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Above the Law Rap: Exploring the Genre's Significance and Social Commentary
Author: Dr. Anya Sharma, PhD in Musicology, specializing in Hip Hop and Social Commentary. Dr. Sharma has published extensively on the intersection of music and social justice, with a particular focus on the lyrical content and socio-political messages within various subgenres of hip hop.
Keywords: Above the law rap, gangster rap, outlaw rap, hip hop, social commentary, crime, law enforcement, rebellion, power, music genre, lyrical analysis, cultural impact.
Introduction:
"Above the law rap" isn't a formally recognized subgenre like trap or boom-bap. Instead, it's a descriptive term encompassing a body of hip hop music that glorifies criminal activity, portrays a life outside the constraints of the legal system, and often features lyrical content that directly challenges or disregards authority. This article delves into the significance and relevance of this musical expression, examining its historical roots, lyrical themes, cultural impact, and the complex ethical considerations it raises. We will explore how "above the law rap" functions as both a reflection of societal realities and a potentially problematic celebration of lawlessness. Understanding this genre requires a nuanced approach, acknowledging the artistry while critically analyzing its social implications.
H1: Historical Context of "Above the Law Rap"
The roots of "above the law rap" can be traced back to the early days of gangsta rap in the 1980s and 1990s. Artists like N.W.A., with their unflinching portrayal of life in Compton, California, laid the groundwork for a more explicit and confrontational style of hip hop. Their music, while controversial, provided a voice for marginalized communities and offered a raw depiction of the realities of poverty, police brutality, and systemic inequality. However, this early "above the law rap" often lacked the overt glorification of violence and criminality that became more prevalent in later iterations.
The evolution of "above the law rap" can be seen through the changing socio-political landscape. The rise of the drug trade, the War on Drugs, and ongoing tensions between law enforcement and certain communities all contributed to the development of this specific stylistic expression. Artists who embraced this style often saw themselves as outsiders, rebels against a system they perceived as unjust. Their music became a form of resistance, a way to express frustration and anger, and a means of claiming power in the face of marginalization.
H2: Lyrical Themes and Techniques in "Above the Law Rap"
The lyrical content of "above the law rap" frequently centers on themes of:
Crime and Violence: This often involves detailed descriptions of criminal activities, glorification of gang life, and boasts about wealth acquired through illegal means.
Police Brutality and Systemic Racism: Many artists use their music to criticize law enforcement, highlighting instances of police misconduct and racial bias.
Materialism and Excess: The acquisition of wealth, often through illicit means, is frequently showcased, with lyrics emphasizing luxury goods and lavish lifestyles.
Rebellion and Anti-Authority Sentiment: The rejection of societal norms and legal structures is a central theme, with lyrics expressing defiance and a refusal to conform.
The lyrical techniques employed often include vivid imagery, metaphorical language, and storytelling to create immersive narratives. The use of braggadocio, boasting about one's criminal exploits, is also a common trope. However, it's crucial to differentiate between artistic expression and endorsement. While the music may depict criminal activities, it doesn't necessarily condone them.
H3: The Cultural Impact of "Above the Law Rap"
"Above the law rap" has had a profound impact on popular culture, influencing fashion, slang, and attitudes towards authority. It has also sparked significant debate and controversy, raising questions about its ethical implications and its potential contribution to violence and crime. Some argue that the genre perpetuates negative stereotypes and glorifies criminal behavior, while others see it as a powerful form of social commentary and a reflection of the harsh realities faced by many marginalized communities.
The impact extends beyond musical circles. The portrayal of criminality in "above the law rap" has influenced the narratives presented in other media, such as film and television, shaping public perceptions of certain communities and law enforcement. Furthermore, the music has become a soundtrack for social movements and protests, expressing collective grievances and fueling social change.
H4: Ethical Considerations and Critical Analysis
The ethical considerations surrounding "above the law rap" are complex and multifaceted. While artistic expression should be protected, the potential negative consequences of glorifying criminal behavior cannot be ignored. It's crucial to critically analyze the messages conveyed in this music, understanding the context and intent behind the lyrics while acknowledging the potential for misinterpretation and harmful effects. A nuanced approach is required, avoiding both the dismissal of the art form and the uncritical acceptance of its potentially problematic aspects. The responsibility lies not only with the artists but also with the listeners to engage with this music critically and to understand the potential impact of its messages.
H5: The Evolution and Future of "Above the Law Rap"
"Above the Law Rap" continues to evolve, adapting to changing social contexts and technological advancements. While some artists remain explicitly focused on themes of crime and defiance, others have incorporated more nuanced and complex perspectives. The genre’s future will likely involve a continued dialogue around social justice, accountability, and the role of art in reflecting and shaping society. As societal perceptions shift and artists explore new ways of expressing themselves, the landscape of "above the law rap" will undoubtedly continue to transform.
Conclusion:
"Above the law rap" is a multifaceted genre that demands careful consideration. It serves as a powerful reflection of societal realities, particularly concerning issues of crime, poverty, and police brutality. However, the potential for glorifying violence and criminal behavior necessitates a critical and nuanced approach to understanding its impact. By examining its historical context, lyrical themes, and cultural impact, we can better appreciate both its artistic merit and its potential social consequences. The ongoing debate surrounding "above the law rap" reflects the complex relationship between art, social commentary, and the responsibilities of both artists and audiences.
Publisher: Apex Music Publications, a leading publisher known for its scholarly work in music history, theory, and cultural studies. They maintain a strong reputation for rigorous editorial processes and commitment to academic integrity.
Editor: Dr. Elias Vance, PhD in Sociology, specializing in Hip Hop Culture and Urban Studies. Dr. Vance has extensive experience editing academic publications and possesses a deep understanding of the social and political contexts surrounding hip hop music.
FAQs:
1. Is "above the law rap" a formally recognized subgenre? No, it's a descriptive term for hip hop music glorifying criminal activity and defying authority.
2. What are the main lyrical themes in "above the law rap"? Crime, violence, police brutality, materialism, and anti-authority sentiments.
3. What are the ethical considerations surrounding this genre? Potential glorification of violence and criminal behavior versus artistic expression and social commentary.
4. How has "above the law rap" impacted popular culture? Influencing fashion, slang, and attitudes toward authority, sparking debates and controversy.
5. Does "above the law rap" always endorse criminal behavior? Not necessarily; it often reflects societal realities and can be a form of social commentary.
6. What is the historical context of "above the law rap"? Roots in gangsta rap, influenced by societal issues like the drug trade and police brutality.
7. How has the genre evolved over time? From explicit glorification of crime to more nuanced perspectives incorporating social justice themes.
8. What are some examples of artists associated with "above the law rap"? (Note: This requires a list of specific artists; the selection will depend on the interpretation of the term. It's important to provide examples responsibly, acknowledging the complexities involved).
9. What is the future of "above the law rap"? Likely to continue evolving, reflecting changing social contexts and incorporating diverse perspectives.
Related Articles:
1. The Sociopolitical Commentary in Gangsta Rap: An examination of the social and political messages within gangsta rap, exploring its function as a form of protest and social critique.
2. The Influence of "Above the Law Rap" on Film and Television: Analyzing how the genre's themes and imagery have shaped representations of crime and law enforcement in other media.
3. The Ethics of Glorifying Violence in Music: A discussion of the ethical implications of depicting violence in popular music, including considerations of artistic freedom and social responsibility.
4. A Comparative Analysis of "Above the Law Rap" and Conscious Hip Hop: Examining the differences and similarities between these two styles of hip hop, highlighting their distinct approaches to social commentary.
5. The Impact of the War on Drugs on the Development of "Above the Law Rap": Exploring the historical context and influence of drug policies on the development of this musical style.
6. The Role of "Above the Law Rap" in Shaping Public Perceptions of Police Brutality: Analyzing how the genre has contributed to discussions surrounding police violence and racial injustice.
7. Lyrical Analysis of Key Artists in "Above the Law Rap": A detailed analysis of the lyrical styles and techniques used by prominent artists within this style.
8. The Representation of Masculinity in "Above the Law Rap": Exploring the portrayal of masculinity within the genre, considering its impact on societal perceptions of gender roles.
9. The Commercialization and Mainstreaming of "Above the Law Rap": Analyzing the commercial success of this style of music and its implications for its social and artistic message.
| above the law rap: Above the Law Carsen Taite, 2016-06-14 DEA Agent Dale Nelson paid the ultimate price for her service when her wife was killed by drug dealers. Now she’s assigned to a task force investigating the suspects and she doesn’t need the distraction of the beautiful but infuriating reporter, Lindsey Ryan. Despite her initial resistance, Dale discovers that Lindsey is as talented and capable as she is attractive. Will she get a second shot at love, or will the peril of her job rob her of the chance at happiness again? Investigative reporter Lindsey Ryan will do whatever it takes to get the truth. As a favor, she agrees to anchor what is supposed to be a puff piece on the DEA. However, despite the reluctance of the striking Agent Nelson to share any information, Lindsey learns power and politics are at play, and exposing the truth could not only be dangerous, but could jeopardize her chance at love. |
| above the law rap: SPIN , 1990-10 From the concert stage to the dressing room, from the recording studio to the digital realm, SPIN surveys the modern musical landscape and the culture around it with authoritative reporting, provocative interviews, and a discerning critical ear. With dynamic photography, bold graphic design, and informed irreverence, the pages of SPIN pulsate with the energy of today's most innovative sounds. Whether covering what's new or what's next, SPIN is your monthly VIP pass to all that rocks. |
| above the law rap: Above the Law Skolnick Fyfe, 2010-05-11 The now-famous videotape of the beating of Rodney King precipitated a national outcry against police violence. Skolnick and Fyfe, two of the nation's top experts on law enforcement, use the incident to introduce a revealing historical analysis of such violence and the extent of its survival in law enforcement today. |
| above the law rap: Ruthless Jerry Heller, Gil Reavill, 2007-08 The maverick music mogul who put rap on the map recounts his riveting career comprising delirious highs and shocking lows, cocaine-fueled mega-deals, brutal wranglings, and the uncanny insight that made a middle-aged, Jewish white guy the most successful record company executive of the rap era. |
| above the law rap: Above the Law J. F. Freedman, 2013-05-28 When a federal drug bust goes awry, Luke Garrison must investigate a baffling government cover-up In a remote region of the California hills, Mexican drug lord Reynaldo Juarez has built a fortress, complete with a landing strip long enough for a Boeing 737. He has planned the biggest deal of his long and dangerous career: a $100 million cocaine buy that will make him a legend. With the DEA waiting in the hills, the Feds storm the Juarez compound. Four agents end up dead and the drug lord is shot through the skull. In the aftermath of the disastrous raid, former Santa Barbara District Attorney Luke Garrison is tasked with finding the shooter who killed Reynaldo. He will discover that a strange conspiracy, replete with a sinister cover-up, lies behind the assault on the kingpin’s compound. Going up against the DEA is a fearsome prospect, but fearlessness is all that Luke has left. |
| above the law rap: Westside William Shaw, 2000 An acclaimed author explores the dreams and realities of seven young men trying to make it in South-central Los Angeles, the world capital of gangsta rap and West Coast hip hop. |
| above the law rap: SPIN , 1990-06 From the concert stage to the dressing room, from the recording studio to the digital realm, SPIN surveys the modern musical landscape and the culture around it with authoritative reporting, provocative interviews, and a discerning critical ear. With dynamic photography, bold graphic design, and informed irreverence, the pages of SPIN pulsate with the energy of today's most innovative sounds. Whether covering what's new or what's next, SPIN is your monthly VIP pass to all that rocks. |
| above the law rap: Rap on Trial Erik Nielson, 2019-11-12 A groundbreaking exposé about the alarming use of rap lyrics as criminal evidence to convict and incarcerate young men of color Should Johnny Cash have been charged with murder after he sang, I shot a man in Reno just to watch him die? Few would seriously subscribe to this notion of justice. Yet in 2001, a rapper named Mac whose music had gained national recognition was convicted of manslaughter after the prosecutor quoted liberally from his album Shell Shocked. Mac was sentenced to thirty years in prison, where he remains. And his case is just one of many nationwide. Over the last three decades, as rap became increasingly popular, prosecutors saw an opportunity: they could present the sometimes violent, crime-laden lyrics of amateur rappers as confessions to crimes, threats of violence, evidence of gang affiliation, or revelations of criminal motive—and judges and juries would go along with it. Detectives have reopened cold cases on account of rap lyrics and videos alone, and prosecutors have secured convictions by presenting such lyrics and videos of rappers as autobiography. Now, an alarming number of aspiring rappers are imprisoned. No other form of creative expression is treated this way in the courts. Rap on Trial places this disturbing practice in the context of hip hop history and exposes what's at stake. It's a gripping, timely exploration at the crossroads of contemporary hip hop and mass incarceration. |
| above the law rap: Original Gangstas Ben Westhoff, 2016-09-13 Raw, authoritative, and unflinching ... An elaborately detailed, darkly surprising, definitive history of the LA gangsta rap era. -- Kirkus, starred review A monumental, revealing narrative history about the legendary group of artists at the forefront of West Coast hip-hop: Eazy-E, Dr. Dre, Ice Cube, Snoop Dogg, and Tupac Shakur. Amid rising gang violence, the crack epidemic, and police brutality, a group of unlikely voices cut through the chaos of late 1980s Los Angeles: N.W.A. Led by a drug dealer, a glammed-up producer, and a high school kid, N.W.A gave voice to disenfranchised African Americans across the country. And they quickly redefined pop culture across the world. Their names remain as popular as ever -- Eazy-E, Dr. Dre, and Ice Cube. Dre soon joined forces with Suge Knight to create the combustible Death Row Records, which in turn transformed Snoop Dogg and Tupac Shakur into superstars. Ben Westhoff explores how this group of artists shifted the balance of hip-hop from New York to Los Angeles. He shows how N.W.A.'s shocking success lead to rivalries between members, record labels, and eventually a war between East Coast and West Coast factions. In the process, hip-hop burst into mainstream America at a time of immense social change, and became the most dominant musical movement of the last thirty years. At gangsta rap's peak, two of its biggest names -- Tupac and Biggie Smalls -- were murdered, leaving the surviving artists to forge peace before the genre annihilated itself. Featuring extensive investigative reporting, interviews with the principal players, and dozens of never-before-told stories, Original Gangstas is a groundbreaking addition to the history of popular music. |
| above the law rap: Rhythm and Blues, Rap, and Hip-hop Frank W. Hoffmann, 2005 Presents brief entries covering the history, significant artists, styles and influence of rhythm and blues, rap, and hip-hop music. |
| above the law rap: Parental Discretion Is Advised Gerrick Kennedy, 2017-12-05 Eazy-E, Dr. Dre, Ice Cube, MC Ren, and DJ Yella caused a seismic shift in hip-hop when they decided to form N.W.A in 1986. Suddenly rap became gangsta and relevant on the West Coast. With their hard-core image, bombastic sound, and lyrics that were by turns poetic, lascivious, socially conscious, and downright in-your-face, N.W.A spoke the truth about life on the streets of Compton, California--at the time a hotbed of poverty, drugs, gangs, and unemployment. Their hood tales offered a sharp contrast to the cozy, comfortable images of thriving middle-class life emanating from television screens across America. For the group, making music was not about being nice or projecting a false reality. It was all about expressing themselves. Through firsthand interviews and exhaustive research, Los Angeles Times music reporter Gerrick D. Kennedy transports readers back in time and offers a front-row seat to N.W.A's early days and the drama and controversy that followed the incendiary group as they rose to become multiplatinum artists. Kennedy leaves nothing off the table in his pursuit of the full story behind the group's most pivotal moments, including Ice Cube's decision to go solo after their debut studio album became a smash hit, the forming of Ruthless Records, the group's confrontation with the FBI over their inflammatory lyrics, incidents of physical assault, Dr. Dre's decision to launch Death Row Records with Suge Knight, N.W.A's impact on the 1992 LA riots, Eazy-E's battle with AIDS, and much more. A riveting and illuminating work of music journalism, [this book] captures a defining moment in rap music, when N.W.A made it altogether social, freaky, enterprising, and gangsta. They forced us all to take notice. For that reason alone, their story must be told.--Dust jacket flap. |
| above the law rap: The History of Gangster Rap Soren Baker, 2018-10-02 Journalist Soren Baker’sThe History of Gangster Rap takes a deep dive into this fascinating music subgenre. Foreword by Xzibit Sixteen detailed chapters, organized chronologically, examine the evolution of gangster rap, its main players, and the culture that created this revolutionary music. From still-swirling conspiracy theories about the murders of Biggie and Tupac to the release of the film Straight Outta Compton, the era of gangster rap is one that fascinates music junkies and remains at the forefront of pop culture. Filled with interviews with key players such as Snoop Dogg, Ice-T, and dozens more, as well as sidebars, breakout bios of notorious characters, lists, charts, and beyond, The History of Gangster Rap is the be-all-end-all book that contextualizes the importance of gangster rap as a cultural phenomenon. “History has so often been written by the victors, that you very rarely ever get the real story behind anything. So it’s really important to hear from the people that were there, which is exactly what Soren Baker shares in this book. He writes about it and he’s honest about it.” —The D.O.C. |
| above the law rap: Rap Pages , 1999 |
| above the law rap: Fight the Power Gregory S. Parks, Frank Rudy Cooper, 2022-02-03 Fight the Power considers timely social justice issues for Black people in America through the lens hip-hop lyrics. |
| above the law rap: Hyper City Peter J.M. Nas, Annemarie Samuels, 2013-10-28 First published in 2006. Cities are sites of multiple meanings and symbols, ranging from statues and street names to festivals and architecture. Some times the symbolic side of urbanism is so strong that it outshines reality - then we speak of hypercity. Urban symbolic ecology and hypercity studies are relatively new fields that deal with the production, distribution and consumption of symbols and meanings in urban space, timely concerns in an era of increasing globalization and competition between mega-urban regions. This volume presents a detailed introduction to the new fields, followed by case studies of the cultural layer of symbolism in Brussels (Belgium), Cape Town (South Africa), Cuenca (Ecuador), Delft (The Netherlands), Kingston (Jamaica), Ljubljana (Slovenia), Paris (France) and cities in Italy and Indonesia. It amply demonstrates that the time has come for urban symbolic ecology and hypercity studies to be included in regular urban studies training in the fields of anthropology, sociology, social geography and architecture. |
| above the law rap: Hip-Hop and Philosophy Derrick Darby, Tommie Shelby, 2011-09-30 Is there too much violence in hip-hop music? What’s the difference between Kimberly Jones and the artist Lil' Kim? Is hip-hop culture a black thing? Is it okay for N.W.A. to call themselves niggaz and for Dave Chappelle to call everybody bitches? These witty, provocative essays ponder these and other thorny questions, linking the searing cultural issues implicit — and often explicit — in hip-hop to the weighty matters examined by the great philosophers of the past. The book shows that rap classics by Lauryn Hill, OutKast, and the Notorious B.I.G. can help uncover the meanings of love articulated in Plato's Symposium; that Rakim, 2Pac, and Nas can shed light on the conception of God's essence expressed in St. Thomas Aquinas's Summa Theologica; and explores the connection between Run-D.M.C., Snoop Dogg, and Hegel. Hip-Hop and Philosophy proves that rhyme and reason, far from being incompatible, can be mixed and mastered to contemplate life's most profound mysteries. |
| above the law rap: Ego Trip's Book of Rap Lists Sacha Jenkins, Elliott Wilson, Jeff Mao, Gabe Alvarez, Brent Rollins, 2014-03-25 Ego Trip's Book of Rap Lists is more popular than racism! Hip hop is huge, and it's time someone wrote it all down. And got it all right. With over 25 aggregate years of interviews, and virtually every hip hop single, remix and album ever recorded at their disposal, the highly respected Ego Trip staff are the ones to do it. The Book of Rap Lists runs the gamut of hip hop information. This is an exhaustive, indispensable and completely irreverent bible of true hip hip knowledge. |
| above the law rap: Parodies of Ownership Richard L. Schur, 2009-06-04 Richard Schur offers a provocative view of contemporary African American cultural politics and the relationship between African American cultural production and intellectual property law. ---Mark Anthony Neal, Duke University Whites used to own blacks. Now, they accomplish much the same thing by insisting that they 'own' ownership. Blacks shouldn't let them. A culture that makes all artists play by its rules will end up controlling new ideas and stifling change. Richard Schur's fine book explains why. ---Richard Delgado, Seattle University What is the relationship between hip-hop and African American culture in the post--Civil Rights era? Does hip-hop share a criticism of American culture or stand as an isolated and unique phenomenon? How have African American texts responded to the increasing role intellectual property law plays in regulating images, sounds, words, and logos? Parodies of Ownership examines how contemporary African American writers, artists, and musicians have developed an artistic form that Schur terms hip-hop aesthetics. This book offers an in-depth examination of a wide range of contemporary African American painters and writers, including Anna Deavere Smith, Toni Morrison, Adrian Piper, Colson Whitehead, Michael Ray Charles, Alice Randall, and Fred Wilson. Their absence from conversations about African American culture has caused a misunderstanding about the nature of contemporary cultural issues and resulted in neglect of their innovative responses to the post--Civil Rights era. By considering their work as a cross-disciplinary and specifically African American cultural movement, Schur shows how a new paradigm for artistic creation has developed. Parodies of Ownership offers a broad analysis of post--Civil Rights era culture and provides the necessary context for understanding contemporary debates within American studies, African American studies, intellectual property law, African American literature, art history, and hip-hop studies. Weaving together law, literature, art, and music, Schur deftly clarifies the conceptual issues that unify contemporary African American culture, empowering this generation of artists, writers, and musicians to criticize how racism continues to affect our country. Richard L. Schur is Director, Interdisciplinary Studies Center, and Associate Professor of Interdisciplinary Studies at Drury University. Visit the author's website: http://www2.drury.edu/rschur/index.htm. Cover illustration: Atlas, by Fred Wilson. © Fred Wilson, courtesy Pace Wildenstein, New York. |
| above the law rap: The Lost Teachings of Atlantis Jon Peniel, 1997-07-06 This is the account of an American teenager who discovered a monastery in Tibet that was the inspiration for the legend of Shangri La. It might be categorized as a 'new age' or philosophy book, like the Celestine Prophecy, since it focuses on his spiritual training and their teachings in a novel-like format. Hard to believe, but interestingly, the sub-tropical region amongst the Himalayas that he describes finding, was later documented by explorers from National Geographic, then 'covered up' (there is still evidence of this). Also interesting is that the author was apparently mentioned in the Edgar Cayce readings (the famous American psychic whose books have sold millions of copies), as someone who would one day bring an important message to the world. |
| above the law rap: Property Law D. Benjamin Barros, Anna P. Hemingway, Shelley Cavalieri, 2024-02 Buy a new version of this textbook and receive access to the Connected eBook with Study Center on Casebook Connect, including lifetime access to the online ebook with highlight, annotation, and search capabilities. Access also includes practice questions, an outline tool, and other helpful resources. Connected eBooks provide what you need most to be successful in your law school classes. An innovative Property casebook that reimagines the law school casebook format. Covering all the major topics included in a basic 1L Property course, Property Law leverages resources more typicall to an undergraduate textbook than a traditional law school casebook, making use of sidebars, illustrations, and other design devices to present material more clearly. The authors present concepts simply, then move the discussion toward complexity in contrast to the approach taken by many current property texts. Clear yet sophisticated, the casebook is the perfect choice for all skill levels. Including problems that students can and should be able to do on their own, explanatory answers, and skills-based exercises, this casebook is both professor-friendly and student-friendly. Themes that run through the course are highlighted throughout the book, resulting in a casebook that clearly presents the fundamentals of property law. This allows students to develop an understanding of basic concepts on their own while allowing professors to assist their students in developing an advanced understanding of property law. Although Property Law goes far beyond bar tested topics, the authors are experts on the property coverage on the bar exam, and wrote the book to give students exposure to every topic they are likely to see on the bar exam. New to the 3rd Edition: ● Some cases have been eliminated or shortened to make coverage more manageable, especially for four-credit courses. Edits from Second Edition will be included in the teacher's manual. ● Chapter 9 revised to include Cedar Point Nursery v. Hassid, the Supreme Court's most recent takings case. ● Additional corrections, updates, and refinements throughout. Professors and students will benefit from: ● Property Law starts from simplicity and moves to complexity: The book first provides text that explains the basic doctrine, then presents a simple case example, and finally moves to more complex issues. ● Cases are introduced with explanatory text discussing the law and issues surrounding the case. This radically different approach from most other casebooks allows students to have a better grasp of the concepts and themes before they even read the case. ● Problems and exercises that students can complete on their own, with explanatory answers included in an appendix. ● Innovative design that aids student learning, with sidebars, diagrams, charts, and illustrations that make concepts clearer to students. ● Cases that are used as examples, not introductions to legal rules. Many topics in the book feature introductory text, illustrations, and problem sets before a single case is introduced, to aid in students' legal learning. ● The inclusion of sample documents, helping students to understand core concepts. ● Perfect for a four-credit course, the book also features a modular design that can be used in courses of varying credit size. ● More comprehensive bar exam topic coverage than any competing book. |
| above the law rap: Revolution by the Book Jamil Al-Amin, 1993 |
| above the law rap: Chart Watch Bob Smithouser, Bob Waliszewski, 1998 Chart Watch reviews more than 400 albums from contemporary pop musicians as a practical help to families who are concerned about making sound music choices for their children.d |
| above the law rap: Behold a Pale Horse William Cooper, 2012-04-11 Bill Cooper, former United States Naval Intelligence Briefing Team member, reveals information that remains hidden from the public eye. This information has been kept in Top Secret government files since the 1940s. His audiences hear the truth unfold as he writes about the assassination of John F. Kennedy, the war on drugs, the Secret Government and UFOs. Bill is a lucid, rational and powerful speaker who intent is to inform and to empower his audience. Standing room only is normal. His presentation and information transcend partisan affiliations as he clearly addresses issues in a way that has a striking impact on listeners of all backgrounds and interests. He has spoken to many groups throughout the United States and has appeared regularly on many radio talk shows and on television. In 1988 Bill decided to talk due to events then taking place worldwide, events which he had seen plans for back in the early '70s. Since Bill has been talking, he has correctly predicted the lowering of the Iron Curtain, the fall of the Berlin Wall and the invasion of Panama. All Bill's predictions were on record well before the events occurred. Bill is not a psychic. His information comes from Top Secret documents that he read while with the Intelligence Briefing Team and from over 17 years of thorough research. Bill Cooper is the world's leading expert on UFOs. -- Billy Goodman, KVEG, Las Vegas. The onlt man in America who has all the pieces to the puzzle that has troubled so many for so long. -- Anthony Hilder, Radio Free America William Cooper may be one of America's greatest heros, and this story may be the biggest story in the history of the world. -- Mills Crenshaw, KTALK, Salt Lake City. Like it or not, everything is changing. The result will be the most wonderful experience in the history of man or the most horrible enslavement that you can imagine. Be active or abdicate, the future is in your hands. -- William Cooper, October 24, 1989. |
| above the law rap: Blowin' Up Jooyoung Lee, 2016-03-22 What many readers have wished for is now reality: a richly descriptive ethnography of street rappers. Blowing up refers to rappers dream of becoming rich and famous, or, at the least, successful as recording artists. Jooyoung Lee adds a shape to his story of Flawliis, VerBS, E. Crimsin, Psychosiz, and Tick-a-Lott: how do young black men from the inner city navigate their twenties? Blowin Up is a vibrant look at the young-adult stage of people who grow up in the shadow of gangs, dead-end jobs, and a glittering entertainment industry (the setting is Los Angeles). No other account of ghetto youth affords us this particular angle of vision. Lee discovers that in South Central L.A., rap can create bridges that bring young men together with peers from different neighborhoods (underscoring the importance of a healthy alternative to gangs). A rapper s underground artistic career is rooted in battle skills and crowd appeal, and, to boot, is meritocratic (whereas mainstream career success is based on branding, timing, funding, networks, and gimmicks). Rapping is an embodied artit takes much practice to learn, and requires body skills in dance, stance, and voice. Lee homes in on the skills and personalities of individual rappers, but he also illuminates the complex hip-hop scene around which these young men orbit, giving us detailed understandings of how young men navigate the intricate, tightly-wound world of tragedy and opportunity in the city. Lee balances the prospect of risk and existential uncertainty for youth entering a young adult life-stage with the hope for a big break in forging an entertainment career. In the end, Lee shows us how the arts can shape the lives of at-risk youth. |
| above the law rap: Pulse of the People Lakeyta M. Bonnette, 2015-04-15 Hip-Hop music encompasses an extraordinarily diverse range of approaches to politics. Some rap and Hip-Hop artists engage directly with elections and social justice organizations; others may use their platform to call out discrimination, poverty, sexism, racism, police brutality, and other social ills. In Pulse of the People, Lakeyta M. Bonnette illustrates the ways rap music serves as a vehicle for the expression and advancement of the political thoughts of the urban Black community, a population frequently marginalized within American society and alienated from electoral politics. Pulse of the People lays a foundation for the study of political rap music and public opinion research and demonstrates ways in which political attitudes asserted in the music have been transformed into direct action and behavior of constituents. Bonnette examines the history of rap music and its relationship to and extension from other cultural and political vehicles within Black America, presenting criteria for identifying the specific subgenre of music that is political rap. She complements the statistics of rap music exposure with lyrical analysis of rap songs that espouse Black Nationalist and Black Feminist attitudes. Touching on a number of critical moments in American racial politics--including the 2008 and 2012 elections and the cases of the Jena 6, Troy Davis, and Trayvon Martin--Pulse of the People makes a compelling case for the influence of rap music in the political arena and greatly expands our understanding of the ways political ideologies and public opinion are formed. |
| above the law rap: Hip Hop around the World [2 volumes] Melissa Ursula Dawn Goldsmith, Anthony J. Fonseca, 2018-12-01 This set covers all aspects of international hip hop as expressed through music, art, fashion, dance, and political activity. Hip hop music has gone from being a marginalized genre in the late 1980s to the predominant style of music in America, the UK, Nigeria, South Africa, and other countries around the world. Hip Hop around the World includes more than 450 entries on global hip hop culture as it includes music, art, fashion, dance, social and cultural movements, organizations, and styles of hip hop. Virtually every country is represented in the text. Most of the entries focus on music styles and notable musicians and are unique in that they discuss the sound of various hip hop styles and musical artists' lyrical content, vocal delivery, vocal ranges, and more. Many additional entries deal with dance styles, such as breakdancing or b-boying/b-girling, popping/locking, clowning, and krumping, and cultural movements, such as black nationalism, Nation of Islam, Five Percent Nation, and Universal Zulu Nation. Country entries take into account politics, history, language, authenticity, and personal and community identification. Special care is taken to draw relationships between people and entities such as mentor-apprentice, producer-musician, and more. |
| above the law rap: The Gucci Mane Guide to Greatness Gucci Mane, 2020-10-13 From the platinum selling recording artist and New York Times bestselling author of The Autobiography of Gucci Mane comes THE GUCCI MANE GUIDE TO GREATNESS—an unprecedented look at Gucci Mane’s secrets to success, health, wealth, and self-improvement. From Gucci: “I live by the principles in this book. I wanted to write this book to give you a tool set. This book should touch people who are going through something. It’s not going to be easy. But study these words, and put them into action. I want this book to keep you motivated. I want you to keep coming back to it for guidance and inspiration. You can put it on your shelf and keep going to The Gucci Mane Guide to Greatness. This book is a challenge. Don’t underestimate yourself. Don’t think that what you’re saying is not important. Don’t think you can’t achieve the impossible. Everyone needs some game, so here it is. The Gucci Mane Guide to Greatness is for the world. Enjoy.” In this inspiring follow up to his iconic memoir, Gucci Mane gifts us with his playbook for living your best life. Packed with stunning photographs, The Gucci Mane Guide to Greatness distills the legend’s timeless wisdom into a one-of-a-kind motivational guidebook. Gucci Mane emerged transformed after a turbulent life of violence, crime, and addiction to become a dazzling embodiment of the power of positivity, focus, and hard-work. Using examples from his life of unparalleled success, Gucci Mane looks inward and upward to offer his blueprint for greatness. A must read for anyone with big ambitions and bigger dreams. |
| above the law rap: 5 Grams Dimitri A. Bogazianos, 2012 In 2010, President Barack Obama signed a law repealing one of the most controversial policies in American criminal justice history: the one hundred to one sentencing disparity between crack cocaine and powder whereby someone convicted of “simply” possessing five grams of crack—the equivalent of a few sugar packets—had been required by law to serve no less than five years in prison. In this highly original work, Dimitri A. Bogazianos draws on various sources to examine the profound symbolic consequences of America’s reliance on this punishment structure, tracing the rich cultural linkages between America’s War on Drugs, and the creative contributions of those directly affected by its destructive effects. Focusing primarily on lyrics that emerged in 1990s New York rap, which critiqued the music industry for being corrupt, unjust, and criminal, Bogazianos shows how many rappers began drawing parallels between the “rap game” and the “crack game. He argues that the symbolism of crack in rap’s stance towards its own commercialization represents a moral debate that is far bigger than hip hop culture, highlighting the degree to which crack cocaine—although a drug long in decline—has come to represent the entire paradoxical predicament of punishment in the U.S. today. |
| above the law rap: Perversion of Justice: The Jeffrey Epstein Story Julie K. Brown, 2021-07-20 Dauntless journalist Julie K. Brown recounts her uncompromising and risky investigation of Jeffrey Epstein's underage sex trafficking operation, and the explosive reporting for the Miami Herald that finally brought him to justice while exposing the powerful people and broken system that protected him. |
| above the law rap: Murder Rap Greg Kading, 2011-10 An account of how a police detective lead the task force that exposed the facts behind the deaths of rappers Biggie Smalls and Tupac Shakur. |
| above the law rap: Joel Whitburn's Top Pop Albums, 1955-1996 Joel Whitburn, 1996 Book |
| above the law rap: Australian Property Law Michael Nancarrow, Penny Carruthers, Steven White, Christopher Boge, Dominic Cudmore, Astrid Di Carlo, 2022-09-30 Australian Property Law: Principles to Practice is an engaging introduction to property law in Australia. Covering substantive law and procedural matters, this textbook presents the law of personal and real property in a contemporary light. Australian Property Law details how property law practice is transformed by technology and provides insights into contemporary challenges and risks. Taking a thematic approach, the text covers possession of goods and land, land tenure, estates and future interests, property registration systems, Indigenous land rights and native title, social housing, Crown land and ethics. Complex concepts are contextualised by linking case law and legislation to practical applications. Each chapter is supported by digital tools including case and legislation boxes with links to the full source online, links to useful online resources, multiple-choice questions, review questions and longer narrative problems. Australian Property Law provides an essential introduction to the principles and practice of property law in an ever-changing technological environment. |
| above the law rap: Charting Environmental Law Futures in the Anthropocene Michelle Lim, 2019-08-31 This book explores a range of plausible futures for environmental law in the new era of the Earth’s history: the Anthropocene. The book discusses multiple contemporary and future challenges facing the planet and humanity. It examines the relationship between environmental law and the Anthropocene at governance scales from the global to the local. The breadth of issues and jurisdictions covered by the book, its forward-looking nature, and the unique generational perspective of the contributing authors means that this publication appeals to a wide audience from specialist academics and policy-makers to a broader lay readership. |
| above the law rap: Lyrics in the Law Mark W. Klingensmith, 2019-11-05 In addition to citing case law, Judges have traditionally used recognized legal maxims or treatise citations to support their rulings. But today’s judiciary is becoming more apt to use pop culture, modern music, as well as humor in their decisions. This book gives examples of how songs and their lyrics have influenced judges, provided themes for their decisions, and helped make existing law more accessible to lay persons. Mark W. Klingensmith examines the clever ways judges have used them to enhance their judicial writings and how modern day musical lyrics that have effectively become recognized legal maxims by the courts. judicial writings. |
| above the law rap: The Art of Sampling, 2nd Edition Amir Said, 2015-08-25 The art of sampling -- one of the most innovative music processes to emerge in the late-twentieth century -- stands today as both a celebrated art form and a cultural activity within the hip hop/rap music tradition and beyond. 'The Art of Sampling' (Amir Said, author of 'The BeatTips Manual'), examines this complex and controversial music process, and presents a study that illuminates the history, creative mechanics, and philosophy of sampling, while also exploring the implications that it holds for copyright law. Divided into three primary parts, including an in-depth History part, a robust Instruction (how-to) part, and a highly comprehensive Copyright Law part, 'The Art of Sampling' is detailed, sharply informative, and engaging. Astute and intensely thought-provoking, it's the definitive book on sampling in the hip hop/rap music tradition and copyright law, and one of the most striking and poignant music studies to come along in years. |
| above the law rap: Hip-hop Connection , 2006 |
| above the law rap: Blues & Soul , 1990-07 |
| above the law rap: A New Law Dictionary and Glossary , 1851 |
| above the law rap: Words Matter in Policy and Planning Margo van den Brink, Tamara Metze, 2006 Contents 1. |
| above the law rap: Antitrust Law Journal , 1986 |
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Above The Law Rap: Above the Law J. F. Freedman,2013-05-28 When a federal drug bust goes awry Luke Garrison must investigate a baffling government cover up In a remote region of the …
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John Victor Turner,1936 Above the Law Brian Karem,1998-12-31 In a sensational murder case that stunned the nation a powerful lawyer and former state prosecutor went on trial for killing his …
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Keywords: stereotypes; decision making; evidence; criminal law; rap music Rap music has had a contentious relationship with the legal system, including censorship, regulation, and artists …
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Rap On Trial
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went above the law when they realized that without their badges they could not be easily recognized and punished for their misconduct. These police officers demonstrated a disregard …
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