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| an ethnomusicologist is a scientist who studies: The Study of Ethnomusicology Bruno Nettl, 1983 |
| an ethnomusicologist is a scientist who studies: The Anthropology of Music Alan P. Merriam, Valerie Merriam, 1964-12-01 In this highly praised and seminal work, Alan Merriam demonstrates that music is a social behavior—one worthy and available to study through the methods of anthropology. In it, he convincingly argues that ethnomusicology, by definition, cannot separate the sound-analysis of music from its cultural context of people thinking, acting, and creating. The study begins with a review of the various approaches in ethnomusicology. He then suggests a useful and simple research model: ideas about music lead to behavior related to music and this behavior results in musical sound. He explains many aspects and outcomes of this model, and the methods and techniques he suggests are useful to anyone doing field work. Further chapters provide a cross-cultural round-up of concepts about music, physical and verbal behavior related to music, the role of the musician, and the learning and composing of music. The Anthropology of Music illuminates much of interest to musicologists but to social scientists in general as well. |
| an ethnomusicologist is a scientist who studies: Living Ethnomusicology Margaret Sarkissian, Ted Solis, 2019-06-16 Ethnomusicologists have journeyed from Bali to Morocco to the depths of Amazonia to chronicle humanity's relationship with music. Margaret Sarkissian and Ted Solís guide us into the field's last great undiscovered country: ethnomusicology itself. Drawing on fieldwork based on person-to-person interaction, the authors provide a first-ever ethnography of the discipline. The unique collaborations produce an ambitious exploration of ethnomusicology's formation, evolution, practice, and unique identity. In particular, the subjects discuss their early lives and influences and trace their varied career trajectories. They also draw on their own experiences to offer reflections on all aspects of the field. Pursuing practitioners not only from diverse backgrounds and specialties but from different eras, Sarkissian and Solís illuminate the many trails ethnomusicologists have blazed in the pursuit of knowledge. A bountiful resource on history and practice, Living Ethnomusicology is an enlightening intellectual exploration of an exotic academic culture. |
| an ethnomusicologist is a scientist who studies: Music and Democracy Marko Kölbl, Fritz Trümpi, 2021-11-30 Music and Democracy explores music as a resource for societal transformation processes. This book provides recent insights into how individuals and groups used and still use music to achieve social, cultural, and political participation and bring about social change. The contributors present outstanding perspectives on the topic: From the promise and myth of democratization through music technology to the use of music in imposing authoritarian, neoliberal or even fascist political ideas in the past and present up to music's impact on political systems, governmental representation, and socio-political realities. The volume further features approaches in the fields of gender, migration, disability, and digitalization. |
| an ethnomusicologist is a scientist who studies: Applied Ethnomusicology Klisala Harrison, Elizabeth Mackinlay, Svanibor Pettan, 2010-08-11 Applied ethnomusicology is an approach guided by principles of social responsibility, which extends the usual academic goal of broadening and deepening knowledge and understanding toward solving concrete problems and toward working both inside and beyond typical academic contexts (International Council for Traditional Music 2007). This edited volume is based on the first symposium of the ICTM’s Study Group on Applied Ethnomusicology in Ljubljana, Slovenia in 2008 that brought together more than thirty specialists from sixteen countries worldwide. It contains a Preface, an extensive Introduction, and twelve selected peer-reviewed articles by authors from Australia, Austria, Canada, Germany, Slovenia, Serbia, South Africa, the United Kingdom, and the United States of America, divided into four thematic groups. These groups encompass: diverse perspectives on the growing field of applied ethnomusicology in various geographical and problem-solving contexts; research and teaching-related connotations; the potential in contributing to sustainable music cultures; and the use of music in conflict resolution situations. The edited volume Applied Ethnomusicology: Historical and Contemporary Approaches brings together previously dispersed knowledge and perspectives, and offers new insights to various disciplines within the humanities and social sciences. Rooted in diverse scholarly traditions, it addresses a variety of challenges in today’s world and aims to benefit the quality of human existence. |
| an ethnomusicologist is a scientist who studies: The Oxford Handbook of Medical Ethnomusicology Benjamin Koen, 2011-04-27 This volume establishes the discipline of medical ethnomusicology and expresses its broad potential. It also is an expression of a wider paradigm shift of innovative thinking and collaboration that fully embraces both the health sciences and the healing arts. |
| an ethnomusicologist is a scientist who studies: Ethnomusicology: A Contemporary Reader, Volume II Jennifer C. Post, 2017-09-20 Ethnomusicology: A Contemporary Reader, Volume II provides an overview of developments in the study of ethnomusicology in the twenty-first century, offering an introduction to contemporary issues relevant to the field. Nineteen essays, written by an international array of scholars, highlight the relationship between current issues in the discipline and ethnomusicologists’ engagement with issues such as advocacy, poverty and social participation, maintaining intangible cultural heritages, and ecological concerns. It provides a forum for rethinking the discipline’s identity in terms of major themes and issues to which ethnomusicologists have turned their attention since Volume I published in 2005. The collection of essays is organized into six sections: Property and Rights Applied Practice Knowledge and Agency Community and Social Space Embodiment and Cognition Curating Sound Volume II serves as a basic introduction to the best writing in the field for students, professors, and music professionals, perfect for both introductory and upper level courses in world music. Together with the first volume, Ethnomusicology: A Contemporary Reader, Volume II provides a comprehensive survey of current research directions. |
| an ethnomusicologist is a scientist who studies: What's So Important About Music Education? J. Scott Goble, 2010-02-25 What’s So Important About Music Education? presents a new philosophy of music education for the United States, rooted in history and current perspectives from ethnomusicology. J. Scott Goble explores the societal effects of the nation's foundations in democracy and capitalism, the constitutional separation of church and state, and the rise of recording, broadcast, and computer technologies. He shows how these and other factors have brought about changes in the ways music teachers and concerned others have conceptualized music and its importance in education. In demonstrating how many of the personal and societal benefits of musical engagement have come to be obscured in the nation’s increasingly diverse public forum, Goble argues for the importance of musical engagement in human life and for the importance of music in education. An ideal text for courses in music education foundations, the book concludes with recommendations for teaching the musical practices of the nation's cultural communities in schools in terms of their respective cultural meanings. |
| an ethnomusicologist is a scientist who studies: You are what You Hear Harry Witchel, 2010 Pondering the musicality of everything from bird songs to the language he calls motherese, Dr. Witchel illustrates the power of music and addresses the questions: Why do we have music? What does music do to our emotions? Can animals hear and understand music? What does music do to your brain? Why do people listen to sad music? Why do some people like classical but others only like heavy metal? Is there some essential feature to all music?You Are What You Hearis an erudite and entertaining study that is unique in many ways. No other book has thoroughly elaborated the connection between music and social territory in humans, although in other music-making species scientists have shown this connection to be clear-cut. Given the wealth of scientific evidence and historical narratives presented inYou Are What You Hear, an intellectual investigation of this avenue is long overdue. Written by a psychobiologist, the work straddles hard science and psychology, approaching music from a unique interdisciplinary perspective. Successfully bridging these strands of evidence,You Are What You Hearelucidates the significance of territory not only in music but in daily life. This lively and engaging book will have a broad appeal — not only to the general public, but to students interested in the relationship between music and culture. Anyone from seventeen to ninety-seven will have the potential to gain something from this book. |
| an ethnomusicologist is a scientist who studies: The World of Music , 1985 |
| an ethnomusicologist is a scientist who studies: Distinctively American Stephen R. Graubard, 2017-07-05 There is much change underway in American higher education. New technologies are challenging the teaching practices of yesterday, distance learning is lauded, and private firms offer to certify the educational credentials that businesses and others will deem satisfactory. In this new environment, America's liberal arts colleges propound a quite different set of values. Their continuing faith in the liberal arts--not as the nineteenth century chose to define them but as the twenty-first century will be obliged to reconsider them--is being tested.Distinctively American examines the American liberal arts college as an institution, from its role in the lives of students, to its value as a form of education. It explores the threats faced by liberal arts colleges as well as the transformative role, both positive and negative, information technology will play in their future development and survival. In the preface introducing the volume, Stephen Graubard examines the history of the American liberal arts colleges, from their early disdained reputations in comparison to European schools, to their slow rise to becoming world-class universities.This important volume explores the triumphs and challenges of one segment of the American higher educational universe. It also addresses a larger question: What ought this country be teaching its young, the many millions who now throng its colleges and universities? Distinctively American is essential reading for all concerned with the future of higher education. |
| an ethnomusicologist is a scientist who studies: Music Robert Garfias, 2004 |
| an ethnomusicologist is a scientist who studies: Earth Circles Michael Fitzgerald, 2003 |
| an ethnomusicologist is a scientist who studies: The Role of Social Science in Law Elizabeth Mertz, 2008 The legal system relies on social science for answers to many tough questions. Social scientists study issues relevant to law. But are law and social science talking past one another? This collection of important articles and essays explores the difficult process of translation between these two fields, drawing on three different scholarly perspectives - the 'insider' approach which views social science as a tool that lawyers can use for legal ends, the 'outsider' approach of the law and society or sociology of law movement, and the study of the language of law. Each section of the volume combines theoretical articles with specific empirical examples, ranging from the death penalty through anti-discrimination law to family violence. |
| an ethnomusicologist is a scientist who studies: Cultural Anthropology Raymond Scupin, 2019-12-10 Cultural Anthropology: A Global Perspective delves into both classic and current research in the field, reflecting a commitment to anthropology’s holistic and integrative approach. This text illuminates how the four subfields of anthropology—biological anthropology, archaeology, linguistics, and cultural anthropology—together yield a comprehensive understanding of humanity. |
| an ethnomusicologist is a scientist who studies: Sounds of Life Fainos Mangena, Itai Muwati, 2016-02-08 Music narrates personal, communal and national experiences. It is a rich repository of a people’s deepest fears, hopes, and achievements, especially as it communicates spirituality, economic, and political realities. This volume examines the multiple roles of music in Zimbabwe, showing how Zimbabwean music has addressed the socio-economic, political and spiritual crisis that the country has endured in the last one and a half decades. While concentrating on the tumultuous 2000–2013 period, the themes that are addressed here are enduring. Thus, the book explores the interplay between music and gender, music and politics, and music and identity construction in Zimbabwe, and it interacts with most of the dominant genres in Zimbabwean music, including Sungura, ZORA, Chimurenga, Gospel and the Urban Grooves. This volume will interest specialists in the study of ethnomusicology, in addition to scholars of literature, religious studies, philosophy, theatre arts, political science, and history. |
| an ethnomusicologist is a scientist who studies: The Anthropology of Music Alan P. Merriam, 1964 This book was written in the belief that while music is a system of sounds, an assumption that provides the point of departure for most studies of music in culture, it is also a complex of behavior which resonates throughout the whole cultural organism--social organization, esthetic activity, economics, religion. This book is to be distinguished from other studies by its model of music as human action, making this work of interest not only to the ethnomusicologist and anthropologist, but also to those concerned with the nature of music, the nature of man, and the nature of music in human culture. Specifically, this model for the study of ethnomusicology is equally applicable to the study of visual arts, dance, folklore, and literature. --Adapted from dust jacket. |
| an ethnomusicologist is a scientist who studies: Women and Music in Ireland Laura Watson, Ita Beausang, Jennifer O'Connor-Madsen, 2022-12-13 Explores the world of women's professional and amateur musical activity as it developed on and beyond the island of Ireland. |
| an ethnomusicologist is a scientist who studies: The Bloomsbury Handbook of the Anthropology of Sound Holger Schulze, 2020-12-10 The Bloomsbury Handbook of the Anthropology of Sound presents the key subjects and approaches of anthropological research into sound cultures. What are the common characteristics as well as the inconsistencies of living with and around sound in everyday life? This question drives research in this interdisciplinary area of sound studies: it propels each main chapter of this handbook into a thoroughly different world of listening, experiencing, receiving, sensing, dreaming, naming, desiring, and crafting sound. This handbook is composed of six sections: sonic artifacts; sounds and the body; habitat and sound; sonic desires; sounds and machines; and overarching sensologies. The individual chapters explore exemplary research objects and put them in the context of methodological approaches, historical predecessors, research practices, and contemporary research gaps. This volume offers therefore one of the broadest, most detailed, and instructive overviews on current research in this area of sensory anthropology. |
| an ethnomusicologist is a scientist who studies: You are what You Hear Harry Witchel, 2010 Pondering the musicality of everything from bird songs to the language he calls motherese, Dr. Witchel illustrates the power of music and addresses the questions: Why do we have music? What does music do to our emotions? Can animals hear and understand music? What does music do to your brain? Why do people listen to sad music? Why do some people like classical but others only like heavy metal? Is there some essential feature to all music? You Are What You Hear is an erudite and entertaining study that is unique in many ways. No other book has thoroughly elaborated the connection between music and social territory in humans, although in other music-making species scientists have shown this connection to be clear-cut. Given the wealth of scientific evidence and historical narratives presented in You Are What You Hear , an intellectual investigation of this avenue is long overdue. Written by a psychobiologist, the work straddles hard science and psychology, approaching music from a unique interdisciplinary perspective. Successfully bridging these strands of evidence, You Are What You Hear elucidates the significance of territory not only in music but in daily life. This lively and engaging book will have a broad appeal - not only to the general public, but to students interested in the relationship between music and culture. Anyone from seventeen to ninety-seven will have the potential to gain something from this book. |
| an ethnomusicologist is a scientist who studies: Bartlett's Roget's Thesaurus , 2003-09-02 Supplies synonyms and antonyms for words in over 800 categories, arranged thematically, providing information on parts of speech, cross-references, and including quotations that use the featured word. |
| an ethnomusicologist is a scientist who studies: The Archaeology of Sound, Acoustics & Music Gjermund Kolltveit, Riitta Rainio, Arnd Adje Both, 2020-12-31 The ICTM Study Group on Music Archaeology was founded in the early 1980s by Ellen Hickmann, John Blacking, Mantle Hood and Cajsa S. Lund. This is the third volume of the new anthology series published by the study group, bringing together theoretical and methodological approaches in the study of past music cultures. Each volume of the series is composed of concise case studies, bringing together the world's foremost researchers on a particular subject, reflecting the wide scope of music-archaeological research world-wide. The series draws in perspectives from a range of different disciplines, including newly emerging fields such as archaeoacoustics, but particularly encouraging both music-archaeological and ethnomusicological perspectives. |
| an ethnomusicologist is a scientist who studies: The Rowman & Littlefield Handbook of Christianity in the Middle East Mitri Raheb, Mark A. Lamport, 2020-12-15 This work represents the current and most relevant content on the studies of how Christianity has fared in the ancient home of its founder and birth. Much has been written about Christianity and how it has survived since its migration out of its homeland but this comprehensive reference work reassesses the geographic and demographic impact of the dramatic changes in this perennially combustible world region. The Rowman & Littlefield Handbook of Christianity in the Middle East also spans the historical, socio-political and contemporary settings of the region and importantly describes the interactions that Christianity has had with other major/minor religions in the region. |
| an ethnomusicologist is a scientist who studies: Philippine Sociological Review , 1963 |
| an ethnomusicologist is a scientist who studies: Decomposed Kyle Devine, 2019-10-15 The hidden material histories of music. Music is seen as the most immaterial of the arts, and recorded music as a progress of dematerialization—an evolution from physical discs to invisible digits. In Decomposed, Kyle Devine offers another perspective. He shows that recorded music has always been a significant exploiter of both natural and human resources, and that its reliance on these resources is more problematic today than ever before. Devine uncovers the hidden history of recorded music—what recordings are made of and what happens to them when they are disposed of. Devine's story focuses on three forms of materiality. Before 1950, 78 rpm records were made of shellac, a bug-based resin. Between 1950 and 2000, formats such as LPs, cassettes, and CDs were all made of petroleum-based plastic. Today, recordings exist as data-based audio files. Devine describes the people who harvest and process these materials, from women and children in the Global South to scientists and industrialists in the Global North. He reminds us that vinyl records are oil products, and that the so-called vinyl revival is part of petrocapitalism. The supposed immateriality of music as data is belied by the energy required to power the internet and the devices required to access music online. We tend to think of the recordings we buy as finished products. Devine offers an essential backstory. He reveals how a range of apparently peripheral people and processes are actually central to what music is, how it works, and why it matters. |
| an ethnomusicologist is a scientist who studies: Zoltan Kodaly Michael Houlahan, Philip Tacka, 2019-06-11 First Published in 1998. This book serves as the key to study of Kodaly for an English-speaking audience. The volume presents a biographical outline, a catalog of his compositions according to genre, and over 1,400 annotated primary and secondary sources. Three indexes cover listings by author and title, Kodaly's compositions, and proper names. Primary sources include Kodaly's own essays, articles, lectures on folk music and art music, letters and other documents, and his folk music collections and facsimiles. Secondary sources include: biographical and historical studies; theoretic, analytic, stylistic, and aesthetic studies of his music; discussions of folk music influences and art music influences; studies of his compositional process; and discussions of the Kodaly concept. Doctoral dissertations and Masters theses pertaining to Kodaly are included in this guide. This annotated, topically organized book is the first to draw together the most important primary and secondary bibliographic sources that cover his varied activities as composer, ethnomusicologist, linguist, and educator. |
| an ethnomusicologist is a scientist who studies: Current Research in Library & Information Science , 1988 |
| an ethnomusicologist is a scientist who studies: Making Peace with Nature Eleana J. Kim, 2022-07-18 The Korean Demilitarized Zone (DMZ) has been off-limits to human habitation for nearly seventy years, and in that time, biodiverse forms of life have flourished in and around the DMZ as beneficiaries of an unresolved war. In Making Peace with Nature Eleana J. Kim shows how a closer examination of the DMZ in South Korea reveals that the area’s biodiversity is inseparable from scientific practices and geopolitical, capitalist, and ecological dynamics. Drawing on ethnographic fieldwork with ecologists, scientists, and local residents, Kim focuses on irrigation ponds, migratory bird flyways, and land mines in the South Korean DMZ area, demonstrating how human and nonhuman ecologies interact and transform in spaces defined by war and militarization. In so doing, Kim reframes peace away from a human-oriented political or economic peace and toward a more-than-human, biological peace. Such a peace recognizes the reality of war while pointing to potential forms of human and nonhuman relations. |
| an ethnomusicologist is a scientist who studies: Listening to Theatre Elizabeth Wichmann, 1991-01-01 [Wichmann's] writing has authority rarely encountered.... Not only a comprehensive study but [a] study of Beijing theater. A marvelous overview, a virtual encyclopedia. --Choice Overall, this is a pathbreaking book in terms of contributing to our understanding of the important Chinese art form that is the Beijing opera. It is a model of production. Its wealth of detail does not prevent it from being eminently readable. The author has unparallelled mastery of knowledge, understanding, and appreciation of her subject. The book will certainly help not only to make Beijing opera better understood in the West but also to make it more widely performed and appreciated. --China Review International, Spring 1994 |
| an ethnomusicologist is a scientist who studies: Readings in Ethnomusicology Mitchel Strumpf, 2012 |
| an ethnomusicologist is a scientist who studies: Audio Anecdotes III Ken Greenebaum, Ronen Barzel, 2007-11-29 This collection of articles provides practical and relevant tools, tips, and techniques for those working in the digital audio field. Volume III, with contributions from experts in their fields, includes articles on a variety of topics, including: - Recording Music - Sound Synthesis - Voice Synthesis - Speech Processing - Applied Signal Processing |
| an ethnomusicologist is a scientist who studies: Theory and Method in Ethnomusicology Bruno Nettl, 1964 |
| an ethnomusicologist is a scientist who studies: Yearbook for Traditional Music , 1996 Includes record reviews. |
| an ethnomusicologist is a scientist who studies: Convergence of Research in Art and Design: A Source Book Sarena Abdullah , 2023-10-11 A fundamental reading for new postgraduate students enrolled in any art and design field - this book provides a basic guide in tackling the fundamental aspects of research for postgraduates, especially for those coming from the art and design background. Included in this book are selections of writings that address some pertinent aspects of research fundamentals with exemplification of several actual case studies by academicians and researchers. Divided into two main sections - the first section highlights some core aspects of research that include topics that deal with thesis writing and literature review, critical thinking, reading, and writing, human ethics application, and polishing presentation skills. The second section of the book consists of chapters discussing real issues and case studies faced by academicians and researchers in the field. These chapters share the foresight of more creative and explorative possibilities, as well as thoughts of research initiatives, wether multidisciplinary or transdisciplinary study in the realm of art and design. |
| an ethnomusicologist is a scientist who studies: The Oxford Handbook of Cultural Neuroscience Joan Y. Chiao, Shu-Chen Li (Research scientist), Rebecca Seligman, Robert Turner, 2016 This Handbook examines disparities in public health by highlighting recent theoretical and methodological advances in cultural neuroscience. It traces the interactions of cultural, biological, and environmental factors that create adverse physical and mental health conditions among populations, and investigates how the policies of cultural and governmental institutions influence such outcomes. In addition to providing an overview of the current research, chapters demonstrate how a cultural neuroscience approach to the study of the mind, brain, and behavior can help stabilize the quality of health of societies at large. The volume will appeal especially to graduate students and professional scholars working in psychology and population genetics. The Oxford Handbook of Cultural Neuroscience represents the first collection of scholarly contributions from the International Cultural Neuroscience Consortium (ICNC), an interdisciplinary group of scholars from epidemiology, anthropology, psychology, neuroscience, genetics, and psychiatry dedicated to advancing an understanding of culture and health using theory and methods from cultural neuroscience. The Handbook is intended to introduce future generations of scholars to foundations in cultural neuroscience, and to equip them to address the grand challenges in global mental health in the twenty-first century. |
| an ethnomusicologist is a scientist who studies: Anti-racism and Multiculturalism Mark Alleyne, 2017-09-08 All scholarly books are engagements with the existing literature, often the published scholarly work of one established discipline. This book originated with modest objectives, to produce a work that would be in conversation with the literature of international relations even though not of relevance only to that field. The professed goal of international relations is international peace. The ethical lens of pondering the best means to achieve world peace is used to filter media content in the field of multiculturalism and anti-racism. Although there has been little work on the impact of racial difference on the contours of contemporary international order, there has been a sizeable body of research intended to abolish the credibility of pseudo-scientific racism. Such racism has provided the ideological foundation and justification for imperialism, colonialism, the holocaust, and apartheid. Race has been debunked as a myth. Because of this, racism - the ideology bred of human classification according to racial difference - has been found to be intellectually and morally barren. But the need to communicate egalitarian and scientific sentiments remains. The contributors to this volume consider five questions: How does the literature on antiracism improve our understanding of conflict resolution? How does the analysis of the media's role in racist and anti-racist discourses improve the process of theorizing on hate and war propaganda? How can research on anti-racist discourse improve UN peacekeeping? What implications does this subject have for theory-building and cultural diversity? How and why should the literature on anti-racism expand research in international relations? This is a unique, worthwhile framework for cross-disciplinary research in race and intellectual consensus and conflict. |
| an ethnomusicologist is a scientist who studies: Dub Michael Veal, 2013-08-15 Winner of the ARSC’s Award for Best Research (History) in Folk, Ethnic, or World Music (2008) When Jamaican recording engineers Osbourne “King Tubby” Ruddock, Errol Thompson, and Lee “Scratch” Perry began crafting “dub” music in the early 1970s, they were initiating a musical revolution that continues to have worldwide influence. Dub is a sub-genre of Jamaican reggae that flourished during reggae’s “golden age” of the late 1960s through the early 1980s. Dub involves remixing existing recordings—electronically improvising sound effects and altering vocal tracks—to create its unique sound. Just as hip-hop turned phonograph turntables into musical instruments, dub turned the mixing and sound processing technologies of the recording studio into instruments of composition and real-time improvisation. In addition to chronicling dub’s development and offering the first thorough analysis of the music itself, author Michael Veal examines dub’s social significance in Jamaican culture. He further explores the “dub revolution” that has crossed musical and cultural boundaries for over thirty years, influencing a wide variety of musical genres around the globe. Ebook Edition Note: Seven of the 25 illustrations have been redacted. |
| an ethnomusicologist is a scientist who studies: Ethnomusicology and African Music: Modes of inquiry and interpretation J. H. Kwabena Nketia, 2005 The volume in hand deals with modes of inquiry and interpretation broadly organised into sections on theory, and historical and creative studies. The section on theoretical issues comprises papers on: the problem of meaning in African music; musicology and African music; the juncture of the social and the musical; integrating objectivity and experience in ethnomusicological studies; the aesthetic dimension in ethnomusicological studies; universal perspectives in ethnomusicology; and contextual strategies of inquiry and systematisation. The section on creative and historical topics covers the following: the history of music in African culture; history and the organization of music in West Africa; historical evidence in Ga religious music; processes of differentiation and interdependency in African music; African musical roots in the Americas; and developing contemporary idioms out of traditional music. |
| an ethnomusicologist is a scientist who studies: Studying Popular Music Richard Middleton, 1990-04-16 A critical analysis of issues and approaches in a variety of areas, ranging from the political economy of popular music through its history and ethnography to its semiology, aesthetics and ideology. The book focuses on Anglo-American popular music of the last 200 years. |
| an ethnomusicologist is a scientist who studies: The Routledge Handbook of Music and Migration Wolfgang Gratzer, Nils Grosch, Ulrike Präger, Susanne Scheiblhofer, 2023-10-31 The Routledge Handbook of Music and Migration: Theories and Methodologies is a progressive, transdisciplinary paradigm-shifting core text for music and migration studies. Conceptualized as a comprehensive methodological and theoretical guide, it foregrounds the mobile potentials of music and presents key arguments about why musical expressions matter in the discussion of migration politics. 24 international specialists in music and migration set methodological and theoretical standards for transdisciplinary collaborations in the field of migration studies, discussing 41 keywords, such as mobility, community, research ethics, human rights, and critical whiteness in the context of music and migration. The authors then apply these terms to 16 chapters, which deal with ethnomusicological, musicological, sociological, anthropological, geographical, pedagogical, political, economic, and media-related methodologies and theories which reflect and contest current discourses of migration. In their interdisciplinary focus, these chapters advance interrelations between music and migration as enabling factors for socio-cultural studies. Furthermore, the authors tackle crucial questions of agency, equality, and equity as well as the responsibilities and expectations of writers and artists when researching migration phenomena as innate human experience. As a result, this handbook provides scholars and students alike with relevant and applicable methodological and theoretical tools in addition to an extensive literature and research review for further research. |
An Ethnomusicologist Is A Scientist Who Studies (Download …
ethnomusicologist Bruno Nettl this volume explores the ways in which ethnomusicologists are contributing to the larger task of investigating music history The fifteen contributors explore …
An Ethnomusicologist Is A Scientist Who Studies (2024)
What Exactly Does an Ethnomusicologist Study? An ethnomusicologist is a scientist who studies music in its cultural context. Unlike musicologists who primarily focus on the technical aspects …
An Ethnomusicologist Is A Scientist Who Studies ; M …
An Ethnomusicologist Is A Scientist Who Studies (book) ; … WEBEthnomusicology Helen Myers 1993 Complementing Ethnomusicology: An Introduction, this volume of studies, written by …
An Ethnomusicologist Is A Scientist Who Studies (book)
education of the author Bruno Nettl a well known ethnomusicologist Focusing on eleven individuals who influenced him significantly it follows their roles through his career from his …
We Are All Musicologists Now ; or, the End of …
studies through which humanly organized sound might be ap-proached in the current and previous centuries of Western academia. 3 As a consequence, an initially humorous, …
An Ethnomusicologist Is A Scientist Who Studies (PDF)
Bruno Nettl a well known ethnomusicologist Focusing on eleven individuals who influenced him significantly it follows their roles through his career from his childhood in Czechoslovakia and …
An Ethnomusicologist Is A Scientist Who Studies (2024)
Within the pages of "An Ethnomusicologist Is A Scientist Who Studies," an enthralling opus penned by a very acclaimed wordsmith, readers set about an immersive expedition to unravel …
An Ethnomusicologist Is A Scientist Who Studies Full PDF
an ethnomusicologist is a scientist who studies: Living Ethnomusicology Margaret Sarkissian, Ted Solis, 2019-06-16 Ethnomusicologists have journeyed from Bali to Morocco to the depths of …
An Ethnomusicologist Is A Scientist Who Studies (PDF)
volume of studies written by world acknowledged authorities places the subject of ethnomusicology in historical and geographical perspective Part I deals with the intellectual …
An Ethnomusicologist Is A Scientist Who Studies
education of the author, Bruno Nettl, a well-known ethnomusicologist. Focusing on eleven individuals who influenced him significantly, it follows their roles through his career from his …
What is a “True Ethnomusicologist”? ol. 12 | Spring/Summer …
ethnomusicologist as a cultural and social activist, researcher, or pedagogue. Regardless of various positions an ethnomusicologist may hold, at the core of every ethnomusicological job is
Ethnomusicology Scholarship and Teaching - “The Song Is …
In this article I examine the developing role performance has played in ethnomusicological research and teaching from the early days of our field until the present. Until well into the 1950s …
An Ethnomusicologist Is A Scientist Who Studies
Encounters in Ethnomusicology Bruno Nettl,2002 Ethnomusicologist Bruno Nettl highlights the social and intellectual influences that shaped his world view and discusses how the study of …
An Ethnomusicologist Is A Scientist Who Studies
An Ethnomusicologist Is A Scientist Who Studies The Study of Ethnomusicology Bruno Nettl,1983 The Anthropology of Music Alan P. Merriam,Valerie Merriam,1964-12-01 In this highly praised …
Ethnomusicology in the Academy: An Introduction - JSTOR
Ethnomusicology is a highly reflexive and self-critical, even self-conscious disci- pline that distances itself from a focus on musical subject matters, and instead valo- rizes the …
An Ethnomusicologist Is A Scientist Who Studies (Download …
ethnomusicologist Bruno Nettl this volume explores the ways in which ethnomusicologists are contributing to the larger task of investigating music history The fifteen contributors explore …
An Ethnomusicologist Is A Scientist Who Studies (2024)
What Exactly Does an Ethnomusicologist Study? An ethnomusicologist is a scientist who studies music in its cultural context. Unlike musicologists who primarily focus on the technical aspects …
An Ethnomusicologist Is A Scientist Who Studies ; M …
An Ethnomusicologist Is A Scientist Who Studies (book) ; … WEBEthnomusicology Helen Myers 1993 Complementing Ethnomusicology: An Introduction, this volume of studies, written by …
An Ethnomusicologist Is A Scientist Who Studies (book)
education of the author Bruno Nettl a well known ethnomusicologist Focusing on eleven individuals who influenced him significantly it follows their roles through his career from his …
We Are All Musicologists Now ; or, the End of …
studies through which humanly organized sound might be ap-proached in the current and previous centuries of Western academia. 3 As a consequence, an initially humorous, …
An Ethnomusicologist Is A Scientist Who Studies (PDF)
Bruno Nettl a well known ethnomusicologist Focusing on eleven individuals who influenced him significantly it follows their roles through his career from his childhood in Czechoslovakia and …
An Ethnomusicologist Is A Scientist Who Studies (2024)
Within the pages of "An Ethnomusicologist Is A Scientist Who Studies," an enthralling opus penned by a very acclaimed wordsmith, readers set about an immersive expedition to unravel …
An Ethnomusicologist Is A Scientist Who Studies Full PDF
an ethnomusicologist is a scientist who studies: Living Ethnomusicology Margaret Sarkissian, Ted Solis, 2019-06-16 Ethnomusicologists have journeyed from Bali to Morocco to the depths of …
An Ethnomusicologist Is A Scientist Who Studies (PDF)
volume of studies written by world acknowledged authorities places the subject of ethnomusicology in historical and geographical perspective Part I deals with the intellectual …
An Ethnomusicologist Is A Scientist Who Studies
education of the author, Bruno Nettl, a well-known ethnomusicologist. Focusing on eleven individuals who influenced him significantly, it follows their roles through his career from his …
What is a “True Ethnomusicologist”? ol. 12 | Spring/Summer …
ethnomusicologist as a cultural and social activist, researcher, or pedagogue. Regardless of various positions an ethnomusicologist may hold, at the core of every ethnomusicological job is
Ethnomusicology Scholarship and Teaching - “The Song Is …
In this article I examine the developing role performance has played in ethnomusicological research and teaching from the early days of our field until the present. Until well into the …
An Ethnomusicologist Is A Scientist Who Studies
Encounters in Ethnomusicology Bruno Nettl,2002 Ethnomusicologist Bruno Nettl highlights the social and intellectual influences that shaped his world view and discusses how the study of …
An Ethnomusicologist Is A Scientist Who Studies
An Ethnomusicologist Is A Scientist Who Studies The Study of Ethnomusicology Bruno Nettl,1983 The Anthropology of Music Alan P. Merriam,Valerie Merriam,1964-12-01 In this highly praised …
Ethnomusicology in the Academy: An Introduction - JSTOR
Ethnomusicology is a highly reflexive and self-critical, even self-conscious disci- pline that distances itself from a focus on musical subject matters, and instead valo- rizes the …
