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| american history x song: American History in Song Diane Holloway, 2001 Songwriters dramatically captured the details of how Americans lived, thought and changed in the first half of the twentieth century. This book examines 1033 songs about WWI and WWII wars, presidents, Women’s Suffrage, Prohibition, the Great Depression, immigration, minority stereotypes, new modes of transportation, inventions, and the changing roles of men and women. America invited immigrants and went to war to ensure democracy but within its borders, lyrics display intolerant attitudes toward women, blacks, and ethnic groups. Songs covered labor strikes, communism, lynchings, women voting and working, love, sex, airships, radio, telephones, the lure of movies and new movie star role models, drugs, smoking, and the atom bomb.History books cannot match the humor, poignancy, poetry and thrill of lyrics in describing the essence of American life as we moved from a rural white male dominated society toward an urban democracy that finally included women and minorities. |
| american history x song: Teaching American History with Favorite Folk Songs Tracey West, 2001 Contains classroom activities that use folk songs to connect students to major events in U.S. history. |
| american history x song: God Bless America Sheryl Kaskowitz, 2013-07-10 God Bless America is a song most Americans know well. It is taught in American schools and regularly performed at sporting events. After the attacks on September 11th, it was sung on the steps of the Capitol, at spontaneous memorial sites, and during the seventh inning stretch at baseball games, becoming even more deeply embedded in America's collective consciousness. In God Bless America, Sheryl Kaskowitz tells the fascinating story behind America's other national anthem. It begins with the song's composition by Irving Berlin in 1918 and first performance by Kate Smith in 1938, revealing an early struggle for control between composer and performer as well as the hidden economics behind the song's royalties. Kaskowitz shows how the early popularity of God Bless America reflected the anxiety of the pre-war period and sparked a surprising anti-Semitic and xenophobic backlash. She follows the song's rightward ideological trajectory from early associations with religious and ethnic tolerance to increasing uses as an anthem for the Christian Right, and considers the song's popularity directly after the September 11th attacks. The book concludes with a portrait of the song's post-9/11 function within professional baseball, illuminating the power of the song - and of communal singing itself - as a vehicle for both commemoration and coercion. A companion website offers streaming audio of recordings referenced in the book, links to videos of relevant performances, appendices of information, and an opportunity for readers to participate in the author's survey. Based on extensive archival research and fieldwork, God Bless America sheds new light on cultural tensions within the U.S., past and present, and offers a historical chronicle that is full of surprises and that will both edify and delight readers from all walks of life. |
| american history x song: May We Forever Stand Imani Perry, 2018-02-02 The twin acts of singing and fighting for freedom have been inseparable in African American history. May We Forever Stand tells an essential part of that story. With lyrics penned by James Weldon Johnson and music composed by his brother Rosamond, Lift Every Voice and Sing was embraced almost immediately as an anthem that captured the story and the aspirations of black Americans. Since the song's creation, it has been adopted by the NAACP and performed by countless artists in times of both crisis and celebration, cementing its place in African American life up through the present day. In this rich, poignant, and readable work, Imani Perry tells the story of the Black National Anthem as it traveled from South to North, from civil rights to black power, and from countless family reunions to Carnegie Hall and the Oval Office. Drawing on a wide array of sources, Perry uses Lift Every Voice and Sing as a window on the powerful ways African Americans have used music and culture to organize, mourn, challenge, and celebrate for more than a century. |
| american history x song: Chasing the Rising Sun Ted Anthony, 2007-07-13 Chasing the Rising Sun is the story of an American musical journey told by a prize-winning writer who traced one song in its many incarnations as it was carried across the world by some of the most famous singers of the twentieth century. Most people know the song House of the Rising Sun as 1960s rock by the British Invasion group the Animals, a ballad about a place in New Orleans -- a whorehouse or a prison or gambling joint that's been the ruin of many poor girls or boys. Bob Dylan did a version and Frijid Pink cut a hard-rocking rendition. But that barely scratches the surface; few songs have traveled a journey as intricate as House of the Rising Sun. The rise of the song in this country and the launch of its world travels can be traced to Georgia Turner, a poor, sixteen-year-old daughter of a miner living in Middlesboro, Kentucky, in 1937 when the young folk-music collector Alan Lomax, on a trip collecting field recordings, captured her voice singing The Rising Sun Blues. Lomax deposited the song in the Library of Congress and included it in the 1941 book Our Singing Country. In short order, Woody Guthrie, Pete Seeger, Lead Belly, and Josh White learned the song and each recorded it. From there it began to move to the planet's farthest corners. Today, hundreds of artists have recorded House of the Rising Sun, and it can be heard in the most diverse of places -- Chinese karaoke bars, Gatorade ads, and as a ring tone on cell phones. Anthony began his search in New Orleans, where he met Eric Burdon of the Animals. He traveled to the Appalachians -- to eastern Kentucky, eastern Tennessee, and western North Carolina -- to scour the mountains for the song's beginnings. He found Homer Callahan, who learned it in the mountains during a corn shucking; he discovered connections to Clarence Tom Ashley, who traveled as a performer in a 1920s medicine show. He went to Daisy, Kentucky, to visit the family of the late high-lonesome singer Roscoe Holcomb, and finally back to Bourbon Street to see if there really was a House of the Rising Sun. He interviewed scores of singers who performed the song. Through his own journey he discovered how American traditions survived and prospered -- and how a piece of culture moves through the modern world, propelled by technology and globalization and recorded sound. |
| american history x song: The ABCs of Black History Rio Cortez, 2020-12-08 A NEW YORK TIMES BESTSELLER B is for Beautiful, Brave, and Bright! And for a Book that takes a Bold journey through the alphabet of Black history and culture. Letter by letter, The ABCs of Black History celebrates a story that spans continents and centuries, triumph and heartbreak, creativity and joy. It’s a story of big ideas––P is for Power, S is for Science and Soul. Of significant moments––G is for Great Migration. Of iconic figures––H is for Zora Neale Hurston, X is for Malcom X. It’s an ABC book like no other, and a story of hope and love. In addition to rhyming text, the book includes back matter with information on the events, places, and people mentioned in the poem, from Mae Jemison to W. E. B. Du Bois, Fannie Lou Hamer to Sam Cooke, and the Little Rock Nine to DJ Kool Herc. |
| american history x song: Teaching What Really Happened James W. Loewen, 2018-09-07 “Should be in the hands of every history teacher in the country.”— Howard Zinn James Loewen has revised Teaching What Really Happened, the bestselling, go-to resource for social studies and history teachers wishing to break away from standard textbook retellings of the past. In addition to updating the scholarship and anecdotes throughout, the second edition features a timely new chapter entitled Truth that addresses how traditional and social media can distort current events and the historical record. Helping students understand what really happened in the past will empower them to use history as a tool to argue for better policies in the present. Our society needs engaged citizens now more than ever, and this book offers teachers concrete ideas for getting students excited about history while also teaching them to read critically. It will specifically help teachers and students tackle important content areas, including Eurocentrism, the American Indian experience, and slavery. Book Features: An up-to-date assessment of the potential and pitfalls of U.S. and world history education. Information to help teachers expect, and get, good performance from students of all racial, ethnic, and socioeconomic backgrounds. Strategies for incorporating project-oriented self-learning, having students conduct online historical research, and teaching historiography. Ideas from teachers across the country who are empowering students by teaching what really happened. Specific chapters dedicated to five content topics usually taught poorly in today’s schools. |
| american history x song: Toni Morrison's Song of Solomon Harold Bloom, 2009 Presents a collection of interpretations of Toni Morrison's novel, Song of Solomon. |
| american history x song: Lies My Teacher Told Me James W. Loewen, 2008 Criticizes the way history is presented in current textbooks, and suggests a more accurate approach to teaching American history. |
| american history x song: So You Want to Be a Producer Lawrence Turman, 2010-03-10 Few jobs in Hollywood are as shrouded in mystery as the role of the producer. What does it take to be a producer, how does one get started, and what on earth does one actually do? In So You Want to Be a Producer Lawrence Turman, the producer of more than forty films, including The Graduate, The River Wild, Short Circuit, and American History X, and Endowed Chair of the famed Peter Stark Producing Program at the University of Southern California, answers these questions and many more. Examining all the nuts and bolts of production, such as raising money and securing permissions, finding a story and developing a script, choosing a director, hiring actors, and marketing your project, So You Want to Be a Producer is a must-have resource packed with insider information and first-hand advice from top Hollywood producers, writers, and directors, offering invaluable help for beginners and professionals alike. Including a comprehensive case study of Turman’s film The Graduate, this complete guide to the movie industry’s most influential movers and shakers brims with useful tips and contains all the information you need to take your project from idea to the big screen. |
| american history x song: Slave Songs of the United States William Francis Allen, Charles Pickard Ware, Lucy McKim Garrison, 1996 Originally published in 1867, this book is a collection of songs of African-American slaves. A few of the songs were written after the emancipation, but all were inspired by slavery. The wild, sad strains tell, as the sufferers themselves could, of crushed hopes, keen sorrow, and a dull, daily misery, which covered them as hopelessly as the fog from the rice swamps. On the other hand, the words breathe a trusting faith in the life after, to which their eyes seem constantly turned. |
| american history x song: History of Rock 'n' Roll in Ten Songs Greil Marcus, 2014-09-02 The legendary critic and author of Mystery Train “ingeniously retells the tale of rock and roll” (Publishers Weekly, starred review). Unlike previous versions of rock ’n’ roll history, this book omits almost every iconic performer and ignores the storied events and turning points everyone knows. Instead, in a daring stroke, Greil Marcus selects ten songs and dramatizes how each embodies rock ’n’ roll as a thing in itself, in the story it tells, inhabits, and acts out—a new language, something new under the sun. “Transmission” by Joy Division. “All I Could Do Was Cry” by Etta James and then Beyoncé. “To Know Him Is to Love Him,” first by the Teddy Bears and almost half a century later by Amy Winehouse. In Marcus’s hands these and other songs tell the story of the music, which is, at bottom, the story of the desire for freedom in all its unruly and liberating glory. Slipping the constraints of chronology, Marcus braids together past and present, holding up to the light the ways that these striking songs fall through time and circumstance, gaining momentum and meaning, astonishing us by upending our presumptions and prejudices. This book, by a founder of contemporary rock criticism—and its most gifted and incisive practitioner—is destined to become an enduring classic. “One of the epic figures in rock writing.”—The New York Times Book Review “Marcus is our greatest cultural critic, not only because of what he says but also, as with rock-and-roll itself, how he says it.”—The Washington Post Winner of the Deems Taylor Virgil Thomson Award in Music Criticism, given by the American Society of Composers, Authors & Publishers |
| american history x song: America's Song Stuart Murray, 1999 Traces our country's military and political history through the constantly evolving lyrics of the inveterate tune, Yankee Doodle. |
| american history x song: The Critical Life of Toni Morrison Susan Neal Mayberry, 2021 The first book to trace the critical reception of the great African American woman writer, attending not only to her fiction but to her nonfiction and critical writings. |
| american history x song: Stone Song Win Blevins, Winfred Blevins, 2006-04-04 Of all the great warriors of Native America, Crazy Horse remains the most enigmatic. Scorned from his childhood for his light hair, he was a man who spurned the love of finery and honors so characteristic of Lakota Sioux warriors. Despite these differences, Crazy Horse led his people to their greatest victory at the Battle of the Little Big Horn where General Custer fell. Crazy Horse's entire life was a triumph of the spirit. In youth, Crazy Horse was set aside by his powerful vision of Rider, the spiritual expression of his future greatness, and by the passion and grief of his overwhelming love for a woman. It was only in battle that his heart could find rest. As his world crumbled, Crazy Horse managed to find his way in harmony with the age-old wisdom of the Lakota—and to beat the US Army on its own terms. He lived, and died, his own man. |
| american history x song: Nothing Left to Steal Mzilikazi wa Afrika, 2014-08-20 This tell-all memoir reveals the details behind Sunday Times journalist Mzilikazi wa Afrika's exposure of the R1.7 billion lease scandal between police commissioner Bheki Cele and property tycoon Roux Shabangu, for which he was infamously arrested in 2010. It is also the riveting account of how a neglected boy in an unknown village became one of South Africa's most awarded investigative reporters and found himself at the receiving end of the corruption that had defeated those he helped put in power. Fearless in the face of corrupt authorities with sinister political motives, and fervent about justice, Wa Afrika's life was characterised by resistance to oppression and inequality from an early age. Destined to defend and uphold the principles of democracy, his story is the inspiring tale of an ordinary man, armed with a pen, who challenged the proverbial giant. |
| american history x song: Stamped from the Beginning Ibram X. Kendi, 2016-04-12 The National Book Award winning history of how racist ideas were created, spread, and deeply rooted in American society. Some Americans insist that we're living in a post-racial society. But racist thought is not just alive and well in America -- it is more sophisticated and more insidious than ever. And as award-winning historian Ibram X. Kendi argues, racist ideas have a long and lingering history, one in which nearly every great American thinker is complicit. In this deeply researched and fast-moving narrative, Kendi chronicles the entire story of anti-black racist ideas and their staggering power over the course of American history. He uses the life stories of five major American intellectuals to drive this history: Puritan minister Cotton Mather, Thomas Jefferson, abolitionist William Lloyd Garrison, W.E.B. Du Bois, and legendary activist Angela Davis. As Kendi shows, racist ideas did not arise from ignorance or hatred. They were created to justify and rationalize deeply entrenched discriminatory policies and the nation's racial inequities. In shedding light on this history, Stamped from the Beginning offers us the tools we need to expose racist thinking. In the process, he gives us reason to hope. |
| american history x song: The Waterman's Song David S. Cecelski, 2001 Cecelski, chronicles the world of slave and free black fishermen, pilots, sailors, ferrymen, and other laborers who, from the colonial era through Reconstruction, plied the vast inland waters of North Carolina from the Outer Banks to the upper reaches of tidewater rivers. |
| american history x song: Congo Love Song Ira Dworkin, 2017-04-27 In his 1903 hit Congo Love Song, James Weldon Johnson recounts a sweet if seemingly generic romance between two young Africans. While the song's title may appear consistent with that narrative, it also invokes the site of King Leopold II of Belgium's brutal colonial regime at a time when African Americans were playing a central role in a growing Congo reform movement. In an era when popular vaudeville music frequently trafficked in racist language and imagery, Congo Love Song emerges as one example of the many ways that African American activists, intellectuals, and artists called attention to colonialism in Africa. In this book, Ira Dworkin examines black Americans' long cultural and political engagement with the Congo and its people. Through studies of George Washington Williams, Booker T. Washington, Pauline Hopkins, Langston Hughes, Malcolm X, and other figures, he brings to light a long-standing relationship that challenges familiar presumptions about African American commitments to Africa. Dworkin offers compelling new ways to understand how African American involvement in the Congo has helped shape anticolonialism, black aesthetics, and modern black nationalism. |
| american history x song: American Song and Struggle from Columbus to World War 2 Will Kaufman, 2022-08-18 A groundbreaking work of historical recovery which tells the story of the American people who sang their way through struggle. |
| american history x song: American Inmate Justin Rovillos Monson, 2024-03-12 A rigorous and defiant collection that subverts contemporary discourse and representations of incarceration, of hip-hop, and of Asian American culture and literature. Justin Rovillos Monson’s poetic voice is sharp and irreverent—improvisational yet thoughtful, musical, and tender, achieving a range of lyrical registers woven seamlessly throughout the book from the first to last poem. Monson’s work challenges his readers with uncomfortable but essential, urgent, and necessary questions: What does it mean to be in the world and yet live apart from it? What happens to the minds and bodies of those locked away? What happens to the minds and bodies of their loved ones? How can America get free? Braiding personal narrative with contemporary rap lyrics and institutional language, Monson deepens the nuances and dimensions of and within Asian American poetics, prison poetics, and hip-hop poetics with his deft and experimental writing style. American Inmate speaks through cages, bars, walls, and borders, collapsing widespread misconceptions and stereotypes regarding incarceration, and shrinking the distance between readers on the outside and the complex interiority of an incarcerated human being. Sometimes slipping, sometimes soaring, sometimes laughing, sometimes dying, Monson’s fiery debut is a fresh, moving, elucidative work that will challenge readers to think more critically about the systems that govern our lives, to imagine with compassion and inclusivity, and to settle for nothing less than a truly free future that is liberatory for all. |
| american history x song: The American Song Treasury Theodore Raph, 2012-12-19 Wonderful sing-along favorites with easy-to-play piano arrangements, guitar chords, and complete lyrics: Greensleeves, Auld Lang Syne, Down in the Valley, My Wild Irish Rose, Yellow Rose of Texas, and many more. |
| american history x song: Criminology, Deviance, and the Silver Screen J. Frauley, 2011-01-19 This text argues for the usefulness of fictional realities for criminological theorizing and analysis. It illustrates that a creative and critical social scientific practice requires craft norms rather than commercial norms that threaten to completely colonize higher education. |
| american history x song: America First Mandy Merck, 2012-11-12 At a time when the expanded projection of US political, military, economic and cultural power draws intensified global concern, understanding how that country understands itself seems more important than ever. This collection of new critical essays tackles this old problem in a new way, by examining some of the hundreds of US films that announce themselves as titularly 'American'. From early travelogues to contemporary comedies, national nomination has been an abiding characteristic of American motion pictures, heading the work of Porter, Guy-Blaché, DeMille, Capra, Sternberg, Vidor, Minnelli and Mankiewicz. More recently, George Lucas, Paul Schrader, John Landis and Edward James Olmos have made their own contributions to Hollywood’s Americana. What does this national branding signify? Which versions of Americanism are valorized, and which marginalized or excluded? Out of which social and historical contexts do they emerge, and for and by whom are they constructed? Edited by Mandy Merck, the collection contains detailed analyses of such films as The Vanishing American, American Madness, An American in Paris, American Graffiti, American Gigolo, American Pie and many more. |
| american history x song: American Popular Song Edited and with an Introd. by James T. Maher Alec Wilder, James T. Maher, 1972 |
| american history x song: Grease Stephen Tropiano, 2011-09-01 (Limelight). In the summer of 1978, Grease was the word. On Friday, June 16, 1978, the movie musical made a major comeback when a big-screen version of the long-running rock-and-roll stage musical, Grease , opened in theaters around the country. With a talented cast led by John Travolta and Olivia Newton-John and a memorable score featuring a mixture of oldies-style rock and contemporary pop, Grease captured the look and the feel of an old-fashioned Hollywood musical while taking audiences on a nostalgic trip back to the days of poodle skirts, malt shops, drag racing, and sock hops. Stephen Tropiano takes a fascinating and revealing look at Grease as a cultural phenomenon from its humble beginnings as a fringe musical in Chicago, to its unparalleled success on Broadway, to the making of the film that became the highest-grossing movie musical of all time. You will get an in-depth, close-up look at the making of this Hollywood classic and the creative talent in front and behind the camera that made it all happen. Thirty-plus years after its release, Grease is still the word! |
| american history x song: The Oxford Handbook of Music and Advertising James Deaville, Siu-Lan Tan, Ron Rodman, 2021-01-18 The Oxford Handbook of Music and Advertising is an essential guide to the crucial role that music plays in relation to the audio or audiovisual advertising message, from the perspectives of its creation, interpretation, and reception. The book's unique three-part organization reflects this life cycle of an advertisement, from industry inception to mass-mediated text to consumer behaviour. Experts well versed in the practice, analysis, and empirical studies of the commercial message have contributed to the collection's forty-two chapters, which collectively represent the most ambitious and comprehensive attempt to date to address the important intersections of music and advertising. Handbook chapters are self-contained yet share borders with other contributions within a given section and across the major sections of the book, so readers can either study one topic of particular interest or read through to gain an understanding of the broader issues at stake. Within the book's Introduction, each editor has provided an overview of the unifying themes for the section for which they were responsible, with brief summaries of individual contributions at the beginnings of the sections. The lists of recommended readings at the end of chapters are intended to assist readers in finding further literature about the topic. An overview of industry practices by a music insider is provided in the Appendix, giving context for the three parts of the book. |
| american history x song: Punk Beyond the Music Iain Ellis, 2024-08-12 Punk Beyond the Music: Tracing Mutations and Manifestations of the Punk Virus expands the conversation about punk from a focus on the musical genre to its surrounding cultural manifestations. Focusing on some of the most recurring practices and characteristics of punk culture —DIY, attitude, outsider identities, symbols, and politics—Iain Ellis engages many illustrative examples to investigate punk beyond the music without losing sight of its significance. Early chapters look at arts that have always existed within the punk subculture (writings, visual arts, films, and humor); subsequent sections examine areas rarely recognized as exhibiting punk characteristics (such as education, sports, crafts, and comics). Taken together, the chapters invite readers on an extensive and unpredictable journey through the evolution of punk’s developments and adaptations. |
| american history x song: Communication John T. Warren, Deanna L. Fassett, 2014-01-06 Communication: A Critical/Cultural Introduction, Second Edition introduces communication, from intimate and interpersonal to the public and mediated, as cultural. Using contemporary critical theory, authors John T. Warren and Deanna L. Fassett focus on communication as advocacy—inherently influenced by culture, history and power. By situating communication concepts and theories within contemporary and engaging cultural scenes, the book is much more than a survey of ideas—it demonstrates the power of communication in our everyday lives. |
| american history x song: TLA Video & DVD Guide 2004 David Bleiler, 2003-10-24 This is the absolutely indispensable guide to worthwhile cinema. It includes over 10,000 entries on the best of film and video that a real film lover might actually want to see. |
| american history x song: Song of Brooklyn Marc Eliot, 2008 Song of Brooklyn gathers the oral testimony of nearly one hundred Brooklynites past and present, famous and unknown, about a mythic borough that is also an indisputably real place. These witnesses speak eloquently of what it was like back then, when the Dodgers played in Ebbets Field; later, when the borough fell on hard times; and now, when it has come roaring back on the tracks of a real-estate boom, giving it celebrity chic and hipster cred. With this surprising and inspiring renaissance in full swing, the story of Brooklyn is one of the great and still ongoing chapters of the American urban experience, and Song of Brooklyn sings that tune in pitch-perfect key. |
| american history x song: The Nigger in You J. W. Wiley, 2023-07-03 Embrace Leadership to Combat All Forms of PrejudiceIs there a “nigger” in you? If you have attempted to avoid and/or escape oppression, been made to feel as if you are a problem, been treated as “lesser than” or even like a criminal, all just because you are different in a given context, then what Dr. J. W. Wiley asserts through the title of this book inescapably applies to you. Through any of our multiple identities—stereotyped, marginalized, or ostracized by our socio-economic class, level of education, gender, disability, age, race, sexual orientation, or religion—we are all potential victims as well as perpetrators of denigrating language and discrimination. Dr. Wiley borrows the agency of nigger, arguably the quintessential, most universally known term of disparagement of those negatively considered the Other, to re-frame the word as no longer just a racial term but one that symbolizes many of the ways we disrespect or bully one another, are inconsiderate of one another, prejudge one another, and internalize our demonization. He defines the word in a way that demonstrates its equivalence to other dysfunctional language (retard, bitch, fag, trailer trash, etc.) that suggests that those so targeted are unworthy of consideration in our society. By creating a conversation around such language, Dr. Wiley challenges us to recognize that, when we give in to our prejudices and stereotypes, the “nigger in you” is what we are apt to see when we encounter those different from ourselves.The author, who is Director of the Center for Diversity, Pluralism, and Inclusion for the State University of New York–Plattsburg, a Lecturer in Philosophy and Interdisciplinary Studies, and president of his own consulting business, engages diversity in a uniquely inclusive way and as inseparable from social justice. By dissecting the offensive language we often use, consciously or unconsciously, Dr. Wiley provokes us to recognize that, since every one of us has multiple identities beyond just the color of our skin, it is virtually impossible for most of us not to have felt the sting of oppression, or the power of privilege that some of those same multiple identities may confer on us. Consequently, it is morally incumbent on us to contest and ultimately transcend oppression wherever we encounter it, to respect the humanity of those different from us, and become allies in the war to protect and advance people’s right to be different.Through personal stories, scholarship, poetry, commentary on current affairs, lyrics, and his experiences as a Black man both rooted in African American culture and the culture of the academy who daily has to navigate and negotiate multiple worlds, Dr. Wiley leads us on a journey toward social justice. In doing so, he empowers us—in whatever sphere, private or public, in which we have some agency—to embrace our leadership moments by engaging those who would perpetrate dysfunctional language or behavior, and help create a world in which differences are respected and validated. |
| american history x song: The United States Catalog , 1906 |
| american history x song: American Anthem Gene Scheer, 2021-06-29 Based on the song that President Joe Biden quoted in his inaugural address, this picture book celebrates the beauty and diversity of this country and the legacies on which we build our future. As President Joe Biden delivered his inaugural address, he quoted from a song that fully captured his own spirit of service: “The work and prayers of centuries have brought us to this day. What shall be our legacy? What will our children say? Let me know in my heart, when my days are through—America, America, I gave my best to you.” It was a sentiment that spoke not only to our new president’s character, but to the sense of pride in duty and purpose for the sake of a country we hold dear. And it contained a message of quiet patriotism that so many of us hope to share with the next generation. In this new picture book, using the full text of the song President Biden quoted, we do just that. With words that speak to the soul of our nation, and art from twelve different illustrators, all depicting what America means to them, we take readers on a journey through this beautiful country—its history, its struggles, and its dignity—and throughout, we count our own blessings and think about how we can do more to share them with others, and give our best to our country and everyone in it. |
| american history x song: The Ziegfeld Follies Ann Ommen van der Merwe, 2009-03-26 The Ziegfeld Follies: A History in Song presents an account of the Follies through the musical productions contained in the show. Accessing primary sources such as magazines and extant programs, Ann Ommen van der Merwe has carefully researched the Follies, reconstructing the songs, dances, and content of each annual production from 1907 to 1931, providing detailed descriptions of song performances. In so doing, the book demonstrates the important role of song in facilitating the comedy and spectacle for which the Follies are better known. Ommen van der Merwe takes a broad, chronological approach to the material, addressing such issues as musical style, lyrics, and staging of individual songs. In the process, she identifies the historical trajectory of the Ziegfeld Follies, delineating periods within its history like the development of the production values Ziegfeld was famous for, the success of his spectacles, his adaptation to changing times, and his legacy. She also considers the cultural and performance history of the Follies and its reflection of the society in which it developed. An appendix lists the composer, lyricist, publisher, and performer of each Follies song, as well as a library collection or archive where a copy may be found. The book also includes a collection of photographs, a select discography, bibliography, and two indexes, by song title and general subject. |
| american history x song: TLA Film, Video, and DVD Guide 2002-2003 David Bleiler, 2001-11-03 A film, video, and DVD guide for the true lover of the cinema, this volume focuses on independent and international films as well as the best of the mainstream. 450 photos throughout. |
| american history x song: Whale Joe Roman, 2006-05-01 One hundred years ago, a beached whale would have been greeted by a mob wielding flensing knives; today, people bring harnesses and boats to help it return to the sea. The whale is one of the most awe-inspiring and intelligent animals in nature, sharing a complex relationship with humans that has radically evolved over the centuries. Joe Roman offers in Whale a fascinating and in-depth look at the cultural and natural history of these majestic aquatic mammals. From the Biblical prophet Jonah to Moby-Dick to recent discoveries of cetacean songs and culture, Roman examines the whale's role in history, art, literature, commerce, and science. Whale features vibrant illustrations, ranging from Stone Age carvings to full-color underwater photographs, which vividly bring to life the rich symbolic meanings surrounding the whale. Roman also examines the ecological and evolutionary history of the whale as well as contemporary issues of conservation. Whale is an engaging volume that will appeal to all those interested in the important role that these kings of the ocean have played in human culture. |
| american history x song: The Smithsonian's History of America in 101 Objects Deluxe Richard Kurin, 2013-10-29 A magnificent new history of America told through 101 treasures from the Smithsonian’s collections. The Deluxe Edition features eight videos that go behind the scenes at the Smithsonian for a closer look at some of the book’s most important objects, hosted by author and curator Richard Kurin. The Smithsonian Institution is America’s largest and most cherished repository for the objects that define our common heritage. Richard Kurin, its Under Secretary for History, Art, and Culture, has for decades served as a driving force in the effort of our national museums to tell America’s whole story. This book is the culmination of a broad effort, led by Kurin and involving all the Smithsonian’s museums and more than a hundred of its top scholars and curators, to select a set of objects that could collectively represent the American experience. Strong deliberation honed literally millions of possibilities down to a careful selection of 101 remarkable objects that do justice to the history of our bountiful land and its people. That history begins with remains from the earliest years of the pre-Columbian continent and relics of the American Revolution and Civil War. It includes the inventions of the industrial revolution, artifacts of the Depression, World War II and cold war eras; icons of pop culture and of the Civil Rights movements as well as the objects that now symbolize the digital age and the first years of the new millennium. Each entry pairs the fascinating history of each object with the place it has come to occupy in our national memory. Kurin sheds new light on familiar objects like the Star-Spangled Banner and Abraham Lincoln’s stovepipe hat, Dorothy’s ruby slippers and Julia Child’s kitchen, the giant pandas and the space shuttle Discovery, including the often astonishing tales of how each made its way into the Smithsonian. Other objects, like the suffragists’ “Great Demand” banner and the Tuskegee flyer, will be eye-opening new discoveries for many, but no less evocative of the most poignant and important moments of American history. Others, like Sitting Bull’s ledger, Cesar Chavez’s union jacket, and the Enola Gay bomber, illustrate difficult chapters in the nation’s history. Kurin also includes behind-the-scenes insight into controversies arising from their exhibition at the Smithsonian. In Kurin’s hands these marvelous objects come to vivid life, awakening a deep and tactile connection with our nation’s history. A beautiful treasure in its own right, The Smithsonian’s History of America in 101 Objects is an incomparable journey through America’s collective memory, and a celebration of the resilient power of objects to illustrate who we are as a people. |
| american history x song: Studies in the History of American Education University of Michigan. School of Education, 1947 |
| american history x song: Red Hot Chili Peppers FAQ Dan Bogosian, 2020-05-15 From their humble beginnings as friends in high school, to playing strip clubs in nothing but well-placed socks, through a struggle to find the right guitarist, to the present day, Red Hot Chili Peppers FAQ chronicles the adventures of the best-selling alternative rock band of all time. No other book goes through each era of the band's history. Unlike other band biographies, Red Hot Chili Peppers FAQ digs into the trivia that hardcore fans obsess over: every recorded (and unreleased) song and their origins, the story behind each band member's every tattoo, and every piece of gear each band member past and present has ever used. Ever wonder why current drummer Chad Smith switched drum companies? Or how Flea and Dave Navarro ended up recording with Alanis Morissette on You Oughta Know? Just when did Anthony Kiedis meet current guitarist Josh Klinghoffer for the first time? When did Kiedis first try harder drugs? How did Cher end up as a babysitter for young Kiedis? When did Buckethead try out for the band? Who currently owns the mansion where they recorded Blood Sugar Sex Magik? All the answers lay in the pages of Red Hot Chili Peppers FAQ. |
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