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| epmd business as usual: SPIN , 1991-04 From the concert stage to the dressing room, from the recording studio to the digital realm, SPIN surveys the modern musical landscape and the culture around it with authoritative reporting, provocative interviews, and a discerning critical ear. With dynamic photography, bold graphic design, and informed irreverence, the pages of SPIN pulsate with the energy of today's most innovative sounds. Whether covering what's new or what's next, SPIN is your monthly VIP pass to all that rocks. |
| epmd business as usual: Old School Rap and Hip-hop Chris Woodstra, John Bush, Stephen Thomas Erlewine, 2008 Contains brief reviews of over five hundred old school rap and hip-hop albums, as well as albums from the 1960s and 70s that provided inspiration for the development of rap; arranged alphabetically, some with cover art. |
| epmd business as usual: Enter the Babylon System Rodrigo Bascunan, Christian Pearce, 2010-06-18 A docu-style investigation of our fascination with the gun, from the perspective of the hip-hop generation. The 2003 shooting death of Toronto community-centre worker Kempton Howard put the spotlight on hip hop’s fixation with guns. Media and police soon blamed rap music and its tales of gang life on bullet-ridden US streets for the rising use of firearms in Canadian crime. Were these songs artful accounts of a terrible truth, or a self-fulfilling prophecy? Rodrigo Bascunan and Christian Pearce have interviewed many of the major players in the hip-hop world. As publishers of an award-winning magazine of urban culture, they’d watched rap music become a scapegoat for society’s much older and widely spread fascination with guns. What follows is their international adventure to deconstruct modern gun culture in all its manifestations. Bascunan and Pearce seek out hip-hop artists, illegal gun runners, firearms aficionados and manufacturers, museum curators, academics, politicians, video-game creators, activists, victims of gun violence and the family and friends left behind. Somewhere between Fast Food Nation, No Logo and a Michael Moore documentary, featuring sly sidebar material and original artwork, Enter the Babylon System is part outrageous journalistic pursuit and part passionate cri de coeur for sanity in the face of a society’s obsession. |
| epmd business as usual: The Men Behind Def Jam: The Radical Rise of Russell Simmons and Rick Rubin Alex Ogg, 2009-12-17 The Def Jam label gave America hip hop. But who gave America Def Jam? Russell Simmons and Rick Rubin did. The Men Behind Def Jam examines the most unlikely history of the legendary label that started life in a student dorm and went on to introduce the world to LL Cool J, the Beastie Boys, Public Enemy, DMX and Jay-Z. Hustler-incarnate Russell Simmons and ex-punk Rick Rubin, the odd couple, fought and triumphed against all predictions to change the course of popular music forever. Here is an honest appraisal of these rival personalities, the quarrels, the successes and the failures of the spectacular Def Jam adventure. With Rubin and Simmons now pursuing other interests, the label continues with others at the helm, but the story of Def Jam’s birth and coming of age makes for one of pop music’s most feisty and fascinating legends. |
| epmd business as usual: Christgau's Consumer Guide: Albums of the '90s Robert Christgau, 2000-10-15 The Dean of American Rock Critics tackles the decade when music exploded. The '90s saw more albums produced and distributed than any other decade. It was a fertile era for new genres, from alt-rock to Afropop, hip hop to techno. Rock critic Robert Christgau's obsessive ear and authoritative pen have covered it all-over 3,800 albums graded and classified, from A+s to his celebrated turkeys and duds. A rich appendix section ensures that nothing's been left out-from subjects for further research to everything rocks but nothing ever dies. Christgau's Consumer Guide is essential reading and reference for any dedicated listener. |
| epmd business as usual: SPIN , 1991-04 From the concert stage to the dressing room, from the recording studio to the digital realm, SPIN surveys the modern musical landscape and the culture around it with authoritative reporting, provocative interviews, and a discerning critical ear. With dynamic photography, bold graphic design, and informed irreverence, the pages of SPIN pulsate with the energy of today's most innovative sounds. Whether covering what's new or what's next, SPIN is your monthly VIP pass to all that rocks. |
| epmd business as usual: Hip Hop around the World Melissa Ursula Dawn Goldsmith, Anthony J. Fonseca, 2018-12-01 This set covers all aspects of international hip hop as expressed through music, art, fashion, dance, and political activity. Hip hop music has gone from being a marginalized genre in the late 1980s to the predominant style of music in America, the UK, Nigeria, South Africa, and other countries around the world. Hip Hop around the World includes more than 450 entries on global hip hop culture as it includes music, art, fashion, dance, social and cultural movements, organizations, and styles of hip hop. Virtually every country is represented in the text. Most of the entries focus on music styles and notable musicians and are unique in that they discuss the sound of various hip hop styles and musical artists' lyrical content, vocal delivery, vocal ranges, and more. Many additional entries deal with dance styles, such as breakdancing or b-boying/b-girling, popping/locking, clowning, and krumping, and cultural movements, such as black nationalism, Nation of Islam, Five Percent Nation, and Universal Zulu Nation. Country entries take into account politics, history, language, authenticity, and personal and community identification. Special care is taken to draw relationships between people and entities such as mentor-apprentice, producer-musician, and more. |
| epmd business as usual: Total Chaos Jeff Chang, 2008-07-31 It's not just rap music. Hip-hop has transformed theater, dance, performance, poetry, literature, fashion, design, photography, painting, and film, to become one of the most far-reaching and transformative arts movements of the past two decades. American Book Award-winning journalist Jeff Chang, author of the acclaimed Can't Stop Won't Stop: A History of the Hip-Hop Generation, assembles some of the most innovative and provocative voices in hip-hop to assess the most important cultural movement of our time. It's an incisive look at hip-hop arts in the voices of the pioneers, innovators, and mavericks. With an introductory survey essay by Chang, the anthology includes: Greg Tate, Mark Anthony Neal, Brian B+ Cross, and Vijay Prashad examining hip-hop aesthetics in the wake of multiculturalism. Joan Morgan and Mark Anthony Neal discussing gender relations in hip-hop. Hip-hop novelists Danyel Smith and Adam Mansbach on street lit and lit hop. Actor, playwright, and performance artist Danny Hoch on how hip-hop defined the aesthetics of a generation. Rock Steady Crew b-boy-turned-celebrated visual artist DOZE on the uses and limits of a hip-hop identity. Award-winning writer Raquel Cepeda on West African cosmology and the flash of the spirit in hip-hop arts. Pioneer dancer POPMASTER FABEL's history of hip-hop dance, and acclaimed choreographer Rennie Harris on hip-hop's transformation of global dance theatre. Bill Adler's history of hip-hop photography, including photos by Glen E. Friedman, Janette Beckman, and Joe Conzo. Poetry and prose from Watts Prophet Father Amde Hamilton and Def Poetry Jam veterans Staceyann Chin, Suheir Hammad, Marc Bamuthi Joseph and Kevin Coval. Roundtable discussions and essays presenting hip-hop in theatre, graphic design, documentary film and video, photography, and the visual arts. Total Chaos is Jeff Chang at his best: fierce and unwavering in his commitment to document the hip-hop explosion. In beginning to define a hip-hop aesthetic, this gathering of artists, pioneers, and thinkers illuminates the special truth that hip-hop speaks to youth around the globe. (Bakari Kitwana, author of The Hip-Hop Generation) |
| epmd business as usual: All Music Guide to Rock Vladimir Bogdanov, Chris Woodstra, Stephen Thomas Erlewine, 2002 This fun-to-read, easy-to-use reference has been completely updated, expanded, and revised with reviews of over 12,000 great albums by over 2,000 artists and groups in all rock genres. 50 charts. |
| epmd business as usual: The Chronicles of DOOM S.H. Fernando Jr., 2024-10-29 The definitive biography of MF DOOM, charting the reclusive and revered hip-hop artist’s life, career, and eventual immortality. Fernando provides a comprehensive look at DOOM's life and career, meticulously researched through interviews with the rapper’s many collaborators and those closest to the man behind the mask. His track-by-track breakdowns of DOOM's albums will have sample spotters diving into their record collections. A perfect pairing with Dan Charnas's Dilla Time (2022), this is an essential exploration into the world of 'your favorite rapper’s favorite rapper.' —Carlos Orellana, Booklist (starred review) On December 31, 2020, the world was shocked to learn about the death of hip-hop legend MF DOOM. Born in London and raised in the suburban enclave of Long Beach, New York, Daniel Dumile Jr.'s love of cartoons and comic books would soon turn him into one of hip-hop's most enigmatic, prolific, and influential figures. Sweeping and definitive, The Chronicles of DOOM: Unraveling Rap’s Masked Iconoclast recounts the rise, fall, redemption, and untimely demise of MF DOOM. Broken down into five sections: The Man, The Myth, The Mask, The Music, and The Legend, journalist S. H. Fernando, or SKIZ, chronicles the life of Daniel Dumile Jr., beginning in the house he grew up in in Long Beach, NY, into the hip-hop group KMD, onto the stage of his first masked show, through the countless collabs, and across the many different cities Daniel called home. Centering the music, SKIZ deftly lays out the history of east-coast rap against DOOM's life story and dissects the personas, projects, tracks, and lyrics that led to his immortality. Including exclusive interviews with those who worked closely with DOOM and providing an unknown, intimate, behind the scenes look into DOOM’s life, The Chronicles of DOOM is the definitive biography of MF DOOM, a supervillain on stage and hero to those who paid attention. |
| epmd business as usual: CMJ New Music Report , 1999-07-26 CMJ New Music Report is the primary source for exclusive charts of non-commercial and college radio airplay and independent and trend-forward retail sales. CMJ's trade publication, compiles playlists for college and non-commercial stations; often a prelude to larger success. |
| epmd business as usual: SPIN , 1993-04 From the concert stage to the dressing room, from the recording studio to the digital realm, SPIN surveys the modern musical landscape and the culture around it with authoritative reporting, provocative interviews, and a discerning critical ear. With dynamic photography, bold graphic design, and informed irreverence, the pages of SPIN pulsate with the energy of today's most innovative sounds. Whether covering what's new or what's next, SPIN is your monthly VIP pass to all that rocks. |
| epmd business as usual: Classic Material Oliver Wang, 2003 With over forty unique reviews covering sixty landmark hip-hop albums spanning twenty years, Classic Material proves that there is no lack of intelligent commentary and criticism on rap music. |
| epmd business as usual: The Story of Def Jam Brian Baughan, 2014-09-29 When it was founded in 1984, Def Jam was a tiny operation nestled in the college dorm room of Rick Rubin. He and promoter Russell Simmons quickly built a music empire around a talented crew of groundbreaking artists and an allegiance to the real street music that was about to bust out of New York City's hip-hop circles. Over the course of several decades, Def Jam has helped launched many of the best acts in rap and pop music, including LL Cool J, the Beastie Boys, Public Enemy, Method Man, DMX, Ja Rule, Jay-Z, and Rihanna. Over 200 gold and over 70 platinum records bear the Def Jam label. Def Jam's 25th anniversary in 2009 was just another milestone in the story of a label that helped define the sound as well as the wider culture of hip-hop. |
| epmd business as usual: The New Rolling Stone Encyclopedia of Rock & Roll Patricia Romanowski Bashe, Patricia Romanowski, Holly George-Warren, Jon Pareles, 1995 Selected by the Rock and Roll Hall of Fame as its official source of information, this authoritative volume, first published in 1983, once again tops the charts with its full coverage of every aspect of the rock scene. Accompanying the more than 2,200 performer profiles are essays that reveal the artists' musical influences, first breaks, hits and misses, and more. |
| epmd business as usual: The Hip-Hop Underground and African American Culture J. Peterson, 2014-09-11 The underground is a multi-faceted concept in African American culture. Peterson uses Richard Wright, KRS-One, Thelonius Monk, and the tradition of the Underground Railroad to explore the manifestations and the attributes of the underground within the context of a more panoramic picture of African American expressivity within hip-hop. |
| epmd business as usual: Jet , 1991-06-10 The weekly source of African American political and entertainment news. |
| epmd business as usual: The BreakBeat Poets Kevin Coval, Quraysh Lansana, Nate Marshall, 2015-04-07 A first-of-its-kind anthology of hip-hop poetica written for and by the people. |
| epmd business as usual: Jet , 1991-05-06 The weekly source of African American political and entertainment news. |
| epmd business as usual: Jet , 1991-05-27 The weekly source of African American political and entertainment news. |
| epmd business as usual: Hip Hop’s Hostile Gospel Daniel White Hodge, 2016-09-27 In this book, Hodge takes into account the Christological, theological, and ecclesiological ruminations of a selected group of Hip Hop and rap song lyrics, interviews, and interviews from those defined as Hip Hoppers. The aim of this examination is to ascertain what a Hip Hop theology of community might entail, how it may look, and what it could feel like. The central premise are questions: does a Hip Hop ‘theology’ even fit? Is there an actual motif which Hip Hoppers are espousing within the supernatural realm? This study concerns itself with just over 8,500 songs. Its timespan is between 1987-2011, and it contains interviews from those in the Hip Hop community. |
| epmd business as usual: Bling Reggie Osse, Gabriel Tolliver, 2006-10-31 An illustrated collection of the wild and outlandish jewels associated with hip-hop music showcases the cultural phenomenon of bling with an assortment of gold-and-diamond-studded pistols, platinum teeth, jewel-encrusted goblets, and more, accompanied by entertaining sidebars and facts. |
| epmd business as usual: Rap-Up Devin Lazerine, Cameron Lazerine, 2008-02-29 In this fun, edgy, and essential guide, the editors of today's hottest music magazine give you the ultimate, all-access pass to the exciting world of hip-hop and contemporary R&B. From the megaselling songs to the biggest stars to the most outrageous scandals, Rap-Up gives you a comprehensive behind-the-scenes look at the revolutionary music that's transforming pop culture. Discover: HISTORY LESSON How it all started, from rappers armed with toy keyboards and ambition...to breakout groups like Run-D.M.C. and Public Enemy who brought the 'hood to the suburbs and changed music forever. THE NEW NEW SCHOOL One-of-a-kind profiles of Jay-Z, Beyoncé, 50 Cent, Usher, Ciara, and all the hottest artists. And a look at the moguls and producers who shape the hits, including urban-flow stylist Jermaine Dupri, off-center innovators The Neptunes, and techno-beat genius Timbaland. WHERE'S THE BEEF? The inside story on rap's most notorious battles, from the legendary Juice Crew vs. Boogie Down Productions duel over hip-hop bragging rights, to the Jay-Z vs. Nas battle-of-the-giants, to the 50 Cent vs. The Game take-no-prisoners faceoff. FROM HOLLIS TO HOLLYWOOD A comprehensive list of hip-hop on the silver screen-the good, the bad, and the performers (Will Smith, Jamie Foxx, Queen Latifah) who achieved box office gold and Oscar fame. Complete with takes on must-own CDs and tracks, pop quizzes, career highlights, and artist road maps, this unique, definitive book is all you need to get down with everything hip-hop and R&B. |
| epmd business as usual: The White Book Mackaveli, Makavelli, 2007-10 Most of us believe in information. Some believe in truths, while others believe in magic. Information is what we can see, truth is what we feel, and magic is what we instinctively know is true. On December 4th 1981 the president of the United States issued Executive Order 12333 concerning the activities of the intelligence community. Paragraph 2.11 of that order states; No employee of the United States Government shall engage in, or conspire to engage in assassination. But upon learning of the political ties and aspirations of one charismatic young entertainer and philanthropist, certain agencies broke that order in the fall of 1996 when the star was killed in a barrage of bullets fired by a confidential informant commissioned for just such an act. After a decade of silence the files have been unsealed and the shooter will now be revealed. Some call him a hero, others say he's a villain, and some even call him a god. The White Book provides a glimpse at man's perspectives of the cultural history of the United States: assassination, government cover-ups, and his perpetual pursuit of what sets us all free: the truth. |
| epmd business as usual: 1,000 Recordings to Hear Before You Die Tom Moon, 2008-08-28 The musical adventure of a lifetime. The most exciting book on music in years. A book of treasure, a book of discovery, a book to open your ears to new worlds of pleasure. Doing for music what Patricia Schultz—author of the phenomenal 1,000 Places to See Before You Die—does for travel, Tom Moon recommends 1,000 recordings guaranteed to give listeners the joy, the mystery, the revelation, the sheer fun of great music. This is a book both broad and deep, drawing from the diverse worlds of classical, jazz, rock, pop, blues, country, folk, musicals, hip-hop, world, opera, soundtracks, and more. It's arranged alphabetically by artist to create the kind of unexpected juxtapositions that break down genre bias and broaden listeners’ horizons— it makes every listener a seeker, actively pursuing new artists and new sounds, and reconfirming the greatness of the classics. Flanking J. S. Bach and his six entries, for example, are the little-known R&B singer Baby Huey and the '80s Rastafarian hard-core punk band Bad Brains. Farther down the list: The Band, Samuel Barber, Cecelia Bartoli, Count Basie, and Afropop star Waldemer Bastos. Each entry is passionately written, with expert listening notes, fascinating anecdotes, and the occasional perfect quote—Your collection could be filled with nothing but music from Ray Charles, said Tom Waits, and you'd have a completely balanced diet. Every entry identifies key tracks, additional works by the artist, and where to go next. And in the back, indexes and playlists for different moods and occasions. |
| epmd business as usual: Encyclopedia of Rap and Hip Hop Culture Yvonne Bynoe, 2006 A complete guide to the history, development, people, events, and ideas of Hip Hop music and culture. |
| epmd business as usual: The End of Love Sabrina Strings, 2024-01-30 From Playboy to Jay-Z, the racial origins of toxic masculinity and its impact on women, especially Black and “insufficiently white” women More men than ever are refusing loving partnerships and commitment, and instead seeking out “situationships.” When these men deign to articulate what they are looking for in a steady partner, they’ll often rely on superficial norms of attractiveness rooted in whiteness and anti-Blackness. Connecting the past to the present, sociologist Sabrina Strings argues that following the Civil Rights movement and the integration of women during the Second Wave Feminist movement, men aimed to hold on to their power by withholding love and commitment, a basic tenet of white supremacy and male domination, that served to manipulate all women. From pornography to hip hop, women—especially Black and “insufficiently white” women—were presented as gold diggers, props for masturbation, and side-pieces. Using historical research, personal stories, and critical analysis, Strings argues that the result is fuccboism, the latest incarnation of toxic masculinity. This work shows that men are not innately “toxic.” Nor do they hate love, commitment, or sex. Instead, men across race have been working a new code to effectively deny loving partnerships to women who are not pliant, slim, and white as a new mode of male domination. |
| epmd business as usual: Ego Trip's Book of Rap Lists Sacha Jenkins, Elliott Wilson, Jeff Mao, Gabe Alvarez, Brent Rollins, 2014-03-25 Ego Trip's Book of Rap Lists is more popular than racism! Hip hop is huge, and it's time someone wrote it all down. And got it all right. With over 25 aggregate years of interviews, and virtually every hip hop single, remix and album ever recorded at their disposal, the highly respected Ego Trip staff are the ones to do it. The Book of Rap Lists runs the gamut of hip hop information. This is an exhaustive, indispensable and completely irreverent bible of true hip hip knowledge. |
| epmd business as usual: Chuck D Presents This Day in Rap and Hip-Hop History Chuck D, 2017-10-10 A one-of-a kind survey of rap and hip hop history from 1973 to today by Chuck D, arguably the most influential rapper in the world. In the more than 40 years since the days of DJ Kool Herc and Rapper's Delight, hip hop and rap have become a billion-dollar worldwide phenomenon. Yet there is no definitive history of the genre-until now. Based on Chuck's long-running show on Rapstation.com, this massive compendium details the most iconic moments and influential songs in the genre's recorded history, from Kurtis Blow's Christmas Rappin' to The Miseducation of Lauryn Hill to Kendrick Lamar's ground-breaking verse on Control. Also included are key events in hip hop history, from Grandmaster Flash's first scratch through Tupac's holographic appearance at Coachella. Throughout, Chuck offers his insider's perspective on the chart toppers and show stoppers as he lived it. Illustrating the pages are more than 100 portraits from the talented artists specializing in hip hop. |
| epmd business as usual: In the Arms of Baby Hop Kenneth Attaway, 2006-10 Many times in my adult life, I have had what I would call an awake out-of-body experience. During these times, I was peeking in at my life in a dream state; thinking this cannot be my life. I found myself asking the questions of what happened to the child who outsmarted the world and what happened to the teen who had all the answers and confidence to boot, and the young adult who never settled for can't. Well, somewhere along the way, the only thing left of who I was once was, were just shreds of an almost non-existent life. Now, don't get me wrong, there were some good times along the way, but it certainly was not always smooth sailing. But what came later in life was no comparison to the early years. Not that long ago, my life was filled with disappointment, brokenness, worry, anxiety, and fear. I survived breakups and breakdowns, sadness and pain, grief and loss beyond description, all of which led to a one-way ticket to Depression Central. Getting off the road to depression was very difficult for me, but there is no job too hard for God. If you can relate to the paralyzing despair that I went through, then please know that I fellowship with you and understand the grip depression and anxiety can have on your life. However, I want you to know that your destination does not have to be a one-way ticket to the land of despair, instead, your journey can bring you to a place of joy and peace if you simply trust and believe in God. |
| epmd business as usual: Groove Music Mark Katz, 2012-04-01 It's all about the scratch in Groove Music, award-winning music historian Mark Katz's groundbreaking book about the figure that defined hip-hop: the DJ. Today hip-hop is a global phenomenon, and the sight and sound of DJs mixing and scratching is familiar in every corner of the world. But hip-hop was born in the streets of New York in the 1970s when a handful of teenagers started experimenting with spinning vinyl records on turntables in new ways. Although rapping has become the face of hip-hop, for nearly 40 years the DJ has proven the backbone of the culture. In Groove Music, Katz (an amateur DJ himself) delves into the fascinating world of the DJ, tracing the art of the turntable from its humble beginnings in the Bronx in the 1970s to its meteoric rise to global phenomenon today. Based on extensive interviews with practicing DJs, historical research, and his own personal experience, Katz presents a history of hip-hop from the point of view of the people who invented the genre. Here, DJs step up to discuss a wide range of topics, including the transformation of the turntable from a playback device to an instrument in its own right, the highly charged competitive DJ battles, the game-changing introduction of digital technology, and the complex politics of race and gender in the DJ scene. Exhaustively researched and written with all the verve and energy of hip-hop itself, Groove Music will delight experienced and aspiring DJs, hip-hop fans, and all students or scholars of popular music and culture. |
| epmd business as usual: Blues & Soul , 1991-06 |
| epmd business as usual: Hip Hop Headphones James Braxton Peterson, 2016-08-25 Hip Hop Headphones is a crash course in Hip Hop culture. Featuring definitions, lectures, academic essays, and other scholarly discussions and resources, Hip Hop Headphones documents the scholarship of Dr. James B. Peterson, founder of Hip Hop Scholars-an organization devoted to developing the educational potential of Hip Hop. Defining Hip Hop from multi-disciplinary perspectives that embrace the elemental forms of Hip Hop Culture (b-boying, dj-ing, rapping, and graffiti art), Hip Hop Headphones is the definitive guide to how Hip Hop culture can be used in the classroom to engage and inspire students. |
| epmd business as usual: SPIN , 1992-08 From the concert stage to the dressing room, from the recording studio to the digital realm, SPIN surveys the modern musical landscape and the culture around it with authoritative reporting, provocative interviews, and a discerning critical ear. With dynamic photography, bold graphic design, and informed irreverence, the pages of SPIN pulsate with the energy of today's most innovative sounds. Whether covering what's new or what's next, SPIN is your monthly VIP pass to all that rocks. |
| epmd business as usual: The Protest Psychosis Jonathan M. Metzl, 2010-01-01 A powerful account of how cultural anxieties about race shaped American notions of mental illness The civil rights era is largely remembered as a time of sit-ins, boycotts, and riots. But a very different civil rights history evolved at the Ionia State Hospital for the Criminally Insane in Ionia, Michigan. In The Protest Psychosis, psychiatrist and cultural critic Jonathan Metzl tells the shocking story of how schizophrenia became the diagnostic term overwhelmingly applied to African American protesters at Ionia—for political reasons as well as clinical ones. Expertly sifting through a vast array of cultural documents, Metzl shows how associations between schizophrenia and blackness emerged during the tumultuous decades of the 1960s and 1970s—and he provides a cautionary tale of how anxieties about race continue to impact doctor-patient interactions in our seemingly postracial America. This book was published with two different covers. Customers will be shipped the book with one of the two covers. |
| epmd business as usual: Rolling Stone Encyclopedia of Rock & Roll Editors Rolling Stone, 2001-11-08 Completely updated with new entries and extensive revisions of the previous 1,800, The Rolling Stone Encyclopedia Of Rock & Roll is the authoritative volume on the world's music makers—from the one-hit wonders to the megastars. In 1983, Rolling Stone Press introduced its first Rock & Roll Encyclopedia. Almost two decades later, it has become the premier guide to the history of rock & roll, and has been selected by the Rock and Roll Hall of Fame & Museum as its official source of information. Giving full coverage to all aspects of the rock scene, it tells the story of rock & roll in a clear and easy reference format, including complete discographies, personnel changes for every band, and backstage information like date and place of birth, from Elvis Presley to Eminem. Since the last edition, the music scene has exploded in every area, from boy-bands to hip-hop, electronica to indie rock. Here, the Encyclopedia explores them all—'NSync, Notorious B.I.G., Ricky Martin, Radiohead, Britney Spears, Blink-182, Sean “Puffy” Combs, Portishead, Fatboy Slim, Fiona Apple, Lil' Kim, Limp Bizkit, Oasis, Outkast, Yo La Tengo, TLC, and many, many more. The Rolling Stone Encyclopedia of Rock & Roll, Third Edition includes all the facts, phenomena, and flukes that make up the history of rock. Accompanying the biographical and discographical information on the nearly 2,000 artists included in this edition are incisive essays that reveal the performers' musical influences, first breaks, and critical and commercial hits and misses, as well as evaluations of their place in rock history. Filled with hundreds of historical photos, The Rolling Stone Encyclopedia is more than just a reference book, it is the bible of rock & roll. |
| epmd business as usual: The Periodic Table of HIP HOP Neil Kulkarni, 2015-10-01 Welcome to The Periodic Table of Hip Hop. Instead of hydrogen to helium, here you'll find James Brown to Kendrick Lamar - 94 artists that have defined Hip Hop arranged following the logic of The Periodic Table of Elements. MCs, DJs, rappers and producers are the elements here, and this expert guide orders them to reveal their contrasts and connections, along with key movements and moments in the history of this music genre. Includes: James Brown, P-Funk, Kool Herc, Melle Mel, Sugarhill Records, Fab Five Freddy, Whodini, Run DMC, Rick Rubin, LL Cool J, Kendrick Lamar and Jay Z and many, many more... |
| epmd business as usual: Unshaken D.A. Bourne, 2012-11-12 The year is 1989. Lamar L.A. Davis the 3rd has a vision that can impact a generation. His religious father Bishop L.A. Davis, Jr., considers the vision a threat to his church so he does whatever it takes to destroy it. And Eugene, a young millionaire and proud supporter of Bishop, is on a mission to damage L.As image. Despite the plans of Bishop and Eugene, L.A. goes forth with the vision, assisted by his best friends V and Chazz, and supported by his love interest Deanna and his aunt Lucy. Success and favor come quickly, but then hell breaks loose. L.As past comes back to haunt him, family secrets are revealed, and the integrity of L.A.s crew is questioned. Will he allow his goals to abort, or will his faith remain unshaken? |
| epmd business as usual: Vibe , 2004-07 |
| epmd business as usual: The Encyclopedia of Popular Music Colin Larkin, 2011-05-27 This text presents a comprehensive and up-to-date reference work on popular music, from the early 20th century to the present day. |
EPMD - Wikipedia
EPMD is an American hip hop duo from Brentwood, New York. The duo's name is an initialism for " Erick and Parrish Making Dollars ", referring to its members: emcees Erick Sermon ("E" a.k.a. E …
EPMD Lyrics, Songs, and Albums - Genius
EPMD is an American hip hop group from Brentwood, New York. The group’s name is a concatenation of the members' names “E” and “PMD” or an acronym for “Erick and Parrish Making.
Top 15 EPMD Songs - Hip Hop Golden Age
Feb 16, 2025 · EPMD, the iconic duo of Erick Sermon and Parrish Smith, is one of Hip Hop’s most enduring and influential acts.
EPMD Biography - Hip Hop Scriptures
Before their breakup in 1993, the rap duo of Erick Sermon and Parrish Smith--known together as Erick and Parrish Making Dollars, or EPMD--exercised a huge influence on the "hardcore" hip …
EPMD Discography: Vinyl, CDs, & More | Discogs
EPMD, short for Erick and Parrish Making Dollars, is a Hip Hop duo formed by Brentwood, Long Island-raised Erick Sermon and Parrish Smith in 1987. Their monotone delivery and heavy use of …
EPMD - Rampage (Official Music Video) ft. LL COOL J
REMASTERED IN HD! Official Music Video for Rampage performed by EPMD ft. LL COOL J...more. Concert events listed are based on the artist featured in the video you are watching, channels …
EPMD hometown, lineup, biography | Last.fm
EPMD is an American hip-hop music group from Brentwood, New York, active from 1987 to 1999, reuniting in 2006; one of the prominent acts in East coast hip hop. The group's name is an …
EPMD Albums: songs, discography, biography, and listening ...
Aug 12, 2024 · EPMD discography and songs: Music profile for EPMD, formed 1987. Genres: Boom Bap, Hardcore Hip Hop, Hip Hop. Albums include King's Disease II, Strictly Business, and Whut? …
EPMD - Long Island Music and Entertainment Hall of Fame
Inspired by funky hardcore acts such as Eric B. & Rakim and Public Enemy, the duo formed EPMD, the group name a fusion of their own names—“E” and “PMD”—creating the acronym for “Erick …
EPMD discography - Wikipedia
This is the discography of American rap duo EPMD. U.K. version of the "Strictly Business" single, released on Cooltempo Records
EPMD - Wikipedia
EPMD is an American hip hop duo from Brentwood, New York. The duo's name is an initialism for " Erick and Parrish Making Dollars ", referring to its members: emcees Erick Sermon ("E" …
EPMD Lyrics, Songs, and Albums - Genius
EPMD is an American hip hop group from Brentwood, New York. The group’s name is a concatenation of the members' names “E” and “PMD” or an acronym for “Erick and Parrish …
Top 15 EPMD Songs - Hip Hop Golden Age
Feb 16, 2025 · EPMD, the iconic duo of Erick Sermon and Parrish Smith, is one of Hip Hop’s most enduring and influential acts.
EPMD Biography - Hip Hop Scriptures
Before their breakup in 1993, the rap duo of Erick Sermon and Parrish Smith--known together as Erick and Parrish Making Dollars, or EPMD--exercised a huge influence on the "hardcore" hip …
EPMD Discography: Vinyl, CDs, & More | Discogs
EPMD, short for Erick and Parrish Making Dollars, is a Hip Hop duo formed by Brentwood, Long Island-raised Erick Sermon and Parrish Smith in 1987. Their monotone delivery and heavy use …
EPMD - Rampage (Official Music Video) ft. LL COOL J
REMASTERED IN HD! Official Music Video for Rampage performed by EPMD ft. LL COOL J...more. Concert events listed are based on the artist featured in the video you are watching, …
EPMD hometown, lineup, biography | Last.fm
EPMD is an American hip-hop music group from Brentwood, New York, active from 1987 to 1999, reuniting in 2006; one of the prominent acts in East coast hip hop. The group's name is an …
EPMD Albums: songs, discography, biography, and listening ...
Aug 12, 2024 · EPMD discography and songs: Music profile for EPMD, formed 1987. Genres: Boom Bap, Hardcore Hip Hop, Hip Hop. Albums include King's Disease II, Strictly Business, …
EPMD - Long Island Music and Entertainment Hall of Fame
Inspired by funky hardcore acts such as Eric B. & Rakim and Public Enemy, the duo formed EPMD, the group name a fusion of their own names—“E” and “PMD”—creating the acronym …
EPMD discography - Wikipedia
This is the discography of American rap duo EPMD. U.K. version of the "Strictly Business" single, released on Cooltempo Records
