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| esta historia me suena episodes: Nicholas and Alexandra Robert K. Massie, 2011-11-08 A “magnificent and intimate” (Harper’s) modern classic of Russian history, the spellbinding story of the love that ended an empire—from the Pulitzer Prize–winning author of Peter the Great, The Romanovs, and Catherine the Great “A moving, rich book . . . [This] revealing, densely documented account of the last Romanovs focuses not on the great events . . . but on the royal family and their evil nemesis. . . . The tale is so bizarre, no melodrama is equal to it.”—Newsweek In this commanding book, New York Times bestselling author Robert K. Massie sweeps readers back to the extraordinary world of the Russian empire to tell the story of the Romanovs’ lives: Nicholas’s political naïveté, Alexandra’s obsession with the corrupt mystic Rasputin, and little Alexis’s brave struggle with hemophilia. Against a lavish backdrop of luxury and intrigue, Massie unfolds a powerful drama of passion and history—the story of a doomed empire and the death-marked royals who watched it crumble. |
| esta historia me suena episodes: Spain, a Global History Luis Francisco Martinez Montes, 2018-11-12 From the late fifteenth to the nineteenth centuries, the Hispanic Monarchy was one of the largest and most diverse political communities known in history. At its apogee, it stretched from the Castilian plateau to the high peaks of the Andes; from the cosmopolitan cities of Seville, Naples, or Mexico City to Santa Fe and San Francisco; from Brussels to Buenos Aires and from Milan to Manila. During those centuries, Spain left its imprint across vast continents and distant oceans contributing in no minor way to the emergence of our globalised era. This was true not only in an economic sense-the Hispano-American silver peso transported across the Atlantic and the Pacific by the Spanish fleets was arguably the first global currency, thus facilitating the creation of a world economic system-but intellectually and artistically as well. The most extraordinary cultural exchanges took place in practically every corner of the Hispanic world, no matter how distant from the metropolis. At various times a descendant of the Aztec nobility was translating a Baroque play into Nahuatl to the delight of an Amerindian and mixed audience in the market of Tlatelolco; an Andalusian Dominican priest was writing the first Western grammar of the Chinese language in Fuzhou, a Chinese city that enjoyed a trade monopoly with the Spanish Philippines; a Franciscan friar was composing a piece of polyphonic music with lyrics in Quechua to be played in a church decorated with Moorish-style ceilings in a Peruvian valley; or a multi-ethnic team of Amerindian and Spanish naturalists was describing in Latin, Spanish and local vernacular languages thousands of medicinal plants, animals and minerals previously unknown to the West. And, most probably, at the same time that one of those exchanges were happening, the members of the School of Salamanca were laying the foundations of modern international law or formulating some of the first modern theories of price, value and money, Cervantes was writing Don Quixote, Velázquez was painting Las Meninas, or Goya was exposing both the dark and bright sides of the European Enlightenment. Actually, whenever we contemplate the galleries devoted to Velázquez, El Greco, Zurbarán, Murillo or Goya in the Prado Museum in Madrid; when we visit the National Palace in Mexico City, a mission in California, a Jesuit church in Rome or the Intramuros quarter in Manila; or when we hear Spanish being spoken in a myriad of accents in the streets of San Francisco, New Orleans or Manhattan we are experiencing some of the past and present fruits of an always vibrant and still expanding cultural community. As the reader can infer by now, this book is about how Spain and the larger Hispanic world have contributed to world history and in particular to the history of civilisation, not only at the zenith of the Hispanic Monarchy but throughout a much longer span of time. |
| esta historia me suena episodes: Teaching Translation from Spanish to English Allison Beeby Lonsdale, Allison Beeby, 1996 While many professional translators believe the ability to translate is a gift that one either has or does not have, Allison Beeby Lonsdale questions this view. In her innovative book, Beeby Lonsdale demonstrates how teachers can guide their students by showing them how insights from communication theory, discourse analysis, pragmatics, and semiotics can illuminate the translation process. Using Spanish to English translation as her example, she presents the basic principles of translation through 29 teaching units, which are prefaced by objectives, tasks, and commentaries for the teacher, and through 48 task sheets, which show how to present the material to students. Published in English. |
| esta historia me suena episodes: The Risen Empire Scott Westerfeld, 2008-07-22 “Westerfeld’s blend of traditional space opera and cutting-edge speculation makes this a truly twenty-first-century SF novel.” —Karl Schroeder, author of Pirate Sun The undead Emperor has ruled his mighty interstellar empire of eighty human worlds for sixteen hundred years. Because he can grant a form of eternal life, creating an elite known as the Risen, his power has been absolute. He and his sister, the Child Empress, who is eternally a little girl, are worshiped as living gods. No one can touch them. Not until the Rix, machine-augmented humans who worship very different gods: AI compound minds of planetary extent. The Rix are cool, relentless fanatics, and their only goal is to propagate such AIs throughout the galaxy. They seek to end, by any means necessary, the Emperor’s prolonged tyranny of one and supplant it with an eternal cybernetic dynasty of their own. They begin by taking the Child Empress hostage. Captain Laurent Zai of the Imperial Frigate Lynx is tasked with her rescue. Separated by light-years, bound by an unlikely love, Zai and pacifist senator Nara Oxham must each in their own way, face the challenge of the Rix, and they each will hold the fate of the empire in their hands. The Risen Empire is the first great space opera of the twenty-first century. “In the tradition of Isaac Asimov’s Foundation series and Frank Herbert’s Dune books.” —The New York Times “Confirms the buzz that space opera is one of the most exciting branches of current SF.” —Publishers Weekly (starred review) |
| esta historia me suena episodes: The Obscene Bird of Night José Donoso, 2003 This haunting jungle of a novel has been hailed as a masterpiece by Luis Bunuel and one of the great novels not only of Spanish America, but of our time by Carlos Fuentes. The story of the last member of the aristocratic Azcoitia family, a monstrous mutation protected from the knowledge of his deformity by being surrounded with other freaks as companions, The Obscene Bird of Night is a triumph of imaginative, visionary writing. Its luxuriance, fecundity, horror, and energy will not soon fade from the reader's mind -- Back cover |
| esta historia me suena episodes: SILVER SURFER by SLOTT and ALLRED OMNIBUS [NEW PRINTING] Dan Slott, 2023-03-07 Anywhere and everywhere -- hang on! Dan Slott and Michael Allred take the Sentinel of the Spaceways on his wildest ride yet -- with a very special companion! Meet Dawn Greenwood, the Earth girl who's enabled the Silver Surfer to see the universe with all-new eyes -- and push its boundaries like never before! But that way leads to incredible dangers -- like the Never Queen, Warrior One and Jumbonox the Giganormous! From perfect planets to wrathful warriors, from the end of reality to an all-new beginning, they'll travel the length and breadth of space and time...and beyond! But what could ever make Norrin Radd willing to once again serve Galactus? Slott and Allred weave a cosmic-powered story of triumph, tragedy and boundless imagination -- including the 2016 Eisner Award-winning story Never After! COLLECTING: Silver Surfer (2014) 1-15, All-New Marvel Now! Point One (2014) 1 (Silver Surfer Story), Silver Surfer (2016) 1-14 |
| esta historia me suena episodes: Doctor Rat William Kotzwinkle, 2014-04-01 This World Fantasy Award winner in the vein of Animal Farm delves into a lab worthy of a mad Nazi scientist—but run by a brilliantly sadistic rodent. In the annals of American literature, there has never been a character quite like Doctor Rat, PhD. From one of the most indispensable storytellers in speculative fiction, this biting satire introduces a narrator of learned charm and humor, and a twisted logic that is absolutely chilling. Doctor Rat is a credit to his species. A survivor of the most refined scientific experiments, now removed from the maze, he has become a valued and productive member of the academic community. When he must administer a lethal dose, he comforts his fellow rats with his compassionate slogan: “Death is freedom.” But everything changes when animals worldwide begin to rebel, refusing to accept their proper places in the natural order of things: as test subjects, pets, or food. And only Doctor Rat has the courage to defend mankind from the ungrateful animal kingdom. Hailed by the Los Angeles Times as “dazzlingly original” and “occasionally quite beautiful,” Doctor Rat is a sly and stylish indictment of fanaticism in mice and men. “A truly imaginative impresario . . . [Doctor Rat] teases your conscience with educated wit and versatile improvisation, not to mention the casual flick of the tail about to be cut off.” —Kirkus Reviews |
| esta historia me suena episodes: Havana Black Leonardo Padura, 2006-06-01 Scorching novel from a star of Cuban fiction. Second Conde mystery set in languid Havana. |
| esta historia me suena episodes: Titus Groan Mervyn Peake, 2011-08-12 'Gormenghast is, to my mind and to my taste, a perfect creation' Neil Gaiman Welcome to the world of Gormenghast, the classic fantasy series from the imagination of Mervyn Peake As the first novel opens, Titus, heir to Lord Sepulchrave, has just been born: he stands to inherit the miles of rambling stone and mortar that stand for Gormenghast Castle. Inside, all events are predetermined by a complex ritual, lost in history, understood only by Sourdust, Lord of the Library. There are tears and strange laughter; fierce births and deaths beneath umbrageous ceilings; dreams and violence and disenchantment contained within a labyrinth of stone. 'A gorgeous volcanic eruption... A work of extraordinary imagination' New Yorker |
| esta historia me suena episodes: The End of the Fucking World Charles Forsman, 2017-08-02 Fantagraphics is proud to publish this edition of TeotFW in conjunction with the 2017 television drama on UK’s Channel 4 (with distribution via Netflix in the U.S.). Originally released to critical and public acclaim in 2013, Charles Forsman’s graphic novel debut follows James and Alyssa, two teenagers living a seemingly typical teen experience as they face the fear of coming adulthood. Forsman tells their story through each character’s perspective, jumping between points of view with each chapter. But quickly, this somewhat familiar teenage experience takes a more nihilistic turn as James’s character exhibits a rapidly forming sociopathy that threatens both of their futures. He harbors violent fantasies and begins to act on them, while Alyssa remains as willfully ignorant for as long as she can, blinded by young love. |
| esta historia me suena episodes: The Christian Atheist Craig Groeschel, 2010-04-06 Are you putting your whole faith in God but still living as if everything is up to you? You may believe in God, attend church, and generally treat people with kindness…but are you living as if God doesn't exist? Have you surrendered to God completely, living every day depending upon the Holy Spirit? Pastor and bestselling author Craig Groeschel will lead you on a personal journey toward an authentic, God-honoring life. This honest, hard-hitting, and eye-opening look into the ways people believe in God but live as if he doesn't exist is a classic of discipleship training. Groeschel's personal journey will help you break down your own barriers between simple belief and a more intentional faith. This book will help you: Let go of the shame of your past and know that you’re forgiven. Embrace Christ’s profound love for you. Believe in the power of prayer. Give up control when life doesn't seem fair. Trust God with all your anxious thoughts, heartache, struggles, and pain. From the author of Winning the War in Your Mind, The Christian Atheist is a rallying cry to get honest with God, shed the self-sufficiency and the hypocrisy, and live a life that truly brings glory to Christ. |
| esta historia me suena episodes: New Perspectives on Historical Writing Peter Burke, 1992 A new edition of this best-selling collection of essays by leading experts on historical methodology. |
| esta historia me suena episodes: War Against All Puerto Ricans Nelson A Denis, 2015-04-07 The powerful, untold story of the 1950 revolution in Puerto Rico and the long history of U.S. intervention on the island, that the New York Times says could not be more timely. In 1950, after over fifty years of military occupation and colonial rule, the Nationalist Party of Puerto Rico staged an unsuccessful armed insurrection against the United States. Violence swept through the island: assassins were sent to kill President Harry Truman, gunfights roared in eight towns, police stations and post offices were burned down. In order to suppress this uprising, the US Army deployed thousands of troops and bombarded two towns, marking the first time in history that the US government bombed its own citizens. Nelson A. Denis tells this powerful story through the controversial life of Pedro Albizu Campos, who served as the president of the Nationalist Party. A lawyer, chemical engineer, and the first Puerto Rican to graduate from Harvard Law School, Albizu Campos was imprisoned for twenty-five years and died under mysterious circumstances. By tracing his life and death, Denis shows how the journey of Albizu Campos is part of a larger story of Puerto Rico and US colonialism. Through oral histories, personal interviews, eyewitness accounts, congressional testimony, and recently declassified FBI files, War Against All Puerto Ricans tells the story of a forgotten revolution and its context in Puerto Rico's history, from the US invasion in 1898 to the modern-day struggle for self-determination. Denis provides an unflinching account of the gunfights, prison riots, political intrigue, FBI and CIA covert activity, and mass hysteria that accompanied this tumultuous period in Puerto Rican history. |
| esta historia me suena episodes: Chilean Poet Alejandro Zambra, 2022-02-15 A NEW YORKER BEST BOOK OF THE YEAR A WALL STREET JOURNAL TOP 10 BOOK OF THE YEAR ONE OF NPR’S “BOOKS WE LOVE” “A tender and funny story about love, family and the peculiar position of being a stepparent…[Chilean Poet] broadens the author’s scope and quite likely his international reputation.” —Los Angeles Times “Zambra [is] one of the most brilliant Latin American writers of his generation.” —The New York Review of Books “Zambra's books have long shown him to be a writer who, at the sentence level, is in a world all his own.” —Juan Vidal, NPR.org A writer of “startling talent” (The New York Times Book Review), Alejandro Zambra returns with his most substantial work yet: a story of fathers and sons, ambition and failure, and what it means to make a family After a chance encounter at a Santiago nightclub, aspiring poet Gonzalo reunites with his first love, Carla. Though their desire for each other is still intact, much has changed: among other things, Carla now has a six-year-old son, Vicente. Soon the three form a happy sort-of family—a stepfamily, though no such word exists in their language. Eventually, their ambitions pull the lovers in different directions—in Gonzalo’s case, all the way to New York. Though Gonzalo takes his books when he goes, still, Vicente inherits his ex-stepfather’s love of poetry. When, at eighteen, Vicente meets Pru, an American journalist literally and figuratively lost in Santiago, he encourages her to write about Chilean poets—not the famous, dead kind, your Nerudas or Mistrals or Bolaños, but rather the living, striving, everyday ones. Pru’s research leads her into this eccentric community—another kind of family, dysfunctional but ultimately loving. Will it also lead Vicente and Gonzalo back to each other? In Chilean Poet, Alejandro Zambra chronicles with enormous tenderness and insight the small moments—sexy, absurd, painful, sweet, profound—that make up our personal histories. Exploring how we choose our families and how we betray them, and what it means to be a man in relationships—a partner, father, stepfather, teacher, lover, writer, and friend—it is a bold and brilliant new work by one of the most important writers of our time. |
| esta historia me suena episodes: Survivors Club the Complete Series L. Beukes, Joey Hi-Fi, 2016 'Survivors' Club' created by Lauren Beukes, Dale Halvorsen and Ryan Kelly. |
| esta historia me suena episodes: Tales of Mystery and Imagination Edgar Allan Poe, 1903 |
| esta historia me suena episodes: Anarchism in Latin America Ángel J. Cappelletti, 2018-02-13 The available material in English discussing Latin American anarchism tends to be fragmentary, country-specific, or focused on single individuals. This new translation of Ángel Cappelletti's wide-ranging, country-by-country historical overview of anarchism's social and political achievements in fourteen Latin American nations is the first book-length regional history ever published in English. With a foreword by the translator. Ángel J. Cappelletti (1927–1995) was an Argentinian philosopher who taught at Simon Bolivar University in Venezuela. He is the author of over forty works primarily investigating philosophy and anarchism. Gabriel Palmer-Fernandez is Distinguished Professor of Philosophy and Religious Studies at Youngstown State University. |
| esta historia me suena episodes: Teaching Translation LAWRENCE VENUTI, 2016-08-05 Over the past half century, translation studies has emerged decisively as an academic field around the world, and in recent years the number of academic institutions offering instruction in translation has risen along with an increased demand for translators, interpreters and translator trainers. Teaching Translation is the most comprehensive and theoretically informed overview of current translation teaching. Contributions from leading figures in translation studies are preceded by a substantial introduction by Lawrence Venuti, in which he presents a view of translation as the ultimate humanistic task – an interpretive act that varies the form, meaning, and effect of the source text. 26 incisive chapters are divided into four parts, covering: certificate and degree programs teaching translation practices studying translation theory, history, and practice surveys of translation pedagogies and key textbooks The chapters describe long-standing programs and courses in the US, Canada, the UK, and Spain, and each one presents an exemplary model for teaching that can be replicated or adapted in other institutions. Each contributor responds to fundamental questions at the core of any translation course – for example, how is translation defined? What qualifies students for admission to the course? What impact does the institutional site have upon the course or pedagogy? Teaching Translation will be relevant for all those working and teaching in the areas of translation and translation studies. Additional resources for Translation and Interpreting Studies are available on the Routledge Translation Studies Portal. |
| esta historia me suena episodes: El género gauchesco Josefina Ludmer, Prólogo de María Pía López, 2021-12-01 El género gauchesco tiene una edad de concepción –la dictadura– y una de escritura –la transición democrática–, pero también una edad de lectura. O de relectura, como la que hago ahora, en el contexto de la insurgencia feminista, de la irrupción de los feminismos populares y el buscado trastrocamiento de las prácticas sociales. En este contexto, la insistencia de Ludmer en referir al cuerpo y al género se convierte en guiño para (…) no procurar el acopio de una literatura de mujeres, sino confrontar con el corazón machordo de la patria, el gaucho mismo, y ahí guerrear por la interpretación. MARÍA PÍA LÓPEZ, del prólogo del libro. Este libro, publicado originalmente en 1988, analiza el uso literario de la voz y el uso económico o militar de los cuerpos; y las dos caras del don: la cara del escritor que da la voz y la cara del patrón. La lógica dual del género gauchesco es examinada aquí como lógica de la alianza entre oralidad y escritura, y entre dos culturas latinoamericanas, la cultura popular y la cultura letrada. Esa alianza no solo es literaria, es también política, social, racial y sexual. El resultado es un libro de crítica pero también algo más: un ensayo, un tratado, un libro autobiográfico y un libro político. El género gauchesco. Un tratado sobre la patria marcó un nuevo modo de leer la relación entre literatura, cuerpos y política y es, sin dudas, una obra ya clásica en la crítica latinoamericana. |
| esta historia me suena episodes: Masquerade and Social Justice in Contemporary Latin American Fiction Helene Carol Weldt-Basson, 2017-05-01 Contemporary Latin American fiction establishes a unique connection between masquerade, frequently motivated by stigma or trauma, and social justice. Using an interdisciplinary approach that combines philosophy, history, psychology, literature, and social justice theory, this study delineates the synergistic connection between these two themes. Weldt-Basson examines fourteen novels by twelve different Latin American authors: Mario Vargas Llosa, Sergio Galindo, Augusto Roa Bastos, Fernando del Paso, Mayra Santos-Febres, Isabel Allende, Carmen Boullosa, Antonio Benítez-Rojo, Marcela Serrano, Sara Sefchovich, Luisa Valenzuela, and Ariel Dorfman. She elucidates the varieties of social justice operating in the plots of contemporary Latin American novels: distributive, postmodern/feminist, postcolonial, transitional, and historical justices. The author further examines how masquerade and disguise aid in articulating the theme of social justice, why this is important, and how it relates to Latin American history and the historical novel. |
| esta historia me suena episodes: Runs With Horses Brian Burks, 1995 Sixteen years old in 1886, Runs With Horses trains to become a warrior with Geronimo's band of Apaches in the American Southwest. |
| esta historia me suena episodes: Toolkit for Counseling Spanish-Speaking Clients Lorraine T. Benuto, 2017-11-14 This timely practical reference addresses the lack of Spanish-language resources for mental health professionals to use with their Latino clients. Geared toward both English- and Spanish-speaking practitioners in a variety of settings, this volume is designed to minimize misunderstandings between the clinician and client, and with that the possibility of inaccurate diagnosis and/or ineffective treatment. Coverage for each topic features a discussion of cultural considerations, guidelines for evidence-based best practices, a review of available findings, a treatment plan, plus clinical tools and client handouts, homework sheets, worksheets, and other materials. Chapters span a wide range of disorders and problems over the life-course, and include reproducible resources for: Assessing for race-based trauma. Using behavioral activation and cognitive interventions to treat depression among Latinos. Treating aggression, substance use, abuse, and dependence among Latino Adults. Treating behavioral problems among Latino adolescents. Treating anxiety among Latino children. Working with Latino couples. Restoring legal competency with Latinos. The Toolkit for Counseling Spanish-Speaking Clients fills a glaring need in behavioral service delivery, offering health psychologists, social workers, clinical psychologists, neuropsychologists, and other helping professionals culturally-relevant support for working with this under served population. The materials included here are an important step toward dismantling barriers to mental health care. |
| esta historia me suena episodes: William Shatner & Leonard Nimoy Bill Shatner, 2020-04-27 Leonard Simon Nimoy, born on March 26th, 1931, Boston, Massachusetts, U.S., was an actor, film director, photographer, author, singer, and songwriter. Leonard was best known for playing Spock in the Star Trek franchise, a character he portrayed on television then in movies, from a pilot episode during late 1964 to his final film performance in 2013. |
| esta historia me suena episodes: Vespertine Margaret Rogerson, 2021-10-05 An international bestseller! From the New York Times bestselling author of Sorcery of Thorns and An Enchantment of Ravens comes a thrilling, “dark coming-of-age adventure” (Culturess) about a teen girl with mythic abilities who must defend her world against restless spirits of the dead. The spirits of the dead do not rest. Artemisia is training to be a Gray Sister, a nun who cleanses the bodies of the deceased so that their souls can pass on; otherwise, they will rise as ravenous, hungry spirits. She would rather deal with the dead than the living, who whisper about her scarred hands and troubled past. When her convent is attacked by possessed soldiers, Artemisia defends it by awakening an ancient spirit bound to a saint’s relic. It is a revenant, a malevolent being whose extraordinary power almost consumes her—but death has come, and only a vespertine, a priestess trained to wield a high relic, has any chance of stopping it. With all knowledge of vespertines lost to time, Artemisia turns to the last remaining expert for help: the revenant itself. As she unravels a sinister mystery of saints, secrets, and dark magic, Artemisia discovers that facing this hidden evil might require her to betray everything she believes—if the revenant doesn’t betray her first. |
| esta historia me suena episodes: Spanish as a Heritage Language in the Netherlands Pablo Irizarri, Pablo Irizarri van Suchtelen, 2016 There are more than 100,000 people in the Netherlands born in a Spanish speaking country, or with at least one parent born there. A large part of them fits the definition of heritage speaker: persons exposed to a heritage language in a naturalistic setting from birth, simultaneously or subsequently exposed intensively to another language in childhood, and with varying degrees of proficiency in the heritage language. This dissertation investigates the Spanish spoken as a heritage language by members of a small but tight-knit subgroup: the first and second generation of Chileans in the Netherlands. This Dutch-Spanish bilingual community was studied from a sociolinguistic perspective, and then linguistically on the basis of 60 hours of recordings. These were gathered through visual elicitation and personal interviews with 40 participants - 24 bilinguals and a control group of 16 monolingual homeland speakers in Chile. |
| esta historia me suena episodes: Developing the Leader Within You John C. Maxwell, 1993 For Ingest Only - Data needs to be cleaned up for all products being loaded |
| esta historia me suena episodes: Without Blood Alessandro Baricco, 2008-03-11 SOON TO BE A MAJOR MOTION PICTURE • From the author of the acclaimed international bestseller Silk, an unforgettable fable about the brutality of war – and one girl's quest for revenge and healing. “Baricco continues to blend the best elements of cinema and poetry. . . . Without Blood applies the delicacy of Baricco's style to dark territory: war, human cruelty and revenge” —San Franciso Chronicle When – in an unnamed place and time – Manuel Roca's enemies hunt him down to kill him, they fail to discover Nina, his youngest child, hidden in a hole beneath his farmhouse floor. After this carnage Tito, one of the murderers, discovers Nina's trapdoor. Enthralled by the sight of Nina's perfect innocence, he keeps quiet. By the time she has grown up, Nina's innocence will have bloomed into something else altogether, and one by one the wartime hunters will become the peacetime hunted. But not until a striking old woman calls upon a familiar old man selling newspapers in town can we know what Nina will ultimately make of her brutal legacy. |
| esta historia me suena episodes: The Spanish Ballad in English Shasta M. Bryant, 2014-07-15 This study offers an introduction to an important branch of Spanish literature—the romance, or ballad. Although a great many of these poems have been translated into English by various authors, they are not generally known nor easily accessible. Collected here for the first time in a single volume is a broad and representative sampling of romances in translation that encompasses historical ballads (including those about Spain's greatest folk hero, el Cid), Moorish ballads, and ballads of chivalry, love, and adventure. For the collection, Shasta M. Bryant has written a perceptive commentary and critique in which he discusses the individual poems and compares the translation with the original; both texts are presented to facilitate comparison. For those who wish to pursue their reading further there is an index of romances that have been translated into English, along with the names of the translators. Although the text has been written with the non-specialist in mind, this book will be equally valuable for students of comparative literature and of medieval Spain. |
| esta historia me suena episodes: Pio Baroja's Memorias de Un Hombre de Acción and the Ironic Mode Marsha Suzan Collins, 1986 |
| esta historia me suena episodes: Crossfire Roberta Johnson, 2014-07-11 The marriage of philosophy and fiction in the first third of Spain's twentieth century was a fertile one. It produced some truly notable offspring—novels that cross genre boundaries to find innovative forms, and treatises that fuse literature and philosophy in new ways. In her illuminating interdisciplinary study of Spanish fiction of the Silver Age, Roberta Johnson places this important body of Spanish literature in context through a synthesis of social, literary, and philosophical history. Her examination of the work of Miguel de Unamuno, Pio Baroja, Azorin, Ramon Perez de Ayala, Juan Ramon Jimenez, Gabriel Miro, Pedro Salinas, Rosa Chacel, and Benjamin Jarnes brings to light philosophical frictions and debates and opens new interpersonal and intertextual perspectives on many of the period's most canonical novels. Johnson reformulates the traditional discussion of generations and isms by viewing the period as an intergenerational complex in which writers with similar philosophical and personal interests constituted dynamic groupings that interacted and constantly defined and redefined one another. Current narratological theories, including those of Todorov, Genette, Bakhtin, and Martinez Bonati, assist in teasing out the intertextual maneuvers and philosophical conflicts embedded in the novels of the period, while the sociological and biographical material bridges the philosophical and literary analyses. The result, solidly grounded in original archival research, is a convincingly complete picture of Spain's intellectual world in the first thirty years of this century. Crossfire should revolutionize thinking about the Generation of '98 and the Generation of '14 by identifying the heterogeneous philosophical sources of each and the writers' reactions to them in fiction. |
| esta historia me suena episodes: Spanish Poetry of the Twentieth Century Andrew Debicki, 2021-12-14 Twentieth-century Spanish poetry has received comparatively little attention from critics writing in English. Andrew Debicki now presents the first English-language history published in the United States to examine the sweep of modern Spanish verse. More important, he is the first to situate Spanish poetry in the context of European modernity, to trace its trajectory from the symbolists to the postmodernists. Avoiding the rigid generational schemes and catalogs of names found in traditional Hispanic literary histories, Debicki offers detailed discussions of salient books and texts to construct an original and compelling view of his subject. He demonstrates that contemporary Spanish verse is rooted in the modem tradition and poetics that see the text as a unique embodiment of complex experiences. He then traces the evolution of that tradition in the early decades of the century and its gradual disintegration from the 1950s to the present as Spanish poetry came to reflect features of the postmodern, especially the poetics of text as process rather than as product. By centering his study on major periods and examining within each the work of poets of different ages, Debicki develops novel perspectives. The late 1960s and early 1970s, for example, were not merely the setting for a new aestheticist generation but an era of exceptional creativity in which both established and new writers engendered a profound, intertextual, and often self-referential lyricism. This book will be essential reading for specialists in modern Spanish letters, for advanced students, and for readers inter-ested in comparative literature. |
| esta historia me suena episodes: Latin American Art and Music Judith Page Horton, 1989 This collection of essays, curriculum units, and study guides on Latin American art and musical traditions is designed to help interested teachers take a comprehensive approach to teaching these subjects. The introduction features the essay, Media Resources Available on Latin American Culture: A Survey of Art, Architecture, and Music Articles Appearing in Americas (K. Murray). Section 1, The Visual Arts of Latin America, has the following articles: The Latin American Box: Environmental Aesthetics in the Classroom (R. Robkin); Mascaras y Danzas de Mexico y Guatemala (J. Winzinger); The Five Creations and Four Destructions of the Aztec World (C. Simmons; R. Gaytan); Art Forms of Quetzalcoatl: A Teaching Guide for Spanish, History, and Art Classes (A. P. Crick); The Art and Architecture of Mesoamerica: An Overview (J. Quirarte); Interpreting the Aztec Calendar (L. Hall); Mexican Muralism: Its Social-Educative Roles in Latin America and the United States (S. Goldman); Mexico: An Artist's History (K. Jones); A Historical Survey of Chicano Murals in the Southwest (A. Rodriguez); and El Dia de los Muertos (C. Hickman). Section 2, The Musical Heritage of Latin America, has an introduction: The Study of Latin American Folk Music and the Classroom (G. Behague) and the following articles: Value Clarification of the Chicano Culture through Music and Dance (R. R. de Guerrero); 'La Bamba': Reflections of Many People (J. Taylor); The Latin American Art Music Tradition: Some Criteria for Selection of Teaching Materials (M. Kuss); Mariachi Guide (B. San Miguel); 'El Tamborito': The Panamanian Musical Heritage (N. Samuda); A Journey through the History of Music in Latin America (J. Orrego-Salas); A Multicultural Tapestry for Young People (V. Gachen); and A Survey of Mexican Popular Music (A. Krohn). A list of Education Service Centers in Texas is in the appendix. (DB) |
| esta historia me suena episodes: History of Spanish Literature George Ticknor, 1849 |
| esta historia me suena episodes: The Medieval Gospel of Nicodemus Zbigniew S Izydorczyk, 2018-10-15 This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant. |
| esta historia me suena episodes: Top 10 Alan Moore, 2015-04-21 The massive, multilayered city of Neopolis, built shortly after World War II, was designed as a home for the expanding population of science-heroes, heroines and villains that had ballooned into existence in the previous decade. In 1985 the city accepted jurisdiction by a police force covering many alternate Earths, headquartered on the world known as Grand Central. Our own outpost of this network, Precinct Ten (known affectionately as Top 10), recruits its members from Neopolis and its environs, working much like Earth’s other police precincts, with one major exception: Like the citizens of the city, the officers of Top 10 have the abilities needed to deal with Neopolis’s exotic denizens. Rookie cop Robyn Slinger, alter ego “Toybox,” hits the streets for the first time along with a colorful crew of fellow officers, each having the required training to deal with science-villains and super-crimes, as well as the common misdemeanors of city life. You’ll never look at powers, or police work, the same way again! From Alan Moore, the writer of WATCHMEN and V FOR VENDETTA, and artists Gene Ha (JUSTICE LEAGUE) and Zander Cannon (Transformers), the Eisner award-winning series TOP 10 is collected here in its entirety! |
| esta historia me suena episodes: The Private Lives of Trees Alejandro Zambra, 2010 Worried that his wife Veronica will not return home from an art class, Julian imagines his stepdaughter Daniela's future without her mother and tells her an improvisional bedtime story. |
| esta historia me suena episodes: My Documents Alejandro Zambra, 2015-01-19 Archived in a folder on award-winning author Alejandro Zambra's desktop are 11 stories of liars and ghosts, armed bandits and young lovers. Intimate, mysterious, and uncanny, these stories reveal a mind that is as undeniably singular as it is universal. Together, they constitute the debut short-story collection from Zambra, whose first novel was heralded as a “bloodletting in Chilean literature.” Whether chronicling the return of a mercurial godson or the disappearance of a trusted cousin, the worlds of these stories are so powerful and deep that the works might better be described as brief novels. My Documents is by turns hilarious and heart-stopping, tragic and tender, but most of all, it is unflinchingly human and essential evidence of a sublimely talented writer working at the height of his powers. |
| esta historia me suena episodes: Economics and Ethics of Private Property Hans-Hermann Hoppe, 2006 |
| esta historia me suena episodes: Prodigal Heart Christine D'Clario, 2017-09-05 Your life is worth saving through God’s grace. |
| esta historia me suena episodes: Thinking Translation Sandor Hervey, Ian Higgins, 2002-09-11 Thinking Translation is a comprehensive and revolutionary 20-week course in translation method. It has been fully and successfully piloted at the University of St. Andrews. The course offers a challenging and entertaining approach to the acquisition of translation skills. Translation is presented as a problem-solving discipline. Discussion, examples and a full range of exercise work allows students to acquire the skills necessary for a broad range of translation problems. Thinking Translation draws on a wide range of material from technical texts to poetry and song. |
Difference between "está" and "esta" or "esté" and "este"?
Feb 17, 2012 · Esta mesa está aquí. Es mejor que este jarrón esté aquí. Share. Improve this answer. Follow ...
What is the difference between "es" and "está"?
May 28, 2014 · There are two verbs representing English to be: ser and estar.. Es and está are conjugated forms of ser and estar, respectively.
¿Se usa "está" o "están" con "la mayoría de las personas"?
Aunque es preferida la concordancia con el verbo en plural, esta se puede establecer tanto en plural, como en singular dependiendo de qué se tome como parte central del sujeto. Si es el …
Using "están" vs "estás" when refering to "you"
Oct 31, 2016 · In Spanish, If you say “¿están listos para pedir?”, the implicit subject has to be “ellos”, “ellas” or “ustedes”.
¿Cómo se puede decir que algo está "deprecated" en castellano?
Nov 6, 2017 · En inglés mantiene esta connotación: cuando se marca algo como deprecated, se está haciendo un ruego en contra de la utilización de ese algo. En español, la connotación de …
¿Cómo se llama alguien que está estudiando un grado?
Jun 9, 2018 · Alguien que ha terminado un grado universitario puede ser graduado, licenciado, doctorado, etc. Alguien que ha terminado bachillerato se denomina Bachiller.
uso de palabras - ¿Se dice "me alegro que" o "me alegro de que ...
Apr 1, 2016 · Por esta misma razón, simplemente Alegro que no se podría usar, porque en tal caso, directamente estamos diciendo que causamos alegría en un hecho, que no tiene mucho …
¿Es correcto decir "déjeme saber"? - Spanish Language Stack …
Jun 1, 2020 · "Déjeme saber" sería válido si el interlocutor le estuviera impidiendo saber la fecha: Por ejemplo, "déjeme saber la nota de mi examen" cuando aún el profesor aún no ha …
traducción - ¿Cómo se puede decir "on fire" en español? - Spanish ...
May 2, 2017 · Me siento on fire esta noche, soy todo ocurrencias. Básicamente, se usa esta expresión para designar que alguien está en un estado pletórico, atravesando una racha …
¿Cuál es el origen de "chévere"? - Spanish Language Stack Exchange
Oct 5, 2015 · Tengo 72 años de edad y desde que tengo uso de razón digo esta palabra porque en mi país Colombia en la región caribe, principalmente en Barranquilla, es muy común y mis …
Difference between "está" and "esta" or "esté" and "este"?
Feb 17, 2012 · Esta mesa está aquí. Es mejor que este jarrón esté aquí. Share. Improve this answer. Follow ...
What is the difference between "es" and "está"?
May 28, 2014 · There are two verbs representing English to be: ser and estar.. Es and está are conjugated forms of ser and estar, respectively.
¿Se usa "está" o "están" con "la mayoría de las personas"?
Aunque es preferida la concordancia con el verbo en plural, esta se puede establecer tanto en plural, como en singular dependiendo de qué se tome como parte central del sujeto. Si es el …
Using "están" vs "estás" when refering to "you"
Oct 31, 2016 · In Spanish, If you say “¿están listos para pedir?”, the implicit subject has to be “ellos”, “ellas” or “ustedes”.
¿Cómo se puede decir que algo está "deprecated" en castellano?
Nov 6, 2017 · En inglés mantiene esta connotación: cuando se marca algo como deprecated, se está haciendo un ruego en contra de la utilización de ese algo. En español, la connotación de …
¿Cómo se llama alguien que está estudiando un grado?
Jun 9, 2018 · Alguien que ha terminado un grado universitario puede ser graduado, licenciado, doctorado, etc. Alguien que ha terminado bachillerato se denomina Bachiller.
uso de palabras - ¿Se dice "me alegro que" o "me alegro de que ...
Apr 1, 2016 · Por esta misma razón, simplemente Alegro que no se podría usar, porque en tal caso, directamente estamos diciendo que causamos alegría en un hecho, que no tiene mucho …
¿Es correcto decir "déjeme saber"? - Spanish Language Stack …
Jun 1, 2020 · "Déjeme saber" sería válido si el interlocutor le estuviera impidiendo saber la fecha: Por ejemplo, "déjeme saber la nota de mi examen" cuando aún el profesor aún no ha …
traducción - ¿Cómo se puede decir "on fire" en español? - Spanish ...
May 2, 2017 · Me siento on fire esta noche, soy todo ocurrencias. Básicamente, se usa esta expresión para designar que alguien está en un estado pletórico, atravesando una racha …
¿Cuál es el origen de "chévere"? - Spanish Language Stack Exchange
Oct 5, 2015 · Tengo 72 años de edad y desde que tengo uso de razón digo esta palabra porque en mi país Colombia en la región caribe, principalmente en Barranquilla, es muy común y mis …
