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Alvin Ailey Revelations Analysis: A Comprehensive Guide
Author: Dr. Anya Petrova, Professor of Dance History and Criticism at the Julliard School, with over 20 years of experience analyzing and teaching modern dance, specializing in the works of Alvin Ailey.
Publisher: DanceLexicon Press, a leading publisher of scholarly works on dance history, theory, and criticism. Their expertise lies in providing rigorous and accessible analyses of significant dance pieces.
Editor: Ms. Elena Ramirez, a seasoned editor with extensive experience in dance publications and a deep understanding of the nuances of dance criticism.
Summary: This guide offers a comprehensive framework for analyzing Alvin Ailey's Revelations, addressing both its historical context and its artistic merit. It explores various analytical approaches, highlighting best practices while cautioning against common pitfalls. The guide provides a structured methodology for examining choreography, music, lighting, costumes, and the overall thematic impact of this iconic work, ultimately enriching the viewer's understanding and appreciation of Alvin Ailey Revelations Analysis.
Keywords: Alvin Ailey Revelations Analysis, Revelations Analysis, Alvin Ailey Dance Analysis, Modern Dance Analysis, African American Dance History, Choreographic Analysis, Dance Criticism, Performance Analysis, Thematic Analysis, Revelations Interpretation.
I. Understanding the Context of Alvin Ailey Revelations Analysis
Before embarking on an Alvin Ailey Revelations analysis, it's crucial to understand the historical and cultural context surrounding its creation. Revelations, first performed in 1960, is deeply rooted in Ailey's personal experiences as an African American man, reflecting the spirituals, gospel traditions, and communal life of his upbringing in Texas. This understanding informs the emotional depth and spiritual resonance of the piece. An effective Alvin Ailey Revelations analysis must acknowledge this foundation.
II. Approaches to Alvin Ailey Revelations Analysis
Several analytical lenses can be applied to Revelations:
A. Choreographic Analysis: This focuses on the movement itself – the vocabulary, phrasing, dynamics, and spatial relationships. Analyzing the choreography requires a keen eye for detail, noting the use of specific steps, formations, and the overall flow of movement. Consider the contrast between sections, the use of weight and momentum, and how the choreography enhances the emotional narrative.
B. Musical Analysis: The spirituals and gospel music are integral to Revelations. An analysis should explore how the music dictates the rhythm, tempo, and emotional tone of the dance. Consider the relationship between the music's structure and the choreography's structure. How does the music amplify or modify the emotional impact of the movement?
C. Thematic Analysis: Revelations explores themes of faith, community, joy, sorrow, and resilience. An Alvin Ailey Revelations analysis should delve into these themes, exploring how they are communicated through movement, music, and the overall staging. Identifying recurring motifs and symbols is key to understanding the overarching narrative.
D. Costume and Lighting Analysis: The costumes and lighting design are not mere embellishments; they contribute significantly to the overall effect. Analyze how the costumes evoke a specific time period and cultural context. Explore how the lighting enhances the mood and atmosphere of each section, creating a sense of intimacy or grandeur.
III. Best Practices for Alvin Ailey Revelations Analysis
Multiple Viewings: Multiple viewings are essential to fully grasp the nuances of Revelations. Each viewing allows for a deeper understanding of the choreography, music, and emotional impact.
Detailed Note-Taking: Thorough note-taking during and after each viewing is crucial. Record observations on specific movements, musical cues, lighting effects, and emotional responses.
Supporting Evidence: An Alvin Ailey Revelations analysis should be supported by evidence. Cite specific examples from the performance to substantiate your claims.
Contextualization: Always place your analysis within the historical and cultural context of the work's creation.
Clear and Concise Writing: Use clear and concise language to express your ideas effectively. Avoid jargon and overly technical terms unless necessary.
IV. Common Pitfalls in Alvin Ailey Revelations Analysis
Superficial Observation: Avoid superficial observations based on emotional responses alone. Support your interpretations with specific details from the performance.
Lack of Context: Ignoring the historical and cultural context leads to an incomplete and potentially inaccurate understanding of the work.
Over-Interpretation: Avoid over-interpreting elements without sufficient evidence. Let the evidence guide your analysis.
Ignoring Counterarguments: Acknowledge and address potential counterarguments to strengthen your analysis.
V. Conclusion
A thorough Alvin Ailey Revelations analysis requires a multi-faceted approach, combining detailed observation, contextual understanding, and critical thinking. By employing the best practices outlined above and avoiding common pitfalls, one can gain a deeper appreciation for the artistry, cultural significance, and enduring power of this iconic masterpiece. The detailed examination of its choreography, music, and thematic content reveals not only a captivating dance but a powerful reflection on the human experience.
FAQs
1. What makes Revelations so impactful? Its blend of powerful movement, evocative music, and deeply personal themes of faith, community, and resilience creates a uniquely moving experience.
2. How does Ailey's personal background influence Revelations? His upbringing in the rural South and his deep connection to African American spirituals and gospel traditions are central to the work's essence.
3. What are the key themes explored in Revelations? Faith, joy, sorrow, community, resilience, and the legacy of African American spiritual and gospel traditions are prominent themes.
4. How can I improve my analytical skills for dance works like Revelations? Practice detailed observation, take thorough notes, research the historical context, and engage with critical perspectives.
5. What are some scholarly resources helpful for Alvin Ailey Revelations Analysis? Books and articles on Alvin Ailey, African American dance history, and modern dance theory provide valuable insights.
6. How does the music contribute to the emotional impact of Revelations? The spirituals and gospel music intensify the emotional weight of the dance, guiding the audience through a range of feelings.
7. What is the significance of the costumes in Revelations? The costumes contribute to the authenticity and atmosphere of the piece, visually representing the cultural context.
8. How does the lighting design enhance the storytelling in Revelations? The lighting emphasizes mood and atmosphere, highlighting specific moments and emotional transitions.
9. What is the lasting legacy of Revelations? Revelations remains a landmark work in modern dance, impacting generations of dancers and audiences worldwide and serving as a powerful symbol of cultural identity and artistic expression.
Related Articles:
1. "The Spiritual Roots of Alvin Ailey's Revelations": An exploration of the gospel and spiritual traditions that shaped the choreography and musicality of Revelations.
2. "Choreographic Structure and Narrative in Alvin Ailey's Revelations": A detailed analysis of the movement vocabulary, phrasing, and structure of the choreography.
3. "The Role of Music in Alvin Ailey's Revelations: A Musicological Perspective": A musicological study examining the specific musical selections and their impact on the emotional trajectory of the piece.
4. "Costume and Lighting Design as Narrative Elements in Alvin Ailey's Revelations": An analysis of how the visual elements contribute to the overall storytelling of the piece.
5. "Alvin Ailey's Revelations and the African American Experience": An examination of the dance's portrayal of African American culture, history, and spirituality.
6. "The Legacy of Alvin Ailey's Revelations: Impact and Influence": A discussion of Revelations' lasting influence on modern dance and its place in the cultural landscape.
7. "Comparing and Contrasting Performances of Alvin Ailey's Revelations": An analysis of variations in interpretation across different performances of the work.
8. "Teaching Alvin Ailey's Revelations: Pedagogical Approaches": A guide for educators on teaching and analyzing Revelations in a classroom setting.
9. "Alvin Ailey's Revelations and the Concept of Spirituality in Modern Dance": An examination of how Revelations utilizes movement to convey spiritual themes and experiences.
| alvin ailey revelations analysis: Dancing Revelations Thomas DeFrantz, 2006 He also addresses concerns about how dance performance is documented, including issues around spectatorship and the display of sexuality, the relationship of Ailey's dances to civil rights activism, and the establishment and maintenance of a successful, large-scale Black Arts institution.--Jacket. |
| alvin ailey revelations analysis: Revelations Alvin Ailey, A. Peter Bailey, 1995 World-class choreographer Alvin Ailey was a pioneer in the world of dance. Now, the intensely private man opens up to tell his own story in his own words. It is a revelation that will astound even those who think they knew Alvin Ailey--the man who forever changed the face and the rhythm of the world of dance. photographs. |
| alvin ailey revelations analysis: America Dancing Megan Pugh, 2015-01-01 The history of American dance reflects the nation's tangled culture. Dancers from wildly different backgrounds watched, imitated, and stole from one another. Audiences everywhere embraced the result as deeply American. Chronicling dance from the minstrel stage to the music video, Megan Pugh shows how freedom--that nebulous, contested American ideal--emerged as a genre-defining aesthetic. Ballerinas mingled with slumming thrill-seekers, and hoedowns showed up on elite opera-house stages. Steps invented by slaves captivated the British royalty and the Parisian avant-garde. Dances were better boundary crossers than their dancers, however, and the racism and class conflicts that haunt everyday life shadow American dance as well. Center stage in America Dancing is a cast of performers who slide, glide, stomp, and swing their way through history. At the nadir of U.S. race relations, cakewalkers embraced the rhythms of black America. On the heels of the Harlem Renaissance, Bill Robinson tap-danced to stardom. At the height of the Great Depression, Fred Astaire and Ginger Rogers unified highbrow and popular art. In the midst of 1940s patriotism, Agnes de Mille brought jazz and square dance to ballet, then took it all to Broadway. In the decades to come, the choreographer Paul Taylor turned pedestrian movements into modern masterpiecds, and Michael Jackson moonwalked his way to otherworldly stardom. These artists both celebrated and criticized the country, all while inspiring others to get moving. For it is partly by pretending to be other people, Pugh argues, that Americans discover themselves ... America Dancing demonstrates the centrality of dance in American art, life, and identity, taking us to watershed moments when the nation worked out a sense of itself through public movement--Publisher's description. |
| alvin ailey revelations analysis: How To Do Things with Dance Rebekah J. Kowal, 2010-10-01 Winner of the CORD Outstanding Publication Award (2012) In postwar America, any assertion of difference from the mainstream anticommunist culture carried professional and personal risks. For this reason, modern dance artists left much of what they thought unsaid. Instead they expressed themselves in movement. How To Do Things with Dance positions modern dance as a vital critical discourse, and suggests that dances of the late 1940s and the 1950s can be seen as compelling agents of social change. Concentrating on choreographers whose artistic work conceived dance in terms of action, Rebekah J. Kowal shows how specific choreographic projects demonstrated increasing awareness of the stage as a penetrable space, one on which socially suspect or marginalized modes of being could be performed with relative impunity and exerted in the real world. Artists covered include Martha Graham, José Limón, Anna Sokolow, Katherine Dunham, Pearl Primus, Merce Cunningham, Paul Taylor, Donald McKayle, Talley Beatty, and Anna Halprin. Ebook Edition Note: All images have been redacted. |
| alvin ailey revelations analysis: The Originals Cat Patrick, 2013-05-07 A riveting new story from Cat Patrick, author of Forgotten and Revived. 17-year-olds Lizzie, Ella, and Betsey Best grew up as identical triplets... until they discovered a shocking family secret. They're actually closer than sisters, they're clones. Hiding from a government agency that would expose them, the Best family appears to consist of a single mother with one daughter named Elizabeth. Lizzie, Ella, and Betsey take turns going to school, attending social engagements, and a group mindset has always been a de facto part of life... Then Lizzie meets Sean Kelly, a guy who seems to see into her very soul. As their relationship develops, Lizzie realizes that she's not a carbon copy of her sisters; she's an individual with unique dreams and desires, and digging deeper into her background, Lizzie begins to dismantle the delicate balance of an unusual family that only science could have created. |
| alvin ailey revelations analysis: Don't Bother Me, I Can't Cope Micki Grant, 1972 This dynamic mixture of rock, calypso and ballads features a dozen singer-dancers in 20 numbers. In revue-style format, Don't Bother Me ... explores the African American experience through vibrant song and dance.--Publisher |
| alvin ailey revelations analysis: Amazing Grace Jonathan Kozol, 2012-06-26 Amazing Grace is Jonathan Kozol’s classic book on life and death in the South Bronx—the poorest urban neighborhood of the United States. He brings us into overcrowded schools, dysfunctional hospitals, and rat-infested homes where families have been ravaged by depression and anxiety, drug-related violence, and the spread of AIDS. But he also introduces us to devoted and unselfish teachers, dedicated ministers, and—at the heart and center of the book—courageous and delightful children. The children we come to meet through the friendships they have formed with Jonathan defy the stereotypes of urban youth too frequently presented by the media. Tender, generous, and often religiously devout, they speak with eloquence and honesty about the poverty and racial isolation that have wounded but not hardened them. Amidst all of the despair, it is the very young whose luminous capacity for love and transcendent sense of faith in human decency give reason for hope. |
| alvin ailey revelations analysis: The Art of Grace: On Moving Well Through Life Sarah L. Kaufman, 2015-11-02 Sarah Kaufman offers an old-fashioned cure for a modern-day ailment. The remedy for our culture of coarseness is grace…This is an elegant, compelling, and, yes, graceful book. —Daniel H. Pink, author of Drive In this joyful exploration of grace’s many forms, Pulitzer Prize–winning critic Sarah L. Kaufman celebrates a too-often-forgotten philosophy of living that promotes human connection and fulfillment. Drawing on the arts, sports, the humanities, and everyday life—as well as the latest findings in neuroscience and health research—Kaufman illuminates how our bodies and our brains are designed for grace. She promotes a holistic appreciation and practice of grace, as the joining of body, mind, and spirit, and as a way to nurture ourselves and others. |
| alvin ailey revelations analysis: Francis Bacon Mark Stevens, Annalyn Swan, 2021-03-23 THE TIMES ART BOOK OF THE YEAR Named one of The Irish Times' Books of the Year for 2021 A compelling and comprehensive look at the life and art of Francis Bacon, one of the iconic painters of the twentieth century—from the Pulitzer Prize-winning authors of de Kooning: An American Master. This intimate study of the singularly private, darkly funny, eruptive man and his extraordinary art “is bejeweled with sensuous detail … the iconoclastic charm of the artist keeps the pages turning” (The Washington Post). “A definitive life of Francis Bacon ... Stevens and Swan are vivid scene setters ... Francis Bacon does justice to the contradictions of both the man and the art.” —The Boston Globe Francis Bacon created an indelible image of mankind in modern times, and played an outsized role in both twentieth century art and life—from his public emergence with his legendary Triptych 1944 (its images so unrelievedly awful that people fled the gallery), to his death in Madrid in 1992. Bacon was a witty free spirit and unabashed homosexual at a time when many others remained closeted, and his exploits were as unforgettable as his images. He moved among the worlds of London's Soho and East End, the literary salons of London and Paris, and the homosexual life of Tangier. Through hundreds of interviews, and extensive new research, the authors probe Bacon's childhood in Ireland (he earned his father's lasting disdain because his asthma prevented him from hunting); his increasingly open homosexuality; his early design career—never before explored in detail; the formation of his vision; his early failure as an artist; his uneasy relationship with American abstract art; and his improbable late emergence onto the international stage as one of the great visionaries of the twentieth century. In all, Francis Bacon: Revelations gives us a more complete and nuanced--and more international--portrait than ever before of this singularly private, darkly funny, eruptive man and his equally eruptive, extraordinary art. Bacon was not just an influential artist, he helped remake the twentieth-century figure. |
| alvin ailey revelations analysis: Hughie Eugene O'Neill, 1982-10 THE STORY: Originally produced on Broadway, revived to sellout houses in 1996 starring Al Pacino, HUGHIE was one of O'Neill's last works. It was originally intended as part of a series of short plays, but it became the lone survivor when O'Neill de |
| alvin ailey revelations analysis: Modern Dance, Negro Dance Susan Manning, 2004 Two traditionally divided strains of American dance, Modern Dance and Negro Dance, are linked through photographs, reviews, film, and oral history, resulting in a unique view of the history of American dance. |
| alvin ailey revelations analysis: Modern Bodies Julia L. Foulkes, 2003-11-03 In 1930, dancer and choreographer Martha Graham proclaimed the arrival of dance as an art of and from America. Dancers such as Doris Humphrey, Ted Shawn, Katherine Dunham, and Helen Tamiris joined Graham in creating a new form of dance, and, like other modernists, they experimented with and argued over their aesthetic innovations, to which they assigned great meaning. Their innovations, however, went beyond aesthetics. While modern dancers devised new ways of moving bodies in accordance with many modernist principles, their artistry was indelibly shaped by their place in society. Modern dance was distinct from other artistic genres in terms of the people it attracted: white women (many of whom were Jewish), gay men, and African American men and women. Women held leading roles in the development of modern dance on stage and off; gay men recast the effeminacy often associated with dance into a hardened, heroic, American athleticism; and African Americans contributed elements of social, African, and Caribbean dance, even as their undervalued role defined the limits of modern dancers' communal visions. Through their art, modern dancers challenged conventional roles and images of gender, sexuality, race, class, and regionalism with a view of American democracy that was confrontational and participatory, authorial and populist. Modern Bodies exposes the social dynamics that shaped American modernism and moved modern dance to the edges of society, a place both provocative and perilous. |
| alvin ailey revelations analysis: The Black Dancing Body B. Gottschild, 2016-04-30 What is the essence of black dance in America? To answer that question, Brenda Dixon Gottschild maps an unorthodox 'geography', the geography of the black dancing body, to show the central place black dance has in American culture. From the feet to the butt, to hair to skin/face, and beyond to the soul/spirit, Brenda Dixon Gottschild talks to some of the greatest choreographers of our day including Garth Fagan, Francesca Harper, Meredith Monk, Brenda Buffalino, Doug Elkins, Ralph Lemon, Fernando Bujones, Bill T. Jones, Trisha Brown, Jawole Zollar, Bebe Miller, Sean Curran and Shelly Washington to look at the evolution of black dance and it's importance to American culture. This is a groundbreaking piece of work by one of the foremost African-American dance critics of our day. |
| alvin ailey revelations analysis: Joan Myers Brown and the Audacious Hope of the Black Ballerina Brenda Dixon Gottschild, 2016-04-29 Founder of the Philadelphia Dance Company (PHILADANCO) and the Philadelphia School of Dance Arts, Joan Myers Brown's personal and professional histories reflect the hardships as well as the advances of African-Americans in the artistic and social developments of the second half of the twentieth and the early twenty-first centuries. |
| alvin ailey revelations analysis: The Making of the American Essay John D'Agata, 2016-03-15 Now, with The making of the American essay' the editor includes selections ranging from Anne Bradstreet's secular prayers to Washington Irving's satires, Emily Dickinson's love letters to Kenneth Goldsmith's catalog's, Gertrude Stein's portraits to James Baldwin's and Norman Mailer's mediations on boxing. In this volume the editor uncovers new stories in the American essay's past and shows us that some of the most fiercely daring writers in the American literary canon have turned to the essay in order to produce some of our culture's most exhilarating art.-- book jacket. |
| alvin ailey revelations analysis: Alvin Ailey Jennifer Dunning, 1998-03-22 Alvin Ailey (1931–1989) was a choreographic giant in the modern dance world and a champion of African-American talent and culture. His interracial Alvin Ailey American Dance Theater provided opportunities to black dancers and choreographers when no one else would. His acclaimed “Revelations” remains one of the most performed modern dance pieces in the twentieth century. But he led a tortured life, filled with insecurity and self-loathing. Raised in poverty in rural Texas by his single mother, he managed to find success early in his career, but by the 1970s his creativity had waned. He turned to drugs, alcohol, and gay bars and suffered a nervous breakdown in 1980. He was secretive about his private life, including his homosexuality, and, unbeknownst to most at the time, died from AIDS-related complications at age 58.Now, for the first time, the complete story of Ailey's life and work is revealed in this biography. Based on his personal journals and hundreds of interviews with those who knew him, including Mikhail Baryshnikov, Judith Jamison, Lena Horne, Katherine Dunham, Sidney Poitier, and Dustin Hoffman, Alvin Ailey is a moving story of a man who wove his life and culture into his dance. |
| alvin ailey revelations analysis: Consuming Dance Colleen T. Dunagan, 2018 Dance in TV advertisements has long been familiar to Americans as a silhouette dancing against a colored screen, exhibiting moves from air guitar to breakdance tricks, all in service of selling the latest Apple product. But as author Colleen T. Dunagan shows in Consuming Dance, the advertising industry used dance to market items long before iPods. In this book, Dunagan lays out a comprehensive history and analysis of dance commercials to demonstrate the ways in which the form articulates with, informs, and reflects U.S. culture. In doing so, she examines dance commercials as cultural products, looking at the ways in which dance engages with television, film, and advertising in the production of cultural meaning. Throughout the book, Dunagan interweaves semiotics, choreographic analysis, cultural studies, and critical theory in an examination of contemporary dance commercials while placing the analysis within a historical context. She draws upon connections between individual dance-commercials and the discursive and production histories to provide a thorough look into brand identity and advertising's role in constructing social identities. |
| alvin ailey revelations analysis: Afeni Shakur Jasmine Guy, 2010-05-11 Afeni Shakur, one of the most visible figures in both the hip-hop and civil rights movements, reveals her moral and spiritual development in an innovative memoir spanning four decades. Before becoming one of the most well-known members of the Black Power movement, Alice Faye Williams was not unlike any other poor, African American girl growing up in the impoverished South. But when her family moved to New York during the radical sixties, she became intoxicated by the promise of social change. By the time she turned twenty-one, Alice had a new name—Afeni Shakur, derived from the Yoruba term for lover of people—and a new vision for the future. The rest is history. In 1969, Afeni was arrested along with other members of the Black Panther party on 189 felony charges that included 30 counts of conspiracy. Though she was eventually acquitted of the charges, Afeni spent eleven months in jail before being released. Once on bail, she became pregnant with a son: Tupac Amaru Shakur, a rap megastar until his tragic death in 1996. In this searing work, renowned actress and Afeni's trusted friend Jasmine Guy reveals the evolution of a woman through a series of intimate conversations on themes such as love, death, race, drugs, politics, music, and, of course, her son. Filled with startling revelations and heartbreaking truths, Afeni's memoir is a powerful testament to the human spirit and the perseverance of the African American people. |
| alvin ailey revelations analysis: Beloved Toni Morrison, 2006-10-17 Winner of the Pulitzer Prize, Toni Morrison’s Beloved is a spellbinding and dazzlingly innovative portrait of a woman haunted by the past. Sethe was born a slave and escaped to Ohio, but eighteen years later she is still not free. She has borne the unthinkable and not gone mad, yet she is still held captive by memories of Sweet Home, the beautiful farm where so many hideous things happened. Meanwhile Sethe’s house has long been troubled by the angry, destructive ghost of her baby, who died nameless and whose tombstone is engraved with a single word: Beloved. Sethe works at beating back the past, but it makes itself heard and felt incessantly in her memory and in the lives of those around her. When a mysterious teenage girl arrives, calling herself Beloved, Sethe’s terrible secret explodes into the present. Combining the visionary power of legend with the unassailable truth of history, Morrison’s unforgettable novel is one of the great and enduring works of American literature. |
| alvin ailey revelations analysis: Stories from the City of God Pier Paolo Pasolini, 2019-05-21 Now in paperback, a collection of the legendary filmmaker's short fiction and nonfiction from 1950 to 1966, in which we see the machinations of the creative mind in post-World War II Rome. In a portrait of the city at once poignant and intimate, we find artistic witness to the customs, dialect, squalor, and beauty of the ancient imperial capital that has succumbed to modern warfare, marginalization, and mass culture. The sketches portray the impoverished masses that Pasolini calls the sub-proletariat, those who live under Third World conditions and for whom simple pleasures, such as a blue sweater in a storefront window, are completely out of reach. Pasolini's art develops throughout the works collected here, from his early lyricism to tragicomic outlines for screenplays, and finally to the maturation of his Neo-realism in eight chronicles on the shantytowns of Rome. The pieces in this collection were all published in Italian journals and newspapers, and then later edited by Walter Siti in the original Italian edition. |
| alvin ailey revelations analysis: The Art of Movement Ken Browar, 2016-11-22 A stunning celebration of movement and dance in hundreds of breathtaking photographs by the creative team behind NYC Dance Project. The Art of Movement is an exquisite collection of photographs by well-known dance photographers Ken Browar and Deborah Ory that capture the movement, flow, energy, and grace of many of the most accomplished dancers in the world. Featured are more than 70 dancers from companies including American Ballet Theatre, New York City Ballet, Alvin Ailey American Dance Theater, Martha Graham Dance Company, Boston Ballet, Royal Danish Ballet, The Royal Ballet, Abraham in Motion, and many more. Accompanying the photographs are intimate and inspiring words from the dancers, as well as from choreographers and artistic directors on what dance means to them. |
| alvin ailey revelations analysis: In a Forest, Dark and Deep Neil LaBute, 2016-05-09 She's a college professor with a prim demeanor, and he's a carpenter with a foul mouth and violent streak. Betty has a history of promiscuity that Bobby won't let her forget, and from their first taunting exchanges there are intimations also of the history between them. Yet on the night when Betty urgently needs help to empty her cabin in the woods--the cabin she's been renting to a male student--she calls on Bobby. In this exhilarating play of secrets and sibling rivalry, which had its premiere in London's West End in 2011, Neil LaBute unflinchingly explores the dark territory beyond, as Bobby sneeringly says, the lies you tell yourself to get by. |
| alvin ailey revelations analysis: Katherine Dunham Joanna Dee Das, 2017-05-23 One of the most important dance artists of the twentieth century, dancer and choreographer Katherine Dunham (1909-2006) created works that thrilled audiences the world over. As an African American woman, she broke barriers of race and gender, most notably as the founder of an important dance company that toured the United States, Latin America, Europe, Asia, and Australia for several decades. Through both her company and her schools, she influenced generations of performers for years to come, from Alvin Ailey to Marlon Brando to Eartha Kitt. Dunham was also one of the first choreographers to conduct anthropological research about dance and translate her findings for the theatrical stage. Katherine Dunham: Dance and the African Diaspora makes the argument that Dunham was more than a dancer-she was an intellectual and activist committed to using dance to fight for racial justice. Dunham saw dance as a tool of liberation, as a way for people of African descent to reclaim their history and forge a new future. She put her theories into motion not only through performance, but also through education, scholarship, travel, and choices about her own life. Author Joanna Dee Das examines how Dunham struggled to balance artistic dreams, personal desires, economic needs, and political commitments in the face of racism and sexism. The book analyzes Dunham's multiple spheres of engagement, assessing her dance performances as a form of black feminist protest while also presenting new material about her schools in New York and East St. Louis, her work in Haiti, and her network of interlocutors that included figures as diverse as ballet choreographer George Balanchine and Senegalese president Léopold Sédar Senghor. It traces Dunham's influence over the course of several decades from the New Negro Movement of the 1920s to the Black Power Movement of the late 1960s and beyond. By drawing on a vast, never-utilized trove of archival materials along with oral histories, choreographic analysis, and embodied research, Katherine Dunham: Dance and the African Diaspora offers new insight about how this remarkable woman built political solidarity through the arts. |
| alvin ailey revelations analysis: A History of Theory and Method in the Study of Religion and Dance Kimerer L. LaMothe, 2018-10-22 The relationship between religion and dance is as old as humankind. Contemporary methods for studying this relationship date back a century. The difference between these two time frames is significant: scholars are still developing theories and methods capable of illuminating this vast history that take account of their limited place within it. A History of Theory and Method in the Study of Religion and Dance takes on a primary challenge of doing so: overcoming a conceptual dichotomy between “religion” and “dance” forged in the colonial era that justified western Christian hostility towards dance traditions across six continents over six centuries. Beginning with its enlightenment roots, LaMothe narrates a selective history of this dichotomy, revealing its ongoing work in separating dance studies from religious studies. Turning to the Bushmen of the African Kalahari, LaMothe introduces an ecokinetic approach that provides scholars with conceptual resources for mapping the generative interdependence of phenomena that appear as “dance” and/or “religion.” |
| alvin ailey revelations analysis: The Secret Olympian ANON,, 2012-05-10 The vast majority of us can only dream of being an Olympic-level athlete - but we have no real idea of what that means. Here, for the first time, in all its shocking, funny and downright bizarre glory, is the truth of the Olympic experience. It is an unimaginable world: the kitting-out ceremony with its 35kg of team clothing per athlete the pre-Olympic holding camp with its practical jokes, resentment and fighting, and freaky physiological regimes the politicians' visits with their flirty spouses the vast range of athletes with their odd body shapes and freakish genetics the release post-competion in the Olympic village with all the excessive drinking, eating, partying and sex (not necessarily in that order) the hysteria of homecoming celebrations and the comedown that follows - how do you adjust to life after the Games? The Secret Olympian talks to scores of Olympic athletes - past and present, from Munich 1960 right through to London 2012, including British, American, Australian, Dutch, French, Croatian, German, Canadian and Italian competitors. They all have a tale to tell - and most of those tales would make your eyes pop more than an Olympic weightlifter's. |
| alvin ailey revelations analysis: Accidental Gods Anna Della Subin, 2021-12-07 NAMED A BEST BOOK OF THE YEAR BY ESQUIRE, THE IRISH TIMES AND THE TIMES LITERARY SUPPLEMENT A provocative history of men who were worshipped as gods that illuminates the connection between power and religion and the role of divinity in a secular age Ever since 1492, when Christopher Columbus made landfall in the New World and was hailed as a heavenly being, the accidental god has haunted the modern age. From Haile Selassie, acclaimed as the Living God in Jamaica, to Britain’s Prince Philip, who became the unlikely center of a new religion on a South Pacific island, men made divine—always men—have appeared on every continent. And because these deifications always emerge at moments of turbulence—civil wars, imperial conquest, revolutions—they have much to teach us. In a revelatory history spanning five centuries, a cast of surprising deities helps to shed light on the thorny questions of how our modern concept of “religion” was invented; why religion and politics are perpetually entangled in our supposedly secular age; and how the power to call someone divine has been used and abused by both oppressors and the oppressed. From nationalist uprisings in India to Nigerien spirit possession cults, Anna Della Subin explores how deification has been a means of defiance for colonized peoples. Conversely, we see how Columbus, Cortés, and other white explorers amplified stories of their godhood to justify their dominion over native peoples, setting into motion the currents of racism and exclusion that have plagued the New World ever since they touched its shores. At once deeply learned and delightfully antic, Accidental Gods offers an unusual keyhole through which to observe the creation of our modern world. It is that rare thing: a lyrical, entertaining work of ideas, one that marks the debut of a remarkable literary career. |
| alvin ailey revelations analysis: The Dance Technique of Lester Horton Marjorie B. Perces, Ana Marie Forsythe, Cheryl Bell, 1992 A guide to the principles of dance and training developed by Lester Horton. It includes a foreword by Alvin Ailey, reminiscences of early Lester Horton technique by Bella Lewitzky, and a three-dimensional portrait of the life and work of Lester Horton by Jana Frances-Fischer. |
| alvin ailey revelations analysis: Dancing Spirit Judith Jamison, Howard Kaplan, 1993 The candid and provocative autobiography of the first black superstar of American dance. Voices of those who have known and worked with her through the years are interwoven with Jamison's own to make Dancing Spirit a vivid portrait of a life lived without a moment's waste. 45 photos. |
| alvin ailey revelations analysis: Ungoverning Dance Ramsay Burt, 2017 Ungoverning Dance examines recent contemporary dance in continental Europe. Placing this in the context of neoliberalism and austerity, it argues that dancers are developing an ethico-aesthetic approach that uses dance practices as sites of resistance against dominant ideologies. It attests to the persistence of alternative ways of thinking and living. |
| alvin ailey revelations analysis: All American Boys Jason Reynolds, Brendan Kiely, 2015-09-29 A 2016 Coretta Scott King Author Honor book, and recipient of the Walter Dean Myers Award for Outstanding Children’s Literature. In this New York Times bestselling novel, two teens—one black, one white—grapple with the repercussions of a single violent act that leaves their school, their community, and, ultimately, the country bitterly divided by racial tension. A bag of chips. That’s all sixteen-year-old Rashad is looking for at the corner bodega. What he finds instead is a fist-happy cop, Paul Galluzzo, who mistakes Rashad for a shoplifter, mistakes Rashad’s pleadings that he’s stolen nothing for belligerence, mistakes Rashad’s resistance to leave the bodega as resisting arrest, mistakes Rashad’s every flinch at every punch the cop throws as further resistance and refusal to STAY STILL as ordered. But how can you stay still when someone is pounding your face into the concrete pavement? There were witnesses: Quinn Collins—a varsity basketball player and Rashad’s classmate who has been raised by Paul since his own father died in Afghanistan—and a video camera. Soon the beating is all over the news and Paul is getting threatened with accusations of prejudice and racial brutality. Quinn refuses to believe that the man who has basically been his savior could possibly be guilty. But then Rashad is absent. And absent again. And again. And the basketball team—half of whom are Rashad’s best friends—start to take sides. As does the school. And the town. Simmering tensions threaten to explode as Rashad and Quinn are forced to face decisions and consequences they had never considered before. Written in tandem by two award-winning authors, this four-starred reviewed tour de force shares the alternating perspectives of Rashad and Quinn as the complications from that single violent moment, the type taken directly from today’s headlines, unfold and reverberate to highlight an unwelcome truth. |
| alvin ailey revelations analysis: The Huguenots Geoffrey Treasure, 2013-07-30 From the author of Louis XIV, an unprecedented history of the entire Huguenot experience in France, from hopeful beginnings to tragic diaspora. Following the Reformation, a growing number of radical Protestants came together to live and worship in Catholic France. These Huguenots survived persecution and armed conflict to win—however briefly—freedom of worship, civil rights, and unique status as a protected minority. But in 1685, the Revocation of the Edict of Nantes abolished all Huguenot rights, and more than 200,000 of the radical Calvinists were forced to flee across Europe, some even farther. In this capstone work, Geoffrey Treasure tells the full story of the Huguenots’ rise, survival, and fall in France over the course of a century and a half. He explores what it was like to be a Huguenot living in a “state within a state,” weaving stories of ordinary citizens together with those of statesmen, feudal magnates, leaders of the Catholic revival, Henry of Navarre, Catherine de’ Medici, Louis XIV, and many others. Treasure describes the Huguenots’ disciplined community, their faith and courage, their rich achievements, and their unique place within Protestantism and European history. The Huguenot exodus represented a crucial turning point in European history, Treasure contends, and he addresses the significance of the Huguenot story—the story of a minority group with the power to resist and endure in one of early modern Europe’s strongest nations. “A formidable work, covering complex, fascinating, horrifying and often paradoxical events over a period of more than 200 years…Treasure’s work is a monument to the courage and heroism of the Huguenots.”—Piers Paul Read, The Tablet |
| alvin ailey revelations analysis: Confronting Without Offending Deborah Smith Pegues, 2009-03-01 Where there are people, there are disagreements and misunderstandings. The author of 30 Days to Taming Your Tongue (more than 500,000 copies sold), a popular speaker, and a relationship strategist, Deborah Smith Pegues draws on biblical principles, personal experience, and research to show how to approach difficult situations so relationships are strengthened rather than broken. Meeting face-to-face to resolve an issue is difficult, but Pegues makes it easier by revealing how to avoid complications, sharing examples of good communication, and offering specific steps for dealing with conflicts. Readers will discover: effective and compassionate techniques for handling conflict practical strategies for resolving conflict how personality types influence discussions suggestions for minimizing defensiveness ideas for developing and promoting cooperation Confronting Without Offending gives readers the tools to successfully talk over and resolve issues and misunderstandings at home, at work, and in social situations. |
| alvin ailey revelations analysis: Alvin Ailey American Dance Theater Jack Mitchell, 1993 Clipping and miscellaneous material on reviews of Alvin, Ailey Dance theater performances and history. |
| alvin ailey revelations analysis: A Game for Dancers Gay Morris, 2006 The first in-depth study of the modern dance world of the 1940s and 1950s |
| alvin ailey revelations analysis: Shapeshifters Aimee Meredith Cox, 2015-08-07 In Shapeshifters Aimee Meredith Cox explores how young Black women in a Detroit homeless shelter contest stereotypes, critique their status as partial citizens, and negotiate poverty, racism, and gender violence to create and imagine lives for themselves. Based on eight years of fieldwork at the Fresh Start shelter, Cox shows how the shelter's residents—who range in age from fifteen to twenty-two—employ strategic methods she characterizes as choreography to disrupt the social hierarchies and prescriptive narratives that work to marginalize them. Among these are dance and poetry, which residents learn in shelter workshops. These outlets for performance and self-expression, Cox shows, are key to the residents exercising their agency, while their creation of alternative family structures demands a rethinking of notions of care, protection, and love. Cox also uses these young women's experiences to tell larger stories: of Detroit's history, the Great Migration, deindustrialization, the politics of respectability, and the construction of Black girls and women as social problems. With Shapeshifters Cox gives a voice to young Black women who find creative and non-normative solutions to the problems that come with being young, Black, and female in America. |
| alvin ailey revelations analysis: No Fixed Points Nancy Reynolds, Malcolm McCormick, 2021-02-09 |
| alvin ailey revelations analysis: Illicit Worlds of Indian Dance Anna Morcom, 2013 Until the 1930s no woman could perform in public and retain respectability in India. Professional female performers were courtesans and dancing girls who lived beyond the confines of marriage, but were often powerful figures in social and cultural life. Women's roles were often also taken by boys and men, some of whom were simply female impersonators, others transgender. Since the late nineteenth century the status, livelihood and identity of these performers have all diminished, with the result that many of them have become involved in sexual transactions and sexualised performances. Meanwhile, upper-class, upper-caste women have taken control of the classical performing arts and also entered the film industry, while a Bollywood dance and fitness craze has recently swept middle class India. In her historical on-the-ground study, Anna Morcom investigates the emergence of illicit worlds of dance in the shadow of India's official performing arts. She explores over a century of marginalisation of courtesans, dancing girls, bar girls and transgender performers, and de- scribes their lives as they struggle with stigmatisation, derision and loss of livelihood. |
| alvin ailey revelations analysis: Understanding Narrative Inquiry Jeong-Hee Kim, 2015-03-03 Understanding Narrative Inquiry: The Crafting and Analysis of Stories as Research is a comprehensive, thought-provoking introduction to narrative inquiry in the social and human sciences that guides readers through the entire narrative inquiry process—from locating narrative inquiry in the interdisciplinary context, through the philosophical and theoretical underpinnings, to narrative research design, data collection (excavating stories), data analysis and interpretation, and theorizing narrative meaning. Six extracts from exemplary studies, together with questions for discussion, are provided to show how to put theory into practice. Rich in stories from author Jeong-Hee Kim’s own research endeavors and incorporating chapter-opening vignettes that illustrate a graduate student's research dilemma, the book not only accompanies readers through the complex process of narrative inquiry with ample examples, but also helps raise their consciousness about what it means to be a qualitative researcher and a narrative inquirer in particular. |
| alvin ailey revelations analysis: Understanding Dance Graham McFee, 2003-09-02 Understanding Dance is a comprehensive introduction to the aestethetics of dance, and will be an essential text for all those interested in dance as an object of study. Focusing on the work of a number of major choreographers, companies and critics Graham McFee explores the nature of our understanding of Dance by considering the practice of understanding dance-works themselves. He concludes with a validation of the place of dance in society and in education. Troughout he provides detailed insights into the nature and appreciation of art as well as a general grouding in philosophy. |
| alvin ailey revelations analysis: The Language of Dance Mary Wigman, 1966 A noted German dancer and choreographer reveals the personal states of mind and soul that accompanied the creation of her major works |
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Ailey’s Home In 2004, Alvin Ailey American Dance Theater moved into its permanent home, The Joan Weill Center for Dance, on 55th Street and 9th Avenue in Manhattan. The striking glass …
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Sample Analysis Outline: Name: Alvin Ailey's Revelations: A Critical Examination Outline: Introduction: Briefly introducing Alvin Ailey and Revelations, highlighting the piece's …
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Sample Analysis Outline: Name: Alvin Ailey's Revelations: A Critical Examination Outline: Introduction: Briefly introducing Alvin Ailey and Revelations, highlighting the piece's …
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SchoolTime Alvin Ailey American Dance Theater | III Welcome February 6, 2007 Dear Educators and Students, Welcome to SchoolTime! On Thursday, March 1, 2007 at 11:00 a.m. or Friday, …
Re(cover)ing Revelations: Formulating Black Ancestral Text …
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Alvin Ailey and the Alvin Ailey American Dance Theater Born in Rogers, Texas, on January 5, 1931, Alvin Ailey spent his formative years going to Sunday School and participating in The …
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Play the clip of Revelations by Alvin Ailey, listen to the song used, “Wade in the Water;” and watch the HBO video on Alvin Ailey American Dance Theater. Discuss the following questions and …
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this study are modifications Ailey effected to his own choreography. For exam - ple, Revelations, his signature work, has endured three distinct guises in its nearly forty-year history. An …
2 TUE at 7:30 SUN at 2 SUN at 7 FAMILY MATINEE
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covering 30 years of treasures from Alvin Ailey’s rich body of work that culminates with his iconic Revelations. Program A, performed Tuesday, April 9 at 8pm and Saturday, April 13 at 8pm, …
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Religion and Social Order in Alvin Ailey’s . Revelations. In a time when America was gradually being redefined as ethnically diverse, Alvin Ailey played a vital role in carrying this progression …
JUDITH JAMISON - files.ailey.org
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dancers, will give Atlanta youth a peek behind the scenes into the world of dance and introduce a new generation to Alvin Ailey’s beloved masterpiece Revelations. Call 404-881-2000 to …
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Alvin Ailey® American Dance Theater Alvin Ailey® American Dance Theater grew from a now legendary performance in March 1958 at the 92nd Street Young Men's Hebrew Association in …
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Ailey Camp at Cal Performances. Alvin Ailey (1931-1989) Born in Rogers, Texas, on January 5, 1931, Alvin Ailey spent his formative years going to Sunday School and participating in The …
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Alvin Ailey Dancing Revelations #3, 1999 Oil stick on paper Collection of the artist Jacob Lawrence b. 1917; Atlantic City, NJ d. 2000; Seattle, WA Figure Study, c. 1970 Ink and pencil …
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spirituals from Alvin Ailey’s childhood memories of growing up in the Church in Texas, Revelations uses the modern dance tradition and his African American cultural heritage to create an …
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Major funding for Alvin Ailey American Dance Theater is provided by the National Endowment for the Arts, the New York State Council on the Arts, ... Revelations (1960) Choreography Alvin …
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AILEY CLASSICS Incl. Revelations JAN 3 ALL NEW Finding Free (W) Al-Andalus Blues (W) Sacred Songs (W) JAN 4 AILEY CLASSICS Incl. Revelations Post-perf Q&A JAN 4 Night …
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Figure 2: Members of Alvin Ailey American Dance Theater performing Revelations at the John F. Kennedy Center for the Performing Arts in Washington, D.C.
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REVELATIONS
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entertain."9 In all of this, Ailey's ambitious plan incorporated programmatic innova tions at the level of basic company structure that engaged technical versatility as a foundational ideology …
ALVIN AILEY AMERICAN DANCE THEATER
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Led by Ailey Extension instructor and famed former Ailey Company member Linda Celeste Sims, participants will learn excerpts from Alvin Ailey’s timeless signature masterpiece Revelations. …
Black Bodies, American Cultural Diplomacy and the Cold …
Alvin Ailey American Dance Theater embarks on a 2.5 month, 10 country tour of Africa for the State Department. 1968: Alvin Ailey American Dance Theater Performs at the White House. …
Assessment content Grade 12 May / June 2022 Subject …
Inventory (FIFO, WA and SIM), Creditors Reconciliation and Bank Recon, Analysis and Interpretation, Fixed Assets (including asset disposal), Costing AFRIKAANS 1STE ADD TAAL …
