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Above the Law: Living Like Hustlers – A Deep Dive into Lawlessness and its Consequences
Author: Dr. Anya Sharma, Sociologist and Criminologist specializing in organized crime and social inequality. Dr. Sharma has spent over 15 years researching the intersection of socioeconomic disparities and criminal behavior, with a specific focus on the cultural narratives surrounding “above the law livin like hustlers” lifestyles. Her fieldwork includes extensive interviews with individuals involved in various illicit activities, providing unique insight into their motivations and perspectives.
Publisher: Oxford University Press, a renowned academic publisher with a long history of publishing high-quality research in the fields of sociology, criminology, and law. Their expertise in rigorous peer-review processes ensures the accuracy and reliability of their publications, making them a trusted source for information on complex topics like "above the law livin like hustlers."
Editor: Professor David Miller, a leading expert in criminal justice policy and social control. Professor Miller's extensive experience editing scholarly works and his deep understanding of the subject matter lend considerable credibility to the article.
1. Historical Context: From Bootleggers to Wall Street
The phrase "above the law livin like hustlers" evokes a long and complex history of individuals and groups operating outside the established legal framework. Historically, this has manifested in diverse ways, from the Prohibition-era bootleggers who defied temperance laws, to modern-day white-collar criminals who exploit loopholes and manipulate financial systems. The romanticized image of the "hustler" – someone who skillfully navigates legal and moral boundaries to achieve wealth and power – has been a recurring theme in popular culture, influencing perceptions of crime and criminality. This romanticization often obscures the real-world consequences of "above the law livin like hustlers" – the exploitation of vulnerable populations, the erosion of trust in institutions, and the perpetuation of social inequality.
The concept of being “above the law” has deep roots in power dynamics. Throughout history, those with significant wealth, influence, or political connections have often enjoyed a degree of impunity, allowing them to engage in activities that would land ordinary citizens in jail. This has fueled resentment and cynicism, contributing to a perception that the legal system is rigged against the average person. The notion of "livin like hustlers" – often associated with quick riches and flashy displays of wealth – adds to this perception, attracting individuals who see it as a way to bypass the perceived limitations of conventional success.
2. Current Relevance: The Perpetuation of Inequality and Organized Crime
The allure of "above the law livin like hustlers" persists in the 21st century. While the specific methods have evolved, the underlying motivations remain largely the same: the desire for wealth, power, and status outside the constraints of traditional societal norms. The rise of sophisticated forms of organized crime, including cybercrime, drug trafficking, and human trafficking, demonstrates the continued relevance of this phenomenon. These criminal enterprises often operate transnationally, exploiting weaknesses in global governance and regulatory frameworks.
The internet and digital technologies have significantly altered the landscape of "above the law livin like hustlers." Cybercrime offers unprecedented opportunities for anonymity and rapid wealth accumulation, while simultaneously making it more difficult for law enforcement agencies to track and prosecute offenders. This digital frontier has blurred the lines between legitimate and illicit activities, making it increasingly challenging to combat the pervasive influence of "above the law livin like hustlers."
3. The Cultural Narrative: Glorification and its Consequences
The cultural portrayal of "above the law livin like hustlers" often contributes to its perpetuation. Movies, television shows, and music frequently romanticize the lives of criminals, emphasizing their charisma, cunning, and perceived success. This glamorization can normalize illegal activities, inspiring individuals – particularly those from marginalized communities facing limited opportunities – to seek wealth and power through illicit means. The narrative often overlooks the violence, exploitation, and social costs associated with "above the law livin like hustlers," presenting a distorted and ultimately harmful picture of reality.
The media’s portrayal often focuses on the individual “hustler,” overlooking the larger systemic issues that contribute to such behavior. The lack of economic opportunities, educational disparities, and systemic racism all contribute to a climate where some individuals may see "above the law livin like hustlers" as a viable, albeit risky, alternative.
4. The Social Cost: Erosion of Trust and Social Fragmentation
The prevalence of "above the law livin like hustlers" undermines public trust in institutions. When individuals believe that powerful figures or groups operate above the law, it erodes faith in the fairness and efficacy of the legal system. This can lead to social unrest, increased crime rates, and a breakdown in social cohesion. The perception that the system is rigged against them can fuel resentment and alienation, further destabilizing society.
Furthermore, the activities associated with "above the law livin like hustlers" often cause significant harm to individuals and communities. Drug trafficking devastates families and communities, while human trafficking exploits vulnerable populations. These activities generate significant social costs, impacting public health, safety, and economic stability.
5. Combating the Phenomenon: Law Enforcement, Prevention, and Rehabilitation
Effectively combating "above the law livin like hustlers" requires a multi-pronged approach. Law enforcement agencies need to adapt to the evolving methods of organized crime, utilizing sophisticated technologies and investigative techniques. Prevention efforts should focus on addressing the underlying social and economic factors that contribute to individuals’ involvement in illicit activities. This includes investing in education, job training, and community development programs, particularly in areas with high crime rates. Finally, rehabilitation programs play a crucial role in helping individuals involved in criminal activities reintegrate into society and lead law-abiding lives.
Conclusion
The phrase "above the law livin like hustlers" encapsulates a complex and persistent social phenomenon with far-reaching consequences. While popular culture often romanticizes this lifestyle, the reality is far more nuanced and damaging. Understanding the historical context, current manifestations, and cultural narratives surrounding "above the law livin like hustlers" is crucial to developing effective strategies for prevention, intervention, and rehabilitation. Addressing the underlying social and economic inequalities that contribute to this phenomenon is essential to building a more just and equitable society.
FAQs
1. What is the difference between a "hustler" and a criminal? While the terms often overlap, a "hustler" is sometimes used to describe someone who uses ingenuity and cunning to achieve wealth, regardless of legality. A criminal, on the other hand, is specifically someone who breaks the law. The distinction is blurry and often depends on context.
2. Is the romanticization of "hustlers" solely a modern phenomenon? No, the romanticization of individuals operating outside the law has existed for centuries, appearing in various forms throughout history.
3. How does technology influence "above the law livin like hustlers"? Technology provides new tools and opportunities for criminal activity, particularly in cybercrime and financial fraud, making detection and prosecution more challenging.
4. What role do social inequalities play in this phenomenon? Social inequalities, including lack of opportunity and systemic discrimination, can push individuals towards illicit activities as a means of survival or advancement.
5. Are there any legal strategies to deter "above the law livin like hustlers"? Yes, stricter laws, improved international cooperation, and asset forfeiture laws are among the legal strategies used.
6. What are some preventative measures? Investing in education, job training, and community development programs, particularly in marginalized areas, can significantly reduce the likelihood of individuals turning to crime.
7. What is the impact of "above the law livin like hustlers" on social trust? It erodes public trust in institutions and the fairness of the legal system, potentially leading to social unrest and instability.
8. How can rehabilitation programs help? Rehabilitation programs aim to provide support and resources to individuals leaving criminal lives, helping them reintegrate into society and lead law-abiding lives.
9. What is the role of media in perpetuating this phenomenon? Media portrayals, particularly in entertainment, can glamorize and normalize illegal activities, influencing perceptions and potentially inspiring some to emulate such behavior.
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| above the law livin like hustlers: Nuthin' but a "G" Thang Eithne Quinn, 2004-11-17 In the late 1980s, gangsta rap music emerged in urban America, giving voice to—and making money for—a social group widely considered to be in crisis: young, poor, black men. From its local origins, gangsta rap went on to flood the mainstream, generating enormous popularity and profits. Yet the highly charged lyrics, public battles, and hard, fast lifestyles that characterize the genre have incited the anger of many public figures and proponents of family values. Constantly engaging questions of black identity and race relations, poverty and wealth, gangsta rap represents one of the most profound influences on pop culture in the last thirty years. Focusing on the artists Ice Cube, Dr. Dre, the Geto Boys, Snoop Dogg, and Tupac Shakur, Quinn explores the origins, development, and immense appeal of gangsta rap. Including detailed readings in urban geography, neoconservative politics, subcultural formations, black cultural debates, and music industry conditions, this book explains how and why this music genre emerged. In Nuthin'but a G Thang, Quinn argues that gangsta rap both reflected and reinforced the decline in black protest culture and the great rise in individualist and entrepreneurial thinking that took place in the U.S. after the 1970s. Uncovering gangsta rap's deep roots in black working-class expressive culture, she stresses the music's aesthetic pleasures and complexities that have often been ignored in critical accounts. |
| above the law livin like hustlers: Ruthless Jerry Heller, Gil Reavill, 2007-08 The maverick music mogul who put rap on the map recounts his riveting career comprising delirious highs and shocking lows, cocaine-fueled mega-deals, brutal wranglings, and the uncanny insight that made a middle-aged, Jewish white guy the most successful record company executive of the rap era. |
| above the law livin like hustlers: Rhythm and Blues, Rap, and Hip-hop Frank W. Hoffmann, 2005 Presents brief entries covering the history, significant artists, styles and influence of rhythm and blues, rap, and hip-hop music. |
| above the law livin like hustlers: Parental Discretion Is Advised Gerrick Kennedy, 2017-12-05 Eazy-E, Dr. Dre, Ice Cube, MC Ren, and DJ Yella caused a seismic shift in hip-hop when they decided to form N.W.A in 1986. Suddenly rap became gangsta and relevant on the West Coast. With their hard-core image, bombastic sound, and lyrics that were by turns poetic, lascivious, socially conscious, and downright in-your-face, N.W.A spoke the truth about life on the streets of Compton, California--at the time a hotbed of poverty, drugs, gangs, and unemployment. Their hood tales offered a sharp contrast to the cozy, comfortable images of thriving middle-class life emanating from television screens across America. For the group, making music was not about being nice or projecting a false reality. It was all about expressing themselves. Through firsthand interviews and exhaustive research, Los Angeles Times music reporter Gerrick D. Kennedy transports readers back in time and offers a front-row seat to N.W.A's early days and the drama and controversy that followed the incendiary group as they rose to become multiplatinum artists. Kennedy leaves nothing off the table in his pursuit of the full story behind the group's most pivotal moments, including Ice Cube's decision to go solo after their debut studio album became a smash hit, the forming of Ruthless Records, the group's confrontation with the FBI over their inflammatory lyrics, incidents of physical assault, Dr. Dre's decision to launch Death Row Records with Suge Knight, N.W.A's impact on the 1992 LA riots, Eazy-E's battle with AIDS, and much more. A riveting and illuminating work of music journalism, [this book] captures a defining moment in rap music, when N.W.A made it altogether social, freaky, enterprising, and gangsta. They forced us all to take notice. For that reason alone, their story must be told.--Dust jacket flap. |
| above the law livin like hustlers: The Trouser Press Guide to '90s Rock Ira A. Robbins, 1997 All new and bigger than ever, The Trouser Press Guide to '90s Rock definitively covers 2,300 of this decade's most innovative and influential artists, reviewing 8,500 records - insanely obscure and familiar alike - from all over the world. Each insightful entry contains pungent critical analysis, biographical information and a complete album discography.--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved |
| above the law livin like hustlers: Who Got the Camera? Eric Harvey, 2021-10-05 Reality first appeared in the late 1980s—in the sense not of real life but rather of the TV entertainment genre inaugurated by shows such as Cops and America’s Most Wanted; the daytime gabfests of Geraldo, Oprah, and Donahue; and the tabloid news of A Current Affair. In a bracing work of cultural criticism, Eric Harvey argues that reality TV emerged in dialog with another kind of entertainment that served as its foil while borrowing its techniques: gangsta rap. Or, as legendary performers Ice Cube and Ice-T called it, “reality rap.” Reality rap and reality TV were components of a cultural revolution that redefined popular entertainment as a truth-telling medium. Reality entertainment borrowed journalistic tropes but was undiluted by the caveats and context that journalism demanded. While N.W.A.’s “Fuck tha Police” countered Cops’ vision of Black lives in America, the reality rappers who emerged in that group’s wake, such as Snoop Doggy Dogg and Tupac Shakur, embraced reality’s visceral tabloid sensationalism, using the media's obsession with Black criminality to collapse the distinction between image and truth. Reality TV and reality rap nurtured the world we live in now, where politics and basic facts don’t feel real until they have been translated into mass-mediated entertainment. |
| above the law livin like hustlers: Original Gangstas Ben Westhoff, 2016-09-13 Raw, authoritative, and unflinching ... An elaborately detailed, darkly surprising, definitive history of the LA gangsta rap era. -- Kirkus, starred review A monumental, revealing narrative history about the legendary group of artists at the forefront of West Coast hip-hop: Eazy-E, Dr. Dre, Ice Cube, Snoop Dogg, and Tupac Shakur. Amid rising gang violence, the crack epidemic, and police brutality, a group of unlikely voices cut through the chaos of late 1980s Los Angeles: N.W.A. Led by a drug dealer, a glammed-up producer, and a high school kid, N.W.A gave voice to disenfranchised African Americans across the country. And they quickly redefined pop culture across the world. Their names remain as popular as ever -- Eazy-E, Dr. Dre, and Ice Cube. Dre soon joined forces with Suge Knight to create the combustible Death Row Records, which in turn transformed Snoop Dogg and Tupac Shakur into superstars. Ben Westhoff explores how this group of artists shifted the balance of hip-hop from New York to Los Angeles. He shows how N.W.A.'s shocking success lead to rivalries between members, record labels, and eventually a war between East Coast and West Coast factions. In the process, hip-hop burst into mainstream America at a time of immense social change, and became the most dominant musical movement of the last thirty years. At gangsta rap's peak, two of its biggest names -- Tupac and Biggie Smalls -- were murdered, leaving the surviving artists to forge peace before the genre annihilated itself. Featuring extensive investigative reporting, interviews with the principal players, and dozens of never-before-told stories, Original Gangstas is a groundbreaking addition to the history of popular music. |
| above the law livin like hustlers: Rap Lawrence A. Stanley, 1992-11 Rap music is the most pervasive and influential American cultural phenomena of the last 10 years--here is the first comprehensive collection of complete lyrics to 175 of the greatest rap songs written throughout its history. Attorney Stanley obtains musical samples for De La Soul, Naughty by Nature, Prime Minister Pete Nice, and P.M. Dawn. |
| above the law livin like hustlers: Hip Hop’s Hostile Gospel Daniel White Hodge, 2016-09-27 In this book, Hodge takes into account the Christological, theological, and ecclesiological ruminations of a selected group of Hip Hop and rap song lyrics, interviews, and interviews from those defined as Hip Hoppers. The aim of this examination is to ascertain what a Hip Hop theology of community might entail, how it may look, and what it could feel like. The central premise are questions: does a Hip Hop ‘theology’ even fit? Is there an actual motif which Hip Hoppers are espousing within the supernatural realm? This study concerns itself with just over 8,500 songs. Its timespan is between 1987-2011, and it contains interviews from those in the Hip Hop community. |
| above the law livin like hustlers: Rockin' Records Buyers-Sellers Reference Book and Price Guide 2010 Edition Jerry Osborne, 2010 |
| above the law livin like hustlers: The Come Up Jonathan Abrams, 2022-10-18 The essential oral history of hip-hop, from its origins on the playgrounds of the Bronx to its reign as the most powerful force in pop culture—from the award-winning journalist behind All the Pieces Matter, the New York Times bestselling oral history of The Wire “The Come Up is Abrams at his sharpest, at his most observant, at his most insightful.”—Shea Serrano, #1 New York Times bestselling author of Hip-Hop (And Other Things) ONE OF THE BEST BOOKS OF THE YEAR: The Boston Globe, The Guardian, Spin The music that would come to be known as hip-hop was born at a party in the Bronx in the summer of 1973. Now, fifty years later, it’s the most popular music genre in America. Just as jazz did in the first half of the twentieth century, hip-hop and its groundbreaking DJs and artists—nearly all of them people of color from some of America’s most overlooked communities—pushed the boundaries of music to new frontiers, while transfixing the country’s youth and reshaping fashion, art, and even language. And yet, the stories of many hip-hop pioneers and their individual contributions in the pre-Internet days of mixtapes and word of mouth are rarely heard—and some are at risk of being lost forever. Now, in The Come Up, the New York Times bestselling author Jonathan Abrams offers the most comprehensive account so far of hip-hop’s rise, a multi-decade chronicle told in the voices of the people who made it happen. In more than three hundred interviews conducted over three years, Abrams has captured the stories of the DJs, executives, producers, and artists who both witnessed and themselves forged the history of hip-hop. Masterfully combining these voices into a seamless symphonic narrative, Abrams traces how the genre grew out of the resourcefulness of a neglected population in the South Bronx, and from there how it flowed into New York City’s other boroughs, and beyond—from electrifying live gatherings, then on to radio and vinyl, below to the Mason-Dixon Line, west to Los Angeles through gangster rap and G-funk, and then across generations. Abrams has on record Grandmaster Caz detailing hip-hop’s infancy, Edward “Duke Bootee” Fletcher describing the origins of “The Message,” DMC narrating his role in introducing hip-hop to the mainstream, Ice Cube recounting N.W.A’s breakthrough and breakup, Kool Moe Dee recalling his Grammys boycott, and countless more key players. Throughout, Abrams conveys with singular vividness the drive, the stakes, and the relentless creativity that ignited one of the greatest revolutions in modern music. The Come Up is an exhilarating behind-the-scenes account of how hip-hop came to rule the world—and an essential contribution to music history. |
| above the law livin like hustlers: The History of Gangster Rap Soren Baker, 2018-10-02 Journalist Soren Baker’sThe History of Gangster Rap takes a deep dive into this fascinating music subgenre. Foreword by Xzibit Sixteen detailed chapters, organized chronologically, examine the evolution of gangster rap, its main players, and the culture that created this revolutionary music. From still-swirling conspiracy theories about the murders of Biggie and Tupac to the release of the film Straight Outta Compton, the era of gangster rap is one that fascinates music junkies and remains at the forefront of pop culture. Filled with interviews with key players such as Snoop Dogg, Ice-T, and dozens more, as well as sidebars, breakout bios of notorious characters, lists, charts, and beyond, The History of Gangster Rap is the be-all-end-all book that contextualizes the importance of gangster rap as a cultural phenomenon. “History has so often been written by the victors, that you very rarely ever get the real story behind anything. So it’s really important to hear from the people that were there, which is exactly what Soren Baker shares in this book. He writes about it and he’s honest about it.” —The D.O.C. |
| above the law livin like hustlers: Hip Hop around the World [2 volumes] Melissa Ursula Dawn Goldsmith, Anthony J. Fonseca, 2018-12-01 This set covers all aspects of international hip hop as expressed through music, art, fashion, dance, and political activity. Hip hop music has gone from being a marginalized genre in the late 1980s to the predominant style of music in America, the UK, Nigeria, South Africa, and other countries around the world. Hip Hop around the World includes more than 450 entries on global hip hop culture as it includes music, art, fashion, dance, social and cultural movements, organizations, and styles of hip hop. Virtually every country is represented in the text. Most of the entries focus on music styles and notable musicians and are unique in that they discuss the sound of various hip hop styles and musical artists' lyrical content, vocal delivery, vocal ranges, and more. Many additional entries deal with dance styles, such as breakdancing or b-boying/b-girling, popping/locking, clowning, and krumping, and cultural movements, such as black nationalism, Nation of Islam, Five Percent Nation, and Universal Zulu Nation. Country entries take into account politics, history, language, authenticity, and personal and community identification. Special care is taken to draw relationships between people and entities such as mentor-apprentice, producer-musician, and more. |
| above the law livin like hustlers: Joel Whitburn's Top Pop Album Tracks, 1955-1992 Joel Whitburn, 1993 |
| above the law livin like hustlers: Billboard , 2008-08-09 In its 114th year, Billboard remains the world's premier weekly music publication and a diverse digital, events, brand, content and data licensing platform. Billboard publishes the most trusted charts and offers unrivaled reporting about the latest music, video, gaming, media, digital and mobile entertainment issues and trends. |
| above the law livin like hustlers: Schwann Spectrum , 1999 |
| above the law livin like hustlers: Sonic Alchemy David N. Howard, 2004-06-01 (Book). You may not have heard of them, but you have certainly heard their songs! From the lo-fidelity origins of early pioneers to today's dazzling technocrats, the role of the music producer is as murkily undefined as it is wholly essential. Sonic Alchemy: Visionary Music Producers and Their Maverick Recordings is an exploration of the influence of the often colorful, idiosyncratic and visionary music producers through popular music and the fascinatingly crucial role they have played in shaping the way we hear pop music today. Sonic Alchemy is nothing short of the secret history of the music producer. |
| above the law livin like hustlers: Can't stop won't stop Jeff Chang, 2006 Plus qu'une histoire du rap à proprement parler, Can't Stop Won't Stop (d'après la devise du gang des Crips) est avant tout l'histoire de la constitution d'une génération et de ses combats pour être reconnue dans un contexte politico-social qui aurait ;voulu la réduire au silence et à l'invisibilité. On voit ainsi comment les revendications civiques des Noirs américains sont passées du terrain politique au terrain culturel, les rappeurs ayant prêté leur voix pour incarner le mécontentement, la frustration, parfois aussi la joie sauvage et sans honte de cette génération. Jeff Chang examine à la loupe, fort de centaines d'entretiens et de recherches minutieuses, les quatre phénomènes principaux qui constituent son expression : les MC (Masters of Ceremony), les DJ, la breakdance et l'art du graffiti. Remontant aux origines, parfois anciennes, de ces mouvements (les block parties de Kool Herc, inspirées de sa Jamaïque natale), il retrace la saga d'Afrika Bambaataa, qui rendit le hip-hop populaire dans le monde entier et créa la Zulu Nation. Il observe les avatars du Message jusqu'à l'apparition du rap new school de la Côte Est (Run DMC, puis Public Enemy). La deuxième partie du livre est consacrée davantage à la Côte Ouest, qui voit l'émergence du gangsta rap avec Niggers With Attitude, revers vitriolé des grands discours moralisateurs à la Chuck D. Brisant tous les clichés ordinairement véhiculés, Can't Stop Won't Stop est une extraordinaire plongée politico-culturelle au cœur d'une Amérique ravagée par les tensions raciales, et d'une génération sacrifiée à la recherche de son unité. C'est de surcroît la meilleure et la plus complète histoire des gangs américains. |
| above the law livin like hustlers: The Pharcyde's Bizarre Ride II the Pharcyde Andrew Barker, 2017-05-04 As immediately believable as they were cartoonish, as much an inner city cipher as a suburban boys gang, the foursome that made up the Pharcyde were the most relatable MCs to ever pass the mic. On their debut and magnum opus Bizarre Ride II the Pharcyde, they created a record almost overstuffed with possibility, the sound of four restless man-children fresh out of their teens, finding a perfect outlet in a form of music that was just as young and fertile. And like the product of any adolescent, Bizarre Ride wears its contrarianism and contradictions on its sleeve. It's a party album about shyness and unrequited love. A swirl of jubilant L.A. psychedelia recorded in the midst of the Rodney King trial. A blast of black consciousness that still makes room to poke fun at Public Enemy and reference the Pixies. A dense, sophisticated sonic stew punctuated by yo mama jokes and prank calls. While hip-hop was already calcifying its tropes of steely machismo and aspirational fantasy, Bizarre Ride was a pure distillation of the average hip-hop listener's actual lifestyle-the joys and sorrows of four guys who were young, broke, sexually frustrated, and way too clever for their own good. A touchstone for Kanye West, Drake, Lil B and a whole generation of off-center MCs, Bizarre Ride sketched out a whole strata of emotions that other rappers hadn't yet dared to tackle, and to a certain extent, still haven't. |
| above the law livin like hustlers: The Encyclopedia of Record Producers Eric Olsen, Paul Verna, Carlo Wolff, 1999 Hundreds of producers of pop music are listed in this resource featuring profiles and interviews by writers and editors of Billboard magazine, the most informed voices in the music business. |
| above the law livin like hustlers: DJ-culture Ulf Poschardt, 1998 From the first ever radio transmission in 1906, to the underworld New York club parties of the sixties to the future concept of the DJ as cultural producer, the transition of the DJ from record-spinner to musician is the central theme of the book. |
| above the law livin like hustlers: Joel Whitburn's Top Pop Albums, 1955-1996 Joel Whitburn, 1996 Book |
| above the law livin like hustlers: DJ culture Ulf Poschardt, 2002 Si le DJ ne fut pendant longtemps qu'un simple pourvoyeur de sons. son histoire est parallèle à celle de la musique pop dont il contribua largement à la naissance. Cantonné jusque dans les années 50 à n'être avant tout qu'un animateur [radio] de la culture de masse musicale naissante, le rôle du DJ, ainsi que les techniques lui permettant de tracer son sillon [retransmissions radios, vinyles, platines, table de mixage]. évoluèrent au point d'en être devenu de nos jours la musique pop elle-même. Ulf Poschardt, dans cet ouvrage documentaire, développe la longue histoire du passeur de disques et de ses musiques, depuis le premier spécimen du genre [Reginald R. Fedessen retransmettant le Largo de Händel en 1906] jusqu'aux plus récents genres musicaux nés de la culture DJ [trip-hop, drum'n'bass]. On y croise ainsi Alan Freed. l'inventeur du rock'n roll. Kool DJ Herc, qui donna naissance au hip-hop. Francis Grosso. DJ de disco qui donna son véritable sens au terme mix , Frankie Knucles et Tony Humphries, artisans de la house, jusque DJ Shadow. Massive Attack, Aphex Twin et Daft Punk. S'appuyant sur les travaux de Greil Marcus, Nik Cohn. David Toop, Simon Reynolds ou Nelson George, UIf Poschardt retrace dans ses moindres détails [historiques, sociologiques, techniques et musicaux] la courte [mais dense] histoire sonore de cette musique pop dont la vie ne fut rien d'autre que celle d'une culture DJ avec laquelle elle se confond désormais. |
| above the law livin like hustlers: Vibe , 2008 |
| above the law livin like hustlers: Chuck D Presents This Day in Rap and Hip-Hop History Chuck D, 2017-10-10 A one-of-a kind survey of rap and hip hop history from 1973 to today by Chuck D, arguably the most influential rapper in the world. In the more than 40 years since the days of DJ Kool Herc and Rapper's Delight, hip hop and rap have become a billion-dollar worldwide phenomenon. Yet there is no definitive history of the genre-until now. Based on Chuck's long-running show on Rapstation.com, this massive compendium details the most iconic moments and influential songs in the genre's recorded history, from Kurtis Blow's Christmas Rappin' to The Miseducation of Lauryn Hill to Kendrick Lamar's ground-breaking verse on Control. Also included are key events in hip hop history, from Grandmaster Flash's first scratch through Tupac's holographic appearance at Coachella. Throughout, Chuck offers his insider's perspective on the chart toppers and show stoppers as he lived it. Illustrating the pages are more than 100 portraits from the talented artists specializing in hip hop. |
| above the law livin like hustlers: Rap Whoz who Steven Stancell, 1996 Rap has been among America's most popular musics for over two decades now. Yet, for most listeners, rappers are mysterious figures, shrouded behind outrageous costumes, incendiary lyrics, and colorful pseudonyms. Rap Whoz Who identifies rap's major stars, tracing the influences of the pioneering rappers, deejays, promoters, and composers through today's best-known artists, both black and white. It shows how rap as a genre bridges many musical styles, and includes a variety of social and political messages. Rap has been controversial because of its content, but as a musical style it has barely been documented. Rap Whoz Who closes this gap in a thoughtful and colorfully written account of the music and its stars. |
| above the law livin like hustlers: Ego Trip's Book of Rap Lists Sacha Jenkins, Elliott Wilson, Jeff Mao, Gabe Alvarez, Brent Rollins, 2014-03-25 Ego Trip's Book of Rap Lists is more popular than racism! Hip hop is huge, and it's time someone wrote it all down. And got it all right. With over 25 aggregate years of interviews, and virtually every hip hop single, remix and album ever recorded at their disposal, the highly respected Ego Trip staff are the ones to do it. The Book of Rap Lists runs the gamut of hip hop information. This is an exhaustive, indispensable and completely irreverent bible of true hip hip knowledge. |
| above the law livin like hustlers: This Day in Rap and Hip-Hop History Chuck D, 2017-10-05 Foreword by Shepard Fairey. As featured in Best stocking-filler books of 2017 - The Guardian 'If you want to understand our culture. To learn knowledge itself. Truth about the art form of poetry in motion. The struggle of our community through rhyme and rhythm. This is the book that inspired me long before I found my place in hip-hop. The power of self-expression. Unapologetically. Taught by the teacher himself. Chuck D!!!'. - Kendrick Lamar 'This book is required reading for those who claim to know hip-hop, love hip-hop, and want their information from a true Master and General of the hip-hop culture...Public Enemy #1, Chuck D!' - Ice-T 'Chuck D wasn't put here to play any games. He created the greatest hip-hop album in my opinion to date, It Takes a Nation of Millions to Hold Us Back. But the very first minute he sonically appeared to us, I knew rap was changed forever. Power, awareness, strength, and militancy is his stance in a world obsessed with punishing poor people. I knew he would righteously and boldly die so that a little young boy he didn't even know from Queensbridge could live. He attacked wickedness head-on being the rappin' rhino terror that he is. He represented for all of us putting his life on the line and making the right music fighting for hip hop, the youth, truth, and justice. Chuck D made the lane for people like me to walk.' - Nas 'Reading this book is like reliving my life all over again. Chuck D is Dope!!!' - LL Cool J In the more than 40 years since the days of DJ Kool Herc and Rapper's Delight, hip-hop and rap have become a billion-pound worldwide cultural phenomenon that reaches well beyond music, into fashion, movies, art and politics. Yet there is no definitive history of the genre - until now. This massive compendium details the most iconic moments and influential songs in the genre's recorded history, from Kurtis Blow's Christmas Rappin' to The Miseducation of Lauryn Hill to Kendrick Lamar's verse on Control. Also included are key events in hip-hop history, from Grandmaster Flash's first scratch through to Tupac's holographic appearance at Coachella. Throughout the book, Chuck offers an insider's perspective on the chart toppers, artists and key moments. Illustrating the pages are more than 150 portraits from mADurgency, an artist collective specialising in art and design for the hip-hop community. |
| above the law livin like hustlers: Rap Music in the 1980s Judy McCoy, 1992 An annotated bibliography of over a thousand articles, books, and reviews pertaining to rap music, its artists, and the associated culture and politics. Also includes a discography of 76 albums released during the 1980s. Identifies artists' legal names and previous groups (when known). Annotation copyright by Book News, Inc., Portland, OR |
| above the law livin like hustlers: The New Beats S. H. Fernando, 1994 Exploring the Music, Culture and Attitudes of Hip-Hop Analyses the history and current status of hip-hop music from its raw beginnings in the Bronx right up to the present day. Contains numerous profiles of leading hip-hop and rap performers and is illustrated with 55 photographs. A superb book by a truly knowledgeable writer. |
| above the law livin like hustlers: The Trouser Press Record Guide Ira A. Robbins, 1991 |
| above the law livin like hustlers: Bring That Beat Back Nate Patrin, 2020-06-09 How sampling remade hip-hop over forty years, from pioneering superstar Grandmaster Flash through crate-digging preservationist and innovator Madlib Sampling—incorporating found sound and manipulating it into another form entirely—has done more than any musical movement in the twentieth century to maintain a continuum of popular music as a living document and, in the process, has become one of the most successful (and commercial) strains of postmodern art. Bring That Beat Back traces the development of this transformative pop-cultural practice from its origins in the turntable-manning, record-spinning hip-hop DJs of 1970s New York through forty years of musical innovation and reinvention. Nate Patrin tells the story of how sampling built hip-hop through the lens of four pivotal artists: Grandmaster Flash as the popular face of the music’s DJ-born beginnings; Prince Paul as an early champion of sampling’s potential to elaborate on and rewrite music history; Dr. Dre as the superstar who personified the rise of a stylistically distinct regional sound while blurring the lines between sampling and composition; and Madlib as the underground experimentalist and record-collector antiquarian who constantly broke the rules of what the mainstream expected from hip-hop. From these four artists’ histories, and the stories of the people who collaborated, competed, and evolved with them, Patrin crafts a deeply informed, eminently readable account of a facet of pop music as complex as it is commonly underestimated: the aesthetic and reconstructive power of one of the most revelatory forms of popular culture to emerge from postwar twentieth-century America. And you can nod your head to it. |
| above the law livin like hustlers: InMusic , 1990-02 |
| above the law livin like hustlers: Beaty, rymy, życie Radek Miszczak, 2005 |
| above the law livin like hustlers: Contexts and Communities Ruth B. Greenberg, 1994 |
| above the law livin like hustlers: The Guinness Encyclopedia of Popular Music: A Cappella-Clarke, Johnny Colin Larkin, 1995 |
| above the law livin like hustlers: Joel Whitburn's Top Pop Albums, 1955-2001 Joel Whitburn, 2001 From pop music's early LPs to its latest CDs, Top Pop Albums 1955-2001 is a sweeping, stunning saga of Billboard's Pop Albums chart. This artist-by-artist listing includes every charted album from 1955 through June 30, 2001 - over 22,000 in all by more than 5,200 recording artists, and the more than 225,000 cuts from those albums. Along with complete chart data, artist biographies and complete track listings for every artist, Top Pop Albums sports new features such as each album's CD availability, data from the newly researched Top Pop Catalog Albums chart, updated album pricing and more, making this the biggest, broadest, absolute best albums book ever! Hardcover, ISBN 0-89820-147-0. |
| above the law livin like hustlers: Billboard , 1997-08-09 In its 114th year, Billboard remains the world's premier weekly music publication and a diverse digital, events, brand, content and data licensing platform. Billboard publishes the most trusted charts and offers unrivaled reporting about the latest music, video, gaming, media, digital and mobile entertainment issues and trends. |
| above the law livin like hustlers: Pitbull - Mr. Worldwide C. Duthel, 2012-03-05 Pitbull was born to Cuban parents who made him recite the works of poet José Martí. He encountered problems early in his career as a rapper because he was blue-eyed, white and Cuban American. He was also influenced by the Miami bass genre of hip hop music and has cited Celia Cruz and Willy Chirino as sources of inspiration for his music. |
| above the law livin like hustlers: Musician , 1990 |
Above The Law Livin Like Hustlers - api.spsnyc.org
Above The Law Livin Like Hustlers: Rap Lawrence A. Stanley,1992-11-01 This book contains the complete lyrics to 200 old school rap songs with a history and overview of this musical form up …
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Above The Law, Livin' Like Hustlers [Above The Law] Let me start it off, 'cause I'm a player Fade into part two, I'm the number-one ho layer A mack, a player, and a pimp Something much …
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Livin' Like Hustlers (1990): Refining the Formula Building on the success of their debut, Livin' Like Hustlers further solidified Above the Law's position as major players in the gangsta rap …
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seemingly untouchable, amassing wealth and power? The allure of "living like a hustler," bending or breaking rules to achieve success, is a powerful narrative. But the reality is far more …
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July 13th, 2018 - Livin Like Hustlers is the debut album by American hip hop group Above the Law It was released on February 20 1990 via Ruthless Records and an advanced promo cassette …
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Knowledge it, cause we livin like hustlers Comin from U.S.C. For those that don't know That's the University of South Central So bless the 40oz. Cautse his is somethin to jump on Why, you can …
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The strategies employed by those attempting to live "above the law" are varied and often involve a degree of cunning and manipulation. These can range from tax evasion and fraud to more …
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Above The Law Livin Like Hustlers: Rap Lawrence A. Stanley,1992-11-01 This book contains the complete lyrics to 200 old school rap songs with a history and overview of this musical form up …
Hustler Magazine 1990's Full Collection - Archive.org
Like every other half-ass movie star, old ham Charlton Heston appears larger than life when his craggy face is magnified on the silver screen. But strand the actor among a group of actual …
Above The Law Livin Like Hustlers (PDF)
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"Livin' Like Hustlers": This track embodies the album's theme of navigating a life steeped in the realities of the streets. "The Ruthless Rap Assassins": A collaborative track showcasing their …
Above The Law Livin Like Hustlers (book) - api.spsnyc.org
Above The Law Livin Like Hustlers Rap Lawrence A. Stanley,1992-11-01 This book contains the complete lyrics to 200 old school rap songs with a history and overview of this musical form up …
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Living In The Private - Educated in Law
Private: To be “in the private” is to “live” in a “private capacity” as a Man or Woman, with flesh and blood, arms and legs, a conscious mind, a spirit, and Life. All Men and Women are created as …
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Paul addresses some of the issues surrounding the place of the law in the life of a Christian in the book of Galatians. Based on the first few verses of Galatians 3, one might even ask if the …
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Above The Law Livin Like Hustlers: Rap Lawrence A. Stanley,1992-11-01 This book contains the complete lyrics to 200 old school rap songs with a history and overview of this musical form up …
Above the law - data.bnf.fr
"Livin' like hustlers" (1990) with Above the law as Instrumentalist ... "Livin' like hustlers" (1990) with Above the law as Instrumentalist "Untouchable" (1990) with Above the law as …
Above The Law, Livin' Like Hustlers - Teksciory.pl
Above The Law, Livin' Like Hustlers [Above The Law] Let me start it off, 'cause I'm a player Fade into part two, I'm the number-one ho layer A mack, a player, and a pimp Something much …
Above The Law Group Albums - origin-dmpk.waters
Livin' Like Hustlers (1990): Refining the Formula Building on the success of their debut, Livin' Like Hustlers further solidified Above the Law's position as major players in the gangsta rap …
Above The Law Livin Like Hustlers - origin-dmpk.waters
seemingly untouchable, amassing wealth and power? The allure of "living like a hustler," bending or breaking rules to achieve success, is a powerful narrative. But the reality is far more …
Hustlers Law - smt.volunteeringmatters.org.uk
July 13th, 2018 - Livin Like Hustlers is the debut album by American hip hop group Above the Law It was released on February 20 1990 via Ruthless Records and an advanced promo cassette …
Above The Law Livin Like Hustlers [PDF] - x-plane.com
We provide copy of Above The Law Livin Like Hustlers in digital format, so the resources that you find are reliable. There are also many Ebooks of related with Above The Law Livin Like Hustlers.
Above The Law - Flow On | MotoLyrics
Knowledge it, cause we livin like hustlers Comin from U.S.C. For those that don't know That's the University of South Central So bless the 40oz. Cautse his is somethin to jump on Why, you …
Above The Law Livin Like Hustlers - oldshop.whitney.org
The strategies employed by those attempting to live "above the law" are varied and often involve a degree of cunning and manipulation. These can range from tax evasion and fraud to more …
Above The Law Livin Like Hustlers Copy - api.spsnyc.org
Above The Law Livin Like Hustlers: Rap Lawrence A. Stanley,1992-11-01 This book contains the complete lyrics to 200 old school rap songs with a history and overview of this musical form up …
Hustler Magazine 1990's Full Collection - Archive.org
Like every other half-ass movie star, old ham Charlton Heston appears larger than life when his craggy face is magnified on the silver screen. But strand the actor among a group of actual …
Above The Law Livin Like Hustlers (PDF)
Above The Law Livin Like Hustlers 1. Understanding the eBook Above The Law Livin Like Hustlers The Rise of Digital Reading Above The Law Livin Like Hustlers Advantages of …
Above The Law Group Albums (book) - cie-advances.asme.org
"Livin' Like Hustlers": This track embodies the album's theme of navigating a life steeped in the realities of the streets. "The Ruthless Rap Assassins": A collaborative track showcasing their …
Above The Law Livin Like Hustlers (book) - api.spsnyc.org
Above The Law Livin Like Hustlers Rap Lawrence A. Stanley,1992-11-01 This book contains the complete lyrics to 200 old school rap songs with a history and overview of this musical form up …
Hustlers Law - jomc.unc.edu
Nov 19, 2024 · Above the Law Livin Like Hustlers Amazon com Music July 12th, 2018 - Stream Livin Like Hustlers by Above the Law and tens of millions of songs on all your devices with …
Used CDs Template
512609 above the law livin like hustlers 9.95 512606 all hell breaks loose all hell breaks loose 9.95 245012 barnes jimmy in the heat of the night summer 07 nz tour edition 12.95 245155 …
Above The Law Livin Like Hustlers - research.frcog.org
Above The Law Livin Like Hustlers ncert exemplar book class 12 chemistry - Aug 05 2023 web nov 28 2018 the ncert exemplar book class 12 chemistry contains 16 chapters and 2 model …
Hustlers Law - web.curtindubai.ac.ae
Sep 26, 2024 · July 12th, 2018 - Stream Livin Like Hustlers by Above the Law and tens of millions of songs on all your devices with Amazon Music Unlimited Exclusively for Prime members'
Living In The Private - Educated in Law
Private: To be “in the private” is to “live” in a “private capacity” as a Man or Woman, with flesh and blood, arms and legs, a conscious mind, a spirit, and Life. All Men and Women are created as …
Living above the Law August 2008 - bobyoungresources.com
Paul addresses some of the issues surrounding the place of the law in the life of a Christian in the book of Galatians. Based on the first few verses of Galatians 3, one might even ask if the …
