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| american horror history freak show: Death Rituals Josh Hancock, 2017-09-04 When Cherie Alvarez was a child, a moment of shocking violence shattered her world into a thousand bloody pieces. Plagued by nightmares and taunted by schoolyard bullies, the young girl spent years recovering from what law enforcement described as a sickening and gruesome act of evil. Now a college student, Cherie has found solace in film, theater, and all the beloved traditions of the Halloween season. But when she and her friends participate in an immersive, extreme haunted attraction, Cherie must once again break the chains of victimhood and face the open wounds of her past. After enduring one man's twisted vision of horror and perversion, Cherie finds herself challenged by a cult-like force determined to destroy her. What follows is a singular night of grueling terror, calculated revenge, and backwoods slaughter. An epistolary thriller, DEATH RITUALS gathers the ephemera of a young woman's life--short stories, articles, scripts, photographs, televised reports, and more--to tell a story of chilling depravity and undaunted courage. |
| american horror history freak show: I Like to Watch Emily Nussbaum, 2019 The big picture : how Buffy the vampire slayer turned me into a TV critic -- The long con (The Sopranos) -- The great divide : Norman Lear, Archie Bunker, and the rise of the bad fan -- Difficult women (Sex and the city) -- Cool story, bro (True detective, Top of the lake and The fall) -- Last girl in Larchmont : the legacy of Joan Rivers -- Girls girls girls : Girls, Vanderpump rules, House of cards and Scandal, The Amy Schumer show, Transparent -- Confessions of the human shield -- How jokes won the election -- In praise of sex and violence : Hannibal, Law et order : SVU, Jessica Jones, -- The jinx, The Americans -- The price is right : what advertising does to TV -- In living color : Kenya Barris' -- Breaking the box : Jane the virgin, The comeback, The good wife, The newsroom, Adventure time, The leftovers, High maintenance. -- Riot girl : Jenji Kohan's hot provocations -- A disappointed fan is still a fan (Lost) -- Mr. big : how Ryan Murphy became the most powerful man in television. |
| american horror history freak show: The Yellow Wall-Paper Charlotte Perkins Gilman, 2024-03-21 She has just given birth to their child. He labels her postpartum depression as »hysteria.« He rents the attic in an old country house. Here, she is to rest alone – forbidden to leave her room. Instead of improving, she starts hallucinating, imagining herself crawling with other women behind the room's yellow wallpaper. And secretly, she records her experiences. The Yellow Wall-Paper [1892] is the short but intense, Gothic horror story, written as a diary, about a woman in an attic – imprisoned in her gender; by the story. Charlotte Perkins Gilman's feminist novella was long overlooked in American literary history. Nowadays, it is counted among the classics. CHARLOTTE PERKINS GILMAN (1860–1935), born in Hartford, Connecticut, was an American feminist theorist, sociologist, novelist, short story writer, poet, and playwright. Her writings are precursors to many later feminist theories. With her radical life attitude, Perkins Gilman has been an inspiration for many generations of feminists in the USA. Her most famous work is the short story The Yellow Wall-Paper [1892], written when she suffered from postpartum psychosis. |
| american horror history freak show: Gender, Sexuality and Queerness in American Horror Story Harriet E.H. Earle, 2019-08-21 The horror anthology TV show American Horror Story first aired on FX Horror in 2011 and has thus far spanned eight seasons. Addressing many areas of cultural concern, the show has tapped in to conversations about celebrity culture, family dynamics, and more. This volume with nine new essays and one reprinted one considers how this series engages with representations of gender, sexuality, queer identities and other LGBTQ issues. The contributors address myriad elements of American Horror Story, from the relationship between gender and nature to contemporary masculinities, offering a sustained analysis of a show that has proven to be central to contemporary genre television. |
| american horror history freak show: The Circus in Winter Cathy Day, 2005-07-06 Over a half century, a small Indiana town hosts a circus troupe during the off-seasons in linked stories “as graceful as any acrobat’s high-wire act” (San Francisco Chronicle). A Story Prize Finalist From 1884 to 1939, the Great Porter Circus made the unlikely choice to winter in an Indiana town called Lima, a place that feels as classic as Sherwood Anderson's Winesburg, Ohio, and as wondrous as a first trip to the Big Top. In Lima, an elephant can change the course of a man's life—or the manner of his death. Jennie Dixianna entices men with her dazzling Spin of Death and keeps them in line with secrets locked in a cedar box. The lonely wife of the show’s manager has each room of her house painted like a sideshow banner, indulging her desperate passion for a young painter. And a former clown seeks consolation from his loveless marriage in his post-circus job at Clown Alley Cleaners. In this collection of linked stories spanning decades, Cathy Day follows the circus people into their everyday lives and brings the greatest show on earth to the page. “[An] exquisite story collection.” —The Washington Post “Often funny, always graceful, and rich with a mix of historical and imaginative detail.” —Tim O’Brien, author of The Things They Carried “Sublimely imaginative and affecting.” —The Boston Globe |
| american horror history freak show: The Star Machine Jeanine Basinger, 2009-01-06 ONE OF THE HOLLYWOOD REPORTER'S 100 GREATEST FILM BOOKS OF ALL TIME • From one of our most distinguished film scholars, comes a rich, penetrating, amusing book about the golden age of movies and how the studios worked to manufacture stars. With revelatory insights and delightful asides, Jeanine Basinger shows us how the studio “star machine” worked when it worked, how it failed when it didn't, and how irrelevant it could sometimes be. She gives us case studies focusing on big stars groomed into the system: the “awesomely beautiful” (and disillusioned) Tyrone Power; the seductive, disobedient Lana Turner; and a dazzling cast of others. She anatomizes their careers, showing how their fame happened, and what happened to them as a result. Deeply engrossing, full of energy, wit, and wisdom, The Star Machine is destined to become an classic of the film canon. |
| american horror history freak show: Cirque Du Freak: A Living Nightmare Darren Shan, 2008-08-01 From the Master of Horror comes the first gripping book in the twelve book New York Times bestselling Saga of Darren Shan. Start the tale from the beginning in the book that inspired the feature film The Vampire's Assistant and petrified devoted fans worldwide. A young boy named Darren Shan and his best friend, Steve, get tickets to the Cirque Du Freak, a wonderfully gothic freak show featuring weird, frightening half human/half animals who interact terrifyingly with the audience. In the midst of the excitement, true terror raises its head when Steve recognizes that one of the performers-- Mr. Crepsley-- is a vampire! Stever remains after the show finishes to confront the vampire-- but his motives are surprising! In the shadows of a crumbling theater, a horrified Darren eavesdrops on his friend and the vampire, and is witness to a monstrous, disturbing plea. As if by destiny, Darren is pulled to Mr. Crepsley and what follows is his horrifying descent into the dark and bloody world of vampires. This is the beginning of Darren's story. |
| american horror history freak show: Freak Show Robert Bogdan, 2014-12-10 This cultural history of the travelling freak show in America chronicles the rise and fall of the industry as attitudes about disability evolved. From 1840 until 1940, hundreds of freak shows crisscrossed the United States, from the smallest towns to the largest cities, exhibiting their casts of dwarfs, giants, Siamese twins, bearded ladies, savages, snake charmers, fire eaters, and other oddities. By today’s standards such displays would be considered cruel and exploitative—the pornography of disability. Yet for one hundred years the freak show was widely accepted as one of America’s most popular forms of entertainment. Robert Bogdan’s fascinating social history brings to life the world of the freak show and explores the culture that nurtured and, later, abandoned it. In uncovering this neglected chapter of show business, he describes in detail the flimflam artistry behind the shows, the promoters and the audiences, and the gradual evolution of public opinion from awe to embarrassment. Freaks were not born, Bogdan reveals; they were manufactured by the amusement world, usually with the active participation of the freaks themselves. Many of the human curiosities found fame and fortune, until the ascent of professional medicine transformed them from marvels into pathological specimens. |
| american horror history freak show: Circus Mania! Douglas McPherson, 2011-04-01 A history of the circus from its origins in the Roman times, through its establishment in Western Europe, and to the modern day circus—absolutely diverse and captivating Circuses have existed since Roman times, but centuries later, the circus world has never been more diverse and captivating, the global success of Cirque du Soleil testament to its enduring and universal appeal. Traditional family circuses for kids, arty cirque-style shows for adults, circuses in tents or in theaters, circuses with animals or without, cabaret-style hybrids on the burlesque circuit—this is an expert guide to their extraordinary history and culture. The circus requires a unique type of performer, people who blend the discipline of sports stars with the razzmatazz of showbiz; itinerant but clannish entertainers who have often had circus blood in their families for generations; world class gymnasts who risk death twice daily and help take down the big top afterwards. This history offers a journey into this unique world, each chapter an access-all-areas pass to a different circus, talking to the trapeze flyers, clowns, animal trainers, and showmen about their lives, work, families, customs, and traditions. |
| american horror history freak show: Horrific Sufferings of the Mind-Reading Monster Hercules Barefoot Carl-Johan Vallgren, 2007-03-27 Horrific Sufferings of the Mind-Reading Monster Hercules Barefoot is the picaresque fable of the love that grows between the mute, telepathic human monstrosity Hercules and the beautiful Henriette—a love that will entwine their fates forever. Author Carl-Johan Vallgren creates an unforgettable cast of grotesqueries in a magical and atmospheric tour of nineteenth-century Europe—from the bordello, where Hercules is born, to the squalor of the asylum, where he finds only pain, to the sinister grandeur of the Jesuit monasteries in which he finds both shelter and peril, to the phantasmagoria of the freak show with which he travels. A moving, uplifting, at times dark and macabre tale of social oppression, official corruption, religious persecution, and unwavering devotion, it is a story that enchants and surprises . . . and leaves one wide-eyed with wonder, like a small child at his first carnival. |
| american horror history freak show: Reading American Horror Story Rebecca Janicker, 2017-04-03 Looming onto the television landscape in 2011, American Horror Story gave viewers a weekly dose of psychological unease and gruesome violence. Embracing the familiar horror conventions of spooky settings, unnerving manifestations and terrifying monsters, series co-creators Ryan Murphy and Brad Falchuk combine shocking visual effects with an engaging anthology format to provide a modern take on the horror genre. This collection of new essays examines the series' contribution to television horror, focusing on how the show speaks to social concerns, its use of classic horror tropes and its reinvention of the tale of terror for the 21st century. |
| american horror history freak show: SCUM Manifesto Valerie Solanas, 2016-04-05 Classic radical feminist statement from the woman who shot Andy Warhol “Life in this society being, at best, an utter bore and no aspect of society being at all relevant to women, there remains to civic-minded, responsible, thrill-seeking females only to overthrow the government, eliminate the money system, institute complete automation and destroy the male sex.” Outrageous and violent, SCUM Manifesto was widely lambasted when it first appeared in 1968. Valerie Solanas, the woman who shot Andy Warhol, self-published the book just before she became a notorious household name and was confined to a mental institution. But for all its vitriol, it is impossible to dismiss as the mere rantings of a lesbian lunatic. In fact, the work has proved prescient, not only as a radical feminist analysis light years ahead of its time—predicting artificial insemination, ATMs, a feminist uprising against underrepresentation in the arts—but also as a stunning testament to the rage of an abused and destitute woman. In this edition, philosopher Avital Ronell’s introduction reconsiders the evocative exuberance of this infamous text. |
| american horror history freak show: Hallowtide Karl Pfeiffer, 2012-09-26 Halloween, 2001. Will Andrews is found in the hallway of Savage Creek High School, shot in the head, pistol in hand. Beside him is a dead man with a bomb strapped to his chest. Two of Will's best friends are dead. Two more are wounded. When Will wakes from his coma three days later, he has no memory of what happened, but the local papers are already calling him a hero. Now, five years later, Will is in Hell. At night, he holds his girlfriend, Jennifer, close, while in his sleep he journeys deeper and deeper into a nightmarish dreamscape. During the day, his therapist urges him to finally look into the shooting, suggesting that these nightmares may be one part of himself desperately trying to communicate with the other. But the deeper Will digs, the further the lines between reality and fiction are blurred, and he finds himself in a place where nightmare bleeds into memory, the spiritual leaks into the physical, and the world as he knows it threatens dissolving entirely. Both beautiful and deeply harrowing, Hallowtide combines Jungian theory with echoes of classic descent narratives, deconstructing western philosophy, depression, and religion, while following one young man's fall into Stygian wasteland and the journey that will change him forever. |
| american horror history freak show: American Horror Story and Philosophy Richard Greene, Rachel Robison-Greene, 2017-12-12 In American Horror Story and Philosophy, philosophers with varying backgrounds and interests explore different aspects of this popular “erotic thriller” TV show, with its enthusiastic cult following and strong critical approval. The result is a collection of intriguing and provocative thoughts on deeper questions prompted by the creepy side of the human imagination. As an “anthology show,” American Horror Story has a unique structure in the horror genre because it explores distinct subgenres of horror in each season. As a result, each season raises its own set of philosophical issues. The show’s first season, Murder House, is a traditional haunted house story. Philosophical topics expounded here include: the moral issues pertaining to featuring a mass murderer as one of the season’s main protagonists; the problem of other minds—when I see an old hag, how can I know that you don’t see a sexy maid? And whether it is rationally justified to fear the Piggy Man. Season Two, Asylum, takes place inside a mid-twentieth-century mental hospital. Among other classic horror subgenres, this season includes story lines featuring demonic possession and space aliens. Chapters inspired by this season include such topics as: the ethics of investigative reporting and whistleblowing; personal identity and demonic possession; philosophical problems arising from eugenics; and the ethics and efficacy of torture. Season Three, Coven, focuses on witchcraft in the contemporary world. Chapters motivated by this season include: sisterhood and feminism as starkly demonstrated in a coven; the metaphysics of traditional voodoo zombies (in contrast to the currently fashionable “infected” zombies); the uses of violent revenge; and the metaphysics of reanimation. Season Four, Freak Show, takes place in a circus. Philosophical writers look at life under the Big Top as an example of “life imitating art”; several puzzles about personal identity and identity politics (crystallized in the two-headed girl, the bearded lady, and the lobster boy); the ethical question of honor and virtue among thieves; as well as several topics in social and political philosophy. Season Five, Hotel, is, among other disturbing material, about vampires. Chapters inspired by this season include: the ethics of creating vampire progeny; LGBT-related philosophical issues; and existentialism as it applies to serial killers, Season Six, Roanoke, often considered the most creative of the seasons so far, partly because of its employment of the style of documentaries with dramatic re-enactments, and its mimicry of The Blair Witch Project and Paranormal Activity. Among the philosophical themes explored here are what happens to moral obligations under the Blood Moon; the proper role of truth in storytelling; and the defensibility of cultural imperialism. |
| american horror history freak show: Freak Show James St. James, 2008-10-02 Soon to be a major motion picture with Bette Midler, Laverne Cox, Abigail Breslin, and Alex Lawther starring as Billy Bloom Freak Show has it all. It's hilarious, sad, sexy, and glamorous—just the way life should be.--Perez Hilton Gutsy, funny, over-the-top Billy Bloom is a profile in courage.--The Washington Post Meet Billy Bloom, new student at the ultra-white, ultra-rich, ultra-conservative Dwight D. Eisenhower Academy and drag queen extraordinaire. Actually, ?drag queen? does not begin to describe Billy and his fabulousness. Any way you slice it, Billy is not a typical seventeen-year-old, and the Bible Belles, Aberzombies, and Football Heroes at the academy have never seen anyone quite like him before. But thanks to the help and support of one good friend, Billy?s able to take a stand for outcasts and underdogs everywhere in his own outrageous, over-thetop, sad, funny, brilliant, and unique way. |
| american horror history freak show: The Tell-Tale Heart Edgar Allan Poe, 2024-01-29 In Edgar Allan Poe's The Tell-Tale Heart, the narrator tries to prove his sanity after murdering an elderly man because of his vulture eye. His growing guilt leads him to hear the old man's heart beating under the floorboards, which drives him to confess the crime to the police. |
| american horror history freak show: The Babbling Brook Naked Poker Club - Book One Ann Warner, 2016-07-06 First book in a heart-warming and humorous cozy mystery series, with over 10,000 five-star reviews, about troubled relationships, questionable choices, art theft, an occasional murder,and other dodgy dealings in a not-so-retiring retirement community. |
| american horror history freak show: It Stephen King, 2019-07-30 It: Chapter Two—now a major motion picture! Stephen King’s terrifying, classic #1 New York Times bestseller, “a landmark in American literature” (Chicago Sun-Times)—about seven adults who return to their hometown to confront a nightmare they had first stumbled on as teenagers…an evil without a name: It. Welcome to Derry, Maine. It’s a small city, a place as hauntingly familiar as your own hometown. Only in Derry the haunting is real. They were seven teenagers when they first stumbled upon the horror. Now they are grown-up men and women who have gone out into the big world to gain success and happiness. But the promise they made twenty-eight years ago calls them reunite in the same place where, as teenagers, they battled an evil creature that preyed on the city’s children. Now, children are being murdered again and their repressed memories of that terrifying summer return as they prepare to once again battle the monster lurking in Derry’s sewers. Readers of Stephen King know that Derry, Maine, is a place with a deep, dark hold on the author. It reappears in many of his books, including Bag of Bones, Hearts in Atlantis, and 11/22/63. But it all starts with It. “Stephen King’s most mature work” (St. Petersburg Times), “It will overwhelm you…to be read in a well-lit room only” (Los Angeles Times). |
| american horror history freak show: Into a Sky Below, Forever Karl Pfeiffer, 2013-09-15 Moving. Disturbing. In Denver, a young woman grows up terrorized by something massive and unnatural that watches her while she sleeps. In west Texas, a boy's world unravels as his brother relates an encounter with a strange figure in the woods. Struggling with insomnia and depression, a man named Mitch begins speaking to a creature of folklore in the trees behind his house. And along the plains of the Rocky Mountains, two college students discover a house that should not exist. These stories and more make up Karl Pfeiffer's first collection following his debut novel, Hallowtide. Ranging from fiction to non-fiction, from the poetic to the profane, Into a Sky Below, Forever examines the thin places, where the wild leaks into the refined, the supernatural bleeds into the physical, reality blends with fiction, and where the only things left holding the world together are the things that truly matter the most. This is a book about birth and rebirth: it's a study of cycles, sex, and ouroboric processes; it's an examination of the ways we grow up, grow strong, grow together, and grow apart; an autopsy of the ways we love and rage and reproduce and repeat again. As always, it's about finding light amidst the darkness. |
| american horror history freak show: The Way of Kings Brandon Sanderson, 2014-03-04 A new epic fantasy series from the New York Times bestselling author chosen to complete Robert Jordan's The Wheel of Time® Series |
| american horror history freak show: Ray Bradbury's Something Wicked This Way Comes Ray Bradbury, 2022-02-08 Something Wicked This Way Comes is Ray Bradbury's incomparable work of dark fantasy, and the gifted illustrator Ron Wimberly has stunningly captured its sinister magic in gorgeously realized black-and-white art. Cooger and Dark's Pandemonium Shadow Show howls into Green Town, Illinois, at three in the morning a week before Halloween. Under its carnival tents is a mirror maze that steals wishes; a carousel that promises eternal life, in exchange for your soul; the Dust Witch, who unerringly foresees your death; and Mr. Dark, the Illustrated Man, who has lived for centuries off the misery of others. Only two boys, Will Halloway and Jim Nightshade, recognize the dark magic at work and have a plan to stop this ancient evil—that is, if it doesn't kill them first. Complete with an original introduction by Bradbury, Ray Bradbury's Something Wicked This Way Comes: The Authorized Adaptation reintroduces this thrilling classic. |
| american horror history freak show: American Horror Story and Philosophy Richard Greene, Rachel Robison-Greene, 2018 In American Horror Story and Philosophy, philosophers with varying backgrounds and interests explore different aspects of this popular “erotic thriller” TV show, with its enthusiastic cult following and strong critical approval. The result is a collection of intriguing and provocative thoughts on deeper questions prompted by the creepy side of the human imagination. |
| american horror history freak show: Pretty Theft Adam Szymkowicz, 2009 Pretty Theft was produced by Flux Theatre Ensemble at the Access Theatre in New York City, opening on April 24, 2009.--P. [4]. |
| american horror history freak show: Amy and the Orphans Lindsey Ferrentino, 2019 When their eighty-five-year-old father dies, sparring siblings Maggie and Jake must face a question: How to break the bad news to their sister Amy, who has Down syndrome and has lived in a state home for years? Along the way, the pair find out just how much they don’t know about their family and each other. It seems only Amy knows who she really is. |
| american horror history freak show: Flawed Kate Avelynn, 2012-11-20 Sarah O'Brien is alive because of the pact she and her brother made twelve years ago — James will protect her from their violent father if she promises to never leave him. For years, she's watched James destroy his life to save hers. If all he asks for in return is her affection, she'll give it freely.Until, with a tiny kiss and a broken mind, he asks for more than she can give.Sam Donavon has been James' best friend — and the boy Sarah's had a crush on — for as long as she can remember. As their forbidden relationship deepens, Sarah knows she's in trouble. Quiet, serious Sam has decided he's going to save her. Neither of them realize James is far more unstable than her father ever was, or that he's not about to let Sarah forget her half of the pact . . . |
| american horror history freak show: Reading American Horror Story Rebecca Janicker, 2017-02-19 Looming onto the television landscape in 2011, American Horror Story gave viewers a weekly dose of psychological unease and gruesome violence. Embracing the familiar horror conventions of spooky settings, unnerving manifestations and terrifying monsters, series co-creators Ryan Murphy and Brad Falchuk combine shocking visual effects with an engaging anthology format to provide a modern take on the horror genre. This collection of new essays examines the series' contribution to television horror, focusing on how the show speaks to social concerns, its use of classic horror tropes and its reinvention of the tale of terror for the 21st century. |
| american horror history freak show: The Wonders John Woolf, 2019-05-02 The untold story of the Victorian freak show and circus, and the remarkable cast of characters who performed in them. |
| american horror history freak show: Perfectly Average Anna G. Creadick, 2010 Analyzes the ascendancy of the cultural ideal of the normal in the aftermath of World War II. |
| american horror history freak show: Freaks Daniel P Mannix, 2014-11-19 A noir classic about the era of the sideshow when freaks were the star attraction — respected and revered by other carnival members. Their stories are frankly and tenderly told by an author who lived and worked as a carny. |
| american horror history freak show: Telling an American Horror Story Cameron Williams Crawford, Leverett Butts, 2021-02-26 Telling an American Horror Story collects essays from new and established critics looking at the many ways the horror anthology series intersects with and comments on contemporary American social, political and popular culture. Divided into three sections, the chapters apply a cultural criticism framework to examine how the first eight seasons of AHS engage with American history, our contemporary ideologies and social policies. Part I explores the historical context and the uniquely-American folklore that AHS evokes, from the Southern Gothic themes of Coven to connections between Apocalypseand anxieties of modern American youth. Part II contains interpretations of place and setting that mark the various seasons of the anthology. Finally, Part III examines how the series confronts notions of individual and social identity, like the portrayals of destructive leadership in Cult and lesbian representation in Asylum and Hotel. |
| american horror history freak show: The Ring of Lost Souls Rachel Tsoumbakos, 2012-07 What if fairy tales were real?The figure was dark with jagged little edges. While it was an image only caught fleetingly out of the corner of her eye, it was possible to make some distinction in regards to its identity, which was not unlike a raven in appearance.Larundel - A place plagued by lost souls.A ring that has claimed a few of them.And a woman who is about to collide with a world she has forgotten about.When an abandoned mental asylum is set to be redeveloped, sinister events unfold in the community surrounding it.Isobel moves into the neighbourhood looking for a new future only to find a past she never knew belonged to her. Is she a sane person living in an insane world or a crazy person trapped in reality?Set in an actual abandoned mental institution on the outskirts of Melbourne, Australia, THE RING OF LOST SOULS is a fast-paced fairy tale weaving together a believable blend of fantasy, urban legend and pure insanity. |
| american horror history freak show: An Unseemly Man Larry Flynt, 2008-06 This century's most ardent advocate of the First Amendment and one of the country's most controversial and outspoken figures shares his life story, from growing up in Appalachia to his troubles in Beverly Hills. |
| american horror history freak show: The Amityville Horror Jay Anson, 2019-12-03 “A fascinating and frightening book” (Los Angeles Times)—the bestselling true story about a house possessed by evil spirits, haunted by psychic phenomena almost too terrible to describe. In December 1975, the Lutz family moved into their new home on suburban Long Island. George and Kathleen Lutz knew that, one year earlier, Ronald DeFeo had murdered his parents, brothers, and sisters in the house, but the property—complete with boathouse and swimming pool—and the price had been too good to pass up. Twenty-eight days later, the entire Lutz family fled in terror. This is the spellbinding, shocking true story that gripped the nation about an American dream that turned into a nightmare beyond imagining—“this book will scare the hell out of you” (Kansas City Star). |
| american horror history freak show: The Final Girl Support Group Grady Hendrix, 2021-07-13 THE INSTANT NEW YORK TIMES BESTSELLER VOTED GOODREADS CHOICE AWARD BEST HORROR NOVEL OF 2021 A Good Morning America Buzz Pick “The horror master…puts his unique spin on slasher movie tropes.”-USA Today A can't-miss summer read, selected by The New York Times, Oprah Daily, Time, USA Today, The Philadelphia Inquirer, CNN, LitHub, BookRiot, Bustle, Popsugar and the New York Public Library In horror movies, the final girls are the ones left standing when the credits roll. They made it through the worst night of their lives…but what happens after? Like his bestselling novel The Southern Book Club’s Guide to Slaying Vampires, Grady Hendrix’s latest is a fast-paced, frightening, and wickedly humorous thriller. From chain saws to summer camp slayers, The Final Girl Support Group pays tribute to and slyly subverts our most popular horror films—movies like The Texas Chainsaw Massacre, A Nightmare on Elm Street, and Scream. Lynnette Tarkington is a real-life final girl who survived a massacre. For more than a decade, she’s been meeting with five other final girls and their therapist in a support group for those who survived the unthinkable, working to put their lives back together. Then one woman misses a meeting, and their worst fears are realized—someone knows about the group and is determined to rip their lives apart again, piece by piece. But the thing about final girls is that no matter how bad the odds, how dark the night, how sharp the knife, they will never, ever give up. |
| american horror history freak show: Cirque Du Freak (The Saga of Darren Shan, Book 1) Darren Shan, 2011-03-21 The chilling Saga of Darren Shan, the ordinary schoolboy plunged into the vampire world. |
| american horror history freak show: The Female Grotesque Mary Russo, 2012-11-12 The grotesque - the exagggerated, the deformed, the monstrous - has been a well-considered subject for students of comparative literature and art. In a major addition to the literature of art, cultural criticism and feminist studies, Mary Russo re-examines the grotesque in the light of gender, exploring the works of Angela Carter David Cronenberg Bahktin Kristeva Freud Zizek. Mary Russo looks at the portrayal of the grotesque in Western culture and by combining the iconographic and the historical, locates the role of the woman's body in the discourse of the grotesque. |
| american horror history freak show: Mad Madame LaLaurie Victoria Cosner Love, Lorelei Shannon, 2011-02-18 The truth behind the legend of New Orleans’ infamous slave owner, madwoman, and murderess, portrayed in the anthology series, American Horror Story. On April 10, 1834, firefighters smashed through a padlocked attic door in the burning Royal Street mansion of Creole society couple Delphine and Louis Lalaurie. In the billowing smoke and flames they made an appalling discovery: the remains of Madame Lalaurie’s chained, starved, and mutilated slaves. This house of horrors in the French Quarter spawned a legend that has endured for more than one-hundred-and-fifty years. But what actually happened in the Lalaurie home? Rumors about her atrocities spread as fast as the fire. But verifiable facts were scarce. Lalaurie wouldn’t answer questions. She disappeared, leaving behind one of the French Quarter’s ghastliest crime scenes, and what is considered to be one of America’s most haunted houses. In Mad Madame Lalaurie, Victoria Cosner Love and Lorelei Shannon “shed light on what is fact and what is purely fiction in a tale that’s still told nightly on the streets of New Orleans” (Deep South Magazine). |
| american horror history freak show: Not That Kind of Girl Lena Dunham, 2014-09-30 #1 NEW YORK TIMES BESTSELLER • Includes two new essays! NAMED ONE OF THE TEN BEST BOOKS OF THE YEAR BY MICHIKO KAKUTANI, THE NEW YORK TIMES • NAMED ONE OF THE BEST BOOKS OF THE YEAR BY BUZZFEED, THE GLOBE AND MAIL, AND LIBRARY JOURNAL For readers of Nora Ephron, Tina Fey, and David Sedaris, this hilarious, wise, and fiercely candid collection of personal essays establishes Lena Dunham—the acclaimed creator, producer, and star of HBO’s Girls—as one of the most original young talents writing today. In Not That Kind of Girl, Dunham illuminates the experiences that are part of making one’s way in the world: falling in love, feeling alone, being ten pounds overweight despite eating only health food, having to prove yourself in a room full of men twice your age, finding true love, and most of all, having the guts to believe that your story is one that deserves to be told. “Take My Virginity (No Really, Take It)” is the account of Dunham’s first time, and how her expectations of sex didn’t quite live up to the actual event (“No floodgate had been opened, no vault of true womanhood unlocked”); “Girls & Jerks” explores her former attraction to less-than-nice guys—guys who had perfected the “dynamic of disrespect” she found so intriguing; “Is This Even Real?” is a meditation on her lifelong obsession with death and dying—what she calls her “genetically predestined morbidity.” And in “I Didn’t F*** Them, but They Yelled at Me,” she imagines the tell-all she will write when she is eighty and past caring, able to reflect honestly on the sexism and condescension she has encountered in Hollywood, where women are “treated like the paper thingies that protect glasses in hotel bathrooms—necessary but infinitely disposable.” Exuberant, moving, and keenly observed, Not That Kind of Girl is a series of dispatches from the frontlines of the struggle that is growing up. “I’m already predicting my future shame at thinking I had anything to offer you,” Dunham writes. “But if I can take what I’ve learned and make one menial job easier for you, or prevent you from having the kind of sex where you feel you must keep your sneakers on in case you want to run away during the act, then every misstep of mine will have been worthwhile.” Praise for Not That Kind of Girl “The gifted Ms. Dunham not only writes with observant precision, but also brings a measure of perspective, nostalgia and an older person’s sort of wisdom to her portrait of her (not all that much) younger self and her world. . . . As acute and heartfelt as it is funny.”—Michiko Kakutani, The New York Times “It’s not Lena Dunham’s candor that makes me gasp. Rather, it’s her writing—which is full of surprises where you least expect them. A fine, subversive book.”—David Sedaris “This book should be required reading for anyone who thinks they understand the experience of being a young woman in our culture. I thought I knew the author rather well, and I found many (not altogether welcome) surprises.”—Carroll Dunham “Witty, illuminating, maddening, bracingly bleak . . . [Dunham] is a genuine artist, and a disturber of the order.”—The Atlantic |
| american horror history freak show: Freak Show F. Paul Wilson, 1992 A collection of horror tales features the work of Brad Strickland, Gregory Nicoll, Rex Miller, Nancy Kilpatrick, Scott A. Cupp, Kathryn Ptacek, Douglas Borton, Morgan Fields, Richard Lee Byers, and others. Original. |
| american horror history freak show: The Gypsies Jan Yoors, 1987-09-01 At the age of twelve, Jan Yoors ran away from his cultural Belgian family to join a wandering band, a kumpania, of Gypsies. For ten years, he lived as one of them, traveled with them from country to country, shared both their pleasures and their hardshipsand came to know them as no one, no outsider, ever has. Here, in this firsthand and highly personal account of an extraordinary people, Yoors tells the real story of the Gypsies fascinating customs and their never-ending struggle to survive as free nomads in a hostile world. He vividly describes the texture of their daily life: the Gypsies as lovers, spouses, parents, healers, and mourners; their loyalties and enmities; their moral and ethical beliefs and practices; their language and culture; and the history and traditions behind their fierce pride. The exultant celebrations, the daring frontier crossings, the yearly horse fairs, the convoluted business deals in which Gypsy shrewdness combined with all the apparatus of modern technology are all brought to life in this memorable portrait of the most romanticized, yet most maligned and least-known people on earth. An insiders story, The Gypsies lifts the veil of secrecy that for so long has enshrouded this race of strangers in our midst. |
Two American Families - Swamp Gas Forums
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Aug 12, 2024 · This PBS documentary might be in the top 3 best I have ever watched. Bill Moyers followed 2 working class families from 1991 to 2024, it tells the...
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May 28, 2025 · GAINESVILLE, Fla. – One of the nation’s top rising seniors joins the Gators gymnastics roster next season. eMjae Frazier (pronounced M.J.), a 10-time All-American from …
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Myles Graham and Aaron Chiles make a statement at Under …
Jan 3, 2024 · Florida Gators football signees Myles Graham and Aaron Chiles Jr. during the second day of practice for the 2024 Under Armour Next All-America game at the ESPN Wide …
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