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| american history x guy torry: The Picture of Abjection Tina Chanter, 2008 In The Picture of Abjection, Tina Chanter addresses a fundamental problem in film theory by negotiating a middle path between gaze theory approaches to film and spectator studies or cultural theory approaches that emphasize the position of the viewer. Chanter argues that abjection is the unthought ground of fetishistic theories. By mobilizing a theory of abjection, the book shows how the appeal to phallic, fetishistic theories continues to deify the hegemonic categories of race, class, sexuality, and gender, as if they stood as self-evident. -- Publisher. |
| american history x guy torry: Reel Views 2 James Berardinelli, 2005 Thoroughly revised and updated for 2005! Includes a new chapter on the best special edition DVDs and a new chapter on finding hidden easter egg features. |
| american history x guy torry: Identity Complex Michael Roy Hames-Garcia, Rethinking ideas about identity politics and critical thought |
| american history x guy torry: Screen World 1999 John Willis, Barry Monush, 2000-05-01 (Screen World). John Willis' Screen World has become the definitive reference for any film library. Each volume includes every significant U.S. and international film released during that year as well as complete filmographies, capsule plot summaries, cast and characters, credits, production company, month released, rating, and running time. You'll also find biographical entries a prices reference for over 2,000 living stars, including real name, school, place and date of birth. A comprehensive index makes this the finest film publication that any film lover could own. |
| american history x guy torry: Oops! They Did It Again! Matteo Molinari, Jim Kamm, 2002 Almost every film, from the classic to the guilty pleasure, contains blunders that can be so blatant, one wonders how filmmakers ever missed them. In this second all-new volume in the Oops! series, readers will discover hundreds more bloopers from Bringing Up Baby (1938) to the Oscar-winning Croushing Tiger, Hidden Dragon (2000). Each entry lists title, credits, plots, non-bloopers, oddities, fun facts, and, of course, bloopers, each described and keyed to the on a video player for easy locating. |
| american history x guy torry: John Simon on Film John Ivan Simon, 2005 (Applause Books). I find John's critical writing immensely entertaining even when I'm not in agreement... He has the gift, such a rare one, of being able to analyze the work in question, to be able to say why it is that it's so powerful, so touching; or, on the other hand, so trite, so meretricious, or so banal... I find his reviews full of insights and perceptions that make reading a collection of this sort as exciting as reading a gripping novel. John's wit is dazzling and is never displayed for its own sake, but to drive home an aspect of the review... It was exciting for me to read through this collection and see such warm praise for so many films that I feel have been unjustly ignored. Bruce Beresford |
| american history x guy torry: Subverting Masculinity , 2021-08-04 Contemporary Western societies are currently witness to a “crisis of masculinity” but also to an intriguing diversification of images of masculinity. Once relatively stable regimes of masculine gender representation appear to have been replaced by a wider spectrum of varieties of masculine “lifestyles” taken up by the media and the market, to produce new and immensely flexible forms consumerised gender hegemony. The essays in Subverting Masculinity concentrate on contemporary film, literature and diverse forms of popular culture. The essays show that the subversion of traditional images of masculinity is both a source of gender contestation, but may equally be susceptible to assimilation by new hegemonic configurations of masculinity. Subverting Masculinity maps out the ongoing relevance of gender politics in contemporary culture, but also raises the question of increasingly unclear distinctions between hegemonic and subversive versions of masculinity in contemporary cultural production. Subverting Masculinity will be of interest to students and teachers of gender, cultural, film and literary studies. |
| american history x guy torry: American history X Heike Hebbelmann, 2007 |
| american history x guy torry: Frame by Frame III Audrey T. McCluskey, Audrey Thomas McCluskey, 2007 An invaluable compendium for anyone interested in cinema |
| american history x guy torry: Jet , 2002 |
| american history x guy torry: This Day In Comedy Frank Holder, Darryl Littleton, 2019-11-04 On This Day in Comedy is not just an encyclopedia, but a celebration of comedy. In humorous prose the book takes readers through the often-neglected subcultures of comedy in America, acknowledging the inclusiveness of the performers as well as shows and films that made this art form so vital to comics of all backgrounds. It's artistically criminal that a search for Native American or Asian comedy information yields a virtually blank slate. Look for Middle Eastern comics and you'll be provided information on the region's comic book revolution, and search results for Latin comedy are confined to a series of outdated articles. This encyclopedia will offer rare and in some cases never-before-seen photos and obscure facts, making it an indispensable comedy essential. |
| american history x guy torry: Jet , 2001-07-02 The weekly source of African American political and entertainment news. |
| american history x guy torry: Gangland [2 volumes] Laura L. Finley, 2018-10-01 This two-volume set integrates informative encyclopedia entries and essential primary documents to provide an illuminating overview of trends in gang membership and activity in America in the 21st century. Gangland: An Encyclopedia of Gang Life from Cradle to Grave includes extended discussion of specific gangs; types of gangs based on ethnicity and environment (rural, suburban, and urban); recruitment and retention methods; leadership structure and other internal dynamics of various gangs; impacts of gang membership on extended family; the historical evolution of gangs in American society; depictions of gang life in popular culture; violent and nonviolent gang activities; and programs, policies, agencies, and organizations that have been crafted to combat gang activities. In addition, the encyclopedia includes a suite of primary sources that offer a look into the personal experiences of gang members, examine efforts by law enforcement and public officials to address gang activity, and address wider societal factors that make eradicating gangs such a difficult task. |
| american history x guy torry: America First Mandy Merck, 2012-11-12 At a time when the expanded projection of US political, military, economic and cultural power draws intensified global concern, understanding how that country understands itself seems more important than ever. This collection of new critical essays tackles this old problem in a new way, by examining some of the hundreds of US films that announce themselves as titularly 'American'. From early travelogues to contemporary comedies, national nomination has been an abiding characteristic of American motion pictures, heading the work of Porter, Guy-Blaché, DeMille, Capra, Sternberg, Vidor, Minnelli and Mankiewicz. More recently, George Lucas, Paul Schrader, John Landis and Edward James Olmos have made their own contributions to Hollywood’s Americana. What does this national branding signify? Which versions of Americanism are valorized, and which marginalized or excluded? Out of which social and historical contexts do they emerge, and for and by whom are they constructed? Edited by Mandy Merck, the collection contains detailed analyses of such films as The Vanishing American, American Madness, An American in Paris, American Graffiti, American Gigolo, American Pie and many more. |
| american history x guy torry: Plato and Popcorn William G. Smith, 2015-09-18 Many believe there is nothing like seeing a good movie, one that is enjoyable both in itself and for the thought processes it stimulates. From The Usual Suspects and When Harry Met Sally to Gandhi and The Color Purple, this handbook functions as a guide to watching and reflecting upon 75 great films. The author, a philosophy instructor, presents a text designed to lead readers through a series of intellectual gymnastics; to help strengthen critical thinking abilities and to inspire exciting and philosophical thoughts and discussions. Civil Disobedience, Death, Fate and Determinism, War, Sexism and Women's Issues, Gay Rights, The Greatest Happiness Principle, Anxiety and Inauthenticity and The Holocaust are examples of the 18 different categories into which the films are divided. Each chapter includes the author's introductory comments to be read prior to watching movies along with a section of Questions to Ponder to be considered afterward. Photographs of many movie scenes are included throughout the text. Instructors considering this book for use in a course may request an examination copy here. |
| american history x guy torry: Tattoos and Popular Culture Lee Barron, 2020-10-26 The rise of tattoos into the mainstream has been a defining aspect of 21st century western culture. Tattoos and Popular Culture showcases how tattoos have been catapulted from 'deviant' and 'alternative' subculture, into a popular culture, becoming a potent signifier of 'difference' for the millennial generation. |
| american history x guy torry: The Encyclopedia of Racism in American Films Salvador Jiménez Murguía, 2018-04-12 Winner, RUSA 2019 Outstanding References Source Winner and named a Library Journal Best Reference Book of the Year 2018 From D.W. Griffith’s Birth of a Nation in 1915 to the recent Get Out, audiences and critics alike have responded to racism in motion pictures for more than a century. Whether subtle or blatant, racially biased images and narratives erase minorities, perpetuate stereotypes, and keep alive practices of discrimination and marginalization. Even in the 21st century, the American film industry is not “color blind,” evidenced by films such as Babel (2006), A Better Life (2011), and 12 Years a Slave (2013). The Encyclopedia of Racism in American Film documents one facet of racism in the film industry, wherein historically underrepresented peoples are misrepresented—through a lack of roles for actors of color, stereotyping, negative associations, and an absence of rich, nuanced characters. Offering insights and analysis from over seventy scholars, critics, and activists, the volume highlights issues such as: Hollywood’s diversity crisis White Savior films Magic Negro tropes The disconnect between screen images and lived realities of African Americans, Latinos, Native Americans, and Asians A companion to the ever-growing field of race studies, this volume opens up a critical dialogue on an always timely issue. The Encyclopedia of Racism in American Film will appeal to scholars of cinema, race and ethnicity studies, and cultural history. |
| american history x guy torry: Jet , 1998-01-19 The weekly source of African American political and entertainment news. |
| american history x guy torry: Focus On: 100 Most Popular Nonlinear Narrative Films Wikipedia contributors, |
| american history x guy torry: Focus On: 100 Most Popular American Crime Drama Films Wikipedia contributors, |
| american history x guy torry: Upscale , 1999 |
| american history x guy torry: Screen World John A. Willis, 2000 |
| american history x guy torry: Video Source Book , 2006 A guide to programs currently available on video in the areas of movies/entertainment, general interest/education, sports/recreation, fine arts, health/science, business/industry, children/juvenile, how-to/instruction. |
| american history x guy torry: Women of Note Quarterly , 1998 |
| american history x guy torry: A Comprehensive Encyclopedia of Film Noir John Grant, 2023-09-21 Featuring rumpled PIs, shyster lawyers, corrupt politicians, double-crossers, femmes fatales, and, of course, losers who find themselves down on their luck yet again, film noir is a perennially popular cinematic genre. This extensive encyclopedia describes movies from noir's earliest days – and even before, looking at some of noir's ancestors in US and European cinema – as well as noir's more recent offshoots, from neonoirs to erotic thrillers. Entries are arranged alphabetically, covering movies from all over the world – from every continent save Antarctica – with briefer details provided for several hundred additional movies within those entries. A copious appendix contains filmographies of prominent directors, actors, and writers. With coverage of blockbusters and program fillers from Going Straight (US 1916) to Broken City (US 2013) via Nora Inu (Japan 1949), O Anthropos tou Trainou (Greece 1958), El Less Wal Kilab (Egypt 1962), Reportaje a la Muerte (Peru 1993), Zift (Bulgaria 2008), and thousands more, A Comprehensive Encyclopedia of Film Noir is an engrossing and essential reference work that should be on the shelves of every cinephile. |
| american history x guy torry: Geek Monthly , 2006-12 |
| american history x guy torry: The Purdue Alumnus , 2006 |
| american history x guy torry: Prison Movies Kevin Kehrwald, 2017-02-14 Prison Movies: Cinema Behind Bars traces the public fascination with incarceration from the silent era to the present. Often considered an offshoot of the gangster film, the prison film precedes the gangster film and is in many ways its opposite. Rather than focusing on tragic figures heading for a fall, the prison film focuses on fallen characters seeking redemption. The gangster's perverse pursuit of the American dream is irrelevant to the prisoner for whom that dream has already failed. At their core, prison films are about self-preservation at the hands of oppressive authority. Like history itself, prison films display long stretches of idleness punctuated by eruptions of violence, dangerous moments that signify liberation and the potential for change. The enclosed world of the prison is a highly effective microcosm, one that forces characters and audiences alike to confront vexing issues of race, class, gender, and sexuality. These portrayals of men and women behind bars have thrived because they deal with such fundamental human themes as freedom, individuality, power, justice, and mercy. Films examined include The Big House (1930), I Want to Live! (1958), The Defiant Ones (1958), Cool Hand Luke (1967), Midnight Express (1978), Escape from Alcatraz (1979), The Shawshank Redemption (1994), and Starred Up (2013). |
| american history x guy torry: Videohound's Golden Movie Retriever Jim Craddock, 2006 Describes and rates more than twenty thousand videos, and provides indexes by theme, awards, actors, actresses, and directors. |
| american history x guy torry: New York , 1999 |
| american history x guy torry: Prisons, Race, and Masculinity in Twentieth-century U.S. Literature and Film Peter Caster, 2008 In Prisons, Race, and Masculinity, Peter Caster demonstrates the centrality of imprisonment in American culture, illustrating how incarceration, an institution inseparable from race, has shaped and continues to shape U.S. history and literature in the starkest expression of what W. E. B. DuBois famously termed the problem of the color line. A prison official in 1888 declared that it was the freeing of slaves that actually created prisons: we had to establish means for their control. Hence came the penitentiary. Such rampant racism co ntributed to the criminalization of black masculinity in the cultural imagination, shaping not only the identity of prisoners (collectively and individually) but also America's national character. Caster analyzes the representations of imprisonment in books, films, and performances, alternating between history and fiction to describe how racism influenced imprisonment during the decline of lynching in the 1930s, the political radicalism in the late 1960s, and the unprecedented prison expansion through the 1980s and 1990s. Offering new interpretations of familiar works by William Faulkner, Eldridge Cleaver, and Norman Mailer, Caster also engages recent films such as American History X, The Hurricane, and The Farm: Life Inside Angola Prison alongside prison history chronicled in the transcripts of the American Correctional Association. This book offers a compelling account of how imprisonment has functioned as racial containment, a matter critical to U.S. history and literary study. |
| american history x guy torry: Film Review , 1999 The year's releases in review, with necrologies and brief articles. |
| american history x guy torry: The Holocaust Film Sourcebook: Fiction Caroline Joan Picart, 2004 A comprehensive filmography, listing fictional narrative films in the first volume and documentary and propaganda films in the second. The films - listed alphabetically - were produced in many different countries. The work lists films made during World War II and after (including Nazi films). Each entry provides bibliographic information, a summary of the story, and a list of primary and secondary sources. Each volume contains a few spotlight essays. Partial contents: |
| american history x guy torry: Jet , 2002-10-21 The weekly source of African American political and entertainment news. |
| american history x guy torry: Film Review, 1999-2000 James Cameron-Wilson, 2000-03 Now in its 57th year, Film Review is the longest-running film annual available. Lively opinion is combined with detailed coverage of the year's cinema releases, as well as features on movie gossip, and the most promising new faces. |
| american history x guy torry: Interpersonal Commun Inst Res Mnl W/Tb Maggie M. Sullivan, 2004-08 |
| american history x guy torry: 光影華爾滋：每部電影，都是一支擁抱內心的迴旋舞 Kristin, 2021-04-29 電影重度愛好者必追的深度粉專 一頁華爾滋 Let Me Sing You a Waltz 影評人 Kristin 第一本電影文集 電影裡，我們彷彿度過了別人的人生，卻是為自己哭泣。 30場燈亮之後的內心獨白，寫給耽溺於幻象中的癡迷靈魂。 【影視界、文學界一致好評推薦！】 李霈瑜（大霈）│金鐘獎《水下三十米》節目主持人 柯貞年│《無聲》導演 重點就在括號裡│影劇評論粉絲專頁 殷振豪│《當男人戀愛時》電影導演 張硯拓│《釀電影》主編 許承傑│導演 彭紹宇│作家 劉定騫│作家 蔡傑曦│攝影作家 蔣亞妮│作家 鄭宜農│創作歌手 謝盈萱│演員 鍾旻瑞│作家 「她形容自己文字『一針一線，一點一滴』，但我想她其實是三稜鏡，文章每一字每一句，都用電影折射出有她自己色調的光芒，以及綿密彩虹。」──重點就在括號裡 影劇評論粉絲專頁 「電影虛構和人生現實構築成了交響樂章，Kristin踩著擁抱內心的舞步迴旋著，在解構霸王別姬『不瘋魔不成活』之際，Kristin或許沒明白，她自己正瘋著呢。」──殷振豪 《當男人戀愛時》電影導演 「Kristin 洞悉創作者與觀眾的情緒，以其銳準的文字，悄悄地補足了影格之間的縫隙，是影像媒介的兩造都渴望的橋樑。」──許承傑 導演 「閱讀Kristin的文字是一種享受，美麗的文字背後，是擁抱電影的豐沛情感，與直面生命百態的細膩轉譯，溫柔地撫慰著每位走出戲院的觀眾。」──彭紹宇 作家 「如果電影是一場場奇幻夢境，那Kristin就是天橋上的說夢人。」──劉定騫 作家 「時常有這些時候，看完一部電影的混亂思緒被Kristin 細緻而精闢的影評梳理開來，頻頻點頭之餘，也會驚訝地發現：啊！竟然沒想到這個觀點！Kristin說是寫電影，其實也是寫人生。我想我對這本書的喜愛是矛盾的，忍不住又要重看這些電影了！」──蔡傑曦 攝影作家 「Kristin的影評總是讓我想起電影散場後，從戲院走向車站的路程，情緒仍在發酵，故事的意義也逐漸在思考中辨明，她的文字便屬於那樣特別的時刻。」──鍾旻瑞 作家 【作品介紹】 《光影華爾滋》是影評人Kristin第一本電影文集， 這是她對電影的情感日記，也是影中人物亟欲表達的無聲之聲。 她以如手術刀般鋒利的文筆，剖析一幕幕幽微的意在言外； 再用溫暖、寬容的文字，接住每一個情之所至的受傷靈魂 ──那是影中人，同時也是午夜夢迴的我們。 對待愛情，她說： 「當我們從認定命運是操之在己，走到正視命運的無能為力時，才是真正學會坦然面對人之別離與相遇的時刻。」──《愛在黎明破曉時》 追尋夢想，她說： 「長大成人後終於領悟，無論走上哪一條路，都得有所犧牲，都得放棄一部分的自我。」──《她們》 面對自我，她說： 「虞姬為何而死？不容一絲妥協，不許一毫猶豫，錯了，又錯了，一切都錯了。殘山夢最真，舊境丟難掉，現實所無法實現的，只能留在戲裡，自個兒成全自個兒，無論男兒郎抑或女嬌娥，化作虞姬才能在對望的眼眸中看見生死相許的來世，所以無怨，也無遲疑。」──《霸王別姬》 接納傷痛，她說： 「即使人生是場災難，也得是美麗的災難。彷彿一次的舞蹈就是一次的慶祝，慶祝被社會長期欺凌的疲憊軀殼，有一天也足以於眾人的接納中尋找到屬於自己的應許之地。」──《小丑》 【目錄】 作者序 Chapter 1：愛的狂徒 1．愛到最後是無能為力──《愛在黎明破曉時》 2．不問是否值得──《愛在日落巴黎時》 3．偶然的必然──《愛在午夜巴黎時》 4．在千瘡百孔中相愛──《沒有煙硝的愛情》 5．為活而愛──《燃燒女子的畫像》 6．謝謝你在心裡陪著我──《消失的情人節》 7．愛依然存在──《婚姻故事》 8．你的假戲，我的真實──《霸王別姬》 Chapter 2：一追再追 9．似曾相識的盲尋──《淑女鳥》 10．以自我鋪成前路──《她們》 11．不同的追求──《醉鄉民謠》 12．肉眼可見的生命力──《梵谷》 13．不滅的希望──《樂來越愛你》 Chapter 3：我就是我 14．《海上鋼琴師》的碧海藍天 15．對極限的渴望──《賽道狂人》 16．無處安放的心──《阿飛正傳》 17．自我的掙扎──《鬥陣俱樂部》 18．最唯美的隱喻──《異星入境》 19．對價值的叩問──《銀翼殺手》 Chapter 4：悲傷的語言 20．求死一般求生──《大象席地而坐》 21．絕望後的蛻變──《小丑》 22．痛到深處似無聲──《海邊的曼徹斯特》 23．困境下的抉擇──藍白紅三部曲 24．為自己找到出口──《誰先愛上他的》 25．世代流傳的苦難──《82年生的金智英》 Chapter 5：難以再說對不起 26．擁抱父母的平凡──《大法官》 27．掙脫與愧疚──父親三部曲 28．生命之河──《羅馬》 29．瘋狂只是日常──《一念無明》 30．偷來的時光，偷不走的愛──《小偷家族》 31．最好的一天──《真愛每一天》 |
| american history x guy torry: Video Hounds Golden Movie Retrievee Gale Group, Jim Craddock, 2000-08 Containing the most extensive listing of movies available on video and a multitude of cross-referencing within its 10 primary indexes, this new edition includes 1,000 new movies (23,000 in all), expanded indexing, a fresh new introduction and more of the beloved categories. |
| american history x guy torry: Film and the Emotions , 2010 |
| american history x guy torry: Masculinities - Maskulinitäten Therese Steffen, 2017-02-18 Männlichkeit ist nichts Gottgegebenes, sondern ein Konstrukt. Nicht grundlos tritt Männlichkeit in der modernen Forschung nur noch im Plural Männlichkeiten auf. Der Begriff hat seine strenge kategoriale Gültigkeit verloren, die Grenzen zwischen den Geschlechtern diffundieren. Sowohl Feuilleton, Populärliteratur, Film wie wissenschaftliche Abhandlungen spiegeln heute Männlichkeit zumindest als sozialpsychologisch begründete Deformation, deren Bewältigungsprinzipien von der anglo-amerikanischen Forschung längst aufgezeigt wurden. Namhafte Gender-Forschende haben sich im vorliegenden Band mit der Krisenfigur Mann auseinandergesetzt und gehen ihren kulturellen, d.h. visuellen, literarischen und sozio-historischen Repräsentationen auf den Grund. |
Two American Families - Swamp Gas Forums
Aug 12, 2024 · This PBS documentary might be in the top 3 best I have ever watched. Bill Moyers followed 2 working class families from 1991 to 2024, it tells the...
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Countdown to Kickoff 2025 | Swamp Gas Forums
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