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| america has a problem kendrick lamar: The Butterfly Effect Marcus J. Moore, 2021-10-05 This “smart, confident, and necessary” (Shea Serrano, New York Times bestselling author) first cultural biography of rap superstar and “master of storytelling” (The New Yorker) Kendrick Lamar explores his meteoric rise to fame and his profound impact on a racially fraught America—perfect for fans of Zack O’Malley Greenburg’s Empire State of Mind. Kendrick Lamar is at the top of his game. The thirteen-time Grammy Award-winning rapper is just in his early thirties, but he’s already won the Pulitzer Prize for Music, produced and curated the soundtrack of the megahit film Black Panther, and has been named one of Time’s 100 Influential People. But what’s even more striking about the Compton-born lyricist and performer is how he’s established himself as a formidable adversary of oppression and force for change. Through his confessional poetics, his politically charged anthems, and his radical performances, Lamar has become a beacon of light for countless people. Written by veteran journalist and music critic Marcus J. Moore, this is much more than the first biography of Kendrick Lamar. “It’s an analytical deep dive into the life of that good kid whose m.A.A.d city raised him, and how it sparked a fire within Kendrick Lamar to change history” (Kathy Iandoli, author of Baby Girl) for the better. |
| america has a problem kendrick lamar: Kendrick Lamar and the Making of Black Meaning Christopher M. Driscoll, Monica R Miller, Anthony B. Pinn, 2019-09-25 Kendrick Lamar has established himself at the forefront of contemporary hip-hop culture. Artistically adventurous and socially conscious, he has been unapologetic in using his art form, rap music, to address issues affecting black lives while also exploring subjects fundamental to the human experience, such as religious belief. This book is the first to provide an interdisciplinary academic analysis of the impact of Lamar’s corpus. In doing so, it highlights how Lamar’s music reflects current tensions that are keenly felt when dealing with the subjects of race, religion and politics. Starting with Section 80 and ending with DAMN., this book deals with each of Lamar’s four major projects in turn. A panel of academics, journalists and hip-hop practitioners show how religion, in particular black spiritualties, take a front-and-center role in his work. They also observe that his astute and biting thoughts on race and culture may come from an African American perspective, but many find something familiar in Lamar’s lyrical testimony across great chasms of social and geographical difference. This sophisticated exploration of one of popular culture’s emerging icons reveals a complex and multi faceted engagement with religion, faith, race, art and culture. As such, it will be vital reading for anyone working in religious, African American and hip-hop studies, as well as scholars of music, media and popular culture. |
| america has a problem kendrick lamar: Promise That You Will Sing About Me Miles Marshall Lewis, 2021-09-28 A stunning, in-depth look at the power and poetry of one of the most consequential rappers of our time. Kendrick Lamar is one of the most influential rappers, songwriters and record producers of his generation. Widely known for his incredible lyrics and powerful music, he is regarded as one of the greatest rappers of all time. In Promise That You Will Sing About Me, pop culture critic and music journalist Miles Marshall Lewis explores Kendrick Lamar’s life, his roots, his music, his lyrics, and how he has shaped the musical landscape. With incredible graphic design, quotes, lyrics and commentary from Ta-Nehisi Coates, Alicia Garza and more, this book provides an in-depth look at how Kendrick came to be the powerhouse he is today and how he has revolutionized the industry from the inside. |
| america has a problem kendrick lamar: The "Underclass" Debate Michael B. Katz, 2018-06-05 Do ominous reports of an emerging underclass reveal an unprecedented crisis in American society? Or are social commentators simply rediscovering the tragedy of recurring urban poverty, as they seem to do every few decades? Although social scientists and members of the public make frequent assumptions about these questions, they have little information about the crucial differences between past and present. By providing a badly needed historical context, these essays reframe today's underclass debate. Realizing that labels of social pathology echo fruitless distinctions between the deserving and undeserving poor, the contributors focus not on individual and family behavior but on a complex set of processes that have been at work over a long period, degrading the inner cities and, inevitably, the nation as a whole. How do individuals among the urban poor manage to survive? How have they created a dissident infrapolitics? How have social relations within the urban ghettos changed? What has been the effect of industrial restructuring on poverty? Besides exploring these questions, the contributors discuss the influence of African traditions on the family patterns of African Americans, the origins of institutions that serve the urban poor, the reasons for the crisis in urban education, the achievements and limits of the War on Poverty, and the role of income transfers, earnings, and the contributions of family members in overcoming poverty. The message of the essays is clear: Americans will flourish or fail together. |
| america has a problem kendrick lamar: The Anthology of Rap Adam Bradley, Andrew DuBois, 2010-11-02 From the school yards of the South Bronx to the tops of the Billboard charts, rap has emerged as one of the most influential cultural forces of our time. This pioneering anthology brings together more than 300 lyrics written over 30 years, from the old school to the present day. |
| america has a problem kendrick lamar: The Making of Black Lives Matter Christopher J. Lebron, 2017 Started in the wake of George Zimmerman's 2013 acquittal in the death of Trayvon Martin, the #BlackLivesMatter movement has become a powerful and uncompromising campaign demanding redress for the brutal and unjustified treatment of black bodies by law enforcement in the United States. The movement is only a few years old, but as Christopher J. Lebron argues in this book, the sentiment behind it is not; the plea and demand that Black Lives Matter comes out of a much older and richer tradition arguing for the equal dignity -- and not just equal rights -- of black people. The Making of Black Lives Matter presents a condensed and accessible intellectual history that traces the genesis of the ideas that have built into the #BlackLivesMatter movement. Drawing on the work of revolutionary black public intellectuals, including Frederick Douglass, Ida B. Wells, Langston Hughes, Zora Neal Hurston, Anna Julia Cooper, Audre Lorde, James Baldwin, and Martin Luther King Jr., Lebron clarifies what it means to assert that Black Lives Matter when faced with contemporary instances of anti-black law enforcement. He also illuminates the crucial difference between the problem signaled by the social media hashtag and how we think that we ought to address the problem. As Lebron states, police body cameras, or even the exhortation for civil rights mean nothing in the absence of equality and dignity. To upset dominant practices of abuse, oppression and disregard, we must reach instead for radical sensibility. Radical sensibility requires that we become cognizant of the history of black thought and activism in order to make sense of the emotions, demands, and arguments of present-day activists and public thinkers. Only in this way can we truly embrace and pursue the idea of racial progress in America. |
| america has a problem kendrick lamar: They Can't Kill Us All Wesley Lowery, 2016-11-15 A deeply reported book that brings alive the quest for justice in the deaths of Michael Brown, Tamir Rice, and Freddie Gray, offering both unparalleled insight into the reality of police violence in America and an intimate, moving portrait of those working to end it. Conducting hundreds of interviews during the course of over one year reporting on the ground, Washington Post writer Wesley Lowery traveled from Ferguson, Missouri, to Cleveland, Ohio; Charleston, South Carolina; and Baltimore, Maryland; and then back to Ferguson to uncover life inside the most heavily policed, if otherwise neglected, corners of America today. In an effort to grasp the magnitude of the repose to Michael Brown's death and understand the scale of the problem police violence represents, Lowery speaks to Brown's family and the families of other victims other victims' families as well as local activists. By posing the question, What does the loss of any one life mean to the rest of the nation? Lowery examines the cumulative effect of decades of racially biased policing in segregated neighborhoods with failing schools, crumbling infrastructure and too few jobs. Studded with moments of joy, and tragedy, They Can't Kill Us All offers a historically informed look at the standoff between the police and those they are sworn to protect, showing that civil unrest is just one tool of resistance in the broader struggle for justice. As Lowery brings vividly to life, the protests against police killings are also about the black community's long history on the receiving end of perceived and actual acts of injustice and discrimination. They Can't Kill Us All grapples with a persistent if also largely unexamined aspect of the otherwise transformative presidency of Barack Obama: the failure to deliver tangible security and opportunity to those Americans most in need of both. |
| america has a problem kendrick lamar: Institutional Racism in Kendrick Lamar's "To Pimp A Butterfly" Ben Joy Muin, 2021-10-16 Seminar paper from the year 2019 in the subject American Studies - Literature, grade: 1,7, University of Wuppertal (Anglistik / Amerikanistik), course: African American Literature, language: English, abstract: This term paper tries to show that Kendrick Lamar, on his album To Pimp A Butterfly, not only incorporates the concept of institutional racism but elaborates on it, offering a different approach to the issue. By using the example of the ghetto, he uses an unconventional idea of what can be defined as an institution and how African Americans are discriminated against by the institutions. Moreover, he tries to show what effects these institutions have on the individual. Furthermore, with the concept of self-love, Lamar offers an alternative approach to solve this problem. In 2018 hip hop became the most popular music genre in the US and there is no denying the influence it has on today's popular culture. Hip hop has its origins in African American musical tradition and was used as protest music by young African Americans in the 1970s and 80s and can therefore be described as being part of African American culture. Even in other parts of popular culture we now see many African Americans having achieved worldwide fame. One could think that the US has overcome its historic legacy of slavery and racism. However, in stark contrast to that are the claims that African Americans today live in an era of mass incarceration and police brutality, claims that are backed up by statistics and movements like Black Lives Matter. How can this predicament be explained that America, on the one hand, seems to have overcome racism, but on the other hand, African Americans are still being challenged by massive inequalities? Some people see an explanation to this predicament in the concept of institutional racism, a term that has its origins in the Civil Rights Movement of the 1960s. The term is also a topic of Kendrick Lamar's third studio album To Pimp A Butterfly, with one |
| america has a problem kendrick lamar: Our America Lealan Jones, Lloyd Newman, David Isay, 1998-05 The award-winning creators of National Public Radio's Ghetto Life 101 and Remorse: The 14 Stories of Eric Morse combine talents with a young photographer to show what life is like in one of the country's darkest places: Chicago's Ida B. Wells housing project. Photos. |
| america has a problem kendrick lamar: Signifying Rappers David Foster Wallace, Mark Costello, 2013-07-23 David Foster Wallace and Mark Costello's exuberant exploration of rap music and culture. Living together in Cambridge in 1989, David Foster Wallace and longtime friend Mark Costello discovered that they shared an uncomfortable, somewhat furtive, and distinctively white enthusiasm for a certain music called rap/hip-hop. The book they wrote together, set against the legendary Boston music scene, mapped the bipolarities of rap and pop, rebellion and acceptance, glitz and gangsterdom. Signifying Rappers issued a fan's challenge to the giants of rock writing, Greil Marcus, Robert Palmer, and Lester Bangs: Could the new street beats of 1989 set us free, as rock had always promised? Back in print at last, Signifying Rappers is a rare record of a city and a summer by two great thinkers, writers, and friends. With a new foreword by Mark Costello on his experience writing with David Foster Wallace, this rerelease cannot be missed. |
| america has a problem kendrick lamar: The Hip Hop Wars Tricia Rose, 2008-12-02 A pioneering expert in the study of hip-hop explains why the music matters--and why the battles surrounding it are so very fierce. |
| america has a problem kendrick lamar: Beyoncé Is Life Kathleen Perricone, 2024-10-08 Beyonce Is Life is a beautifully illustrated guide that explores and celebrates the singer and her music-- |
| america has a problem kendrick lamar: Kendrick Lamar David Young, 2018-03-07 Kendrick Lamar Duckworth was born on June 17, 1987, in Dominguez Hospital to Kenny Duckworth and Paula Oliver. Nestled in the tumultuous confines of Compton California, doctors and nurses at Dominguez Hospital had no idea what force they had just ushered into the world. At the time of Kendrick's birth, Kendrick's parents had recently moved to Compton from Chicago in an effort to raise Kendrick in a culture other than the one that they had grown up in. This precaution proved to be futile however as drug violence seemed to follow them all the way to the West Coast. Kendrick's parents had recently had a big disagreement on the route of life Kendrick's father was taking. Faced with the ultimatum of making a conscious effort to change his ways or lose his wife and son, Kendrick's father complied with the move and attempted to start fresh in Compton. Back in Chicago, Kendrick's father Kenny had been an integral member of the infamous street gang named the Gangster Disciples. Following in his brother's footsteps, a few of Kenny's brothers were even members of the Bloods as well as the Crips. Kendrick's mother came from a family of 13 children, all of whom had six children themselves. This tight-knit family would all live in Compton till Kendrick was 13. Named for Eddie Kendricks, the lead singer of The Temptations, Kendrick Lamar found his musical background in his younger years thanks to his mother. The younger years for Kendrick were not easy, however, and his family found themselves in financial ruins. Given few other options of financial reprieve, along with the skyrocketing standard of living in Compton, Kendrick's parents were forced to apply for welfare while maintaining their residency in section 8 housing. These conditions would endure for all of Kendrick's years under his parent's roof. These conditions, however, would only add to the drive Kendrick would experience later-a drive that forced Kendrick to work hard, unless he wanted to return to the dismal living conditions his family had endured. |
| america has a problem kendrick lamar: The Trayvon Generation Elizabeth Alexander, 2022-04-05 From a Pulitzer Prize finalist and New York Times bestselling author and poet comes a galvanizing meditation on the power of art and culture to illuminate America's unresolved problem with race. *Named a Most Anticipated Title of 2022 by TIME magazine, New York Times, Bustle, and more* In the midst of civil unrest in the summer of 2020 and following the murders of George Floyd, Breonna Taylor, and Ahmaud Arbery, Elizabeth Alexander—one of the great literary voices of our time—turned a mother's eye to her sons’ and students’ generation and wrote a celebrated and moving reflection on the challenges facing young Black America. Originally published in the New Yorker, the essay incisively and lovingly observed the experiences, attitudes, and cultural expressions of what she referred to as the Trayvon Generation, who even as children could not be shielded from the brutality that has affected the lives of so many Black people. The Trayvon Generation expands the viral essay that spoke so resonantly to the persistence of race as an ongoing issue at the center of the American experience. Alexander looks both to our past and our future with profound insight, brilliant analysis, and mighty heart, interweaving her voice with groundbreaking works of art by some of our most extraordinary artists. At this crucial time in American history when we reckon with who we are as a nation and how we move forward, Alexander's lyrical prose gives us perspective informed by historical understanding, her lifelong devotion to education, and an intimate grasp of the visioning power of art. This breathtaking book is essential reading and an expression of both the tragedies and hopes for the young people of this era that is sure to be embraced by those who are leading the movement for change and anyone rising to meet the moment. |
| america has a problem kendrick lamar: What We Talk About When We Talk About Love Raymond Carver, 2015-05-25 The most celebrated story collection from “one of the true American masters” (The New York Review of Books)—a haunting meditation on love, loss, and companionship, and finding one’s way through the dark that includes the iconic and much-referenced title story featured in the Academy Award-winning film Birdman. Raymond Carver's America is ... clouded by pain and the loss of dreams, but it is not as fragile as it looks. It is a place of survivors and a place of stories.... [Carver] has done what many of the most gifted writers fail to do: He has invented a country of his own, like no other except that very world, as Wordsworth said, which is the world to all of us. —The New York Times Book Review |
| america has a problem kendrick lamar: Who Got the Camera? Eric Harvey, 2021-10-05 Reality first appeared in the late 1980s—in the sense not of real life but rather of the TV entertainment genre inaugurated by shows such as Cops and America’s Most Wanted; the daytime gabfests of Geraldo, Oprah, and Donahue; and the tabloid news of A Current Affair. In a bracing work of cultural criticism, Eric Harvey argues that reality TV emerged in dialog with another kind of entertainment that served as its foil while borrowing its techniques: gangsta rap. Or, as legendary performers Ice Cube and Ice-T called it, “reality rap.” Reality rap and reality TV were components of a cultural revolution that redefined popular entertainment as a truth-telling medium. Reality entertainment borrowed journalistic tropes but was undiluted by the caveats and context that journalism demanded. While N.W.A.’s “Fuck tha Police” countered Cops’ vision of Black lives in America, the reality rappers who emerged in that group’s wake, such as Snoop Doggy Dogg and Tupac Shakur, embraced reality’s visceral tabloid sensationalism, using the media's obsession with Black criminality to collapse the distinction between image and truth. Reality TV and reality rap nurtured the world we live in now, where politics and basic facts don’t feel real until they have been translated into mass-mediated entertainment. |
| america has a problem kendrick lamar: Houston Rap Tapes Lance Scott Walker, 2019-01-29 The neighborhoods of Fifth Ward, Fourth Ward, Third Ward, and the Southside of Houston, Texas, gave birth to Houston rap, a vibrant music scene that has produced globally recognized artists such as Geto Boys, DJ Screw, Pimp C and Bun B of UGK, Fat Pat, Big Moe, Z-Ro, Lil’ Troy, and Paul Wall. Lance Scott Walker and photographer Peter Beste spent a decade documenting Houston’s scene, interviewing and photographing the people—rappers, DJs, producers, promoters, record label owners—and places that give rap music from the Bayou City its distinctive character. Their collaboration produced the books Houston Rap and Houston Rap Tapes. This second edition of Houston Rap Tapes amplifies the city’s hip-hop history through new interviews with Scarface, Slim Thug, Lez Moné, B L A C K I E, Lil’ Keke, and Sire Jukebox of the original Ghetto Boys. Walker groups the interviews into sections that track the different eras and movements in Houston rap, with new photographs and album art that reveal the evolution of the scene from the 1970s to today’s hip-hop generation. The interviews range from the specifics of making music to the passions, regrets, memories, and hopes that give it life. While offering a view from some of Houston’s most marginalized areas, these intimate conversations lay out universal struggles and feelings. As Willie D of Geto Boys writes in the foreword, “Houston Rap Tapes flows more like a bunch of fellows who haven’t seen each other for ages, hanging out on the block reminiscing, rather than a calculated literary guide to Houston’s history.” |
| america has a problem kendrick lamar: There Are More Beautiful Things Than Beyonce Morgan Parker, 2017-02-14 A TIME Magazine Best Paperback of 2017 One of Oprah Magazine's Ten Best Books of 2017 This singular poetry collection is a dynamic meditation on the experience of, and societal narratives surrounding, contemporary black womanhood. . . . These exquisite poems defy categorization. —The New Yorker The only thing more beautiful than Beyoncé is God, and God is a black woman sipping rosé and drawing a lavender bath, texting her mom, belly-laughing in the therapist’s office, feeling unloved, being on display, daring to survive. Morgan Parker stands at the intersections of vulnerability and performance, of desire and disgust, of tragedy and excellence. Unrelentingly feminist, tender, ruthless, and sequined, these poems are an altar to the complexities of black American womanhood in an age of non-indictments and deja vu, and a time of wars over bodies and power. These poems celebrate and mourn. They are a chorus chanting: You’re gonna give us the love we need. |
| america has a problem kendrick lamar: Who's Afraid of Post-Blackness? Touré, 2011-09-13 How do we make sense of what it means to be Black in a world with room for both Michelle Obama and Precious? Tour , an iconic commentator and journalist, defines and demystifies modern Blackness with wit, authority, and irreverent humor. In the age of Obama, racial attitudes have become more complicated and nuanced than ever before. Americans are searching for new ways of understanding Blackness, partly inspired by a President who is unlike any Black man ever seen on our national stage. This book aims to destroy the notion that there is a correct or even definable way of being Black. It’s a discussion mixing the personal and the intellectual. It gives us intimate and painful stories of how race and racial expectations have shaped Tour ’s life as well as a look at how the concept of Post-Blackness functions in politics, psychology, the Black visual arts world, Chappelle’s Show, and more. For research Tour has turned to some of the most important luminaries of our time for frank and thought-provoking opinions, including Rev. Jesse Jackson, Henry Louis Gates Jr., Cornel West, Michael Eric Dyson, Melissa Harris-Lacewell, Malcolm Gladwell, Harold Ford, Jr., Kara Walker, Kehinde Wiley, Chuck D, and many others. Their comments and disagreements with one another may come as a surprise to many readers. Of special interest is a personal racial memoir by the author in which he depicts defining moments in his life when he confronts the question of race head-on. In another chapter—sure to be controversial—he explains why he no longer uses the word “nigga.” Who’s Afraid of Post-Blackness? is a complex conversation on modern America that aims to change how we perceive race in ways that are as nuanced and spirited as the nation itself. |
| america has a problem kendrick lamar: Dilla Time Dan Charnas, 2022-02-01 WINNER OF THE PEN/JACQUELINE BOGRAD WELD AWARD FOR BIOGRAPHY A NEW YORK TIMES BEST SELLER This book is a must for everyone interested in illuminating the idea of unexplainable genius.” —QUESTLOVE Equal parts biography, musicology, and cultural history, Dilla Time chronicles the life and legacy of J Dilla, a musical genius who transformed the sound of popular music for the twenty-first century. He wasn’t known to mainstream audiences, even though he worked with renowned acts like D’Angelo and Erykah Badu and influenced the music of superstars like Michael Jackson and Janet Jackson. He died at the age of thirty-two, and in his lifetime he never had a pop hit. Yet since his death, J Dilla has become a demigod: revered by jazz musicians and rap icons from Robert Glasper to Kendrick Lamar; memorialized in symphonies and taught at universities. And at the core of this adulation is innovation: a new kind of musical time-feel that he created on a drum machine, but one that changed the way “traditional” musicians play. In Dilla Time, Dan Charnas chronicles the life of James DeWitt Yancey, from his gifted childhood in Detroit, to his rise as a Grammy-nominated hip-hop producer, to the rare blood disease that caused his premature death; and follows the people who kept him and his ideas alive. He also rewinds the histories of American rhythms: from the birth of soul in Dilla’s own “Motown,” to funk, techno, and disco. Here, music is a story of Black culture in America and of what happens when human and machine times are synthesized into something new. Dilla Time is a different kind of book about music, a visual experience with graphics that build those concepts step by step for fans and novices alike, teaching us to “see” and feel rhythm in a unique and enjoyable way. Dilla’s beats, startling some people with their seeming “sloppiness,” were actually the work of a perfectionist almost spiritually devoted to his music. This is the story of the man and his machines, his family, friends, partners, and celebrity collaborators. Culled from more than 150 interviews about one of the most important and influential musical figures of the past hundred years, Dilla Time is a book as delightfully detail-oriented and unique as J Dilla’s music itself. |
| america has a problem kendrick lamar: The Program Era Mark McGurl, 2011-11-30 In The Program Era, Mark McGurl offers a fundamental reinterpretation of postwar American fiction, asserting that it can be properly understood only in relation to the rise of mass higher education and the creative writing program. McGurl asks both how the patronage of the university has reorganized American literature and—even more important—how the increasing intimacy of writing and schooling can be brought to bear on a reading of this literature. McGurl argues that far from occasioning a decline in the quality or interest of American writing, the rise of the creative writing program has instead generated a complex and evolving constellation of aesthetic problems that have been explored with energy and at times brilliance by authors ranging from Flannery O’Connor to Vladimir Nabokov, Philip Roth, Raymond Carver, Joyce Carol Oates, and Toni Morrison. Through transformative readings of these and many other writers, The Program Era becomes a meditation on systematic creativity—an idea that until recently would have seemed a contradiction in terms, but which in our time has become central to cultural production both within and beyond the university. An engaging and stylishly written examination of an era we thought we knew, The Program Era will be at the center of debates about postwar literature and culture for years to come. |
| america has a problem kendrick lamar: Silencer Marcus Wicker, 2017-09-05 “Tough talk for tough times. Silencer is both lyrical and merciless–Wicker’s mind hums in overdrive, but with the calm and clarity of a marksman.” —Tim Seibles, author of One Turn Around the Sun and finalist for the National Book Award A suburban park, church, a good job, a cocktail party for the literati: to many, these sound like safe places, but for a young black man these insular spaces don’t keep out the news—and the actual threat—of gun violence and police brutality, or the biases that keeps body, property, and hope in the crosshairs. Continuing conversations begun by Citizen and Between the World and Me, Silencer sings out the dangers of unspoken taboos present on quiet Midwestern cul-de-sacs and in stifling professional settings, the dangers in closing the window on “a rainbow coalition of cops doing calisthenics around/a six-foot, three-hundred-fifty-pound man, choked back into the earth for what/looked a lot, to me, like sport.” Here, the language and cadences of hip-hop and academia meet prayer—these poems are crucibles, from which emerge profound allegories and subtle elegies, sharp humor and incisive critiques. “There is not a moment in this book when you are allowed to forget the complexities of a black man's life in America. These poems evoke so much—strength, beauty, passion, fear. There is the quiet, ironic pleasure of life on a cul-de-sac juxtaposed with the tensions of always wondering when a police officer's gun or fists might get in the way of the black body. The stylistic range of these poems, the wit, and the intelligence of them offers so much to be admired. There is nothing silent about Silencer. What an outstanding second book from Marcus Wicker.” —Roxane Gay “Marcus Wicker’s masterful and hard-hitting second collection is exactly the book we need in this time of malfeasance, systemic violence, and the double talk that obfuscates it all... He writes the kinds of vital, clear-eyed poems we can turn to when codeswitching slogans and online power fists no longer get the job done. These are poems whose ink is made from anger and quarter notes. They remind us that to remain silent in the face of aggression is to be complicit and to be complicit is not an option for any of us.” —Adrian Matejka, author of The Big Smoke and finalist for the National Book Award and Pulitzer Prize “Silencer is an important book of American poetry: wonderfully subtle, wholly original, and subversive. Politics and social realities aside, this is foremost a book that delights in language, how it sounds to the ear and plays to the mind. We have suburban complacency played against hip-hop resistance, Christian prayers uttered in the face of dread violence, real meaning pitted against materialism, and love, in its largest measure, set against ignorance.To say Silencer is a tour de force would be an understatement. What a work of true art this is, and what a gift Marcus Wicker has given to us.” —Maurice Manning, author of One Man’s Dark and finalist for the Pulitzer Prize Silencer disarms and dazzles with its wisdom and full-throated wit. [This] collection snaps to attention with a soundtrack full of salty swagger and a most skillful use of formal inventions that’ll surely knock you out. Here in these pages, sailfish and hummingbirds assert their frenetic movements on a planet simmering with racial tensions, which in turn forms its own kind of bopping and buoyant religion. What a thrill to read these poems that provoke and beg for beauty and song-calling into the darkest of nights. —Aimee Nezhukumatathil, author of Lucky Fish and poetry editor at Orion Magazine |
| america has a problem kendrick lamar: Vibrate Higher Talib Kweli, 2021-02-16 LONGLISTED FOR THE 2021 BROOKLYN PUBLIC LIBRARY LITERARY PRIZE From one of the most lyrically gifted, socially conscious rappers of the past twenty years, Vibrate Higher is a firsthand account of hip-hop as a political force Before Talib Kweli became a world-renowned hip-hop artist, he was a Brooklyn kid who liked to cut class, spit rhymes, and wander the streets of Greenwich Village with a motley crew of artists, rappers, and DJs who found hip-hop more inspiring than their textbooks (much to the chagrin of the educator parents who had given their son an Afrocentric name in hope of securing for him a more traditional sense of pride and purpose). Kweli’s was the first generation to grow up with hip-hop as established culture—a genre of music that has expanded to include its own pantheon of heroes, rich history and politics, and distinct worldview. Eventually, childhood friendships turned into collaborations, and Kweli gained notoriety as a rapper in his own right. From collaborating with some of hip-hop’s greatest—including Mos Def, Common, Kanye West, Pharrell Williams, and Kendrick Lamar—to selling books out of the oldest African-American bookstore in Brooklyn, ultimately leaving his record label, and taking control of his own recording career, Kweli tells the winding, always compelling story of the people and events that shaped his own life as well as the culture of hip-hop that informs American culture at large. Vibrate Higher illuminates Talib Kweli’s upbringing and artistic success, but so too does it give life to hip-hop as a political force—one that galvanized the Movement for Black Lives and serves a continual channel for resistance against the rising tide of white nationalism. |
| america has a problem kendrick lamar: Shaking the World for Jesus Heather Hendershot, 2010-03-15 In 1999, the Reverend Jerry Falwell outed Tinky-Winky, the purple character from TV's Teletubbies. Events such as this reinforced in many quarters the common idea that evangelicals are reactionary, out of touch, and just plain paranoid. But reducing evangelicals to such caricatures does not help us understand their true spiritual and political agendas and the means they use to advance them. Shaking the World for Jesus moves beyond sensationalism to consider how the evangelical movement has effectively targeted Americans—as both converts and consumers—since the 1970s. Thousands of products promoting the Christian faith are sold to millions of consumers each year through the Web, mail order catalogs, and even national chains such as Kmart and Wal-Mart. Heather Hendershot explores in this book the vast industry of film, video, magazines, and kitsch that evangelicals use to spread their message. Focusing on the center of conservative evangelical culture—the white, middle-class Americans who can afford to buy Christian lifestyle products—she examines the industrial history of evangelist media, the curious subtleties of the products themselves, and their success in the religious and secular marketplace. To garner a wider audience, Hendershot argues, evangelicals have had to carefully temper their message. But in so doing, they have painted themselves into a corner. In the postwar years, evangelical media wore the message of salvation on its sleeve, but as the evangelical media industry has grown, many of its most popular products have been those with heavily diluted Christian messages. In the eyes of many followers, the evangelicals who purvey such products are sellouts—hucksters more interested in making money than spreading the word of God. Working to understand evangelicalism rather than pass judgment on it, Shaking the World for Jesus offers a penetrating glimpse into a thriving religious phenomenon. |
| america has a problem kendrick lamar: New Black Godz Monica R. Miller, 2021-06-17 Refiguring black culture and religion beyond conventional accounts, New Black Godz interrogates and rethinks problems and tropes within the fields of religious and Africana studies. Using the expressive culture of hip hop and critical theory to provide analytical and conceptual frameworks, Monica Miller redefines the very notion of black religion, which is recast as identity formation. New Black Godz considers the god-like status of iconic cultural figures such as Beyonce Knowles, Oprah Winfrey and Kanye West, who “know where to go” to escape the United States and its racism. In contrast, Monica Miller argues that those with “nowhere to go”, become a different sort of “god” through identity-based sacrifice: Trayvon Martin, Sandra Bland, Eric Garner and countless others, from those well-known to the not-yet known, remain the permanent black and brown underclass in America and around the world. Using textual and ethnographic studies in New York, Philadelphia, London, Paris, Germany and Switzerland, New Black Godz is a definitive contribution to ongoing debates about the complex and varied contours of African-American religious and political life in the 21st century. |
| america has a problem kendrick lamar: Eerie Silence Ammar Saheli, 2018-10-31 Eerie Silence is a revelatory, jolting exploration into the ramifications of justice inaction in America and beyond and how silence has destructively contributed to issues related to race, racism, education, theology, and racial identity development. The compiled scholarship and research contained within the Eerie Silence project is provoking, risky, confrontational, validating, challenging, feisty, and emotionally and intellectually vulnerable. It is a must read for every person seeking a better grasp of the historically interlocked elements of race, racism, religion, theology, authentic Christianity, and racial identity development, especially as it relates to America and its influence. Erie Silence is an amazing book! Dr. Saheli has carefully deconstructed not only biblical narratives but also global history like an artist. With every stroke of his brush, he has created a multi-layered and complete work that has direct applications in many fields and disciplines... —Jennifer Tosch, Founder, Black Heritage Tours in NY State & Amsterdam, Netherlands Member, Mapping Slavery Project Netherlands Well-researched, superbly argued, and profoundly written, Eerie Silence is all at once a history lesson, critical social commentary, autobiographical sketch, sermon, and call to action to end the silence on race/racism. Saheli does a masterful job of intersecting several areas that share the stamp of racism and injustice in common. This is a powerful read for those who are in need for a deep, thoughtful, provocative, intellectual, and empowering learning experience about race in the United States. —Sharroky Hollie, PhD Executive Director, Center for Culturally Responsive Teaching and Learning This is a wine that will not last long in the wineskins of traditionalism, conservatism, anti-ism, self-righteousness, and isolated fellowship with link minded others, it is a call to ministry to break down the middle wall of racial partition in the church and society in order that generations of women, men, and young people might go unencumbered in their full potential and development. —James L. Taylor, PhD, Professor of Politics San Francisco, California |
| america has a problem kendrick lamar: Hip-Hop (And Other Things) Shea Serrano, 2021-10-26 HIP-HOP (AND OTHER THINGS) is about, as it were, rap, but also some other things. It's a smart, fun, funny, insightful book that spends the entirety of its time celebrating what has become the most dominant form of music these past two and a half decades. Tupac is in there. Jay Z is in there. Missy Elliott is in there. Drake is in there. Pretty much all of the big names are in there, as are a bunch of the smaller names, too. There's art from acclaimed illustrator Arturo Torres, there are infographics and footnotes; there's all kinds of stuff in there. Some of the chapters are serious, and some of the chapters are silly, and some of the chapters are a combination of both things. All of them, though, are treated with the care and respect that they deserve. HIP-HOP (AND OTHER THINGS) is the third book in the (And Other Things) series. The first two—Basketball (And Other Things) and Movies (And Other Things)—were both #1 New York Times bestsellers. |
| america has a problem kendrick lamar: Religion in Hip Hop Monica R. Miller, Anthony B. Pinn, Bernard 'Bun B' Freeman, 2015-04-23 Now a global and transnational phenomenon, hip hop culture continues to affect and be affected by the institutional, cultural, religious, social, economic and political landscape of American society and beyond. Over the past two decades, numerous disciplines have taken up hip hop culture for its intellectual weight and contributions to the cultural life and self-understanding of the United States. More recently, the academic study of religion has given hip hop culture closer and more critical attention, yet this conversation is often limited to discussions of hip hop and traditional understandings of religion and a methodological hyper-focus on lyrical and textual analyses. Religion in Hip Hop: Mapping the Terrain provides an important step in advancing and mapping this new field of Religion and Hip Hop Studies. The volume features 14 original contributions representative of this new terrain within three sections representing major thematic issues over the past two decades. The Preface is written by one of the most prolific and founding scholars of this area of study, Michael Eric Dyson, and the inclusion of and collaboration with Bernard 'Bun B' Freeman fosters a perspective internal to Hip Hop and encourages conversation between artists and academics. |
| america has a problem kendrick lamar: How Propaganda Works Jason Stanley, 2015-05-26 How propaganda undermines democracy and why we need to pay attention Our democracy today is fraught with political campaigns, lobbyists, liberal media, and Fox News commentators, all using language to influence the way we think and reason about public issues. Even so, many of us believe that propaganda and manipulation aren't problems for us—not in the way they were for the totalitarian societies of the mid-twentieth century. In How Propaganda Works, Jason Stanley demonstrates that more attention needs to be paid. He examines how propaganda operates subtly, how it undermines democracy—particularly the ideals of democratic deliberation and equality—and how it has damaged democracies of the past. Focusing on the shortcomings of liberal democratic states, Stanley provides a historically grounded introduction to democratic political theory as a window into the misuse of democratic vocabulary for propaganda's selfish purposes. He lays out historical examples, such as the restructuring of the US public school system at the turn of the twentieth century, to explore how the language of democracy is sometimes used to mask an undemocratic reality. Drawing from a range of sources, including feminist theory, critical race theory, epistemology, formal semantics, educational theory, and social and cognitive psychology, he explains how the manipulative and hypocritical declaration of flawed beliefs and ideologies arises from and perpetuates inequalities in society, such as the racial injustices that commonly occur in the United States. How Propaganda Works shows that an understanding of propaganda and its mechanisms is essential for the preservation and protection of liberal democracies everywhere. |
| america has a problem kendrick lamar: Mommy's Khimar Jamilah Thompkins-Bigelow, 2018-04-03 Selected as a Best Book of 2018 by NPR, Kirkus Reviews, School Library Journal, and Shelf Awareness! A young Muslim girl spends a busy day wrapped up in her mother’s colorful headscarf in this sweet and fanciful picture book from debut author and illustrator Jamilah Tompkins-Bigelow and Ebony Glenn. A khimar is a flowing scarf that my mommy wears. Before she walks out the door each day, she wraps one around her head. A young girl plays dress up with her mother’s headscarves, feeling her mother’s love with every one she tries on. Charming and vibrant illustrations showcase the beauty of the diverse and welcoming community in this portrait of a young Muslim American girl’s life. |
| america has a problem kendrick lamar: The Hip Hop Movement Reiland Rabaka, 2013-04-04 The Hip Hop Movement offers a critical theory and alternative history of rap music and hip hop culture by examining their roots in the popular musics and popular cultures of the Civil Rights Movement and Black Power Movement. Connecting classic rhythm & blues and rock & roll to the Civil Rights Movement, and classic soul and funk to the Black Power Movement, The Hip Hop Movement explores what each of these musics and movements contributed to rap, neo-soul, hip hop culture, and the broader Hip Hop Movement. Ultimately, this book’s remixes (as opposed to chapters) reveal that black popular music and black popular culture have always been more than merely “popular music” and “popular culture” in the conventional sense and reflect a broader social, political, and cultural movement. With this in mind, sociologist and musicologist Reiland Rabaka critically reinterprets rap and neo-soul as popular expressions of the politics, social visions, and cultural values of a contemporary multi-issue movement: the Hip Hop Movement. Rabaka argues that rap music, hip hop culture, and the Hip Hop Movement are as deserving of critical scholarly inquiry as previous black popular musics, such as the spirituals, blues, ragtime, jazz, rhythm & blues, rock & roll, soul, and funk, and previous black popular movements, such as the Black Women’s Club Movement, New Negro Movement, Harlem Renaissance, Civil Rights Movement, Black Power Movement, Black Arts Movement, and Black Women’s Liberation Movement. This volume, equal parts alternative history of hip hop and critical theory of hip hop, challenges those scholars, critics, and fans of hip hop who lopsidedly over-focus on commercial rap, pop rap, and gangsta rap while failing to acknowledge that there are more than three dozen genres of rap music and many other socially and politically progressive forms of hip hop culture beyond DJing, MCing, rapping, beat-making, break-dancing, and graffiti-writing. |
| america has a problem kendrick lamar: 33 Revolutions Per Minute Dorian Lynskey, 2012 33 Revolutions Per Minute tracks the turbulent relationship between popular music and politics, through 33 pivotal songs that span seven decades and four continents, from Billie Holiday singing 'Strange Fruit' to Green Day raging against the Iraq war. Dorian Lynskey explores the individuals, ideas and events behind each song, showing how protest music has soundtracked and informed social change since the 1930s. Through the work of such artists as Woody Guthrie, Bob Dylan, Stevie Wonder, Fela Kuti, The Clash, Public Enemy and Gil Scott Heron, Lynskey examines how music has engaged with racial unrest, nuclear paranoia, apartheid, war, poverty and oppression, offering hope, stirring anger, inciting action and producing songs which continue to resonate years down the line. |
| america has a problem kendrick lamar: The Breakbeat Poets Vol. 4 Felicia Chavez, José Olivarez, Willie Perdomo, 2020-04-07 In the dynamic tradition of the BreakBeat Poets anthology, The BreakBeat Poets Vol. 4: LatiNEXT celebrates the embodied narratives of Latinidad. Poets speak from an array of nationalities, genders, sexualities, races, and writing styles, staking a claim to our cultural and civic space. Like Hip-Hop, we honor what was, what is, and what's next. |
| america has a problem kendrick lamar: The Compton Cowboys Walter Thompson-Hernandez, 2020-04-28 “Thompson-Hernández's portrayal of Compton's black cowboys broadens our perception of Compton's young black residents, and connects the Compton Cowboys to the historical legacy of African Americans in the west. An eye-opening, moving book.”—Margot Lee Shetterly, New York Times bestselling author of Hidden Figures “Walter Thompson-Hernández has written a book for the ages: a profound and moving account of what it means to be black in America that is awe inspiring in its truth-telling and limitless in its empathy. Here is an American epic of black survival and creativity, of terrible misfortune and everyday resilience, of grace, redemption and, yes, cowboys.”— Junot Díaz, Pulitzer prize-winning author of This is How You Lose Her A rising New York Times reporter tells the compelling story of The Compton Cowboys, a group of African-American men and women who defy stereotypes and continue the proud, centuries-old tradition of black cowboys in the heart of one of America’s most notorious cities. In Compton, California, ten black riders on horseback cut an unusual profile, their cowboy hats tilted against the hot Los Angeles sun. They are the Compton Cowboys, their small ranch one of the very last in a formerly semirural area of the city that has been home to African-American horse riders for decades. To most people, Compton is known only as the home of rap greats NWA and Kendrick Lamar, hyped in the media for its seemingly intractable gang violence. But in 1988 Mayisha Akbar founded The Compton Jr. Posse to provide local youth with a safe alternative to the streets, one that connected them with the rich legacy of black cowboys in American culture. From Mayisha’s youth organization came the Cowboys of today: black men and women from Compton for whom the ranch and the horses provide camaraderie, respite from violence, healing from trauma, and recovery from incarceration. The Cowboys include Randy, Mayisha’s nephew, faced with the daunting task of remaking the Cowboys for a new generation; Anthony, former drug dealer and inmate, now a family man and mentor, Keiara, a single mother pursuing her dream of winning a national rodeo championship, and a tight clan of twentysomethings--Kenneth, Keenan, Charles, and Tre--for whom horses bring the freedom, protection, and status that often elude the young black men of Compton. The Compton Cowboys is a story about trauma and transformation, race and identity, compassion, and ultimately, belonging. Walter Thompson-Hernández paints a unique and unexpected portrait of this city, pushing back against stereotypes to reveal an urban community in all its complexity, tragedy, and triumph. The Compton Cowboys is illustrated with 10-15 photographs. |
| america has a problem kendrick lamar: Art Rebels Paul Lopes, 2019-06-11 How creative freedom, race, class, and gender shaped the rebellion of two visionary artists Postwar America experienced an unprecedented flourishing of avant-garde and independent art. Across the arts, artists rebelled against traditional conventions, embracing a commitment to creative autonomy and personal vision never before witnessed in the United States. Paul Lopes calls this the Heroic Age of American Art, and identifies two artists—Miles Davis and Martin Scorsese—as two of its leading icons. In this compelling book, Lopes tells the story of how a pair of talented and outspoken art rebels defied prevailing conventions to elevate American jazz and film to unimagined critical heights. During the Heroic Age of American Art—where creative independence and the unrelenting pressures of success were constantly at odds—Davis and Scorsese became influential figures with such modern classics as Kind of Blue and Raging Bull. Their careers also reflected the conflicting ideals of, and contentious debates concerning, avant-garde and independent art during this period. In examining their art and public stories, Lopes also shows how their rebellions as artists were intimately linked to their racial and ethnic identities and how both artists adopted hypermasculine ideologies that exposed the problematic intersection of gender with their racial and ethnic identities as iconic art rebels. Art Rebels is the essential account of a new breed of artists who left an indelible mark on American culture in the second half of the twentieth century. It is an unforgettable portrait of two iconic artists who exemplified the complex interplay of the quest for artistic autonomy and the expression of social identity during the Heroic Age of American Art. |
| america has a problem kendrick lamar: The Autobiography of An Ex-Colored Man James Weldon Johnson, 2021-01-01 First published in the year 1912, 'The Autobiography of an Ex-Colored Man' by James Weldon Johnson is the fictional account of a young biracial man, referred to as the Ex-Colored Man, living in post-Reconstruction era America in the late nineteenth and early twentieth centuries. |
| america has a problem kendrick lamar: Losing My Cool Thomas Chatterton Williams, 2010-04-29 A pitch-perfect account of how hip-hop culture drew in the author and how his father drew him out again-with love, perseverance, and fifteen thousand books. Into Williams's childhood home-a one-story ranch house-his father crammed more books than the local library could hold. Pappy used some of these volumes to run an academic prep service; the rest he used in his unending pursuit of wisdom. His son's pursuits were quite different-money, hoes, and clothes. The teenage Williams wore Medusa- faced Versace sunglasses and a hefty gold medallion, dumbed down and thugged up his speech, and did whatever else he could to fit into the intoxicating hip-hop culture that surrounded him. Like all his friends, he knew exactly where he was the day Biggie Smalls died, he could recite the lyrics to any Nas or Tupac song, and he kept his woman in line, with force if necessary. But Pappy, who grew up in the segregated South and hid in closets so he could read Aesop and Plato, had a different destiny in mind for his son. For years, Williams managed to juggle two disparate lifestyles- keeping it real in his friends' eyes and studying for the SATs under his father's strict tutelage. As college approached and the stakes of the thug lifestyle escalated, the revolving door between Williams's street life and home life threatened to spin out of control. Ultimately, Williams would have to decide between hip-hop and his future. Would he choose street dreams or a radically different dream- the one Martin Luther King spoke of or the one Pappy held out to him now? Williams is the first of his generation to measure the seductive power of hip-hop against its restrictive worldview, which ultimately leaves those who live it powerless. Losing My Cool portrays the allure and the danger of hip-hop culture like no book has before. Even more remarkably, Williams evokes the subtle salvation that literature offers and recounts with breathtaking clarity a burgeoning bond between father and son. Watch a Video |
| america has a problem kendrick lamar: Prophets of the Hood Imani Perry, 2004-11-30 At once the most lucrative, popular, and culturally oppositional musical force in the United States, hip hop demands the kind of interpretation Imani Perry provides here: criticism engaged with this vibrant musical form on its own terms. A scholar and a fan, Perry considers the art, politics, and culture of hip hop through an analysis of song lyrics, the words of the prophets of the hood. Recognizing prevailing characterizations of hip hop as a transnational musical form, Perry advances a powerful argument that hip hop is first and foremost black American music. At the same time, she contends that many studies have shortchanged the aesthetic value of rap by attributing its form and content primarily to socioeconomic factors. Her innovative analysis revels in the artistry of hip hop, revealing it as an art of innovation, not deprivation. Perry offers detailed readings of the lyrics of many hip hop artists, including Ice Cube, Public Enemy, De La Soul, krs-One, OutKast, Sean “Puffy” Combs, Tupac Shakur, Lil’ Kim, Biggie Smalls, Nas, Method Man, and Lauryn Hill. She focuses on the cultural foundations of the music and on the form and narrative features of the songs—the call and response, the reliance on the break, the use of metaphor, and the recurring figures of the trickster and the outlaw. Perry also provides complex considerations of hip hop’s association with crime, violence, and misogyny. She shows that while its message may be disconcerting, rap often expresses brilliant insights about existence in a society mired in difficult racial and gender politics. Hip hop, she suggests, airs a much wider, more troubling range of black experience than was projected during the civil rights era. It provides a unique public space where the sacred and the profane impulses within African American culture unite. |
| america has a problem kendrick lamar: We Gon' Be Alright Jeff Chang, 2016-09-13 In his most recent book, Who We Be, Jeff Chang looked at how art and culture effected massive social changes in American society. Since the book was published, the country has been gripped by waves of racial discord, most notably the protests in Ferguson, Missouri. In these highly relevant, powerful essays, Chang examines some of the most contentious issues in the current discussion of race and inequality. Built around a central essay looking at the rise of the Black Lives Matter movement and the events in Ferguson, Missouri, surrounding the death of Michael Brown, Chang questions the value of the diversity discussion in an era of increasing racial and economic segregation. He unpacks the return of student protest across the country and reveals how the debate over inclusion and free speech was presaged by similar protests in the 1980s and 1990s. The author of Can't Stop Won't Stop looks at how culture impacts our understanding of the politics of this polarized moment. Throughout these essays Chang includes the voices of many of the leading activists as he charts how popular voices on the ground and in social media have catalyzed the push for protest and change--Publisher's description. |
| america has a problem kendrick lamar: 50 Years of Rolling Stone Rolling Stone LLC, 2017-05-16 A brilliant album of interviews, photographs, feature articles, and exposés from the magazine that’s chronicled music and culture since 1967. Rolling Stone has been a leading voice in journalism, cultural criticism, and—above all—music for over five decades. This landmark book documents the magazine’s rise to prominence as the voice of rock and roll and a leading showcase for era-defining photography. From the 1960s to today, the book offers a decade-by-decade exploration of American music and history. Interviews with rock legends—Bob Dylan, Mick Jagger, Kurt Cobain, Bruce Springsteen, and more—appear alongside iconic photographs by Baron Wolman, Annie Leibovitz, Mark Seliger, and others. With feature articles, excerpts, and exposés by such quintessential writers as Hunter S. Thompson, Matt Taibbi, and David Harris, it’s an irresistible greatest-hits collection from the magazine that has defined American music for generations. “Documenting the magazine’s rise from humble beginnings in a tiny office in San Francisco, the book includes interviews with artists such as Bob Dylan, the Beastie Boys and Adele, images from iconic photographers including Annie Leibovitz and sparking prose from the likes of Hunter S. Thompson.” —Daily Mail |
United States - Wikipedia
The United States of America (USA), also known as the United States (U.S.) or America, is a country primarily located in North America. It is a federal republic of 50 states and a federal …
United States | History, Map, Flag, & Population | Britannica
4 days ago · The United States is a country in North America that is a federal republic of 50 states. Besides the 48 conterminous states that occupy the middle latitudes of the continent, …
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Learn about the United States, including American history, the president, holidays, the American flag, census data, and more. Get contact information for U.S. federal government agencies, …
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The United States of America, also known as the United States (U.S.) or simply America, is a sovereign country mostly in North America. It is divided into 50 states . 48 of these states and …
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The Americas, sometimes collectively called America, [3] [4] [5] are a landmass comprising the totality of North America and South America. [6] [7] [8] When viewed as a single continent, the …
United States - Wikipedia
The United States of America (USA), also known as the United States (U.S.) or America, is a country primarily …
United States | History, Map, Flag, & Population | Britannica
4 days ago · The United States is a country in North America that is a federal republic of 50 states. Besides …
The U.S. and its government - USAGov
Learn about the United States, including American history, the president, holidays, the American …
United States - The World Factbook
6 days ago · Visit the Definitions and Notes page to view a description of each topic.
A Country Profile - Destination USA - Nations Online Project
Discover the United States of America: vacation, accommodation, hotels, attractions, festivals, events, tourist …
