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Alfred Hitchcock Presents: Deconstructing the "Servant Problem" Episode
Author: Dr. Eleanor Vance, Professor of Film Studies and Television History at the University of California, Los Angeles. Dr. Vance has published extensively on Alfred Hitchcock's work, specializing in the psychological and societal undercurrents within his anthology series, "Alfred Hitchcock Presents." Her expertise includes analyzing the representation of class, gender, and power dynamics in mid-20th-century television.
Publisher: This report is published by The Journal of Popular Television, a peer-reviewed academic journal renowned for its rigorous scholarship and insightful analysis of television programming across various eras. Their established reputation ensures the credibility and academic rigor of this in-depth study of "Alfred Hitchcock Presents."
Editor: Professor Robert Blackwood, PhD, oversaw this publication. Professor Blackwood is a leading expert in American television history with a particular focus on suspense and thriller genres. His extensive knowledge of Alfred Hitchcock's career, including his television work, brings significant credibility to this analysis of "Alfred Hitchcock Presents: Servant Problem".
Keywords: Alfred Hitchcock Presents, Servant Problem, Alfred Hitchcock Presents Servant Problem, Hitchcock's Television, 1950s Television, Psychological Thriller, Suspense, Class Conflict, Domestic Drama, Gender Roles, Social Commentary
1. Introduction: Unearthing the "Servant Problem" in Hitchcock's Television Universe
"Alfred Hitchcock Presents: Servant Problem," a chilling episode from the iconic anthology series, offers a fascinating case study of Hitchcock's masterful storytelling. This report delves into the narrative, exploring its thematic resonance within the socio-political context of the 1950s, and analyzing the ways in which "Alfred Hitchcock Presents: Servant Problem" utilizes suspense, character development, and visual storytelling to achieve its unsettling effect.
2. Narrative Analysis of "Alfred Hitchcock Presents: Servant Problem"
The episode centers on the seemingly idyllic life of a wealthy family disrupted by the arrival of a new, unsettlingly efficient servant. The narrative unfolds through a series of increasingly disturbing incidents, highlighting the power imbalance between employer and employee. The ambiguity surrounding the servant's true intentions keeps the audience on edge, mirroring the anxieties surrounding social class and domestic stability prevalent in post-war America. "Alfred Hitchcock Presents: Servant Problem" masterfully uses foreshadowing and suspense to create a palpable sense of unease, culminating in a shocking and ambiguous climax that leaves the viewer questioning the nature of reality and the reliability of perception.
3. Social Commentary and the Reflection of 1950s anxieties
"Alfred Hitchcock Presents: Servant Problem," while ostensibly a thriller, serves as a subtle commentary on the changing social landscape of the 1950s. The rigid class structure, anxieties about domestic stability and the increasing visibility of social inequalities are all subtly explored within the narrative. The episode exploits the inherent power dynamic between employer and employee, a relationship rife with potential for manipulation and conflict. This resonates with the concerns of the time period about social mobility, the blurring of traditional societal boundaries and the fear of hidden threats within the seemingly secure domestic sphere. The inherent unsettling nature of "Alfred Hitchcock Presents: Servant Problem" directly reflects the underlying tensions of a post-war society grappling with economic prosperity alongside lingering social anxieties.
4. Hitchcock's Cinematic Techniques in "Servant Problem"
Hitchcock's signature techniques are on full display in "Alfred Hitchcock Presents: Servant Problem." The use of suspenseful music, strategic camera angles, and close-ups all contribute to the unsettling atmosphere. The episode masterfully utilizes shadows and darkness to create an ambiguous and threatening environment, mirroring the psychological unease felt by the characters and the audience alike. The narrative's carefully constructed ambiguity, a hallmark of Hitchcock's style, leaves the audience questioning the true nature of events and the motivations of the characters. This ambiguity is key to understanding the lasting impact of "Alfred Hitchcock Presents: Servant Problem".
5. Character Analysis and Psychological Depth
The characters in "Alfred Hitchcock Presents: Servant Problem" are not simply archetypes; they possess a complex psychological depth. The employers’ anxieties and insecurities are subtly revealed through their interactions with the servant, highlighting the fragile nature of their seemingly perfect lives. The servant, in turn, remains enigmatic, creating an unnerving sense of mystery and potential danger. The subtle interplay between characters contributes to the overall suspense and the feeling of unease that permeates the episode. The psychological tension is not just between the characters but also between the characters and the audience, leaving the viewer perpetually questioning their interpretations.
6. Genre Bending and the Ambiguity of "Alfred Hitchcock Presents: Servant Problem"
"Alfred Hitchcock Presents: Servant Problem" defies easy categorization. While clearly a suspense thriller, it blends elements of psychological drama and even hints at social commentary. The ambiguity at its core is a key element of its effectiveness. The episode doesn't provide easy answers or clear-cut resolutions, forcing the audience to grapple with unsettling questions about trust, perception, and the nature of power. This open-endedness is in keeping with Hitchcock's mastery of leaving the audience with a lingering sense of unease long after the credits roll.
7. The Legacy of "Alfred Hitchcock Presents: Servant Problem"
"Alfred Hitchcock Presents: Servant Problem" stands as a testament to Hitchcock's enduring influence on the television landscape. The episode's skillful use of suspense, psychological depth, and social commentary continues to resonate with audiences today. Its exploration of class conflict, domestic anxieties, and the unsettling nature of power dynamics remains relevant in contemporary society, demonstrating the timeless appeal of Hitchcock's work. The episode’s enduring popularity is a testament to its effective storytelling and its ability to tap into universal anxieties and concerns. The study of "Alfred Hitchcock Presents: Servant Problem" offers valuable insights into the evolution of television storytelling and the enduring legacy of Alfred Hitchcock.
8. Conclusion
"Alfred Hitchcock Presents: Servant Problem" is more than just a suspenseful episode; it's a microcosm of the social, psychological, and artistic landscape of the 1950s. By expertly weaving together suspenseful storytelling, psychological character development, and subtle social commentary, Hitchcock created a timeless piece of television that continues to captivate and unsettle audiences. Its ambiguous ending and exploration of power dynamics ensures its lasting relevance in the study of both Hitchcock's work and the anxieties of the era it reflects. This deep dive into "Alfred Hitchcock Presents: Servant Problem" reveals its enduring power to provoke thought and discussion, cementing its place as a significant contribution to the history of television.
FAQs
1. What makes "Alfred Hitchcock Presents: Servant Problem" unique amongst Hitchcock's other works? Its ambiguous nature and exploration of class dynamics differentiate it from many other Hitchcock projects focusing more directly on individual psychopaths.
2. How does the episode reflect the anxieties of the 1950s? It showcases fears surrounding social class, domestic upheaval, and the potential for hidden threats within seemingly secure environments.
3. What are the key cinematic techniques used in the episode? Hitchcock masterfully employs suspenseful music, strategic camera angles, shadows, and close-ups to build tension.
4. How does the ambiguity of the ending contribute to the episode's overall effect? The lack of a clear-cut resolution leaves the audience grappling with unsettling questions and a lingering sense of unease.
5. What is the significance of the power dynamic between the employers and the servant? It highlights the social inequalities and potential for manipulation within the employer-employee relationship.
6. How does the episode utilize foreshadowing to create suspense? Subtle hints and clues throughout the narrative build tension and anticipate the unsettling climax.
7. What are the psychological depths of the characters? The characters are not mere archetypes but complex individuals with hidden anxieties and insecurities.
8. What is the lasting legacy of "Alfred Hitchcock Presents: Servant Problem"? Its themes of social commentary, suspense, and psychological exploration ensure its continued relevance and study.
9. Where can I find "Alfred Hitchcock Presents: Servant Problem" to watch it? The episode is available on various streaming platforms and DVD collections of "Alfred Hitchcock Presents."
Related Articles:
1. "Alfred Hitchcock's Mastery of Suspense: A Case Study of 'Servant Problem'": Examines Hitchcock's technical prowess in creating suspense within the episode's narrative structure.
2. "The Social Commentary in 'Alfred Hitchcock Presents': A Look at Class and Power Dynamics": Broader analysis of social commentary across various episodes of the series, using "Servant Problem" as a key example.
3. "Ambiguity and the Unsettling Nature of Hitchcock's Television Work": Discusses the stylistic choice of ambiguous endings in Hitchcock's television productions and its impact on the viewer.
4. "The Psychological Undercurrents in 'Alfred Hitchcock Presents: Servant Problem'": Focuses on the psychological complexity of the characters and their motivations within the narrative.
5. "Hitchcock and the Domestic Sphere: Exploring Themes of Family and Instability": Analyzes how Hitchcock portrays domestic settings and the disruption of familial harmony in his work.
6. "The Use of Music in Alfred Hitchcock's Television Series": Specific analysis of how Bernard Herrmann (or other composers) used music to enhance suspense and atmosphere in "Alfred Hitchcock Presents."
7. "Comparing and Contrasting Hitchcock's Film and Television Styles": Compares the stylistic differences between his feature films and his work in the television anthology series.
8. "The Impact of 'Alfred Hitchcock Presents' on the Television Landscape": Explores the show’s influence on the development of the suspense thriller genre in television.
9. "Representations of Servants in Mid-20th Century American Television": Broader cultural study examining the portrayals of servants in various television programs of the period, contextualizing "Servant Problem."
| alfred hitchcock presents servant problem: The Alfred Hitchcock Encyclopedia Stephen Whitty, 2016-06-09 Several decades after his last motion picture was produced, Alfred Hitchcock is still regarded by critics and fans alike as one of the masters of cinema. From silents of the 1920s to his final feature in 1976, the director’s many films continue to entertain audiences and inspire filmmakers. In The Alfred Hitchcock Encyclopedia, film critic Stephen Whitty provides a detailed overview of the director's work. This reference volume features in-depth critical entries on each of his major films as well as biographical essays on his most frequent collaborators and discussions of significant themes in his work. For this book, Whitty draws on primary-source materials such as interviews he conducted with associates of the director—including screenwriter Jay Presson Allen (Marnie), actresses Eva Marie Saint (North by Northwest) and Kim Novak (Vertigo), actor Farley Granger (Strangers on a Train), actor and producer Norman Lloyd (Saboteur), and Hitchcock’s daughter Patricia (Stage Fright; Psycho)—among others. Encompassing the entire range of the director’s career—from early influences and silent films to his decade-long television show and cameos in nearly every feature—this is a comprehensive overview of cinema’s ultimate showman. A detailed and lively look at the master of suspense, The Alfred Hitchcock Encyclopedia will be of interest to professors, students, and the many fans of the director’s work. |
| alfred hitchcock presents servant problem: Actors' Television Credits, 1950-1972 James Robert Parish, 1973 The purpose of this volume is to present detailed credits on a spectrum of television players, focusing on those performers who have contributed most uniquely to the industry -- Foreword. |
| alfred hitchcock presents servant problem: Twentieth Century Crime & Mystery Writers NA NA, 2015-12-25 |
| alfred hitchcock presents servant problem: Science Fiction, Horror and Fantasy Film and Television Credits: sec. I. Actors and actresses; sec. II. Directors, producers, screenwriters, et al Harris M Lentz, 1983 |
| alfred hitchcock presents servant problem: Twentieth-century Crime and Mystery Writers Lesley Henderson, 1991 **** Cited in Sheehy and BCL3. The foremost reference in the field, completely revised and updated, and now covering about 600 authors, mainly English-language writers whose work appeared during or since the time of Conan Doyle. The entry for each writer consists of a biography, a bibliography, and a signed critical essay. Living authors were invited to add a comment on their work; many of them accepted, and their remarks are both entertaining and enlightening. Annotation copyrighted by Book News, Inc., Portland, OR |
| alfred hitchcock presents servant problem: The Complete Actors' Television Credits, 1948-1988: Actresses James Robert Parish, Vincent Terrace, 1989 |
| alfred hitchcock presents servant problem: Television Guest Stars Jack Ward, 1993 This heavily illustrated reference work chronicles actors and actresses who made at least 15 guest appearances on prime time network television (except sitcoms and westerns) during the 1960s and 1970s. Included for each is a brief biographical sketch. The guest credits give series title, episode name and air date. Provides telefilm roles for 1960-1979 and career credits for regular television roles through 1990. |
| alfred hitchcock presents servant problem: Träumende Gesichter Daniela Sobek, 2017-02-16 Sie stehen oft in der zweiten oder dritten Reihe vieler Filme und sind dennoch das Herz und der Verstand zahlreicher Produktionen – Frauen im Film. Die in dem vorliegenden Band versammelten Portraits und Features entführen in eine Welt abseits des Mainstreams. Die Porträts erzählen von Kim Stanley, der Inkarnation der Method-Schauspielerin, die für zahllose KollegInnen Vorbild, Inspiration und Ikone war und dennoch einem breiten Publikum unbekannt geblieben ist; von Ingrid Thulin, die ihre ZuschauerInnen herausfordert, zwischen Projektion und Wahrhaftigkeit zu wählen; von Lee Remick, Helga Anders, Lee Grant, Lisa Kreuzer, Joan Hackett, Rachel Roberts, Jo Van Fleet und vielen anderen Schauspielerinnen, deren künstlerisches Wirken es wiederzuentdecken gilt. Alle Schauspielerinnen haben das Medium Film nachhaltig verändert, mitgeprägt und erleuchtet – sei es als Darstellerin, Lehrerin, Autorin oder Regisseurin. Lange überfällig sind diese Porträts, die nicht nur von der vielfältigen Darstellungskunst und dem Entstehen der Kreativität erzählen, sondern auch die Veränderungen im Leben und in den Gesichtern der Schauspielerinnen beleuchten. Die weibliche Schauspielkunst und ihre Bedeutung für den Film und das Theater stehen im Mittelpunkt. Daniela Sobek richtet den Blick auf Technik und Inspiration internationaler Darstellerinnen und lädt dazu ein, einen neuen Blick auf die Verkörperungen und Unterwanderungen von Frauenfiguren zu werfen. |
| alfred hitchcock presents servant problem: Motion Pictures Library of Congress. Copyright Office, 1971 |
| alfred hitchcock presents servant problem: Catalog of Copyright Entries, Third Series Library of Congress. Copyright Office, 1962 |
| alfred hitchcock presents servant problem: Twentieth-century Science-fiction Writers Curtis C. Smith, 1986 |
| alfred hitchcock presents servant problem: Twentieth-century Science Fiction Writers , 1986 |
| alfred hitchcock presents servant problem: Rhetoric and the Study of Literature Alfred Marshall Hitchcock, 1913 |
| alfred hitchcock presents servant problem: St. James Guide to Crime & Mystery Writers Jay P. Pederson, Taryn Benbow-Pfalzgraf, 1996 Provides information on the most influential English-language writers of the crime and mystery genre. Each entry includes author biographies; complete bibliographies; lists of critical studies; locations of manuscripts; the writer's own comments on his or her work, when available; and an essay written by an expert of the genre. |
| alfred hitchcock presents servant problem: Short Story Index: 1964-1968 , 1969 |
| alfred hitchcock presents servant problem: Motion Pictures, 1960-1969 Library of Congress. Copyright Office, 1971 |
| alfred hitchcock presents servant problem: Catalogue of Title-entries of Books and Other Articles Entered in the Office of the Librarian of Congress, at Washington, Under the Copyright Law ... Wherein the Copyright Has Been Completed by the Deposit of Two Copies in the Office Library of Congress. Copyright Office, 1962 |
| alfred hitchcock presents servant problem: Short Story Index , 1964 |
| alfred hitchcock presents servant problem: Science Fiction, Horror & Fantasy Film and Television Credits: Actor and actress credits. Director, producer, screenwriter, cinematographer, special effects technician, make-up artist, art director, and other credits Harris M. Lentz (III.), 2001 |
| alfred hitchcock presents servant problem: Phantom Lady Christina Lane, 2020-02-04 Winner of the Mystery Writers of America's 2021 Edgar Allan Poe Award for Best Critical/Biographical In 1933, Joan Harrison was a twenty-six-year-old former salesgirl with a dream of escaping both her stodgy London suburb and the dreadful prospect of settling down with one of the local boys. A few short years later, she was Alfred Hitchcock's confidante and one of the Oscar-nominated screenwriters of his first American film, Rebecca. Harrison had quickly grown from being the worst secretary Hitchcock ever had to one of his closest collaborators, critically shaping his brand as the Master of Suspense. Harrison went on to produce numerous Hollywood features before becoming a television pioneer as the producer of Alfred Hitchcock Presents. A respected powerhouse, she acquired a singular reputation for running amazingly smooth productions— and defying anyone who posed an obstacle. She built most of her films and series from the ground up. She waged rough-and-tumble battles against executives and censors, and even helped to break the Hollywood blacklist. She teamed up with many of the most respected, well-known directors, writers, and actors of the twentieth century. And she did it all on her own terms. Author Christina Lane shows how this stylish, stunning woman became Hollywood's most powerful female writer-producer—one whom history has since overlooked. |
| alfred hitchcock presents servant problem: The Alfred Hitchcock Presents Companion Martin Grams, Patrik Wikstrom, 2001-01-01 Under the arrangement of Universal Studios, this reference is a complete guide to the Alfred Hitchcock Presents television series. This book offers a behind-the-scenes look at the making of the episodes, a complete production history, and more than 100 photos. |
| alfred hitchcock presents servant problem: Science Fiction, Horror & Fantasy Film and Television Credits Supplement Harris M. Lentz, 1989 Updates Lentz's previous work (which Library journal said was unrivaled). Section I: actors and actresses. II: directors, producers, screenwriters, cinematographers, special effects technicians, make-up artists, art directors. III: film index. IV: TV series index. V: alternate title index. Annotation copyrighted by Book News, Inc., Portland, OR |
| alfred hitchcock presents servant problem: The Twelve Lives of Alfred Hitchcock: An Anatomy of the Master of Suspense Edward White, 2021-04-13 Winner of the 2022 Edgar Award for Best Biography An Economist Best Book of 2021 A fresh, innovative biography of the twentieth century’s most iconic filmmaker. In The Twelve Lives of Alfred Hitchcock, Edward White explores the Hitchcock phenomenon—what defines it, how it was invented, what it reveals about the man at its core, and how its legacy continues to shape our cultural world. The book’s twelve chapters illuminate different aspects of Hitchcock’s life and work: “The Boy Who Couldn’t Grow Up”; “The Murderer”; “The Auteur”; “The Womanizer”; “The Fat Man”; “The Dandy”; “The Family Man”; “The Voyeur”; “The Entertainer”; “The Pioneer”; “The Londoner”; “The Man of God.” Each of these angles reveals something fundamental about the man he was and the mythological creature he has become, presenting not just the life Hitchcock lived but also the various versions of himself that he projected, and those projected on his behalf. From Hitchcock’s early work in England to his most celebrated films, White astutely analyzes Hitchcock’s oeuvre and provides new interpretations. He also delves into Hitchcock’s ideas about gender; his complicated relationships with “his women”—not only Grace Kelly and Tippi Hedren but also his female audiences—as well as leading men such as Cary Grant, and writes movingly of Hitchcock’s devotion to his wife and lifelong companion, Alma, who made vital contributions to numerous classic Hitchcock films, and burnished his mythology. And White is trenchant in his assessment of the Hitchcock persona, so carefully created that Hitchcock became not only a figurehead for his own industry but nothing less than a cultural icon. Ultimately, White’s portrayal illuminates a vital truth: Hitchcock was more than a Hollywood titan; he was the definitive modern artist, and his significance reaches far beyond the confines of cinema. |
| alfred hitchcock presents servant problem: A Hitch at the Fairmont Jim Averbeck, 2014-06-24 After his aunt is kidnapped, an 11-year-old boy staying at San Francisco's Fairmont Hotel in 1956 tries to find herNwith the help of filmmaker Alfred Hitchcock. The two embark on a madcap journey full of hidden doorways, secret societies, cryptic clues, sinister villains, and cinematic flair. |
| alfred hitchcock presents servant problem: Science Fiction, Horror and Fantasy Film and Television Credits: sec. III. Film index; sec. IV. Television index Harris M Lentz, 1983 |
| alfred hitchcock presents servant problem: TV Guide , 1992 |
| alfred hitchcock presents servant problem: Getting the Best of Yourself David W. Aycock, 1989 |
| alfred hitchcock presents servant problem: The Hands of Mr. Ottermole (Fantasy and Horror Classics) Thomas Burke, 2014-12-03 Thomas Burke's 'The Hands of Mr. Ottermole' is widely regarded as one of the best detective stories of the thirties. First published in 1931, Burke's tale was later adapted for an episode of Alfred Hitchcock Presents. Many of the well known western and detective short stories, particularly those dating back to the 1900s and before, are now extremely scarce and increasingly expensive. We are republishing these classic works in affordable, high quality, modern editions, using the original text and artwork. |
| alfred hitchcock presents servant problem: Science Fiction, Horror & Fantasy Film and Television Credits: Section 3: Film index; Section 4: Television index Harris M. Lentz (III.), 1983 |
| alfred hitchcock presents servant problem: A Question Mark Is Half a Heart Sofia Lundberg, 2021 From the author of The Red Address Book Sofia Lundberg comes a captivating story about overcoming shame and guilt, about finding oneself and the truth-and in doing so, learning how to love-- |
| alfred hitchcock presents servant problem: Alfred Hitchcock Presents Alfred Hitchcock, 1964 |
| alfred hitchcock presents servant problem: Alfred Hitchcock Paula Marantz Cohen, 2021-10-05 This provocative study traces Alfred Hitchcock's long directorial career from Victorianism to postmodernism. Paula Marantz Cohen considers a sampling of Hitchcock's best films—Shadow of a Doubt, Rear Window, Vertigo, Psycho—as well as some of his more uneven ones—Rope, The Wrong Man, Topaz—and makes connections between his evolution as a filmmaker and trends in the larger society. Drawing on a number of methodologies including feminism, psychoanalysis, and family systems, the author provides an insightful look at the paradox of a Victorian-style gentleman who evolved into one of the leading masters of the modern medium of film. Cohen posits that Hitchcock's films are, in part, a masculine response to the domestic, psychological novels that had appealed primarily to women during the Victorian era. His career, she argues, can be seen as an attempt to balance the two faces of Victorianism: the masculine legacy of law and hierarchy and the feminine legacy of feeling and imagination. Cohen asserts that Hitchcock's films reflect his Victorian legacy and serve as a map for ideological trends. She charts his development from his British period through his classic Hollywood years into his later phase, tracing a conceptual evolution that corresponds to an evolution in cultural identity—one that builds on a Victorian inheritance and ultimately discards it. |
| alfred hitchcock presents servant problem: CinemaTexas Notes Louis Black, Collins Swords, 2018-02-26 Austin’s thriving film culture, renowned for international events such as SXSW and the Austin Film Festival, extends back to the early 1970s when students in the Department of Radio-Television-Film at the University of Texas at Austin ran a film programming unit that screened movies for students and the public. Dubbed CinemaTexas, the program offered viewers a wide variety of films—old and new, mainstream, classic, and cult—at a time when finding and watching films after their first run was very difficult and prohibitively expensive. For each film, RTF graduate students wrote program notes that included production details, a sampling of critical reactions, and an original essay that placed the film and its director within context and explained the movie’s historical significance. Over time, CinemaTexas Program Notes became more ambitious and were distributed around the world, including to luminaries such as film critic Pauline Kael. This anthology gathers a sampling of CinemaTexas Program Notes, organized into four sections: “USA Film History,” “Hollywood Auteurs,” “Cinema-Fist: Renegade Talents,” and “America’s Shadow Cinema.” Many of the note writers have become prominent film studies scholars, as well as leading figures in the film, TV, music, and video game industries. As a collection, CinemaTexas Notes strongly contradicts the notion of an effortlessly formed American film canon, showing instead how local film cultures—whether in Austin, New York, or Europe—have forwarded the development of film studies as a discipline. |
| alfred hitchcock presents servant problem: Bull in a China Shop C. B. Gilford, 2010-12 When a houseful of sweet little old ladies discover that a handsome bachelor lives across the street, they are delighted. When they learn that he is none other than Detective Dennis O'Finn, of Homicide, they are faced with the problem of how to attract his attention. The answer is simplicity itself: a nice, genteel homicide with a cup of tea as the murder weapon. When a brash young woman reporter begins to suspect the truth, she becomes the next target. O'Finn is terribly embarrassed when at last he discovers that he himself is the motive for these madcap goings-on, and, in desperation, manages to solve the case. But the dear old ladies are too fond of him and in the end they turn the tables on him! First a short story in Ellery Queen's Mystery Magazine, later a success on 'Alfred Hitchcock Presents, ' and now a stage veteran of hundreds of performances around the country, Bull in a China Shop continues to enchant audiences everywhere!--Back cover |
| alfred hitchcock presents servant problem: Instruments of Night Thomas H. Cook, 2009-12-30 Thomas Cook is one of today's most acclaimed writers of psychological thrillers, penning hypnotic tales of forbidden love and devastating secrets. Now he has written an unforgettable novel that weaves one man's tortured life with a deadly mystery that spans five decades.... Riverwood is an artists' community in the Hudson River valley, a serene place where writers can perfect their craft. But for all its beauty and isolation, it was once touched by a terrible crime--the murder of a teenage girl who lived on the estate fifty years ago. Faye Harrison's killer was never caught--and now her dying mother is desperate to learn the truth about her daughter's murder. Enter Paul Graves, a writer who draws upon the pain of his own tragic past to write haunting tales of mystery. Graves has been summoned to Riverwood for an unusual assignment: to apply the art of fiction to a crime that was real, and then write a story that will answer the questions that keep Faye's mother from a peaceful death. Just a story. It doesn't have to be true. Or does it? |
| alfred hitchcock presents servant problem: The Listener and BBC Television Review , 1964 |
| alfred hitchcock presents servant problem: Hendrik Petrus Berlage Hendrik Petrus Berlage, 1996-01-01 Hendrik Petrus Berlage, the Dutch architect and architectural philosopher, created a series of buildings and a body of writings from 1886 to 1909 that were among the first efforts to probe the problems and possibilities of modernism. Although his Amsterdam Stock Exchange, with its rational mastery of materials and space, has long been celebrated for its seminal influence on the architecture of the 20th century, Berlage's writings are highlighted here. Bringing together Berlage's most important texts, among them Thoughts on Style in Architecture, Architecture's Place in Modern Aesthetics, and Art and Society, this volume presents a chapter in the history of European modernism. In his introduction, Iain Boyd Whyte demonstrates that the substantial contribution of Berlage's designs to modern architecture cannot be fully appreciated without an understanding of the aesthetic principles first laid out in his writings. |
| alfred hitchcock presents servant problem: Hearst's International Combined with Cosmopolitan , 1948 |
| alfred hitchcock presents servant problem: The Grandmother Plot Caroline B. Cooney, 2021-07-06 An unforgettable new mystery from Caroline B. Cooney, international bestselling author of The Face on the Milk Carton Caroline B. Cooney is a master of taking a small, common moment—seeing a face on a milk carton, posting a harmless photo—and turning that moment into a thrilling story.—Jeff Abbott, New York Times bestselling author of Never Ask Me Death isn't unexpected in a nursing home. But murder is. Freddy leads a life of little responsibility. His mother is dead, his sisters are far-flung across the globe, and he can't quite work up enough motivation to find himself a girlfriend. Freddy has been forced to place his beloved grandmother, now deep in dementia, in a nursing home. Freddy visits her often, cherishing and also hating the time he spends with the grandmother he always adored, now a ghost of her former self. When a fragile old woman already close to death is murdered in that nursing home, Freddy panics. His sources of income are iffy, as are his friends. He has to keep his grandmother safe, keep himself anonymous, and keep the police out of his life—or the complications could become deadly. From international bestselling author of The Face on the Milk Carton Caroline B. Cooney, The Grandmother Plot is the story of a young man who can't seem to straighten out his life, his beloved grandmother, who can't seem to remembers hers, and the shadowy threat that hangs over them both. This extraordinary new story will appeal to readers of bestselling mysteries and book club fiction such as: A Man Called Ove by Frederik Backman What Rose Forgot by Nevada Barr The Shadows We Hide by Allen Eskens |
| alfred hitchcock presents servant problem: Hawaii's Story Liliuokalani (Queen of Hawaii), 1898 |
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