Sybil La Fontaine, 1998-02-12 Allegations of satanic child abuse became widespread in North America in the 1980s. Shortly afterwards, there were similar reports in Britain of sexual abuse, torture and murder, associated with worship of the Devil. Professor Jean La Fontaine, a senior British anthropologist, conducted a two year research project into these allegations, which found that they were without foundation. Her detailed analysis of a number of specific cases, and an extensive review of the literature, revealed no evidence of devil-worship. She concludes that the child witnesses come to believe that they are describing what actually happened to them, but that adults are manipulating the accusations. She draws parallels with classic instances of witchcraft accusations and witch-hunts in sixteenth and seventeenth-century Europe, and shows that beneath the hysteria there is a social movement, which is fostered by a climate of social and economic insecurity. Persuasively argued, this is an authoritative and scholarly account of an emotive issue. |
| english is the devil's language: Writing in the Devil's Tongue Xiaoye You, 2010-01-29 Winner, CCCC Outstanding Book Award Until recently, American composition scholars have studied writing instruction mainly within the borders of their own nation, rarely considering English composition in the global context in which writing in English is increasingly taught. Writing in the Devil’s Tongue challenges this anachronistic approach by examining the history of English composition instruction in an East Asian country. Author Xiaoye You offers scholars a chance to observe how a nation changed from monolingual writing practices to bilingual writing instruction in a school setting. You makes extensive use of archival sources to help trace bilingual writing instruction in China back to 1862, when English was first taught in government schools. Treating the Chinese pursuit of modernity as the overarching theme, he explores how the entry of Anglo-American rhetoric and composition challenged and altered the traditional monolithic practice of teaching Chinese writing in the Confucian spirit. The author focuses on four aspects of this history: the Chinese negotiation with Anglo-American rhetoric, their search for innovative approaches to instruction, students’ situated use of English writing, and local scholarship in English composition. Unlike previous composition histories, which have tended to focus on institutional, disciplinary, and pedagogical issues, Writing in the Devil’s Tongue brings students back to center stage by featuring several passages written by them in each chapter. These passages not only showcase rhetorical and linguistic features of their writings but also serve as representative anecdotes that reveal the complex ways in which students, responding to their situations, performed multivalent, intercultural discourses. In addition, You moves out of the classroom and into the historical, cultural, and political contexts that shaped both Chinese writing and composing practices and the pedagogies that were adopted to teach English to Chinese in China. Teachers, students, and scholars reading this book will learn a great deal about the political and cultural impact that teaching English composition has had in China and about the ways in which Chinese writing and composition continues to be shaped by rich and diverse cultural traditions and political discourses. In showcasing the Chinese struggle with teaching and practicing bilingual composition, Writing in the Devil’s Tongue alerts American writing scholars and teachers to an outdated English monolingual mentality and urges them to modify their rhetorical assumptions, pedagogical approaches, and writing practices in the age of globalization. |
| english is the devil's language: The Devil’s Dictionary Ambrose Bierce, 2021-03-16T22:46:04Z “Dictionary, n: A malevolent literary device for cramping the growth of a language and making it hard and inelastic. This dictionary, however, is a most useful work.” Bierce’s groundbreaking Devil’s Dictionary had a complex publication history. Started in the mid-1800s as an irregular column in Californian newspapers under various titles, he gradually refined the new-at-the-time idea of an irreverent set of glossary-like definitions. The final name, as we see it titled in this work, did not appear until an 1881 column published in the periodical The San Francisco Illustrated Wasp. There were no publications of the complete glossary in the 1800s. Not until 1906 did a portion of Bierce’s collection get published by Doubleday, under the name The Cynic’s Word Book—the publisher not wanting to use the word “Devil” in the title, to the great disappointment of the author. The 1906 word book only went from A to L, however, and the remainder was never released under the compromised title. In 1911 the Devil’s Dictionary as we know it was published in complete form as part of Bierce’s collected works (volume 7 of 12), including the remainder of the definitions from M to Z. It has been republished a number of times, including more recent efforts where older definitions from his columns that never made it into the original book were included. Due to the complex nature of copyright, some of those found definitions have unclear public domain status and were not included. This edition of the book includes, however, a set of definitions attributed to his one-and-only “Demon’s Dictionary” column, including Bierce’s classic definition of A: “the first letter in every properly constructed alphabet.” Bierce enjoyed “quoting” his pseudonyms in his work. Most of the poetry, dramatic scenes and stories in this book attributed to others were self-authored and do not exist outside of this work. This includes the prolific Father Gassalasca Jape, whom he thanks in the preface—“jape” of course having the definition: “a practical joke.” This book is a product of its time and must be approached as such. Many of the definitions hold up well today, but some might be considered less palatable by modern readers. Regardless, the book’s humorous style is a valuable snapshot of American culture from past centuries. This book is part of the Standard Ebooks project, which produces free public domain ebooks. |
| english is the devil's language: The Language of the Devil Constantin-George Sandulescu, 1987 In a letter written in 1936 to his grandson Stephen, Joyce said that the Devil speaks a language of his own...which he makes up himself as he goes along. Taking this as his theme, Sandulescu offers a brilliant new study of the language of Finnegans Wake. Highly original. Worth reading for his chapter on the Epiphany of Joyce.--Books Ireland. |
| english is the devil's language: The Devil and Daniel Webster Stephen Vincent Benet, Stephen Vincent Benét, 1943-10 THE STORY: Jabez Stone, young farmer, has just been married, and the guests are dancing at his wedding. But Jabez carries a burden, for he knows that, having sold his soul to the Devil, he must, on the stroke of midnight, deliver it up to him. Shortly before twelve Mr. Scratch, lawyer, enters and the company is thunderstruck. Jabez bids his guests begone; he has made his bargain and will pay the price. His bride, however, stands by him, and so will Daniel Webster, who has come for the festivities. Webster takes the case. But Scratch is a lawyer himself and out-argues the statesman. Webster demands a jury of real Americans, living or dead. Very well, agrees the Devil, he shall have them, and ghosts appear. Webster thunders, but to no avail, and at last realizing Scratch can better him on technical grounds, he changes his tactics and appeals to the ghostly jury, men who have retained some love of country. Rising to the height of his powers, Webster performs the miracle of winning a verdict of Not Guilty. |
| english is the devil's language: Webster's New International Dictionary of the English Language, Based on the International Dictionary 1890 and 1900 William Torrey Harris, Frederic Sturges Allen, 1911 |
| english is the devil's language: Robert the Devil , 2018-01-23 Samuel N. Rosenberg, one of the premier translators of Old French, presents in this volume the first modern English-language version of the thirteenth-century French romance Robert le Diable, a tale of supernatural birth and spiritual redemption. Robert is born after his mother, a childless noblewoman, secretly calls upon Satan to help her conceive. His wicked behavior as a boy and, later, as a destructive young man is so brutal that one day Robert prevails upon his mother to reveal the secret of his birth and thus the source of his wickedness. Upon learning the truth, he leaves his privileged home in Normandy to seek salvation. Robert’s lengthy penance—under the aegis of the Pope and a pious hermit—begins with his acting as a mute fool in the Roman Emperor’s court and ends with his sainthood. In between he plays the hero’s role in defeating the Turks in battle and turns down the hand of the Emperor’s daughter in marriage, choosing instead to return to the hermit’s abode. The legend of Robert le Diable was extraordinarily influential in the seven hundred years after its creation, generating new versions and adaptations in various languages, ranging from sixteenth-century English adaptations by Wynken de Worde and Thomas Lodge to Giacomo Meyerbeer’s esteemed 1831 opera. Framed by a thoughtful introduction and thorough bibliography, this accessible translation renders the original octosyllabic rhymed couplets of the metrical Old French romance in energetic free verse. |
| english is the devil's language: Satan Unbound Peter Dendle, 2001-01-01 The ubiquitous conflict between saint and demon constitutes an ontological study of the boundaries between the holy and the unholy, rather than a psychological study of temptation and sin.--BOOK JACKET. |
| english is the devil's language: The New Century Dictionary of the English Language Hulbert G. Emery, Katharine G. Brewster, 1927 |
| english is the devil's language: A Standard Dictionary of the English Language , 1903 |
| english is the devil's language: A Dictionary of the English Language James Stormonth, Philip Henry Phelp, 1895 |
| english is the devil's language: The Devil and the Sacred in English Drama, 1350–1642 John D. Cox, 2000-10-17 John Cox tells the intriguing story of stage devils from their earliest appearance in English plays to the closing of the theatres by parliamentary order in 1642. The book represents a major revision of E. K. Chambers' ideas of stage devils in The Medieval Stage (1903), arguing that this is not a history of gradual secularization, as scholarship has maintained for the last century, but rather that stage devils were profoundly shaped from the outset by the assumptions of sacred drama and retained this shape virtually unchanged until the advent of permanent commercial theatres near London. The book spans both medieval and Renaissance drama including the medieval Mystery cycles on the one hand, through to plays by Greene, Marlowe, Shakespeare (1 and 2 Henry VI), Jonson, Middleton and Davenant. An appendix lists all known devil plays in English from the beginning to 1642. |
| english is the devil's language: A Really Good Brown Girl Marilyn Dumont, 2015 First published in 1996, A Really Good Brown Girl is a fierce, honest and courageous account of what it takes to grow into one's self and one's Metis heritage in the face of myriad institutional and cultural obstacles. It is an indispensable contribution to Canadian literature |
| english is the devil's language: Speak of the Devil Joseph P. Laycock, 2020-02-17 In this book-length study of The Satanic Temple, Joseph Laycock, a scholar of new religious movements, contends that the emergence of political Satanism marks a significant moment in American religious history that will have a lasting impact on how Americans frame debates about religious freedom. Though the group gained attention for its strategic deployment of outrage, it claims to have developed beyond politics into a religious movement. Equal parts history and ethnography, Speak of the Devil demonstrates why religious Satanism is significant to larger conversations about the definition of religion, religious freedom, and religious tolerance. |
| english is the devil's language: Shake Hands With the Devil Romeo Dallaire, 2009-02-24 On the tenth anniversary of the date that UN peacekeepers landed in Rwanda, Random House Canada is proud to publish the unforgettable first-hand account of the genocide by the man who led the UN mission. Digging deep into shattering memories, General Dallaire has written a powerful story of betrayal, naïveté, racism and international politics. His message is simple and undeniable: “Never again.” When Lt-Gen. Roméo Dallaire received the call to serve as force commander of the UN intervention in Rwanda in 1993, he thought he was heading off on a modest and straightforward peacekeeping mission. Thirteen months later he flew home from Africa, broken, disillusioned and suicidal, having witnessed the slaughter of 800,000 Rwandans in only a hundred days. In Shake Hands with the Devil, he takes the reader with him on a return voyage into the hell of Rwanda, vividly recreating the events the international community turned its back on. This book is an unsparing eyewitness account of the failure by humanity to stop the genocide, despite timely warnings. Woven through the story of this disastrous mission is Dallaire’s own journey from confident Cold Warrior, to devastated UN commander, to retired general engaged in a painful struggle to find a measure of peace, reconciliation and hope. This book is General Dallaire’s personal account of his conversion from a man certain of his worth and secure in his assumptions to a man conscious of his own weaknesses and failures and critical of the institutions he’d relied on. It might not sit easily with standard ideas of military leadership, but understanding what happened to General Dallaire and his mission to Rwanda is crucial to understanding the moral minefields our peacekeepers are forced to negotiate when we ask them to step into the world’s dirty wars. Excerpt from Shake Hands with the Devil My story is not a strictly military account nor a clinical, academic study of the breakdown of Rwanda. It is not a simplistic indictment of the many failures of the UN as a force for peace in the world. It is not a story of heroes and villains, although such a work could easily be written. This book is a cri de coeur for the slaughtered thousands, a tribute to the souls hacked apart by machetes because of their supposed difference from those who sought to hang on to power. . . . This book is the account of a few humans who were entrusted with the role of helping others taste the fruits of peace. Instead, we watched as the devil took control of paradise on earth and fed on the blood of the people we were supposed to protect. |
| english is the devil's language: Universal Dictionary of the English Language , 1898 |
| english is the devil's language: Memnoch the Devil Anne Rice, 2010-11-17 STARTLING . . . FIENDISH . . . MEMNOCH'S TALE IS COMPELLING. --New York Daily News Like Interview with the Vampire, Memnoch has a half-maddened, fever-pitch intensity. . . . Narrated by Rice's most cherished character, the vampire Lestat, Memnoch tells a tale as old as Scripture's legends and as modern as today's religious strife. --Rolling Stone SENSUAL . . . BOLD, FAST-PACED. --USA Today Rice has penned an ambitious close to this long-running series. . . . Fans will no doubt devour this. --The Washington Post Book World MEMNOCH THE DEVIL OFFERS PASSAGES OF POETIC BRILLIANCE. --Playboy [MEMNOCH] is one of Rice's most intriguing and sympathetic characters to date. . . . Rice ups the ante, taking Lestat where few writers have ventured: into heaven and hell itself. She carries it off in top form. --The Seattle Times |
| english is the devil's language: The Devil and Demonism in Early Modern England Nathan Johnstone, 2006-01-12 An original book examining the concept of the Devil in English culture between the Reformation and the end of the English Civil War. Nathan Johnstone looks at the ways in which beliefs about the nature of the Devil and his power in human affairs changed as a consequence of the Reformation, and its impact on religious, literary and political culture. He moves away from the established focus on demonology as a component of the belief in witchcraft and examines a wide range of religious and political milieux, such as practical divinity, the interiority of Puritan godliness, anti-popery, polemic and propaganda, and popular culture. The concept of the Devil that emerged from the Reformation had a profound impact on the beliefs and practices of committed Protestants, but it also influenced both the political debates of the reigns of Elizabeth I, James I and Charles I, and in popular culture more widely. |
| english is the devil's language: Universal Dictionary of the English Language Robert Hunter, Charles Morris, 1897 |
| english is the devil's language: The Satanic Verses Salman Rushdie, 2000-12 Just before dawn one winter's morning, a hijacked jetliner explodes above the English Channel. Through the falling debris, two figures, Gibreel Farishta, the biggest star in India, and Saladin Chamcha, an expatriate returning from his first visit to Bombay in fifteen years, plummet from the sky, washing up on the snow-covered sands of an English beach, and proceed through a series of metamorphoses, dreams, and revelations. |
| english is the devil's language: The Devil to Pay in the Backlands João Guimarães Rosa, 1963 A NOVEL OF NORTHERN BRAZIL BY ONE OF THE LEADING BRAZILIAN AUTHORS. |
| english is the devil's language: A Dictionary of the English Language ... Abridged from the Rev. H. J. Todd's ... enlarged quarto edition, by A. Chalmers Samuel Johnson, 1820 |
| english is the devil's language: Connecticut Bandit, Bushwhackers, Outlaws, Crooks, Devils, Ghosts, Desperadoes and Other Assorted Sundry Characters Carole Marsh, 1994 |
| english is the devil's language: Connecticut Bandits, Bushwhackers, Outlaws, Crooks, Devils, Ghosts, Desperadoes, and Other Assorted and Sundry Characters Carole Marsh, 1994 |
| english is the devil's language: The Devil's Double Original Book Latif Yahia, 1994-04-01 THE DEVIL’S DOUBLE: is the first of 3 autobiographical books chronicling Latif Yahia’s incredible life story. It vividly describes how Latif was forced to become Uday Hussein’s ‘fidai’ (body double) and gives a unique insight into the extreme extravagance and cruelty of the Saddam regime. Latif survived assassination attempts and witnessed Uday’s psychotic temper, rapes, orgy parties, torture atrocities, and sadistic murders. The book has recently been made into a highly acclaimed movie. THE BLACK HOLE: gives a fascinating account of what happened to Latif in Europe after he escaped from Iraq. How he was treated by western governments and the CIA. How Uday sought revenge on Latif and vice-versa. How he was offered a British passport by Saudis to murder a dissident and how they beheaded Latif’s Saudi princess lover. How Latif made and lost a fortune. How he strived in vain for a peaceful life and survived 4 more assassination attempts. Forty Shades of Conspiracy: brings Latif’s story right up to date by detailing his time in Ireland. His run-ins with drug-dealers, Corrupt Irish Garda officers and Irish politicians who continually denied him Irish citizenship. His despair as a beggar on the streets and the happiness he found after he met the love of his life. His reaction to Uday and Saddam’s deaths and his opinion on the current political situation in Iraq all makes fascinating reading. Book Description: In 1987, Latif Yahia was taken to Saddam's headquarters to meet Uday, Saddam's eldest son, and told that a great honour had been bestowed upon him: that because of the great likeness between them, he had been chosen to be Uday's double. For many Iraqis it would have been the highlight of their lives, but for Latif, a peace-loving man who did not agree with Saddam's brutal regime, it was not. He refused. Following a week of torture, and realising he would be killed if he continued to refuse, Latif was forced to accept the role. After a gruesome training programme during which he was made to watch over thirty films of torture, hours of tapes of Uday, and undertake a final remodelling of his appearance, Latif was deemed ready. But it was only after the final test, a meeting with Saddam himself, that Latif made his first public appearance. And so began his life as Uday's double - a life on the perimeter of the inner circle of Saddam's eldest son, a witness to the horror of his insane life of debauchery, excess and brutality, and an experience for which he almost paid with his life on more than one occasion. |
| english is the devil's language: An Essay on God and the Angels, Man, Nature, and the Devil J. W. Bright, 1852 |
| english is the devil's language: Excursions in North Wales: Including Aberystwith and the Devil's Bridge William Bingley, 2024-09-29 Reprint of the original, first published in 1839. |
| english is the devil's language: DEVIL AND GOD John O'Loughlin, 2022-02-21 This substantial collection of loosely aphoristic philosophy, which I am apt to term 'supernotational', embraces the Christian dichotomy of Devil and God in such fashion that one is left in no doubt that the former is alpha and the latter omega and, hence, that God, or godliness, is the repudiation of all that the Devil stands for. But this is a torturously complex and protracted path, which is why 'The Omega Book' is anything but an easy read, despite the efforts of its author to make it as logically and stylistically consistent as possible, and to offer real hope that victory for God over the Devil is still possible even in this day and age, when cynicism with regard to the possibility of religious progress seems to be at an all-time high, and largely because of erroneous religious conceptions that pander to the one even as they ostensibly acknowledge the other. |
| english is the devil's language: God, Man, and Devil Nahma Sandrow, 2015-02-01 An anthology of five Yiddish plays in translation—all written by well-known playwrights in the first quarter of the twentieth century—God, Man, and Devil also includes two independent scenes, which in Nahma Sandrow's words, show off the raucous characteristic of Yiddish theater, especially in popular performance. The settings of the plays range widely—a luxurious parlor, a haunted graveyard, a farmyard, a sweatshop on strike, a subway, and the boardwalk of Atlantic City. They are both comic and mournful, and reflect expressionism, satire, fantasy, farce, suspense, and romance. But all consider the same question: what makes life morally good and worth living? Before the modern Yiddish secular culture evolved as we know it today, Yiddish plays were being written for about a century. As Yiddish-speaking communities flourished, so did their love for theater. Yiddish playwrights shared their experiences and made them art. Edited to make them more accessible for both reading and performance, each play is accompanied by an introduction, which provides historical context, production histories, and elucidation of references. |
| english is the devil's language: A Bibliography of Writings on the English Language from the Beginning of Printing to the End of 1922 Arthur Garfield Kennedy, 1927 |
| english is the devil's language: The Encyclopaedia Britannica Thomas Spencer Baynes, 1879 |
| english is the devil's language: Annual Bibliography of English Language and Literature , 1926 Includes both books and articles. |
| english is the devil's language: The Devil is an English Gentleman John Cournos, 1932 |
| english is the devil's language: The Devil, Heresy and Witchcraft in the Middle Ages Alberto Ferreiro, 2023-12-14 The study of heresy and heterodoxy and of belief in magic, witchcraft and the devil has in the past 25 years made significant advances in our understanding of art and iconography, ideas, mentality and belief, and ordinary life and popular imagination in the patristic and medieval periods. At the forefront of research into this aspect of medieval intellectual history has been Jeffrey B. Russell, whose numerous books and articles have opened important new paths in the field. To mark his retirement 17 established and emerging scholars from Europe and North America - historians of art, the church, religions, and ideas - have contributed papers on the many areas which Russell has influenced. Topics dealt with include elves, the Christians apocrypha, mysticism, sexuality, heresies and heresiologies, apocalyptic tracts, astrology, hell, and other Christian encounters with non-believers. These essays are offered as tribute to the deep impact that Russel has had on medieval studies. Contributors include: Alan Bernstein, Richard Emmerson, Alberto Ferreiro, Neil Forsyth, Abraham Friessen, Karen Jolly, Henry Ansgar Kelly, Richard Kieckhefer, Beverly M. Kienzle, Garry Macy, Bernard McGinn, Edward Peters, Cheryl Rigs, Larry J. Simon, Laura Smoller, Catherine B. Tkacz, and John Tolan. |
| english is the devil's language: The Devil from Over the Sea , 2022-03-24 In Ireland, few figures have generated more hatred than Oliver Cromwell, whose seventeenth-century conquest, massacres, and dispossessions would endure in the social memory for ages to come. The Devil from over the Sea explores the many ways in which Cromwell was remembered and sometimes conveniently 'forgotten' in historical, religious, political, and literary texts, according to the interests of different communities across time. Cromwell's powerful afterlife in Ireland, however, cannot be understood without also investigating his presence in folklore and the landscape, in ruins and curses. Nor can he be separated from the idea of the 'Cromwellian': a term which came to elicit an entire chain of contemptuous associations that would begin after his invasion and assume a wholly new force in the nineteenth century. What emerges from all these memorializing traces is a multitudinous Cromwell who could be represented as brutal, comic, sympathetic, or satanic. He could be discarded also, tellingly, from the accounts of the past, and especially by those which viewed him as an embarrassment or worse. In addition to exploring the many reasons why Cromwell was so vehemently remembered or forgotten in Ireland, Sarah Covington finally uncovers the larger truths conveyed by sometimes fanciful or invented accounts. Contrary to being damaging examples of myth-making, the memorializations contained in martyrologies, folk tales, or newspaper polemics were often productive in cohering communities, or in displaying agency in the form of 'counter-memories' that claimed Cromwell for their own and reshaped Irish history in the process. |
| english is the devil's language: Laughing at the Devil Amy Laura Hall, 2018-07-16 Laughing at the Devil is an invitation to see the world with a medieval visionary now known as Julian of Norwich, believed to be the first woman to have written a book in English. (We do not know her given name, because she became known by the name of a church that became her home.) Julian “saw our Lord scorn [the Devil's] wickedness” and noted that “he wants us to do the same.” In this impassioned, analytic, and irreverent book, Amy Laura Hall emphasizes Julian's call to scorn the Devil. Julian of Norwich envisioned courage during a time of fear. Laughing at the Devil describes how a courageous woman transformed a setting of dread into hope, solidarity, and resistance. |
| english is the devil's language: Approaches to Teaching the Works of Ngũgĩ wa Thiong'o Oliver Lovesey, 2012-01-01 Ngũgĩ wa Thiong'o is one of the most important and celebrated authors of postindependence Africa as well as a groundbreaking postcolonial theorist. His work, written first in English, then in Gikuyu, engages with the transformations of his native Kenya after what is often termed the Mau Mau rebellion. It also gives voice to the struggles of all Africans against economic injustice and political oppression. His writing and activism have continued despite imprisonment, the threat of assassination, and exile. Part 1 of this volume, Materials, provides resources and background for the teaching of Ngũgĩ's novels, plays, memoirs, and criticism. The essays of part 2, Approaches, consider the influence of Frantz Fanon, Karl Marx, and Joseph Conrad on Ngũgĩ; how the role of women in his fiction is inflected by feminism; his interpretation and political use of African history; his experimentation with orality and allegory in narrative; and the different challenges of teaching Ngũgĩ in classrooms in the United States, Europe, and Africa. |
| english is the devil's language: Generations of Lucky Devils and Unlucky Dogs Henk A. Becker, 2015-06-17 Silver-grey manpower is a gold mine to society. One by one, the baby boom cohorts will reach the age of 65 starting from 2010. They are large cohorts, relatively well educated and healthy with considerable pension and health care rights. In short, they are lucky devils. As a result of ageing, cohorts that were born in 1985 onwards and that enter the labour market as from approximately 2010 will be required to pay many additional taxes during the course of their entire working life spanning more than forty years. They are, in short, unlucky dogs. Redistribution of joys and burdens could trigger conflicts between generations. A better solution is to identify and deploy society’s hidden resources. Taking this issue as a basis, the book in hand explores strategies that enable senior citizens and young people to give meaning to solidarity among generations, for a start in 2012 as the European Year for Active Ageing, but also as part of Europe 2020, the European Commission’s 2010-2020 strategy. With these two strategies journalists and television producers will swing into action. In secondary and higher education as well as in universities more papers on life courses and patterns of generations will be written than ever before. Senior citizens’ unions but actually all social organizations will organize lectures. Educated laymen will wish to go deeply into this issue. Henk A. Becker (1933) is Professor Emeritus of Sociology at Utrecht University in the Netherlands. He has worked on a research project focusing on generations since 1985. |
| english is the devil's language: The Plan Of God, The Power Of The Church, And The Devil's Demise Mitchell Shelton, 2011 I began in the ministry twenty-seven years ago, in 1983. In 1990, along with my wife Freida, Divine Intervention Ministries began. For nine years we pastored Mirrored Image Church. At the present time we are evangelizing. The reason I wrote this book is that I believe that the church has lived far below God's expectation. In this book I would like to take your eyes off of a coming victory and place them on a victory won at the cross. A victory that left nothing not put under Jesus' feet or our feet. I desire through the Spirit to show you who you are in Christ by virtue of three days and three nights. I wish to expose traditions of men that have left us less than who we are. We are to be a walking talking manifestation of Christ in the earth today. Victory in our future depends on a victory from our past, the cross. |
| english is the devil's language: The Devil's Doorbell Madison Estes, 2020-03-15 Compiled by the Dark Poet Princess, Xtina Marie, here are sixteen delectably horrific tales of the sinister side of dark romance, where not everything is hearts and flowers and moonlight strolls hand-in-hand with your beautiful soulmate... The phenomenal anthology - named in honor of that unique part of the female anatomy believed by some to summon Satan himself - overflows with the darkest storytelling and the brightest talent on the independent writing scene today... Madison Estes, John Leonard, J.N. Cameron, Arista Cyrene, Steve Wands, Joe Palumbo, Jeremy Billingsley, James Pyles, Micah Castle, Glen Damien Campbell, Tiffany Michelle Brown, Candace Gleave, David Turnbull, Vivian Kasley, Aric Davis, and Jonathan Walter |
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