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| analysis of the glass menagerie: The Glass Menagerie , 1970 |
| analysis of the glass menagerie: The Glass Menagerie Tennessee Willams, The Anglo Egyptian Bookshop مكتبة الأنجلو المصرية, |
| analysis of the glass menagerie: Tennessee Williams's The Glass Menagerie & A Streetcar Named Desire George Ehrenhaft, 1985 A guide to reading The Glass Menagerie and A Streetcar Named Desire with a critical and appreciative mind encouraging analysis of plot, style, form, and structure. Also includes background on the author's life and times, sample tests, term paper suggestions, and a reading list. |
| analysis of the glass menagerie: The Zoo Story and Other Plays Edward Albee, 1995 This volume of plays contains Edward Albee's four most famous one-act works. They are Death of Bessie Smith, Zoo Story, American Dream, and Sand Box. |
| analysis of the glass menagerie: The Hairy Ape Eugene O'Neill, 2022-09-04 DigiCat Publishing presents to you this special edition of The Hairy Ape by Eugene O'Neill. DigiCat Publishing considers every written word to be a legacy of humankind. Every DigiCat book has been carefully reproduced for republishing in a new modern format. The books are available in print, as well as ebooks. DigiCat hopes you will treat this work with the acknowledgment and passion it deserves as a classic of world literature. |
| analysis of the glass menagerie: The Gentleman Caller Philip Dawkins, 2019 Tennessee Williams and William Inge today are recognized as two of the greatest American playwrights, whose work irrevocably altered the theatrical and social landscapes. In 1944, however, neither had achieved anything like genuine success. As flamboyant genius Williams prepares for the world premiere of his play The Gentleman Caller—to become The Glass Menagerie—self-loathing Inge struggles through his job as a theater critic, denying his true wish to be writing plays. Based on real-life but closed-door encounters, reconstructed from troves of comments (and elisions) by each man about their relationship, Philip Dawkins gorgeously envisions what might have taken place during those early-career meetings. |
| analysis of the glass menagerie: Introduction to Play Analysis Cal Pritner, Scott E. Walters, 2017-05-04 In this indispensable companion to any theatre class in which scripts are read and interpreted, Pritner and Walters offer five sequential levels of reading designed to lead to a deep understanding of the text. Level one imagines the play as performed in front of an audience; level two examines the deep structure of the conflict; level three examines given circumstances and the type of relationship the play creates between the audience and the production; level four looks closely at characters’ behavior and reactions to their given circumstances, surveys conflict in each scene, and encourages supplemental research about the play; finally, level five synthesizes the information acquired from the preceding levels. Each chapter introduces a concept that is then explored by studying its application to The Glass Menagerie, chosen for both its accessibility and its complexity. Other plays discussed include works by Molière, Shakespeare, Sophocles, and August Wilson. End-of-chapter questions are applicable to any play. |
| analysis of the glass menagerie: Tennessee Williams's The Glass Menagerie Harold Bloom, 2007 Premiering in 1944, The Glass Menagerie was Tennessee Williams's first popular success. Today the play is considered one of Williams's masterpieces and is frequently performed. This updated volume is an essential resource for those seeking to deepen their appreciation of this fascinating character study. Book jacket. |
| analysis of the glass menagerie: Spring Storm Tennessee Williams, 1999 A crucible of so many elements that would later shape and characterize Williams's work.--World Literature Today |
| analysis of the glass menagerie: Black Boy [Seventy-fifth Anniversary Edition] Richard Wright, 2020-02-18 A special 75th anniversary edition of Richard Wright's powerful and unforgettable memoir, with a new foreword by John Edgar Wideman and an afterword by Malcolm Wright, the author’s grandson. When it exploded onto the literary scene in 1945, Black Boy was both praised and condemned. Orville Prescott of the New York Times wrote that “if enough such books are written, if enough millions of people read them maybe, someday, in the fullness of time, there will be a greater understanding and a more true democracy.” Yet from 1975 to 1978, Black Boy was banned in schools throughout the United States for “obscenity” and “instigating hatred between the races.” Wright’s once controversial, now celebrated autobiography measures the raw brutality of the Jim Crow South against the sheer desperate will it took to survive as a Black boy. Enduring poverty, hunger, fear, abuse, and hatred while growing up in the woods of Mississippi, Wright lied, stole, and raged at those around him—whites indifferent, pitying, or cruel and Blacks resentful of anyone trying to rise above their circumstances. Desperate for a different way of life, he headed north, eventually arriving in Chicago, where he forged a new path and began his career as a writer. At the end of Black Boy, Wright sits poised with pencil in hand, determined to “hurl words into this darkness and wait for an echo.” Seventy-five years later, his words continue to reverberate. “To read Black Boy is to stare into the heart of darkness,” John Edgar Wideman writes in his foreword. “Not the dark heart Conrad searched for in Congo jungles but the beating heart I bear.” One of the great American memoirs, Wright’s account is a poignant record of struggle and endurance—a seminal literary work that illuminates our own time. |
| analysis of the glass menagerie: Tennessee Williams: Mad Pilgrimage of the Flesh John Lahr, 2014-09-22 National Book Critics Circle Award Winner: Biography Category National Book Award Finalist 2015 Winner of the Sheridan Morley Prize for Theatre Biography American Academy of Arts and Letters’ Harold D. Vursell Memorial Award A Chicago Tribune 'Best Books of 2014' USA Today: 10 Books We Loved Reading Washington Post, 10 Best Books of 2014 The definitive biography of America's greatest playwright from the celebrated drama critic of The New Yorker. John Lahr has produced a theater biography like no other. Tennessee Williams: Mad Pilgrimage of the Flesh gives intimate access to the mind of one of the most brilliant dramatists of his century, whose plays reshaped the American theater and the nation's sense of itself. This astute, deeply researched biography sheds a light on Tennessee Williams's warring family, his guilt, his creative triumphs and failures, his sexuality and numerous affairs, his misreported death, even the shenanigans surrounding his estate. With vivid cameos of the formative influences in Williams's life—his fierce, belittling father Cornelius; his puritanical, domineering mother Edwina; his demented sister Rose, who was lobotomized at the age of thirty-three; his beloved grandfather, the Reverend Walter Dakin—Tennessee Williams: Mad Pilgrimage of the Flesh is as much a biography of the man who created A Streetcar Named Desire, The Glass Menagerie, and Cat on a Hot Tin Roof as it is a trenchant exploration of Williams’s plays and the tortured process of bringing them to stage and screen. The portrait of Williams himself is unforgettable: a virgin until he was twenty-six, he had serial homosexual affairs thereafter as well as long-time, bruising relationships with Pancho Gonzalez and Frank Merlo. With compassion and verve, Lahr explores how Williams's relationships informed his work and how the resulting success brought turmoil to his personal life. Lahr captures not just Williams’s tempestuous public persona but also his backstage life, where his agent Audrey Wood and the director Elia Kazan play major roles, and Marlon Brando, Anna Magnani, Bette Davis, Maureen Stapleton, Diana Barrymore, and Tallulah Bankhead have scintillating walk-on parts. This is a biography of the highest order: a book about the major American playwright of his time written by the major American drama critic of his time. |
| analysis of the glass menagerie: The Glass Menagerie R. B. Parker, 1983 Essays discuss different productions of the play, identify literary influences, examine the characters, and analyzes Williams' dramatic technique. |
| analysis of the glass menagerie: August Tracy Letts, 2010-07-09 One of the most bracing and critically acclaimed plays in recent Broadway history, August; Osage County a portrait of the dysfunctional American family at its finest - and absolute worst. When the patriarch of the Weston clan disappears one hot summer night, the family reunites at the Oklahoma homestead, where long-held secrets are unflinchingly and uproariously revealed. |
| analysis of the glass menagerie: The Glass Queen Gena Showalter, 2020-09-29 IN THE FOREST OF GOOD AND EVIL, STRENGTH IS WEAKNESS AND WEAKNESS IS STRENGH. IT ALL DEPENDS ON WHO THE SLIPPER FITS. Princess Ashleigh Charmaine-Anskelisa is the Glass Princess, ready to shatter with a whisper of wind. Born with a weak heart, the vulnerable beauty has no magical ability…or does she? Something strange is happening to Ashleigh. Blackouts. Evil whispers. Immunity to fire. Turns out, she’s fated to play the part of Cinderella—but this time, the tale is twisted. The royal she’s supposed to enchant is the ruthless Saxon, a reincarnation of the realm’s most savage ruler…and he thinks Ashleigh is a reincarnation of his greatest enemy. He’s even fighting in a tournament to wed her stepsister. As the stroke of midnight looms, will Ashleigh become the queen she’s prophesied to be, or lose everything she's come to love? Praise for Gena Showalter: “Utterly unique and absolutely riveting—I couldn’t put it down! What a marvelously cool world.” —#1 New York Times bestselling author Sarah J. Maas on Firstlife “Firstlife is a nonstop thrill ride that will stop your heart…and shock it back to life. This book is #1 on my keeper shelf!” —#1 New York Times bestselling author P.C. Cast “Firstlife illuminates the depths of human resilience and the power of love, even in the darkest hours.” —#1 New York Times bestselling author Kresley Cole |
| analysis of the glass menagerie: Charlie and the Great Glass Elevator Roald Dahl, 2007-08-16 From the bestselling author of Charlie and the Chocolate Factory and The BFG! Last seen flying through the sky in a giant elevator in Charlie and the Chocolate Factory, Charlie Bucket's back for another adventure. When the giant elevator picks up speed, Charlie, Willy Wonka, and the gang are sent hurtling through space and time. Visiting the world’' first space hotel, battling the dreaded Vermicious Knids, and saving the world are only a few stops along this remarkable, intergalactic joyride. |
| analysis of the glass menagerie: Notebooks Margaret Rose Thornton, Tennessee Williams, 2006-01-01 Meticulously edited and annotated, Tennessee Williams's notebooks follow his growth as a writer from his undergraduate days to the publication and production of his most famous plays, from his drug addiction and drunkenness to the heights of his literary accomplishments. |
| analysis of the glass menagerie: The Night of the Iguana Tennessee Williams, 2009-10-30 Now published for the first time as a trade paperback with a new introduction and the short story on which it was based. Williams wrote: “This is a play about love in its purest terms.” It is also Williams’s robust and persuasive plea for endurance and resistance in the face of human suffering. The earthy widow Maxine Faulk is proprietress of a rundown hotel at the edge of a Mexican cliff overlooking the Pacific Ocean where the defrocked Rev. Shannon, his tour group of ladies from a West Texas women’s college, the self-described New England spinster Hannah Jelkes and her ninety-seven-year-old grandfather, Jonathan Coffin (“the world’s oldest living and practicing poet”), a family of grotesque Nazi vacationers, and an iguana tied by its throat to the veranda, all find themselves assembled for a rainy and turbulent night. This is the first trade paperback edition of The Night of the Iguana and comes with an Introduction by award-winning playwright Doug Wright, the author’s original Foreword, the short story “The Night of the Iguana” which was the germ for the play, plus an essay by noted Tennessee Williams scholar, Kenneth Holditch. “I’m tired of conducting services in praise and worship of a senile delinquent—yeah, that’s what I said, I shouted! All your Western theologies, the whole mythology of them, are based on the concept of God as a senile delinquent and, by God, I will not and cannot continue to conduct services in praise and worship of this…this…this angry, petulant old man.” —The Rev. T. Lawrence Shannon, from The Night of the Iguana |
| analysis of the glass menagerie: Dramatic Discourse Vimala Herman, 2005-06-20 Whilst poetry and fiction have been subjected to extensive linguistic analysis, drama has long remained a neglected field for detailed study. Vimala Herman argues that drama should be of particular interest to linguists because of its form, dialogue and subsequent translation into performance. The subsequent interaction that occurs on stage is a rich and fruitful source of analysis and can be studied by using discourse methods that linguists employ for real-life interaction. Shakespeare, Pinter, Osborne, Beckett, Chekhov, and Shaw are just some of the dramatists whose material is drawn upon. Each chapter contains a theoretical section in which major concepts of each framework are explained before the relevance of the framework to dramatic discourse is analyzed and explored using textual examples. This book will be of interest to undergraduates and postgraduates studying in the areas of literary linguistics and stylistics, or anyone specialising in the relationship between the text and performance. |
| analysis of the glass menagerie: A House Not Meant to Stand: A Gothic Comedy Tennessee Williams, 2008-04-17 The spellbinding last full-length play produced during the author's lifetime is now published for the first time. Christmas 1982: Cornelius and Bella McCorkle of Pascagoula, Mississippi, return home one midnight in a thunderstorm from the Memphis funeral of their older son to a house and a life literally falling apart--daughter Joanie is in an insane asylum and their younger son Charlie is upstairs having sex with his pregnant, holy-roller girlfriend as the McCorkles enter. Cornelius, who has political ambitions and a litany of health problems, is trying to find a large amount of moonshine money his gentle wife Bella has hidden somewhere in their collapsing house, but his noisy efforts are disrupted by a stream of remarkable characters, both living and dead. While Williams often used drama to convey hope and desperation in human hearts, it was through this dark, expressionistic comedy, which he called a Southern gothic spook sonata, that he was best able to chronicle his vision of the fragile state of our world. |
| analysis of the glass menagerie: Follies of God James Grissom, 2016-08-09 This remarkably illuminating portrait of Tennessee Williams lifts the veil on the heart and soul of his artistic inspiration: the unspoken collaboration between playwright and actor. At a low moment in Williams’s life, he summoned to New Orleans a young twenty-year-old writer, James Grissom, who had written him a letter asking for advice. After a long, intense conversation, Williams sent Grissom on a journey on his behalf to find out if he or his work had mattered to those who had so deeply mattered to him. Among the more than seventy women and men with whom Grissom talked were giants of American theater and film: Lillian Gish, (“the escort who brought me to Blanche”), Jessica Tandy (the original Blanche DuBois on Broadway), Eva Le Gallienne (“She was a stone against which I could rub my talent and feel that it became sharper”), Maureen Stapleton, Julie Harris, Bette Davis, Katherine Hepburn, Elia Kazan, Marlon Brando, John Gielgud, and many more. Follies of God provides dazzling insight into how Williams conjured the dramatic characters and plays that so transformed American theater. |
| analysis of the glass menagerie: Portrait of a mother in Tennessee Williams' memory play 'The Glass Menagerie' Annett Gräfe, 2007-04-16 Seminar paper from the year 2007 in the subject American Studies - Literature, grade: 1,0, http://www.uni-jena.de/ (Institut für Anglistik/Amerikanistik), course: Classics of Modern American Drama, language: English, abstract: Of particular interest for this paper is the juxtaposition of conflicting traits in Amanda's character. On the one hand, she is characterized by critics as the good mother and perpetuator. On the other hand, she is the terrible, cruel mother and perpetrator. These different characteristics seem to be directly connected to Amanda’s relationship to her children. For her daughter she is the good mother, trying everything to ensure her daughter’s security in the future. Her son experiences his mother’s treatment as suffocating and restricting for his dreams and ambitions. Yet, both of these different attitudes seem to be motivated by the same disposition in Amanda: the love and devotion of a mother for her children. Consequently, there must be other reasons that motivate Amanda’s behavior. This paper is going to consider the social and economical situation in the USA at the time of the play, Amanda’s glorification of her own past and the fact that the play is Tom’s memory for a combination of these three points seem to be the reason why Amanda is portrait as such an ambiguous character in the drama. To begin with, the relevant social and economic circumstances in the USA during the time of the play are going to be analyzed. Amanda’s glorification of her past is then discussed followed by the analysis of the influence of Tom’s memory on the portrayal of Amanda in the play. Finally, the results of the analysis of the three factors are applied to the relationship of Amanda and her children. |
| analysis of the glass menagerie: Under the Dome: Part 2 Stephen King, 2014-03-25 The conclusion to King's tale of Chester's Mill, Maine, a town that's inexplicably and suddenly sealed off from the rest of the world by an invisible force field, and which inspired a CBS TV drama. |
| analysis of the glass menagerie: Suddenly Last Summer Tennessee Williams, 1986 THE STORY: Kerr, in the NY Herald-Tribune, describes: This, says Mr. Williams through the most sympathetic voice among his characters, 'is a true story about the time and the world we live in.' He has made it seem true--or at least curiously and su |
| analysis of the glass menagerie: The Glass Menagerie by Tennessee Williams (Book Analysis) Bright Summaries, 2019-04-03 Unlock the more straightforward side of The Glass Menagerie with this concise and insightful summary and analysis! This engaging summary presents an analysis of The Glass Menagerie by Tennessee Williams, one of the famed playwright’s most autobiographical works. The play is told from the perspective of Tom Wingfield, a young man who is trapped in his memories of his life with his mother Amanda and sister Laura – a life he has cast off and left behind him. The play follows the events that transpire when Tom invites Jim to dinner, sparking hopes that he might prove a suitable suitor for Laura, whose overpowering social anxiety has left her isolated from the world. However, things do not work out as planned, and Tom is left with nothing but his guilt over the situation. Williams’s other works include Cat on a Hot Tin Roof, A Streetcar Named Desire and Suddenly Last Summer, and he is widely considered to be one of the greatest American playwrights of all time. Find out everything you need to know about The Glass Menagerie in a fraction of the time! This in-depth and informative reading guide brings you: • A complete plot summary • Character studies • Key themes and symbols • Questions for further reflection Why choose BrightSummaries.com? Available in print and digital format, our publications are designed to accompany you on your reading journey. The clear and concise style makes for easy understanding, providing the perfect opportunity to improve your literary knowledge in no time. See the very best of literature in a whole new light with BrightSummaries.com! |
| analysis of the glass menagerie: Eight Mortal Ladies Possessed Tennessee Williams, 1974 |
| analysis of the glass menagerie: A Day in the Death of Joe Egg Peter Nichols, 1967 The play centres on a British couple, Bri and Sheila, who are struggling to save their marriage whilst trying to raise their only child, a small girl named Josephine, who has cerebral palsy. She uses a wheelchair and is nonverbal, which her parents see as unable to communicate. Caring for her has occupied nearly every moment of her parents' lives since her birth, taking a heavy toll on their marriage. Sheila gives Josephine as much of a life as she can, while Bri wants the child institutionalised and has begun to entertain chilling fantasies of killing himself and Josephine. |
| analysis of the glass menagerie: History of the United States John Clark Ridpath, 1878 |
| analysis of the glass menagerie: The Two-character Play Tennessee Williams, 1979 A classic play by Tennessee Williams in a definitive, author-approved edition. |
| analysis of the glass menagerie: A Raisin in the Sun Lorraine Hansberry, 2016-11-01 A Raisin in the Sun reflects Lorraine Hansberry's childhood experiences in segregated Chicago. This electrifying masterpiece has enthralled audiences and has been heaped with critical accolades. The play that changed American theatre forever - The New York Times. Edition Description |
| analysis of the glass menagerie: The Kindness Of Strangers Donald Spoto, 1997-08-22 This is the first complete, critical biography of Tennessee Williams (1911–1983), one of America's finest playwrights and the author of (among many important works) The Glass Menagerie, Summer and Smoke, A Streetcar Named Desire, Cat on a Hot Tin Roof, Suddenly Last Summer, and The Night of the Iguana. Award-winning biographer Donald Spoto gives us not only a full and accurate account of Williams's life, he also reveals the intimate connections between the playwright's personal dramas and his remarkably autobiographical art. From his birth into a genteel Southern family, through his success, celebrity, and wealth, to his drug addictions, promiscuity, and creative struggles, Tennessee Williams lived a life as gripping as his plays. The Kindness of Strangers, based on Williams's own papers, his mother's diaries, and interviews with scores of friends, lovers, and professional associates, is, in the author's words, a portrait of a man more disturbing, more dramatic, richer and more wonderful than any character he created. |
| analysis of the glass menagerie: Buccaneers of the Caribbean Jon Latimer, 2009-06 During the seventeenth century, sea raiders known as buccaneers controlled the Caribbean. Buccaneers were not pirates but privateers, licensed to attack the Spanish by the governments of England, France, and Holland. Jon Latimer charts the exploits of these men who followed few rules as they forged new empires. Lacking effective naval power, the English, French, and Dutch developed privateering as the means of protecting their young New World colonies. They developed a form of semi-legal private warfare, often carried out regardless of political developments on the other side of the Atlantic, but usually with tacit approval from London, Paris, and Amsterdam. Drawing on letters, diaries, and memoirs of such figures as William Dampier, Sieur Raveneau de Lussan, Alexander Oliver Exquemelin, and Basil Ringrose, Jon Latimer portrays a world of madcap adventurers, daredevil seafarers, and dangerous rogues. Piet Hein of the Dutch West India Company captured, off the coast of Cuba, the Spanish treasure fleet, laden with American silver, and funded the Dutch for eight months in their fight against Spain. The switch from tobacco to sugar transformed the Caribbean, and everyone scrambled for a quick profit in the slave trade. Oliver Cromwell’s ludicrous Western Design—a grand scheme to conquer Central America—fizzled spectacularly, while the surprising prosperity of Jamaica set England solidly on the road to empire. The infamous Henry Morgan conducted a dramatic raid through the tropical jungle of Panama that ended in the burning of Panama City. From the crash of gunfire to the billowing sail on the horizon, Latimer brilliantly evokes the dramatic age of the buccaneers. |
| analysis of the glass menagerie: Idomeneus Roland Schimmelpfennig, 2014-06-25 ‘A promise is a promise. A promise is a promise.’ Idomeneus, King of Crete, has killed his son. Or maybe not. Maybe he's let his son live, but angered the gods in doing so. Or maybe the person he thinks is his son is an imposter. Maybe his real son actually turned into a talking, shape-shifting sea-creature and is back to have a heart-to-heart. Or maybe it's all true, all at once. A kaleidoscope of monsters, mythmaking and sudden, striking humor, Roland Schimmelpfennig’s smash-hit Idomeneus details the end of a war between nations and the beginning of a war between reason and superstition. Idomeneus makes a promise to the gods, and what comes next is a fractured, mythic tidal wave, brought to life in an inventively staged quest-story. |
| analysis of the glass menagerie: Hannibal and Me Andreas Kluth, 2012-01-05 A dynamic and exciting way to understand success and failure, through the life of Hannibal, one of history's greatest generals. The life of Hannibal, the Carthaginian general who crossed the Alps with his army in 218 B.C.E., is the stuff of legend. And the epic choices he and his opponents made-on the battlefield and elsewhere in life-offer lessons about responding to our victories and our defeats that are as relevant today as they were more than 2,000 years ago. A big new idea book inspired by ancient history, Hannibal and Me explores the truths behind triumph and disaster in our lives by examining the decisions made by Hannibal and others, including Albert Einstein, Eleanor Roosevelt, Steve Jobs, Ernest Shackleton, and Paul Cézanne-men and women who learned from their mistakes. By showing why some people overcome failure and others succumb to it, and why some fall victim to success while others thrive on it, Hannibal and Me demonstrates how to recognize the seeds of success within our own failures and the threats of failure hidden in our successes. The result is a page-turning adventure tale, a compelling human drama, and an insightful guide to understanding behavior. This is essential reading for anyone who seeks to transform misfortune into success at work, at home, and in life. |
| analysis of the glass menagerie: Tyger Adrian Mitchell, 1971 A celebration of the life and works of William Blake. |
| analysis of the glass menagerie: Camino Real Tennessee Williams, 2008 Now with a new introduction, the author's original Foreword and Afterword, the one-act play 10 Blocks on the Camino Real, plus an essay by noted Tennessee Williams scholar, Michael Paller. |
| analysis of the glass menagerie: How the Grinch Stole Christmas Dr. Seuss, 2013-10-22 Get in on the Christmas cheer with Dr. Seuss’s iconic holiday classic starring the Grinch and Cindy-Lou Who—guaranteed to grow your heart three sizes! Every Who down in Who-ville liked Christmas a lot...but the Grinch, who lived just north of Who-ville, did NOT! Not since “’Twas the night before Christmas” has the beginning of a Christmas tale been so instantly recognizable. From the Grinch and his dog, Max, to Cindy-Lou and all the residents of Who-ville, this heartwarming story about the effects of the Christmas spirit will warm even the coldest and smallest of hearts. Like mistletoe, candy canes, and caroling, the Grinch is a mainstay of the holidays, and his story is perfect for readers young and old. |
| analysis of the glass menagerie: The Spectator Studs Terkel, 2001-03-01 Gathers interviews with Buster Keaton, Lillian Gish, Carol Channing, Arthur Miller, James Cagney, Pauline Kael, Federico Fellini, Sybil Thorndike, James Baldwin, William Saroyan, Edward Albee, and Zero Mostel |
| analysis of the glass menagerie: Tennessee Williams 'The Glass Menagerie' Felicia Wulz, 2009-09-01 Seminar paper from the year 2004 in the subject Didactics for the subject English - Literature, Works, grade: 1,7, University of Tubingen, course: Introduction to literary studies (American literature), language: English, abstract: The subject of this work is the character of Jim O’Connor in Tennessee Williams’ play The Glass Menagerie . The text discusses the question to what extent he is a symbol of hope for all members of the Wingfield family and of whether he is a representative of the American ideology of optimism and progressivism. |
| analysis of the glass menagerie: Twilight of a Crane 木下順二, 1952 |
| analysis of the glass menagerie: Tennessee Williams John Lahr, Margaret Bradham Thornton, Carolyn Vega, Colin B. Bailey, 2018 |
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analysis 与 analyses 有什么区别? - 知乎
也就是说，当analysis 在具体语境中表示抽象概念时，它就成为了不可数名词，本身就没有analyses这个复数形式，二者怎么能互换呢？ 当analysis 在具体语境中表示可数名词概念时（ …
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