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| gael garcia bernal bad education: Masters of Cinema: Pedro Almodóvar Thomas Sotinel, 2010-11-10 Pedro Almodóvar (Spain, b. 1951) single-handedlyrepresents the revival of Spanish cinema as partof the cultural flowering of the Movida Madrileñain the 1980s. New York was first to hail the unbridledimagination of this provocative director, whose films are filled with transsexuals, neurotics(Women on the Verge of a Nervous Breakdown,1988) and even d |
| gael garcia bernal bad education: Inside Inside James Lipton, 2007-10-18 Over the years, Inside the Actors Studio has brought more than 200 of the world’s most celebrated actors, directors, writers and performing artists into 84,000,000 homes in America and 125 countries around the world. Now James Lipton—its host and creator—is offering the reader of this book a backstage pass to the award-winning series—and to his own amazing journey to its stage. You will witness, in unprecedented close-up, the wit, wisdom and candor of a galaxy of stars, from Al Pacino, Barbra Streisand, Robin Williams and Steven Spielberg to Meryl Streep, Tom Hanks, Angelina Jolie, Johnny Depp and many more. With the same candor he demands of his guests, James Lipton also reveals a life that began under the tutelage of a poet, his father, and a teacher, his mother; continued in the orbit of theatrical giants like Stella Adler; and, as writer and producer, took him to the White House with two presidents, the Great Wall of China with Bob Hope, and legendary days and nights in New York, London, and Paris with “the heroes of his life” and ours. This book is a sincere and passionate celebration of the arts and artists we admire—and thought we knew until this moment. |
| gael garcia bernal bad education: All about Almodóvar Bradley S. Epps, Despina Kakoudaki, 2009 Printbegrænsninger: Der kan printes 10 sider ad gangen og max. 40 sider pr. session |
| gael garcia bernal bad education: El cine de Pedro Almódovar Nuria Vidal, Pedro Almodóvar, 1988 A través de varias entrevistas personales realizadas por la autora, se recoge información sobre la vida y obra del director de cine. Se da una visión crítica sobre las películas, se realiza una guía almodovariana con la finalidad de servir de diccionario temático para seguir la evolución de los objetos, lugares o personajes y una filmografía completa de sus trabajos profesionales acompañados de una sinopsis. |
| gael garcia bernal bad education: The Pedro Almodóvar Archives Pedro Almodóvar, Jordi Costa, Vicente Molina-Foix, Gustavo Martín Garzo, Elvira Lindo, Thierry Fremaux, Ángel Fernández-Santos, 2017 An updated edition of The Pedro Almodóvar Archives, offering inside access to the cult Spanish director who beguiles audiences worldwide with his thrilling dissertations on desire, passion, and identity. With behind-the-scenes pictures and personal reminiscences, Almodóvar himself guides the reader through his singular journey from its early... |
| gael garcia bernal bad education: Tim Burton Ken Hanke, 2000-12-01 This is the first full-length biography of the visionary Hollywood filmmaker Tim Burton, director of Batman, Batman Returns, Beetlejuice, Edward Scissorhands, Peewee's Big Adventure, Tim Burton's The Nightmare before Christmas, Ed Wood, Mars Attacks!, and Sleepy Hollow. More than an examination of his body of work, this book takes an in-depth look at Tim Burton's personal life, which until now the reclusive director has managed to keep under wraps. Author Ken Hanke examines the frail, wild-haired fellow whose unique, introverted feature films are passionately admired by many and dismissed by others. How does he command the respect of so many big names in a creative industry not much known for good judgment? How has he managed to carve out an impossibly personal and quirky body of work within the confines of the most mainstream venues of establishment Hollywood? You'll learn about: * Tim Burton's unhappy childhood; to this day he has no relationship with his family * the real reason why Tim Burton left Disney after Ed Wood * his collaborations with talent such as Johnny Depp, Winona Ryder, Vincent Price (his idol), and Danny Elfman * the autobiographical elements in Edward Scissorhands * Tim Burton's often disastrous involvement with other people's projects * the ramifications of excessive power-- the Batman Returns debacle * the collapse of the Superman Reborn project |
| gael garcia bernal bad education: Becoming Maria: Love and Chaos in the South Bronx Sonia Manzano, 2015-08-25 Pura Belpre Honor winner for The Revolution of Evelyn Serrano and one of America's most influential Hispanics--'Maria' on Sesame Street--delivers a beautifully wrought coming-of-age memoir. Set in the 1970s in the Bronx, this is the story of a girl with a dream. Emmy award-winning actress and writer Sonia Manzano plunges us into the daily lives of a Latino family that is loving--and troubled. This is Sonia's own story rendered with an unforgettable narrative power. When readers meet young Sonia, she is a child living amidst the squalor of a boisterous home that is filled with noisy relatives and nosy neighbors. Each day she is glued to the TV screen that blots out the painful realities of her existence and also illuminates the possibilities that lie ahead. But--click!--when the TV goes off, Sonia is taken back to real-life--the cramped, colorful world of her neighborhood and an alcoholic father. But it is Sonia's dream of becoming an actress that keeps her afloat among the turbulence of her life and times. Spiced with culture, heartache, and humor, this memoir paints a lasting portrait of a girl's resilience as she grows up to become an inspiration to millions. |
| gael garcia bernal bad education: Cooking with Shereen from Scratch Shereen Pavlides, 2021-07-13 Be a Rock Star in Your Kitchen with Home-cooked Meals from Scratch! Shereen Pavlides, of the mega-viral brand Cooking With Shereen, has garnered millions of fans across her platforms thanks to her affectionate personality and her confidence-building approach to cooking from scratch. Now, in her debut cookbook, she’s bringing all that knowledge right to your kitchen. Through 60 impressive recipes, Shereen shows you that it’s possible to make the best food you’ve ever tasted without depending on frozen, precooked or store-bought ingredients—and without spending all day cooking. With meals for every occasion, from weeknight dinners to show-stopping parties (and everything in-between), you can roll up your sleeves and dig into the likes of: Pecan-Crusted Pork Tenderloin with Rosemary Brown Butter Restaurant-Style Crab Cakes with Sriracha Rémoulade Baba Ganoush with Housemade Pita Sesame Salmon with Sweet Jalapeño Udon Noodles Gruyère and Thyme Popovers Cypriot Cinnamon Potatoes with Dill Yogurt Asian-Style Coconut Broccoli Spanakopita Triangles Shanghai Chicken Salad with Sesame Ginger Vinaigrette Whether you’re new to cooking, or just looking to up your game, donta you worry—Shereen’s got you covered. |
| gael garcia bernal bad education: Mozart in the Jungle Blair Tindall, 2007-12-01 The memoir that inspired the two-time Golden Globe Award–winning comedy series: “Funny . . . heartbreaking . . . [and] utterly absorbing” (Lee Smith, New York Times–bestselling author of Guests on Earth). Oboist Blair Tindall recounts her decades-long professional career as a classical musician—from the recitals and Broadway orchestra performances to the secret life of musicians who survive hand to mouth in the backbiting New York classical music scene, where musicians trade sexual favors for plum jobs and assignments in orchestras across the city. Tindall and her fellow journeymen musicians often play drunk, high, or hopelessly hungover, live in decrepit apartments, and perform in hazardous conditions—working-class musicians who schlep across the city between low-paying gigs, without health-care benefits or retirement plans, a stark contrast to the rarefied experiences of overpaid classical musician superstars. An incisive, no-holds-barred account, Mozart in the Jungle is the first true, behind-the-scenes look at what goes on backstage and in the orchestra pit. The book that inspired the Amazon Original series starring Gael García Bernal and Lola Kirke, this is “a fresh, highly readable and caustic perspective on an overglamorized world” (Publishers Weekly). |
| gael garcia bernal bad education: Cinemachismo Sergio de la Mora, 2009-01-27 After the modern Mexican state came into being following the Revolution of 1910, hyper-masculine machismo came to be a defining characteristic of mexicanidad, or Mexican national identity. Virile men (pelados and charros), virtuous prostitutes as mother figures, and minstrel-like gay men were held out as desired and/or abject models not only in governmental rhetoric and propaganda, but also in literature and popular culture, particularly in the cinema. Indeed, cinema provided an especially effective staging ground for the construction of a gendered and sexualized national identity. In this book, Sergio de la Mora offers the first extended analysis of how Mexican cinema has represented masculinities and sexualities and their relationship to national identity from 1950 to 2004. He focuses on three traditional genres (the revolutionary melodrama, the cabaretera [dancehall] prostitution melodrama, and the musical comedy buddy movie) and one subgenre (the fichera brothel-cabaret comedy) of classic and contemporary cinema. By concentrating on the changing conventions of these genres, de la Mora reveals how Mexican films have both supported and subverted traditional heterosexual norms of Mexican national identity. In particular, his analyses of Mexican cinematic icons Pedro Infante and Gael García Bernal and of Arturo Ripstein's cult film El lugar sin límites illuminate cinema's role in fostering distinct figurations of masculinity, queer spectatorship, and gay male representations. De la Mora completes this exciting interdisciplinary study with an in-depth look at how the Mexican state brought about structural changes in the film industry between 1989 and 1994 through the work of the Mexican Film Institute (IMCINE), paving the way for a renaissance in the national cinema. |
| gael garcia bernal bad education: Interchange 2 Student Cassette Jack C. Richards, Jonathan Hull, Susan Proctor, 1990-11-30 |
| gael garcia bernal bad education: A Critical Guide to Horror Film Series Ken Hanke, 2013-12-04 In this book the author takes a fresh look at horror film series as series and presents an understanding of how the genre thrived in this format for a large portion of its history. It sheds light on older films such as the Universal and the Hammer series films on Dracula, Frankenstein and the Mummy as well as putting more recent series into perspective, such as The Nightmare on Elm Street films. A well rounded review of these films and investigation into their success as a format, this useful volume, originally published in 1991, offers an attempt to understand the marriage of horror and the series film, with its pluses as well as minuses. |
| gael garcia bernal bad education: When Crickets Cry Charles Martin, 2006-04-02 From the bestselling author of The Mountain Between Us comes the moving story of a man with a painful past, a little girl with a doubtful future, and a shared journey toward healing for both of their hearts. It begins on the shaded town square in a sleepy Southern town. A spirited seven-year-old has a brisk business at her lemonade stand. But the little girl’s pretty yellow dress can’t quite hide the ugly scar on her chest. Her latest customer, a bearded stranger, drains his cup and heads to his car, his mind on a boat he's restoring at a nearby lake. The stranger understands more about the scar than he wants to admit. And the beat-up bread truck careening around the corner with its radio blaring is about to change the trajectory of both their lives. Before it's over, they'll both know there are painful reasons why crickets cry . . . and that miracles lurk around unexpected corners. “Charming characters and twists that keep the pages turning.” —Southern Living A Southern Living Book of the Month selection Stand-alone contemporary Christian fiction (approx. 85,000 words) Also by Charles Martin: The Water Keeper, The Mountain Between Us, Send Down the Rain, and Chasing Fireflies |
| gael garcia bernal bad education: American Gay Stephen O. Murray, 1996-06-15 Drawing on two decades of research into gay life in North America, Stephen O. Murray examines the emergence of gay and lesbian social life, the creation of lisbigay communities, and the political and social forces of resistance that have mobilized and nurtured a group identity. Murray also considers the extent to which there is a single modern homosexuality, the enormous range of gay behaviors, and more. |
| gael garcia bernal bad education: A Reader's Manifesto B. R. Myers, 2002 Including: A response to critics, and: Ten rules for serious writers, the author continues his fight on behalf of the American reader, arguing against pretension in so-called literary fiction, naming names and exposing the literary status quo. |
| gael garcia bernal bad education: No Is Not Enough Naomi Klein, 2017-06-13 The New York Times–bestselling roadmap to resistance in the Trump era from the internationally acclaimed activist and author of On Fire and The Battle for Paradise. The election of Donald Trump is a dangerous escalation in a world of cascading crises. Trump’s vision—a radical deregulation of the US economy in the interest of corporations, an all-out war on “radical Islamic terrorism,” and a sweeping aside of climate science to unleash a domestic fossil fuel frenzy—will generate wave after wave of crises and shocks, to the economy, to national security, to the environment. In No Is Not Enough, Naomi Klein explains that Trump, extreme as he is, is not an aberration but a logical extension of the worst and most dangerous trends of the past half-century. In exposing the malignant forces behind Trump’s rise, she puts forward a bold vision for a mass movement to counter rising militarism, nationalism, and corporatism in the United States and around the world. Longlisted for the National Book Award “I hope that Klein’s book is read by more than just her (mostly) leftwing fan base. For whatever you think about her economic arguments, she makes a powerful and an important point: that you cannot understand Trump without looking at how he reflects bigger cultural and social dynamics. And what is perhaps refreshing about No Is Not Enough is that Klein tries to move beyond mere outrage and hand-wringing to offer a practical manifesto for opposition.” —Financial Times “Brims with ideas rarely heard in the mainstream media. And her fiery, punchy writing style, which is occasionally laced with humor, makes it hard to put down.” —The Georgia Straight |
| gael garcia bernal bad education: Pedro Almodovar Sanchez-Acre, 2021-01-19 |
| gael garcia bernal bad education: Bread and Beauty: The Cultural Politics of José Carlos Mariátegui Juan E. De Castro, 2020-10-20 Influenced by anarchism and especially by the anarcho-syndicalist Georges Sorel, the political praxis of Peruvian activist and scholar José Carlos Mariátegui (1894–1930) deviated from the policies mandated by the Comintern. Mariátegui saw that new subjectivities would be required to bring about a revolution that would not recreate bourgeois or fascist structures. A new society, he argued, required a new culture. Thus, Mariátegui not only founded the Peruvian Socialist Party, but also created Amauta, a magazine that brought together the writings of the political and cultural avant-gardes. In the spirit of this approach, Bread and Beauty not only studies the political signifi cance of cultural habits and products; it also looks at the cultural underpinnings of the political proposals found in Mariátegui’s writings and actions. |
| gael garcia bernal bad education: Didn't We Almost Have It All Gerrick Kennedy, 2022-02-01 Named a BEST BOOK OF THE YEAR... SO FAR by The New Yorker Named a BEST BOOK OF THE MONTH by The Washington Post A candid exploration of the genius, shame, and celebrity of Whitney Houston a decade after her passing On February 11, 2012, Whitney Houston was found submerged in the bathtub of her suite at the Beverly Hilton Hotel. In the decade since, the world has mourned her death amid new revelations about her relationship to her Blackness, her sexuality, and her addictions. Didn’t We Almost Have It All is author Gerrick Kennedy’s exploration of the duality of Whitney’s life as both a woman in the spotlight and someone who often had to hide who she was. This is the story of Whitney’s life, her whole life, told with both grace and honesty. Long before that fateful day in 2012, Whitney split the world wide open with her voice. Hers was a once-in-a-generation talent forged in Newark, NJ, and blessed with the grace of the church and the wisdom of a long lineage of famous gospel singers. She redefined “The Star-Spangled Banner.” She became a box-office powerhouse, a queen of the pop charts, and an international superstar. But all the while, she was forced to rein in who she was amid constant accusations that her music wasn’t Black enough, original enough, honest enough. Kennedy deftly peels back the layers of Whitney’s complex story to get to the truth at the core of what drove her, what inspired her, and what haunted her. He pulls the narrative apart into the key elements that informed her life—growing up in the famed Drinkard family; the two romantic relationships that shaped the entirety of her adult life, with Robyn Crawford and Bobby Brown; her fraught relationship to her own Blackness and the ways in which she was judged by the Black community; her drug and alcohol addiction; and, finally, the shame that she carried in her heart, which informed every facet of her life. Drawing on hundreds of sources, Kennedy takes readers back to a world in which someone like Whitney simply could not be, and explains in excruciating detail the ways in which her fame did not and could not protect her. In the time since her passing, the world and the way we view celebrity have changed dramatically. A sweeping look at Whitney’s life, Didn’t We Almost Have It All contextualizes her struggles against the backdrop of tabloid culture, audience consumption, mental health stigmas, and racial divisions in America. It explores exactly how and why we lost a beloved icon far too soon. |
| gael garcia bernal bad education: The Bad Seed William March, 2005-06-28 Now reissued – William March's 1954 classic thriller that's as chilling, intelligent and timely as ever before. This paperback reissue includes a new P.S. section with author interviews, insights, features, suggested reading and more. What happens to ordinary families into whose midst a child serial killer is born? This is the question at the center of William march's classic thriller. After its initial publication in 1954, the book went on to become a million–copy bestseller, a wildly successful Broadway show, and a Warner Brothers film. The spine–tingling tale of little Rhoda Penmark had a tremendous impact on the thriller genre and generated a whole perdurable crop of creepy kids. Today, The Bad Seed remains a masterpiece of suspense that's as chilling, intelligent, and timely as ever before. |
| gael garcia bernal bad education: Camp Fabio Cleto, 1999 The complete guide to c& an anthology of the best writing on its history and current theory in cultural studies and lesbian and gay studies |
| gael garcia bernal bad education: Ken Russell's Films Ken Hanke, 1984 To find more information about Rowman and Littlefield titles, please visit www.rowmanlittlefield.com. |
| gael garcia bernal bad education: Turn to Film Hugo Letiche, Jean-Luc Moriceau, 2019-02-26 Turn to Film: Film in the Business School offers creative and powerful uses of film in the business school classroom and surveys the pedagogical and performative value of watching films with students. This volume examines not only how film offers opportunities for learning and investigation, but also how they can be sources of ideological poison, self-delusion and mis-representation. Throughout the text, renowned contributors embrace film’s power to embark on new adventures of thought by inventing images and signs, and by bringing novel concepts and fresh perspectives to the classroom. If film often reveals organizational dysfunctionality and absurdity, it also teaches us to understand the other, to see difference, and to accept experimentation. A wide spectra of films are examined for their pedagogical value in terms of what can be learned, explored and discussed by teaching with film and how film can be used as a tool of research and investigation. The book sees film in the classroom as an educational challenge wherein rich learning and personal development are encouraged. |
| gael garcia bernal bad education: The Racket Matt Kennard, 2016-04-15 'Kennard reports with devastating precision.' Naomi Klein While working at the Financial Times, investigative journalist Matt Kennard uncovered a scam - a deception and rip-off of immense proportions. From slanging matches with Henry Kissinger to afternoon coffees with the man who captured Che Guevara, Kennard’s unbridled access over four years to the crème de la crème of the global elite left him with only one conclusion: the world as we know it is run by a squad of cigar-smoking men with big guns, big cash and a reach much too close to home. But, through encounters with high-profile opponents of the racket, such as Thom Yorke, Damon Albarn, Gael García Bernal and others, Kennard shows that human decency remains. Now it’s time for the world’s citizens to also uncover the racket. |
| gael garcia bernal bad education: Ladies Or Gentlemen Jean-Louis Ginibre, 2005 From Greek drama through vaudeville and modern cinema, nothing in the theatrical experience has ever guaranteed a laugh like a man in a dress. This spectacular pictorial history examines the grand tradition of male cross-dressing in the movies through more than 700 photos, more than half of which are previously unpublished. The screen's greatest stars, from comedians like Buster Keaton and Peter Sellers to serious actors like Marlon Brando and Max von Sydow, are pictured in everything from bustiers to ball gowns. Just as in real life, the cinematic motives for cross-dressing are complex, ranging from plot device (I Was a Male War Bride) and social commentary (Tootsie) to the simple sight gags of Laurel and Hardy. The book explores these and myriad other reasons actors are coaxed out of dress suits and into dresses. By turns provocative, serious, and silly, Ladies or Gentlemen is a delightful study of a seldom-explored facet of cinema history. |
| gael garcia bernal bad education: Latino American Cinema Scott L. Baugh, 2012-04-13 Latino American cinema is a provocative, complex, and definitively American topic of study. This book examines key mainstream commercial films while also spotlighting often-underappreciated documentaries, avant-garde and experimental projects, independent productions, features and shorts, and more. Latino American Cinema: An Encyclopedia of Movies, Stars, Concepts, and Trends serves as an essential primary reference for students of the topic as well as an accessible resource for general readers. The alphabetized entries in the volume cover the key topics of this provocative and complex genre—films, filmmakers, star performers, concepts, and historical and burgeoning trends—alongside frequently overlooked and crucially ignored items of interest in Latino cinema. This comprehensive treatment bridges gaps between traditional approaches to U.S.-Latino and Latin American cinemas, placing subjects of Chicana and Chicano, Puerto Rican, Cuban and diasporic Cuban, and Mexican origin in perspective with related Central and South American and Caribbean elements. Many of the entries offer compact definitions, critical discussions, overviews, and analyses of star artists, media productions, and historical moments, while several foundational entries explicate concepts, making this single volume encyclopedia a critical guide as well. |
| gael garcia bernal bad education: Y Tu Mamá También Paul Julian Smith, 2022-09-08 Y Tu Mamá También (2001), an intelligent and sensual road movie directed by Alfonso Cuarón and co-written by him and his brother Carlos, is both an acclaimed feature by a director who would go on to win Oscars and a box office success abroad and in its native Mexico, where it was the biggest grossing local film of all time. Its teenage protagonists Gael García Bernal and Diego Luna went on to be major stars of global cinema. Yet on its release the film was vilified by established Mexican critics as a coarse comedy and 'Penthouse fantasy' of youthful lust for an older woman. Paul Julian Smith's lucid study of the film argues that Y Tu Mamá También not only addresses with playful seriousness such major issues as gender, race, class, and space, which are yet more urgent now than they were on its release; but that the film's apparently casual aesthetic masks a sophisticated audiovisual style, one which brings together popular genre film and auteurist experiment. Smith suggests Y Tu Mamá También remains an example for world cinema of how a very local film can connect with a global audience that is ignorant of such niceties. Combining production and distribution history, based on unexplored material held in Mexico City archives, with close textual analysis, Smith makes an argument for Cuarón's film as an enduring masterpiece that hides in plain sight as an ephemeral teen movie. |
| gael garcia bernal bad education: Then They Came for Me Maziar Bahari, Aimee Molloy, 2011 A riveting, heart-wrenching memoir of Maziar Bahari's brutal interrogation in Iran's most notorious prison, offering insight into Iran's turbulent recent past and uncertain future. |
| gael garcia bernal bad education: Screen World John Willis, Barry Monush, 2006-04-01 (Screen World). An invaluable reference guide for anyone who loves film. Back Stage Movie fans eagerly await each year's new edition of Screen World , the definitive record of the cinema since 1949. Volume 56 provides an illustrated listing of every significant American and foreign film released in the United States in 2004, documented with more than 1000 color and black-and-white photographs. The 2005 edition highlights Clint Eastwood's Million Dollar Baby , which won four Academy Awards, including Best Picture, Best Director, Best Actress in a Leading Role (Hilary Swank) and Best Actor in a Supporting Role for Morgan Freeman, his first Oscar. Martin Scorsese's The Aviator picked up five Academy Awards. Other notable films include Hotel Rwanda starring Academy Award nominees Don Cheadle and Sophie Okonedo. As always, Screen World also includes a pricelss reference on over 2,400 living stars; Obituaries for 2004; The top box office stars and top 100 box office films; A comprehensive index; and more. |
| gael garcia bernal bad education: A Companion to Latin American Cinema Maria M. Delgado, Stephen M. Hart, Randal Johnson, 2017-03-14 A Companion to Latin American Cinema offers a wide-ranging collection of newly commissioned essays and interviews that explore the ways in which Latin American cinema has established itself on the international film scene in the twenty-first century. Features contributions from international critics, historians, and scholars, along with interviews with acclaimed Latin American film directors Includes essays on the Latin American film industry, as well as the interactions between TV and documentary production with feature film culture Covers several up-and-coming regions of film activity such as nations in Central America Offers novel insights into Latin American cinema based on new methodologies, such as the quantitative approach, and essays contributed by practitioners as well as theorists |
| gael garcia bernal bad education: Mario Lanza David Bret, 2014-02-21 Maria Callas called him the greatest tenor who ever lived. Vocally and technically, Mario Lanza was a genius. Like Callas, Lanza's was a phenomenal talent complimented by a more than monstrous ego. Suffering from what would today be diagnosed as bi-polar disorder, he lived virtually his whole life with his finger firmly pressed on the self-destruct button. Too undisciplined to remain in opera, Lanza found himself sucked into the Hollywood whirlpool, engulfed by the opulent lifestyle this offered: easy money, good living, and limitless food, sex and drugs, to which he became increasingly addicted. Lanza took his frustration out of others, frequently launching an uncontrollable temper on those around him and earning himself a reputation as one of the movie stars who were most disliked by their peers in the studio system years. Lanza's scatological pranks were as legendary as his drinking, womanising and gorging sprees, each one followed by crash diets and periods of dark depression and self-loathing which made him virtually impossible to control. Yet he produced arguably the finest tenor recordings of popular music and opera of the last century as well as some classic films, including The Great Caruso and Serenade. In Sublime Serenade, David Bret uncompromisingly but lovingly, and in his unique and celebrated style, tells the Lanza story, from his birth in a poor district of Philadelphia, to his death in Rome 38 years later and his involvement with the Mafia. A must for all music and movie fans alike. David Bret was born in Paris and is a leading celebrity biographer. His many acclaimed books include biographies of Edith Piaf, Doris Day, Clark Gable and Joan Crawford. He lives in Yorkshire. |
| gael garcia bernal bad education: The Last Soldiers of the Cold War Fernando Morais, 2015-06-16 Here is the story of political prisoners finally freed in December 2014, after being held captive by the United States since the late 1990s. Through the 1980s and 1990s, violent anti-Castro groups based in Florida carried out hundreds of military attacks on Cuba, bombing hotels and shooting up Cuban beaches with machine guns. The Cuban government struck back with the Wasp Network—a dozen men and two women—sent to infiltrate those organizations. The Last Soldiers of the Cold War tells the story of those unlikely Cuban spies and their eventual unmasking and prosecution by US authorities. Five of the Cubans received long or life prison terms on charges of espionage and murder. Global best-selling Brazilian author Fernando Morais narrates the riveting tale of the Cuban Five in vivid, page-turning detail, delving into the decades-long conflict between Cuba and the US, the growth of the powerful Cuban exile community in Florida, and a trial that eight Nobel Prize winners condemned as a travesty of justice. The Last Soldiers of the Cold War is both a real-life spy thriller and a searching examination of the Cold War’s legacy. |
| gael garcia bernal bad education: Speaking of Films Satyajit Ray, 2005 Presents India's greatest film-maker on the art and craft of films. Speaking of Films brings together some of Ray's most memorable writings on film and film-making. With the masterly precision and clarity that characterize his films, Ray discusses a wide array of subjects: the structure and language of cinema with special reference to his adaptations of Tagore and Bibhuti Bhushan Bandopadhyay, the appropriate use of background music and dialogue in films, the relationship between a film-maker and a film critic, and important developments in cinema like the advent of sound and colour. He also writes about his own experiences, the challenges of working with rank amateurs, and the innovations called for when making a film in the face of technological, financial and logistical constraints. In the process, Ray provides fascinating behind-the-scenes glimpses of the people who worked with him - the intricacies of getting Chhabi Biswas, who had no ear for music, to play a patron of classical music in Jalsaghar, the incredible memory of the seventy-five-year-old Chunibala Devi, Indir Thakrun of Pather Panchali, and her remarkable attention to details. |
| gael garcia bernal bad education: Screen World John A. Willis, 2006 |
| gael garcia bernal bad education: Gael Garcia Bernal and the Latin American New Wave Jethro Soutar, 2008-07-16 Gael Garcia Bernal has become the most well-known face of Latin American cinema. He has starred in many of the Latin American movies that have been very successful in the UK and the US, including Y Tu Mama Tambien, Amores Perros and The Motorcycle Diaries. His more recent films include Babel and The Science of Sleep. He is passionately political; well known for his activities in promoting awareness of big issues such as poverty in Latin America and Fair Trade and for his protests at the 2005 G8 summit. He has been labelled the new Johnny Depp and James Dean, and has topped countless ''Year's Sexiest Man'' lists. This book will be the first biography of the star and will also tell the story of the rise of Latin America's pioneer filmmakers - driven to produce movies that bring the problems of areas like the Favelas to the World's screens. GGB has a connection with the UK: taking a break from filmmaking a few years ago, he worked on building sites and in bars in London whilst attending drama school. This book will appeal to fans of film books like Peter Biskind's Easy Riders, Raging Bulls and Down and Dirty Pictures. |
| gael garcia bernal bad education: The Faber Book of Mexican Cinema Jason Wood, 2021-06-01 Twelve years ago, Amores Perros erupted in the cinemas across the world and announced the arrival of Mexican film-makers. The film-makers profiled in that book have now come of age and have made a decisive impact on the international cinema scene The last few years Mexican film-makers winning the Best Director Oscars 5 times, and Best Picture 4 times: Alfonso Cuaron with Gravity and Roma. Alejandro Inarritu with Birdman and The RevenantGuillermo del Toro with The Shape of WaterThis revised edition of The Faber Book of Mexican Cinema brings this astounding story up to date, as well as profiling the next generation, waiting in the wings. |
| gael garcia bernal bad education: Latin Hitchcock Dona Kercher, 2015-02-17 This study explores how five major directors—Pedro Almodóvar, Alejandro Amenábar, Alex de la Iglesia, Guillermo del Toro, and Juan José Campanella—modeled their early careers on Hitchcock and his film aesthetics. In shadowing Hitchcock, their works embraced the global aspirations his movies epitomize. Each section of the book begins with an extensive study, based on newspaper accounts, of the original reception of Hitchcock's movies in either Spain or Latin America and how local preferences for genre, glamour, moral issues, and humor affected their success. The text brings a new approach to world film history, showcasing both the commercial and artistic importance of Hitchcock in Spain and Latin America |
| gael garcia bernal bad education: The Advocate , 2004-12-21 The Advocate is a lesbian, gay, bisexual, transgender (LGBT) monthly newsmagazine. Established in 1967, it is the oldest continuing LGBT publication in the United States. |
| gael garcia bernal bad education: Mexican Melodrama Elena Lahr-Vivaz, 2016-10-18 In Mexican Melodrama, Elena Lahr-Vivaz explores the compelling ways that new-wave Mexican directors use the tropes and themes of Golden Age films to denounce the excesses of a nation characterized as a fragmented and fictitious construct. Analyzing big hits and quiet successes of both Golden Age and new-wave cinema, the author offers in each chapter a comparative reading of films from the two eras, considering, for instance, Amores perros (Love’s a Bitch, Alejandro González Iñárritu, 2000) alongside Nosotros los pobres (We the Poor, Ismael Rodríguez, 1947). Through such readings, Lahr-Vivaz examines how new-wave directors draw from a previous generation to produce meaning in the present. Mexico’s Golden Age of film—the period from the 1930s to the 1950s—is considered “golden” due to both the prestige of the era’s stars and the critical and popular success of the films released. Golden Age directors often turned to the tropes of melodrama and allegory to offer spectators an image of an idealized Mexico and to spur the formation of a spectatorship united through shared tears and laughter. In contrast, Lahr-Vivaz demonstrates that new-wave directors of the 1990s and 2000s use the melodramatic mode to present a vision of fragmentation and to open a space for critical resistance. In so doing, new-wave directors highlight the limitations rather than the possibilities of a unified spectatorship, and point to the need for spectators to assume a critical stance in the face of the exigencies of the present. Written in an accessible style, Mexican Melodrama offers a timely comparative analysis of critically acclaimed films that will serve as key referents in discussions of Mexican cinema for years to come. |
| gael garcia bernal bad education: Driving Miss Daisy Alfred Uhry, 1993-01-01 Racial tensions are delicately explored when a warm friendship evolves between an elderly Jewish woman and her black chauffeur. Winner of a 1988 Pulitzer Prize, and Academy Awards for Best Picture and Best Adapted Screenplay. |
Where did the Gaels originate? - History Stack Exchange
There are some theories that the Gael's originated from the Basque shelter and are not even of Indo-European decent, however their language originated …
Were/are the Gaels, Picts and Britons physically distinct?
Dec 14, 2017 · Stack Exchange Network. Stack Exchange network consists of 183 Q&A communities including Stack Overflow, the largest, most trusted …
Where did the Gaels originate? - History Stack Exchange
There are some theories that the Gael's originated from the Basque shelter and are not even of Indo-European decent, however their language originated from later invading tribes from …
Were/are the Gaels, Picts and Britons physically distinct?
Dec 14, 2017 · Stack Exchange Network. Stack Exchange network consists of 183 Q&A communities including Stack Overflow, the largest, most trusted online community for …
