Antonello Da Messina St Jerome In His Study

  antonello da messina st jerome in his study: Antonello Da Messina Gioacchino Barbera, Antonello (da Messina), Keith Christiansen, Andrea Bayer, Metropolitan Museum of Art (New York, N.Y.), 2005 This book on one of the most influential painters of the 15th century early Italian Renaissance comprises of an informative essay by the author plus entries on seven works that will be seen for the first time in the United States as part of a focus exhibition at The Metropolitan Museum of Art, New York.
  antonello da messina st jerome in his study: The Secret Hotel George Bures Miller, 2005 This renowned Canadian duo's audio and video works and installations examine the complexity and vertiginous nature of subjectivity in a technological world, where man is caught between present and the loss of self, between memory and experience, perception and imagination. Cardiff and Miller create interactive pieces in which the visitor is invited to touch, listen, smell and move about freely. This new catalogue presents five of those works, including Paradise Institute and The Forty-Part Motet, as well as three created within the last year, all documented in installation photographs and on a DVD. With an essay from art critic and historian Jorg Heiser.
  antonello da messina st jerome in his study: I Am Sitting in a Room Brian Dillon, 2011 The inaugural volume in Cabinet's new 24-Hour Book series, I Am Sitting in a Room--written and designed in one day--explores the scenography and architecture of writing itself. Inspired in part by Georges Perec's short fragment in Species of Spaces on Antonello da Messina's painting of St. Jerome in his study, Dillon's text is both a personal reflection on the theatrics of the study, the library and the office, and a historical consideration of such writerly paraphernalia as Proust's bed, Nabokov's index cards and Philip Roth's moustache. Dillon, who arrived at Cabinet's office without any prepared text, also had to remain open to the contingencies of an unfamiliar writing environment, peculiar and perhaps slightly dodgy take-out food, a makeshift bed, and a capricious heating system, not to mention the obvious pressures of working under extreme time constraints. If that were not enough, this particular scene of writing was a public one, with curious onlookers dropping in during the process to watch the author (and his support staff) at work. Inspired by literary precedents such as automatic writing, by the resourcefulness of the bricoleur making do with what is at hand and by the openness toward chance that all artistic production under severe constraint must necessarily incorporate, Cabinet's 24-Hour Book series will invite a number of distinguished authors and artists to be incarcerated in its gallery space to complete a project from start to finish within 24 hours.
  antonello da messina st jerome in his study: Crusoe's Books Bill Bell, 2022-01-13 This is a book about readers on the move in the age of Victorian empire. It examines the libraries and reading habits of five reading constituencies from the long nineteenth century: shipboard emigrants, Australian convicts, Scottish settlers, polar explorers, and troops in the First World War. What was the role of reading in extreme circumstances? How were new meanings made under strange skies? How was reading connected with mobile communities in an age of expansion? Uncovering a vast range of sources from the period, from diaries, periodicals, and literary culture, Bill Bell reveals some remarkable and unanticipated insights into the way that reading operated within and upon the British Empire for over a century.
  antonello da messina st jerome in his study: Artful Reading Bob Raczka, 2009-03-01 Presents a collection of artwork by various artists showing people reading.
  antonello da messina st jerome in his study: NPNF2-06. Jerome: The Principal Works of St. Jerome ,
  antonello da messina st jerome in his study: Saint and Symbol Bernhard Ridderbos, 1984
  antonello da messina st jerome in his study: The Renaissance Nude Thomas Kren, Jill Burke, Stephen J. Campbell, 2018-11-20 A gloriously illustrated examination of the origins and development of the nude as an artistic subject in Renaissance Europe Reflecting an era when Europe looked to both the classical past and a global future, this volume explores the emergence and acceptance of the nude as an artistic subject. It engages with the numerous and complex connotations of the human body in more than 250 artworks by the greatest masters of the Renaissance. Paintings, sculptures, prints, drawings, illuminated manuscripts, and book illustrations reveal private, sometimes shocking, preoccupations as well as surprising public beliefs—the Age of Humanism from an entirely new perspective. This book presents works by Albrecht Dürer, Lucas Cranach, and Martin Schongauer in the north and Donatello, Raphael, and Giorgione in the south; it also introduces names that deserve to be known better. A publication this rich in scholarship could only be produced by a variety of expert scholars; the sixteen contributors are preeminent in their fields and wide-ranging in their knowledge and curiosity. The structure of the volume—essays alternating with shorter texts on individual artworks—permits studies both broad and granular. From the religious to the magical and the poetic to the erotic, encompassing male and female, infancy, youth, and old age, The Renaissance Nude examines in a profound way what it is to be human.
  antonello da messina st jerome in his study: The Book of Art for Young People Agnes Ethel Conway, Sir William Martin Conway, 2019-11-25 This book, crafted for young minds, unveils a rich tapestry of artistic masterpieces through the ages. From the grandeur of thirteenth-century Europe to the Renaissance's awe-inspiring beauty, embark on a journey that illuminates the works of Richard II, the Van Eycks, Raphael, and more. Explore the vibrant Renaissance in Venice and the North, delving into the genius of Rembrandt, Peter de Hooch, Cuyp, Van Dyck, and Velasquez.
  antonello da messina st jerome in his study: The Scholar in His Study Curator of Renaissance Collections Department of Medieval and Modern Europe Dora Thornton, Dora Thornton, 1998-01-01 In fifteenth- and sixteenth-century Italy, many leading citizens constructed and furnished distinctive studies for themselves. The study was an individually designed room for private and social use - as an office, library, a family archive or treasury, as the nucleus of an art collection, or as a space for contemplation. This book is an account of the Renaissance Italian study and its contents. Illustrated with depictions of studies and the precious and unusual objects they contained, the book examines the significance of the study to its owner and visitors, its structure and location, and the prized possessions that might fill such a special room.
  antonello da messina st jerome in his study: The Transhistorical Image Paul Crowther, 2002-06-06 In this 2002 book, Paul Crowther explores the philosophy of visual art and its history.
  antonello da messina st jerome in his study: Giovanni Bellini: An Introduction , 2021-05-25 An accessible guide to the foremost figure in Venetian Renaissance painting, tracing Bellini's personal artistic development within historical context Italian Renaissance artist Giovanni Bellini (c. 1435/40-1516) is considered the most important practitioner of Venetian painting in the latter half of the 15th century. Born into a family of painters, Bellini began studying art at a young age, painting primarily in the prevailing Gothic style of the early Renaissance. As time passed and he evolved as an artist, Bellini's wide-reaching influence came to inform the maniera modernainherited by Giorgione and Titian. His unparalleled ability to both harness the expressive power of light and recreate the poetry of natural landscapes became the foundational tenets of the Venetian school of painting for centuries to come. This volume provides an accessible guide to Bellini's work and the lasting influence of his career on Western European painting. Organized chronologically, the book maps the development of Bellini's own craft alongside the greater technical experimentation of the Quattrocento, detailing the artist's abandonment of traditional egg tempera technique for oil on canvas and taking into account the influence of contemporaries Andrea Mantegna and Antonello da Messina. Concise and up-to-date, this publication effectively conveys the magnitude of Bellini's contributions to Western European painting in the wider context of the era.
  antonello da messina st jerome in his study: The Madness of Knowledge Steven Connor, 2021-07-21 Many human beings have considered the powers and the limits of human knowledge, but few have wondered about the power that the idea of knowledge has over us. Steven Connor’s The Madness of Knowledge is the first book to investigate this emotional inner life of knowledge—the lusts, fantasies, dreams, and fears that the idea of knowing provokes. There are in-depth discussions of the imperious will to know, of Freud’s epistemophilia (or love of knowledge), and the curiously insistent links between madness, magical thinking, and the desire for knowledge. Connor also probes secrets and revelations, quarreling and the history of quizzes and “general knowledge,” charlatanry and pretension, both the violent disdain and the sanctification of the stupid, as well as the emotional investment in the spaces and places of knowledge, from the study to the library. In an age of artificial intelligence, alternative facts, and mistrust of truth, The Madness of Knowledge offers an opulent, enlarging, and sometimes unnerving psychopathology of intellectual life.
  antonello da messina st jerome in his study: What Great Paintings Say Rose-Marie Hagen, Rainer Hagen, 2003 Rose-Marie and Rainer Hagen provide answers to these and other questions about world-famous works of art. Guiding our eye to revealing details, they also shed fascinating light on fishions and lifestyles, loves and intrigues, politics and people, and transform our encounter with art into an exciting adventure. Book jacket.
  antonello da messina st jerome in his study: What Great Paintings Say. Italian Renaissance Rose-Marie Hagen, Rainer Hagen, TASCHEN, 2018 Awe-inspiring classics become accessible, captivating stories thanks to this investigation into the covert world of Renaissance masterpieces. From Botticelli to Michelangelo, delve into the works of Italian masters like never before. Rose-Marie and Rainer Hagen meticulously dissect 12 key pieces alongside analytical essays and enlarged details...
  antonello da messina st jerome in his study: Emotions, Art, and Christianity in the Transatlantic World, 1450–1800 Heather Graham, Lauren G. Kilroy-Ewbank, 2021-08-24 A study into the role of visual and material culture in shaping early modern emotional experiences, c. 1450–1800
  antonello da messina st jerome in his study: Sassetta Sassetta, 2009 Sassetta, the subtle genius from Siena, revolutionized Italian painting with an altarpiece for the small Tuscan town of Borgo San Sepolcro in 1437-1444. To produce this volume, experts in art and general history have joined forces across the boundaries of eight different nations to explore Sassetta's work.
  antonello da messina st jerome in his study: The Venetian School of Painting Evelyn March Phillipps, 1912
  antonello da messina st jerome in his study: Lives of Giovanni Bellini Giorgio Vasari, Carlo Ridolfi , Isabella d’Este, Marco Boschini, 2018-04-03 Giovanni Bellini (ca. 1435–1516), widely considered the greatest Venetian artist of his time, was born into the most influential artistic family in Venice. He received his training in the studio of his father, Jacopo, along with his brother, Gentile, and through a long and fruitful career played a leading role in defining the Renaissance style in Venice. His workshop, one of the most important of the period, counted Giorgione and Titian among its pupils. The first account of his life, by Giorgio Vasari, also portrays the family artistic enterprise; it appeared in Vasari’s seminal Lives of the Most Excellent Painters, Sculptors and Architects, published in 1550 and revised and expanded in 1568. A century later Carlo Ridolfi, who sought to rectify Vasari’s emphasis on Florentine painters, provides a fuller portrayal of Bellini in his 1648 work The Marvels of Art, or the Lives of the Famous Painters of Venice and Its State. These two narratives are complemented in this book by Marco Boschini’s poetic homage to the artist and by correspondence between the renowned Renaissance patron of the arts Isabella d'Este, Bellini, and others regarding the commission of a painting for her celebrated studiolo in Mantua. Ridolfi’s biography, Boschini’s poem, and the Isabella d’Este correspondence appear here in English for the first time. Full-page color illustrations throughout the book represent the full sweep of Bellini’s career.
  antonello da messina st jerome in his study: Species of Spaces and Other Pieces Georges Perec, 1997 This selection of non-fictional work from the author of Life, a User's Manual, demonstrates Georges Perec's characteristic lightness of touch, wry humour and accessibility.
  antonello da messina st jerome in his study: The Renaissance in Italy and Spain Metropolitan Museum of Art (New York, N.Y.), 1987 This volume presents a full range of artistic endeavor from the first awakenings of the Renaissance spirit in the works of Berlinghiero, Giotto, and Pisano, to the climactic creations of Raphael, Michelangelo, Leonardo, Titian, and Veronese- the masters of the High Renaissance. The artists of Italy and Spain worked in every medium, all of which are represented in this volume: paintings, drawings, and prints; sculpture in stone, wood, and terra-cotta; glass, metal, and porcelain; furniture and musical instrument; costumes and armor.--Page 2 of cover.
  antonello da messina st jerome in his study: Visualizing Sensuous Suffering and Affective Pain in Early Modern Europe and the Spanish Americas , 2018-01-03 Visualizing Sensuous Suffering and Affective Pain in Early Modern Europe and the Spanish Americas is a trans-cultural collection of studies on visual treatments of the phenomena of suffering and pain in early modern culture. Ranging geographically from Italy, Spain, and the Low Countries to Chile, Mexico, and the Philippines and chronologically from the fourteenth to the eighteenth centuries, these studies variously consider pain and suffering as somatic, emotional, and psychological experiences. From examination of bodies shown victimized by brutal public torture to the sublimation of physical suffering conveyed through the incised lines of Counter-Reformation engravings, the authors consider depictions of pain and suffering as conduits to the divine or as guides to social behaviour; indeed, often the two functions overlap.
  antonello da messina st jerome in his study: Sir Vidia's Shadow Paul Theroux, 2014-02-11 The acclaimed writer shares an intimate portrait of his former mentor V.S. Naipaul in this memoir of their thirty-year friendship and sudden falling out. Paul Theroux was a young aspiring writer when he met the legendary V.S. Naipaul in Uganda in 1966. There began a friendship that would span continents as both men ascended the ranks of literary stardom. Naipaul’s early encouragement of Theroux’s talent had a profound impact on him—yet the apprenticeship was not always easy. This heartfelt and revealing account of Theroux's thirty-year friendship with Naipaul explores the unique effect each writer had on the other. Built around exotic landscapes, anecdotes that are revealing, humorous, and melancholy, and three decades of mutual history, this is a personal account of how one develops as a writer and how a friendship waxes and wanes between two men who have set themselves on the perilous journey of a writing life. A New York Times Notable Book
  antonello da messina st jerome in his study: Animal Life in Italian Painting William Norton Howe, 1912
  antonello da messina st jerome in his study: The Anonimo George Charles Williamson, Jacopo Morelli, Marcantonio Michiel, 2022-10-27 This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
  antonello da messina st jerome in his study: How Milton Works Stanley Eugene Fish, 2001 Stanley Fish's Surprised by Sin, first published in 1967, set a new standard for Milton criticism and established its author as one of the world's preeminent Milton scholars. The lifelong engagement begun in that work culminates in this book, the magnum opus of a formidable critic and the definitive statement on Milton for our time. How Milton works from the inside out is the foremost concern of Fish's book, which explores the radical effect of Milton's theological convictions on his poetry and prose. For Milton the value of a poem or of any other production derives from the inner worth of its author and not from any external measure of excellence or heroism. Milton's aesthetic, says Fish, is an aesthetic of testimony: every action, whether verbal or physical, is or should be the action of holding fast to a single saving commitment against the allure of plot, narrative, representation, signs, drama--anything that might be construed as an illegitimate supplement to divine truth. Much of the energy of Milton's writing, according to Fish, comes from the effort to maintain his faith against these temptations, temptations which in any other aesthetic would be seen as the very essence of poetic value. Encountering the great poet on his own terms, engaging his equally distinguished admirers and detractors, this book moves a 300-year debate about the significance of Milton's verse to a new level.
  antonello da messina st jerome in his study: Jerome's Study Max Porter, 2018 Test Centre is excited to announce the publication of Jerome's Study, a collaboration between prize-winning author Max Porter and artist Catrin Morgan. The third publication in our ekphrastic series, the book explores the ways in which literary and visual art forms respond to and translate other works of art. The collaboration evolved from Catrin's series of isomorphic translations of Renaissance paintings of Saint Jerome, most often depicted at work in his study. Catrin invited Max to respond to her images, and his texts became the flesh to be re-inserted into the empty architectural environments of her art-historical spaces. According to Max, 'The idea was that they would be pan-historical, somewhere between polluted wall texts, hoax footnotes and the real (bodily) contemplations of a troubled theologian in a small space, battling myth and symbols and the small array of objects - real and imaginary - before and behind him. Cat asked me to spill over her clean lines, so the work is sometimes vulgar, sometimes kitsch (he is a saint, after all), but more often than not tragic, or pitiful. Men alone in boxes telling stories usually are.' Jerome's Study explores what happens when we observe and study pieces of art; how we depict and translate our impression of something, and the stories and preoccupations that emerge when we spend time with another work of art. The book itself, beautifully designed and hand-assembled by Catrin, opens up and expands the possibilities inherent in the original collaboration, so that the radically engineered book itself is as important as the images and the text. As Max says, 'This is what makes Jerome tick.
  antonello da messina st jerome in his study: Antonello da Messina , 1987
  antonello da messina st jerome in his study: English as She Is Spoke Pedro Carolino, 2018-10-17 Unintentionally hilarious Portuguese-English phrase book written by an author who spoke no English. In his Introduction to this literary curiosity, Mark Twain warmly praised it for its miraculous stupidities.
  antonello da messina st jerome in his study: Six Centuries of Painting Randall Davies, 2009-01-01
  antonello da messina st jerome in his study: Georges Perec: A Life in Words David Bellos, 2010-11-30 It's hard to see how anyone is ever going to better this User's Manual to the life of Georges Perec - Gilbert Adair, Sunday Times Winner of the Prix Goncourt for Biography, 1994 George Perec (1936-82) was one of the most significant European writers of the twentieth century and undoubtedly the most versatile and innovative writer of his generation. David Bellos's comprehensive biography - which also provides the first full survey of Perec's irreverent, polymathic oeuvre - explores the life of an anguished, comical and endearingly modest man, who worked quietly as an archivist in a medical research library. The French son of Jewish immigrants from Poland, he remained haunted all of his life by his father's death in the war, fighting to defend France, and his mother's in Auschwitz-Birkenau. His acclaimed novel A Void (1969) - written without using the letter e - has been seen as an attempt to escape from the words père, mere, and even George Perec. His career made an auspicious start with Things: A Story of the Sixties (1965), which won the Prix Renaudot. He then pursued an idiosyncratic and ambitious literary itinerary through the intellectual ferment of Paris in the 1960s and 1970s.He belonged to the Ouvrior de Littérature Potentielle (OuLiPo), a radically inventive group of writers whose members included Raymond Queneau and Italo Calvino. Perec achieved international celebrity with Life A User's Manual (1978), which won the Prix Medicis and was voted Novel of the Decade by the Salon du Livre. He died in his mid-forties after a short illness, leaving a truly puzzling detective novel, 53 Days, incomplete. Professor Bellos's book enables us at once to relish the most wilfully bizarre aspects of Perec's oeuvre and to understand the whys and wherefores of his protean nature - Jonathan Romney, Literary Review
  antonello da messina st jerome in his study: Giovanni Bellini Davide Gasparotto , 2017-10-10 Praised by Albrecht Dürer as being “the best in painting,” Giovanni Bellini (ca. 1430– 1516) is unquestionably the supreme Venetian painter of the quattrocento and one of the greatest Italian artists of all time. His landscapes assume a prominence unseen in Western art since classical antiquity. Drawing from a selection of masterpieces that span Bellini's long and successful career, this exhibition catalogue focuses on the main function of landscape in his oeuvre: to enhance the meditational nature of paintings intended for the private devotion of intellectually sophisticated, elite patrons. The subtle doctrinal content of Bellini’s work—the isolated crucifix in a landscape, the “sacred conversation,” the image of Saint Jerome in the wilderness—is always infused with his instinct for natural representation, resulting in extremely personal interpretations of religious subjects immersed in landscapes where the real and the symbolic are inextricably intertwined. This volume includes a biography of the artist, essays by leading authorities in the field explicating the themes of the J. Paul Getty Museum’s exhibition, and detailed discussions and glorious reproductions of the twelve works in the show, including their history and provenance, function, iconography, chronology, and style.
  antonello da messina st jerome in his study: Renaissance & Mannerism Diane Bodart, 2008 From the 15th to the 16th centuries, Western European culture flourished thanks in part to the astonishing achievements of such Renaissance artists as da Vinci, Donatello, Raphael, Botticelli, and Michelangelo, and Mannerist painters including El Greco, Pontormo, and Tintoretto. In Florence, the cradle of the Renaissance, artists pursued ancient classical ideals of harmony and naturalism, and in architecture, forms of perfection and grandeur. Mannerists, in the early 16th century, valued exaggeration, elongated figures, unnatural lighting, and vivid (even lurid) colors, to create more tension and emotion in their work. This stunning volume follows these two key movements in art history, providing authoritative background from a top scholar, rich cultural context, and a wealth of exquisite reproductions of period paintings, sculptures, churches, and palazzos.
  antonello da messina st jerome in his study: Book, Text, Medium Garrett Stewart, 2021-01-28 Book, Text, Medium: Cross Sectional Reading for a Digital Age utilizes codex history, close reading, and language philosophy to assess the transformative arc between medieval books and today's e-books. It examines what happens to the reading experience in the twenty-first century when the original concept of a book is still held in the mind of a reader, if no longer in the reader's hand. Leading critic Garrett Stewart explores the play of mediation more generally, as the concept of book moves from a manufactured object to simply the language it puts into circulation. Framed by digital poetics, phonorobotics, and the rising popularity of audiobooks, this study sheds new light on both the history of reading and the negation of legible print in conceptual book art.
  antonello da messina st jerome in his study: European Drawings J. Paul Getty Museum, George R. Goldner, Lee Hendrix, Gloria Williams, 1988
  antonello da messina st jerome in his study: How to Travel The School The School of Life, 2019-10-08 A practical guide to traveling in the best way possible, featuring 20 essays for inspiration and advice in a broad range of scenarios.
  antonello da messina st jerome in his study: Alvise Vivarini John Steer, 1982
  antonello da messina st jerome in his study: Antonello Da Messina and His Workshop Thomas Skorupa, 2015 Antonello da Messina (ca. 1430--1479) has long been famous for his mastery of the technique of oil painting, for his role in the dissemination of the Netherlandish style in northern Italy, and for introducing new artistic impulses in Venice in the mid-1470s. Following his premature death in 1479, his son Jacobello took over the workshop and, with three of his cousins, Antonio and Pietro de Saliba and Salvo d'Antonio, continued painting Antonello's compositions for a northern Italian audience from their Venice base for the next decade and a half. In the mid-1490s, they returned to Sicily, where they continued to paint in the master's style well into the sixteenth century. The workshop production is a true indication of the continuing positive reception of Antonello's work after the master's death. This study examines the four members of the workshop, drawing from the contracts, wills, records of payments, and paintings as source material to reconstruct the activity of these artists in both northern and southern Italy. The study focuses on the relationship between prototypes and copies during the workshop's Venetian period, with examinations of two series of small devotional paintings. The catalogue raisonne, which includes detailed entries of all known works by the four members of Antonello da Messina's workshop, is the first complete overview of this workshop's production. Thomas Skorupa studied art history, German literature, and comparative literature in New York and Berlin. He earned his doctorate at the Freie Universitat Berlin with this dissertation. He works as an editor in Berlin.
  antonello da messina st jerome in his study: Digital Cities Neil Leach, 2009-08-31 Guest-edited by Neil Leach What is the impact of digital technologies on the design and analysis of cities? For the last 15 years, the profound impact of computer-aided techniques on architecture has been well charted. From the use of standard drafting packages to the more experimental use of generative design tools and parametric modelling, digital technologies have come to play a major role in architectural production. But how are they helping architects and designers to operate at the urban scale? And how might they be changing the way in which we perceive and understand our cities? Features some of the world’s leading experimental practices, such as Zaha Hadid Architects, R&Sie(n), Biothing and Xefirotarch. Takes in exciting emerging practices, such as moh architects, kokkugia and THEVERYMANY, and work by students at some of the most progressive schools, such as the AA, Dessau Institute of Architecture and RMIT. Contributors include: Michael Batty, Benjamin Bratton, Alain Chiaradia, Manuel DeLanda, Vicente Guallart and Peter Trummer.
  antonello da messina st jerome in his study: Building Meaning Tamara Metz, 2021-12-30 Building Meaning: An Architecture Studio Primer on Design, Theory, and History is an essential introduction to the complex relationship between form making, historical analysis, and conceptual explorations. This book focuses on the relationship and interdependence between design, theory, and history for an innovative and holistic studio approach. Rather than suggest a singular narrative, this book draws from a diverse range of thinkers and designers to highlight the many interpretations of key architectural concepts, and provides readers with the context essential for developing their own approaches to any design problem. Building Meaning is organized to reflect the typical studio process, with stand-alone chapters that provide flexibility for use at any stage of design. The ideal book for beginning and intermediate architecture students, it gives specific methods to apply in the studio to make the most of the design process, as well as focused exercises to creatively explore each concept presented. Illustrated with more than 250 color images, it enables readers to engage and understand critically the genesis of architectural ideas and their role in our social and cultural experience.
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