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# A History of Western Music Burkholder: A Comprehensive Overview
Author: J. Peter Burkholder, Donald J. Grout, Claude V. Palisca
J. Peter Burkholder is a highly respected musicologist known for his significant contributions to the field of music history. He served as a professor of music at the University of Indiana, Bloomington and is renowned for his clear and engaging writing style, making complex musical concepts accessible to a wider audience. His collaboration with Donald J. Grout and Claude V. Palisca on "A History of Western Music" cemented its status as a leading textbook in the field. Grout and Palisca were themselves eminent scholars whose prior editions of the book laid the groundwork for Burkholder's significant revisions and updates. Their combined expertise ensured a comprehensive and authoritative approach to the subject.
Keywords: A History of Western Music Burkholder, Western Music History, Burkholder Grout Palisca, Music History Textbook, History of Music, Classical Music History, Musical Styles, Western Musical Traditions.
A Deep Dive into "A History of Western Music Burkholder"
"A History of Western Music Burkholder" (often referenced as the Grout/Palisca/Burkholder text due to its evolution through multiple authors) is a cornerstone textbook in the study of Western music history. Its enduring popularity and continued use in academic settings highlight its comprehensiveness, clarity, and insightful approach to a vast and complex subject. The book's strength lies in its ability to trace the development of Western musical traditions from antiquity to the present day, providing a nuanced understanding of the stylistic, social, and cultural factors that shaped musical evolution.
The book's structure is chronological, guiding readers through various periods, styles, and composers. Each chapter delves into a specific era, offering detailed analyses of representative composers and their works. Instead of simply presenting a list of biographical facts, “A History of Western Music Burkholder” contextualizes musical developments within their broader historical and cultural settings. This approach allows readers to grasp the intricate relationships between music and society, fostering a deeper appreciation for the music's significance.
Summary:
"A History of Western Music Burkholder" offers a comprehensive survey of Western music history, moving chronologically from ancient Greece to contemporary music. It emphasizes the interplay between musical styles and their socio-cultural contexts. The book excels in its clear explanations of complex musical concepts, making it accessible to both students and general readers interested in learning more about the history of Western music. Key aspects covered include the evolution of musical notation, the development of different genres (such as opera, symphony, and chamber music), the impact of technology on musical creation and dissemination, and the roles of patronage and cultural movements in shaping musical trends. The narrative weaves together biographical information about significant composers with broader discussions of stylistic features, theoretical innovations, and societal influences, presenting a holistic understanding of the field. Burkholder's revisions brought the narrative up to date, incorporating contemporary musical trends and perspectives while retaining the strengths of the Grout and Palisca legacy.
Publisher and Editor
Publisher: W. W. Norton & Company
W. W. Norton & Company is a highly respected independent publisher known for its commitment to quality and academic rigor. Their publications span various fields, including humanities, social sciences, and literature. Norton’s reputation for producing scholarly and well-researched works makes them an ideal publisher for a text as significant as "A History of Western Music Burkholder." Their commitment to providing accessible yet scholarly materials makes them a trusted source for students and academics alike.
Editor: While there isn't a single editor explicitly listed for the Burkholder edition, the authors themselves, particularly J. Peter Burkholder, acted as the primary editor for their respective editions. This ensured the consistency and accuracy of the historical narrative and musical analysis throughout the text. Their expertise and combined decades of scholarly work provided a framework for the text's rigor and authority.
Significance and Relevance of "A History of Western Music Burkholder"
"A History of Western Music Burkholder" holds immense significance for several reasons:
Comprehensive Coverage: The book provides a detailed and wide-ranging survey of Western musical history, covering various periods, styles, and composers. Its scope allows for a holistic understanding of the evolution of Western musical traditions.
Accessibility: Despite its depth, the book is written in a clear and engaging style, making complex musical concepts accessible to a broad audience, including students with varying levels of musical background.
Contextualization: The text doesn't simply present a list of composers and their works. It emphasizes the social, cultural, and historical contexts that shaped musical developments. This approach provides a richer and more nuanced understanding of the music.
Updated Scholarship: Burkholder's revisions have ensured that the book remains current and relevant, incorporating the latest scholarly research and perspectives on Western music history.
Enduring Influence: Its long-standing use as a leading textbook in music history courses worldwide testifies to its enduring value and influence in shaping the understanding and appreciation of Western musical traditions.
Conclusion
"A History of Western Music Burkholder" remains a seminal work in the field of music history. Its comprehensive coverage, clear writing style, and insightful contextualization make it an indispensable resource for students, scholars, and anyone seeking a deep understanding of Western musical traditions. Its enduring popularity and continued relevance highlight its capacity to bridge the gap between academic rigor and accessible learning, making it a vital text for both novice and seasoned music enthusiasts. The legacy of Grout and Palisca, built upon and expanded by Burkholder, ensures this text's continued prominence in the study of Western music for years to come.
FAQs
1. What makes "A History of Western Music Burkholder" different from other music history textbooks? Its emphasis on contextualization, its accessible writing style, and its comprehensive yet nuanced coverage set it apart. Many other texts may be more focused on specific periods or styles.
2. Is this book suitable for beginners? Yes, its clear writing style and structured approach make it accessible even to those with little prior knowledge of music history.
3. What are the main periods covered in the book? The book covers music from antiquity through the 20th and into the early 21st centuries, encompassing medieval, Renaissance, Baroque, Classical, Romantic, and 20th/21st-century periods.
4. Does the book focus solely on Western classical music? While it primarily focuses on Western classical music, it also touches upon related genres and the influences of other musical traditions.
5. How is the book organized? The book is organized chronologically, with chapters dedicated to specific historical periods and musical styles.
6. Are there any supplementary materials available? While specific supplementary materials may vary by edition, many versions offer online resources and study aids.
7. Is this book suitable for self-study? Absolutely. Its clear explanations and well-structured chapters make it well-suited for independent learning.
8. What is the overall tone of the book? The tone is scholarly but engaging, aiming to be both informative and enjoyable to read.
9. Where can I purchase "A History of Western Music Burkholder"? The book is widely available from online retailers like Amazon and Barnes & Noble, as well as college bookstores.
Related Articles:
1. The Baroque Period in "A History of Western Music Burkholder": A Detailed Analysis: This article would focus on Burkholder's treatment of the Baroque period, analyzing his approach to key composers and stylistic features.
2. Comparing and Contrasting the Romantic and Classical Periods in "A History of Western Music Burkholder": This article would examine how Burkholder differentiates and compares the two periods, highlighting their distinct characteristics and shared influences.
3. The Influence of Social and Cultural Factors on Musical Development (as per Burkholder): This article would examine Burkholder's approach to understanding the interplay between social, cultural, and technological forces and musical developments.
4. A Critical Evaluation of Burkholder's Treatment of 20th-Century Music: This article would assess Burkholder's coverage of 20th-century musical trends and composers, offering a critical perspective on his approach.
5. The Role of Patronage in Shaping Musical Styles (according to "A History of Western Music Burkholder"): This article would investigate Burkholder's insights into the impact of patronage systems on the development of different musical styles across various historical periods.
6. Burkholder's Approach to Musical Analysis in His History of Western Music: This article would analyze Burkholder’s methods of musical analysis as presented within the book, assessing their effectiveness and potential limitations.
7. Comparing "A History of Western Music Burkholder" with Other Major Music History Texts: This article would conduct a comparative analysis of "A History of Western Music Burkholder" with other prominent music history textbooks, highlighting their similarities and differences.
8. The Evolution of Musical Notation as Depicted in "A History of Western Music Burkholder": This article would focus on Burkholder's treatment of the history of musical notation, analyzing its impact on musical composition and performance.
9. Teaching Western Music History using "A History of Western Music Burkholder": This article would offer pedagogical approaches and strategies for utilizing "A History of Western Music Burkholder" effectively in college-level music history courses.
| a history of western music burkholder: A History of Western Music (Ninth Edition) J. Peter Burkholder, Donald Jay Grout, Claude V. Palisca, 2014-04-15 The definitive history of Western music, now with Total Access. Combining current scholarship with cutting-edge pedagogy, the Ninth Edition of A History of Western Music is the text that students and professors have trusted for generations. Because listening is central to music history, the new Total Access program provides a full suite of media resources—including an ebook and premium streaming recordings of the entire Norton Anthology of Western Music repertoire—with every new text. Combining thoughtful revisions—particularly to chapters on the twentieth and twenty-first centuries—with exceptional media resources, A History of Western Music provides all the resources that students need in a text that will last a lifetime. |
| a history of western music burkholder: A History of Western Music Burkholder, J. Peter, Grout, Donald Jay, Palisca, Claude V, 2019-02-08 The definitive survey, combining current scholarship with a vibrant narrative. Carefully informed by feedback from dozens of scholars, it remains the book that students and teachers trust to explain what's important, where it fits, and why it matters. Peter Burkholder weaves a compelling story of people, their choices, and the western musical tradition that emerged. From chant to hip-hop, he connects past to present to create a context for tomorrow's musicians. |
| a history of western music burkholder: A History of Western Music Donald Jay Grout, 1996 |
| a history of western music burkholder: Norton Anthology of Western Music Claude V. Palisca, 1996 |
| a history of western music burkholder: Study and Listening Guide for A History of Western Music, Fifth Edition, by Donald Jay Grout and Claude V. Palisca and Norton Anthology of Western Music, Third Edition, by Claude V. Palisca James Peter Burkholder, 1996 |
| a history of western music burkholder: Concise History of Western Music Barbara Russano Hanning, 1998 Concise History of Western Music combines Grout and Palisca's uncompromising reliability, scope, and respect for the narrative, while offering many more pedagogical aids, such as chapter preludes and postludes; Etudes, excursions that explore the material more deeply than the main text; and Windows, boxed discussions of special topics. |
| a history of western music burkholder: A Concise History of Western Music Paul Griffiths, 2006-06-29 Publisher Description |
| a history of western music burkholder: Teaching Music History Mary Natvig, 2017-07-05 Unlike their colleagues in music theory and music education, teachers of music history have tended not to commit their pedagogical ideas to print. This collection of essays seeks to help redress the balance, providing advice and guidance to those who teach a college-level music history or music appreciation course, be they a graduate student setting out on their teaching career, or a seasoned professor having to teach outside his or her speciality. Divided into four sections, the book covers the basic music history survey usually taken by music majors; music appreciation and introductory courses aimed at non-majors; special topic courses such as women and music, music for film and American music; and more general issues such as writing, using anthologies, and approaches to teaching in various situations. In addition to these specific areas, broader themes emerge across the essays. These include how to integrate social history and cultural context into music history teaching; the shift away from the 'classical canon'; and how to organize a course taking into consideration time constraints and the need to appeal to students from a diverse range of backgrounds. With contributions from both teachers approaching retirement and those at the start of their careers, this volume provides a spectrum of experience which will prove valuable to all teachers of music history. |
| a history of western music burkholder: Ideas and Styles in the Western Musical Tradition Douglass Seaton, 2017 Ideas and Styles in the Western Musical Tradition, Fourth Edition, explores the conceptual frameworks that have shaped musical development from antiquity to the present. In a lively narrative that prompts readers to think both critically and creatively, Douglass Seaton uses historical documents from thinkers, artists, and musicians to add rich detail to the compelling story of Western music. This brief and accessible narrative of music history features numerous works of art, literature, and music that immerse students in the historical and intellectual contexts of musical styles. The thoroughly updated and revised fourth edition offers: · New pedagogy including chapter-opening summaries and outlines; marginal cues to identify key ideas in each paragraph; and extended excerpts from key historical texts · Increased and balanced coverage of women's roles in music history, ranging from discussions of key composers and performers like Isabella d'Este and Fanny Hensel to women's important roles as patrons · A custom score anthology drawn from the Oxford History of Western Music offers students full scores and analysis for key works from the text · A more user-friendly design makes it easier for students to quickly locate key information · Updates to the narrative throughout, including the most recent research findings along with updates to the reception of key works |
| a history of western music burkholder: Intertextuality in Music Violetta Kostka, Paulo F. de Castro, William A. Everett, 2021-06-17 The concept of intertextuality – namely, the meaning generated by interrelations between different texts – was coined in the 1960s among literary theorists and has been widely applied since then to many other disciplines, including music. Intertextuality in Music: Dialogic Composition provides a systematic investigation of musical intertextuality not only as a general principle of musical creativity but also as a diverse set of devices and techniques that have been consciously developed and applied by many composers in the pursuit of various artistic and aesthetic goals. Intertextual techniques, as this collection reveals, have borne a wide range of results, such as parody, paraphrase, collage and dialogues with and between the past and present. In the age of sampling and remix culture, the very notion of intertextuality seems to have gained increased momentum and visibility, even though the principle of creating new music on the basis of pre-existing music has a long history both inside and outside the Western tradition. The book provides a general survey of musical intertextuality, with a special focus on music from the second half of the twentieth century, but also including examples ranging from the nineteenth century to the second decade of the twenty-first century. The volume is intended to inspire and stimulate new work in intertextual studies in music. |
| a history of western music burkholder: Listening to Charles Ives J. Peter Burkholder, 2021-02-10 Charles Ives is widely regarded as the first great American composer of classical music. But listening to his music is an adventure—hearing how a piece begins may not prepare you for what comes next, or how it ends. Knowing one Ives piece may not prepare you for another. Award-winning music historian J. Peter Burkholder provides an introduction to the composer’s diverse musical output and unusual career to readers of any background, discussing about forty of the best and most characteristic pieces framed with biographical sketches. Burkholder shows how Ives mastered each tradition he encountered, from American popular music to classical European genres, from Protestant church music to his own unique experimental idiom, and then interwove elements from all these traditions in the astonishing works of his maturity. Listening to Charles Ives contains compelling walkthroughs of select pieces and ultimately reveals that there is an Ives piece for everyone. |
| a history of western music burkholder: Jazz Geoffrey C. Ward, Ken Burns, 2002-10-08 The companion volume to the ten-part PBS TV series by the team responsible for The Civil War and Baseball. Continuing in the tradition of their critically acclaimed works, Geoffrey C. Ward and Ken Burns vividly bring to life the story of the quintessential American music—jazz. Born in the black community of turn-of-the-century New Orleans but played from the beginning by musicians of every color, jazz celebrates all Americans at their best. Here are the stories of the extraordinary men and women who made the music: Louis Armstrong, the fatherless waif whose unrivaled genius helped turn jazz into a soloist's art and influenced every singer, every instrumentalist who came after him; Duke Ellington, the pampered son of middle-class parents who turned a whole orchestra into his personal instrument, wrote nearly two thousand pieces for it, and captured more of American life than any other composer. Bix Beiderbecke, the doomed cornet prodigy who showed white musicians that they too could make an important contribution to the music; Benny Goodman, the immigrants' son who learned the clarinet to help feed his family, but who grew up to teach a whole country how to dance; Billie Holiday, whose distinctive style routinely transformed mediocre music into great art; Charlie Parker, who helped lead a musical revolution, only to destroy himself at thirty-four; and Miles Davis, whose search for fresh ways to sound made him the most influential jazz musician of his generation, and then led him to abandon jazz altogether. Buddy Bolden, Jelly Roll Morton, Dizzy Gillespie, Art Tatum, Count Basie, Dave Brubeck, Artie Shaw, and Ella Fitzgerald are all here; so are Sidney Bechet, Coleman Hawkins, Lester Young, John Coltrane, Ornette Coleman, and a host of others. But Jazz is more than mere biography. The history of the music echoes the history of twentieth-century America. Jazz provided the background for the giddy era that F. Scott Fitzgerald called the Jazz Age. The irresistible pulse of big-band swing lifted the spirits and boosted American morale during the Great Depression and World War II. The virtuosic, demanding style called bebop mirrored the stepped-up pace and dislocation that came with peace. During the Cold War era, jazz served as a propaganda weapon—and forged links with the burgeoning counterculture. The story of jazz encompasses the story of American courtship and show business; the epic growth of great cities—New Orleans and Chicago, Kansas City and New York—and the struggle for civil rights and simple justice that continues into the new millennium. Visually stunning, with more than five hundred photographs, some never before published, this book, like the music it chronicles, is an exploration—and a celebration—of the American experiment. |
| a history of western music burkholder: A Gathering of Secrets Linda Castillo, 2018-07-10 A deadly fire exposes the dark side of Amish life in A Gathering of Secrets, a harrowing new thriller in the New York Times bestselling series (July 2017) by Linda Castillo. When a historic barn burns to the ground in the middle of the night, Chief of Police Kate Burkholder is called in to investigate. At first, it looks like an accident, but when the body of eighteen-year-old Daniel Gingerich is found inside—burned alive—Kate suspects murder. Who would want a well-liked, hardworking young Amish man dead? Kate delves into the investigation only to find herself stonewalled by the community to which she once belonged. Is their silence a result of the Amish tenet of separation? Or is this peaceful and deeply religious community conspiring to hide a truth no one wants to talk about? Kate doubles down only to discover a plethora of secrets and a chilling series of crimes that shatters everything she thought she knew about her Amish roots—and herself. As Kate wades through a sea of suspects, she’s confronted by her own violent past and an unthinkable possibility. |
| a history of western music burkholder: Norton Guide to Teaching Music History Matthew Balensuela, 2019 The ultimate resource for teaching any music history course |
| a history of western music burkholder: Manual for Ear Training and Sight Singing GARY S. KARPINSKI, 2021-08-30 A research-based aural skills curriculum that reflects the way students learn. |
| a history of western music burkholder: World Music Terry E. Miller, Andrew Shahriari, 2013-04-03 Authors Terry E. Miller and Andrew Shahriari take students around the world to experience the diversity of musical expression. World Music: A Global Journey, now in its third edition, is known for its breadth in surveying the world’s major cultures in a systematic study of world music within a strong pedagogical framework. As one prepares for any travel, each chapter starts with background preparation, reviewing the historical, cultural, and musical overview of the region. Visits to multiple ‘sites’ within a region provide in-depth studies of varied musical traditions. Music analysis begins with an experimental first impression of the music, followed by an aural analysis of the sound and prominent musical elements. Finally, students are invited to consider the cultural connections that give the music its meaning and life. Features of the Third Edition Over 3 hours of diverse musical examples. with a third audio CD of new musical examples Listening Guides analyze the various pieces of music with some presented in an interactive format online Biographical highlights of performers and ethnomusicologists updated and new ones added Numerous pedagogical aids, including On Your Own Time and Explore More sidebars, and Questions to Consider Popular music incorporated with the traditional Dynamic companion web site hosts new Interactive Listening Guides, plus many resources for student and instructor. Built to serve online courses. The CD set is available separately (ISBN 978-0-415-89402-9) or with its Value Pack and book (ISBN 978 0415- 80823-1). For eBook users, MP3 files for the accompanying audio files are available only with the Value Pack of eBook & MP3 files (ISBN 978-0-203-15298-0). Please find instructions on how to obtain the audio files in the contents section of the eBook. |
| a history of western music burkholder: Performing Music History John C. Tibbetts, Michael Saffle, William A. Everett, 2018-09-29 Performing Music History offers a unique perspective on music history and performance through a series of conversations with women and men intimately associated with music performance, history, and practice: the musicians themselves. Fifty-five celebrated artists—singers, pianists, violinists, cellists, flutists, horn players, oboists, composers, conductors, and jazz greats—provide interviews that encompass most of Western music history, from the Middle Ages to contemporary classical music, avant-garde innovations, and Broadway musicals. The book covers music history through lenses that include “authentic” performance, original instrumentation, and social context. Moreover, the musicians interviewed all bring to bear upon their respective subjects three outstanding qualities: 1) their high esteem in the music world as immediately recognizable names among musicians and public alike; 2) their energy and devotion to scholarship and the recovery of endangered musical heritages; and 3) their considerable skills, media savvy, and showmanship as communicators. Introductory essays to each chapter provide brief synopses of historical eras and topics. Combining careful scholarship and lively conversation, Performing Music History explores historical contexts for a host of fascinating issues. |
| a history of western music burkholder: All Made of Tunes James Peter Burkholder, 1995-01-01 Charles Ives is famous for using borrowed material in his music. Almost two hundred individual works or movements, spanning his entire career and representing more than a third of his output, incorporate music by other composers or from his own previous work. In this book, the eminent Ives scholar J. Peter Burkholder identifies the different kinds of quotations in Ives's music, explores the complex musical, aesthetic, and psychological motivations behind the borrowings, and shows the purpose, techniques, and effects that characterize each one. Burkholder catalogues fourteen distinct ways that Ives borrowed, ranging from direct quotation to paraphrase, variation, collage, modeling, and stylistic allusion. Arguing that these borrowing procedures were compositional strategies, he provides a new perspective on Ives's process of composition. In addition, by tracing the development of Ives's borrowing practices through his career, he contributes to an understanding of the composer's stylistic evolution. And by showing how much of Ives's music uses borrowing procedures that are common to many composers, he reveals that Ives is not as far removed from the classic-romantic tradition as has been thought. Finally, Burkholder's comprehensive treatment of Ives's borrowing techniques offers a new perspective on the entire field of musical borrowing. |
| a history of western music burkholder: A History of Western Music Donald Jay Grout, 1988 |
| a history of western music burkholder: Berklee Music Theory Paul Schmeling, 2011 Teaches the concepts of music theory based on the curriculum at Berklee College of Music. |
| a history of western music burkholder: Music Then and Now Thomas Forrest Kelly, 2013 A you are there guide to masterpieces of Western music. |
| a history of western music burkholder: Music in Jewish History and Culture Emanuel Rubin, John H. Baron, 2006 The book surveys the broad sweep of music among Jews of widely diverse communities from Biblical times to the modern day. Each chapter focuses on a different Jewish cultural epoch and explores the music and the way it functioned in that society. The work is structured as both a college text and an informative guide for the lay reader. |
| a history of western music burkholder: Women, Music, Culture Julie C. Dunbar, 2015-12-17 Women, Music, Culture: An Introduction, Second Edition is the first undergraduate textbook on the history and contribution of women in a variety of musical genres and professions, ideal for students in courses in both music and women's studies. A compelling narrative, accompanied by over 50 guided listening examples, brings the world of women in music to life, examining a community of female musicians, including composers, producers, consumers, performers, technicians, mothers, and educators in art music and popular music. The book features a wide array of pedagogical aids, including a running glossary and a comprehensive companion website with streamed audio tracks, that help to reinforce key figures and terms. This new edition includes a major revision of the Women in World Music chapter, a new chapter in Western Classical Work in the Enlightenment, and a revised chapter on 19th Century Romanticism: Parlor Songs to Opera. 20th Century Art Music. |
| a history of western music burkholder: History of Music Hugh Milton Miller, 1973 This outline-history is a guide to the music of all ages ... a concise summary which traces the development of musical art from ancient civilizations to contemporary composes. |
| a history of western music burkholder: Music in the Western World Piero Weiss, Richard Taruskin, 2008 Pt. 1. The heritage of antiquity -- pt. 2. The Middle Ages -- pt. 3. The Renaissance -- pt. 4. The Baroque -- pt. 5. The pre-classical period -- pt. 6. The classical period -- pt. 7. The later nineteenth century : romanticism and other preoccupations -- pt. 8. The twentieth century -- pt. 9. The recent, past, and the present. |
| a history of western music burkholder: Instrumental Music Education Evan Feldman, Ari Contzius, 2015-12-21 Instrumental Music Education: Teaching with the Musical and Practical in Harmony, 2nd Edition is intended for college instrumental music education majors studying to be band and orchestra directors at the elementary, middle school, and high school levels. This textbook presents a research-based look at the topics vital to running a successful instrumental music program, while balancing musical, theoretical, and practical approaches. A central theme is the compelling parallel between language and music, including sound-to-symbol pedagogies. Understanding this connection improves the teaching of melody, rhythm, composition, and improvisation. The companion website contains over 120 pedagogy videos for wind, string, and percussion instruments, performed by professional players and teachers, over 50 rehearsal videos, rhythm flashcards, and two additional chapters, The Rehearsal Toolkit, and Job Search and Interview. It also includes over 50 tracks of acoustically pure drones and demonstration exercises for use in rehearsals, sectionals and lessons. New to this edition: • Alternative, non-traditional ensembles: How to offer culturally relevant opportunities for more students, including mariachi, African drumming, and steel pans. • More learning and assessment strategies • The science of learning and practicing: How the brain acquires information • The philosophies of Orff and El Sistema, along with the existing ones on Kodály, Suzuki, and Gordon. • The Double Pyramid of Balance: Francis McBeth’s classic system for using good balance to influence tone and pitch. • Updated information about copyright for the digital age Evan Feldman is Conductor of the Wind Ensemble and Associate Professor of Music at the University of North Carolina at Chapel Hill Ari Contzius is the Wind Ensemble Conductor at Washingtonville High School, Washingtonville, NY Mitchell Lutch is Associate Professor of Music and Director of Bands at Central College in Pella, Iowa |
| a history of western music burkholder: Music in the Eighteenth Century John A. Rice, 2013 Eighteenth Century Music in its cultural, social, and intellectual contexts. John Rice's Music in the Eighteenth Century takes the reader on an engrossing Grand Tour of Europe's musical centers, from Naples, to London, Berlin, Vienna, Prague, and St. Petersburg —with a side trip to the colonial New World. Against the backdrop of Europe's largely peaceful division into Catholic and Protestant realms, Rice shows how learned and galant styles developed and commingled. While considering Mozart, Haydn, and early Beethoven in depth, he broadens his focus to assess the contributions of lesser-known but significant figures like Johann Adam Hiller, Francois-André Philidor, and Anna Bon. Western Music in Context: A Norton History comprises six volumes of moderate length, each written in an engaging style by a recognized expert. Authoritative and current, the series examines music in the broadest sense—as sounds notated, performed, and heard—focusing not only on composers and works, but also on broader social and intellectual currents. |
| a history of western music burkholder: Study and Listening Guide for A History of Western Music, Fifth Edition, by Donald Jay Grout and Claude V. Palisca and Norton Anthology of Western Music, Third Edition, by Claude V. Palisca James Peter Burkholder, 1996 |
| a history of western music burkholder: The Musician's Guide to Theory and Analysis Jane Piper Clendinning, Elizabeth West Marvin, 2016-06-01 The Musician’s Guide to Theory and Analysis is a complete package of theory and aural skills resources that covers every topic commonly taught in the undergraduate sequence. The package can be mixed and matched for every classroom, and with Norton’s new Know It? Show It! online pedagogy, students can watch video tutorials as they read the text, access formative online quizzes, and tackle workbook assignments in print or online. In its third edition, The Musician’s Guide retains the same student-friendly prose and emphasis on real music that has made it popular with professors and students alike. |
| a history of western music burkholder: Charles Ives and His World James Peter Burkholder, 1996-08-25 This volume shows Charles Ives in the context of his world in a number of revealing ways. Five new essays examine Ives's relationships to European music and to American music, politics, business, and landscape. J. Peter Burkholder shows Ives as a composer well versed in four distinctive musical traditions who blended them in his mature music. Leon Botstein explores the paradox of how, in the works of Ives and Mahler, musical modernism emerges from profoundly antimodern sensibilities. David Michael Hertz reveals unsuspected parallels between one of Ives's most famous pieces, the Concord Piano Sonata, and the piano sonatas of Liszt and Scriabin. Michael Broyles sheds new light on Ives's political orientation and on his career in the insurance business, and Mark Tucker shows the importance for Ives of his vacations in the Adirondacks and the representation of that landscape in his music. The remainder of the book presents documents that illuminate Ives's personal life. A selection of some sixty letters to and from Ives and his family, edited and annotated by Tom C. Owens, is the first substantial collection of Ives correspondence to be published. Two sections of reviews and longer profiles published during his lifetime highlight the important stages in the reception of Ives's music, from his early works through the premieres of his most important compositions to his elevation as an almost mythic figure with a reputation among some critics as America's greatest composer. |
| a history of western music burkholder: Music In European Capitals Daniel Heartz, 2003-05-27 A glittering cultural tour of Europe's major capitals during a period of intense musical change. This volume continues the study of the eighteenth century begun in Haydn, Mozart, and the Viennese School 1740–1780 (1995) by focusing on the capital cities other than Vienna that were most important in the creation and diffusion of new music. It tells of events in Naples, where Vinci and Pergolesi went beyond their pre-1720 models to cultivate opera in a simpler, more direct manner, soon after christened the galant style. No less central was Venice, where Vivaldi perfected the concerto, on which were patterned the early symphonies and the newer kind of sonata. Dresden profited first from all these achievements and became, under Hasse's direction, the foremost center of Italian opera in Germany. Mannheim with its great orchestra did much to shape the modern symphony. A few years later, Paris became paramount, especially for its Opéra-Comique; during the 1770s the Opéra provided Gluck with a stage on which to cap his long international career. The book concludes with a description of Christian Bach in London, Paisiello in Saint Petersburg, and Boccherini in Madrid. This long-awaited book offers a view of eighteenth-century music that is broad and innovative while remaining sensitive to the values of those times and places. One comes away from it with an understanding of the European context behind the triumphs of Haydn and Mozart. Lavishly illustrated with music examples and reproductions, both in black-and-white and color, this master study will be of inestimable importance to scholars, cultural historians, performers, and all music lovers. |
| a history of western music burkholder: Language of the Spirit Jan Swafford, 2017-04-11 A preeminent composer, music scholar, and biographer presents an engaging and accessible introduction to classical music For many of us, classical music is something serious--something we study in school, something played by cultivated musicians at fancy gatherings. In Language of the Spirit, renowned music scholar Jan Swafford argues that we have it all wrong: classical music has something for everyone and is accessible to all. Ranging from Gregorian chant to Handel's Messiah, from Vivaldi's The Four Seasons to the postmodern work of Philip Glass, Swafford is an affable and expert guide to the genre. He traces the history of Western music, introduces readers to the most important composers and compositions, and explains the underlying structure and logic of their music. Language of the Spirit is essential reading for anyone who has ever wished to know more about this sublime art. |
| a history of western music burkholder: A Hidden Secret Linda Castillo, 2015-06-02 When a baby-only hours old-is discovered on the Amish bishop's front porch in Painter's Mill, Ohio, Chief of Police Kate Burkholder is called in to investigate. The newborn is swaddled in an Amish crib quilt, and the only other item found with the child is a hand-carved wood rattle, which Kate also recognizes as Amish. The little girl seems healthy and whole; but who would abandon her and why? Though the quilt and rattle could be purchased, Kate suspects the mother is Amish, possibly young and unmarried, both of which would be powerful motives for such a desperate act. With the rattle and the baby quilt as the only clues, Kate must call upon her own Amish roots, and with the help of state agent John Tomasetti, search the Amish and English communities of Painters Mill for clues to unravel the poignant, puzzling mystery. |
| a history of western music burkholder: Listen to This Alex Ross, 2010-09-28 One of The Telegraph's Best Music Books 2011 Alex Ross's award-winning international bestseller, The Rest Is Noise: Listening to the Twentieth Century, has become a contemporary classic, establishing Ross as one of our most popular and acclaimed cultural historians. Listen to This, which takes its title from a beloved 2004 essay in which Ross describes his late-blooming discovery of pop music, showcases the best of his writing from more than a decade at The New Yorker. These pieces, dedicated to classical and popular artists alike, are at once erudite and lively. In a previously unpublished essay, Ross brilliantly retells hundreds of years of music history—from Renaissance dances to Led Zeppelin—through a few iconic bass lines of celebration and lament. He vibrantly sketches canonical composers such as Schubert, Verdi, and Brahms; gives us in-depth interviews with modern pop masters such as Björk and Radiohead; and introduces us to music students at a Newark high school and indie-rock hipsters in Beijing. Whether his subject is Mozart or Bob Dylan, Ross shows how music expresses the full complexity of the human condition. Witty, passionate, and brimming with insight, Listen to This teaches us how to listen more closely. |
| a history of western music burkholder: Oxford History of Western Music Richard Taruskin, 2009-07-27 The Oxford History of Western Music is a magisterial survey of the traditions of Western music by one of the most prominent and provocative musicologists of our time. This text illuminates, through a representative sampling of masterworks, those themes, styles, and currents that give shape and direction to each musical age. Taking a critical perspective, this text sets the details of music, the chronological sweep of figures, works, and musical ideas, within the larger context of world affairs and cultural history. Written by an authoritative, opinionated, and controversial figure in musicology, The Oxford History of Western Music provides a critical aesthetic position with respect to individual works, a context in which each composition may be evaluated and remembered. Taruskin combines an emphasis on structure and form with a discussion of relevant theoretical concepts in each age, to illustrate how the music itself works, and how contemporaries heard and understood it. It also describes how the c |
| a history of western music burkholder: The Lost World of Scripture John H. Walton, Brent Sandy, 2013-11-01 Walton and Sandy summarize what we know of orality and oral tradition as well as the composition and transmission of texts in the ancient Near East and the Greco-Roman world, and how this shapes our understanding of the Old and New Testaments. The authors then translate these insights into a helpful model for understanding the reliability of Scripture. |
| a history of western music burkholder: Music in the Baroque (Western Music in Context: A Norton History) Wendy Heller, 2014 Companion to Music in the baroque. |
| a history of western music burkholder: Music for Sight Singing Robert W. Ottman, Nancy Rogers, 2011 ...Developing the mind's ear--the ability to imagine how music sounds without first playing it on an instrument--is essential to any musician and sight singing (in conjunction with ear training and other studies in musicianship) is invaluable in reaching this fundamental goal...[This book has an] abundance of meticulously organized melodies drawn from the literature of composed music and a wide range of the world's folk music...Each chapter methodically introduces elements one at a time, steadily increasing in difficulty while providing a musically meaningful framework around which students can hone their skills...--preface. |
| a history of western music burkholder: Rock Music Styles Katherine Charlton, 2023 In this edition, A History is intended to be used as the text for a college-level course on the history of rock music. As a teacher and a writer, author's primary concern has been to help students develop an understanding of both the musical and cultural roots of rock music and the ability to hear a direct relationship between those roots and currently popular music-- |
| a history of western music burkholder: Chemistry , 2019 Chemistry, science, stoichiometry, thermodynamics, organic chemistry. |
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Click YouTube History. Click Manage history. Click Auto-delete. Select your preferred time range, then click Next. Click Confirm when done. Turn off or delete your watch history while signed …
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On your computer, go to your Search history in My Activity. Choose the Search history you want to delete. You can choose: All your Search history: Above your history, click Delete Delete all …
Access & control activity in your account
Under "History settings," click My Activity. To access your activity: Browse your activity, organized by day and time. To find specific activity, at the top, use the search bar and filters. Manage …
Check or delete your Chrome browsing history
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Delete your activity - Computer - Google Account Help
Under "History settings," click an activity or history setting you want to auto-delete. Click Auto-delete. Click the button for how long you want to keep your activity Next Confirm to save your …
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Click YouTube History. Click Manage history. Click Auto-delete. Select your preferred time range, then click Next. Click Confirm when done. Turn off or delete your watch history while signed …
View or delete your YouTube search history - Computer - Google …
Delete search history. Visit the My Activity page. Select one of the following: Delete: Click beside a search to delete it. To delete more than one search from your history at a time, click …
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Download history: The list of files you've downloaded using Chrome is deleted, but the actual files aren't removed from your computer. Passwords: Records of passwords you saved are deleted. …
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