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| anarchists guide to historic house museums: Anarchist's Guide to Historic House Museums Franklin D Vagnone, Deborah E Ryan, 2016 This book offers a step-by-step guide to historic house museums to make them more informative and sustainable through an inclusive, visitor-centered paradigm of the shared experience of human habitation. |
| anarchists guide to historic house museums: Anarchist's Guide to Historic House Museums Franklin D. Vagnone, 2016 |
| anarchists guide to historic house museums: Anarchist's Guide to Historic House Museums Franklin D Vagnone, Deborah E Ryan, 2016-07-01 In these days of an aging traditional audience, shrinking attendance, tightened budgets, increased competition, and exponential growth in new types of communication methods, America’s house museums need to take bold steps and expand their overall purpose beyond those of the traditional museum. They need not only to engage the communities surrounding them, but also to collaborate with visitors on the type and quality of experience they provide. This book is a groundbreaking manifesto that calls for the establishment of a more inclusive, visitor-centered paradigm based on the shared experience of human habitation. It draws inspiration from film, theater, public art, and urban design to transform historic house museums while providing a how-to guide for making historic house museums sustainable, through five primary themes: communicating with the surrounding community, engaging the community, re-imagining the visitor experience, celebrating the detritus of human habitation, and acknowledging the illusion of the shelter’s authenticity. Anarchist's Guide to Historic House Museums offers a wry, but informed, rule-breaking perspective from authors with years of experience and gives numerous vivid examples of both good and not-so-good practices from house museums in the U.S. |
| anarchists guide to historic house museums: Reimagining Historic House Museums Kenneth C. Turino, Max van Balgooy, 2019-09-13 Drawing from innovative organizations across the United States, Reimagining Historic House Museums is an indispensable source of field-tested tools and techniques drawn from such wide-ranging sources as non-profit management, business strategy, and software development. It also profiles historic sites that are using new models to engage with their communities to become more relevant, are adopting creative forms of interpretation and programming, and earning income to become more financially sustainable. The book is a combination of a museum conference, a hands-on workshop, and toolbox. It contains five main parts: Fundamentals and Essentials Audiences Different Approaches to Familiar Topics Methods Imagining New Kinds of House Museums This authoritative guide from the American Association for State and Local History (AASLH) will help house museum boards, directors, and staff seeking a path forward in rapidly changing times. Graduate programs in public history, museum studies, curatorial studies, and historic preservation will discover models and approaches that will provoke lively discussions about the issues facing the field. |
| anarchists guide to historic house museums: Living My Life Emma Goldman, 1970-01-01 The autobiography of the early radical leader and her participation in communist, anarchist, and feminist activities |
| anarchists guide to historic house museums: The Anarchist's Workbench Christopher Schwarz, 2020-07-31 |
| anarchists guide to historic house museums: Anarchism and Other Essays Emma Goldman, Hippolyte Havel, 1917 |
| anarchists guide to historic house museums: Anarchism in Latin America Ángel J. Cappelletti, 2018-02-13 The available material in English discussing Latin American anarchism tends to be fragmentary, country-specific, or focused on single individuals. This new translation of Ángel Cappelletti's wide-ranging, country-by-country historical overview of anarchism's social and political achievements in fourteen Latin American nations is the first book-length regional history ever published in English. With a foreword by the translator. Ángel J. Cappelletti (1927–1995) was an Argentinian philosopher who taught at Simon Bolivar University in Venezuela. He is the author of over forty works primarily investigating philosophy and anarchism. Gabriel Palmer-Fernandez is Distinguished Professor of Philosophy and Religious Studies at Youngstown State University. |
| anarchists guide to historic house museums: Reconsidering Interpretation of Heritage Sites Anne Lindsay, 2019-08-16 Reconsidering Interpretation of Heritage Sites chronicles and problematizes the representation of the eighteenth century in museums and heritage sites while also challenging public historians to alter their perceptions of what might be possible when interpreting such sites. Much of the history consumed at eighteenth-century historic sites is one-dimensional, white, male, heteronormative, and very focused on power and wealth. Anne Lindsay argues that this narrative may be challenged through an engagement with the everyday life of the past, creating thought-provoking and challenging experiences that will connect with the modern visitor on a deeper level. Unlike other work that has been done in the field, the book provides a constructive study that engages in a horizontal analysis of a century over a geographic region. As a result, Lindsay provides a unique opportunity for scholars and practitioners to reflect on the types and tone of messages usually conveyed about the eighteenth century. Reconsidering Interpretation of Heritage Sites will be invaluable to scholars and practitioners working in the fields of museum and heritage studies and history. It will be particularly interesting to those who want to know more about how the lived experience of the past may be interpreted at historic sites, and how this could be used to engage with contentious histories. |
| anarchists guide to historic house museums: Anarchism and Education Judith Suissa, 2006-09-27 Although there have been a few historical accounts of the anarchist school movement, there has been no systematic work on the philosophical underpinnings of anarchist educational ideas - until now. Anarchism and Education offers a philosophical account of the neglected tradition of anarchist thought on education. Although few anarchist thinkers wrote systematically on education, this analysis is based largely on a reconstruction of the educational thought of anarchist thinkers gleaned from their various ethical, philosophical and popular writings. Primarily drawing on the work of the nineteenth century anarchist theorists such as Bakunin, Kropotkin and Proudhon, the book also covers twentieth century anarchist thinkers such as Noam Chomsky, Paul Goodman, Daniel Guerin and Colin Ward. This original work will interest philosophers of education and educationalist thinkers as well as those with a general interest in anarchism. |
| anarchists guide to historic house museums: Anarchism Daniel Guerin, 1970 One of the ablest leaders and writers of the French New Left describes the two realms of anarchism--Its intellectual substance, and its actual practice through the Bolshevik Revolution, the Spanish Civil War, the Italian Factory Councils, and finally its role in workers' self-management in modern Yugoslavia and Algeria. One sees in anarchism a close kinship to libertarianism of the right, with its horror of state bureaucracy and hostility toward bourgeois (liberal) democracy. Noam Chomsky, perhaps Guerin's American political counterpart, has written a concise and effective introduction which will add to the book's campus appeal. An important contemporary definition of New Left aims and their possible directions in the future. -- from back cover |
| anarchists guide to historic house museums: The Art of Not Being Governed James C. Scott, 2009-01-01 From the acclaimed author and scholar James C. Scott, the compelling tale of Asian peoples who until recently have stemmed the vast tide of state-making to live at arm’s length from any organized state society For two thousand years the disparate groups that now reside in Zomia (a mountainous region the size of Europe that consists of portions of seven Asian countries) have fled the projects of the organized state societies that surround them—slavery, conscription, taxes, corvée labor, epidemics, and warfare. This book, essentially an “anarchist history,” is the first-ever examination of the huge literature on state-making whose author evaluates why people would deliberately and reactively remain stateless. Among the strategies employed by the people of Zomia to remain stateless are physical dispersion in rugged terrain; agricultural practices that enhance mobility; pliable ethnic identities; devotion to prophetic, millenarian leaders; and maintenance of a largely oral culture that allows them to reinvent their histories and genealogies as they move between and around states. In accessible language, James Scott, recognized worldwide as an eminent authority in Southeast Asian, peasant, and agrarian studies, tells the story of the peoples of Zomia and their unlikely odyssey in search of self-determination. He redefines our views on Asian politics, history, demographics, and even our fundamental ideas about what constitutes civilization, and challenges us with a radically different approach to history that presents events from the perspective of stateless peoples and redefines state-making as a form of “internal colonialism.” This new perspective requires a radical reevaluation of the civilizational narratives of the lowland states. Scott’s work on Zomia represents a new way to think of area studies that will be applicable to other runaway, fugitive, and marooned communities, be they Gypsies, Cossacks, tribes fleeing slave raiders, Marsh Arabs, or San-Bushmen. |
| anarchists guide to historic house museums: Seeing Like a State James C. Scott, 2020-03-17 “One of the most profound and illuminating studies of this century to have been published in recent decades.”—John Gray, New York Times Book Review Hailed as “a magisterial critique of top-down social planning” by the New York Times, this essential work analyzes disasters from Russia to Tanzania to uncover why states so often fail—sometimes catastrophically—in grand efforts to engineer their society or their environment, and uncovers the conditions common to all such planning disasters. “Beautifully written, this book calls into sharp relief the nature of the world we now inhabit.”—New Yorker “A tour de force.”— Charles Tilly, Columbia University |
| anarchists guide to historic house museums: Feminist Critique and the Museum Kathy Sanford, Darlene E. Clover, Nancy Taber, Sarah Williamson, 2020-08-31 Thousands of diverse museums, including art galleries and heritage sites, exist around the world today and they draw millions of people, audiences who come to view the exhibitions and artefacts and equally importantly, to learn from them about the world and themselves. This makes museums active public educators who imagine, visualise, represent and story the past and the present with the specific aim of creating knowledge. Problematically, the visuals and narratives used to inform visitors are never neutral. Feminist cultural and adult education studies have shown that all too frequently they include epistemologies of mastery that reify the histories and deeds of ‘great men.' Despite pressures from feminist scholars and professionals, normative public museums continue to be rife with patriarchal ideologies that hide behind referential illusions of authority and impartiality to mask the many problematic ways gender is represented and interpreted, the values imbued in those representations and interpretations and their complicity in the cancellation of women’s stories in favour of conventional masculine historical accounts that shore up male superiority, entitlement, privilege, and dominance. Feminist Critique and the Museum: Educating for a Critical Consciousness problematises museums as it illustrates ways they can be become pedagogical spaces of possibility. This edited volume showcases the imaginative social critique that can be found in feminist exhibitions, and the role that women’s museums around the world are attempting to play in terms of transforming our understandings of women, gender, and the potential of museums to create inclusive narratives. |
| anarchists guide to historic house museums: How Nonviolence Protects the State Peter Gelderloos, 2018-07 Since the civil rights era, the doctrine of nonviolence has enjoyed near-universal acceptance by the US Left. Today protest is often shaped by cooperation with state authorities--even organizers of rallies against police brutality apply for police permits, and anti-imperialists usually stop short of supporting self-defense and armed resistance. How Nonviolence Protects the State challenges the belief that nonviolence is the only way to fight for a better world. In a call bound to stir controversy and lively debate, Peter Gelderloos invites activists to consider diverse tactics, passionately arguing that exclusive nonviolence often acts to reinforce the same structures of oppression that activists seek to overthrow.--Back cover. |
| anarchists guide to historic house museums: The Crowd Gustave Le Bon, 1897 |
| anarchists guide to historic house museums: Anarchism and the City Chris Ealham, 2010 A dramatic study of working-class urbanism and the fight for control of Barcelona. |
| anarchists guide to historic house museums: Storytelling in Museums Adina Langer, 2022-06-22 With chapters written by a diverse set of practitioners from across the museum field and around the world, Storytelling in Museums explores the efficacy and ethics of storytelling in museums. The book shows how museums use personal, local, and specific stories to make visitors feel welcome while inspiring them to engage with new ideas and unfamiliar situations. At the same time, the book explores the responsibilities of museum practitioners toward the storytellers included in their narratives and how those responsibilities shift over time and manifest in different contexts. The book’s eighteen chapters represent a conversation among a diverse set of professionals for whom storytelling connotes their daily museum practice. As educators, collectors, curators, designers, marketers, researchers, planners, and collaborators, the authors of this book consider the “real work” of storytelling from every angle. From the inclusion of personal stories in educational programs to the meta-narratives on display in exhibitions, this book balances practical examples with ethical considerations, placing the praxis of storytelling within the larger context of the 21st century museum. The book moves beyond advocacy for storytelling as an essential part of the museum’s toolkit to explore the many ways in which museums use personal stories, and multiple storytelling techniques, to support the larger public narratives embedded in their missions. The contributors demonstrate how museums that emphasize storytelling from multiple angles can serve as a kind of counterpoint to our tendency to fixate on singular images of things we know little about. They encourage museums to both acknowledge that they cannot control the narrative and to embrace their power to contribute to it through the multivalent, multivocal stories they choose to share. |
| anarchists guide to historic house museums: Our Word is Our Weapon Subcomandante Marcos, 2002-05-07 In this landmark book, Seven Stories Press presents a powerful collection of literary, philosophical, and political writings of the masked Zapatista spokesperson, Subcomandante Insurgente Marcos. Introduced by Nobel Prize winner José Saramago, and illustrated with beautiful black and white photographs, Our Word Is Our Weapon crystallizes the passion of a rebel, the poetry of a movement, and the literary genius of indigenous Mexico. Marcos first captured world attention on January 1, 1994, when he and an indigenous guerrilla group calling themselves Zapatistas revolted against the Mexican government and seized key towns in Mexico's southernmost state of Chiapas. In the six years that have passed since their uprising, Marcos has altered the course of Mexican politics and emerged an international symbol of grassroots movement-building, rebellion, and democracy. The prolific stream of poetic political writings, tales, and traditional myths that Marcos has penned since January 1, 1994 fill more than four volumes. Our Word Is Our Weapon presents the best of these writings, many of which have never been published before in English. Throughout this remarkable book we hear the uncompromising voice of indigenous communities living in resistance, expressing through manifestos and myths the universal human urge for dignity, democracy, and liberation. It is the voice of a people refusing to be forgotten the voice of Mexico in transition, the voice of a people struggling for democracy by using their word as their only weapon. |
| anarchists guide to historic house museums: My Disillusionment in Russia Emma Goldman, 2022-01-05T03:31:26Z In 1919, at the height of the anti-leftist Palmer Raids conducted by the Wilson administration, the anarchist activist and writer Emma Goldman was deported to the nascent Soviet Union. Despite initial plans to fight the deportation order in court, Goldman eventually acquiesced in order to take part in the new revolutionary Russia herself. While initially supportive of the Bolsheviks, with some reservations, Goldman’s firsthand experiences with Bolshevik oppression and corruption prompted her titular disillusionment and eventual emigration to Germany. In My Disillusionment in Russia, Goldman records her travels throughout Russia as part of a revolutionary museum commission, and her interactions with a variety of political and literary figures like Vladimir Lenin, Maxim Gorky, John Reed, and Peter Kropotkin. Goldman concludes her account with a critique of the Bolshevik ideology in which she asserts that revolutionary change in institutions cannot take place without corresponding changes in values. My Disillusionment in Russia had a troubled publication history, since the first American printing in 1923 omitted the last twelve chapters of what was supposed to be a thirty-three chapter book. (Somehow, the last chapters failed to reach the publisher, who did not suspect the book to be incomplete.) The situation was remedied with the publication of the remaining chapters in 1924 as part of a volume titled My Further Disillusionment in Russia. This Standard Ebooks edition compiles both volumes into a single volume, following the intent of the original manuscript. This book is part of the Standard Ebooks project, which produces free public domain ebooks. |
| anarchists guide to historic house museums: My Further Disillusionment in Russia Emma Goldman, 1924 |
| anarchists guide to historic house museums: Anarchist Seeds Beneath the Snow David Goodway, 2006-01-01 From William Morris to Oscar Wilde to George Orwell left-libertarian thought has long been an important but neglected part of British cultural and political history. This work seeks to recover that indigenous anarchist tradition. It argues that a recovered anarchist tradition could be a touchstone for contemporary political radicals. |
| anarchists guide to historic house museums: Transforming Issues in Housing Design Kutay Guler, 2023-11-30 TRANSFORMING ISSUES IN HOUSING DESIGN A practical and complete resource for students, researchers, and practitioners of housing design Transforming Issues in Housing Design delivers a comprehensive vision for the design, philosophy, psychology, efficiency, and constitution of housing. This collection of articles explores many of the most pressing and relevant issues related to the ongoing transformation of housing design. Twenty-two contributed chapters discuss the past and current state of housing design, how it evolved to become what it is today, and, finally, how it may unfold in the future. A team of global experts presents the most up-to-date research and a diverse and illuminating collection of examples to highlight housing design around the world. Readers will also find: A thorough introduction to modern housing design and how it relieves and contributes to various social and economic problems Insightful explorations of the built environment, interior architecture, urban design, sustainable living, space planning, and more Practical discussions of a theoretical framework to make sense of housing design concepts Complete treatments of concepts, research, and built projects from a diverse range of communities and cultures Perfect for architects and students of urban studies, interior design, and architecture, Transforming Issues in Housing Design will also benefit those who design, research, and teach housing. |
| anarchists guide to historic house museums: Interpretive Design and the Dance of Experience Steve Van Matre, 2008 |
| anarchists guide to historic house museums: Anarchist Modernity Sho Konishi, 2020-05-11 Mid-nineteenth century Russian radicals who witnessed the Meiji Restoration saw it as the most sweeping revolution in recent history and the impetus for future global progress. Acting outside imperial encounters, they initiated underground transnational networks with Japan. Prominent intellectuals and cultural figures, from Peter Kropotkin and Lev Tolstoy to Saigo Takamori and Tokutomi Roka, pursued these unofficial relationships through correspondence, travel, and networking, despite diplomatic and military conflicts between their respective nations. Tracing these non-state networks, Anarchist Modernity uncovers a major current in Japanese intellectual and cultural life between 1860 and 1930 that might be described as “cooperatist anarchist modernity”—a commitment to realizing a modern society through mutual aid and voluntary activity, without the intervention of state governance. These efforts later crystallized into such movements as the Nonwar Movement, Esperantism, and the popularization of the natural sciences. Examining cooperatist anarchism as an intellectual foundation of modern Japan, Sho Konishi offers a new approach to Japanese history that fundamentally challenges the “logic” of Western modernity. It looks beyond this foundational construct of modern history writing to understand people, practices, and cultural expressions that have been forgotten or dismissed as products of anti-modern nativist counter urges against the West. |
| anarchists guide to historic house museums: Urbanization Without Cities Murray Bookchin, 1992 The city at its best is an eco-community. Urbanization is not only a social and cultural fact of historic proportions; it is a tremendous ecological fact as well. We must explore modern urbanization and its impact on the natural environment, as well as the changes urbanization has produced in our sensibility towards society and toward the natural world. If ecological thinking is to be relevant to the modern human condition, we need a social ecology of the city. |
| anarchists guide to historic house museums: Anarchism Ruth Kinna, 2012-12-01 Would you want a world without government? In this clear and penetrating study, Ruth Kinna goes directly to the heart of this controversial ideology, explaining the influences that have shaped anarchism and the different tactics and strategies that have been used by anarchists throughout history to achieve their ends. Kinna covers themes both historical and acutely contemporary, including: Could anarchy ever really be a viable alternative to the state? Can anarchist ideals ever be consistent with the justification of violence? How has anarchism influenced the anti-globalization movement? |
| anarchists guide to historic house museums: American Stutter: 2019-2021 STEVE. ERICKSON, 2022-04-05 As Jonathan Lethem put, Steve Erickson's journal of the last 18 months of the Trump Presidency sears the page. Erickson, one of our finest novelists, has long been an astute political observer, and American Stutter, part political declaration, part humorous account of more personal matters, offers a particularly moving reminder of the democratic ideals that we are currently struggling to preserve. Written with wit, eloquence, and a controlled fury as event unfold, Erickson has left us with an essential record of our recent history, a book to be read with our collective breath held.* Steve Erickson is the author of ten novels and two books about American culture. For 12 years he was founding editor of the national literary journal Black Clock. Currently he is the film/television critic for Los Angeles magazine and a Distinguished Professor at the University of California, Riverside. He has received a Guggenheim fellowship, the American Academy of Arts and Letters award, and the Lannan Lifetime Achievement award. |
| anarchists guide to historic house museums: Anarchism and the Crisis of Representation Jesse S. Cohn, 2006 Anarchism and the Crisis of Representation is intended to provide readers of literary criticism, art history, political philosophy, and the social sciences with a fresh perspective from which to revisit dead-end theoretical debates over concepts such as agency, essentialism, and realism - and, at the same time, to offer a new take on anarchism itself, challenging conventional readings of the tradition. The anarchism that emerges from this reinterpretation is neither a musty rationalism nor a millenarian irrationalism, but a living body of thought that points beyond the sterile antinomies of post-modern and Marxist theory.--BOOK JACKET. |
| anarchists guide to historic house museums: The Participatory Museum Nina Simon, 2010 Visitor participation is a hot topic in the contemporary world of museums, art galleries, science centers, libraries and cultural organizations. How can your institution do it and do it well? The Participatory Museum is a practical guide to working with community members and visitors to make cultural institutions more dynamic, relevant, essential places. Museum consultant and exhibit designer Nina Simon weaves together innovative design techniques and case studies to make a powerful case for participatory practice. Nina Simon's new book is essential for museum directors interested in experimenting with audience participation on the one hand and cautious about upending the tradition museum model on the other. In concentrating on the practical, this book makes implementation possible in most museums. More importantly, in describing the philosophy and rationale behind participatory activity, it makes clear that action does not always require new technology or machinery. Museums need to change, are changing, and will change further in the future. This book is a helpful and thoughtful road map for speeding such transformation. -Elaine Heumann Gurian, international museum consultant and author of Civilizing the Museum This book is an extraordinary resource. Nina has assembled the collective wisdom of the field, and has given it her own brilliant spin. She shows us all how to walk the talk. Her book will make you want to go right out and start experimenting with participatory projects. -Kathleen McLean, participatory museum designer and author of Planning for People in Museum Exhibitions I predict that in the future this book will be a classic work of museology. --Elizabeth Merritt, founding director of the Center for the Future of Museums |
| anarchists guide to historic house museums: Bread and Roses Ethel Mannin, 1944 |
| anarchists guide to historic house museums: Critical Writings F. T. Marinetti, 2007-04-07 The Futurist movement was founded and promoted by Filippo Tommaso Marinetti, beginning in 1909 with the First Futurist Manifesto, in which he inveighed against the complacency of cultural necrophiliacs and sought to annihilate the values of the past, writing that there is no longer any beauty except the struggle. Any work of art that lacks a sense of aggression can never be a masterpiece. In the years that followed, up until his death in 1944, Marinetti, through both his polemical writings and his political activities, sought to transform society in all its aspects. As Günter Berghaus writes in his introduction, Futurism sought to bridge the gap between art and life and to bring aesthetic innovation into the real world. Life was to be changed through art, and art was to become a form of life. This volume includes more than seventy of Marinetti's most important writings—many of them translated into English for the first time—offering the reader a representative and still startling selection of texts concerned with Futurist art, literature, politics, and philosophy. |
| anarchists guide to historic house museums: New Solutions for House Museums Donna Ann Harris, 2007-04-16 A generational shift is occurring at historic house museums as board members and volunteers retire while few young people step forward to take their place. These landmarks are also plagued by serious deferred maintenance, and many have no endowment funds. What will happen to these sites in the next ten years, and what can be done to assure their continued preservation for generations to come? In New Solutions for House Museums Harris examines possible options and provides a decision-making methodology as well as a dozen case studies of house museums that have made a successful transition to a new owner or user. |
| anarchists guide to historic house museums: Anarchism and Chinese Political Culture Peter Gue Zarrow, 1990 Naphtali Lewis and Meyer Reinhold's Roman Civilization is a classic. Originally published by Columbia University Press in 1955, the authors have undertaken another revision which takes into account recent work in the field. These volumes consist of selected primary documents from ancient Rome, covering a range of over 1,000 years of Roman culture, from the foundation of the city to its sacking by the Goths.The selections cover a broad spectrum of Roman civilization, including literature, philosophy, religion, education, politics, military affairs, and economics. These English translations of literary, inscriptional, and papyrological sources, many of which are available nowhere else, create a mosaic of the brilliance, the beauty, and the power of Rome. |
| anarchists guide to historic house museums: A History of the World from the 20th to the 21st Century John Ashley Soames Grenville, 2005 Provides a comprehensive survey of the key events and personalities of this period. |
| anarchists guide to historic house museums: Future Shock Alvin Toffler, 2022-01-11 NEW YORK TIMES BESTSELLER • The classic work that predicted the anxieties of a world upended by rapidly emerging technologies—and now provides a road map to solving many of our most pressing crises. “Explosive . . . brilliantly formulated.” —The Wall Street Journal Future Shock is the classic that changed our view of tomorrow. Its startling insights into accelerating change led a president to ask his advisers for a special report, inspired composers to write symphonies and rock music, gave a powerful new concept to social science, and added a phrase to our language. Published in over fifty countries, Future Shock is the most important study of change and adaptation in our time. In many ways, Future Shock is about the present. It is about what is happening today to people and groups who are overwhelmed by change. Change affects our products, communities, organizations—even our patterns of friendship and love. But Future Shock also illuminates the world of tomorrow by exploding countless clichés about today. It vividly describes the emerging global civilization: the rise of new businesses, subcultures, lifestyles, and human relationships—all of them temporary. Future Shock will intrigue, provoke, frighten, encourage, and, above all, change everyone who reads it. |
| anarchists guide to historic house museums: The Psychology of Political Violence Emma Goldman, 1911 |
| anarchists guide to historic house museums: Republic of Detours Scott Borchert, 2021-06-15 A New York Times Book Review Editors' Choice | Winner of the New Deal Book Award An immersive account of the New Deal project that created state-by-state guidebooks to America, in the midst of the Great Depression—and employed some of the biggest names in American letters The plan was as idealistic as it was audacious—and utterly unprecedented. Take thousands of hard-up writers and put them to work charting a country on the brink of social and economic collapse, with the aim of producing a series of guidebooks to the then forty-eight states—along with hundreds of other publications dedicated to cities, regions, and towns—while also gathering reams of folklore, narratives of formerly enslaved people, and even recipes, all of varying quality, each revealing distinct sensibilities. All this was the singular purview of the Federal Writers’ Project, a division of the Works Progress Administration founded in 1935 to employ jobless writers, from once-bestselling novelists and acclaimed poets to the more dubiously qualified. The FWP took up the lofty goal of rediscovering America in words and soon found itself embroiled in the day’s most heated arguments regarding radical politics, racial inclusion, and the purpose of writing—forcing it to reckon with the promises and failures of both the New Deal and the American experiment itself. Scott Borchert’s Republic of Detours tells the story of this raucous and remarkable undertaking by delving into the experiences of key figures and tracing the FWP from its optimistic early days to its dismemberment by the House Committee on Un-American Activities. We observe notable writers at their day jobs, including Nelson Algren, broke and smarting from the failure of his first novel; Zora Neale Hurston, the most widely published Black woman in the country; and Richard Wright, who arrived in the FWP’s chaotic New York City office on an upward career trajectory courtesy of the WPA. Meanwhile, Ralph Ellison, Studs Terkel, John Cheever, and other future literary stars found encouragement and security on the FWP payroll. By way of these and other stories, Borchert illuminates an essentially noble enterprise that sought to create a broad and inclusive self-portrait of America at a time when the nation’s very identity and future were thrown into question. As the United States enters a new era of economic distress, political strife, and culture-industry turmoil, this book’s lessons are urgent and strong. |
| anarchists guide to historic house museums: Degeneration Max Simon Nordau, 1895 |
| anarchists guide to historic house museums: Life of an Anarchist Alexander Berkman, 2011-01-04 Alexander Berkman was a twentieth-century American revolutionary. Like the abolitionist John Brown before him, Berkman was hugely idealistic, ready to go to the furthest extreme of self-sacrifice and violence on behalf of justice and civil rights. He decided to assassinate industrialist Henry Clay Frick after reading in the newspaper that Pinkertons hired by Frick had opened fire on the Homestead strikers, killing men, women, and children. Berkman’s bungled attempt cost him fifteen years in a federal penitentiary. Upon his release, he became an effective agitator against conscription and was again imprisoned and eventually deported to Russia, where he saw at first hand the early days of Bolshevism. Berkman’s writings remain a lasting and impassioned record of intense political transformation. Featuring a new introduction by Howard Zinn, Life of an Anarchist contains Prison Memoirs of an Anarchist, Berkman’s account of his years in prison; The Bolshevik Myth, his eyewitness account of the early days of the Russian Revolution; and The ABC of Anarchism, the classic text on the nature of anarchism in the twentieth century. Also included are a selection of letters between Berkman and his lifelong companion Emma Goldman, and a generous sampling from Berkman’s other publications. |
Anarchism - Wikipedia
Anarchists such as Leo Tolstoy and Herbert Read stated that the border between the artist and the non-artist, what separates art from a daily act, …
Anarchism | Definition, Varieties, History, & Artistic ...
May 23, 2025 · The anarchists, for their part, would admit many of Brissot’s points. They deny man-made laws , regard property as a means of …
Anarchism - Stanford Encyclopedia of Philosophy
Oct 3, 2017 · Anarchism is usually grounded in moral claims about the importance of individual liberty, often conceived as freedom from …
Anarchism Explained: Why Should the State be Abolished?
Aug 23, 2023 · Some anarchists are strict individualists, others champion more communal forms of living. What all anarchists agree on, however, is …
What is Anarchism? - The Anarchist Library
Apr 17, 2025 · Many anarchists use the term ‘Anarchic’ to describe social relationships, movements or situations without authority or hierarchy. …
Anarchism - Wikipedia
Anarchists such as Leo Tolstoy and Herbert Read stated that the border between the artist and the non-artist, what separates art from a daily act, is a construct produced by the alienation …
Anarchism | Definition, Varieties, History, & Artistic ...
May 23, 2025 · The anarchists, for their part, would admit many of Brissot’s points. They deny man-made laws , regard property as a means of tyranny , and believe that crime is merely the …
Anarchism - Stanford Encyclopedia of Philosophy
Oct 3, 2017 · Anarchism is usually grounded in moral claims about the importance of individual liberty, often conceived as freedom from domination. Anarchists also offer a positive theory of …
Anarchism Explained: Why Should the State be Abolished?
Aug 23, 2023 · Some anarchists are strict individualists, others champion more communal forms of living. What all anarchists agree on, however, is that the state ought to be abolished. In this …
What is Anarchism? - The Anarchist Library
Apr 17, 2025 · Many anarchists use the term ‘Anarchic’ to describe social relationships, movements or situations without authority or hierarchy. Anarchists take what’s already present …
What is Anarchism? | Definition, Examples & Analysis - Perlego
Sep 7, 2023 · Anarchists prioritize direct democratic decision-making where each person’s vote is equal. This forms the basis of consensus practices, the idea is that everyone must agree, or …
An Introduction to Anarchism: Philosophy, History, and Practice
Jan 3, 2023 · One of the central ideas of anarchism is the rejection of the state and all forms of authority. Anarchists argue that the state is an unnecessary and oppressive institution that …
